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xrpripplecrypto · 3 years

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Buy XRP USA Canada UK Australia Worldwide

Looking to Buy XRP, Sell XRP USA Worldwide? XRP Ripple Cryptocurrency for Cash! We also provide reviews for the best XRP exchanges, XRP wallets, and XRP news!

How to Buy Sell XRP Ripple

So, you’ve decided to invest in XRP Ripple. However, you’re confused and don’t know where to start - you're wondering, how to buy XRP? With so many options available, it can be difficult to choose the best option for you. Plus, there are lots of things you need to think about before you start making payments.

Learning how to buy XRP in USA can be a confusing process. It doesn’t have to be, though. In this guide, we will give you the answers!

How to Buy XRP?

The process of buying and selling XRP has been made a lot simpler over the last few months. There are a few important factors that you must think about before buying XRP:

Payment Method

The most common and accepted payment methods to buy cryptocurrency include: credit card, bank transfer, or even cash. Different websites accept different payment methods, so you'll need to choose a website that accepts the payment method you want to use.

Type of Cryptocurrency

Not all cryptocurrencies are available for purchase on every website. You will have to find a website that sells XRP that you want to buy.

Cost of Fees

Each website has different fees. Some are cheap, some are not so cheap. Make sure you know how much the fees cost before setting up an account on any website. You don't want to waste your time verifying yourself and then find out the fees are too high!

How Much You Can Afford

As with any investment, you should never invest more than you can afford. I recommend speaking to a financial adviser first.

With those 4 factors in mind, we can move on. When you buy your XRP, though, where are you going to store it? I'll give you a hint: it's not your bank account.

Cryptocurrencies

Nationwide USA

Worldwide

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Cryptocurrency Wallet

A XRP wallet is where you store your cryptocurrencies after you have bought them. You can compare a cryptocurrency wallet with your bank account. In the same way that you store traditional currencies (USD, JPY, EUR etc.) in your bank account, you will store your cryptocurrencies in your crypto wallet.

There are a lot of easy-to-use and safe options to choose from. It is important that you choose a highly-secure wallet, because if your cryptocurrency gets stolen from your wallet, you can never get it back.

There are three types of wallets:

Online wallets: The quickest to set up (but also the least safe);

Software wallets: An app you download (safer than an online wallet);

Hardware wallets: A portable device you plug into your computer via USB (the safest option).

The wallet you need will depend on which cryptocurrency you want to buy. If you buy Bitcoin, for example, you'll need a wallet that can store Bitcoin. If you buy XRP, you'll need a wallet that can store XRP.

Luckily, there are a lot of good wallets to choose from that can store multiple cryptocurrencies.

Where to Buy Cryptocurrency?

To learn where to buy XRP, you’ll first need to know where to purchase XRP stock. Just a few years ago, there were only a few places to buy and sell cryptocurrencies. Now, though, there are a lot more! Let’s look at the different places and ways you can get your crypto.

How to Buy Cryptocurrency at Cryptocurrency Exchanges?

XRP exchanges are online websites that let you exchange your local currency for cryptocurrency. Exchanges are the most popular way of buying cryptocurrency. I recommend newbies to use these exchange websites as they are easy-to-use and quick to set up.

Payment Method: Most of the exchanges accept payment by bank transfer or credit card, some of them also accept PayPal.

There are a lot of exchanges for you to choose from. Each one of them has different levels of security and they each accept different types of payment methods. Most exchanges will ask you to follow the steps below before you can start buying cryptocurrency.

Check the security of the exchange. This is the most important thing you need to consider as investors have lost lots of money in the past when the exchanges have been hacked.

Transaction fees – the lower, the better.

The number of payment options available: do they accept bank transfer, credit card, PayPal, etc.?

The amount of time it takes to activate your account — if you’re in a hurry, you might not want to wait a long time to get verified!

Which cryptocurrency options they offer. For example, if you want to buy the XRP token then you need be sure that the exchange you choose sells the XRP token.

