#can you tell that I hate writing dialogue???

[fitpacbo]

hiiiiiiii (manipulative) /j

Tubbo refused to look Pac in the eye. “Yeah dude, cause you’re a dilf.” 

He had never heard that term before. “What is a dilf?” 

With wide eyes, Tubbo finally looked over at him before letting out a nervous laugh. “You don’t know?” 

“No?” Pac said feeling more confused than ever. Why was Tubbo so nervous? Was his face going red? 

Tubbo laughed again. “Don’t worry about it dude. Don’t even worry about it.” 

You whisper to Fit: fit what is a dilf

Fit whispered to you: EXCUSE ME?!?!?

You whisper to Fit: :( is that a bad thing?

Fit whispered to you: WHO CALLED YOU THAT

You whisper to Fit: Tubbo :( 

Fit whispered to you: Holy SHIT

HAHAHAHAHAHAHAHA

You whisper to Fit: ?

Fit whispered to you: dilf= dad id like to fuck

You whisper to Fit: QUE???

Tubbo jumped when Pac ran in and grabbed him by the shoulders. “Que??” 

“What?” Tubbo said with a nervous laugh looking up at Pac. 

“Fit told me what DILF means.” 

Tubbo stared at him while his face started to flush a deep red. “Ah fuck he exposed me.” He tried to squirm his way out of Pac’s grip but was unable. 

“Do you mean that?” 

Tubbo froze. “Do you want me to mean it?” 

Pac considered this before nodding enthusiastically. “Very much so.” 

Tubbo let out another nervous laugh before Pac kissed him hard. Why hadn’t they been doing this sooner? Holy crap. 

Ugh Tumblr user Kierawantstocry, you make me want to cry because you’re manipulating me into thinking /j

The kiss made Tubbo feel numb. Not in a bad way, of course. The way Pac’s lips crashed with his was addictive. He could have died in that very moment and he wouldn’t have cared if it meant he got to experience that in his last second. However, he wasn’t expecting it to happen like this. Tubbo didn’t not enjoy the kiss, that’s for sure. There was just a nagging anxiety in the back of his mind. What if Fit hated Tubbo for kissing his boyfriend? What if this small major action (mistake?) destroyed their delicate balancing act? Tubbo already thought that the dynamics of the morning crew were fragile enough with Fit and Pac’s blossoming relationship. What if all of that comes crashing down?

There’s the sound of the warpstone activating and the heavy sound of Fit’s footsteps. Pac’s face lights up and he rushes to greet his boyfriend, leaving Tubbo alone with his anxieties. The pair of lovebirds return and Fit has an unreadable expression on his face. Tubbo prepares for the worst with a nervous grin. “Hey, Fit. How are you?” His anxiety is clear in his voice.

“I have a bone to pick with you,” Fit growls, stepping forwards to stand face to face with Tubbo. The younger man visibly pales and swallows uncomfortably.

“Look, if this is about what happened with Pac, we can-“ Tubbo is cut off as Fit grabs his hair and pulls him into a passionate kiss. Tubbo’s eyes widen and Pac cheers in the background. The bald man eventually pulls away.

“How dare you call my boyfriend a dilf and not even acknowledge me?” Fit’s voice is light and playful. Tubbo sighs with relief as he realizes that he’s not going to get murdered today. However, the brunette is incredibly confused.

“Are you not… mad at me?” Fit laughs and kisses the other on the cheek. He grabs both Tubbo and Pac’s hands and pulls them close.

“You know what they say, a triangle is the strongest shape.”

[my-current-obsession]

I am taking note of every single villager who honestly suggests that Micah's half-monster status might have given his chosen bride cold feet and led to her running away and they are ALL dropping several positions in my internal character ranking.

[beevean]

This scene was supremely uncomfortable to write.

~

A certain vampire hunter named Belmont had stepped foot into Wallachia. Hector had never heard of such a clan, but Lord Dracula hissed the name with hefty wariness, and every creature in the room knew that he was no trifling meat to mince: this Belmont could be a genuine danger to the castle. Isaac had noticed him, apparently, and eagerly reported the news to their Lord like a dog bringing a stick and expecting a treat in return.

In that moment, Hector knew. He had to prove himself.

It was not hard for him to enter back in Lord Dracula’s good graces. A few apologies that meant nothing, a couple of languid smiles that cracked his lips, and it was as if their last “conversation” had never happened. He kept his promise. Hector had always been special to his Lord, after all.

As his chewed, dried out remains laid there, cast away as he had fulfilled his purpose, the one thing that pushed him on his feet and dragged him through the vast hallways was the mirage of the forest stretched for miles.

He wanted to die so much.

No. One step further. He had to live for a little longer. Death would not take his soul so long as Lord Dracula held his leash; Hector would not allow it. After he had broken his leash, anything could happen to him. He would die soon, that much was certain; at his Lord’s hands, under the jaws of his loyal hound, or because eventually his body would give up on him. But as long as his grave could be a shallow hole in the forest, far from the enormous castle that used to be his home, he could take another step.

(I’m yours, he had sworn. He did not feel guilty for lying to his Lord, for leaving the kiss of Judah on his blood-caked hand. I can handle the Belmont myself, he had promised. He did not feel guilty for going behind Isaac’s back and taking away the one chance for him to prove himself. He was the lowest kind of sinner: it was what he was born for. He, too, could devour them to the bone. They would both be proud of him.)

« Don’t you look at me like that, » seethed Isaac. Hector started: when did he get back to his room? He didn’t notice himself applying healing oil on his neck. « I asked you a question. »

Hector wasn’t even looking at him, really. He just happened to be in the way of his gaze.

« I wasn’t listening, » he mumbled, hoping that Isaac would leave him alone and knowing he wouldn’t. And right as expected, everything fell into place: Isaac’s cutting glare, the tensing of his shoulders, the smell of a storm approaching. Hector had played the script one too many times.

« Of course you weren’t. Why would you? »

« Don’t start, Isaac. »

« Or what? Are you going to cry to Lord Dracula that I upset you? »

« I’m not being the child here. »

« Excuse me? » Isaac bristled. « Who gave you the right to speak to me this way? »

« According to your logic, Lord Dracula. »

At that, Isaac lunged at him; Hector flinched, body ready to receive a slap, but when he opened his eyes, he saw that Isaac had stopped in an awkward position, with his arm half-raised and teeth bared in a snarl.

Hector was less than grateful for Lord Dracula’s distant protection on his body. He wanted that slap, now. Not to make Isaac happy in his misery, but because it would break one of the many walls between them.

The man’s attention was caught by the fresh bites on Hector’s throat; he had a knack for spotting them, unless Hector buttoned his collar so tight that it clasped on his neck. Now, slick with ointment, they were in full display, the ghost of Lord Dracula hovering between the two of them.

Perhaps, the more he bit them, the more part of himself he infused in their bloodstream. Perhaps that was the reason Isaac passed a thumb on Hector’s scars, with an ugly mixture of scorn and fascination.

(What did that make of Hector?)

« I’m surprised you haven’t dropped dead yet, with how often our Lord feeds from you, » Isaac commented with the impression of aloofness.

« Why do you care? » One last chance.

« What does your blood have that mine doesn’t? »

Hector pursed his lips.

Interpreting his silence the Lord knew how, Isaac replied to it by jamming a long nail in a particularly sore bruise; Hector hissed, and his hand slapped Isaac’s away before he could think of doing so.

And the fuse went off.

« Stop looking at me like that! » Isaac’s face went as red as his hair. « Like I’m not worth a damn! Just because you’re the Lord’s favorite it doesn’t make me inferior to you! »

Hector had planned to leave quietly, without rousing suspicion. He was ready to leave Isaac behind without thinking twice about what he had planned to do; he couldn’t delve too deeply into the consequences. He could still walk past Isaac and ignore him, slam the door shut, leave him out.

The words rose from his throat before he could recognize them for what they were.

« Then perhaps you should do more to be worth something. »

« What…? »

« What are you doing, Isaac? Slacking behind and stubbornly beating your head over the wall instead of listening to me. Crying that Lord Dracula won’t praise you and taking it out on me. Pushing me aside except when you need a warm body. Why should I feel sorry for you, when you treat me like dirt under your heel? »

Hector’s own voice sounded distorted to his own ears, jagged and unpleasant. As unpleasant was the visceral pleasure that seized him at vomiting the thoughts he had buried deep for far too long, at the sight of Isaac’s eyes growing wide and him stepping backwards, away from him.

He should apologize. He would never apologize. Isaac deserved to hear that.

But his surprise lasted for far too little, and he counterattacked:

« You… You would be food for the zombies were it not for me! You threw me away the moment I was no longer useful to you! The only reason Lord Dracula is even sparing a glance towards you is because I felt sorry for you first! I was ecstatic when you came here to study the dark arts with me, I thought you’d be… » A crack where weakness should have been. « How could have I imagined that you would have ruined everything? You are standing on my shoulders and basking in all the glory, and have the gall to pity me! That’s all you care for, selfish bastard! »

Oh, if Isaac thought Hector would fold like he would have in the past, he had no idea of how utterly sick of it all he was.

« I don’t want the glory! I don’t want any of this! » How could ever be happy to be a toy, to be coated in his Lord’s sick touch and sicker lies and expected to be grateful for it?

« Our Lord adores you more than anyone here, more than His own son. What more could you possibly want? What else does the universe owe Saint Hector, for him to finally be happy? »

Why couldn’t he have asked sincerely? Why couldn’t Hector trust whom he thought was his closest companion? He did want, and he wanted too much for him to burden alone: he wanted more of that sorry excuse of an existence, he wanted to cleanse himself, he wanted to live, he wanted out!

