#but the comics aren't better either

[wu-does-art]

misc solangelo pen doodles

[problemswithbooks]

BNHA Ch. 429

So, I guess Toga is dead, and people are losing it.

I get why people liked her--she was actually queer, being pan/bisexual. She was representation for them and that's rare in shonen manga. But here's the thing--she was bad representation at best and insulting at worst. Nor do I think she was made queer because Hori really wanted to represent a queer girl. Himiko was always the author's poorly hidden fetish--she just was. She liked girls as much as boys because Hori wanted to draw a girl touching sexually on another girl. You can see this in how he draws her and Ochako in solo pics together.

I mean, people seem to understand this when it comes to Momo and her outfit being overly sexual or that both Himiko and Hagakure's Quirks either leave them naked or they have to be naked to use them. These are excuses to draw girls in a sexual manner. Himiko being into other girls is the same thing and that's the kindest interpretation.

Given how Himiko acts and her Quirk being heavily coded sexual desire, and therefore her use of it against someone unwilling being sexual assault, it could just being playing into harmful stereotypes of predatory gays.

As a queer person myself I just found Toga insulting. She was designed to be overly sexual and give the male author a female character that he could draw being suggestive with his other female characters. When he did flesh out her character, her backstory was eventually the trope/fear of straight people, that gay people will be so overcome with their lust that they end up sexually assaulting them.

In the end Ochako accepts this part of Toga and says she'll giver her blood forever, but as much as a lot of readers took that that as some deep lesbian confession, for me it really fell flat. Hori never really gave any of the main kids time to actually learn about their villain or show how that changed their minds toward them. Shoto only works because Touya is his brother (even though he admits he barely remembers him). But Ochako goes from not thinking of Toga at all pre-first war, to one thought about her during her speech, to suddenly caring about her so much she--given how Toga's quirk is coded, is willing to essentially fulfill Toga's kink for the rest of their lives.

It's weird and it comes out of nowhere. It's made even stranger because Toga doesn't actually change or show remorse for anything she did, which included personally hunting and murdering people before she joined the LOV. None of the death and destruction she is also partially responsible for is brought up either, something that Ochako was rightfully upset about during the first war when less people and property had been destroyed. Ochako just accepts everything about her suddenly and her past serious crimes are forgotten so they can cuddle and cry.

Am I shocked Toga died--a little. I didn't think Hori would have the guts to kill off a young girl character, especially one that he clearly got a lot of joy drawing in sexy poses. But at the same time, once he killed off Shigaraki and ended Touya's story with his slow death, I'm not surprised he went the same route with Toga.

This isn't Naruto--Hori isn't really kind to characters that do something wrong, especially if they don't try and change. Enji, Bakugo, Hawks, and Aoyama all sort of got punished for what they did. Enji is the worst off, being permanently crippled, missing an arm and burned everywhere. Bakugo's hand is damaged, his heart weaker, plus he feels bad that Izuku lost his Quirk so they can't compete the same way he wanted them to. Aoyama, despite doing way less wrong and even helping his class during the forest raid, still leaves school because he doesn't feel he earned being there yet. Hawks lost his Quirk and even though him running the HPSC could be seen as good for him, Hawks always wanted a break, but now he has one of the most time consuming and stressful jobs out there.

So, if this is what characters who actively did good things and even changed and fought to be better get, what would characters who never changed and never did anything positive for anyone but their friends/themselves get?

Before the last Arc started, when so many people said the LoV were 100% going to be redeemed I had doubts and always thought it wouldn't make sense with how the story presented redemption or treated other non-LoV villains in the past. That if the main LoV did get some happy ending where they were bffs with the main cast it would clash with how other characters had been treated.

That doesn't mean that I think how Shigaraki, Toga, and Touya ended up in the manga was well done. I think their endings fit far better then a last minute redemption would have, but at the same time you can feel how rushed everything has been since the end of the first war arc. Hori was done with this story months if not years ago, yet he was contractually obligated to finish it. Because of that I think he left out as much as possible. As much as I think he's written some pretty obsessive stuff, particularly towards women, I can't really fully blame him cutting corners or the story being shit at the end.

We know Manga authors, particularly those that work with Jump are treated like shit. That they suffer incredibly long hours at times not even getting to go home for days. We've gotten messages for Hori saying he's sick quite a few times. On top of that, weekly story telling is not a great way to tell a cohesive narrative. Ideas probably change week to week or at least month to month and you can't go back and change the last chapter no matter how much you need or want to. Then you remember he also gave a lot of ideas to the people who made the movies, which would also change his plans for how he wanted the main story to go.

The story is bad--it has been for a while, but I think a lot of people put their hopes on their favorite characters getting a happy ending, even when there were signs that probably wasn't going to be the case. I know how much it sucks when a character you love gets a shitty ending (Stain was my fav, but he got an absolute dogshit ending) but at least, knowing what I know about the industry I can't really blame Hori the way I see some other people doing. Criticize it, sure, but saying Hori hates his readers or is horrible writer isn't true. BNHA was popular for a reason--he's great with characters and the beginning of the story had some great pacing. We'll never know, but I wouldn't be surprised if BNHA could have been amazing if Hori had been treated better and the story hadn't needed a chapter every week.

If anything BNHA has taught me how much a story suffers when authors/artists are treated like crap and forced to work past burnout.

[diluc33rpm]

the romance/relationship system in bg3 is genuinely some of the worst designed shit i've ever seen in any game with that feature but at least the memes we get out of it are funny. once saw someone comment something along the lines of 'patch note: waving at gale will no longer cause him to buy a house for the two of you to retire in' and i've never recovered since

[sabertoothwalrus]

tips for getting people to like your ocs

*disclaimer: this is based on what’s worked for me, aka an artist that likes to make comics/storyboards. so this advice is directed at people who do that

you can do things like this:

Which is fun! Character sheets like this are great, especially for personal reference! But frankly, I don’t think most people engage with this (at least I personally don’t). You could have the coolest character in the world, but it will be harder for most people to feel invested when they’re presented so neutrally like this.

My main piece of advice is: get better at writing.

That might sound harsh when said like that, but let me explain what I mean! (Not trying to imply you’re bad at writing either!)

What I tend to do is just throw characters into situations with as little handholding as I can. Give enough context that readers can follow along, but don’t feel like they’re being explained to.

what can you learn about the characters through their designs alone? (age, personality, economic status, occupation, etc)

what can you learn about the characters’ relationship though their interactions alone? (are they close? familial? romantic? is there hostility? are they tense/relaxed?)

what are the characters currently doing? what were they doing previously (how long have they been talking)? what are they going to do next? can you convey this without dialogue?

how do they feel about what they are doing? are they content? focused? over/understimulated? would they rather be doing something else?

where are they? does it matter? would establishing a setting in at least one panel clarify the scene? is there anything in the enviroment that could tell some of the story?

what time of day is it? what time of year is it? what is the weather like?

Now, with all this in mind, I'm going to give you another example. I'm going to use completely brand new characters for the sake of the experiment, so you won't have any bias (aka I can’t use Protagonist from above, since you already know all about him).

Did this get more of an emotional response from you than the first example? Why do you think so? Who are these characters? How do they know each other? What else can you infer about them? What happened? Who is "she"?