#buy xrp

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coinwealth · 3 years

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World’s first DeFi exchange traded fund to launch in Brazil next month

The world’s first exchange traded fund dedicated to decentralised finance networks is due to launch in Brazil next month, deepening the $10tn ETF industry’s foray into virtual assets.

The move will allow investors to track a basket of projects betting on decentralised finance, trading and lending networks whose standards are automated and often decided by consensus.

The fund, called the Hashdex DeFi Index ETF, marks a departure for an industry that hitherto has encompassed funds investing in listed crypto businesses, or popular cryptocurrencies such as bitcoin and ether — where permitted by regulators. It will list on the Brazilian stock exchange on February 17.

“By offering the first DeFi ETF in the world, we are providing our global investors with the ability to play a part in the next evolution of the crypto ecosystem,” said Marcelo Sampaio, chief executive of Hashdex, a Brazilian crypto asset manager.

Decentralised finance aims to do away with a centralised intermediary — like a bank or an exchange — to provide financial services such as lending and trading through an algorithm. Supporters say it offers greater transparency, resistance to censorship and faster settlement times than traditional finance.

It was one of the fastest-growing areas of the crypto asset industry although interest has cooled in the past two months as crypto prices have fallen. Decentralised applications (Dapps) hold about $107bn of customers’ funds, down from a November peak of $180bn, according to data from DappRadar.

The Hashdex DeFi Index ETF will invest in the tokens developed by Dapps, networks built on blockchain technology and use preprogrammed algorithms to execute cryptocurrency trades. Dapp tokens can be traded on other crypto markets but also allow owners to vote on governance proposals and developments for the network.

The ETF will invest in eight Dapps, as well as related service providers such as oracles, which gather data on asset prices from the outside world and send it to a blockchain or distributed ledger.

The Dapps it has targeted include Uniswap, used to exchange cryptocurrencies and tokens; lender Aave; Polygon, a service designed to speed up transactions on blockchains; and Chainlink, an oracle. The ETF will track the CF DeFi Composite Index-Brazil.

The launch highlights a divide between global financial centres that have thus far permitted little innovation in the growing field of digital assets, and relatively laissez-faire secondary financial hubs.

While Canada, Sweden, Germany, Switzerland, Jersey and Liechtenstein all boast spot cryptocurrency ETPs, and Australia and India are poised to join them, US regulators have only approved futures-based versions, while those in the UK, Hong Kong and Singapore have not even permitted these vehicles.

Not everyone is convinced by the more liberal approach, however.

“This strikes me as an artefact of a race to the bottom with respect to crypto asset regulation in general and the regulation of registered funds that invest in such assets more generally,” Ben Johnson, director of global ETF research at Morningstar, said of the Hashdex fund.

A rival issuer described the ETF as “cool”, but said it was “more iterative, rather than highly innovative”, building on the network of crypto basket exchange traded products already available.

Bruno Sousa, head of global operations at Hashdex, said Dapp tokens are “structurally very different” from cryptocurrencies. Many use the ethereum blockchain, which can hold financial assets and allows programmers to code functions for buying and selling into smart contracts. That allows them to be used for lending, insurance, trading and staking assets.

“These are similar to start-ups. They have solutions for given sections of the market. If they do well they will grow, if they don’t they will diminish and the token will dwindle in value,” Sousa said.

Formed in 2018, Hashdex at present has one ETF in Brazil, the $350m Hashdex Nasdaq Crypto Index ETF (HASH11), which it claims is the largest crypto basket ETF in the world, attracting investors ranging from retail to macro hedge funds. It also runs a similar US-based private fund in conjunction with Victory Capital.

Recommended

Hashdex hopes to launch similar products elsewhere but is reliant on the speed of regulatory change. “Other places are moving with different rhythms. Given the current regulatory landscape in the US, there is no clear pathway for a spot ETF,” said Sousa.

“Our expectation, in general, is that the regulators will become ever more comfortable with structures like this and acknowledge that this is a way to buy into the market that the regulator can see and touch, and can engage with the issuers,” he said.