He wanted a friend.

« I’m tired, Isaac, and you never noticed, because all you can think about is Lord Dracula. » He would not wipe any tear. Not in front of that man who would devour him at the first sign of fragility. « If I spoke, would you listen to me? Have I ever mattered to you? »

« What you want doesn’t matter. You don’t matter more than Lord Dracula. Don’t you even insinuate that. »

The lack of an answer burdened in Hector’s chest. He wished he could be furious at it.

« I would never. Your world begins and ends with Lord Dracula. »

« And that is how it should be! For being Lord Dracula’s favorite General, you are obnoxiously dense! » Isaac spread his arms like a proselyte. « We were born and made to be His tools to wield. I am honored to be used by Him! I do not need a reward, unlike you: it’s about loyalty! It is the bare minimum of gratitude I can show towards the only person who has ever cared about me. »

Hector took the jab in silence. He would not try to defend himself.

« Do you think he does? »

Isaac stammered. « More than you! »

Is that so.

« You are the worst kind of liar and hypocrite. » Hector dug his nails into his palms, and willed his arms to stop shaking, even though he wanted to hit Isaac so hard. « You say that you’re loyal, but are you really? Because if you were, you’d stop crying and accept how things are! You would accept that Lord Dracula doesn’t give a shit about you! »

« Shut your mouth! How dare you speak in contempt of our Lord?! »

« I don’t care! I am talking about you! » Hector yelled with more force than intended. « If you were a weapon like you claim, you would not be here with tears in your eyes because I’m trying to make you reason. Why do you refuse to see reality? »

« Oh, do you now? Are you speakings from the heavens now? » In the light of the candle, Isaac’s tired eyes flashed a sickly yellow; with his gritted teeth and bulging veins in his neck, he looked less and less human the more he spoke, unrecognizable.

« You make me puke, Hector. Look at you, with that disgusting veneer of superiority, even placing yourself above Lord Dracula… You dare talking about reality? Well, the reality is that you are nothing more than a selfish little boy with an inflated ego, spitting in the plate he’s been eating, expecting to be worshipped because you gift us with the air you breathe on us. » He jabbed a finger on his chest as if to bore it: his hand, too, was trembling. « Never forget that when we met, you wouldn’t even talk, you were that afraid of me. You are here, looking down on me like I am your damn scullery boy, because Lord Dracula tasked me with making something worthwhile out of you. And right now, I am so close to breaking your nose to teach you the lesson you deserve, and then we’ll see how perfect you are. »

Hector let Isaac talk without interrupting.

He should have been offended, he knew it. He should have sworn that he never thought Isaac was inferior to him, he did it all by himself. Somehow, Isaac’s words reached him like a vision through a foggy glass: he had a vague inkling of what they could be, but they didn’t leave an impact.

He, on the other hand, yearned to leave an impact, for once.

« But you won’t do it. Because you are terrified of Lord Dracula not loving you. »

Why wasn’t he furious? He wished he could shout like Isaac, have his heart hammering in his chest, be completely engulfed by rage like flames devour a house. The man in front of him no longer stirred his heart.

What grew louder inside him, instead, were the echoes of his demon friends, always within him as they had never abandoned him – no, he had allowed himself to become them, and just like back then, just like when his mother dared to hurt him… Isaac deserved a lesson.

« I used to be afraid of the world around me, yes. But you are, right now. You are so, so scared of ending up alone and unwanted that you do everything in your power to make sure no one wants you and loves you first! You will drag everyone down in your misery, because it’s easier than clawing your way out! Forget about me – why do you think Lord Dracula would ever love a thing like you? »

And Hector kept talking, and talking, his words a river in flood; he couldn’t stop, he wouldn’t stop, his voice spilled out of him like it was edging at the rim and it couldn’t wait to get out:

« You are a doll to Lord Dracula. You’re a cute toy to play with before putting it on its shelf, once he gets bored of you. You will never be anything more than a thing! And it’s all because of you. You chose to be a thing to be used and thrown away, because, because… because you truly believe you don’t deserve better, I suppose, and when I tried to convince you that it was not the case, you rejected me, because it scared you. You broke yourself into pieces for him, and it was for nothing, and now you’re angry, and you don’t want to admit it, so you thought you could break me with you. »

Isaac recoiled at every word like they were physical blows, and the more he acted like that, the more Hector felt the desire to twist the knife even further, because Isaac only roused desire in him when his eyes shone with bitter tears: he looked like the human he refused to be.

« You are nothing more than a pathetic, miserable thing, and you could have been so much more! I had always admired your passion, your wit, your knowledge! I thought myself so lucky to call you my friend! But there’s none of that in you anymore. You call yourself a weapon, but no, you’re a puppet. Who loves a puppet? Lord Dracula doesn’t need it. I don’t need it. »

And who cared if Hector no longer believed in that axiom, that the both of them had to earn their Lord’s love somehow? Hector had grown past that, but Isaac didn’t, still a child clinging onto the breeches of his father, and Hector felt vile and so satiated in plunging his fangs in Isaac’s heart to tear it to pieces, he would see how it felt, to be weak and powerless and despised! If he wanted to experience Lord Dracula’s love, then by all means, Hector would be all too happy to oblige!

« S-shut up… »

« Don’t you believe me? Why do you think that Lord Dracula refuses to give you all the love that you crave, but he’s forcing it on me? Whose fault is that, Isaac? What did I do, other than exist? »

« Exactly that, » Isaac snarled, and the sobs did not soften the spikes in his words. « Do me a favor, and go die in the next mission. Filth like you should have never been born in the first place! »

The air froze.

No one spoke. Isaac was panting, but Hector could not understand what he was thinking, he could not recognize his face. His head hurt as if Isaac struck a blow and his vision wobbled. It was not a moment too soon that Isaac spun on his heels and fled, and Hector let that stranger march out of his room.

The same mouth he had used to rip Isaac to shreds was covered in ashes. With numb fingers, he touched Lord Dracula’s marks on his throat, where he had ruined him. He decided it was time to go to bed. No map could have taken his mind off the flames dancing behind his eyes.

That night, Isaac left Hector alone, as he wanted.

He tossed and turned around in a freezing bed until the crows cawed and all of his focus had to go on the most important mission of his life.

There was no turning back.

[alex-just-vibing]

Hcs on Solar System finding Kel crying by himself? (With him obviously denying the claim and telling them that he's fine)

ooh, I actually had a fic idea in my head kinda like that! (not solar system, but baseball bat. but I can change a few things)

This is less headcanons and more just word vomit/a pseudo-fic lol (under read more for the benefit of everyone here lol) Cuz I know I wouldn't be able to rest until I got this out of my head now (thanks a lot anon /lhj)

Sunny, Basil, and Aubrey were walking through the streets of Faraway Town, looking for the last person they needed to complete their group. They were hoping to find somewhere to just hang out at, whether that be one of their houses or somewhere else, like the park, Hobbeez, or maybe Gino's, but they didn't want to do it without Kel.

He wasn't at his house, and when they asked his mother where he was, she told them that he'd just gone for a walk. They thanked her, and she said to them, as she always does when they stop by, that they're welcome there anytime.

After stopping by his house, the three of them decided to check the park to see if he had stopped there while on his walk. He wasn't there either. Aubrey suggested checking their secret hangout spot, and the other two agreed that it wouldn't hurt to try.

None of them were particularly expecting him to be there, but when they walked past the trees into the area, they saw Kel sitting on an old picnic blanket. He was hugging his knees to his chest, and his forehead was pressed against his knees. His face wasn't visible from where the three others stood, but it was obvious something was wrong.

Aubrey was the first to approach him. She walked up to him and kneeled next to him. He didn't seem to notice her.

"Is everything okay, Kel?" she asked. She then saw the tears streaming down his face and facepalmed mentally. Of course he's not okay, what kind of question is that? She can't recall the last time she saw him cry...

Kel turned his head to look at her, before smiling weakly. "I-I'm fine!" He brought his hand to his face and wiped at his tears. More fell, replacing the ones he wiped away. "Don't worry about me!"

Sunny and Basil had also walked over to him. Sunny sat down next to him, as did Basil. Sunny gently grabbed Kel's hand.

"No, Kel." Sunny's voice was firm, but caring. "You aren't 'fine.' And that's okay." He squeezed Kel's hand slightly.

Basil cautiously placed one arm over Kel's shoulder. He leaned his head slightly against Kel's shoulder. "We love you Kel. A lot. We want to be here for you, the same way you always are for us."

Kel shook his head at their words. "I'm... I'm fine, really! You don't need to worry about me..." His voice was shaky and broken up by sniffles. He continued trying to wipe away his tears, but they just kept flowing.

Aubrey pulled him into a hug, not saying anything just yet. She let his head rest against her chest, and she placed a gentle kiss on the top of his head.

Basil moved closer to Kel, leaning against him to hopefully be a comforting presence for him. He turned to fully hug Kel, and he buried his face in Kel's shoulder. Kel in turn moved his face to rest in Basil's hair.

Sunny scoots closer, so that he could be sitting right next to Kel. Sunny didn't let go of his hand while moving, and once he settled into a comfortable position, he squeezed Kel's hand again.

"I'm sorry." Kel's voice was barely above a whisper. "I... I didn't mean to worry you guys..." When he spoke, his voice broke, then trailed off into a near-silent sob.

