#but some reasons for at least part of the majority of their actions .... some of them are. a little bit understandable

[eastern-lights]

I honestly think reducing the amount of choices from the previous games was a good thing. Or necessary, at least.

It doesn't mean that your choices don't matter. Majority of the epilogues from Origins are never mentioned again, does that mean they don't matter? Of course not. We need to start enjoying choices for what they do in their own game, not for some distant hope of a future cameo.

Frankly, the branches of the story were becoming too sprawling. Reducing their number was the only way to ensure all of us are still playing the same game.

It's been 10 years in game. Most consequences of your actions aren't that far reaching. It is extremely likely the political situation in the South would have stabilized itself eventually no matter who the Inquisitor supported.

As for who rules Ferelden and Orlais, it just isn't going to be relevant in Veilguard. The only way it could be would be if they wanted to shoehorn in an awkward shoutout or a cameo that has no real purpose in the story (looking at you, Alistair randomly showing up in Kirkwall).

Who sat on which throne mattered in DAI because it was a political game. Moreover, it was a culmination of the political uproar set up by the previous games.

But that's been resolved and we as Rook have more important matters to attend to. Why should a rando in Tevinter care who rules Ferelden (or that Morrigan has a kid for that matter) when the world is ending?

Your choces do matter. They're just not relevant to Rook at this point in time.

(As for the Well, there is a very good lore-friendly reason why it ultimately matters little - the short version is that Morrigan, not Solas now wields that part of Mythal's power and she values independence above all else - she would never enslave Inky.)

It is impossible to write a good story if you have to make it work for like 30 different world states. It would have been bland and generic. If Bioware has found a world state that all previous ones logically converge on, more power to them, because they could have just as easily simply declared the "Bioware canon" the only canonical world state.

We got the best outcome of a bad situation.

[nicxl333]

could you do a part 2 of bllk boys accidentally hurting their partner bu with a good ending please.

My stomach wouldn't be able to handle mor angst(⁠T⁠T⁠)

BABY YOU SOLD ME A DREAM PT.2

thanks for the req anon, i think you’re doing everyone a favour here by asking for this because whew! i was ready to dropkick a mf from writing pt.1 lmao

also if you’re here by chance it’s probably best if you read pt.1 for context before you read pt.2 | :3

characters: isagi yoichi, reo mikage, nagi seishiro, barou shoei, itoshi rin

content: overwhelming fluff, slight angst, major angst (in rin and barou’s part), reader is female coded (the term ‘girlfriend ‘ is used)

tags: @kaiserkisser @silly-ez @scaramouchemyloveee @mariyumemi @wishiknewwhatiwasdoingwithmylife @hsxhype @aquamarine001 @nxgiswife @hanagoromo-roses

☆彡 ISAGI YOICHI

two weeks. two long, monotonous weeks spent without isagi. yes bachira did his very best to make sure you were comfortable with him, but you missed isagi so damn much.

it wasn’t only difficult for you though, bachira was trapped in a bad position. due to him being a friend of both you and isagi, he was stuck between a rock and a hard place. while it was evident that isagi had fucked you over badly, being in a team with isagi and having him as a bestfriend didn’t make things better. he couldn’t just pick a side and be done with it.

unbeknownst to you though, isagi asked bachira multiple times each day about how you were doing. after some self reflection, he realised just how wrong he was for treating you that way. especially since people like you nowadays are hard to come by. someone so nurturing, caring and full of love and devotion for their s/o was quite the rarity to find. and to think he nearly lost all of that with just a few words. really opened up his perspective of things. he wanted to do better. for you and himself.

and so, he cut down his training times, making more time for himself to wind down from daily intensive workouts. he thought of words to say to you, to make it known to you that he was aware where he went wrong and was taking responsibility for his actions.

he also went shopping, to buy you a multitude of gifts. clothes, jewellery, trainers and heels, perfumes, trinkets. you name it, he bought it. it all cost him a hand and a foot, but he didn’t mind, he would do it 100 times over for you. (we should remember this man is a professional footballer, he’s got dough.) once home, he placed all the gifts on the coffee table in the living room, having to put some on the floor due to the sheer amount he bought, ready to take them to bachira’s tomorrow.

little did he know he wouldn’t have to make the commute.

you had said your goodbyes to bachira that same day, thanking him for taking you in for so long with a big bear hug, to which he returned with just as much (platonic) love as you had shown him. you placed your bag in the backseat of your car, turning on the ignition and beginning the drive back home.

as the roads whizzed by you on the highway, so did the thoughts in your head. you were very nervous to have to talk to isagi again, to have to recall exactly what happened that night. glancing at the time on the dashboard, you drew the conclusion that isagi should be training right now, which would at least give you time to prepare before he got back.

as you pulled up to the apartment complex, the first thing you noticed was that isagi’s car was there, in his usual spot next to yours.

‘he’s home?’

surely not, maybe he just hitched a ride or something. although that didn’t make any sense whatsoever. there would be no reason why isagi would skip his evening trainings, not that you could think of anyways. even after joint practice with his team he would then further push himself to do his own training, polishing up on his skills. so to think he’s potentially broken that pattern confused you.

after parking your car and collecting your things you made your way to your front door, unlocking it and venturing in. once you placed your keys on the side table and took off your shoes, you walked into the empty living room, ultimately puzzled when you noticed the coffee table filled to the brim with bags from your favourite places.

“yoichi? you there?”

nothing.

you therefore assumed he was out, deciding to take a closer look at the bags. inside, everything you had ever bought for yourself or displayed interest in while out with isagi lay in each bag. even things that you didn’t have, but wanted, were present.

he remembered.

your eyes immediately welled with tears of appreciation, head snapping to your bedroom door when you heard it open, isagi’s figure stepping out. you immediately jolted, not expecting him to actually be here, even though you didn’t actually take the time to look and see properly.

“shit! y/n, you’re back? wait, why’re you crying?”

in an instant he crossed the distance to you, wiping the tears away once he assessed and evaluated that you were not hurt.

“uh— sorry. i should’ve asked you first. is this okay?” he quizzed, holding the sides of your face tenderly. you nodded, leaning into his touch.

“are these for me yoichi?” you looked into his cobalt blue eyes. one hand left your cheek, rubbing at the skin behind his neck, suddenly feeling shy.

“erm…yes. yes they are. i wasn’t expecting you back though, i was gonna surprise you tomorrow. ” he pulled you towards the sofa, sitting you down and looking deep into your (e/c) eyes.

“look y/n, i know materialism doesn’t take away what i did to you, but i want you to know just how sorry i am. you didn’t deserve how i treated you. not two weeks ago or months before. i made you feel lonely, i put football before you. when you needed me, i shut you out. and i take full accountability for that. words couldn’t describe just how badly i’m in love with you and how crazy you make me feel. i couldn’t bear to lose that forever. hell, these two weeks without you have tormented me enough. a lifetime without you would finish me off for good.”

you listened to him speak every word, touched that he would say such soothing words to you. yes, you did expect him to apologise, but not to go above and beyond to show his willingness to change.

your nose started flaring, the sting of your eyes warning that you were about to cry again.

feeling uncomfortable with your silence, isagi pressed you slightly.

“y/n? are you— are you oka-”

you cut him off by pouncing on him, engulfing him in a hug, wrapping your arms around his neck and kissing him like it was your last.

“i’m yours yoichi. always and forever.”

☆彡 MIKAGE REO

you woke up in the same hotel room you cried yourself to sleep in. throat dry, head pulsating and heart wounded. you needed some form of rejuvenation, but, considering you didn’t have any clothes on you, seemed hard to achieve.

you reached for your phone, shocked when you saw 20 missed calls and 46 messages from the very same person who caused you anguish in the first place. opening the message app you see the most recent messages being sent at around 5am.

“y/n, where are you?”

“y/n please answer the phone!”

“are you safe at least, i’m worried about you.”

“i just wanna know if you’re okay, we need to talk.”

“y/n?”

“y/n please, im starting to worry, just send me a text, or something. let me know you’re okay.”

although you were beyond pissed at the guy, he was concerned for your safety, and to make him worry for you like that shouldn’t have to be something anyone should experience.

you sent him a quick, straightforward response.

“i’m fine, you don’t need to worry.”

the read receipt came as quickly as you sent it, a bubble popping up, signaling that reo was typing. however, after a few moments, it disappeared altogether, leaving your message standing alone.

you sighed, deciding that the least you could do was shower, feeling clammy and, simply put, dirty.

luckily, your job was well paying so you were able to book a lavish en-suite hotel room, although you didn’t pay attention to that much last night, willing to go just about anywhere as long as it weren’t near reo. inside the bathroom lay exquisite amenities, top branded shower gel, shampoo and conditioner, along with oils and different expensive face care products. an unopened toothbrush pack also was present on the bathroom counter, with toothpaste alongside it. and by the full glass shower itself stood a towel and robe on the hanging rack.

it weren’t exactly clothes, but it was a start. better than staying in your dress the whole day. while you waited for the shower water to warm you looked at yourself in the mirror, cringing at how dishevelled your figure was. your cheeks were tear stained, causing your mascara to run, your lips had smeared lipstick still present, and your hair? let’s not even go there. you looked a hot mess, physical evidence of your current mood.

once heated to a substantial temperature you stepped into the shower, revelling at how that warm water melted into your skin. you made good work of scrubbing down your skin, leaving no traces of any events that may have transpired the day before.

soon enough you finished up your shower, stepping out and wrapping the towel round your figure, feeling refreshed, but still incomplete. you brushed your teeth next, trying to avoid letting your thoughts go off topic from the current task at hand.

just as you were walking into the room itself to look for moisturiser, you heard a knock at the door. it confused you to the core. no one actually knew your whereabouts so you couldn’t rack your brain to guess who it could be. you ventured close to the door, looking through the peephole and visibly relaxing once you saw a hotel worker standing, waiting.

“hello?”

“ah, good morning miss y/n, i have a bag here requested to be brought to you.”

if you weren’t confused before, you were bewildered now. this meant that someone hand to have known where’d you were, but how? only one way to find out.

“requested by who, might i ask?”

“mr…mikage reo?”

what the actual hell. you were well and truly silenced by the revelation. more importantly, it’s quite amazing how he managed to find your location with such haste. although it shouldn’t really surprise you so much, considering he probably had connections due to his status. it made you wonder just what exactly he brought to you.

“erm ma’am?”

you cracked the door open, seeing one of reo’s duffel bags stuffed to the brim. the hotel worker held it out for you to take, bowing then turning to leave immediately after. you carried the heavy bag through the room, placing it on the ottoman at the end of the bed.

you stood for a second, debating whether you should open it or not. curiosity got the better of you though, and you unzipped the bag, stalling when you realised it was a bag of clothes for you, as well as the moisturiser you use, some makeup products and your favourite trainers. it’s like he somehow knew you would need clothes, probably since you didn’t return home last night.

taking the clothes from the bag you realised he packed you one of your favourite hoodies, his own hoodie.

after moisturising yourself you started to put the clothes on, feeling slightly better about yourself. you looked into your makeup bag, seeing some of your basic everyday skin and hair products, as well as your everyday perfume, feeling grateful that reo at least paid attention enough to know what you liked and used.

just as you had finished your skincare routine you heard another lock at the door, wondering who it could be at this time. you got up and crossed your way to the door, looking through the peephole and freezing.

your boyfriend, reo stood at the door, looking around nervously.

you gauged your options for a moment, reaching an ultimatum with yourself that you couldn’t avoid him forever. you opened the door fully, stepping to the side for him to walk in, which he did, stepping meticulously and with precaution, while you closed the door behind him.

all was silent for a moment, neither party knowing what to say to the other, a million thoughts rushing through the room. the tension was taut, the air thick, and awkwardness seeping in.

you collected yourself, deciding to start it off.

“thanks for the clothes, i appreciate it.”

“it’s…the least i could do, considering how i treated you.” he said, simultaneously biting down on his lip.

“yeah.”

he moved closer towards you, looking at your expression to see if he was crossing boundaries at any point.

“y/n.” you looked at him with apprehension, worried about what may fly out of his mouth next. “i want you to know that what happened last night, was entirely my fault. i need you to understand that.”

you frowned with sadness displayed on your face. yes he may be owning up to his actions, but that didn’t explain why he said what he said. especially if he could say something of that degree to you with such ease. it sounded like he meant every word.

becoming slightly anxious from your silence, he continued on.

“i made you it sound like you were inadequate or you were lower than me because i have money. i know it sounds bad, but y/n, it’s really the opposite. you don’t look at me for my background, you look at me for who i am as a person. you make me feel normal. make me feel like i can be myself around you. i don’t have to keep myself guarded around you and i appreciate you so much for it. i guess that’s why i spoke out of turn to you like that last night. because you’re probably the only person who can actually knock me down a peg. and having nagi hear that made me scared. scared because i was vulnerable in front of him. of course, i’m not excusing my actions, and i’m not asking for forgiveness, i just want you to know i’m sorry.”

you nodded slowly in understanding, looking at the way he subconsciously tugged on a piece of his violet tresses. he left his hair down today. you loved it when his hair was down. he knew that.

“i hear you reo, but that’s not the only issue. this whole problem stemmed from the fact that you spend too much time with nagi. i don’t wanna be the girlfriend that prohibits you from spending time with your friends, that’s not who i am, but when you’re with nagi so much that it makes you forget important dates, that’s when it becomes a problem. especially when you then make it out to be like i’m the problem. no one is saying you can’t be around him, but have a backbone please. he’s always there reo. sometimes i just want you to myself, is that too much to ask for?”

he realised where he went wrong, casting you aside for the sake of nagi, which wasn’t cool. and he didn’t want to lose you. you were too good to him and he felt so strongly about you. anything you asked for could never be too much, not to him.

and so, he stepped closer to you still, scooping you up in his arms and spinning you around, relishing in the way you wrapped your arms around his neck, both for stabilisation and comfort.

“no baby, it’s never too much. not when it comes to you.”

you squeezed him tighter, nuzzling your head into the crook of his neck and smiling.

“i don’t like it when we fight reo, i love you too much for that.”

“i love you too y/n,” he placed you down gently on the bed, laying you back and caging you in with both arms, his hair hanging directly over your face. “so…we’re gonna go back home and i want you to pack your bags. we’re going to mykonos for the week to celebrate our anniversary together.”

you straightened up, wondering where this was all coming from.

“huh? reo, you’re forgetting something? you may be off season right now but i still have work.”

“not for the next two weeks, i pulled some strings so now you have paid time off, which, gives you more time with your favourite man.”

you chuckled at his revelation, knowing he definitely used his power to threaten your manager. reo could be so demanding at times.

“speaking of which, do you know where he is?” his face immediately darkened at that.

“wanna repeat that?”

“nope!”