In the meantime, launching in Brazil gives Hashdex “the ability to test new products and see how the public react”.

DEFI11 will charge an annual fee of 1.3 per cent, high for an ETF but competitive for digital asset funds, particularly multi-asset baskets.

With smaller market capitalisations than cryptocurrencies such as bitcoin and ether, the underlying tokens may be even more volatile. Amid a global market sell-off, the CF DeFi Composite Index-Brazil has fallen 44 per cent since its launch on December 1 last year.

“That is a consequence of assets that are seen as risk assets in general, from stocks to crypto,” Sousa said. “Crypto does respond to the regular market. Over longer periods there is less correlation but in times of high stress, that does affect investors [as] they will have hands in different pots.

“This is normal. A 40 per cent dip is something that happens with some frequency in crypto, but what happens is that it continues to grow,” Sousa argued.

“Look at this with intellectual humility. This is a phenomenon that is based on a technological advance that is massive. This is a major advance like the internet in the 1990s.”

Additional reporting by Philip Stafford

Click here to visit the ETF Hub

source https://usapangbitcoin.org/worlds-first-defi-exchange-traded-fund-to-launch-in-brazil-next-month/

source https://usapangbitcoin.wordpress.com/2022/01/31/worlds-first-defi-exchange-traded-fund-to-launch-in-brazil-next-month/

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marketerefforts · 3 years

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Amphibious Assault Vehicle Market 2021 | Business Opportunity, Growth Strategies & Forecast Report By 2027

The Amphibious Assault Vehicle Market Report, in its latest update, highlights the significant impacts and the recent strategical changes under the present socio-economic scenario. The Amphibious Assault Vehicle industry growth avenues are deeply supported by exhaustive research by the top analysts of the industry. The report starts with the executive summary, followed by a value chain and marketing channels study. The report then estimates the CAGR and market revenue of the Global and regional segments.

Base Year: 2020

Estimated Year: 2021

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lame-and-corny-blog · 6 years

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Anti-Blackness in Asian-American Communities

In the wake of the nazi and white supremacist rally in Charlottesville, I have heard much talk about the need for solidarity among people of color. However, in order to eliminate white supremacy together, it is necessary for non-black people of color to confront the pervasive anti-Blackness in their communities. Anti-Blackness is not only perpetuated by white people - speaking from the non-Black Asian-American (specifically Japanese-American) perspective, we uphold this harmful ideology as well.