"It's okay, Kel," Sunny reassured him, and he rubbed his thumb over Kel's knuckles. "You're allowed to cry. Just let it all out. We aren't going anywhere."

The four of them sat in a comfortable silence, which was only broken by the occasional sob from Kel. After a good few minutes, Kel's crying seemed to slow, then eventually stop.

Basil noticed that Kel had stopped crying, and he was the first to speak. "Kel... Would you want to talk about why you were upset..?" His tone carried genuine concern and love.

Kel paused for a moment, before shaking his head. "No... Not right now..."

Sunny nodded. "Okay. We'll be here for you whenever you're ready." The other two nodded in agreement, all three of them smiling warmly at Kel.

"Now, weren't we planning to hangout?" As she spoke, Aubrey started to stand up, and she extended her hands to help the other three up. Basil and Sunny stood up first, then all three of them pulled Kel up.

Kel smiled, chuckling lightly as he was pulled up. "That sounds nice... How about a sleepover at my place?"

[fruityumbrella]

ohhh i get it now. being creative is easier when you arent trying to make it good and perfect and appealing to others. did you guys know about this

[rainbowresurrection]

I ended up reading The Price of the Phoenix and while it didn't make me want to bleach my eyes like Killing Time, I still didn't like it as much as I hoped I would. Don't get me wrong, the homoeroticism was intriguing to me, but the actual writing and storyline itself left me with a headache. I think I get my hopes up with these books, given all of the possibilities that the written word has for Trek, and it inevitably sets me up for disappointment lol

[simpingland]

Req: Can you write something with Ewan Mitchell and his co-star (pronounced feminine) where they are on the set of season 2 and how he is surprised by every performances that fem gives (Fem's character is bad and perverse), since since the recordings of season one he was already staring at her surprised by her actings and now with Season 2 he wants to spend more time with her, plus he likes her.

The Rehearsal// Ewan Mitchell x Fem!actress

Summary: Ewan is a method actor and it has been working fine for him. But he regrets this decision when season 2 of HOTD starts with a love scene, being partner with a lovely talented actress who propaply hates him and his mathods. But nothing is better than asking for help when one needs it, right?

|~~~~~~~~~~~~~~~~~~~~~~~|

Ewan watched from the monitor, patch removed but wig still on, your close-up was impressive. One look at you and you could see all the ambitions that were going through your character's mind, and he himself regretted not having told you yet. The good news was that filming for season two had just begun, and in this new season, Ewan had the opportunity to do scenes only with you.

They shouted cut, and you immediately broke into a smile, laughing after such an intense scene. You received compliments as you were photographed to keep the raccord straight.

"Congratulations, that's a good start," the director said to you. "Remember you have a special sequence tomorrow, get a good rest."

Yes, you remembered. And Tom (who played your brother Aegon) smiled mischievously at you. It was a kissing scene with Ewan, with whom you had barely exchanged a word since the moment you were confirmed as part of the cast, a year and a half ago. You only spoke a little at the audition, which was a chemistry test, and he was a sweet, unassuming guy. When he was announced as the official actor of Aemond... it was something different. You didn't interact in the scenes in the first season, his scenes were shared more with Fabien and Tom, while you had shared scenes with Olivia and Phia (Alicent and Helaena). The chemistry your characters were supposed to have was only hinted by the placement of you both in the scene or montages of shots that you only saw once the series was released. And in the meantime, Ewan had stayed away from all those with whom he didn't share any dialogue, with the excuse of staying focused on his character. Tom had already told you numerous times that Ewan thought you were a fantastic actress, but you always responded the same way.

"If he does, let him tell me so. Then I'll be flattered.”

When the script for the second season came, both of you, in your respective homes, had your hearts skipped a beat. Your character would approach Aemond in the throne room in the middle of the night. And there they not only talk, but share a kiss that promises to go further in the following seasons. Aemond confessed his love for your character, and being that it was a story taken from the world of Game of Thrones, it was sure to end in much more intimate scenes. Normal for actors and comfortable for a cast that was so friendly and close. But with Ewan being so distant and serious? It was difficult. You didn't even dare to call him. Nor did he call you. What you did do was call Tom.

"She hasn't spoken to me once since we started filming. I've seen her look at me sometimes, like she's trying to talk to me but then, before I could say a word, she's gone quiet again. Tom...I don't think I should take being a method actor so seriously," he said to the other actor.

"It amuses me immensely to be the connecting point for both of you. Don't worry, Ewan, she's a sweetheart, and very understanding. She knows that everyone has their own procedure. So if she has respected your method, you should respect hers."

"And what is her procedure?"

"According to Phia, she loves to walk back and forth repeating her lines in a thousand ways."

Right, Ewan saw the video Phia sent around the group so everyone could see how lunatic you looked. And even there, after discovering you were being filmed, you smiled tenderly at Phia asking her to stop. What else would he have missed since you weren't talking?

You had already taken off your wig, your hair was loose and your dress had been off for quite a while. You were waiting to take off your make-up when your trailer was called. You were expecting anyone, happy to have any interaction with the wonderful team around you, but when you saw Ewan, the smile must have dropped a little.

"Sorry if I'm intruding. Is it late?" Ewan asked you as he saw your friendly greeting getting lost in the air.

It wasn't dark yet, and the next day's filming was starting early, so you genuinely didn't know what to say to him.

"Well... I have to finish off some of the lines for tomorrow.’

The lines you had to say with him, and he knew that. But since that wasn't an invitation, Ewan understood instantly and nodded.

"Well, I just wanted to tell you...it's been an awesome first day of shooting for you. It's no wonder you're a fan favorite."

That made you blush.

"Well, that means a lot coming from you."

He smiled sheepishly at you, you were taller than he was, standing on the trailer and he was on the grass a few stairs down. And yet he seemed way too big.

"I promise I'll be on time tomorrow so we'll have plenty of time to rehearse," he said, trying to get out of the strange conversation he had started.

You nodded and watched as he walked away, the patch in his hand and taking off his seatbelts. Did he come with the intention of chatting? My God, you'd had a chance to talk at length with your fellow cast member and you'd wasted it? You needed to go over the scene as much as possible!

"Ewan!" You called out to him, hanging almost on your doorstep, he turned with that agility that is so engaging on screen (and in person). "Are you done for the day?"

"I've got to get out of my costume. But...yes, I'm done."

"Would you mind..." you mumbled in an exaggeratedly loud voice for him to hear. How embarrassing. "Would you mind dropping by again to rehearse?"

Ewan stood still for a second. He watched you from afar, so affectionate and shy, totally contrary to your character, and felt a deep tenderness.

"I'll be back in half an hour," he promised you.

You looked forward to it, and you'd be lying if you didn't say that you'd put your make-up back on a bit. Ewan, on the other hand, was hurrying more than usual to remove his own clothes, forgetting to remove his fake scars in the rush that followed him. He was punctual, and in thirty and a half minutes, he was knocking on your door again.

"I really appreciate you doing this, Ewan," you said as he climbed into your trailer.

"Don't worry, it's going to be fun."

You looked at each other for a second, smiling, kind of gawking, which was nothing like the scene you had to recreate.

"How do you prepare for a scene?" You ask.

"I listen to some music. But I want to try what you do. "

He looked at you expectantly, and you suddenly felt embarrassed. Like the girls at the school function.

"So... I close my eyes, and I create a map where everything looks a little bit like the set."

"And what do we choose to be the throne?" Ewan smiled, which made you blush even more.

"Well... "There was a fully finished teacup, with the inelegantly squeezed bag next to it, dripping. You'd forgotten to clean it up completely. "That cup itself."

Ewan frowned slightly, teasingly, and nodded. The next step for you was harder to explain.

"Now, Ewan, I need some space."

He sat down on your couch, script to one side, the bastard having already memorized it all. And from there he watched live what he'd been craving for months, watching you pace back and forth. You read the annotations and your lines.

"They will never forgive our family for what I did," Ewan replied, intoning in the silky voice he gave Aemond.

"If it's any consolation, I doubt they would be willing to let us live even if we had given them the throne willingly, Aemond..." though you paced, your hands and gestures maintained theatricality, and you repeated the phrase three more times, all with trapped deliberation. "This pantomime of repentance can only convince Mother...but not me."

"What pantomime do you mean?" replied Aemond.

Then your character stopped looking at Aemond to stare at the Throne. In this case you stopped to stare at the ugly teacup. You had to hold back a smile. Ewan looked at it too.

"It's impossible to fool you, it always has been." Ewan got up from the sofa and approached you, as Aemond does with your character. "It is a crude, chaotic and ugly object, but always that which I have desired."

Then the laughter you'd been holding back escaped, unable to think of the mug as anything else. And Ewan laughed with you, all the tension disappearing instantly. Now he could understand the affection with which everyone spoke of you.

"I'm sorry, really," you said, getting serious again. "I'm sorry."

"Don't apologise, this is fun. I'm going to try your method. Shall we close our eyes?"

"That's right."

You closed them at the same time, thinking about the huge room, illuminated by a silver light that simulated the moon. And after a few seconds, Ewan opened his eyes to look at you. Although you didn't have your white hair, or the elegant dress, your eyes were the same, as beautiful and bright as they were behind the cameras. And he had the privilege of being the focus of your attention and having them in the foreground.

"Though I think I was always more subtle with another of my longings..." he whispered close to your lips.

"That you tried at least" you whispered back.

"When I get the throne I'll need someone as sharp as you to accompany me. There is no woman in the seven kingdoms who compares to you."