☆彡 NAGI SEISHIRO

nagi was in a state. it had only been 4 days since you broke up with him, but that was 4 days too long for him. it wasn’t actually until you broke it off with him and it sunk in that you were gone, that it really registered for him.

he missed you.

it made him realise, as much as he hated being bothered…he didn’t mind if it were you. he really did enjoy spending time with you. especially when cuddling. your figure was so soft, a perfect cushion for him to lay on as he slept. you would play with his hair so gently, lulling him to sleep. and you were really pretty.

the apartment just seemed all the more empty without you. yes, he did live alone pre blue lock a few years back, but having you live with him made him get used to having someone around. he grew comfortable and accustomed to it. so much so that it felt lonely when you left.

you had temporarily went back to your parents house while you looked for a new place to live. you had a few items of miscellaneous clothing left behind in your room, but you had ran out, thus needing the majority of your stuff, which you had left back at nagi’s.

you left off, with the promise to your parents that you’d be back soon.

the engine hummed as you drove back, playing your playlist on a high volume, hoping to drown out the thoughts spiralling in your head, although it did little to silence them.

you didn’t plan a time to leave out, but realised that you had coincidentally headed out at the same time nagi would be home, a meeting inevitable. oh well. had to happen at some point. you planned on a quick and brisk pit stop, hoping to minimise interaction with him as much as possible.

you pulled up to the apartment complex, walking through the lobby, swiping your keycard and pressing the lift to go to the penthouse.

in no time you reached the top, the lift doors opening. you stepped out and pushed your key into the lock, opening the door as silently as you could, walking in and shutting it with a click.

yes, you may have been moving around like a teenager after a forbidden night out, but you would much rather that than have to be further insulted by nagi, should he catch you.

alas, things cannot always go smoothly in life, for nagi had heard you, stepping out of the bedroom, shirtless with loosely hanging shorts, evidently having just woken up from a nap.

he instantly stopped, rubbing his eyes to see if he was tweaking or not. yet, you stood there, trying to disappear in that moment.

“y/n…you’re here.”

“only to get my things nagi, i’ll be out of your hair in around half an hour.”

nagi. his own name turned his mood sour. he’d much rather you call him by his actual name, or sei, not his last. and you knew that fact very well, making sure he knew damn well you were serious.

you begun to hurriedly walk towards the bedroom, where he was standing by the door, attempting to walk past him as quickly as possible. he intervened however, stepping about halfway into the door so that you were now directly in front of him and couldn’t get past, unless you spoke to him.

“are you really leaving y/n?”

“it’s l/n to you nagi, and yes. you don’t get to say something like that to me and think we’ll be cool after. it’s fucked up.”

you turned so he couldn’t see you, tears beginning to form at the painful recollection of what occurred a few days ago. you didn’t trust yourself to say anything else, for the fear of bursting into tears held you back.

“please don’t leave me y/n, i can do better, i promise. i regret what i said. really badly. i’m— i’m sorry.”

you knew that nagi didn’t like talking as it is (he referred to it as a hassle), so to have him trying to at least communicate with you did mean something. not enough to satiate you though.

“y/n?”

when you didn’t say anything back he lightly tugged your hand and turned you around, eyes widening once he saw tears streaming down your face.

he attempted to console you, wanting to pull you into a hug, but drawing back when you lightly pushed him off you.

“y/n- what’s wrong?”

“i can’t sei, i’m scared. scared you’ll grow bored of me. i don’t know if i’m bothering you or not and it kills me to think that you’d spend more time on games than with me. you basically told me i’m a hassle. how the hell else am i supposed to take that?”

your tears wouldn’t stop pouring down no matter how much you tried to calm yourself down, sniffles loud and clear as day.

something unusual happened to nagi as he watched you cry your eyes out. he felt his heart breaking into tiny shards at your state. more so because he knew it was because of him. he didn’t want to be the cause of your pain. he didn’t want to see you like this, experiencing such distress.

he wrapped his arms around you, one hand shielding your head and pulling your face into his bare chest, where you sobbed some more, letting up all the feelings built up from days prior.

“you’re not a hassle y/n. i said that out of turn. you could never be a hassle to me. while you were gone, i couldn’t even play my games properly. i just slept and trained because i missed you so much and didn’t know what to do without you. i know i’m lazy, and i know i don’t make you feel loved enough, but i do. i love you. i’ll do better for you and i don’t wanna be the reason why you’re upset. so please stop crying, wanna see your pretty face smile for me.”

you smiled into his chest, your sniffles beginning to subside and still.

“thank you sei, i really needed to hear that.”

“i would say it over 100 times for you. it might take a while but i won’t get bored of it. not when it comes to you.”

you wrapped your arms around his broad figure, squeezing tightly.

“will you be my girlfriend again y/n? no one else can reach your level. not now, not ever.”

you let go of his body, instead placing your palms on the back of his neck, pulling him into a kiss.

“of course i will seishiro.”

“good, because i wanna cuddle with my girlfriend.”

☆彡 BAROU SHOUEI

it had been 2 months since you broke up with barou and he was miserable. who would’ve thought you leaving would cause such a rift in his life? his performance in matches were shit, he became pissed off at people more easily, and he was benched more often.

due to him not having someone to talk to, he essentially had no form of a wind down from football, something you were able to give him while you were together. something he had come to miss, and wished he appreciated more.

the lack of your items in the house made your departure all the more apparent. your decorations and items around the apartment were what made the house a home.

and you as a person? what wasn’t to like about you? you were a very levelheaded but gentle person, a great contrast to his fiery, angry personality. you catered to his every need, be it mentally, physically or sexually. your voice was what carried him through his day, soothing him to the bone, calming him down when he needed it. the more he thought about it, the more he realised he made a grave mistake pushing you out. the more he realised just how much he was attached to you, he was just unwilling to acknowledge it.

barou was no pussy, and he had enough of living like this, living without you, so he decided to get you back (and not fuck up this time).

he knew you were most likely staying at your childhood friend, chigiri’s house. he knew him very well, having done the blue lock training program with him years back, and played against him in several matches. he knew where he lived, having gone to parties held at his house through mutual connections.

and so, after practice, he grabbed his car keys and set off. he weren’t good with words, so his mind stayed scrambled as he thought of all the things he could say to you. while he couldn’t think of specific sentences to say to you, his goal remained the same.

after some time passed, he pulled up to chigiri’s house, your car the only one on the drive, which meant that only you were home. he switched off the ignition, stepped out of the car and walked up to the door.

with slight hesitancy, he lifted his fist to the door and knocked three times. he listened for any shuffling inside, but heard none. after a moment he turned away to leave, thinking you might’ve not been there after all. it’s possible you might’ve been out with chigiri in his car. yeah, that was probably it.

however.

“what do you want barou? i thought i was ‘making your life too hard’?”

shit, you were home. your voice was muffled, due to you speaking through the door, having seen his figure through the peephole.

“i- i didn’t mean that. not that way.”

you opened the door, allowing him to see a crack of your figure, donned in shorts and a tank top.

“then how did you mean it barou? don’t take me for an idiot, because i’m not one. no one says anything of that depth if you didn’t feel that exact way before. so before you let anymore bullshit spout from your mouth tell me exactly how you meant it, in what context. because i’m tired barou, tired of being in a relationship where i feel like i’m treading on glass around you because you don’t wanna do certain things. it’s not a nice feeling. you may not feel that way, but i do. i’ve felt that way during our whole relationship, but i feel like i can’t tell you shit so i’ve kept. it. in.”

wow. he really didn’t see things from your perspective. once he heard it from you, he realised just how much of a dickhead he sounded like. he couldn’t say anything, how could he explain himself after that?

he didn’t.

and after hearing no refutation or explanation from barou, you simply let go of any hopes of talking this out with him.

“shouei,” his ears perked at you using his first name. “i think…you should go. i don’t wanna have any hard feelings between us but i don’t think we’re right for each other. please understand and respect tha-”

you stopped short of ending your sentence upon seeing barou turn and leave before he could hear you out, getting back into his car and preparing to drive off.

you sighed, shaking your head and closing the door, effectually ending your relationship for good.

he got what he wanted, right?

☆彡 ITOSHI RIN

you woke up in the morning, immediately panning your vision to your left to see if rin had returned to bed. the bed imprints remained the exact same as you had left it when you fell asleep, which lead you to wonder if rin had even returned home.

you slid out of bed, your feet touching the cold wood floor, you trudged your way through the apartment, looking for signs of life, your shoulders falling in disappointment when you realised rin was nowhere to be seen. it was debatable if he even came home or not, the answer you would probably never find out.

you warred with yourself in your head about what to do. considering rin didn’t even try to talk to you to rectify the situation showed he didn’t really give a shit. if he didn’t come home, then he probably didn’t even know if you came home or not, which meant he isn’t worrying about you or where you were.

you weren’t a dickhead, and waiting for someone who evidently didn’t want you seemed like such a desperate action, which you weren’t trying to act like.

and so, calling a few willing friends, shedding some tears here and there, and half a day of hard work, you had effectively moved out of your shared apartment with rin, leaving a half completed home. he didn’t return home the whole day, not that you gave a shit anymore.

imagine rin’s surprise when he returned home from his team practice, expecting to see you moping around somewhere, but instead, nowhere to be found. as a matter of fact, where the fuck was your stuff? the apartment looked very much empty right now. he took at least 15 minutes to look around, analysing his surroundings, the same he would do during a game. any potted plants you bought for the house, specifically for the living room disappeared. your stupid candle ornaments that somehow made the house look better? not a ghost of a trace left behind. your clothes? gone. even from the laundry basket, only his clothes remained.

your products, your favourite sleeping pillow, even your toothbrush was gone. you left no stone unturned, questionable if you ever lived there in the first place.

still slightly puzzled but somewhat aware of the answer behind all of this, he pulled out his phone, clicking immediately on the message app. he sent you a message, heart dropping and suspicions confirmed when his message was not only green, but displayed a ‘not delivered’ message underneath. you had blocked him, and moved out without his knowledge.

he knew you were pissed off from what had transpired, but he didn’t know you would take action this soon. you didn’t even wait to talk to him for the love of god. this wasn’t supposed to happen this way, he was only angry at you because he felt threatened in the moment. but, recalling just exactly what he said to you, maybe it was warranted.

maybe it was for the best. you barely had enough time together as it is, due to unmatchable schedules and rin always being abroad. he was never able to give you enough love. funny, considering he didn’t even make sure to tell you. looking back on it, he realised he was kind of a dickhead to you.

so, he let go of the relationship for good.

—

four months had passed. he’d gotten bigger as a football player after his team winning a multitude of matches had lead to him becoming their star player, constantly getting man of the match achievements. this lead to his popularity increasing, getting more fans and fame as a result. he had been abroad this whole time, focusing on his career.

oh. but don’t think he had escaped you.

he couldn’t get his mind off you.

you tormented his thoughts daily and nightly, his yearning for you and hate for himself flourishing simultaneously as he repeatedly recalled how he fucked up. he wished he could go back to that night, heeding your warnings.

either way, that couldn’t be achieved now, for he didn’t know your whereabouts. he hadn’t known since that night on the pitch.

he tried to move on the best he could, returning back to japan to visit his parents whilst he had time off from football.

it just so happened one day while he popped out to a grocery store to get ingredients for his mother, the he saw the back of a familiar head, whisking away to the next aisle over. piquing his curiosity, he immediately paced to see if it way really who he thought it was.

and yes, the face he thought he’d never see again, the very same person who had been frequenting his mind,

you.

“y/n!” you froze, not expecting to find him here of all places. last time you had seen on tv, he was abroad. he wasn’t supposed to be here. deciding you had to face the music at some point, you turned around, watching as his demeanour melted, at really seeing you again after so long.

“rin…hi.”

all was silent for a moment, not knowing what to say to each other. what does one say in situations such as these? not to worry, rin answered for you.

“how…how’ve you been?”

“good thanks, how about you?”

“i’ve been— alright.”

silence settled again. rin wanted to voice so many things to you, starting with how he wanted you to know how he’s changed. how he’s calmed down in terms of training. how he’d make more time. he wanted you to know he’d do things differently, if you ever took him back. he wanted you to come home… but he didn’t know where to start.

he would have to at some point however, for you wanted to get away from him as soon as possible.

“well…um, it was good seeing yo-”

“wait!” he interjected, panic settling in that you would disappear and he would never get the chance again. “i— i just wanted to tell you tha—”

“y/n baby, i’ve got the washing powder.”

baby? what the fuck?

he looked just past you to see a guy walking up to you, taking the basket from your hands with a peck to your cheek. you smiled at the action, lacing your hand in his hair as he took place behind you. he then noticed rin, standing there with visible shock on his face, confused on what he missed while he was gone.

“who’s this?”

“oh, just an old friend.” a bold faced lie. anyone with two functioning brain cells could feel the history between you two. “i’ve got my stuff so let’s go to the queue. nice seeing you rin…have a good day.” you walked off with your supposed new boyfriend. a boyfriend that wasn’t him.

have a good day? after you just shattered his heart like that?

his throat turned dry, awareness sinking in.

he wanted you to come home…but he was too late.

baby you sold me a dream pt.3

[cheapshrimpysheep]

Ghost Bride themed request: Instead of Idia being at risk of being whisked away to Unholy matrimony, it is instead the reader, A.KA the boys of your choices crush, being whisked away to a ghostly honeymoon. Would at least like to see Kalim for this but any boy that you think would mount a daring and romantic rescue. Please and thank you

COMMENTS: Well, I decided to write for 4 characters. One of them being Kalim. For the others I didn't want to choose one from the Overblot Boys because I'm thinking of doing a similar post with them in the future. And when I saw the list of students I thought that the most fun to write would be some of the most impulsive and those most likely to be unable/unwilling to lie. So I chose Deuce, Jack and Floyd.

I will admit it was fun to write. 🙂

I hope you all enjoy 💐

CHARACTERS: Deuce Spade; Jack Howl; Floyd Leech & Kalim Al-Asim

TAGS: Fluff; GN Reader; Love Confessions

WARNING: Spoilers from The Phantom Bride event

WORD COUNT: An average of 450 words per character.

CONTEXT: Someone was kidnapped to marry some ghost princess and might end up turning into a ghost too. And they just found out that someone was you.

A mix of panic and fury is what Deuce felt when he found out what had happened or could happen to you.

There was a Housewardens meeting about what happened, so Deuce wasn't present. And so he went to his Housewarden to ask Riddle that whatever the plan was, please get him involved.

They end up forming a small group to rescue you. Deuce being part of it. On the way to you the others end up staying behind to stop the ghost guards from getting in the way of Deuce. And he ends up being the only one to appear in the ceremony room.

Deuce screams at everyone to stop the wedding. But with his feelings on the surface, instead of trying to reason and persuade the ghosts, he threatens them. It was as if he was willing to fight the world and beyond for you.

Unfortunately, the guards are in the majority and manage to trap him and cause him to drop his magic pen.