Now, you don't have to actually answer all those questions. But think about them! You can tell people a whole lot about your characters without ever showing them a list of their likes and dislikes.

Obviously, comics aren't the only way to get people invested in your original characters! But regardless, easily digestible formats will grab people's attention faster than huge blocks of text, and comics are a lot less work than doing wholeass storyboards.

Now go and share your ocs with the world!!!

[cluescorner]

There's no feeling stranger than knowing that something is bad but liking it anyways. Not in a 'it's so bad it's good' way. Because that implies that it has become good. I'm talking like this thing is just kinda bad in the normal ways things are bad, but i like it anyways.

[lemonduckisnowawake]

Me: I absolutely believe that manga and anime is not just a genre full of gratuitous fanservice and badly written self-inserts for men and women. There is a lot of beauty in the art and in the storytelling, and we should respect the different tropes and archetypes that come with another country's storytelling. Also, the things that get translated are not representative of everything in the genre that's targeted towards a teen and adult demographic.

*sees a manga rec*

Me: Oh, hey, this manga looks cool and has an interesting premise! And it seems to have a lot of female characters, too!

*sees the tag seinen/shonen*

Me, laughing nervously: Maybe it won't be weird about women/underage girls...maybe this is another Romantic Killer and it won't be weird -

Literally the first page: You like "tasteful" cleavage shots and official art showing them in underwear, right? ;)

[genericpuff]

Tbh at this point you should just make your own webcomic app/website because it would probably be 100 times better than whatever going on with webtoon right now.

hahaha it wouldn't tho, sorry 💀

Here's the fundamental issue with webcomic platforms that a lot of people just don't realize (and why they're so difficult to run successfully):

Storage costs are incredibly expensive, it's why so many sites have limitations on file sizes / page sizes / etc. because all of those images and site info have to be stored somewhere, which costs $$$.

Maintenance costs are expensive and get more so as you grow, you need people who are capable of fixing bugs ASAP and managing the servers and site itself

Financially speaking, webcomics are in a state of high supply, low demand. Loads of artists are willing to create their passion projects, but getting people to read them and pay for them is a whole other issue. Demand is high in the general sense that once people get attached to a webtoon they'll demand more, but many people aren't actually willing to go looking for new stuff to read and depend more on what sites feed them (and what they already like). There are a lot of comics to go around and thus a lot of competition with a limited audience of people willing to actually pay for them.

Trying to build a new platform from the ground up is incredibly difficult and a majority of sites fail within their first year. Not only do you have to convince artists to take a chance on your platform, you have to convince readers to come. Readers won't come if there isn't work on the platform to read, but artists won't come if they don't think the site will be worth it due to low traffic numbers. This is why the artists with large followings who are willing to take chances on the smaller sites are crucial, but that's only if you can convince them to use the site in favor of (or alongside) whatever platform they're using already where the majority of their audience lies. For many creators it's just not worth the time, energy, or risk.

Even if you find short-term success, in the long-term there are always going to be profit margins to maintain. The more users you pull in, the more storage is used by incoming artists, the more you have to spend on storage and server maintenance costs, and that means either taking the risk at crowdfunding (ex. ComicFury) or having to resort to outsider investments (ex. Tapas). Look at SmackJeeves, it used to be a titan in the independent webcomic hosting community, until it folded over to a buyout by NHN and then was pretty much immediately shuttered due to NHN basically turning it into a manwha scanlation site and driving away its entire userbase. And if you don't get bought out and try your hand at crowdfunding, you may just wind up living on a lifeline that could cut out at any moment, like what happened to Inkblazers (fun fact, the death of Inkblazers was what kicked off the cultural shift in Tapas around 2015-16 when all of IB's users migrated over and brought their work with them which was more aimed towards the BL and romancee drama community, rather than the comedy / gag-a-day culture that Tapas had made itself known for... now you deadass can't tell Tapas apart from a lot of scanlation sites because it got bought out by Kakao and kept putting all of its eggs into the isekai/romance drama basket.)

Right now the mindset in which artists and readers are operating is that they're trying way, way too hard to find a "one size fits all" site. Readers want a place where they can find all their favorite webtoons without much effort, artists wants a place where they can post to an audience of thousands, and both sides want a community that will feel tight-knit. But the reality is that you can't really have all three of those things, not on one site. Something always winds up having to be sacrificed - if a site grows big enough, it'll have to start seeking more funding while also cutting costs which will result in features becoming paywall'd, intrusive ads, creators losing their freedom, and/or outsider support which often results in the platform losing its core identity and alienating its tight-knit community.

If I had to describe what I'm talking about in a "pick one" graphic, it would look something like this:

(*note: this is mostly based on my own observations from using all of these sites at some point or another, they're not necessarily entirely accurate to the statistical performance of each site, I can only glean so much from experience and traffic trackers LMAO that said I did ask some comic pals for input and they were very helpful in helping me adjust it with their own takes <3).

The homogenization of the Internet has really whipped people into submission for the "big sites" that offer "everything", but that's never been the Internet, it relies on being multi-faceted and offering different spaces for different purposes. And we're seeing that ideology falter through the enshittification of sites like Twitter, Facebook, Instagram, etc. where users are at odds with the platforms because the platforms are gutting features in an attempt to satisfy shareholders whom without the platforms would not exist. Like, most of us aren't paying money to use social media sites / comic platform sites, so where else are they gonna make the necessary funds to keep these sites running? Selling ad space and locking features behind paywalls.

And this is especially true for a lot of budding sites that don't have the audience to support them via crowdfunding but also don't have the leverage to ask for investments - so unless they get really REALLY lucky in EITHER of those departments, they're gonna be operating at a loss, and even once they do achieve either of those things there are gonna be issues in the site's longevity, whether it be dying from lack of growing crowdfunding support or dying from shareholder meddling.

So what can we do?

We can learn how to take our independence back. We don't have to stop using these big platforms altogether as they do have things to offer in their own way, particularly their large audience sizes and dipping into other demographics that might not be reachable from certain sites - but we gotta learn that no single site is going to satisfy every wish we have and we have to be willing to learn the skills necessary to running our own spaces again. Pick up HTML/CSS, get to know other people who know HTML/CSS if you can't grasp it (it's me, I can't grasp it LOL), be willing to take a chance on those "smaller sites" and don't write them off entirely as spaces that can be beneficial to you just because they don't have large numbers or because they don't offer rewards programs. And if you have a really polished piece of work in your hands, look into agencies and publishing houses that specialize in indie comics / graphic novels, don't settle for the first Originals contract that gets sent your way.

For the last decade corporations have been convincing us that our worth is tied to the eyes we can bring to them. Instead of serving ourselves, we've begun serving the big guys, insisting that it has to be worth something eventually and that it'll "payoff" simply by the virtue of gambler's fallacy. Ask yourself what site is right for you and your work rather than asking yourself if your work is good enough for them. Most of us are broke trying to make it work on these sites anyways, may as well be broke and fulfilled by posting in places that actually suit us and our work if we can. Don't define your success by what sites like Webtoons are enforcing - that definition only benefits them, not you.