Then came the kiss. You looked into Ewan's eyes, up his nose and down to his lips. What was there left to throw yourself? Not much, but with him being so reclusive, with that being one of the few times you spoke to each other, it felt strange to pounce on him without consent. So you walked away, leaving the scene there.

"We can work this out with the director and the intimacy coordinator, if you like," Ewan suggested, a little flushed and extremely sweet.

You poured him a cup of tea while you discussed the romance that your characters might have developed over the years that the series skips. You imagined romantic scenes that might have led up to that kiss and concluded that they were a toxic couple, but possibly better than Rhaenyra and Daemon.

"You know, I love the way you act and I love that I discovered your process," he confessed. "I think the admiration part is not going to be too hard to act out."

"Oh...my process is really ridiculous, everyone laughs at me. I'm glad it at least works. But it gives me a hard time at auditions," you laughed nervously.

"Well, it's true that it's fun to watch. But it's certainly worth it. I don't think you have anything to envy the others, you're...magnetic." He said it with a seriousness that moved you, adding to his intense gaze. "I'm sorry I wasn't smart enough to tell you sooner, because I've been thinking about it since the day they put me in the same room you were in, back at the audition.”

You froze a little, so you just said what you felt in the simplest way and with the most honest smile.

"Thank you."

Ewan took the last sip of his tea and before he left you remembered one of the thousand questions you had for him.

"Is there a reason you haven't removed the scar? Something to do with method acting?"

"Scar?"

You touched his cheek, where the scar began, and Ewan understood instantly.

"Ah, gee, I completely forgot to go through makeup. I'll get a telling off tomorrow."

"Not if you sleep on it until tomorrow" you joked. "Let me help you, I love fake wounds."

You stood next to him, towering over him a little, and lifted the thin layer of silicone with the delicacy you had seen in make-up artists. You were envious of the woman who was in charge of characterising a person as curiously attractive as Ewan. He also smelled exaggeratedly good.

When you took it off, you threw it into the creepy teacup from earlier.

"I've almost run out from, the costume department before," he justified himself. You took the opportunity to wipe that part of her face with a makeup remover wipe. "I usually do this part myself..."

"I know, but I like it..."

And while you were stroking his face with the excuse of cleaning it, Ewan was watching your lips, and didn't notice that you had noticed. You pushed the wipe away, stroking his chin, and at the same time, you both pressed your lips together. A strange kiss, something special, sweet and soft. You stretched it out, standing almost still, afraid of what would happen if you broke apart. When you finally did, you looked at each other with a look of confusion, though neither you nor Ewan pulled away.

It was a dangerous idea, he was your partner, and you had been unprofessional. You broke away.

"I think you should rest. I've distracted you too much." Your tone came out agitated and Ewan rose slowly.

"No, it's all right. I liked it. I liked everything. Didn't you?" He had emphasised the word 'everything' and was looking at you with lambent eyes.

"Yes...I loved being with you."

He said goodbye with a smile of his, and you bowed at your door like a little girl. Most of the team had already gone to rest and you barely noticed.

You had to put on more concealer than usual the next day because of the lack of sleep you'd had from that strange kiss. Ewan had kept his promise and had arrived a good while earlier to re-rehearse the scene. You did it without the kiss or the lights, just with the director's instructions and with your cheeks flushed as you exchanged glances.

"Did you practice with the kiss?" the intimacy coordinator asked you.

You were completely silent. Ewan answered for you.

"Not really, maybe it's better to give a first kiss at the moment of the shot. More realism."

"Well, then I guess you've worked out the sexual tension and dynamics of your characters."

Ewan nodded and smiled, which made you smile. Had he put hours of sleep into your little meeting yesterday? Yes, he had, and he told the woman who was putting on his scar who asked him who had removed it the day before. When you returned to the set, lights on, costumes on, cameras rolling, Ewan looked at you in the distance, asking you with his eyes if you were ready. You nodded with a shy smile, and began to act when they shouted action.

Aemond, still dressed and coming from the castle library, walked into the empty throne room to watch you. You walked behind him, in a smart dressing gown, your hair loose and trying uselessly not to make a sound. Aemond then spoke aloud.

"They will never forgive our family for what I did."

You approached Ewan, who still wouldn't look at you.

"If it's any consolation, I doubt they would be willing to let us live even if we had given them the throne willingly, Aemond..." You leaned into him a little, as the director had recommended. He was so tall and so tense that you felt as safe as if you were leaning against a stone pillar. "This pantomime of repentance can only convince Mother...but not me." Then Aemond would look down to see you out of the corner of his eye, which made your character - and you - nervous.

"What pantomime do you mean?"

Then you looked at the throne, now there was no laughter to disturb you, only the terrible seat of swords before you. And Aemond was looking at it too.

"It's impossible to fool you, it always has been. It is a brutish, chaotic, ugly object, but always that which I have desired."

After a pause, he turned fully around to look at you, his height becoming primordial in that short distance. In that low light, Ewan's visible eye looked into your eyes, dropping to your lips subtly.

"Though I think I was always more subtle with another of my longings..." he whispered in his velvety tone.

"That you tried at least" you replied trying to keep your composure. If they knew how hard you were struggling not to fall to your knees at that moment they would have nominated you for an Emmy by now.

"When I get the throne I'll need someone as clever as you to accompany me. There is no woman in the seven kingdoms who compares to you."

He stroked your face gently, something that coming from Ewan was tender and expected, immensely pleasing, but then you remembered that Aemond could never be so gentle in the face of his urges, and you let your own out. You pressed yourself against him, pressing your lips together with all the assurance you had longed for the night before. You could feel Ewan intensify your kiss even more, placing his hand on your neck. All the possible kisses that had been going on in your head during the night were now dwarfed by the kiss that was happening right there. As fierce as your characters, with the longing you had just discovered that you and Ewan had shared for a year and a half.

It was only when they shouted 'cut' that you broke apart, catching your breath and barely breaking away. Some applause, chatter and comments from the team, you could hear little of what they were saying. You pulled away flushed, laughing at the sudden intensity. You looked at the director as Ewan smoothed his jacket.

"Let's look at the shot, I think it was simply perfect, congratulations."

Another round of applause, and you felt Ewan brush your unruly hair out of your face, stroking it as he ruffled your hair.

"What a pity not to have to repeat this scene..." He confessed.

"That's the thing about being so talented," you joked.

"Obviously..." he removed his patch and turned back to you to ask in a quieter voice, "although I'd love to have more private acting classes with you..."

You smiled at the hint.

"I'll give them to you if in exchange you let me remove your fake scars again."

"Deal."

[inkskinned]

most writing advice is good as long as you know why it is good, at which point it is also bad. the hardest thing (and most precious thing) about being an artist is that you gotta learn how to take critique. i don't mean "just shut up and accept that people hate your work," i mean you need to learn what the critique is saying and then figure out if it actually helps.

i usually tell people reading my work: "i'm collecting data, so everything is useful." i ask them where they put the book down, even though it's too long for most people to read in 1 sitting. i ask them what they thought of certain characters. i let them tell me it was really good but i like it more when they look a little stunned and say i forgot i was reading your book, which means they forgot i exist, which is very good news.

sometimes people i didn't ask will read my work and tell me i don't like it. and that is okay, you don't have to like it. but i look at the thing that they don't like and try to figure out if i care. i don't like that you don't capitalize. this one is common, and i have already thought about it. i do not care, it's because of chronic pain and frankly i like the little shape of small letters. you use teeth and ribs in all your work. actually that is very true. i don't know what's up with that. next time i will work to figure out a different word, thank you. you're whiny, go outside. someone said that to me recently and it made me laugh. i am on the whine-about-it website as an internet poet. you are in my native habitat, watching me perform a natural enrichment behavior. but i like the dip of whiny, how the word itself does "whine" (up/down, the sound out your nose on the y), but i don't know if i want to feel whiny. maybe next time i will work on it being melancholy, like what you would call a male writer's poetry.

repeated "good" advice clangs in a bell and doesn't hold a real shape, dilutes in the water. like sometimes you will hear "don't use said." you turn that around in your head and it bounces off the edges of your brain like it is a dvd screensaver. it isn't bad advice, but it feels wrong somehow, like saying easy choices are illegal! sometimes i will only use "said." sometimes i will just kick dialogue tags out to the trash. sometimes i make little love poems where the fact that i do not say "said" is very bad, and makes you feel bad in your body, because someone didn't say something. i am a contrary little shitbird, i guess.

but it is also good advice, actually. it is trying to say that "said" sometimes is clutter. it makes new writers think about the very-small words and very-small choices, because actually your work matters and wordchoice matters. "i know," you said. "i know," you sighed. "i know." we both know but neither of us use a dialogue tag, because we are in a contemporary lit piece.

it is too-small to say don't use said. but it is a big command, so it gets your attention. what are you relying on? what easy choices do you make? when you edit, do you choose the same thing? can you make a different choice? sometimes we need the blankness of said, how it slides into the background. sometimes we don't.

i usually say best advice is to read, but i also mean read books you don't like, because that will make you angry enough to write your own book. i also mean read good books, which will break your heart and remind you that you are a very small person and your voice is a seashell. i also mean you need to eat books because reading a book is a writer's version of studying.

my creative writing teacher in the 7th grade had a big red list of no! words and on it was SUNSET. RAZORS. LOVE. GALAXY. DEATH. BLOOD. PAIN. I liked that razor and love were tucked next to each other like birds, and found it funny that he believed we were too young to know the weight of razor in the context of pain. i hated him and his Grateful Dead belt, where the colored teddy bears held up his appraisal of us. i hated his no list. it is very good/bad advice. i wasn't old enough yet to know that when you are writing about death you are also writing about sunsets and when you write about love you are tucking yourself into a napkin that never stops folding.