Anti-Blackness permeates Asian American communities in many ways. Whether we recognize it or not, it extends through both our American communities and Asian cultures. Many Asian Americans are taught from a young age to hate dark skin - by our parents urging us to use skin-lightening or bleaching creams and family members refusing to go out in the sun for fear of tanning (both common in many Asian countries, including India, China, Korea, Japan, Malaysia, and more). Light-skinned Asian models featured in fashion and makeup advertisements also reflect this beauty standard. K-Pop groups have been known to use Blackface and to profit off of Black culture by appropriating dreadlocks, cornrows, African-American Vernacular English (AAVE), and other forms of hip-hop culture. In the United States of America, anti-Blackness in Asian American communities is exemplified by incidents such as the shooting of unarmed black man Akai Gurley by Chinese police officer Peter Liang. In November of 2014 Liang was charged and convicted of manslaughter, leaving many Asian-Americans angry and claiming he had been used as a “scapegoat”. Their reasoning was that, if no white police officers had ever been convicted, why should he have been? Sadly, the severely misguided protests against his charges were apparently the largest public display of Asian-American activism in 20 years. The protests were anti-Black because Asian-Americans were attempting to secure a privilege (typically afforded to whites) for themselves, and callously disregarding a life that was unjustly taken to do so. What all Asian Americans really should have done was support Akai Gurley and protest his wrongful death, no matter the race of the offending police officer. Instead, these Asian American protestors failed the Black community at a time when, as the whole nation was watching, their speaking out might have helped to bridge communities and brought to light the common threat of white supremacy. Another area ripe with anti-Blackness is the concept of the “model minority,” typically used to describe East Asians and Indians in particular. This myth that “Asian-Americans” as a monolith are economically and academically successful, naturally smart, and the ideal that other races should aspire to be is harmful to all Asian-American communities, Black folks, and other people of color as well. The model minority myth was actually purposefully crafted around the 1950’s to 1960’s, when the media began primarily featuring Asian success stories, despite many stories of struggle in our diverse community. By 1987 when Time Magazine ran the cover story “Those Asian-American Whiz Kids,” this new stereotype was solidified. The model minority myth drove a wedge between communities of color, and is still perpetuated not only by white people, but, unfortunately, also by many Asians who are proud to be the “better minority.” It would probably pain these people to know that instead of Asians simply becoming more successful, what really happened was that American society changed its form of racism towards us in order to use us as propaganda, and to deny rights to Black folks. Jeff Guo from The Washington Post argues, “The image of the hard-working Asian became an extremely convenient way to deny the demands of African Americans. As [Ellen] Wu describes in her book [The Color of Success], both liberal and conservative politicians pumped up the image of Asian Americans as a way to shift the blame for black poverty.” The model minority myth is still used against other communities of color to suggest they are simply not working hard enough, when people say, “if Asians could make it, why can’t you?” Asian-Americans are still systematically oppressed in America, but the model minority stereotype was created to further a narrative that could be used to separate and contain communities of color. In this narrative, Asians are “too smart,” Black folks are “too unintelligent,” and conveniently, white people get the occupy the space of “just right”. This theory, known as "The Three Bears Effect" or the “Goldilocks Effect,” holds Black people as inherently inferior and Asians get to celebrate their perceived success, not recognizing how much it actually works against us. This system also erases mixed Black and Asian folks, who are expected to place themselves in a narrative that paints Black and Asian communities as completely separate, and that doesn’t account for their existence. The Model Minority Myth is rather cunning in its oppression. The stereotype that Asians are all “good at math, straight-A students, successful, and do not complain”, while seemingly positive, does not allow us any room to make mistakes. As a result, in part, suicide is the 8th leading cause of death among Asian-Americans, and we are also highly unlikely to mention symptoms of depression or seek treatment, for fear of being seen as weak and as failures. This myth also completely tends to erase Asian communities that are not succeeding economically, which is prevalent especially among communities of immigrants from poorer nations or with a large population of refugees. The restrictiveness of the Model Minority Myth also causes Asian-Americans to rebel against it - which is not inherently bad, except their method of doing so relies upon Black culture. A prime example of this is chef and author Eddie Huang, who once said, in response to a question about his affinity for hip-hop, “I feel like Asian men have been emasculated so much in America that we’re basically treated like Black women.” Huang then proceeded to appropriate AAVE and disrespect the Black women who called him out (a distinct form of intersectional violence called “misogynoir”). When Asian-Americans take Black culture as their own and do not respect the very people who created it, they are perpetuating anti-Blackness.I have been talking a great deal about the shared identity of “Asian-American,” but it is important to acknowledge that as a community, we are far from a monolith. East Asians (Japanese, Chinese, Korean) have unique light-skinned privileges and are treated differently than South, Southeast, and Central Asians. One of these privileges is that East Asians are often centered in dialogue concerning Asian issues and other Asian communities’ struggles are largely ignored. It is important to note that along with anti-Blackness, we must also eliminate the privileging of lighter skin over darker skin, known as colorism/shadeism, in our communities and work to center non-East Asians. These struggles, ultimately, are all interconnected through the broader goal of solidarity and the collapse of white supremacy.Black folks have been fighting for our collective rights, and the dismantling of white supremacy, for ages. They have extended gestures of solidarity in the past, only to largely get stepped on by Asian-Americans in our attempt to “get ahead”. Though there have been movements such as “Letters for Black Lives” and “Asians for Black Lives” recently, “Yellow Peril Supports Black Power” during the civil rights movement, and a number of individuals who have committed their lives to solidarity activism, we cannot expect Black folks to continue fighting for our rights, nor can we expect them to trust us, given our communities’ rampant anti-Blackness. Only when we eradicate anti-Blackness from our communities will solidarity be possible, and this is an imperative. As Mari Matsuda put perfectly in her speech to the Asian Law Caucus in 1990 titled “We Will Not Be Used”:“The role of the racial middle is a critical one. It can reinforce white supremacy if the middle deludes itself into thinking it can be just like white if it tries hard enough. Conversely, the middle can dismantle white supremacy if it refuses to be the middle, if it refuses to buy into racial hierarchy, and if it refuses to abandon communities of black and brown people, choosing instead to forge alliances with them.”And so we must decide: in the struggle against white supremacy, which side will we choose?