He's furious, but he can't break free. The wedding goes on and the only thing that occurs to him, in the midst of despair, is to tell the truth.

“(Y/N)! You don't want to marry her do you?” You answer him that of course not, but the princess says anything about you don't know what you're saying. “You're the one who doesn't know what you're saying! What if they already love someone else? What if someone else already loves them?” The princess asks what he's talking about and his answer is for you and not for the princess. “I LOVE YOU, (Y/N)!” and then he talks to the princess again, with tears in his eyes “Please, don't take them away...”

The princess petrifies. She might be delusional, but even she can't ignore a declaration like that. She even mentions that she feels a little jealous of you. That one of the things she dreams about the most is that someone loves her so much that they make a declaration like that to her too.

And that's what drives the ghost guard who loves her to declare himself to her. And all that ending with her finding out she loved him happens.

After everything and they freed you, Deuce couldn't care less about the princess and the ghosts. He hugs you desperately, as if he's afraid they'll take you again.

He is embarrassed by the loving declaration he made to you. But he can't go back now.

Jack is more worried and scared than angry. He's more concerned with you being hurt and your well-being than with getting revenge on the ghosts. But he won't back down from a fight.

There was a Housewardens meeting about what happened, so Jack wasn't present. And so he went to his Housewarden to ask Leona that whatever the plan was, please get him involved.

Leona'd probably tell Jack that he could even do all the work if he wanted to. And he decides to do just that. He is a man... young man of action.

He will turn into a wolf and burst into the building. He won't stop until he gets to you and he'll get rid of anyone who gets in his way. And he will break down the doors still in his wolf form.

Everyone's like "A WOLF?!" And you're like "Jack?"

In his wolf form and with magic he can defeat any ghost that tries to stop him. And that's why that ghost guard turns into a giant to finally stop Jack.

Without being able to move anymore, the only thing left for him to do is try to talk to the princess and the guards. And for that he transforms himself back into a beastman. Surprising all ghosts. And piquing the curiosity of Princess Eliza. She asks him why he was there.

“To stop this wedding!” She asks, overjoyed and flattered if he's there for her. But he can't take that opportunity to lie, because he doesn't like to lie. “No! It's not for you that I'm here. It's for the person you kidnapped.” she starts to say that she didn't kidnap anyone. “Of course you did! Do you think (Y/N) wants to be here?!” An argument between the two of you and the ghosts starts, but that doesn't matter at the end. “JUST LET THEM GO!” he barks completely out of patience “They deserve better than you!” Everybody gasps at his boldness.

The ghost that held him starts defending the princess. Ending up revealing his feelings for her. And all that ending with her finding out she loved him happens.

The ghosts set you and Jack free. He runs to you to hug you, relieved that you're okay and that it's all over. You ask him about what he said. About you deserving better. And he decides to just tell you the truth.

He reveals that the whole thing about stopping the marriage was because he liked you. That a person like you deserves the best that anyone can offer. And he promises you that he will do his best to be the person you deserve.

Floyd hears that someone was kidnapped by that princess to marry her and such, but he couldn't care less. At least not until he hears your name.

At that moment he stops. Approach the students who were talking about that and ask what you have to do with that story.

The students, frightened, tell him what happened. But they quickly regret being the bearers of bad news because Floyd's expression quickly goes from just a curious face to that serious and terrifying expression of his. And he ends the conversation by calmly asking where you were.

And the ghosts worst nightmare enters the building. He was just annoyed at first that you'd been kidnapped. But then he starts having fun fighting the ghosts. To the point of becoming practically sadistic. Which terrified the ghosts even more.

The last time Princess Elisa was in such danger was when she was killed. So all the ghosts prepare in the ceremonial hall to protect her. You see them all panicking without knowing why. Not even the princess knows why.

He enters the room breaking down the door with a kick and a creepy smile on his face. “Peekaboo~” And the guards attack him. Now you see why they were so scared. Floyd was having fun at first, but then complained that facing the same kind of ghost was getting boring.

Then one of the ghost guards became a giant to face him. And Floyd smiled again. Unfortunately for him, the ghost managed to get him to drop the magic pen and trap him. The Princess asks what a monster like him was doing there.

“I study here, smartass.” everyone gasped offended. She says he can go back to study there after the wedding. “Yeah, but nah. That won't do.” she asks why not “Because I won't let you marry my Koebi-chan.” She gets confused by that nickname, but when she realizes he was talking about you, she starts defending herself. “Whatevs. HEY KOEBI-CHAN! Do you want to marry this spoiled brat?” You try to contain your laughter and answer no. “See? Now stop this crap before my patience runs out for good.” The giant ghost who is grabbing him orders him to stop talking to the princess like that. “Why? She's gettin' on my nerves. Don't tell me you have a crush on her, HA HA HA”

The ghost starts by trying to deny it, until he finally decides to confess to her once and for all. And all that ending with her finding out she loved him happens.

After the ghosts free the two of you, they beg you to take Floyd with you. You ask him why he did that. “You didn't hear me? I said I wasn't going to let her marry you.” you ask him why “Because I don't want you to marry someone you don't want to. Well, the truth is, I don't want you to marry anyone but me, but I let you choose.”

PANIC!!! OH GREAT SEVEN WHAT DOES HE DO?!

If Jamil is in the room, he himself is trying not to panic while trying to calm Kalim's panic. If only the Housewardens were in the room, one of the others will have to calm him down.

Kalim will do anything to save you, pay whatever it takes! Just someone tell him what to do.

Unfortunately, without an answer on what to do, he returns to Scarabia in a very worried state. Unknown to Jamil, Kalim has gone to the treasure room to be alone. But carpet went to keep him company.

He begins by thanking carpet for the company, while it tries to tell him that it can help save you. But as slow as Kalim can be, he only realizes later and even thinks the idea was his own.

He dashes out of Scarabia with carpet towards the hall where the wedding is taking place. And to get there, he ends up breaking a window since it's faster than going through the door.

He grabs you still on top of the flying carpet, to try to simply get you out of there, but the ghost guards manage to hit the carpet and make you fall. You fell with Kalim embracing you so you wouldn't be hurt.

And it's when the guards force the two of you apart that he starts to speak. He screams at them to stop the marriage because it's wrong. That one person cannot be forced to marry another.

But Princess Eliza says she needs to marry someone “princely”. Somehow, for some reason, she seas that in you.

“But why? Is that a rule? Because it shouldn't be! You should marry the one you love and not someone others think you should marry. Whether that person is a princess or a thief. Be someone you've known for years...” he points to the ghost guards “...or...” he looks at you “someone who just showed up in your life out of the blue and without warning. And who in just a few weeks became the most important person in your life.” he smiles at you, as if he forgets everything else around.

Princess Eliza stopped listening after that about the guards. And all that ending with her finding out she loved one of her guards happens.

In the end, Kalim gets emotional with the princess's marriage to the guard. Forgiving and forgetting the whole thing about your kidnapping. Chances are he's the type of person to cry at a wedding.

And he takes that opportunity to declare himself to you. Because that opened his eyes and he can't keep hiding his feelings anymore.

He couldn't stand the idea of you marrying someone else, because he started dreaming of marrying you.

If you dropped in here out of the blue and want to read more from me, you can find it in my pinned post: INDEX

[yetanotherlesbianonthiswebsite]

An overly complicated analysis of everything we know about Neve Gallus in canon, as well as some additional thoughts of mine on the themes surrounding her (because I am so gay for her already)

1. Canon information

- Her age is, as of yet, unknown. In the Tevinter Nights story The Streets of Minrathous, narrated in the first-person perspective by Neve, we read “He greeted me with a dismissive ‘young lady’ that made me think he’d forgotten my name” (216). However, this is a description by an older man, whose nephew is alive long enough that his “parents had disowned him years ago” (213). In another passage of the story, the following can be read: “The man was a con artist I’d turned in the year before. To be fair, he’d nearly gotten me killed the year before that, so we were even” (221). We can therefore be certain that she has engaged successfully in detective work for at least two years, and has likely been doing so for a while. We do not know when the story is set, neither do we know anything about the parallel stories of “The Wigmaker Job” and “Luck in the Gardens”. We get the information that a Venatori cultist was wearing clothes that are fading (220), and that the cult had long since lost much standing in society; it has likely been quite a number of years since 9:42. At the same time, we know of a Qunari invasion in the eastern part of the Tevinter Empire from 9:44/45 onward, with several major cities falling to the invaders. Neve describes the catacombs as “a place to hold a year’s worth of food and supplies, securing the city’s survival in case of blight or Qunari invasion” (232). A woman as observant and politically savvy as her would likely not frame an invasion as that much of a hypothetical in case of an ongoing war. It is reasonable to assume that the story takes place sometime around the middle of the forties. Which means that by the events of Veilguard, in the middle of the fifties, we should expect Neve to have had at least twelve years of experience as a private investigator, which places her likely age at minimum in the early thirties. (Not that I am hoping for anything 40 or upward, no, there is no MILF agenda here)

- She describes the manor of a rich man as “a residence nowhere near the third-rate bookseller where I rent a room” (216), locating her residence both outside of the rich parts of town, and informing us that she does not have the greatest of means.

- Likewise, we learn that her “family has more templars than mages. I’m sure that says a lot about me. The point is, I’m not from an old family and I felt as at home in Lady Varantus’s house as Jahvis looked” (218). Within the rigid social hierarchies of Tevinter, she is privileged by magehood, but not by blood. To the degree that Tevene social classes can be broken down so neatly into stratified categories, she seems to be somewhere in the lower ranks of the middle class.

- She is canonically disabled; an amputee wearing a prosthetic leg made of dwarven metal (215). In the comic The Missing #4, we see her prosthetic, it is designed as a cobra standing up in intimidation of an attacker, and the metal seems to be predominantly a bronze or gold with blue or silver accents (6). On her foot on the other leg, she is wearing a boot which has a bronze or gold tip symmetrical to the tail of the cobra, and a high plattformed heel (ibid). Combining that with the fact that she fights and runs with a prosthetic and a heeled boot (TSoM 215, TM4 16), we learn that she expresses immense control over her body.

- Likewise, she approaches all her actions, her appearance, and her communication verbal and physical with a high degree of precision and deliberation. Her outfit is perfectly composed, with white and dark leather as primary colours, the same blue-gold metal that her prosthetic is made out of for accents as well as her belt (which is a coiling snake, TM4 6), a dark turquiose for some of the cloth (such as pants and cravat), a light turquiose for such accents as her fingernails and her meticulously applied eyeliner, and some manner of cap akin to a graduation cap at the right side of her head, in an almost black brown, with gold details. The shape of the cap has the exact same angles as a rhombus as her earrings (TM4 9). The detail on the cap forms a snake. It has been posited by tumblr user @cleric4vampire that even her movement in the trailer reinforces the cobra/snake motive (https://www.tumblr.com/cleric4vampire/752850000700194816). Despite sometimes excrutiatingly long workdays (223), Neve puts an extreme amount of emphasis on her appearance. Even in the comic, while the style does feature very dynamic character movements while talking, her gestures stick out as particularly deliberate; she talks with her hands a lot, and with deliberation (see the appendix of this post for more). This speaks to a plethora of willpower, control, and a desire to maintain a controlled barrier between the self and the larger world.

- While writing this, I have come up with the theory that the blue accents of her apparell might partially be lyrium. If she is literally wearing lyrium makeup, I will marry her.

- The only two offensive types of magic that we see her use are ice magic (e.g. TSoM 226, 227, 235, TM4 16, 17), and a manner of magic that lets her freeze the moisture in the air around a person to stagger them (e.g. TSoM 214, TM4 17). Through cooling the air around herself a bit less, she manages to hide herself in mist (e.g. TSoM 214). She is capable of some healing magic (227).

- She has a network of contacts, acquaintances, and informants all over Minrathous, particularly in its underground.

- She loves salty fried fish (221). This is not only in line with Minrathous being a coastal capital, which has a distinct influence on the caloric inflow into the city and cuisine at large, but also, once again, stresses that she does not have much money at her disposal, by emphasizing that she eats fried fish from a cheap street food stall very regularly (221), which she calls her “fish dinners” (228).

- She canonically has straight dark brown hair, meticulously kept at the left side of her face to keep space for the cap on the right, brown eyes, and brown skin. It is furthermore canon that anyone who has a problem with that or wishes to change that with mods will be exploded via elemental magic. It is furthermore canon that I will not buy Veilguard if the game whitewashes her.

- She is involved with the Shadow Dragons in helping fugitive slaves (TM4 9, 20). She expressly approves of the use of armed violence against the institution of slavery. At one point, she comments: “The cult’s dead god wanted to bring Tevinter back to what it was—to its “glory.” It was nonsense, of course. It always was. The old empire was even more corrupt and heartless than what it is now, no matter how pretty the picture Corypheus painted” (TSoM 221). In her vocal resistance to the empire, she sees it as a good usage of her time to track down Venatori (214). In spite of her resistance against the empire, she considers the city her home and would like it to be better than it is (214, 221).

2. Themes: The noir detective and the empire

It goes without saying that the formational archetype behind the character of Neve Gallus is that of the noir detective. A solipsistic cynic with little means, a private investigator, called to investigate a crime scene in dance with and against the police, depending on the point of the story. The noir detective of the movies of the first half of the 20th century, the formational corpus from which stems the archetype, is distinctly tied to the metropolis; a story that needs the urban context, the urban scenery. While of course featuring a plentitude of settings and configurations, at the root of the archetype rest particularly a white, male, US-American figure. To bring Minrathous in parallel with New York particularly is in so far a welcome change as it means a partial departure from the orientalism underlying a lot of early descriptions of Tevinter in Dragon Age canon. But, to me at least, it raises the question of how well Dragon Age is equipped to tackle the arising thematic implications. Just like the Tevinter Empire, the United States of America is a slave society fueled by the deprivation of Indigenous communities and the physical exploitation of a racialized, disenfanchised class. The metropolis is the core of the imperial core; and Minrathous is, as the largest city of Thedas and the capital of Tevinter, certainly that. The Streets of Minrathous manages but a partial critique of the society of the imperial-colonial metropolis. While Neve remains critical of the templars, the undeniable cop stand-in, the critique remains bound to corruption the higher one goes in the chain of command, as well as the bureaucracy (231). The story, in particular, follows the very dangerous trope commonly found in copaganda that the base-level officers should be allowed to disobey the chain of command and act on their own, particularly when it comes to the deployment of heavy weaponry (234). That the base-level officer is as much an agent of imperial violence as the top of the hierarchy, turning the systemic and depersonal violence of the system into concrete interpersonal violence, cannot be formulated by the text.