[nebuladreamz]

A little different than last year's, but here we are again. To say that this past year hasn't been absolutely wild would be a lie, cause HOLY SHIT MAN

This year's birthday is. A little different for me, but you already have the silly comic to show that so I won't make like a broken record oops

But, despite the changes and hills that life's decided I should climb or throw at, it hasn't changed the fact that I'm so genuinely fucking thankful to the people that I've known since joining this fandom. I'm not even kidding when I say that being here has actually changed my life for the better. I know I said something similar last year, but this time, hoo boy it sure turned up the AMP and test how far I could go.

So, to everyone, both new and old; thank you for being here :D

@garbagechocolate @darkxsoulzyx @smoljeanius @bunmuffin @skizabaa

@tuzesdays @sleepykas @fernzwing @kandidandi @starsketchez

@just-a-drawing-bean @notdysfunk @ilsole @amberluvsbugs @cloudyvoid

@nomsthecat @alfinefalf @nosleepygay @theblog-with-thestuff

@cacaocheri

(Edit: ty kibbits for informing me of the. Fuck ass tagging system)

AND TAGGING OTHERS BECAUSE. POINTS. BONKS WITH HEAD. GETTING TO EITHER INTERACT OR TALK OR WHATEVER IS ALWAYS A DELIGHT

@ohno-the-sun @kibbits @ink-yy @saltyfryz @kaprisvn

@hierba-picante @sunny-sophies-garden @cookiiemancer @sneeblbop @justaduckarts

@pepethehumanz @crystalmagpie447 @woolysstuff @mocha-illustrates @duhsty1

@sanchensky @pillowspace @victarin @witherfide

[I DEFINITELY GOT SONAS WRONG AND THESE AREN'T ALL THE SILLY PEOPLE I KNOW BUT IM SITTING HERE AT 2:30 IN THE MORNING JUST KNOW YOU'RE THERE IN SPIRIT HANDING YOU ALL POPTARTS WAUGH]

[whenlilyfallsinlove]

i know you

eli moskowitz x reader... (y/n) is basically jess in gilmore girls.. ive been obsessed with cobra kai lately

"what the fuck are you doing?"

"excuse me?"

you don't think you have ever felt as angry as you have done today. finding out that one of your best friends, that you just so happened to be in love with, had changed completely as a person was one thing. finding out he tried to beat up the third member of your little trio was another.

so you did what you had to, you always felt the need to go out the way to protect eli and demetri. you didn't think it would end up being from each other.

approximately half an hour earlier:

"(y/n)." demetri's face flooded your screen, as you were sprawled across your bed. calls were usually a common thing between the two of you now eli was distant.

"demetri.. hey! you okay?" you respond, taking note of his face.

"no." he says, in a deadpan tone.

"umm why? what happened?"

"eli happened."

of course. ever since your best friend since age 6 joined cobra kai, he had felt like a whole new person. he even gave himself a new name for goodness sake! you and demetri both knew it wasn't the real him. you'd known him for too long. that being said - this new persona didn't stop him avoiding you both.

"what did.. what did he do?" you look into your phone camera, worry evident on your face.

"he tried to beat me up! i was at the mall with sam and robby.. and i went to the comic book store.. and he was there. wasn't happy with my yelp review and tried to fight me."

"what the hell." your eyes widen slightly. rage soaring through your veins. what was he playing at? putting on a front to show off to his friends. why didn't he remember who his real friends were?

"i know.. i just can't believe he would do it. we were friends with him!"

"i know.. are you sure you're okay?" you ask, concerned.

"i'm fine.. robby and sam helped fight them off it just.. caught me by surprise."

"i bet it did.. look i'll ring you later, okay? i just need to take care of something."

demetri knew you all too well.

"don't do something you'll regret." he says.

"i won't."

now here you were, shouting at someone that was supposed to be your best friend. the boy you have had a crush on for so many years.

"don't 'excuse me'. you know what you did." you scoff, walking closer to him. you had decided to wait until he had finished karate to talk, it seemed appropriate.

"oh yeah? and what's that?" eli looked at you, his tone cocky.

"you tried to beat up demetri! what are you doing?" you question, looking at him in disgust.

"he shouldn't have put up that yelp review." he scowls.

"oh who cares about a stupid review! he's supposed to be one of your best friends." you say, angrily.

"not anymore. i'm not friends with pussies."

"what the hell is your problem? what.. you gonna ditch us just because we don't want to beat people up like you do?" your voice raises slightly, causing eli's scowl to falter.

"I told you, i'm not friends with weak people." he says.

"are you kidding? seriously! who was the one that used to fight your bullies in elementary? me! who was your first friend? demetri!"

"we're not kids anymore. people change. friendships change. it's not my fault you guys aren't strong enough for this." eli says, looking away from you, his demeanour crumbling.

"you're not like that either. you're putting on an act!" you exclaim.

"an act? the fuck? this is me now, accept it." he shouts.

"what's going on with you?!"

"nothing.. im fine." he says, his eyes searching your face.

"i know you. i know you better than anyone! this isn't you."

"what do you mean?"

"you know what i mean! starting fights with demetri.. ditching us for those idiots.. being so violent. why are you being so violent?" you ask, looking him in the eye.

the pleading in your voice makes his face soften slightly. you always had a way of getting to him. i mean, of course you did, he'd always had a massive crush on you.

"just tell me what's up with you! i care about you. why are you being like this?" you beg.

eli struggles to get his words out. he wanted to reach out, he wanted to hug you. he wanted to go back to yours and watch doctor who with you and demetri. but he coudln't.

"you don't.. you don't know me anymore." he forces out.

your face falls and eli swears he could feel his heart break.

"fine. don't expect me to wait for you anymore." and with that you turn and walk away, a small part of you hoping he stops you.

he doesn't.

he wants to, he really does. but that's not him anymore.

he watches you walking off with a pained expression, knowing hes fucked up. he just can't bring himself to stop you.

[byelacey]

