y'know what we don't talk about enough? Hazel died. We talk about how she grew up in the 30's and 40's and we talk about how out of place she feels in the modern world, but! She died! She was dead! She has spent more time dead than alive, and not by a close margin!
How does that effect a person??? We got some of it in the flashbacks, but once those caught up with her present timeline and she shared them, they just kind of... disappeared. And she was a regular girl with some weird past experiences. That's one way of doing it, sure!
I think it would have been a lot cooler if she was just a touch creepier. If she felt a little bit Wrong. Yeah, in general she's more approachable than her brother, she's more sociable and less closed off, but. If you actually spend any time with her, it can be difficult to tell which child of the underworld is actually more unsettling.
Hazel is bright of personality and has a dazzling smile, but sometimes she'll just... shut down. She'll go completely blank for like half an hour and nobody knows what to do with it. Sometimes she forgets she's alive. Sometimes she'll spout the grimmest shit you've ever heard like it's nothing, she won't even notice it's weird until the room goes quiet. She spent decades in Asphodel, which is designed to make people forget about themselves and wander around for eternity, only she didn't have the luxury of forgetting! Wild! After she comes back to life, sometimes she forgets that she's allowed to Do Stuff now. She can spend so long sitting and staring at nothing. Sometimes she'll start crying on cloudless days because it hits her again that she can actually feel the warmth of the sun on her skin and she can hear birdsong. Every little mundane experience is a blessing and she will make you remember that in the most foreboding way possible.
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one thing about the core reveal scene is that it's one of the only times someone defends wei wuxian just out of like. anger and contempt. there's the desperate way that jiang cheng protects wei wuxian from his mother and the wens, and the gentle quiet way that lan wangji stands up for wei wuxian against the world, but it is So endlessly refreshing to see someone just be fucking mad that wei wuxian is being mistreated. wen nings fearsome, righteous anger is so good especially considering that wen ning is a character who so rarely ever let's himself show any anger at all, even when he has so much to be angry about
and he doesn't even get angry in a reserved, polite way either he literally tells jiang cheng to his face that he will never be as good as wei wuxian. saying that serves absolutely no purpose other than to hurt him. it doesn't reveal anything more about the core, its not a cold truth that jiang cheng needs to learn, it's not even really something that strictly Defends wei wuxian against anything. he literally just says it because he Knows it's exactly the thing that will hurt the most, and in that moment what wen ning wants to do is to hurt jiang cheng. and it's delicious
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maybe it's because I'm in the "I'm so obsessed and hyperfocused on my little guys I will make any song seem like it's about them even if it couldn't be any father from actually relating to them at all" stage of my Theon and Asha hyperfixation but like...
I feel like 'I bet on losing dogs' by Mitski is about them.
it's about Asha and her relationship with Theon.
he's her baby brother. the baby brother who looked up at her smiled when she had gone in his room, intent on strangling him to stop his cries. he's her losing dog. the dog she keeps fighting for when no one else will. she never gives up on him, not truly, even when he is so clearly doomed, because she loves him, she won't give up on him.
and Theon is, in so many senses, a dog. he's been passed around from owner to owner, home to home, trained and beaten and domesticated, made to behave how his owner at the time sees fit. he's a good dog, a good beaten dog.
and now, in a way, he's Asha's dog. she doesn't want him to be her dog, she wants him to be her brother, and Theon's trying, he really is trying, she knows he's trying, but part of him will always be doomed to be a dog waiting to be hit, waiting for a command, waiting to be trained.
he's her losing dog, she knows it, knows he's doomed, deep down, there's little hope, he'll die a damned dog, but fuck it she doesn't care, he's her blood, her baby, he will be by her side no matter what. she'll always go back for him, she'll always fight for him, she'll always tell him to stay, she'll always give him a chance, she'll always try.
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it really fucking sucks to be a horror fan & specifically a controversial content fan at times when you have ptsd because it makes it impossible to just enjoy plenty of perfectly good quality content. especially as a firm advocate that we shouldn’t police what is & isn’t allowed to be portrayed & that sometimes portraying awful things is in fact relevant to the story & necessary. like I just wish I could pussy up sometimes lol
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…can i ask you to share more of your thoughts on fem!jaytim vibes
hi cory!!!! yes, yes i can :) <3
most of my thoughts come from this lil snippet and my tags.
my thoughts on fem!jaytim can be boiled down to this line: “Her successor fascinates her. She kind of wants to let him dissect her, little freak that he is.”
like tim is a freak who would absolutely want to dissect and take jaye apart piece by piece just to get to the bottom of whatever the hell is wrong with her (obsessive) and jaye would let him bc she wants to know what the hell is wrong with him (affectionate).
It’s almost a scientist and their never-ending experiment, but not quite?
like the dissection, its the act, the intimacy, the trust in being vulnerable and completely open on the table for them to see, a show and a sight but not a performance, it's the ‘i’m going to take you apart piece by piece, not to fix you or change you, but just to understand you’, and 'i’m going to get my hands dirty and dig into you, and it can be voluntarily or not, it can be with anesthesia or nothing but im going to know you whether you like it or not,' paired with 'you are going to have to cut me open to get to know me, it has to be cold and violent, it has to be artful and methodological.'
but jaye started off with ‘i want to destroy you, take you to the brink, the edge of despair and fury and hatred and let you go without any catharsis,’ kind of like capturing a wild animal, testing on it, and then releasing it back into the wild with a tag to see what it will do after being changed (will it return back to it’s normal routine or will it come back for more?)
and then tim kept coming back. and that's when jaye is like alright yeah, i'll let you rip me open and give me a name (or maybe give me back my name?) and tim does, and he does it carefully, adoringly, obsessively.
and i think tim’s obsessive focus, paired with the idea of the knife/scalpel = love, is what jaye would respond to best. she was raised in violence, and probably thinks that fighting and pain is caring and love, AND she’s never been a priority in anyone’s life. so for tim to obsess and know her in ways that no one else has before (or have even bothered) is captivating, exciting, and absolutely mind-boggling, and i think jaye would get possessive, like ‘this robin, this little freak is mine.'
i, hmmm. running out of coherent thoughts after this, so um i guess enjoy? <3
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