Furthermore, the Venatori, in their supremacist-fascistic death cult, remain cast in ableistic terms that deprive their ideology of systemic connectedness: “that didn’t stop remaining loyalists from acting delusional and stirring up trouble when the mood struck. That’s fanatics for you” (213). That fascism is but the logical conclusion of empire, particularly a weakened and collapsing empire, remains just as unacknowledged. And yet, what haunts the story is a profound sense of loneliness and alienation. A rich man estranged and alienated from his nephew because of his fear of social repercussions for the nephews behavior, said nephew dying while grasping to any semblance of connection he can (“He knew what came next. He was searching for whatever company he had left” 215), Neve facing the cultists in their hideout alone because the templar Rana does not want to breach protocoll, hell, even the Venatori preacher making a ridiculous figure, alone and ignored on his soapbox while the masses rush by him and shut him out of their attention; everyone is lonely, seperated by the dividing and isolating forces of the empire. The imperial metropolis condenses people, yet they are emotionally distanced from one another. Neve’s final action in the story is to return to the rich old man, explaining to him that his nephew was trying to be good after all; a post-mortem attempt to mend but one severed connection between humans. Her entire character is defined by the trajectory that comes from wandering almost aimlessly in a desperate attempt to escape the solipsistic nature of the empire. Her defining emotional conflict is with the reality of empire, as much as her status as a brown, disabled, bisexual woman clashes with the roots of the figure of the noir detective. We see by the time of The Missing #4 that she finds a sense of fulfillment in working with the Shadow Dragons for the slaves and against the slavers, which hints at a character arc from TSoM to TM4. As Varric correctly observes, she has a heart of gold (TM4 20), one which she hides behind a particularly controlled facade, as stern as beautiful. How well her character plays out in Veilguard hinges entirely on the stories limited ability to discuss empire in meaningful terms, and the story’s willingness to further explore her emotional arc suggested between TSoM and TM4. I am furthermore worried about how well a series known for its overt centrism can handle the nuances that make her character so great, as well as fearing the reaction by gamers[TM] to having a brown, female, disabled, bisexual detective.

3. Appendix: I am gay for the way she talks with her hands and body

TM4 9

TM4 9

TM4 5

TM4 10

TM4 14

TM4 19

[cy-cyborg]

Dealing with Healing and Disability in fantasy: Writing Disability

[ID: An image of the main character from Eragon, a white teenage boy with blond hair in silver armour as he sits, with his hand outstretched. On his hand is a glowing blue mark. He is visibly straining as he attempts to heal a large creature in front of him. /End ID]

I'm a massive fan of the fantasy genre, which is why it's so incredibly frustrating when I see so much resistance to adding disability representation to fantasy works. People's go-to reason for leaving us out is usually something to the effect of "But my setting has magic so disability wouldn't exist, it can just be healed!" so let's talk about magic, specifically healing magic, in these settings, and how you can use it without erasing disability from your story.

Ok, let's start with why you would even want to avoid erasing disability from a setting in the first place. I talked about this in a lot more detail in my post on The Miracle Cure. this line of thinking is another version of this trope, but applied to a whole setting (or at least, to the majority of people in the setting) instead of an individual, so it's going to run into the same issues I discussed there. To summarise the points that are relevant to this particular version of the trope though:

Not every disabled person wants or needs a cure - many of us see our disability as a part of our identity. Do difficulties come with being disabled? absolutely! It's literally part of the definition, but for some people in the disabled community, if you took our disabilities away, we would be entirely different people. While it is far from universal, there is a significant number of us who, if given a magical cure with no strings attached, would not take it. Saying no one in your setting would be disabled because these healing spells exists ignores this part of the community.

It messes with the stakes of your story - Just like how resurrecting characters or showing that this is something that is indeed possible in the setting can leave your audience feeling cheated or like they don't have to worry about a character *actually* ever dying. healing a character's disability, or establishing that disability doesn't exist in your setting because "magic" runs into the same problem. It will leave your readers or viewers feeling like they don't have to worry about your characters getting seriously hurt because it will only be temporary, which means your hero's actions carry significantly less risk, which in turn, lowers the stakes and tension if not handled very, very carefully.

It's an over-used trope - quite plainly and simply, this trope shows up a lot in the fantasy genre, to the point where I'd say it's just overused and kind of boring.

So with the "why should you avoid it" covered, let's look at how you can actually handle the topic.

Limited Access and Expensive Costs

One of the most common ways to deal with healing and disability in a fantasy setting, is to make the healing magic available, but inaccessible to most of the population. The most popular way to do that is by making the services of a magical healer capable of curing a disability really expensive to the point that most people just can't afford it. If this is the approach you're going to use, you also typically have to make that type of magic quite rare. To use D&D terms, if every first level sorcerer, bard, cleric and druid can heal a spinal injury, it's going to result in a lot of people who are able to undercut those massive prices and the expense will drop as demand goes down. If that last sentence didn't give you a hint, this is really popular method in stories that are critiquing capitalistic mindsets and ideologies, and is most commonly used by authors from the USA and other countries with a similar medical system, since it mirrors a lot of the difficulties faced by disabled Americans. If done right, this approach can be very effective, but it does need to be thought through more carefully than I think people tend to do. Mainly because a lot of fantasy stories end with the main character becoming rich and/or powerful, and so these prohibitively expensive cure become attainable by the story's end, which a lot of authors and writer's just never address. Of course, another approach is to make the availability of the magic itself the barrier. Maybe there just aren't that many people around who know the magic required for that kind of healing, so even without a prohibitive price tag, it's just not something that's an option for most people. If we're looking at a D&D-type setting, maybe you need to be an exceptionally high level to cast the more powerful healing spell, or maybe the spell requires some rare or lost material component. I'd personally advise people to be careful using this approach, since it often leads to stories centred around finding a miracle cure, which then just falls back into that trope more often than not.

Just outright state that some characters don't want/need it

Another, admittedly more direct approach, is to make it that these "cures" exist and are easily attainable, but to just make it that your character or others they encounter don't want or need it. This approach works best for characters who are born with their disabilities or who already had them for a long time before a cure was made available to them. Even within those groups though, this method works better with some types of characters than others depending on many other traits (personality, cultural beliefs, etc), and isn't really a one-size-fits-all solution, but to be fair, that's kind of the point. Some people will want a cure for their disabilities, others are content with their body's the way they are. There's a few caveats I have with this kind of approach though:

you want to make sure you, as the author, understand why some people in real life don't want a cure, and not just in a "yeah I know these people exist but I don't really get it" kind of way. I'm not saying you have to have a deep, personal understanding or anything, but some degree of understanding is required unless you want to sound like one of those "inspirational" body positivity posts that used to show up on Instagram back in the day.

Be wary when using cultural beliefs as a reasoning. It can work, but when media uses cultural beliefs as a reason for turning down some kind of cure, it's often intending to critique extreme beliefs about medicine, such as the ones seen in some New Age Spirituality groups and particularly intense Christian churches. As a general rule of thumb, it's probably not a good idea to connect these kinds of beliefs to disabled people just being happy in their bodies. Alternatively, you also need to be mindful of the "stuck in time" trope - a trope about indigenous people who are depicted as primitive or, as the name suggests, stuck in an earlier time, for "spurning the ways of the white man" which usually includes medicine or the setting's equivalent magic. I'm not the best person to advise you on how to avoid this specific trope, but my partner (who's Taino) has informed me of how often it shows up in fantasy specifically and we both thought it was worth including a warning at least so creators who are interested in this method know to do some further research.

Give the "cures" long-lasting side effects

Often in the real world, when a "cure" for a disability does exist, it's not a perfect solution and comes with a lot of side effects. For example, if you loose part of your arm in an accident, but you're able to get to a hospital quickly with said severed arm, it can sometimes be reattached, but doing so comes at a cost. Most people I know who had this done had a lot of issues with nerve damage, reduced strength, reduced fine-motor control and often a great deal of pain with no clear source. Two of the people I know who's limbs were saved ended up having them optionally re-amputated only a few years later. Likewise, I know many people who are paraplegics and quadriplegics via spinal injuries, who were able to regain the use of their arms and/or legs. However, the process was not an easy one, and involved years of intense physiotherapy and strength training. For some of them, they need to continue to do this work permanently just to maintain use of the effected limbs, so much so that it impacts their ability to do things like work a full-time job and engage in their hobbies regularly, and even then, none of them will be able bodied again. Even with all that work, they all still experience reduced strength and reduced control of the limbs. depending on the type, place and severity of the injury, some people are able to get back to "almost able bodied" again - such was the case for my childhood best friend's dad, but they often still have to deal with chronic pain from the injury or chronic fatigue.

Even though we are talking about magic in a fantasy setting, we can still look to real-life examples of "cures" to get ideas. Perhaps the magic used has a similar side effect. Yes, your paraplegic character can be "cured" enough to walk again, but the magic maintaining the spell needs a power source to keep it going, so it draws on the person's innate energy within their body, using the very energy the body needs to function and do things like move their limbs. They are cured, but constantly exhausted unless they're very careful, and if the spell is especially strong, the body might struggle to move at all, resulting in something that looks and functions similar to the nerve damage folks with spinal injuries sometimes deal with that causes that muscle weakness and motor control issues. Your amputee might be able to have their leg regrown, but it will always be slightly off. The regrown leg is weaker and causes them to walk with a limp, maybe even requiring them to use a cane or other mobility aid.

Some characters might decide these trade-offs are worth it, and while this cures their initial disability, it leaves them with another. Others might simply decide the initial disability is less trouble than these side effects, and choose to stay as they are.

Consider if these are actually cures

Speaking of looking to the real world for ideas, you might also want to consider whether these cures are doing what the people peddling them are claiming they do. Let's look at the so-called autism cures that spring up every couple of months as an example.

Without getting into the… hotly debated specifics, there are many therapies that are often labelled as "cures" for autism, but in reality, all they are doing is teaching autistic people how to make their autistic traits less noticeable to others. This is called masking, and it's a skill that often comes at great cost to an autistic person's mental health, especially when it's a behaviour that is forced on them. Many of these therapies give the appearance of being a cure, but the disability is still there, as are the needs and difficulties that come with it, they're just hidden away. From an outside perspective though, it often does look like a success, at least in the short-term. Then there are the entirely fake cures with no basis in reality, the things you'll find from your classic snake-oil salesmen. Even in a fantasy setting where real magic exists, these kinds of scams and misleading treatments can still exist. In fact, I think it would make them even more common than they are in the real world, since there's less suspension of disbelief required for people to fall for them. "What do you mean this miracle tonic is a scam? Phil next door can conjure flames in his hand and make the plants grow with a snap of his fingers, why is it so hard to believe this tonic could regrow my missing limb?"

I think the only example of this approach I've seen, at least recently, is from The Owl House. The magic in this world can do incredible things, but it works in very specific and defined ways. Eda's curse (which can be viewed as an allegory for many disabilities and chronic illnesses) is seemingly an exception to this, and as such, nothing is able to cure it. Treat it, yes, but not cure it. Eda's mother doesn't accept this though, and seeks out a cure anyway and ends up falling for a scam who's "treatments" just make things worse.

In your own stories, you can either have these scams just not work, or kind of work, but in ways that are harmful and just not worth it, like worse versions of the examples in the previous point. Alternatively, like Eda, it's entirely reasonable that a character who's been the target of these scams before might just not want to bother anymore. Eda is a really good example of this approach handled in a way that doesn't make her sad and depressed about it either. She's tried her mum's methods, they didn't work, and now she's found her own way of dealing with it that she's happy with. She only gets upset when her boundaries are ignored by Luz and her mother.

Think about how the healing magic is actually working

If you have a magic system that leans more on the "hard magic" side of things, a great way to get around the issue of healing magic erasing disability is to stop and think about how your healing magic actually works.

My favourite way of doing this is to make healing magic work by accelerating the natural processes of your body. Your body will, given enough time (assuming it remains infection-free) close a slash from a sword and mend a broken bone, but it will never regrow it's own limbs. It will never heal damage to it's own spinal cord. It will never undo whatever causes autism or fix it's own irregularities. Not without help. Likewise, healing magic alone won't do any of these things either, it's just accelerating the existing process and usually, by extension making it safer, since a wound staying open for an hour before you get to a healer is much less likely to get infected than one that slowly and naturally heals over a few weeks. In one of my own works, I take this even further by making it that the healing magic is only accelerating cell growth and repair, but the healer has to direct it. In order to actually heal, the healer needs to know the anatomy of what they're fixing to the finest detail. A spell can reconnect a torn muscle to a bone, but if you don't understand the structures that allow that to happen in the first place, you're likely going to make things worse. For this reason, you won't really see people using this kind of magic to, say, regrow limbs, even though it technically is possible. A limb is a complicated thing. The healer needs to be able to perfectly envision all the bones, the cartilage, the tendons and ligaments, the muscles (including the little ones, like those found in your skin that make your hair stand on end and give you goose bumps), the fat and skin tissues, all the nerves, all the blood vessels, all the structures within the bone that create your blood. Everything, and they need to know how it all connects, how it is supposed to move and be able to keep that clearly in their mind simultaneously while casting. Their mental image also has to match with the patient's internal "map" of the body and the lost limb, or they'll continue to experience phantom limb sensation even if the healing is successful. It's technically possible, but the chances they'll mess something up is too high, and so it's just not worth the risk to most people, including my main character.

Put Restrictions on the magic

This is mostly just the same advice as above, but for softer magic systems. put limits and restrictions on your healing magic. These can be innate (so things the magic itself is just incapable of doing) or external (things like laws that put limitations on certain types of magic and spells).

An example of internal restriction can be seen in how some people interpret D&D's higher level healing spells like regenerate (a 7th level spell-something most characters won't have access to for quite some time). The rules as written specify that disabilities like lost limbs can be healed using this spell, but some players take this to mean that if a character was born with the disability in question, say, born without a limb, regenerate would only heal them back to their body's natural state, which for them, is still disabled.

An external restriction would be that your setting has outlawed healing magic, perhaps because healing magic carries a lot of risks for some reason, eithe to the caster or the person being healed, or maybe because the healing magic here works by selectively reviving and altering the function of cells, which makes it a form of necromancy, just on a smaller scale. Of course, you can also use the tried and true, "all magic is outlawed" approach too. In either case, it's something that will prevent some people from being able to access it, despite it being technically possible. Other external restrictions could look like not being illegal, per say, but culturally frowned upon or taboo where your character is from.

But what if I don't want to do any of this?

Well you don't have to. These are just suggestions to get you thinking about how to make a world where healing magic and disability exist, but they aren't the only ways. Just the ones I thought of.

Of course, if you'd still rather make a setting where all disability is cured because magic and you just don't want to think about it any deeper, I can't stop you. I do however, want to ask you to at least consider where you are going to draw the line. Disability, in essence, is what happens when the body stops (or never started) functioning "normally". Sometimes that happens because of an injury, sometimes it's just bad luck, but the boundary between disabled and not disabled is not as solid as I think a lot of people expect it to be, and we as a society have a lot of weird ideas about what is and isn't a disability that just, quite plainly and simply, aren't consistent. You have to remember, a magic system won't pick and choose the way we humans do, it will apply universally, regardless of our societal hang-ups about disability.