back then my poetry was all bloody, dripped with agony when you picked it up. i didn't know there is nothing beautiful about a razor, nothing exciting about pain. i just understood sharpness, which he took to mean i understood nothing. i wrote the razor down and it wasn't easy, but it was necessary. that's what i'm saying - sometimes it's good advice, because it's not always necessary. and sometimes it is very bad advice, because writing about it is lifesaving.

hang on my dog was just having a nightmare. i heard that it is a rule not to write about dogs - in my creative writing mfa, my teacher rolled her eyes and said everyone writes a dead dog. the literature streets are littered in canine bodies. i watched the rise and fall of his ribs (there is that word again) and had to reach out and stop the bad dream. when he woke up he didn't recognize me, and he was afraid.

it is good/bad advice to say that poems and writing have to mean something. it is bad/good advice to say they're big feelings in small packages. it is better advice to say that when my dog saw where he was, he relaxed immediately, rubbed his face against me. someone on instagram would make fun of that moment by writing their "internet poetry" as a sentence that tumbles across a white page: outside it is sunset and my dog is still in a gutter, bleeding a galaxy out of his left paw. or maybe it would be: i woke the dog up/the dog forgot i loved him/and i saw the shape of a senseless/and impossible pain.

the dog is alive in this one, and he is happy. when i tell you i love you, i know what i said. write what you need to write, be gentle to yourself about it. the advice is only as good as far as it helps. the rest is just fencing. take stock of the boundaries, and then break them. there's always somewhere else you could be growing.

i love you, keep going.

[physalian]

What No One Tells You About Writing Fantasy

Every author has their preferred genres. I love fantasy and sci-fi, but began with historical fiction. I hated all the research that historical fiction demands and thought, if I build my own world, no research required.

Boy, was I wrong.

So to anyone dipping their toe into fantasy/sci-fi, here’s seven things I wish I knew about the genres before I committed to writing for them.

1. You still have to research. Everything.

If you want any of your fantasy battle sequences, or your space ships, or your droids and robots, or your fictional government and fictional politics to read at all believable.

In sci-fi, you research astronomy, robotics, politics, political science, history, engineering, anthropology. In fantasy, you have to research historical battle tactics, geography, real-world mythology, folklore, and fairytales, and much of it overlaps with science fiction.

I say you *have to* assuming you want your work to be original and unique and stand out from the crowd. Fanfic writers put in the research for a 30k word smut fic, you can and will have to research for your original work.

2. Naming everything gets exhausting

I hate coming up with new names, especially when I write worlds and places divorced from Earthly customs and can’t rely on Earthly naming conventions. You have to name all your characters, all your towns, villages, cities, realms, kingdoms, planets, galaxies, star systems.

You have to name your rebel faction, your imperial government, significant battles. Your spaceships, your fantasy companies and organizations, your magic system, made-up MacGuffins, androids, computer programs. The list goes on and on and on.

And you have to do it all without it sounding and reading ridiculous and unpronounceable, or racist. Your fantasy realms have to have believable naming patterns. It. Gets. Exhausting.

3. It will never read like you’re watching a movie

Do you know how fast movies can cut between scenes? Movies can balance five plotlines at once all converging with rapid edits, without losing their audience. Sometimes single lines of dialogue, or single wordless shots are all a scene gets before it cuts. If you try to replicate that by head-hopping around, you will make a mess.

It’s perfectly fine to write like you’re watching a movie, but you can’t rely on visual tricks to get your point across when all you have is text on a page – like slow mo, lens flares, epically lit cinematic shots, or the aforementioned rapid edits.

It doesn’t have to, nor should it, look like a movie. Books existed long before film, so don’t let yourself get caught up in how ~cinematic~ it may or may not look.

4. Your space opera will be compared to Star Wars and Star Trek

And your fairy epic will be compared to Tinkerbell, your vampires to Twilight, your zombies to The Walking Dead, Shaun of the Dead, World War Z. Your wizards and witches and any whisper of a fantasy school for fantasy children will be compared to Harry Potter. Your high fantasy adventure will be compared to Lord of the Rings.

You can’t avoid it, but you can avoid doing it to yourself. When people ask about your book, let them say “oh, you mean like Star Wars” to which you then can say, kind of, except XYZ happens in my book. These IPs will never fade from the public consciousness, not while you exist to read this post, at least, but Harry Potter isn’t the only urban fantasy out there. Lord of the Rings isn’t the only high fantasy. Star Wars isn’t the only space opera.

Yours will be on the shelves right next to them, soon enough, and who knows? You might dethrone them.

5. Your world-building is an iceberg, and your book is the tip

I don’t pay for any of those programs that help you organize your book and mythos. I write exclusively on Apple Notes, MS Word, and Google Suite (and all are free to me). I have folders on Apple Notes with more words inside them than the books they’re written for.

If you try to cram an entire college textbook’s worth of content into your novel, you will have left zero room for actual story. The same goes for all the research you did, all the hours slaving away for just a few details and strings of dialogue.

There’s a balance, no matter how dense your story is. If you really want to include all those extra details, slap some appendices at the end. Commission some maps.

6. The gatekeeping for fantasy and sci-fi is still very real

Pen names and pseudonyms exist for a reason. A female author writing fantasy that isn’t just a backdrop for romance? You have a harder battle ahead of you than your male counterparts, at least in the US. And even then, your female protagonist will be scrutinized and torn apart.

She’ll either be too girly or not girly enough, too sexy, or not sexy enough. She’ll be called a Mary Sue, a radical feminist mouthpiece, some woke propaganda. Every action she takes will be criticized as unrealistic and if she has fans who are girls, they will be mocked, too.

If you have queer characters, characters of color, they won’t be good enough, they won’t please everyone, and someone will still call you a bigot. A lot of someones will still call you a bigot.

Do your due diligence and hire your army of sensitivity readers and listen to them, but you cannot please everyone, so might as well write to please yourself. You’re the one who will have to read it a thousand times until it’s published.

7. Your “original” idea has been done before, and that’s okay

Stories have been told since before language evolved. The sum of the parts of your novel may be original, but even then, it’s colored by the media you’ve consumed. And that’s okay!

How many Cinderella stories are there? How many high fantasies? How many books about werewolves and witches and vampires? Gods and goddesses and celestial beings? Fairies and dragons and trolls? Aliens, robots, alien robots? Romeo and Juliette? Superheroes and mutants?

Zombies may be the avenue through which you tell your story, but it’s not *just* about zombies, is it? It’s about the characters who battle them, the endurance of the human spirit, or the end of an era, the death of a nation. So don’t get discouraged, everyone before you and everyone after will have written someone on the backs of what came before and it still feels new.

[puck-luck]

forced proximity with jack even though you guys are enemies… so you guys say 👀

lucky lift | jack hughes

warnings: elevator sex, enemies to FWB, secret pining on jack’s side, hj, unprotected p in v, creampie, oral (f receiving), fingering, teasing/general dirty talk (aka i just like writing dialogue) pairing: jack hughes x reader summary: the one when you hook up with your work enemy on a whim wc: 1468

“Don’t fucking look at me like that,” You hiss. “You know I don’t like this any more than you do.”

To top off a shitty day, in which you had woken up late, spilled coffee on the shirt that you had been waiting to wear all week, and tripped up the stairs in full view of everyone in the office, you were now stuck– nay, you were trapped, cornered, imprisoned– in the elevator with none other than Jack Hughes.

You and Jack had been working at this company for the same amount of time, both of you hired in the same week, trained by the same people, and working on the same projects. You hated each other. You supposed you hated Jack first, but it was only because he made everything so competitive. He claimed he couldn’t help it when your work bestie brought it up to him (much to your chagrin), “because he was an athlete when he was younger.”

In an ideal world, this “athlete” could pry open the doors of the elevator so you could make an escape. Instead, he’s staring at you with an amused smirk on his face while you do all the work.

“Really? I couldn’t tell,” Jack scoffs. 

“Maybe I do hate it more than you,” You bite back. “You seem awfully content over there to watch me do all the work.”

“I called for help,” Jack reminds you. “They said two hours. To me. I don’t remember you offering to call.”

“I didn’t have service,” You say through gritted teeth. 

“Get a better provider,” Jack says in the same tone. 

“You think you’re so fucking funny, don’t you?”

“I think you’re really easy to piss off.” Jack’s smile pulls at the sides of his lips in a way that’s almost endearing, but you also want to wrap your hands around his neck and squeeze.

“I think you–”

“I also think the stain on your shirt from your coffee has gotten worse with the sweat from all your efforts to escape,” Jack interrupts. “Maybe you should take it off.”

The initial surprise that came with his statement turns to anger at his arrogance. “Excuse me?” You exclaim, stalking over to him and whacking his arm. “You’re coming onto me? As if you couldn’t make this situation any worse?”

“We might as well have fun with it,” Jack says with a shrug, shying away from your violent slaps. 

“I don’t even like you,” You point out. “You don’t even like me.”

Jack reaches a hand up and cups your cheek, silencing you. “Does it matter?” 

The weight of his hand against your face and the pure honesty of his tone causes your stomach to turn. You’d be lying if you hadn’t thought of him like that before, but it was rare. It was during the monthly meetings Jack led, when he had to wear more business professional clothing, and he always decided to roll up his sleeves post-meeting and lose the jacket. You usually caught him in the break room brewing his own coffee, focused and straight-faced like he was about to reenter the meeting rather than celebrate its end. 