so you want to keep a great pyrenees as a pet

recently a little comic i made did big numbers on here and i keep seeing tags like "gotta get me a great pyrenees" and like AWESOME there are SO MANY of these big boys looking for adoption, especially in the US but i feel like as a person who got a pyr as their first dog (because i'm insane) there are some things you need to know - they BARK. all day and all night. they've been bred for barking. this is not bond spyxfamily borfing this is LOUD and CONSTANT. barking is their job. working pyrs protect their livestock by looking intimidating, bluff charging and barking very loud. they're also often naturally nocturnal, which means a lot of their barking is done at night. if you're the type who doesn't enjoy loud noises for most hours of the day, reconsider keeping a great pyr as a pet - they are LARGE. they are large when they are hormonal, idiot puppies. their bodies grow VERY FAST but their brain takes 2-3 years to catch up and during that time you've got a 75-150lb puppy on your hands. everything is more expensive because your dog is big, too. beds, accessories, food, vet stuff, medication, grooming, *everything is more expensive* for big dogs. get yourself some pet insurance. you'll thank yourself later. - they're sensitive creatures who form strong bonds with their flock. if you're keeping one as a pet: congratulations, you're now this dog's flock. separation anxiety is huge. they're meant to be guarding their flock, and if you go off without them, they're gonna worry about you. they also don't take well to you shouting at them for doing their job (barking very loud at wayward leaves). i'm serious. they're so so sensitive. - they're extremely smart and independent, which reads as stubbornness to us. they think they know better because they've been bred to work on their own, without humans around to tell them what to do. they're gonna pick up commands really fast, but they do shit on their own time. and recall? forget it. "an off-leash pyr is a dissa-pyr", as the saying goes. this is not a dog you'll be able to have off-leash, as he's gonna do and go wherever he damn well pleases - THAT BEING SAID as they are a large breed dog (extra large, actually), training is extremely important. small untrained dogs can get away with a lot more than a large dog. some people are afraid of dogs. you need to teach your pyr early and often what isn't a threat to you so they aren't causing trouble with their guardian shenanigans - they shed. they drool. they're large, double-coated dogs with big jowls. i have cleaned drool off of every surface of my house, including the ceiling. they blow their coat twice a year and also shed undercoat all of the time. i brush mac once a week during regular season and every other day when he's blowing his coat so that his coat stays healthy and doesn't become impacted or matted. - EDIT: someone just tagged this with a great point as well. you need a lot of space for a pyr! a fenced backyard, at least, with a fence tall enough they can't easily climb over (6ft preferably). they aren't high energy dogs but they do get a lot out of being able to roam around and patrol their yard. they are not apartment dogs (unless you walk them a lot, and you hate your neighbours) admittedly my fenced backyard isn't huge, but mac gets around 2-2.5 hours of walking per day, split between a morning & afternoon walk. they need the mental stimulation of walking around and sniffing stuff! if i haven't scared you off yet, owning a great pyr as a pet is a difficult, but rewarding experience. try and find a breed-specific shelter, there are many, because unfortunately these dogs are overbred in the US (either on purpose or by accident), and they're also often surrendered as puppies because people didn't know what they were getting into. a shelter will also take your lifestyle into consideration when pairing you up with a dog, because they want to find permanent homes for these guys.

anyway i think that's it. and if you have a pyr i am wishing you a very (show me your dog)

[hor3nee]

• Union •

Gojo and his arranged marriage with Reader.

CW/TW: Fem! Reader, Arranged marriage, BREIF Suggestive stuff, Corny Gojo, Reader & Gojo ages implied to be very young (18-23), Gojo typical flirting, SFW (Lmk if I should add anything else!)

Characters: Gojo x Reader

AN: Gojo is bitchless in this fic bc I say so. Pt 2 here.

Weddings aren't supposed to be this boring. In fairness, boring is better than a bad wedding. Could have a roadhouse-type fight between in-laws, an ex breaking through the doors proclaiming their undying love or a runaway bride. Or a runaway groom. Maybe he should've been a runaway groom? Internally, Gojo's sure it'd be more exciting than sitting in a room full of family and 'friends' who are discussing his marriage more than he's even caring to think of it.

"Congratulations to The Strongest and his bride." Another blanked-out random voice says giving polite blessings to him and the lady dressed in bridal wear beside him, you.

Satoru Gojo, the strongest, they call him, well he calls himself, and yes, he is, he without a doubt is the strongest. Born with the Six Eyes technique after ages of the Gojo clan, while relevant in the Jujutsu world, unable to have a child with such technique for so long, Gojo was instantly hailed heir, no questions asked.

And with all of that, comes responsibilities, that, as immature as the man acts, he does take care of. Responsibilities include many things other than killing curses though, responsibilities include managing the clan, doing his part in Jujutsu society, mentoring the students and keeping peace with the other clans. Just to list the few, less action-based responsibilities. Marriage is an obvious one as well.

And you're the bride.

He knew it was coming. It wasn't specifically because he was the strongest he was gonna be strung into a marriage as quickly as possible, though that played a role in it. He saw it with his parents, relatives, and the other clans, Zenin especially who practiced it most rigidly perhaps, marriage was a necessary part of holding a certain status, it's simply expected. Arranged are ideal.

It's not that he was forced into it either, everyone knows this is Satoru Gojo, he does whatever he wants. He gets whatever he wants, he's spoiled, both by the hands of Jujutsu society that almost worships him for his abilities and his own self, the ego he holds very proudly and very loudly that he shamelessly keeps up. If he wants something, he takes it, if he doesn't, he'll leave. He holds that sort of irrefutable power.

So he's okay with this, with marriage. With an arranged marriage, to you, whatever his reasons are that much is clear.

"You gonna eat that?" He's not asking really, he's already got his freakishly long arm drawled out on the table grabbing the plate out of yours. Fingers wriggling comically and he doesn't even make eye contact, looking at the slice of cake with a deeper passion than he bothered to look at you with. Not that you're expecting it, but.. you are the bride, he is on board.

"..Uh guess not." Is all you can reply, slightly awkwardly as he snatches the slice and gobbles it, humming like an overgrown toddler. Was he feeling as awkward too? He didn't look it, he looked fine, bored out of his over-active mind but not mad or anything. Much less mad at you, nor nervous. You're sat close, right by his side, being the main events the two of you of course, Gojo more so because he's the main event in everything in his life.

"This shit's good." He's moaning now, at cake. Almost makes you cringe but with that huge grin of overabundant confidence he has, he somehow makes it seem less cringe.

"Wedding cake's always good-" He gulps down another piece as he speaks. "Best part of any wedding."

Was that?.. Was that an insult? Felt like it, you're sat there all prettied up prim and proper to marry him, and you know he accepted this marriage and he's calling the cake the best part of the wedding? No, you can't even blame him. If anything you probably agree, save for the overly expensive gifts of cold hard cash the other clans and guests were leaving those were also good parts. Because this is, arranged.

You two, are, for the most part, strangers to each other. Together yes, married actually since you and him signed the legal documents no less than 10 minutes earlier into the wedding.

Still, it's awkward.

Soon the cake is gone, mostly by Gojo's abyss of a stomach, and the guests leave. Caterers clean up and family members give some last tidings before leaving. As well as you, and Gojo.

"So, do you think I'm hot?" He perks, sprawled on the couch with his formal wear lazily pulled off scattering around the floor from when he took it off the instant he was inside the residence. His residence, of course. A grin showing no signs of the tense awkwardness one would expect a young man freshly married to a wife he's only married to through arrangements would be. But no, he's Satoru Gojo, if there's one thing he has, it's an overwhelming amount of self-assurance.

"Do I- Do I think you're hot?" You reply, standing a bit awkwardly in front of him, still trying to process the fact you're sleeping here tonight, no for the rest of your life you'll be sleeping in this house. Home, you should call it, it is your home now. Might take time to properly digest that but it is.

"Yeah, am I hot?" The question is, by his expression, obviously self-explained. He IS attractive, with pretty big blue eyes, tall and decently built, and gorgeous lips too, he knows it, he knows he's hot. Gojo just likes to tease, he's a little shit. 

"I mean, am I attractive to YOU?" He asks again, putting more emphasis. For all the slightly passive-aggressive things he's said the evening and immature behaviour, the question is poised genuinely. He's smirking, humming almost as he asks but the way he looks at you it's also clear that he is asking you, seriously.

His gaze never breaks with yours, and though you only take a second to respond, it feels like an hour with the heavy weight of the situation in your brain and the almost stinging feeling of his wide baby blue bright eyes piercing through yours waiting for your response.