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rdagade · 3 years

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Global Gene Therapy Market

The Gene therapy market was valued $2.26 Bn in 2020 and is expected grow at a CAGR of xx%.

Market Introduction and Overview

Gene therapy and novel therapeutics applying gene therapy-based techniques have experienced a drastic advance in the past 10 years. Clinically functional gene therapies are established now for certain diseases, and many other promising therapeutics have been developed, with such a trend being most noticeable in the field of haematological diseases. Recent advances in gene therapy and gene therapy-based approaches have been quite considerable, which include delivery vectors, gene engineering technologies and application to chimeric antigen receptor (CAR) T cell therapy.

These advances have realized many of the unmet promises of gene therapy for genetic diseases. Furthermore, the application of gene therapy technologies to non-hereditary diseases such as malignancies has recently started to display positive outcomes, such as with CAR-T cell therapy and the oncolytic virus. The ongoing advances in gene therapy is boosting the market growth.

Gene therapy has been an active area of research for at least the past two decades. As of January 28, 2018, ten gene therapy products have been approved for marketing in at least one country in the world. Recent predictions for the near future range from 12 to 14 new gene therapies submitted for approval in the next couple of years, to around 40 new therapies approved by the end of 2022.

The gene therapy field is growing at an unprecedented pace. Healthcare giants are focusing on establishments of own products and platforms which will propel their presence in the market. Strengthening internal capabilities, external strategic collaborations and technology acquisitions by key market players are expanding the market.

On December 9 2020, Bayer recently announced the launch of a cell and gene therapy platform (C&GT) within its pharmaceutical division. The platform will further consolidate company’s emerging leadership in the cell and gene therapy field and transform its overall business. Launching of new pipelines by top players is propelling the gene therapy market.

The report contains detailed analysis of Strengths, Weakness and opportunities of the key players operating in Gene Therapy Market. It also provides information on current market trends, competitive ranking analysis, regional bifurcation, turnover forecasts, industry drivers and the key challenges.

The report has profiled more than twenty key players in the market from different regions. However, report has considered all market leaders, followers and new entrants with investors while analysing the market and estimation the size of the same. The growing healthcare infrastructure in each region is different and focus is given on availability of advanced technology and new techniques.

Gene therapy market Segment Analysis

By Indication, the spinal muscular atrophy segment led the market in 2020 with a highest revenue share of 41%. The large B-cell lymphoma segment is expected to grow significantly in the forecast period. SMA is a hereditary disease that causes weakness and muscle wasting because patients lose lower motor neurons (nerve cells) that control movement. SPINRAZA is the first therapy approved to treat infants, children and adults with spinal muscular atrophy (SMA) and is approved in more than 50 countries. As of December 31, 2019, more than 10,000 individuals have been treated with SPINRAZA. On August 7 2020, Roche received the approval for Evrysdi (risdiplam) to treat patients two months of age and older with spinal muscular atrophy (SMA. This is the second drug and the first oral drug approved to treat this disease.