“No,” You decide. 

You allow him to pull you in, pressing your lips together in a surprisingly gentle kiss. You never thought Jack was the kind to savor something, but here you were. He’s slow with his movements, his fingers trailing over your curves and ridges like he’s trying to map your body. 

“You’re going too slow,” You complain, palming the front of his dress pants. You fit your hand on his bulge, rubbing over it until he lets out a moan. “Let’s speed things up.”

“I want to enjoy this,” Jack mumbles and you can barely hear him.

“You will,” You tell him, unzipping his pants and reaching into his boxers. You circle your hand around his dick, pumping him from base to tip, using his precum to make the glide smoother. 

“No,” Jack groans and tilts his head back. “I want to enjoy this.”

You pause your movements. “What do you mean?”

“I–” Jack bucks his hips up into your hand, your grip loose around him while you wait for him to explain. “You’re just so pretty when you’re mad at me.”

“Oh,” You breathe out. 

“And you’re mad at me all the time,” Jack whines. He pushes you against the wall of the elevator, leaning in to leave kisses along your neck. He sucks at the underside of your jaw, leaving a cool circle of saliva when he trails his lips lower. “Wanted to fuck you for so long now, Y/N.”

He presses his hips into your body, your hand still trapped in his pants. You remove it as his hands cover the back of your thighs and he lifts you up, you immediately circling your legs around his waist. He uses one hand to push his pants down, his belt clinking against the floor as the fabric pools around his feet. You wrap your arms around his neck and kiss him, slipping your tongue into his mouth and causing him to groan. Jack pulls your skirt up and moves your panties to the side, movements quick now that he admitted his secret to you.

He presses himself inside of you, feeding his cock into your tight, wet cunt. 

“Feels so good,” Jack whispers. “So tight, baby. So wet.”

“Fuck me, Jack,” You tell him, voice strong. “Need you to fuck me.”

“Gonna,” Jack agrees with a moan, rolling his hips sensually. 

Jack steps forward until he can hold you up against the wall and push one leg so your ankle rests on his shoulder. He turns and gives your ankle a kiss, then bows his head to watch himself enter you to a rhythm that only he knows. Jack moves like he’s drunk on the feeling of you, soft noises falling from his lips like he’s trying not to be too loud. You can almost feel the elevator shaking with his movements.

“Not gonna last,” Jack chokes out, clutching at your waist. 

“Gonna come in me?” You tease, nipping at Jack’s earlobe.

Jack lets out a high keen, his mouth falling open and his eyelids fluttering shut as your entrance flutters around him, causing him to come undone inside of you. His breaths come out as stuttered as his thrusts do, his come warm inside you and leaking out when he draws himself out of you. 

Jack keeps you pressed against the wall of the elevator, but lowers himself to his knees.

“Gonna clean you up,” Jack promises. Your thighs rest on his shoulders, your ankles crossed behind his back. His hands pull at your ass cheeks, kneading them. 

“J,” You whimper when Jack attaches his lips to your entrance. He moans against your hole, flicking his tongue against your hole like a dog drinking from a bowl of water. He nuzzles his face into your cunt and brings a hand around to rub your clit in quick circles.

“Y’look so good,” Jack praises, his eyes so big and blue from where they look up at you. “You gonna come? Gonna mix us together, give me something to really enjoy?”

“Oh,” You exclaim, your fingers lacing into Jack’s hair. Your hips buck against his face and he slips a finger into your hole, pushing it in and out of you and curling it as he laps at your clit. “Fuck, Jack, just like that.”

Miraculously, he listens to you and only intensifies his actions, pumping a second finger into you.

You choke on a wail as you come on his fingers, the climax causing your head to fall back against the wall of the elevator with force. Jack stifles a laugh, but continues to lick at your come (and his own) until you’re removing your hands from his hair and trying to get your feet back on solid ground.

“You know, I like you like this,” Jack teases, fixing your panties for you and moving your skirt back to its original position. He pulls his own pants up when he rises, tucking himself away and buckling his belt with his very talented fingers. “All fucked out.”

“If anything, I’m the one who fucked you,” You bite back. “You came first and you ate your own come out of me."

“Mmm, next time I’ll leave it inside of you,” Jack says with a short kiss to your neck, adjusting the collar of your blouse. His hand ghosts over your neck and he feels the way your breath hitches. “Maybe we should get to the office early one day and I’ll bend you over my desk. You’ll have to walk around all day, feeling my come drip out of you. You’ll be begging me to clean you up then.”

note: ugh office enemies is a trope that i need in my life. if i'm going to be a slave to the work force i am going to fuck my hot enemy jack hughes whenever i can!

[biscuitsandspices]

If you hate writing outlines it's because of how they're taught in school. Toss out indentation and Roman numerals and map out your writing how you want to. Outlines are your FRIEND, dammit. This goes for everything, from political essays to fanfiction. If it's written you need an outline because the outline is for you. It can be general, vague, or a mixture of both! Be as informal as you want, who cares. They're to keep you on track and keep your writing flowing, so don't disregard them even if you dreaded making them in grade school. My outlines by chapter tend to look like this: 1. Character "P" goes to the diner to meet character "Q."

2. "P" tells "Q" about how the confrontation went. (dialogue I thought up on a bus ride) That's when shit goes DOWN. They're yelling, they're drawing attention to themselves, but before they can take it outside, "P" says (dialogue I thought up in the shower).

3. THEN "Q" SAYS THAT ONE LINE THAT "R" SAYS TO HIM IN CHAPTER FIVE BECAUSE THAT'S CALLED COHESION WOOOOO

4. idk they both leave??? you'll figure it out later

5. Self-reflection for "P." Keep your main point on how his moral compass goes to extremes and hurts others. He finally is realizing that HE is the PROBLEM

6. "P" drives to "Q's" house to apologize but GUESS WHO ANSWERS THE DOOR it's "R" and then just end the chapter there This is coming from someone who didn't write with outlines for years. Now I don't write anything longer than 400 words without one! Make them your own, make them so that they're useful to you. That's their purpose, so accept the help!

[secretjeon]

Could you write something for SebastianxF!reader? Maybe later in their 7th year with Sebastian being jealous of all the boys interested in you. Him figuring out his feelings for you and maybe some kissing at the end 😳

ONLY YOU; SEBASTIAN SALLOW

pairing: sebastian sallow x f!reader

warnings: teeny tiny bit of angst if you squint, some arguing, jealousy, very quick slight suggestiveness, reader is seriously so desired by everyone its not even funny, fluff!!! not proofread!

word count: 1k+

a/n: first time writing for sebastian but it was so much fun im so excited!! for anyone who might want to request I write fluff, angst and smut so there's not really any limits. i don’t know how to write dialogue as a british person in the 1800s, so take it easy on me, but i hope u like it!! 🤍

comments/reblogs/likes are appreciateddd

He didn't know why he was so upset at the sight before him. You were currently sitting in your Defence Against the Dark Arts class, waiting for the professor to begin.

It wasn't just you at your table. There were also two boys, whose names you can't remember. They were both bragging about different things to you, one about Quidditch, the other about his amazing skills in Herbology.

It was a painful sight to watch, seeing as Sebastian was sat at the table just behind you. From where he was, he could very obviously tell they were trying to flirt with you. It bothered him deeply, why would these guys ever think they had a chance with you?

Smart, beautiful, perfect you. Things he all believed. Of course, he didn't think anything of it. Why wouldn't he acknowledge how beautiful you were? That was just simple human nature. But that didn't stop him from wondering why he was so bothered by the guys flirting with you.

He hated the thought of them doing anything with you. Talking with you, kissing you, touching you. The thought made his blood boil.

This wasn't the first time this had happened. Sebastian can recall the many times your chats were interrupted by another guy trying to take you on a date. Of course, you said no each time, but it wasn't any less annoying to him. He'd learned to refrain from rolling his eyes at this point, but still silently cursed the lads in his head.

"Alright, everyone! Take a seat." Professor Hecat spoke, allowing the two boys at your table to sit at their respective seats.

"Today, we are going to be doing something a little different. I want you to each partner up with someone, and then I will be explaining the rest." You immediately got up, about to go towards Sebastian when another boy got in your way, Liam, if you can remember correctly.

"Hey, Y/N, wanna partner up?" Sebastian couldn't stop himself from rolling his eyes this time. You paused for a moment, trying to find a way to politely reject the boy.

"Erm, sorry... Liam, right? I'm afraid I've already partnered up with Sebastian." The brunette boy lit up at your words, suddenly feeling confident and looking at Liam with a smug face.

The other boy nodded with a tight lip smile, before leaving, defeated. You sat down next to Sebastian, who now had a bright smile on his face. "What are you all smiley about?" You teased.

"Nothing, let's listen for Professor Hecat's instructions, yeah?" Both you and him brushed it off, spending the rest of the class chatting up a storm and doing the assignment.

___

A few days have passed, and it just so happened to be Valentine's Day. You and Sebastian had gone to The Three Broomsticks to drink a butter beer together, as your own 'Galentine's Day', though you weren't sure if you could call it that because Sebastian wasn't a girl, but you were both single so the concept was the same.

You were sipping on your drink, enjoying each other's company when you see a guy who you recognize from your Charms class, someone whose tried to ask you out before, approach you.

"Y/N? It's Patrick, from Charms? I was wondering if maybe you'd wanna get a drink with me." This visibly angered Sebastian, his grip on his glass tightening, knuckles turning white. Before you could speak, Sebastian decided to tell Patrick a few words of his own.