What do I mean about this?

Well, consider for a moment, what causes aging? it's the result of our body not being able to repair itself as effectively as it used to. It's the body not being able to perform that function "normally". So in a setting where all disability is cured, there would be no aging. No elderly people. No death from old age. If you erase disability, you also erase natural processes like aging. magic won't pick and choose like that, not if you want it to be consistent.

Ok, ok, maybe that's too much of a stretch, so instead, let's look at our stereotypical buff hero covered in scars because he's a badass warrior. but in a world where you can heal anything, why would anything scar? Even if it did, could another healing spell not correct that too? Scars are part of the body's natural healing process, but if no natural healing occurred, why would a scar form? Scars are also considered disabling in and of themselves too, especially large ones, since they aren't as flexible or durable as normal skin and can even restrict growth and movement.

Even common things like needing glasses are, using this definition of disability at least, a disability. glasses are a socially accepted disability aid used to correct your eyes when they do not function "normally".

Now to be fair, in reality, there are several definitions of disability, most of which include something about the impact of society. For example, in Australia (according to the Disability Royal Commission), we define disability as "An evolving concept that results from the interaction between a person with impairment(s) and attitudinal and environmental barriers that hinder their full and effective participation in society on an equal basis with others." - or in laymen's terms, the interaction between a person's impairment and societal barriers like people not making things accessible or holding misinformed beliefs about your impairment (e.g. people in wheelchairs are weaker than people who walk). Under a definition like this, things like scars and needing glasses aren't necessarily disabilities (most of the time) but that's because of how our modern society sees them. The problem with using a definition like this though to guide what your magic system will get rid of, is that something like a magic system won't differentiate between an "impairment" that has social impacts that and one that doesn't. It will still probably get rid of anything that is technically an example of your body functioning imperfectly, which all three of these things are. The society in your setting might apply these criteria indirectly, but really, why would they? Very few people like the side effects of aging on the body (and most people typically don't want to die), the issues that come with scars or glasses are annoying (speaking as someone with both) and I can see a lot of people getting rid of them when possible too. If they don't then it's just using the "not everyone wants it approach" I mentioned earlier. If there's some law or some kind of external pressure to push people away from fixing these more normalised issues, then it's using the "restrictions" method I mentioned earlier too.

Once again, you can do whatever you like with your fantasy setting, but it's something I think that would be worth thinking about at least.

[ripleylove]

Hard mission.

requested by anonymous saying: Kind of going off of the idea in ‘The light of the group’ can we get a reader who has little candy in her bra? They can be in the middle of a segment w/ the judgement day and will just pull a jolly rancher out.

pairings: the judgment day x reader (platonic)

genre: fluff !!!!

summary: after Damian banned candies,you had to invent any way to eat at least of sweetness. (including hiding a jolly rancher in your bra.)

A/N: started writing again!!! your fav rhea and tjd writer is BACK 🗣

⋆ ˚｡⋆𔓘⭒๋࣭

As every monday night,you and your friends were rehearsing your lines for your next segment in the clubhouse.

While you and Rhea were giggling together while watching some videos on tiktok,you started munching on some little oreos,giving the part with the cream to Rhea (since it was her favourite).

"Nuh uh. That's enough,Y/N. We don't want the thing that happened yesterday to happen again." Damian walked to you and took the little pack of mini oreos from you.

"But-" You tried to reason,but he wagged his index finger in front of your face,and Dominik silently laughed.

"No buts,missy. No more sweets today."

You pouted,and Dominik was still laughing.

You picked up a red plastic cup that was next to you and you launched it to him with full force,hitting his back.

"Ow! Ow! Okay,damn!" He raised his arms in surrender, and you smirked,turning to Rhea.

The reason why Damian wouldn't let you eat candies it's that the previous day,you had a really bad tummy ache thanks to all the sweets you consumed,and he took matters in his own hands,banning them for 3 days.

And that was the worst thing someone could ever do to you,a major candy lover.

So,you had to find a way to get at least one little candy before your segment, and you asked Rhea to help you.

"Here's the plan: you get me a jolly rancher without Dame noticing. Understood?" You talked to her in a typical action film way,and she firmly nodded.

While Damian was engaged in a conversation with Finn,Rhea tried to sneak in Damian's backpack (the place where he put all of your candies),finding your dear jolly rancher.

She had an evil smile on her face,and you mirrored her expression.

She ran back to the place where the both of you were sitting before,and you gave her a kiss on the cheek as a way to thank her.

"Wait." You started to panic,and Rhea answered.

"What?"

"Where do I hide it?" You whispered,and she pointed to your chest.

You looked down,then up at her again with a confused face.

"And?"

"In your bra,dumbass!" She whispered back,and you finally realised.

Since you were wearing a black lace corset,it was easy to hide and pull out the jolly rancher, and you did your handshake with Rhea.

"You're a fucking genius!" You exclaimed.

"Well,what can I say. Mami's always right." She said cockily and you rolled your eyes.

"Okay guys,time for the segment!" Damian exclaimed,and you all got ready.

The cameramen arrived and you immediately started filming.

While Finn was talking about him qualifying for Money In The Bank with Damian and Rhea, you were by Dominik side,and you discreetly looked around.

When you felt like you were safe to go,you pulled the jolly rancher out from your corset,and you carefully removed the wrapper, popping the cherry flavoured hard candy in your mouth.

Looking around again,you noticed that no one saw what you did,and you smiled in victory.

It definitely was a hard mission.

taglist: @stellakiddsblog @bibibi-tchx @p-mp @teenagedramaqueenlisa @thegalacticnacho091

[meggannn]

AITA for not accepting my EX coworker's feedback on my personal project and destroying his favorite toy when he refused to leave?

I don't really see how I'm the bad guy but I thought I'd ask in case there's a new perspective I'm lacking. I am very rarely wrong but I admit I have miscalculated before.

I (M, none of your business how old I am) have an old coworker, Vance* (M, ??? maybe like 100, it's hard to guess dwarven ages) who I used to get along with okay. We'd occasionally share some banter and have the odd disagreement on how a project needed to be handled but it was nothing major. Last I knew him, he had a side job as an author and I enjoyed reading his books. We worked together for a few years but this was about a decade ago.

The thing is though, I've always been a bit of a lone wolf. During my time at that old company, I'd been wanting to leave that job as soon as I started it, to pursue my real passion project. I was only there for as long as it took to support my own goals. As soon as we achieved a major milestone at the company, really the only reason the company was founded, I decided to leave without warning. I understand this is rude among many cultures nowadays but I knew they would no longer need me, and I was planning on traveling quite a long ways for my new job and it was unlikely I'd see any of them again, so I thought it would be best for everyone if I just cut ties.

It's now been about ten years and I recently made a major step in finally finishing my project. Not to exaggerate but you could really say this is truly the most revolutionary thing in at least several millennia. It will be something truly special and people will understand its brilliance once everyone really gives my project a try with an open mind.

But just as I was about to complete it, I heard a voice I haven't heard in a decade. It's Vance, with his favorite crossbow (he named it Blanca*, that's not important but just so you can understand he's a guy who likes to nickname things). He stalked me across the continent! Then just showed up and rudely started providing feedback, as though he was part of this project! And he called me by an old nickname he thought was funny back when we were still working together. Look, I would be happy to talk to him any time, but just not then, you understand? And especially not if he was going to try to talk me down from completing my pièce de résistance!

I've had a long time to consider my goals and actions. I truly believe my passion project will change the world for the better. I explained all of this to him. But he wouldn't back down, and then he AIMED Blanca at me, fully loaded. I just couldn't abide that. So I destroyed Blanca.

Now everyone on the internet is upset with me, but I think that's a huge overreaction; not to brag or anything, but I could have done much worse to him. So tell me, AITA?

Please note that I am ONLY accepting judgments on if I am the asshole for DESTROYING BLANCA, not for working on my passion project. I will not apologize for that.

*Names have been changed to protect my anonymity.

(thanks to @zombolouge for the help)

[drac-kool-aid]

Seward's bone deep desire to run away from the asylum is not exactly surprising. There have been a lot of really good meta posts about how the return of Van Helsing into his life is the turning point where we see the caring and good side of him and how we can interpret his life as a student in Amersterdam as one of freedom and happiness. How he is part of the tragedy of manners, how strict social expectations allow Dracula to persist, and how they only exacerbate the unhappiness of the characters.

And I think the tragedy of Seward is that, really, he should not be the head of an asylum. It's a job that brings him no joy, and he's BAD at it. We can all recognize that if your first reaction to going back to work is "What if I just leave it all." That isn't a healthy work environment.

Now, in the modern day, the ability to pick and choose a work environment, even to leave one that is damaging your mental health, is a privilege. (IT SHOULDNT BE, but it is). And, although it is definitely reaching crisis levels in modern times, major changes in your career have almost always been difficult (unless you are really rich, or a particular brand of academic in the 17th-18th century, or both).

Seward can't just leave and become a surgeon. To give up the lofty position of "Head of an Asylum" would be unthinkable in the 1890s, especially for a reason like "Being here is basically turning me into the Joker." Like, how would Seward explain that in polite society? Would they accept that reasoning? Would they create salacious gossip if they didn't? Can Seward leave his position without losing a great amount of social capital?

Probably not.

His rise to head of an asylum, as many have pointed out, was meteoric, to say the least. It has afforded him status and respect and also left him deeply, deeply fucked up. And he can't leave!

I think his desperate attempts to quantify Renfield's behaviors into a new mental illness are telling in this regard. Maybe he is too used to having to meet some sort of expectation, and now he thinks this is the logical next step (It's NOT, but I digress). The feeling of having to keep performing above expectations, grasping at straws to do so, and subsequently burning oneself out (as well as others around you) and engaging in unethical practices? Idk. It sounds like something that would happen today. (tbh there are probably a ton of Sewards out there today, as there are still systemic problems within the mental health system that allow for the dehumanizing and abuse of patients).

It doesn't excuse his behavior. Nothing he does to Renfield is excusable, but I think it does explain some of the *why*. He isn't just cruel for cruelty's sake.

So, tldr I guess: I think reading Seward as someone who got stuck on a career path that he realized was unfufilling and that he ends up hating. Social conventions restrict him from just quitting without and a (socially acceptable) good reason to do so, and a lifetime of being regarded as one of the smartest people in the room means he can not allow himself to fail. Unfortunately, this also means he can not admit when his actions or his ideas are wrong when it comes to his job.

(But he can show that uncertainty FOR Lucy, and TO Arthur and Van Helsing, which speaks his trust and love for them)

[mostlygayrage]

OBSCURA: Trailer Analysis

SPOILERS AHEAD!!

In the trailer/video that goes with Chapter One of OBSCURA (Here. Watch it on your own, sub to Rotten Raccons) is PACKED with details and all sorts of information. Let's start with the first thing we see when the video starts.

Cirrus:

This is a snippet of Cirrus' CG in game with some things added. The text in the top left is what we're interested in. "18. presbyter//ecclesia lunaris" What does the number mean? Well if we take it in terms of Major Arcana for Tarot cards. the moon in number 18.(XVIII) Fitting for the lunar priest, but the deeper meaning also fits. Usually meaning hidden danger or enemies, deception to darker forces at play. Then we have the Latin. If we take the dashes and an indication of a break, then the translation is roughly "Preist// height of the moon" But if we take it as one sentence it translates to "Priest of the Lunar Church" Keir:

Again, staring with the number. 20 (XX) is Judgement. I find this fascinating. With obvious associations to justice, scales, balance etc it;s an interesting connection that I wouldn't have originally thought of to Keir but it fits well. The card itself means reflection, reckoning and awakening. Usually taking a look at oneself to see where an imbalance lies so you can fix it and move forwards while reversed can mean a lack of self-awareness, doubt and self-loathing. (yikes) The latin here is interesting too. Instead of having the dashes like everyone else, he had the latin next to the number and then a separate, less visible one at the bottom center of the screen. "Cavilator Fur" translates to "Scornful thief" and the dimmer, less noticeable word is "Cultelluss" or "knife" and it's pointing to where his dagger in on his belt.

Oleander:

The Number 11 (XI) is Justice. Meaning cause and effect, clarity and truth and the reverse meaning opposite. Oleander is a character who knows the effects of his actions. They are measures and precise. He is aware of the cause and effect. And in his neutral and good endings we see him bring his own form of 'justice' or balance. When Lord Valentine tried to have him killed, he simply returned the favor personally, and succeded. "Nerii//periculosum scurra" when translated as a sentence means "A dangerous clown". This obviously references the way Vesper calls him a clown when they first meet and telling us directly that he is dangerous. Francesco:

The Wheel of Fortune is what is assigned to Francesco, meaning change, cycles and inevitable fate, greater forces as play that are pushing towards and ultimate and unavoidable end. This theme goes along with theming that he is running out of time. THere is a reason for him coming to the underground, for rushing Vesper and the tailor so he can experience as much as he can. There is something pushing him forwards.

"Francisium//innocentes nobiles" At a first glance it looks like a latin version of his name, and "innocent nobiles." The second part is correct but the whole phrase means "The innocent nobles of France" which is FACINATING to say the least. The connection to France is interesting to me and brings my mind to the French revolution. Another detail I think is interesting is that his secondary outfit we see him in, the jewelry that is around his neck is right where a beheading would happen and once I saw it I couldn't unsee it.

Thats the first portion. Later in the video we get some images that flash across the screen with more latin and numbers. The numbers correspond with the numbers we were given previously. Again, in the order of how they appear in the video: Cirrus: Snake Skeleton

Latin first. "Obsequium// ducit as caelum" means "compliance leads to heaven" This connects to his entire theme. To get the best end with Cirrus, you don't question him. You don't question his motives or hesitate, you just comply. The imagery of a snake skeleton is interesting too. The obvious imagery and symbolism with snakes, deceit, lies, danger. But also connections to the story of Adam and Eve. The snake that tempts Eve, causing her fall from grace.

Keir: Scales

The Latin here is obscured a bit but it says "Fatum// vestrum vel extaneus" meaning "Your fate is at stake". This one leaves me wondering quite a bit. It says 'your' as if it's talking to the player, to us. To Vesper. This could tie into how Vesper is roped into Mouse Hole, how they are forced to get a noose around their neck like the rest of those living in Mouse Hole. They have to perform well in the heist that happens otherwise they risk death that comes a lot sooner than would be caused by fractum anima. They also risk the lives of Keir and those in Mouse Hole.