"You... Yes, you are attractive." He is, he knows that already though and that wasn't what he was asking. But you know that wasn't what he asking. His expression doesn't falter though, but there's an obvious disappointment, boredom more specifically in it at your lack of response. You're talking but the words are white paper plain, even you can taste it on your tongue, how chaste you sound. 

"I think you're attractive, too." His reply is more genuine than yours as well, maybe not genuine but a lot more emotion in it. Maybe he's just more confident, which he is no doubt. 

"Thanks-"

"Like, seriously." He whistles, christ that's jarring. "seriously hot." 

He's up off the couch before you can give another disingenuous 'thanks' and standing right in front of you, eyeing you down with little to no attempt to act ceremoniously, which he was showing at least the faintest ounce of at the wedding earlier. That gawky tension of whatever the hell the two of you have going on is back, but not for Gojo. He doesn't even have a semblance of humility in him to feel that tension that's burning inside of you right now.

"We're supposed to like each other, you know." He adds, keeping his eyes trained on your body shamelessly.

It feels like his hands are folded around you but they aren't, they're hanging loosely by his side all dangly as his limbs are, the man is a giant. It's more a feeling, suffocating, as though you've been cornered when you aren't. It's the middle of a decently spaced living room and the front door is unlocked. And Gojo, as devious as his smirk is, would never hold you by the binds of a pressured marriage. If anything, you were almost under the assumption he didn't care for you, or this marriage.

"I guess, yeah." You start. "You like me then?" You finish, a bit bolder now, he's seamlessly talking and you are married now, till death do you part as they say. Might as well match his energy.

"You bet I do, sweetheart." Petnames? Okay maybe too much, he might need to dial it down. But Gojo is Gojo, the strongest, an eccentric man. He doesn't 'dial it down' for anything, or anyone. You're his wife, and he likes what he sees. Smiling as he speaks, genuine and concise in his words, he means what he says. As confusing as this situation is, he is young, he's accepted it, and not begrudgingly at all. "I got me a pretty wife- you, you're my wife, so I like you." 

"Thanks Gojo." Ah, there it is, not disingenuous. Though minimal he picks up on it, you also mean it. Maybe not in the way he means it, maybe more than he means it, who knows, not him. Confident as he says he is with the ladies, he's never actually been with one before, this whole relationship shtick, marriage shtick, is new.

Marriage is built off of love, his elders told him, he saw in shitty rom-coms and pop songs blasting the radio. He'd like that, love, as much immaturity and disregard he’s shown at the wedding, the engagement, the arrangements when he first heard they'd picked a partner for him, it has appeal. And he wants it, and this woman, you, you're going to be the one to give it to him, love. Not today, not tonight. Maybe not in a month or a year, but it'll grow, and fester over time. He's sure, as he is in everything, this marriage will last.

"I'm tired as hell from all that wedding crap," Gojo says, his feet ever so minimally backing off so he isn't smothering you with his presence and wide sapphire-like eyes boring into your understandably unsure eyes. "There's a guest room, I'll sleep there and you can take the main bedroom-"

"I can sleep with you." You cut him off.

"In the guest bedroom??" He questions with a blink, okay so he's a bit stupid. That's okay though.

"No, with you, in our bedroom." You correct him, feeling more assured now, eased by Gojo's, thankfully.

"Right." The cheeky grin is back. Actually, it isn't very annoying anymore, it's kinda attractive. He is attractive that much is sure, but he's starting to be attractive to you. "Let's go sleep in OUR bed then, how's that sound?" 

"Sounds good."

It's oddly domestic, the walk to the bedroom he previously had all to himself, showing you the way, and showing you the bed you're gonna be sleeping in for the rest of your days. The way his slender fingers, which you were almost sure would poke out your eyes, gracefully helped you dissemble the layers of jewelry and fabrics you were dolled up in. His touch was feather-light, in stark contrast to his smug demeanour, making it clear, the boy has never undressed a lady.

Nothing goes further than that though, he doesn't push for anything more, and considering how new and confusing everything still is, you don't either. Instead choosing to lay back, and shut your eyes beside Gojo, letting exhaustion overtake you both and just sleep for the night.

Sleep beside your husband.

[montimer]

Please please if you could..can you make

self aware!Deadpool x gn!reader that got suddenly transferred to the marvel universe?

Like the reader is trying to survive while Deadpool just knows this specific person has a crush on him or.. something else? Your choice!

>insert this anime girl gif as a signature

Mhm sure sounds good! Hope i did good

Self aware!Deadpool x reader who got transferred to marvel universe

Gn!reader

You've been a big fan of him since a long time. You could say you even had a lil crush on him. Smiling so widely whenever hes on screen. Excitedly reading his comic books and buying other merch. Drawing him, perhaps even writing fanfiction.

One day your phone started glowing and you panicked that this old piece of crap is gonna explode or something. Turns out it did not blow up instead when the bright light that made you almost blind stopped, you were in a complete different place. It looked like you were in a middle of a street.

Never been here before, what just happened? And what is that noise? Sounds like someones getting hit, no-shot?

You shaked ur phone trying to do the same affect but stopped as you heard someone coming closer.

"Hmm, whats this? My chimichanga senses are tingling" you turned around upon hearing the familiar voice. There not too far standed deadpool himself. You would be happy if you weren't to notice the dead body as you looked down to his legs.

"Oh uh, don't worry about that. He was a bad guy anyways ya know? Plus as long as you aren't one of those guys, which you don't seem to look like then you'll be fine!" He tried reassuring you. You just stared at him. He squished his eyes into a smile, you seem so adorable when you are surprised.

"Anyways mission completed! And i need my money to take this hot stuff one a hot date!" You still quietly standed there, confused. Is he still talking to you or to himself?

He came up close and you tried your best not to sound too nervous.

"W-wait, before you go can you tell me where am i and how do i get home? I mean my phone flashed and now im here i-" he put a finger to your mouth "shhh, calm down sweets, talk slow" you shut down from this, it made your face feel a bit warm

"I know you aren't from around here. You are a lovely fan of mine!" his eyes turned into hearts and he put his hands together with one of his legs up in the air.

Oh right, he is very much aware. That is rather embarrassing..but wait

"How do you know that?"

"Oh you know when you look at me on tv i kind of look back. And if you want more juicy details then you better accept my invite to this great restaurant that i found!"

He sounds like as if he knew you were gonna transport here..oh well its better to stay with him then all alone for now. Maybe he can help? You don't mind that much anyway

"Fine fine, i'll go if you promise to help okay?" He nodded happily, took your hand and dragged you with him.

Then he quickly grabbed the dead body by the arm and started dragging that too.

"Wha-" "I gotta show evidence that i did the job. I have to get paid first to actually take you out. We'll be quick"

Now holding hands with him you just walked where he did hoping this to be over soon. He did not shut up on his way and he definitely won't keep quiet any time soon either. Stuck with him you accept your fate (secretly you very much enjoy this)

Should i make part too cuz this got a lil too long? Or just a shorter ver explaining more

[farshootergotme]

Now that I have the confidence to send you asks, fully expect me to bug you periodically from here on out

Anyways- do you think Dick qualifies as a scapegoat? Cause I 100% think he's a scapegoat. People always try to shove the 'golden child' role onto Dick, and it always confused me cause like. He doesn't fit it at all if you actually look into what a golden child is.