"Don't you see that she's busy with me right now? And I don't know if it's clicked in that noggin of yours, but have you ever considered that maybe she's just not into you?" His voice was slightly raising at this point, but you couldn't help but find it attractive.

Patrick's eyes widened a little before backing up, muttering an apology and walking away. You turned to face Sebastian. "Why did you do that? You didn't even let me get a word in."

"Oh, please, Y/N, didn't you see how he was looking at you? It's like you were a chocolate frog and he was ready to eat you! Trust me, he's not the right guy for you." You quirked an eyebrow at his statement.

"Then who is?" You watched as he hesitated for a moment, before taking a sigh as if to prepare himself, and looked you in the eyes.

"I am," You stared at him in shock, not knowing what to say at the sudden confession.

"Y/N, I'm not sure why I didn't come to this realization sooner, but I've fallen for you. Deeply. I mean, we've gone through everything together, and you're just so perfect. You're truly one of the most amazing people I've ever known, and I've never felt this way about anyone be-"

You cut him off by leaning forward and capturing his lips with your own, catching him off guard. He's thrown off at first, but quickly matches your rhythm with his own, your lips fitting together like puzzle pieces, sparks flying everywhere in the room.

The kiss is everything and more. With his mouth still on yours, he grabs your chair, pulling you in closer, before moving his hands to you, one on your face, holding your cheek, the other holding your hand.

You both break apart, breathless with stupid smiles on your faces. "I've been waiting forever for you to say that." You grab his hand with both of yours.

If it was possible, his smile got even wider at your words. "You have?" You nodded, figuring it was time to confess.

"You've given me absolute butterflies since the moment I met you, Sebastian. I had all but hoped that you felt the same way. Why do you think I've always rejected the guys that flirted with me?

It's because it's you. It's only been you." You lean in for another kiss before Sebastian suggests a real date, perfectly fitting the day. The two of you leave The Three Broomsticks, feeling happier than ever before.

[redr0sewrites]

So bc u requested Adam and/or Lute stuff I'd like to request Adam x male!reader? Like literally anything that comes to your mind, idc if it's sfw or nsfw I just crave it °^° (also if you're not comfy with writing male reader that's totally cool too, in that case just ignore this)

I HAVW NO QUALMS AB WRITING MALE READER NONNIE DW!!!! ♥️

🥀Cw: fluff, smut, male!reader, overall adam's usual shenanigans

🥀minors dni with the nsfw portion

sfw:

you can NOT look me in the eyes and tell me adam does not have some form of internalized homophobia, and the minute he starts catching feelings for you i genuinely think he'd have a mini crisis

because of his major fuckboy personality he has a LOT of experience with flirting with women, but literally no experience with flirting with men

adam is still pretty confident however, and would probably approach you first.

i think he'd have to be friends with you to catch feelings for you in the first place, so he's probably around you pretty often

adam is very subconsciously flirty with you, but in a much more genuine way without his usual bravado. he doesn't even realize how soft he acts around you, but others can tell by the way his eyes always follow you and how he seems to orbit around you, or the way he'll purposefully stand as close as possible when he's talking to you. theres also the fact that he's literally always touching you, whether it be an arm around your shoulders or a hand resting on your back, he just needs to be close to you. you attract him like a moth to a flame, even when he's in a crowded room all adam is focused on is getting your attention. even his casual hookups stop as he literally focuses all his time on winning you over, even he doesn't realize how much he likes you (everyone else can tell. theres a betting pool in heaven on when you both will get together and who will confess first, etc)

adam definitely acts like a BUFFOON around you, deep down he doesn't think someone like you would want to be with him and overcompensates by bragging constantly about all the woman he's liked in a slightly pathetic attempt to flirt with you and literally CONSTANTLY trying to get your attention. think of his usual flaunting attitude and then turn up the dial by 100%. he wants to be on your mind 24/7 the same way your on his mind all the time

meanwhile ur lowkey heartbroken, bc you think adam is straight and yet you can't get rid of your stupid ass crush on his stupid face!!!! it's honestly especially irritating because he'll flirt with you and call you so many petnames and nicknames and will always be touching you, so you think you have a chance, then all of a sudden he's talking about some girl he banged and you just feel a bit led on

its very amusing for lute to watch the both of you dance around eachother and your feelings, when you both so clearly like eachother but are too scared to do anything about it

honestly i think you'd both end up confessing to eachother in the middle of an argument, maybe your pissed at adam for bragging about the "super hot girl he banged last night" (she isn't real and he spent the entire night thinking about you) and he's pissed off that your getting mad at him instead of being impressed or falling in love with him

definitely one of those dramatic "because i LOVE you, okay?!" confessions i am cringe but i am free and adam just kinda stares at you for a hot minute

adam would literally be like "wait... YOU like ME???? i thought you HATED me????? IM the one who likes YOU!" in usual adam fashion, and you would literally be like -_-"YOU LIKED ME THIS WHOLE TIME??? WHY DIDNT U SAY ANYTHING????" his dumbass would literally be like "I WAS TRYING TO??????" and all of this useless dialogue would literally just end in the two of you admitting your true feelings (much to lute's amusement who was recording the entire thing bc she NEEDS to win that bet)

once you both are officially together? prepare for adam to be the clingiest mf alive (in a cute way tho). he waited so long to be with you and literally became solely devoted to you for a WHILE before winning you over and it's probably been a hot minute since he's genuinely dated someone. sure, he's had hookups, but real, soulful relationships aren't common with him.

adam is ridiculously loyal to you, definitely one of those people who will be like "i have a bf 🙄" when someone random texts them, even if that person wasn't even interested in them romantically

LOVESSS flaunting you!! adam will bring you to every event he attends, he loves bragging about you and showing you off to all of heaven

if anyone ever gave you any shit about your relationship adam would literally drop kick them, he's very defensive about your guys' relationship and wants everyone to know that he loves you.

adam doesn't know shit about labels or sexuality so you probably have to teach him some things, i honestly think he'd be pansexual or just queer/unlabeled (i am totallyyy nooot projecting)

nsfw:

adam has been alive a long time and thought he tried everything sex related under the sun, but being with a guy opened a whole new world of possibilities

adam had explored with anal a bit before, but never with a partner. only in the late hours of the night when jerking off just wasn't enough, and he found himself with a strange temptation, his hands creeping lower and lower until he finally began to thrust his fingers in and out of his aching hole, tears welling in his eyes from a mix of humiliation and pure pleasure. yet, when he admitted to having tried fingering himself before, he also admitted something else- he had never managed to make himself cum, and had always gotten too embarrassed to push himself over the edge

he is a switch FIGHT ME. the first time your both intimate, adam absolutely talks so much shit about topping yet starts whining the second he begins fucking your tight cavern. this leads to you taking control and fucking him senseless, and adam is shocked at how much he enjoys it

he takes dick like a champ, he's a bratty sub at first but once you praise or degrade him, he's melting like putty in your hands

adam is sooo loud, he's a shameless moaner and everyone within a mile radius can hear his screams

you have to teach him how to give head, and he is surprisingly a very fast learner. adam lowkey gets off on how humbling it is to be below you, and he's also the type to get off on his partner's pleasure.

adam definitely has some sort of breeding kink, and when he's fucked dumb and so, so needy, he'll beg you to cum inside, whining about fucking a baby into him and babbling pure nonsense

even though it is quite literally impossible for either of you to get pregnant, he loves that kind of dirty talk. adam will pretend to be embarrassed about it but the thought of you breeding him or him breeding you is genuinely such a turn on for him

yall literally never use a condom im sorry 💀

adam would enjoy topping as well, i def think he enjoys fucking you and he loves fucking you senseless with pleasure

the first time he tops adam goes slow, he wants to learn more than anything and becomes incredibly skilled at reaching that sweet spot inside of you

adam is the first man, the original dick, and he definitely knows how to use it. he's such a fast learner when it comes to sex-related things, and memorizes everything about you and your body. he wants to know what makes you tick, and everything that pleases you or turns you on

adam is a pretty big guy and he can easily maneuver you into any position you want, he really likes hitting it from the back and loves fucking you from behind. he'd definitely pull your hair, forcing your head back so he could whisper absolute filth in your ear

i really really enjoyed writing this urgrhrgregregeh i love me some adam- im an afab person but im genderqueer/unlabeled and sometimes feel more masculine or more feminine, snd this was very fun to write bc i usually don't get requests for male reader or more masculine reader so yea i really really enjoyed this!!! also happy easter to anyone else who celebrates lmao i can't believe yall r getting smut from me on easter 💀

[ittsybittsybunny]

ATLA Live Action Series Review:

The Good

Aesthetically this show felt right. Sure sometimes the outfits didn't quite feel lived in, but I always felt like I was watching a fantasy world with decent effects and interesting design. Also, I really enjoyed the sets!

Bending: Yes some of the fights feel very quick, but the bending looks cool. It is certainly better than 10 benders lifting one big rock. I can honestly say the opening bending fight scene gave me so much hope for this show.

Kyoshi Warriors: I loved seeing them in live action, and I thought Suki's performance was great!

Omashu: I think the mashup of the mechanist made sense since that is an important character overall and I would hate to see him cut. However, both Jet & the secret tunnels felt sloppily thrown in.

Northern Water Tribe: I really loved the way it looked, and appreciated the two episodes we spent here. I think Yue gained more agency in this interpretation, and why shouldn't the moon spirit be a waterbender. Also, episode seven felt the most in tune with the original show's spirit.