By vector type, Adeno-associated virus (AAV) vector segment held the largest market share of 43% in 2020, Owing to the vector’s low immunogenicity, safety and long-term transient expression. Investigators from Dyno Therapeutics, Google Research, and partners have reported successfully using artificial intelligence to generate an unprecedented diversity of adeno-associated virus (AAV) capsids, in order to identify functional variants capable of evading the immune system, a key hurdle to wider use of gene therapy.

On the other hand, lentiviruses are anticipated to emerge as the fastest-growing vector type segment from 2021 to 2026. This can be attributed to the rising investments by companies and research institutes in this vector type, post-approval of Zynteglo in 2019 and Kymriah in 2017.

To know about the Research Methodology :- Request Free Sample Report

Gene therapy market Regional Insights

North America accounted for the largest market share of 55% in 2020 and is expected to grow a CAGR of xx% in the forecast period. Growth in insurance coverage, presence of centers and institutes engaged in R&D and government funding are up surging the North American gene therapy market. Well-established healthcare infrastructure, ease of availability is also a key driver affecting the market growth. Investments by key players in this field has boosted the market growth. Rising adoption of technologically advanced diagnostic imaging systems for gene therapy is rapidly growing the market. Moreover, the approval of Zolgensma in 2019 significantly favoured the US market.

Asia Pacific is also expected to witness significant growth during the forecast period due to rising health care expenditures. The allocation of a large amount of healthcare expenditure for hospitals and dispensing medicines to the elderly is expected drive the market demand.

For more information visit@ https://www.maximizemarketresearch.com/market-report/global-gene-therapy-market/85074/

Scope of the Gene therapy market: Inquire before Buying

Gene therapy market, By Region

• North America

• Europe

• South America

• MEA

• Asia Pacific

Key Players Operating in the Global Gene Therapy Market

• REGENXBIO, Inc.

• Bayer

• Oxford BioMedica plc

• Dimension Therapeutics, Inc.

• Bristol-Myers Squibb Company

• SANOFI

• Applied Genetic Technologies Corp

• F. Hoffmann-La Roche Ltd.

• Bluebird Bio, Inc.

• Novartis AG

• Taxus Cardium Pharmaceuticals Group, Inc. (Gene Biotherapeutics)

• UniQure N.V.

• Shire Plc;

• Cellectis S.A.

• Sangamo Therapeutics, Inc.

• Orchard Therapeutics

• Gilead Lifesciences, Inc.

• Benitec Biopharma Ltd.

• Sibiono GeneTech Co., Ltd.

• Shanghai Sunway Biotech Co., Ltd

• Gensight Biologics S.A.

• Transgene

• Calimmune, Inc

• Epeius Biotechnologies Corp

• Astellas Pharma, Inc

• American Gene Technologies

• BioMarin Pharmaceuticals, Inc.

• Human Stem Cell Institute

• Spark Therapeutics LLC

• GlaxoSmithKline

• Voyager Therapeutics

The report also helps in understanding Global Gene Therapy Market dynamics, structure by analysing the market segments and project the Global Gene Therapy Market size. Clear representation of competitive analysis of key players by product, price, financial position, product portfolio, growth strategies, and regional presence in the Global Gene Therapy Market make the report investor’s guide.

This report submitted by Maximize market Research Company

Customization of the report:

Maximize Market Research provides free personalized of reports as per your demand. This report can be personalized to meet your requirements. Get in touch with us and our sales team will guarantee provide you to get a report that suits your necessities.

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Maximize Market Research provides B2B and B2C research on 20,000 high growth emerging opportunities & technologies as well as threats to the companies across the Healthcare, Pharmaceuticals, Electronics & Communications, Internet of Things, Food and Beverages, Aerospace and Defense and other manufacturing sectors.