Dick is definitely one of the scapegoats of the batfamily (Jason being the other) and it makes me sad that people always label him a golden child when he's the exact opposite. Seriously- he's hit, beaten, unfairly blamed, lashed out at, not told about important things (Jason or being replaced, Jason dying, Jason's funeral, probably other things, i wouldn't be surprised), etc. Definition of a scapegoat to me.

It's also why I hesitate to label him the 'favorite' even when the comics try to say otherwise. Mostly because... favorite children aren't really treated this way. Favorite weapon, maybe, as I've said in a post I've made before, but that's it. Bruce wouldn't kill for him or any of his kids. He's come close, yeah, but he's also come close to killing the Joker too after Jason's death and had to be threatened into not doing it. Every time, it's in a strong surge of emotion, and the second Bruce thinks rationally- well, he doesn't do it. Dick isn't at all unique, Bruce wouldn't kill for him either.

I think Bruce is the most proud of Dick, and has a unique relationship with him due to knowing him the longest and the parentification, but I don't think that makes him the favorite. Maybe to the other batkids, but probably not in reality.

I don't think Bruce really HAS a favorite- Dick is probably the closest to it, but still.

Though, if you wanna play around with angst and fanon ideas, maybe both Dick and Jason are the favorites and that's why Bruce treats them the worst? Dunno, it'd make a fun fic, even if it's not really grounded in canon (though I ignore RHATO and Comic UTRH).

Idk. Just,, gestures. Dick is a scapegoat to me.

Hope my 2 am rambling made sense lol

Okay, I see you, but I'll argue:

Dick Grayson is both the scapegoat and the golden child.

Now, you might not believe this since he doesn't tend to be both at the same time, and it isn't common for these roles to exist within the same individual. But Dick Grayson is praised and favored as much as he's blamed and pushed.

A golden child is the one who carries most of the expectations in the family. The parent expects them to be perfect, make no mistakes, take on roles they're pushed into with no issue (thus parentification can happen), and continue on and on to be good enough and meet the criteria so they don't make the parent disappointed.

The love is conditional hence they develop this unhealthy perfectionism and self-esteem and self-worth issues that will follow them till adulthood even when they're out of that environment and living their own lives.

The reason why a parent might choose a specific child (or children) to be the favored one is because they tend to see this child as an extension of themselves. And consequential to this, they will project their insecurities onto said child and force them to improve—be the best—where they fall short. All of their capabilities are overvalued, making the parent see them as special and much better than the rest, causing the unrealistic expectations a child must hold and fulfill so as not to “fail” their parent(s).

Although this child might seem like the favorite and who could do no wrong on the outside, the love they receive isn't something they can take for granted.

When a golden child underperforms or isn't as good as they're expected, the parent’s demeanor might change. They will feel the disappointment and fear this might cause the treatment they get to change. Sometimes the child might even fear abandonment or rejection from their parent as a result of their failures.

The mix of all this turns into a person who's over-competent, hard-working and someone that tends to take charge of things so they aren't at risk of failing, making them ‘natural’ leaders in any group they might be part of.

Sounding familiar yet?

Now, let's move on to the scapegoat:

A scapegoat child is the one that is blamed by all the things that go wrong in the family. They are constantly criticized and shamed by things they might've not even been part of, but somehow they're now involved and taking all the blame for the others so there are no consequences for anyone but them.

(All the blame also messes with their perception of certain events, making them prone to self-blame for the problems that occur in the family or their behaviors towards them.)

The scapegoating in the family may be due to subconscious projection from the parent when they're dealing with difficult emotions such as shame, guilt, rage, etc. They feel threatened by their own feelings and therefore they will try to escape from them by externalizing those feelings and making them their scapegoat’s problem.

Because of this treatment, the scapegoat might become an outsider in the family, feeling excluded and isolated from the rest. And for this, when push comes to shove and they're going through a rough patch, they will not have any reliable support they can go to inside the family as they'll be ignored or otherwise unfairly treated, having their feelings be invalidated.

Like the golden child, there's some aspects the scapegoat shares with the former:

Being treated differently by the parent/family.

Having unrealistic expectations placed upon them.

Being pushed into roles or responsibilities the child isn't meant to take.

Fear of expressing how they feel.

Self-worth issues and low self-esteem.

Although they're usually roles that are considered opposites, they aren't as incompatible as one might think. A child can alternate between being a scapegoat or the golden child, and this usually happens when the parent is very emotionally unstable, commonly due to a disorder such as narcissistic personality disorder (NPD) or borderline personality disorder (BPD).

(I have so many thoughts about the latter applying to Bruce, but I will refrain from elaborating to not make this longer than it needs to be)

Having all I've said until now in consideration, I'm sure you've noticed how Dick meets both criterias—dare I say the golden child more often than the scapegoat.

Bruce is always speaking about how Dick is “better than him” and “the thing he's ever done right”, but in both of these statements you can see he's taking who Dick is and making it as something that's part of him, comparing Dick's accomplishments to his and putting him in this pedestal, and because of this projection happens and Bruce starts seeing Dick as an extension of himself.

This is why, when he or Dick fail, Dick will suddenly become the scapegoat, contrasting with the former golden child position he was in.

Here you can see the high expectations, praise for his accomplishments, his siblings feeling like Dick is better than them (i.e. treated differently than the rest), and you can also see how when he doesn't meet the expectations, he's met with disappointment (see: Alfred disappointed he's not as bright as he usually is) or judgment (see: Bruce angry at him because he isn't committing to his cause as much as he expects him to).

And these are examples of Bruce being too harsh on Dick and expecting him to do better, blaming him for his brother's death, and in result Dick having a habit of blaming himself and accepting mistreatment, thinking it must be his fault.

More often than not, Dick is put on a pedestal by his family and even his friends sometimes. They praise and love him, but when there's occasions in which he's acting less than perfect, the treatment towards him can change.

Dick Grayson can be the golden child as much as he can be the scapegoat.

[temis-de-leon]

Gn!MC with chronic joint pain

Characters: Mammon, Leviathan, Asmodeus, Beelzebub and Belphegor (x reader, separately, could be read as romantic or platonic)

Main Masterlist

Anon request: Could I request the brothers with a gn!MC with chronic joint pain? Sure, medicine makes it feel better when they take it, but it never 100% goes away and the meds aren't without side effects. On a good day, they can function relatively normally even if they do certain things at a slower pace. However, on a bad day, they can hardly get out of bed or do basic tasks (brush their teeth, lift a coffee cup, use a hand towel, etc) without difficulty, and require a fair amount of support when flare ups happen

A/N: I'm pretty sure Google thinks I'm the one with chronic pain

.

Mammon

Although he’s the one who spends time with you the most, it took an embarrassingly long time to notice how significant your winces and fatigue were. After all, his initial belief was that humans were naturally weak.

He thought he understood why you stayed too long in bed from time to time or why your brows would frown when you grabbed your backpack if it was especially heavy some days.

You’d say you couldn’t help it whenever he teased and of course, you talked with frustration each of those times, so he learnt to ignore it; just like you tried to do.