The imagery here is super interesting too. Scales are usually associated with justice which happens to be Oleander's tarot card. Scales, are obviously associated with balance, with equilibrium, and fair deals. While we mostly see one side of the scale it seems to be balanced. And in combination with the Latin, I think it's referring to the delicate balance that is Keir's life. A balance of his line of work being risky but lucrative, but if it's too much of a risk, he not only risks his life but all the others in Mouse Hole.

Oleander: Human Skull

"Pantiantur// sicut habes" roughly translates to "Let them suffer as you have" which, WOW. OKAY. Again, Oleander delivers his own form of justice to Lord Valentine by delivering the same thing Valentine tried to do to Oleander, but more personal. Let them suffer as you have. It brings to mind the "eye for an eye" metaphor. An eye for an eye and the world goes blind. But Justice is blind is she not? The skull imagery is interesting as well. This is all painting Oleander as a very dangerous man. Charming and witty, with a flair for the dramatic, yes, but dangerous all the same. A man who can kill. In the neutral ending he says, "For now you are safe with me. If you want to stay like that, you need to follow my lead." If he doesn't have the same attachment to you as he does in the good ending, you are an asset to him and he doesn't spare you the same kindness.

Francesco: Hour Glass

"Tempus//decurrit" means "time is running out". His is the shortest and simplest of the secondary ones. He is running out of time. He rushes you at the tailor to get an outfit made because he can't afford to wait. He wants to get as much as he can, done in the time he has left. No time to waste. The hourglass is the same message. Time is running out. It makes me wonder what is causing his time to run out. Here's the thing, Vesper's time is also running out with Fractum Anima, and interesting connection and it would be interesting if he also had it or something similar but I don't think that's the case with the other things we have seen. With the other things, the "innocent nobles of France" bit and the Wheel of Fortune, It feels like it's alluding to an execution to something similar. But that's purely speculation. That's it! That's what I have! (Thanks to Atlas on discord for great resources and helping me connect the dots with the numbers and tarot!!)

[sxcret-garden]

3rd Desire ღ A Little Jealousy [M]

ღ Aspects of Desire series ღ Ateez Jongho x fem!reader ღ feat.: Yeosang & Wooyoung ღ words: ~4.8k ღ genre: established relationship, college AU, fluff, some humor, slice of life, smut (dom!Jongho, sub!reader, clothed sex, teasing, tiny bit of finger sucking (idol receiving), oral (idol receiving), he’s a lil mean again, hair pulling, biting, dacryphilia, bit of brat-taming, reader goes into subspace, sir kink, fingering (reader receiving), unprotected sex) ღ warnings: heavy dom-sub dynamic, (he runs his hand through reader’s hair and picks her up)

Desc.: When you’re meeting up with your classmate and friend Yeosang in order to finally finish that dreaded uni project that’s been keeping you on edge for the past weeks, you don’t expect him to bring along his flirtatious friend Wooyoung. What you also don’t expect is said friend knowingly attempting to flirt with you in front of your boyfriend, who just can’t help but let the hint of jealousy it makes him feel influence his actions once you’re in the comfort of your own home.

Author's note: This is actually one of my fav chapters so far, and 80% of the reason is because the first scene was so much fun to write kasjdfkljsöldka

← prev chapter ღ next chapter →

Arriving at the café a few minutes early, you find Yeosang already waiting for you. You came here from your university dorms, about 20 minutes by bus, so you didn’t expect to be late, but you tend to always leave a little earlier than you have to anyway, just to be sure.

Your meet-up place is a cute little café that turns out to be a lot more spacious than one would assume looking at it from the outside, and it serves all the classics, as well as a couple of drinks that are especially popular these days.

“Did everybody send you their parts?” you ask, starting up your laptop, while Wooyoung watches the alarm that’s supposed to tell you when your drinks are ready.

“I thought they were supposed to send them to you…?” Yeosang replies, eyes widened because he doesn’t want this meeting to already turn into a catastrophe. The frustration that your teammates have continuously nurtured with their incompetence over the past two weeks bubbles up deep inside you again, until you check your emails and you find that they did indeed send their parts to you.

“Sorry, my bad,” you sigh deeply.

“It can happen,” Yeosang assures you, while the alarm goes off, shaking the whole table as it vibrates, and Wooyoung immediately grabs it and gets up. You’re glad he’s at least being useful in that regard - otherwise you’re not sure why Yeosang brought his friend from an entirely different major along to your café date of hell.

“He insisted,” your teammate tells you upon posing your question. “Actually I don’t know why I brought him either.”

“Excuse me?!” Wooyoung exclaims in offense as he returns with your order, having heard his friend’s reply. But Yeosang is quick to wave it off.

“It’s nothing, don’t worry about it.” To your surprise his loud friend merely sits down while eyeing him with a doubtful expression, but he doesn’t say anything more to that. Finding yourself more fascinated than anything else by their dynamic, you shake your head eventually and redirect your attention to the screen in front of you. 

“I’ll send you the parts so we can go over them together,” you announce as you’re already dropping the files into your kakao chat with Yeosang, the familiar tone coming from the speakers of his laptop signaling an incoming message that tells you he received them quickly. Wooyoung leans in, nosily looking at the files his friend is opening.

“Looks good… if you ignore the formatting,” Yeosang shades, making you chuckle, and Wooyoung lets you hear a loud “Hey!”

“You didn’t do yours any better!” he teases Yeosang, attempting to pinch his side but his friend evades the attack. 

“Personal space,” he just remarks, pushing Wooyoung away with his flat palm against his cheek. Once again you find yourself fascinated by their cartoonish behaviour most of all, but you don’t comment on what just unfolded in front of your eyes. “And also, mine doesn’t look very interesting, but at least it has the correct formatting.”

“Yeah, this professor doesn’t really have an eye for aesthetics,” you add, grinning yet unhappy about the way the paper you were supposed to put together looks overly sterile. “But I guess that’s what science wants.”

“Well, the contents are what matters,” Yeosang adds, this time not defending himself when Wooyoung throws an arm around his shoulders, but you can tell he’s not happy about the pda. With curious eyes he leans in, skimming through the text on Yeosang’s screen, and you give him an annoyed sigh. You really just want to finish this damn project already, before it consumes any more of your nerves. 

“Oh. Sorry,” Wooyoung grins as he notices your distress, moving away from the computer as he straightens his back, and you’re not sure what to make of his reaction. Telling yourself to focus on the problem at hand instead of him, you begin pasting the text into one collective document, while Yeosang starts reading through everything in search of any possible errors.

“Looks good,” he eventually announces, and you agree, having joined him in proofreading everything. 

“You two sure are fast,” Wooyoung comments, and he shoots you a gaze filled with mischief.

“This is the tenth time we read through these, so…” you explain.

“I see… Yeosang here told me about how horrible the others were to work with,” the guy sitting next to your classmate continues.

“You’re also horrible to work with, and you’re not even a part of this,” Yeosang mutters under his breath, causing you to chuckle, and Wooyoung immediately complains.

“That hurt! I know when to be serious, in contrast to some people.” He says it so ominously that you think at least Yeosang must know who he’s talking about, but he too shoots him a questioning look. “Whatever,” Wooyoung brushes it off with a hand gesture. “You’re done now, aren’t you? So we can finally get to know each other,” he adds, directed at you. “This guy told me a lot about you, so I’ve been dying to meet you.” He points at Yeosang, whose ears grow bright red and he waves his hands in front of his face.

“It’s not what it sounds like. I don’t talk about you all the time, this guy here just likes to blow things way out of proportion,” he explains, and with the way Wooyoung is grinning from ear to ear now, all you’re left with is to believe Yeosang’s words.

“Figured,” you say. “So? What did he tell you about me that made you so interested?” You give Wooyoung a challenging smile, and the guy is eating up your attention as he watches you with a spark in his eyes.

“How you took the lead in your project after everyone else did nothing, for example,” Wooyoung replies. “I respect people like that! You know, people who get things done.” You chuckle at his enthusiasm.

“Don’t be mistaken, I’m not usually the leader type. Just… when I need to be… for the sake of my own sanity.”

“I see,” Wooyoung says, leaning back in his chair now, taking on a comfortable stance.

“I’m sorry about him, I shouldn’t have brought him along,” Yeosang says, once again. “He flirts with everything that breathes in his direction, it means nothing. He’s just doing this for his own entertainment, but I can punch him for you if you want?”

“It’s fine, it’s fine,” you say. “It’s fun to do this every once in a while.”

“Oh? What do you mean - every once in a while?” Wooyoung pries, a broad grin now playing his lips as he leans back in his chair. “You’re not the type to go out and meet people like this?”

“Not to flirt with them,” you laugh, directing your gaze towards the entrance of the café, where the image of Jongho walking inside has caught your eye. You decided to have him pick you up after your meeting with Yeosang, so that you could grab dinner together. You didn’t expect him to be here this early, though. “I’m not sure if my boyfriend would like that,” you add, looking back at Wooyoung, whose mouth forms the shape of an o, before he once again merely grins at you.

“I see, I see… but the fact that you flirted back at me tells me you like to live dangerously,” he remarks, before letting out a giggle that seems both very sudden, yet not out of character at all. Yeosang can only sigh beside him. He looks like he wants to snark at his friend for that, but he bites back the words, as your attention is visibly drawn elsewhere and you scoot over on the bench to make space for your boyfriend.

“Hello,” he greets the other two, politely bowing his head in front of them, before he sits beside you. And now you’re the one grinning to yourself, seeing his shyness that seems even weirder now, that you’re getting to know more and more very different sides to him.

“Wait… is that the boyfriend?” Wooyoung points his finger at the guy next to you, eyes raised in surprise.

“Yeah,” you answer.

“You’ve been talking about me?” Jongho asks, raising his eyebrows as well. There’s a hint of disbelief in his voice, and for a second you wonder if you should use this opportunity to tease him a bit. But of course Wooyoung, the loud one, is faster.

“She’s been talking about you.”

“Don’t believe a word he says,” Yeosang utters, before you can defend yourself. “He just says whatever.” Another highly offended Wooyoung-noise is what follows, while you feel Jongho tapping your arm lightly, and when you glance over to him you can see him quietly laughing. Apparently he finds their dynamic just as amusing as you do. 

“Yeah, so… that’s Yeosang, who I’ve been working on the project with. And that’s his friend Wooyoung, who has nothing to do with the project but came along anyway to be a distraction,” you introduce the two guys, then you point at your partner. “That’s my boyfriend Jongho.”

“You think I’m distracting?” Wooyoung retorts, because that appears to be all he heard, and he says it proudly and with this shit-eating grin on his face as he puts his elbow on the table, supporting his head with his chin in his palm. You can’t lie, his bold attempt to continue flirting with you in front of your boyfriend both makes you think he must be incredibly stupid, and somehow also makes you admire his courage.

“Not in the way you think,” you answer calmly, trying to sound almost cold. Next to Wooyoung, Yeosang is muttering an “oh my god”, but most importantly your boyfriend doesn’t react to it. Instead he diverts the conversation into a different direction, and in your head you thank him for it.

“So… were you able to finish everything?” he asks, and you nod.

“Almost,” you say. “The formatting needs to be checked again, but that’s Yeosang’s job. So… if you want to go get dinner now, we can!”

“Ah, no, I wasn’t trying to rush you,” he assures as he balances somewhere between seeming friendly and polite. 

You end up leaving pretty soon anyway. Yeosang informed you that he still had things to do (you assume he just wanted an excuse to get rid of Wooyoung) and so you packed your things and split up into pairs in front of the café, with your friend and his friend taking the route to the bus stop across the street, and you and Jongho walking a couple of blocks to get to a restaurant you’ve been wanting to try. It’s serving stew as its speciality, just right for a chilly evening like today.

A groan of satisfaction escapes you as you link your hands above your head and stretch your arms and back after entering the apartment. Your boyfriend smiles at the sight in front of him as he puts his jacket on a hanger and then he follows you into the living room.

“Getting dinner there was a really good idea,” you remark as Jongho comes up to you from behind, placing his hands onto your hips and leaning in.

“Right? You should let me pick restaurants more often,” he mutters right beside your ear, and when you whirl around to get a proper look at his face, he laughs softly.

“I think it was my idea to go there?” you retort, taking offense in him attempting to take all the credit, but he’s quick to appease you.

“I know, I know, just joking.” You huff at his attitude with a smile, before he adds, “I thought you liked mischievous guys.” He walks away and towards the kitchen as you’re still confused about his words, but when you begin to have a hunch about what made him say this, he’s already out of sight. You follow him, finding him pouring himself a glass of water, and without a change in expression he takes a few sips. You can only stare at him, hoping for him to say anything to help you figure out whether that hunch is right or wrong, but he doesn’t look like he’s in a hurry. Setting down the glass, he seems to be thinking about something as he’s supporting his weight with his hands on top of the kitchen counter, and then, when he finally shoots you a glance, the expression on his face has changed.

“You liked that, didn’t you?”

“Liked what…?” Jongho pushes himself off the counter in front of him, taking a few steps towards you instead. He comes to a halt when you’re merely a few inches apart, his head tilted to the side ever so slightly, and his hand finds your face.

“That guy flirting with you,” he says, his voice dangerously low, and he lets his thumb trace the outline of your bottom lip. “You liked that.”

“I…” You gulp as you look up at him. So he did realize it. You should’ve known better than to assume you could hope he wouldn’t be able to read you that well. But you were mistaken. It seems he already learned to notice and correctly analyze even the smallest of signs, and you guess in some way that’s a good thing, you’re just not sure what this means in a situation like this.

“It’s fine, dear,” he speaks, his voice merely a whisper now, and he leans in to press one feathery light kiss onto your lips. “You can admit it.” Again, you find yourself gulping. But the sweetness of his kiss mixing in with the soothing effect his words have on you leave you unable to ponder on this for longer. And so you simply say it, without thinking about the consequences.

“I liked it.”

It was only yesterday that you had another conversation, figuring you should talk more in depth about your wants and what you don’t want, after he almost crossed a line last time. You talked about your relationship, your sexual relationship mostly, the kind of dynamic that’s slowly growing between the two of you, and the kind of dynamic you two wish for. Surprisingly, from what you’ve discussed at least, your wishes align mostly.

You both agreed you want more. More than a kink or two incorporated into your sex life. More than a barely noticeable difference in power. He made it clear he’s willing to go into this with you, take you by the hand, and that he’d make sure to satisfy you.

But you know he also wants to be satisfied himself. And it’s exciting you, thinking about it then, and thinking about it now, as he’s steering you towards the nearest wall, until your back gently comes in contact with it. It’s not much, no grand gesture, and yet you can already feel the flames of desire burning up in your stomach.

