The Kailasa temple in Maharashtra India is a rock cut temple (one of many) and this one in particular is carved out of one single rockspace. It is in fact the largest rock cut (a whole Indian style) one out of the thirty-four in Ellora Caves -Just the grandeur, skill, and size of all this is awing.
In a hall recently acquired clam shell sits on an intricately carved late seventeenth-century Irish mahogany table that came from a house in County Leix. The table is carved on both sides and designed to stand in the centre of a room rather than against a wall.
Old Chinese houses are an inexhaustible creative space in terms of wooden interiors. To me, something alike is associated with childhood memories of a countryside house in Zhejiang.
Experimenting with carving, shells and resin inspired by Piranesi. The colour turned out too dark, and I'll need a uv resin for these to avoid bubbling, but I liked making it.
what draws you back to your country what draws you back to your land when i was a kid i told myself if i ever left iran i'd never go back 2 years into living in the UK i started looking at news on iran again 10 years in and i visited it for the first time again and today i heard an iranian mother talk in farsi to her child on the train to london the way my mother used to and i wanted to cry i wanted to ask her whether they're still cutting the mountaintops whether the lakes are still drying today i showed the person i was with pictures of waterfalls and palaces and forests and snow-white north something odd pulls me back with increasing force i can't ignore it ever again
the ancient hero armor set in TotK is like "so yeah the Hero from the first Calamity was actually not Hylian. he wasn't Zonai either. he was a secret third thing that has no name and the only other example can be found in weird statues in the Depths. HOWEVER he does wear Zonai clothes! but also Hylian body paint. no we will not elaborate further nor ever xoxo <3" insane absolutely INSANE
The Rājarājeśvaram temple of Dārāsuram in India, demonstrates an exceptional level of ornamentation, achieving a tasteful balance without becoming indulgent.
The entry cloister, with vaulted roof, looking toward the entrance. A glazed metal door to the central patio is to the right, and the door to the living room can be seen on the left. The lanterns are from the Mizner studio.
The Los Angeles House: Decoration and Design in America's 20th-Century City, 1995