Then came the day when he crushed you in the hallway while running away from Lucifer. The only thing he could do before both of you fell to the ground was twist your body so he could act as a cushion, but even that wasn’t enough.

You started to complain before he had the chance to ask for payment for his ‘sacrifice’, but it wasn’t just words or berating; Lucifer was already doing plenty of that.

It was a mix of gasps and moans of pain that stopped both brothers in their tracks.

The only reason why the eldest didn’t obliterate the younger demon on the spot was because the guilt was already eating him alive.

He helps you with no asking needed, carrying your backpack to and from school, helping you put on your coat or making you breakfast, although it’ll most likely be burnt.

He’ll stop if it makes you feel useless or incapacitated on days when you are mostly okay, but if you’re barely able to lift your head off the pillow, you can bet all your money he’s laying right next to you ready to make you some company, even in silence.

It will take him some time, but, eventually, you will have his undying support.

Levi

Being as distracted as he is, with his eyes glued to a screen most of the day, wasn’t an excuse for him to ignore all the pill bottles in your bathroom cabinet or the way you sometimes couldn’t keep up with him when he was excited and walking too fast.

He feels like a horrible friend when you tell him. He should’ve known!

You will have to explain the whole situation to him in the comfort of his room, moments after he requests your presence for the testing of an arcade shooting game that will, for sure, make your arms sore for the next few days.

Although you assure him you can still play, just not for excruciatingly long periods and on lower difficulty, he still feels like he failed you in some way.

Sharing his interests with you will never be enjoyable as long as it has the possibility of causing you pain.

Fortunately, he knows countless games where long-range movements are not required and you can have fun anyway: visual and choice-based novels, turn-based RPGs, social simulation games…

He especially likes the choice-based ones. From your views on morality to romance and friendship, each important interaction with the characters or the lore helps him know you more and more as the game progresses.

It doesn’t stop there, though.

He will also try, not so subtly, to find games, shows, comics and manga where you can relate to the main character in one way or another.

It could be seen as pity, but that isn’t his intention at all. You should enjoy the media you interact with! Either heroes or villains or something in between, you should have someone you can understand on the screen or paper.

Asmo

Since observing you and everything related to you is an enjoyable pastime of his, it doesn’t take him long before he figures out your medication schedule. At first his beauty-driven mind thinks your pills are vitamin supplements, but then he notices the headaches, the stomach issues and the exhaustion; no doubt side effects.

It is on one of your worst days when he knocks on your door asking to spend the evening together. The only thing you can do to greet him is throw a weak peace sign from beneath the blankets and that’s when he pouts and frowns in worry.

He hopes you trust him enough to talk about it in case you want to keep it a secret and, if not, why would he treat it like a taboo subject?

He may be the only one who straight-up asks with absolute normality.

Changes are not noticeable at first seeing that he already liked being around you and dotting on you before knowing anything, but rest assured he will be there if you ever need him.

On days when you feel like you can’t take care of yourself, the only thing you have to do is send him a message.

Whatever you need, he will do.

From drawing a bath so you don’t have to stand up while holding the shower head to applying dry shampoo on your hair so you don’t get out of bed at all. He will also do your skincare routine and even your makeup if you're up to it; brush your teeth and your hair and organize your room while mindlessly chatting with you.

His favourite shared activity is painting your nails since you don’t have to move at all and you still enjoy each other’s company.

The rest of the brothers need to remind him from time to time that you aren’t a doll for him to dress, but he won’t ever do something that makes you uncomfortable in any way.

Beel

He doesn’t really notice until it comes up naturally in conversation.

You’re both in the kitchen, getting a snack to hold on until everyone is ready for dinner, and he starts talking about a new workout plan he is following in the gym. A famous bodybuilder posted it on his Devilgram account and he was too curious not to give it a shot.

Although he can do it on his own, he likes to spend time with you, so he innocently asks if you want to go with him someday and try it, even if it’s a watered-down beginner version.

It’s not like you can’t go to the gym, but the number of exercises you feel like you can do is limited and you need to be mindful while doing all of them. Hell, even at home you need to be careful with some of your movements, doing simple chores like making your bed or washing the dishes.

You remind him how you cook too, usually doing one-pot meals and trying to use your body as little as possible; there are human influencers (highly recommend) that show specific tricks to make cooking easier for people like you, after all.

Luckily, he understands immediately, but that doesn’t mean he’s going to give up.

Unbeknownst to you, he researches specialized exercises and routines, as well as food, made to alleviate pain and strengthen your weakest points.

It isn’t a definitive solution, and certainly not the best, but it’s the thought that counts and he’s genuinely trying to make your life more comfortable and pleasant; not so draining.

He won’t push if you decline his offers and options (he’ll never force you to do anything, even if it benefits you), but will be extremely happy if you accept.

Belphie

He never asks, but you never have to tell him either, he just knows.

Your pain reflects in the way you move and live your day-to-day life, slower than the rest of them and always taking precautions, medicating yourself periodically even if sometimes that isn’t enough.

All of them have dinner in your room when you’re feeling way worse than usual and each time his memories can’t help but go back to that fateful evening in the attic.

He willingly and excitedly caused you abysmal pain back then, but he doesn’t want to imagine how underestimated his measurements are.

You suffered, yes, but all of that happened in the past.

Asking you what exactly hurts and what makes it worse won’t help his guilt at all.

Now that he can help you, he won’t do anything but.

Being who he is and liking what he likes, he has a trustworthy list of mattresses and pillows that he doesn’t hesitate to share with you.

He knows better than anybody else what a well-rested body can do to the mind and, although it may not help much, he insists you try at least once.

Going shopping for something like this and doing it with him is a double-edged sword; while he couldn’t be a better critic, there’s also the possibility of him falling asleep on one of the mattresses on display.

And you know perfectly well you aren’t going to be the one dragging him back home, so inviting Beel as well is always the best choice; especially since you can hang out after shopping knowing that you will have your purchase delivered.

If you still feel like you aren’t getting any rest, he will use a little bit of his magic to make you fall asleep more easily without waking up in discomfort.

.

.

Taglist: @hatchers-hoard @ilovecandys2010  @ollieoven @kingofspadesdelusion @whimsybloom

[sasheneskywalker]

jason todd meta list

Jason Todd's canon ages, with sources

by InDarknessOftFindI

Jason Todd and Comic Book Morality

by clinicalmiddlechildsyndrome

Jason Todd, The Hysteric & Bruce Wayne, The Batman

by aresianrepose

Jason's point isn't about whether or not villains can be redeemed, it's about the people they continue to kill

by its-not-lookin-good, de-vespertiliones

Who's to blame? How Jason Todd is blamed for his own demise (Part II)

by fuckyeahjasontodd

unjust world

by lemontongues

a son asking his dad to prove that he loves him by avenging him

by blueteehood

jason todd as a meta character

by brionysea

jason values “the good guys”

by cleromancy

Why Jason and Cass wouldn’t get along

by aingeal98, tumblingxelian

Jason and Cass: Murder Victim and Murderer

by casscainmainly

Cassandra Cain and Jason Todd Are Foils to One Another.