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#Global Gene Therapy Market

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bullrun2024 · 7 months

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strwbrymoonchild · 4 years

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Creating Our Own Spaces: Open Television and the Importance of Intersectional Streaming Platforms

Open Television (OTV) supports Chicago-based artists by producing indie web series and pilots that tell intersectional stories. The platform revolutionizes streaming by highlighting nuances in the lived experiences of people of color and the LGBTQ community, and by intentionally holding space for joy, healing, and humor. Lack of diversity in film is well-documented; a recent study by the Annenberg Inclusion Initiative shows that of the top 100 films in 2019, 78 had no LGBTQ characters and 94 had no female-identified LGBTQ characters. The study also found that of 4,357 speaking roles, only 61 (1.4%) were LGBTQ, forty-five characters were gay, 10 characters were lesbian, 3 characters were bisexual and 3 characters were transgender. All three trans characters had a total screen time of no more than 2 minutes. About 71% of these LGBTQ speaking roles were white. While there have been both strides and shortcomings in efforts to increase the depth of LGBTQ and BIPOC television characters in mainstream media, diversity, and inclusion behind the camera is just as integral to filmmaking as representation on screen.

There are some perceptions that we are entering into a Black film Renaissance. The rise of shows like Insecure and Atlanta FX in addition to major Black blockbuster moments for films like Black Panther and Moonlight all suggest that progress is being made. However, the figures reported by The Annenberg Inclusion Initiative show that the number of movies with Black Directors in 2019 fell by more than half; only nine movies released in 2019 had Black directors whereas 15 movies released in 2018 had Black directors.Even when we look at Black and POC directors as a whole, the numbers don’t get much more encouraging; the study also found that out of the 112 directors that made movies in 2019, 19.6% were from underrepresented racial and ethnic groups. While representation for Black directors has been halved, the percentage of women directors helming the most popular films more than doubled between 2018 and 2019. Nevertheless, their share of representation remains critically low. The Annenberg Inclusion Initiative found that only 10.6% of directors across the top 100 films of 2019 were women. When it comes to writing and producing, representation for women is only slightly better. Women made up 14.4 % of writers across the top 100 films, and only 21.1% of producers.

Diversity behind the scenes is so crucial because it ensures that marginalized communities can tell their stories using characters that have distinct voices, complex backgrounds, agency that extends beyond tokenistic supporting roles, or even leads roles that myopically reinforce tired tropes and harmful stereotypes. For example, when Black writers are in the room, they can construct characters that speak like us instead of mis/overusing awkward AAVE that’s cut and pasted from Twitter into contexts that don’t fit. When women writers are in the room, they can squelch manic pixie tropes and fridging for the sake of male character development. When LGBTQ writers are in the room they can mitigate issues like queerbaiting or focus solely on the trauma of coming out stories without centering queer joy and romance. Similarly, when producers with marginalized identities are in the room, they can thwart gatekeeping by expanding the production value of films made by marginalized artists with limited resources, and by prioritizing inexpensive and creative ways of funding and distributing media (e.g. crowdfunding, virtual screenings, DIY film festivals, etc.). Furthermore, when filmmaking spaces lack diversity, the result can be toxic and alienating, which stifles creativity and demoralizes BIPOC and/or LGBTQ creators. OTV has shown that one of the keys to creating authentic stories is not only getting diverse voices in the room but also making the room a brave space that emphasizes accountability and community while allowing artists the independence and freedom to innovatively experiment with storytelling without fear of exploitation, bigotry, or violence.

OTV exemplifies how critical it is to not only feed diverse narratives into the mainstream media, but to introduce more accessible, inclusive, and alternative ways of filmmaking.

Executives in the film industry often buy into the misconception that intersectional stories that have characters with marginalized identities aren’t worth the investment because they only appeal to niche audiences. On the contrary, many viewers don’t just want cookie cutter, predominately white shows; they are hungry for diverse content that is striking, informational, and binge-worthy. A study released by UCLA revealed that in 2019, films with 41%-50% minority cast earned the most from box office ticket sales, whereas films with the least diverse casts performed the poorest. The #RepresentationMatters report that the National Research Group released in September 2020 shows that 2 in 3 Black Americans don’t see themselves represented in movies or television, and 86% of Black Americans want to see more representative stories on screen. Taken together, these findings suggest that when underrepresented groups see someone who looks like them in a film, it makes them want to support it more because representation is such a coveted rarity for these groups.