“I see.” He speaks slowly now, the tone in his voice sending a shiver down your spine and you know he can see you tremble. From excitement for what’s to come, and curiousity about what he plans to do with you now. “What?” He raises an eyebrow, one hand resting against the wall right next to your head, the other reaching out until his fingertips come in contact with your stomach, and he lets them dance up until he’s almost reached your throat. When he sees you gulp at his action, he huffs, as if laughing at you. “You think I’ll give you what you want that easily?” Jongho asks, pulling his hand away and you inevitably frown at him for it. “After flirting with another guy? After you tell me you liked it? I don’t think so.” He takes a few steps away. There’s a calm expression on his face, his look feels almost icy as he lets his gaze wander from your head down your body. “You should know who can please you best,” he warns. “Or, don’t tell me you think that cheeky guy could make you feel better than me?”

“No!” you respond immediately and without having to think about it.

“But you still liked the attention,” your boyfriend states, matter-of-factly. 

“Y-yeah…” you admit, making yourself smaller instinctively.

“Cute,” he huffs at your apologetic gesture, and there’s a hint of a smirk sitting on his face. You weren’t 100% sure about it before, whether he really is jealous or if he’s doing this for fun, but now you can clearly tell - he’s enjoying this. And that’s fine, because you talked about this too - what you’re about to get yourself into, and how far you’re both willing to go in the process.

“Come here,” Jongho orders along with a gesture of his hand and you oblige. You step closer, let him put his arms around you, and the kiss he presses onto your lips is surprisingly soft. Slowly, he moves his lips against yours, tilting his head so he could deepen the kiss eventually, taking his time as he runs the tip of his tongue along the front row of your teeth, and just when you begin to want him to kiss you more passionately, he parts from you. One look at your face, his darkened eyes making you shiver in his hold, then he brushes his lips against the corner of your mouth. Trailing kisses across your cheek and eventually halting beside your ear as he cups your face with both hands now.

“Get on your knees, beautiful.” You don’t hesitate, and you don’t protest. It’s like his words put you in a trance, making sure you wouldn’t even think of disobeying him. And so you do, you drop down to the floor in front of him, hands immediately fumbling with the button on his pants, because you know what he wants. There’s only one thing a guy could want when he tells you to get on your knees for him, and you’re set on giving him that. But your eagerness doesn’t go uncommented. “So greedy,” he mutters, as he calmly watches you pull down his pants and underwear, exposing his half hardened length. His hand finds its way into your hair, fingertips massaging your scalp and for a second as you glance up at him you think you can see his features soften. “You already know what to do, hm?” your boyfriend continues, yet you wait for the okay to touch him.

“Can I…?” you ask, making him let out a short laugh. And there it is again, that grin that would tell anyone that he knows he’s in control, and he’s enjoying it. 

“Are you gonna make me wait?” he poses a question in return, and in that same breath phrasing the answer himself. “I don’t think so.” 

You keep one hand resting on his thigh, while you wrap the other around his cock. Peering up at him to watch him as he watches you, you start moving your hand slowly, and the second your palm brushes against his head, you can see the way his lips part to make way for a quiet sigh. You bring your fist all the way back down his shaft, repeating the motion a few times, until you find a hint of impatience on his features.

“Dear…” he mutters, untangling his fingers from your hair to cup your chin instead. As he lifts it up, his thumb presses against your lips, and when you open your mouth to let out a shaky breath, he pushes the finger inside. Your eyelids fluttering shut, you meet him with the tip of your tongue, instinctually swirling it around his finger once, before you close your mouth around it and suck on it. “Like that…” Jongho breathes a praise in your direction, before pulling his thumb out of your mouth and putting his hand back on top of your head to steer your field of vision back towards his core. He stays quiet, but he wouldn’t have needed to say anything more anyway to get you to finally do what he wants you to. You move closer, extending your tongue for mere kitten licks, quick strokes that wouldn’t possibly be near satisfactory against the tip of his cock. You glance up at him again, seeing the impatience building up behind his gaze that won’t leave you, and for a moment you wonder whether you should try and see what happens if you push him a bit more. 

But your own hunger wins over that desire. He was probably right, you really are greedy today, because the second you wrap your lips around him, you find yourself moaning at the feeling of having him in your mouth. The hiss of pleasure he lets out forces you to suppress a grin. Instead, you take him in further, hollowing your cheeks as you let him fill you up with his size. 

His hips stay still. You wonder whether it would stay like this, whether he would make you do all the work and merely guide you into the pace he wants, as he is doing currently, with his fingers grasping onto strands of your hair, or if he would eventually lose patience and start fucking into your mouth. All you know is you’re fine with either, and yes, you’re eager to please him, eager to get him off. 

Your hand still wrapped around him moves along with your head for additional friction, and you keep peering up at his eyes, wanting to see the moment he breaks apart, and all the expressions leading up to it. And yet he stays in control, disappointingly much, so you take him in even further as you sink back down on him, until his tip hits the back of your throat, making you gag in response. You furrow your brows at the uncomfortable sensation, and yet you do it again with your next repetition of the movement. So long, until tears are starting to well up in your eyes, and that’s when he takes his hand away from your hair and cups your face instead, cursing at how good you’re being for him.

“Fuck, Y/N…” he groans, and now you can see the pleasure distorting his face - it’s not much, but it serves as a motivation to work even harder for him. The sound he lets out as you swallow around him makes you moan as well, until you move your head and your hand faster, and the lewd sounds of you sucking him off, as well as your boyfriend’s heavy breaths fill the room. “Y/N, stop,” he mutters, and you don’t, because you want to push him over the edge so desperately. Instead you mewl at the taste of his precum leaking onto your tongue, and you close your eyes, preparing yourself to take his load.

What you don’t prepare yourself for is him yanking your head away by your hair, the shock from the sudden action and the immediate wave of pleasure that follows as he growls,

“I said stop.”

“Yes, sir.”

A sudden weakness washes over you, and the only thing you can do is move your head up just a little bit, leaning into the touch of his hand on top of it. And you don’t miss the way the words affected him. After he had suggested you calling him that and you had refused, saying you found the thought of calling your boyfriend sir a bit weird, you know he didn’t expect you to say it after all. But you did. And now there’s an entirely new expression on his face, an entirely new burning passion reflecting in his eyes, and you know it’s only a matter of time until it burns you too.

“Get up,” he says eventually, and you do as told, finding yourself held up safely with his hands resting on your sides as soon as you stand. Your body feels light, almost like he’s taken control of your will, when he steers you back a few steps, into your original position against the wall. Without hesitation, he kisses you, teeth clashing together as he tears at your clothes, and he only parts from you to pull them off, piece by piece, one after the other, and when he has gathered half of them on a pile somewhere on the floor, he decides that should be enough. Your pants gone should do, and when his lips smash onto yours again, you feel his hand between your thighs, fingers prodding at your folds.

“Shit,” he hisses against your lips. “You’re fucking soaked… can’t wait to fuck you…” His words make your head spin, and the way his fingers slip inside you effortlessly only adds to your lightheadedness. You throw your arms around his frame, fingernails digging into the fabric of his shirt covering his back, and you buck your hips into his palm as he starts curling his fingers inside you. You can only mewl at the pleasure, sentences are too hard to form right now, maybe if you tried you could get out a few words with no correlation between them. 

“...p-please…” you slur, “...f-fuckme…” 

“Who do you belong to?” Jongho asks, his fingers working you at a speed that should give you time to answer, but that won’t keep you sane for long. And yet you can’t say anything, only pathetic whimpers come out when you open your mouth. “Who?” he repeats. “Is it me? Do you belong to me?”

“Y-yessir…” you manage to say, and he bites his bottom lip hard.

“That’s right.” You can hear his voice trembling as he speaks, and you let out another sorry excuse of a moan as he presses his thumb against your clit. “Gonna make you cum so good, pretty girl… just wait…” All you can do at this point is cling to him for dear life, incoherent whines and whimpers falling from your lips, in between words that are supposed to tell him you want to cum on his cock, but you’re not sure how much of that actually gets through to him. And still, when your walls are starting to clench around him and your whole body tenses up, he finally pulls out of you. With his hand soaked in your juices he gives himself another few strokes, before telling you to hold on tight and lifting you up with his hands placed on the underside of your thighs. You cry out as he pushes into you, tears welling up in your eyes again, and this time they fall. Rolling down your cheeks as the pleasure overwhelms you, arms wrapped around him so tightly that you’re not sure if maybe you are squeezing a bit too tightly after all. But it doesn’t matter. All that matters in this moment is the chase for your high, and it ends with merely a few of his thrusts. Your body shakes violently as your orgasm hits you, you bite his shoulder and yet the moans won’t stop escaping you, and as you do, he too comes undone. You keep clenching around him as you feel him spilling inside you with a groan, and even as you start coming down from your high, your body won’t stop trembling. 

He tries to help you stand, but realizes quickly that all attempts are futile. So he carefully lets you sink down onto the ground, staying close to you in order to keep holding onto you. 

“How was that?”

“Good…” you manage to whisper an answer, not having the energy for a more elaborate one, but your boyfriend understands.

“I’m glad.” Jongho collapses with his back against the wall next to you, letting you rest your head on top of his shoulder and him leaning his head against yours. His hand finds yours naturally, fingers intertwining, as your mind is still drowned in bliss from the afterglow of your orgasm.

“It was perfect, actually,” you say, correcting yourself. “You were perfect.” You lift your other hand up to comb your fingers through his short hair, eventually letting it rest against his cheek and bringing him in for a short but sweet kiss. And then there it is again, that soft smile appearing on his lips, and when you lift your head he buries his face in the crook of your neck - to hide that expression from you, as you assume. 

“Well, I didn’t think you’d actually call me that, after saying you didn’t want to at first,” he says, and you retort, questioningly,

“Sir?”

“Yeah…” Jongho looks away, still visibly affected by it, and you shoot him a mischievous glance.

“I’m… really enjoying this though. And I’d like to keep… trying new stuff too…” you speak, and your boyfriend gives you a smile.

“We just tried a lot of new stuff, and you already want more?” He gets up, walking over to one of the cupboards and getting you a glass of water. “Drink this, first of all,” he says as he hands it to you. “And tomorrow we can sit down and talk again.”

[kaibutsushidousha]

Thoughts on Kirschtaria?

I love Kirschtaria lots but he isn't exactly easy to talk about. Olympus was 4 years but I still think it's too early for this post. Kirschtaria is the one who knows what the entire Animusphere plot is about. Until his final scenes, where he opens rebellion against the CHALDEAS and tries to unfold his secret plan, he's under constant surveillance by the priestess and pretty much all of his actions and speeches inform of CHALDEAS's (Marisbury's) beliefs rather than his own. A good analysis of Kirschtaria needs to wait until we know what exactly he was involved with.

The post-rebellion parts, where we get to see his past and learn about his ideals, are not easy to talk about either because Kirschtaria is too much of a straightforward hero behind his mage posturing and 5D chess. He's cheerful, accepting, driven to be productive, loves his friends, believes in everyone's inherent potential to be good, and wishes to end inequality above all.

One of the parroted Animusphere beliefs that Kirschtaria showed to genuinely believe in is the idea that humans are unequipped to immediately make the right choice but he puts a positive spin to it making we are experts in fixing mistakes later.

I don't think I can find anything original to say by explaining how his experience with Pino taught him that beauty can come from the least expected places and how much that is reflected in his relationships with Caenis and Beryl, so I guess all I got to close off this with post with is some speculative trivia that never leaves my brain.

I strongly believe Kirschtaria's characterization is the result of Nasu really wanting to write his original version of Jesus but knowing exactly how much of a bad idea it is to portray the central figure of a massively active religion. This is the same guy who made the Buddha into a boss character with no speaking roles and removed Hassan's Allah Akbar chant from every rerelease of Fsn for sensibility reasons. Jesus himself gets referenced as the Messiah sometimes but never by name. Nasu plays safe with this kind of thing.

So instead of Jesus, we have Kirschtaria. Named after the Japanese "kirishito" spelling of Christ, but written with a very unusual romanization because Nasu really wanted the English spelling of the name to contain an anagram of Christ (irscht). Then he put Kirsch through the basic Jesus plot of carrying out a major project to free mankind from its history of sin and enable everyone to do better, with the only life paid as the price being his own. And in true Jesus fashion, this ends with Kirschtaria dying by the side of a huge sinner that he personally pardoned and inspired to be better. And since subtlety is for pussies, we also get a scene where Caenis sees Kirschtaria shirtless and practically straight up says "Dude, you look like one of those Jesus portraits".

I could continue with commentary on how Pino being poor, sickly, and homeless is in line with the standard archetype of characters who appear to receive miracles in the Gospels, or how Nasu's interest in Jesus is tangible again with his next story portraying both Avalon le Faes as prophesized saviors born through special means for the sole purpose of going on a painful journey of pilgrimage fated to culminate on them sacrificing themselves to absolve the people of an ancestral sin but I think it's better not to stretch the idea too much.

[kitskiis]

I think the saddest part about secret life Joel is just how futile all of his actions are in that season. On a surface level i mean stuff like all of his more careful gameplay being cancelled out by a singular failed tnt trap but on a deeper level i specifically mean how that character contrasts with last life Joel. Joel is undoubtedly at his lowest point in the life series in Last Life. He goes down to red in session 2 and spends the majority of the rest of the season alone (and when he does have allies it’s only bc of a shared bloodlust). The red bloodlust completely takes over and this festers for nearly *8 sessions*. Not only that but the one time he is given a chance to restart and go back to yellow his old alliance member goes to red, leaving him alone again, and he is made boogeyman the next session. This, overall, has lasting consequences (he actually wanted to be fairly friendly at the beginning of LL, a stark contrast to how bloodthirsty he was at the beginning of DL or Lim L), and gained him a reputation that has never fully gone away. This is especially bad bc most people agree that LL was the most violent season (despite the lower kill counts in comparison to LimL) and was generally the worst and most traumatizing experience in the games for most people involved. Compare this to secret life, which everyone agrees was definitely the happiest season for Joel (or at least the most normal. His life is a tragedy no matter the season.) he has allies that (for the most part rip mumbo) stick with him until the end, he is friendlier with a larger group of people, and when he initially has to deal with the loss of some of them he has people who can ground him (bc as much as I adore the bad boys, grian was not qualified to do that). He was so hopeful that season, and was generally in a much healthier place mentally. And yet, despite how much he seemed to have grown, those 2 seasons ended so similarly for him it was almost comical. Joel engaged in a fight at the end, watched his ally get killed by scott, and is then forced into a 2v1 against Scott and another player that results in Scott taking his final life and him finishing 5th overall. I was describing both of those seasons here. After everything he did to grow, after all the improvements he had made, everything ended *exactly the same*

Making this about the bad boys for a second (because I’m me) they kinda suffer similar fates. Grian learned in the most tragic way possible that his allies were doomed to fail as long as he was with them no matter what, that this was not something that he could control by simply avoiding killing them himself. Even when he actively tries to save them (“let Tim do it he needs the time” “Joel you can kill me!”) he’ll still lose them in the end. I think this realization is also what made him stop trying to fight it, which resulted in him killing or almost killing his allies from previous seasons immediately afterwards (stabbing scar in the back and that one scene where grian kinda ominously jumps with a sword like he was about to crit and kill bigb after finding out he had 50 seconds left on his timer). It’s sorta like a way of telling the universe “fine. You win”

Similarly Jimmy. Well. I don’t think I need to explain that one. Even when he was given hope that things could be different, that he could break the curse, he died only a few minutes later. I still hold on to the narrative that the watchers only allowed that to happen to give Jimmy false hope that things can be different only to rip the rug out from under him and drive home the point that he is in a losing battle because by the time of secret life Jimmy was one of the only few people who genuinely still believed he had a chance. Obviously this is not something that can fully be a reality until he goes out first next season so if he doesn’t that’s a little awkward but just work with me here

TLDR; here is reason number 672 on why I believe the bad boys are the most doomed motherfuckers on this server and their alliance is a modern tragedy

[callsign-rogueone]

conscription day - a.g.