by celestialdevils

The Pit’s influence on Jason has nothing to do with anger and is more about blunting his compassion

by bitimdrake

the debate between Jason and Bruce’s killing/no-killing rule is so fucking exhausting because they’re both right and that’s the damn point

by wanderintofics

Willis and Catherine

by firefrightfic

The Jason Todd Book Club

by pluckyredhead

Jason and his reaction to sexual assault

by pluckyredhead

the issue posed in “The Diplomat’s Son” is that Bruce questioned whether Garzonas fell or was pushed and doubted Jason’s word when Jason said he fell

by fantastic-nonsense

Post-Crisis!Jason had exactly two life goals as Red Hood: make Batman’s life a living hell by creating chaos and prove he’s “better” at crimefighting than Bruce

by fantastic-nonsense

how long was jason dead for / how long before came back to gotham

by sohotthateveryonedied

timeline of Jason coming back to Gotham

by sohotthateveryonedied

Jason being good with kids

by sohotthateveryonedied

Too Dangerous for Kids

by redhoodinternaldialectical

Jason and Bruce’s conflict is not a misunderstanding

by redhoodinternaldialectical

outward expressions of emotions

by aalghul

Jason and guns

by aalghul

Jason Todd’s Childhood Friends

by aalghul

Jason Todd- DC's Pandora's box

by mintacle

"utilitarian killing vs. no kill rule" dilemma

by mintacle

Bruce-as-Batman Vs Bruce-as-parent, Batman is the abuser and Bruce is the enabler

by mintacle

Jason’s final monologue in Under the Red Hood is so impactful and important because he’s being honest

by littledead-ridinghood

Bruce, Jason, upbringing and ethics

by cainware, littledead-ridinghood

Bruce, Jason and Robin retcons

by littledead-ridinghood

Jason grew up alone

by littledead-ridinghood

in the New52 the reason why Bruce doesn’t take Jason down personally has either changed or expanded

by comic-commentary

do you think jason pushed felipe?

by comic-commentary

What does Jason want to do with his life?

by comic-commentary

does jason carefully select/thoroughly research the criminals he kills, or is it just on sight?

by comic-commentary

Jason Todd and the Ladies: Pre-Resurrection

by comic-commentary

Jason Todd and the Ladies: Post-Resurrection

by comic-commentary

Jason and Tim in Pre52

by comic-commentary

Dick and Jason were never close in canon

by comic-commentary

Gray Areas Exist *throws glitter*

by comic-commentary

Jason consistently positions himself with the other victims of the Joker

by arkhamnyanight

canon shows Jason being remarkably, and I would say to some degree irrationally, eager to be on good terms with Bruce again

by arkhamnyanight

Jason’s motivations and plan in UTRH

by arkhamnyanight

why Jason chooses to confront Bruce rather than directly kill the Joker

by arkhamnyanight

call Jason a murder victim you cowards

by romanticizingmurder

the sanctity of life

by romanticizingmurder

What Jason says and what Jason does aren't always the same

by romanticizingmurder

how many people will die waiting for a villain to reform?

by romanticizingmurder

Countdown and Jason’s characterization

by yvtro

the brilliance of jay's progression in countdown

by boyfridged

bruce is projecting on jason and it profoundly affected jay

by boyfridged

Jason, Willis, and retcons

by boyfridged

Jason and reaching out

by boyfridged

Jason Todd trusts Dick Grayson, and so Dick is a glowing, ticking timebomb

by thecruellestmonth

Does the mass-murdering criminal Jason "Red Hood" Todd canonically support the death penalty?

by thecruellestmonth

Jason Todd + cops

by thecruellestmonth

Jason Todd + literature

by thecruellestmonth

Jason Todd vs. security

by thecruellestmonth

quick and dirty guide to Jason Todd in the masterpiece Batman: Battle for the Cowl—canon and fanon

by thecruellestmonth

Jason Todd’s knife skills

by wonderwondered

Jason Todd’s less known skills appreciation

by wonderwondered

Jason Todd’s fighting skills

by wonderwondered

Jason is a victim, not a survivor

by greylittlebird, vintagerobin. thecruellestmoth

[I will be updating the list every time I find a new meta post.]

[flightyquinn]

thinking about how cursed objects work in most fantasy RPGs.

typically, they wind up just kind of being a big middle finger from the game master - a kind of "whelp, you should have been more paranoid, so now you get hosed" sort of deal. which includes the somewhat game-y trope of objects that you can't get rid of. it's kind of an un-fun mechanic, when you think about it, which is why in most games I've been a part of cursed items often don't see much play, unless it's as a "punishment", or part of a story arc.

...which naturally leads me to think about how to do it better. in the past, I've tried using a curse as a kind of limiter. restrictions or drawbacks to a mostly functional item that is still worth using despite being "cursed". that's good, but it doesn't let you draw on truly nasty curses, because the item needs to be worth using, but also still needs to be balanced.

so, I'm drawing from a lot of sources here, like the cursed shield in Final Fantasy VI, and especially the comics by @foldingfittedsheets, where curses exist to (literally) teach the recipient a lesson

MEAT OF THE POST STARTS HERE:

what about cursed items that have a way to overcome their curse?

it's actually a fairly common trope in classical literature / fairy tales. every curse has a way to be broken. yet in D&D and Pathfinder, most often the only way to break a curse is to find someone with the specific curse-breaking spell.

so, give each cursed item a condition. perhaps a weapon that fuels a person's anger and causes them to fly into a blind rage in battle waits for them to sincerely forgive a hated enemy. perhaps boots that slow the wearer are actually making them heavy with the weight of past transgressions and a sufficient act of atonement will free them. maybe the perpetually bloody doll that gives its bearer horrible nightmares simply waits for someone to be motivated to action by them, either to right some past wrong, or generally bring a certain number of murderers to proper justice.

...maybe a Bag of Devouring. which is technically actually a creature, not a cursed item (but usually classified with them), can be befriended by figuring out a treat it likes, and will not only carry things for the player if fed and cared for, but even cough up a few things that previous bearers had stuffed inside.

the specifics aren't too important, but the idea is that any item with a curse on it has a reason for that curse, and a way to break it. the players can drop the item at any time, sell it off, give it to someone they hate, whatever, but if they put in the time and energy to actually breaking the curse, it becomes better than it was before, sometimes simply losing a drawback, or sometimes gaining new powers.

for an example, let's look at how that doll idea from earlier could work in D&D 5e;

while the party has the doll in their possession, they will all be afflicted by horrible nightmares, seeing themselves as children being attacked by a group of eight bandits with indistinct features. the details of the dreams change each night, and the players awaken before learning their ultimate fate, but the general gist is always that they are completely helpless, and subjected to harm.

after a long rest, have them roll a Wisdom or Charisma save (challenging DC, but not too difficult), or take a small amount of psychic damage.

if the players bring murderers to justice - meaning deliver them to the proper authorities and see them punished for their crimes - the content of the dreams starts to change. one bandit gets caught or killed by the end of the dream for each real world criminal successfully punished, possibly hinting to the players what they need to do. once eight murderers in total have had their sentences enacted, the next morning the doll will be in pristine condition with a serene expression, emitting a faint glow. thereafter, any player may attune to the doll to gain the ability to cast the Guidance cantrip without components (as thought the doll's ability to project what it wants the players to do into their mind was turned to their benefit.