It's not enough to sprinkle diversity into mainstream media to increase sales. OTV exemplifies how critical it is to not only feed diverse narratives into the mainstream media, but to introduce more accessible, inclusive, and alternative ways of filmmaking. Recently, Open Television started the OTV Fellows program for emerging writers and directors from marginalized communities. The program seeks out and supports promising talent, helping them build their portfolios for a career in the film industry. OTV also hosts a seven-part workshop series called OTV Study Hall, which features a wide range of panelists and offers insights into career development, production, and marketing.

When we create intersectional TV platforms that are for and by us, shows that spotlight multiple marginalized identities can reach their full potential, and flourish in conversation with content that has a similar range. There is power and value in seeing multi-faceted, genre-bending, intersectional stories as the centerpiece of streaming, rather than cramming them into a specialty category tucked away in a corner of Netflix or Hulu or trying to make them fit in a category where they don’t belong.

Check out some top picks from OTV’s incredible content below

The T | For fans of Pose FX and Lovesick

The T follows the relationship between a Trans white woman named Jo and a queer Black man named Carter. The two are former lovers turned best friends who support each other through the insecurities and bigotry they face as they re-enter the dating world.

You’re So Talented | For fans of The Incredible Jessica James and Brown Girls

You’re So Talented follows Bea, an actor looking for work in Chicago and navigating the twists and turns of love and life in her twenties. A character many millennial BIPOC creatives out there can relate to, Bea does her best to find meaning through her art while keeping the bills paid. Through it all, her best friend’s Devin and Jesse are always there for her. (You may recognize the actor who plays Bea, Sam Bailey, as the Director and Producer of hit web series, Brown Girls).

The Right Swipe | For fans of Broad City and The Perfect Date

We’ve all seen our fair share of tragic online dating app profiles: a man holding big fish twice his size, stale jokes about The Office, shameless gym mirror selfies, etc.. In The Right Swipe, best friends and business partners India and Margo team up to start a business fixing men’s dating profiles. They extend their services to a diverse set of clients including a trans man, a queer poet, and a hotep. They have 3 simple ground rules 1. They must use their powers for good, 2. They charge clients on a sliding scale, and 3. No sleeping with or dating clients.

Velvet | For fans of Insecure

A hyper-competitive young professional named Demetra attempts to revive her social life by striking up a friendship with her cooler more laidback coworker Cymone. The duo eventually builds a squad of friends who take on the city of Chicago as they explore their own identities and relationships with each other.

The Haven | For fans of Orange Is the New Black (before they killed off Poussey)

The Haven follows the story of overworked and underpaid staff members at a domestic violence shelter. Once accepted into the shelter, residents of The Haven have only 90 days of refuge before they must find a way to propel themselves onto a new life path. The odds are stacked against those seeking a fresh start as they face a range of obstacles including addiction, mental illness, poverty, immigration complexities, and PTSD.

Damaged Goods | For fans of Euphoria

Bathed in technicolor and barely getting by, four young, messy creatives of color walk down uncertain paths of self-discovery in Chicago. When Sanavi tries to dismantle the Boy’s Club in her white-dominated workplace, she’s met with hostility and discrimination. Meanwhile, Caleb navigates the queer club scene and struggles to make ends meet. In contrast, Marlo thrives as a Black wellness guru/yogi/influencer. Ezra supports himself as a weed dealer and Uber driver, but has big dreams of becoming an artist.

Otito Greg-Obi is a poet and aspiring screenwriter based in Washington D.C. Her poetry appears in "small poems for the masses," a quarterly zine by Post Ghost Press. She is a former member of The Excelano Project, a poetry collective in Philadelphia. When she’s not writing you can find her slow-mo milly rocking in the pouring rain to MorMor, baking sourdough bread, over/underwatering succulents, or knitting something cozy. Her favorite color is mint green, and she’s obsessed with pop culture and with television (particularly dramedies and dystopian sci-fi). You can find her on Twitter at @otweetoh

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