Aaric Graycastle x reader words: 1.2k 🏷: at incredibly long last, here begins the story of Aaric and Sunny! no pronouns used in this chapter but future ones will use she/her. very minimal Iron Flame spoilers. their story will follow the whole book so more major stuff in future chapters. in this one: canon-typical peril, dragon fire, implied death of unnamed characters. proofread, but with a migraine. five points of extra credit if you can identify another girlfriend or two in here 👀

Crossing the parapet was easy enough, and that should be the hardest part of your day today, yet you still can’t kick the nervous feeling in your chest, even after you have both boots on solid ground and your name has been recorded as having made it across, after you've been organized into a squad...

It persists through the handful of boring patriotic speeches about the commitment you’ve made to your country, which go in one ear and out the other. You know why you’re here. You don’t need to be given any other reasons.

You look over at the boy next to you. He doesn’t look scared of anything; not the quartet of dragons perched on the stone wall fifty yards away, nor the rest of the cadets around him who are all armed to the teeth, but he’s not loud and proud about it like some of the other cadets you’d heard talking on the Parapet. He’s keeping quiet, and watching. 

It’s almost like he doesn’t want anyone to see him, trying to blend into the crowd as an average guy so as to not make any enemies or expose any weakness he might have — but he certainly doesn’t look like he has any weaknesses, tall and strong and well trained, wearing his weapons like he knows how to use them, silently watching the rest of the crowd in the courtyard.

Maybe you’re a little bit alike in that regard; not in your level of preparation — you’re definitely the least-armed person in the squad, and likely in the entire quadrant, with one knife at each hip and absolutely nothing else, as that was all you’d been able to afford before you left for Basgiath — but in the way you present yourselves to the rest of the world, focusing on figuring everyone else out and keeping quiet, not sharing much.

Your nerves are finally starting to settle. The four dragons continue to eye you, some scarier than others; a battle-hardened red, a bored green and an equally disinterested brown that actually yawns -- and looks to be missing a few teeth when it does, and a mean-looking blue at the end of the row. Just missing black and orange.

As if the thought had manifested into reality, a massive, one-eyed orange dragon swoops down to perch on the wall too, stone crumbling under its feet. The other dragons clearly weren’t expecting this — the red bares his teeth at the intruder, the others backing up to give him a healthy amount of space.

One of the wingleaders, the only girl of the four, shouts something you can’t distinguish, and then there’s a chorus of screams as the orange unhinges its massive jaw, spewing red flame upon the formation.

A girl across the courtyard springs into action, leaping in front of her wing with her palms outstretched, making some kind of invisible shield over herself and the group of students behind her that deflects the fire. Clearly there isn’t anyone in your area that has this ability — everyone hits the ground, or yanks each other aside and prays they’ll be far enough away to avoid being burnt.

The boy you’d been watching locks eyes with you, and then you’re on the ground underneath him in a matter of seconds, wrapped up in each other; chest to chest, his hands braced against the gravel on either side of your head, one leg between yours, your faces less than three inches apart.

The intimacy, the implications of this position you’re in with a total stranger, a man you’ve never met, and an armed one, at that, should make your skin crawl, should make you want to kick and scratch to get him off of you, but you stay in place, under the safety of his armored shoulders, because it’s clear that he doesn’t want to hurt you, or to assert his power over you — but to protect you.

You have a deep-down feeling that you can trust him, despite not knowing anything about him. He doesn’t know anything about you, either. You don’t think he even knows your name — you’re certainly too shaken to remember his, if you’d heard it -- but he hadn’t hesitated to put himself between you and danger, turned his back on a fire-breathing dragon to make sure you were safe.

You’re still transfixed by the color of his eyes, a gorgeous jade green with a ring of gold around his pupils, which are dilated with the same mix of shock and fear that yours must be -- maybe he’s not as fearless as you thought. No, brave is a better descriptor. Isn’t that what bravery is, being scared but doing it anyway? 

If every day at this school is like this, you could certainly learn a thing or two from him.

The screaming stops and the heat lessens, replaced with the sound of an earth-shaking roar and the smell of smoke and charred leather.

“Are you okay?” he asks, the first time you’ve heard him speak. His voice is soft and cool, soothing.

“Yeah,” you manage, blinking up at him. “I’m okay.”

He rises to his knees, then his feet, extending a hand to help you up. You take it appreciatively, regaining your footing, surprised by the steadiness of your steps.

He reaches forward to brush the dirt from your hair, tucking a loosened strand behind your ear.

Your heart has never beat this fast in your life. You’ve never been touched this gently, never seen such a deep look of concern in a man’s eyes, that gorgeous shade of green looking down at you…  You realize that he’s still holding your hand -- rather, you’re still holding his. You let go quickly, your cheeks warming with embarrassment. 

“I’m okay,” you repeat, as much of a reassurance for yourself as it is for him. “Thank you,” you add after a second, still a little stunned by the events of the last two minutes — especially by the way he’d acted, to come to your rescue without hesitation.

He would smile at you if he hadn’t just watched a dozen people be incinerated. “We’re supposed to look out for each other, aren’t we?”

You manage a nod, your eyes finally moving from his to assess the damage and regretting it immediately. All of Second Wing seems intact, having been protected by the girl who had put up the air shield. She looks a little unsteady on her feet, but otherwise unharmed — it must have taken a lot of energy to do something like that. First Wing was far enough away to be unscathed, but Third Wing, and the squad beside yours… if you had been placed anywhere else, there would have been a reasonable chance that you’d have been burnt alive.

You don’t have much time to dwell on it as the girl you remember to be the squad leader, Rhiannon, barks out an order to fall back into formation. 

You step back into place at the back of the block, between your hero and a blonde girl who looks like she regrets eating breakfast this morning. “Deep breaths,” you whisper to her. “In through your nose, out through your mouth, like you’re blowing bubbles.”

She blinks at you, but tries it anyway, and it seems to work, her posture loosening slowly. “Thanks,” she replies quietly, keeping her eyes forward. 

The boy is right — the three of you should look out for each other, if you want to make it out of here alive.

[princeash31-blog]

I'm sorry, I just really need to get this thought out, but what one of the reasons why I am so affected by Ivan's death is the underlying emotions behind it. It's been constantly shown throughout the narrative that Ivan was infatuated with Till, but the nature of their relationship was that Till had never noticed him.

I believe that Ivan was fully aware of Till's feelings for Mizi (mainly due to the comet scene in Round 3, where Till rejects the chance of freedom) and thus, he resigned himself to gaining the barest hints of Till's attention, even if it was negative, because he knew that he couldn't have anything more. He was content with what he could get and still chose to look after Till in the ways that he believed truly matter to him (freeing him from his bonds whenever he got the chance to).

Considering their background, it's likely that none of them were exposed to the concept of love and are now just relying on their own interpretation. Thus, it was probably hard for them to ever consider letting go of the ones they love because their own emotions were probably one of the few things that they could claim for themselves since they didn't have any anatomy over their own lives. Ivan was constantly reacting after Till's own actions (such as fighting back after Till punched him when they were younger or repeating the cheer up mantra), so when he noticed that Till was no longer singing he decided to take action that would keep Till from dying. He chose to sacrifice himself so that he wouldn't be confronted with Till's death.

Because, in the end, Ivan was always content with not receiving Till's afections as long as he could be around him in some other way. He crazed to have Till gaze upon him, but he could survive on his presence alone. If Till had died before him, Ivan would've lost a major part of himself. The aliens would've taken away the final thing that he had for himself. He would've died either way. Whether physically or spiritually. At least through his sacrifice, he was able to go out without having to witness the final downfall of the one he cares about the most.

[damianbugs]

What you mean by" willis todds love for jason is the reason bruce failed him" ?

Sorry ive seen your post and I agree with everything but this just kinda suprise me, not hating, just curiuos

HELLO! so this is a take that is based on pre-new 52 todds, before they were simplified to the one dimensional (and classist) personalities they're known for now. neither of them were shown to be abusive or willfully negligent, but rather found themselves in bad situations out of their control and died, leaving jason to fend for himself.

in the most simplest way what i mean is willis todds self sacrificing actions of turning to crime in order to provide for jason and catherine is the key defining part of jasons life and why he views bruce's love for him as 'not enough'.

(of course, the actual proof of this is like. one single panel and its not even said by jason. however i think it is something that can be found in jasons character through other, less obvious situations.)

in jasons initial (public) return to gotham and that long and convoluted plan to mess around with batman psychology to get the two of them and the joker in the same place, it all seems like a well planned out revenge story until the final conversation:

Batman: Under the Red Hood

it always stood out to me, not just because of how absolutely heart wrenching the entire moment is (definitely read utrh if you haven't, at least once), but because it really gives you an insight into what love and loving someone means to jason.

to him it's an all encompassing responsibility. this idea that love is something that you need to be able to prove by the quantitive value of what you'll sacrifice for it. in this case, jason is saying i love you" in the way he truly believes gets across how much he means it; i would kill the person who hurt you.

whenever i read this part of utrh, another situation immediately pops into my mind. and that's when jason found out two-face had killed willis todd.

Batman #411

upon finding out two-face had killed willis, jason goes on a brief grief filled rampage, swearing he'll kill him for what he did. it's important to note that up until now, jason had assumed willis was still in prison, only to find out he was actually murdered.

again, it's this idea that love is the extremes you'll go to for family. jason was well aware of willis' less than legal means to make money, and even bruce makes a mention of it in.

Batman: A death in the family

i imagine, like a lot of what fuels jason to fight crime now, guilt is a major deciding factor in a lot of his choices. it's this guilt that he feels upon hearing about willis' death that makes him take it out on two-face. it's even guilt that plays a huge factor even in new 52 stories (such as Cheer).

so when he returns to gotham, or even before that, just hearing about what bruce had done following his death (locking the joker up instead of killing him, taking in tim as his robin) were, to him, clear evidence that he did not love jason in any way that mattered. that bruce did not love jason as much as jason loved him.

because loving him means giving up your morals. loving him means sacrificing your health and your time and your safety.

but bruce didn't do any of that in a way jason could see.

i imagine to someone like jason, who lost every parental figure in some capacity, whether it be to illness or crime or something else entirely, the evident disregard for him was as painful as any rejection could have been.

a lot of how jason feels and acts can be seen in much more interesting ways if we all look at him for he is; an unreliable narrator. he is missing huge chunks of story, especially when it comes to bruce, and has no choice but to act irrationally on the little truth he does know.

of course we the readers, and some other characters, know just how hard jasons death was for bruce. how destructively he mourned for his son.

but again, the surface level proof of it is not enough for jason, who's entire life has been love through sacrifice. but now, it's a sacrifice bruce can not ever give him.

Batman: Under the Red Hood

[marsprincess889]

Me getting political

🇬🇪🇪🇺

So, I know I mostly only really talk about vedic astrology here, but I'd like to speak to the very same audience who found and followed me because of that about what's going on in my country. So, followers, dear mutuals, those couple of ppl I know irl who are on here, or someone who randomly found this_please, read and interact. (!!!please)

For context, the vast majority Georgia, mainly gen z, has been protesting a "foreign agents law", which is almost identical to the law that russia passed in 2012 and that has resulted in significant restriction of the freedom of its citizens. So, eurovision, met gala, whatever.... this is the reality my country lives in.

I had no idea so many people from other countries were this misinformed about georgia(in general)? People thinking photos from our massive protests were not from here because we have "police" written in english and not "policija"(which is not a fcking georgian word??????)?

People thinking america funded, I repeat, MASSIVE protests that have been going on for a month(and have also taken place in the march of last year for the same reason), just because some of the protestors wrote signs in english? Like, the sheer idea of that is honestly infuriating.

I don't think anyone who has not lived in Georgia will understand the situation clearly. The government is ordering to beat up peaceful protestors, is using pepper spray on them.... and most of the protestors are teens and young adults, trying to make a better future for themselves and for generations to come, tired of fighting the same fight that their parents and grandparents have fought.

When you are born georgian, patriotism is instilled in you like vow. I was born in 2002, a decade after my country exited the soviet union, fresh out of the notoriously hard and dark 90s(full of poverty and crime), six years before I started school and russia invaded the city of Gori. We learned all the poems and novels of our great writers, learned the stories of them fighting for freedom of speech, for the freedom of our country, our teachers would explain every detail of their astristry and their importance. At some point I think we all got tired of it, no matter how loving and full of care they were, but then I remember the presentation my class did in sixth grade about february of 1921, how Georgia exited the russian empire in 1918 and how the brand new(at the time) constitution was implemented just a few days before the red army came in 1921... MY PARENTS were born when Georgia was in ussr, my mother had to spend her years as a young student in the 90s in constant fear of danger on the streets, our parents saw the worst of it and did everything in their power for us to live in a better environment. But we're first generation in georgia who grew up with internet, who is fluent in internet slang and is way more informed, with a completely different mentality, for whom the decades of oppression is more distant. We know russia is an enemy, we know what our country has gone through, but we are the first gen with the freedom to speak up when yet another attemp to control is made.

We have a very long and rich history and one thing that is clear from it is that we are supernaturally resilient, and our refusal to be subdued has protected not only ourselves, but countries that lie west from us, the countries that make Europe, that we consider ourselves a part of.

My friends know I'm the quickest to say that I feel like I don't belong here(georgia), that I never really connected to what I saw, generally, in my country, but maybe there are thousands like me here. Maybe(100%) the men in power haven't been paying their due respect to my generation and how persistent we have been in our actions and convictions. And maybe, the rest of the world(western countries) have significantly undervalued our importance. We deserve our due, and to me, the least that others can do, is to educate themselves before typing or speaking about us.

We are not a "former soviet country", we are an ancient civilization with an extremely unique culture that has survived to this day, that has protected its customs, identity and the right for freedom, and has been under almost constant threat for losing them. And, once again, if there was any doubt, we are not our government.

I sincerely hope for this to get as many notes or possible, or at least, to reach the right people.