Zuko: I think he was one of the most fleshed-out and best parts of the show! Dallas Liu really captured Zuko's spirit, and the scene between him and Aang in episode 6 was wonderful!

Soundtrack: Hearing the original soundtrack bits is always great, and when I first heard the ending music I was so excited.

Is the show perfect, no - but I wouldn't mind a season 2.

The Bad

Pacing: Turning 20 episodes into 8 was bound to lead to some cuts...but oftentimes times things felt too quick or disjointed. I think there were editing problems contributing to this for sure, but sometimes things skipped around too much without a clear purpose as to why. Also, why bring in plots from later seasons when you barely have enough time already?

Writing: This show definitely suffered from exposition dumping, though it did get better as time went on. I think the biggest example of this is actually opening in the past rather than the present. We do not get to learn along with Aang that the world has changed, instead, we get to learn that 100 years have passed....which doesn't hold the same tension or worldbuilding.

Clunky Dialogue: Along with exposition, clunky dialogue is another example of bad writing. I think sometimes I felt like the acting was kind of meh in the beginning, but then over time I began to realize it had far more to do with the lines characters were trying to deliver. The actors themselves are not bad, just cursed with awkward writing and lines that feel out of touch with the setting they're in.

Main Trio: I don't entirely know that I believe Katara, Sokka, and Aang are friends as opposed to 3 people stuck together to save the world. Aang feels a little too somber for a young kid running away from his responsibilities, Sokka is protective, but not exactly the heart of the team, and Katara is sort of just there until the last two episodes. Where is her struggle, her desire to learn so strong she steals from pirates? Also, while Gordon Cormier did a great job, Aang does zero waterbending on his own, is overly serious, and tells Katara not to fight. Where is his desperation to protect his friends? It feels like they all lost emotional depth.

Tension: Bringing Ozai, Azula, and Zhao out in the beginning immediately causes us to lose the realization there is an even bigger bad. Part of why Ozai is so terrifying is he is a primarily silent villain until the third season when we finally see the face of the "big bad evil guy" behind it all. Yes, they add to Zuko's backstory, but again, they are revealing the villains too early. Azula is the antagonist of season 2 and one of my favorite characters, so I hope they do more with her in the future. Finally, Zhao is supposed to be an example of the uncontrollable nature of fire unrestrained, instead, he comes off as vaguely threatening with the supposed true power being Azula.

Characterization: While all characters are bound to lose something in a shorter show, it still felt like certain characters were more mutilated than others. I am sure there are 100 different opinions on who, but I think the biggest victim was Katara.

Katara: Katara manages to go from a complete novice to a bending master in what feels like a matter of days. The journey feels short, and that makes the results feel largely unearned. Katara is one of the strongest personalities in the show, determined, kind, and fiery. In many ways, she is the unpredictability of water - equally dangerous as it is necessary to live. She is the child of a war who lost her mother, forced to grow up too soon, and even raised her older brother. Yes, Katara often gets stereotyped as the mom friend, but overall she feels underutilized in this show. We really don't see enough of her journey until the very end.

Iroh: Iroh was always comedic but most importantly wise. Even when Zuko is trying to give himself advice, he mimics Iroh. Instead, he seems to be used more as comedic relief without the underlying experience. He just doesn't feel right. Also, he kills Zhao instead of Zhao getting himself killed - which is less about Iroh and more about the writing than anything.

Ozai is weirdly a little too nice. Yes, he burned Zuko and pits his kids against each other, but he feels toned down in a show claiming to be more mature than the original cartoon.

Azula is perhaps more realistically worried about losing her status as the golden child, but she is also missing the cruelty she and her father share. I understand worrying about making your character cartoonishly evil, but the Fire Nation is currently a deeply nationalistic empire trying to control the world. Where is the deep-seated belief that they are better than other people, not just trying to bring balance to the world? There is a line between creating complexity and toning down the very real evil inherent in this plan.

Roku: I can only say what the fuck was that. He was barely there, and not the serious master to Aang's youthful exuberance.

The Ugly

Show, Don't Tell: The show's single biggest issue seems to be speeding through story parts by simply stating things. Instead of allowing the audience to discover, trusting that we are smart enough to understand, let's just blatantly say things like Zuko is the only reason the 41st division is alive to their faces. Even though in the context of the story Ozai literally already said that.... it's the division, the division for Zuko, Zuko's division.

Thematic Misunderstandings: I think this show makes several minor changes with major implications, such as airbenders actively fighting the firebenders, when airbenders are known for their pacifist nature and the lie of an Airbender fighting force is actively propaganda. Similarly, Aang very quickly accepts his role as the avatar and doesn't even run away in the beginning. Without this conflict between his desire to be a carefree child and the fact that the world needs him - the show loses a key aspect of Aang's character. Also, the obsession with downplaying the avatar state as something dangerous feels like a disservice to the tradition, connection, and strength of the avatar, which can be permanently destroyed as the trade-off for that kind of power. It's dangerous for the balance of the entire world, not just because it's powerful!

The Agni Kai: Zuko's fight against his father is one of the defining moments of Ozai's cruelty, not just because he is willing to fight his child, but because Zuko tried to do everything right. Zuko shows deference to his father, apologizes, and most importantly refuses to fight! The determination not to upset his father and still be grievously injured and banished is a hugely important theme for the fire nation and Zuko's life as a whole. He tries to do everything he is supposed to and only regains his father's acceptance after he "kills" Aang. Zuko's struggle between moral vs. social right and wrong in contrast to his family is hugely important to his character.

-----

TLDR: ATLA was a fantastical animated television show that was never afraid to show character development and flaws. When you turn 20 episodes into 8, you are bound to lose something. You hollowed out the middle, leaving the shell of important moments and events without ever wondering if all the times in between formed the true spirit of the show.

Rating: 6.5/10 It's perfectly fine and worth a watch. Not a disaster, but certainly falls flat of the original.

[nateezfics]

hiii, hope ur doing well, so for ur smut dialogue prompts can i req:

44) "i like you so much better with my hand around your throat."

+ Seonghwa

have fun writing, hope u have a nice day hihi🫶🫶

44 — “i like you so much better with my hand around your throat.”

“what’s wrong, huh?” seonghwa smirked just as his hips rammed into you yet again, shaking the entire bed frame. “what happened to that mouth of yours? don’t tell me you’re all bark and no bite, sweetheart.”

“fuck you,” you hissed through gritted teeth. your jaw was set and lips tightly closed to keep all the moans from spilling out. a hard task to do given how good he was fucking you. your glare met his own and you willed yourself not to succumb under the weight of the pleasure, no matter how much you wanted to.

seonghwa’s hand snuck up the expanse of your body. “you already are, sweetheart. and you’re fucking enjoying it.”

your cunt weeped around his cock with every plunge, every dip, every sharp thrust. you hated the way your body betrayed you; and you hated the way a breathless moan slipped through your lips when his hand circled around your throat even more.

“there,” seonghwa cooed, grip firm around your neck and thrusts continuously brutal. “i like you so much better with my hand around your throat.”

[writers-potion]

How do I accurately include diversity, and not make it look like I’m just putting it in there for the sake of it?

Writing Diverse Characters - Things to Remember

Honestly, there's no definitive answer to this.

Your characters are people with clear goals, desires and a role to play in the plot. As long as they aren't just sitting there with little else but their race/gender/disability, etc. as their ONLY personality trait, at least you're on the right path.

As for representing a diverse character realistically, here are some things you can consider to get started.

Do's

RESEARCH. There are plenty of blogs/YT vids/websites that exist to help you! Meet people!

Get beta readers.

It doesn't have to be explicit. Racial identities become quite clear early on through the setting, name, and initial description(hair, eye/skin color, body shape, etc) without having to drum it into the readers each time. Gender diversity can be conveyed through the use of certain pronouns without awkward declarations.

Character first, diversity second. Please don't intentionally create a diverse character and then think about how you can push them into the cast. Have a working character, who happens to belong to a particular group.

Read works that have represented a group well. There are plenty of non-fiction works, movies and documentaries that capture the lives of people around the world with a good eye.

Use the correct terms/language

Include different types of diversity

Don'ts

Race/gender/diability is NOT a personality trait. Please. Telling me that you have a Korean girl tells me next to nothing about the character herself.

Using sterotypes. Now, it's all right if your character has a few sterotypical traits, but definitely not if sterotypes are the only thing they have.

Diversity is not a "shock factor". Suddenly revealing that a character is actually gay and has been in the closet all this time as a refresher so that it draws readers' attention? Not a good idea.

One diverse character does all. This can often be seen in female characters of slightly dated works where one woman will play the role of supportive mother, sister, femme fetale and sexy Barbie at the same time. Don't write a diverse character who basically does everything a diverse character can possibly be. All that it proves is that the writer is lazy.

Things I personally hate seeing:

Weird pronunciation of languages. As a Korean person, I always get turned off by works (mostly badly written fanfics, yes, I read those...) that try to transfer Korean dialogue directly onto the page without even checking for the correct way to spell them out. A similar example would be pinyin for Mandarin. Please, this makes the character sound stupid throughout...

Character sticking out almost painfully. If your character isn't from the region but have lived in it for a long time, what reason do they have not to blend in?

Relying on variety shows/dramas as reference. Media representation of diverse characters that are meant for entertainment is not the best source for authentic research. I die every time someone lists a number of Korean rom-coms they've watched for "research". IT DOES NOT COUNT.

As a last note, remember that there's no limit to the kind of characters a writer can writer. Accept that our job as writers is to step into other people's heads, not seeing things from one (our) perspective - and it is not going to be easy.

Hope this helps :)