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[theclothingclinic]

Exploring Eco-Friendly Dry Cleaning Services in Bray

When it comes to dry cleaning in Bray, no one does it better than The Clothing Clinic. We understand that your wardrobe is an investment, and our top priority is to ensure that your garments receive the highest quality care. From everyday wear to delicate fabrics and designer pieces, our dry cleaning services are designed to cater to all your needs.

Why Choose The Clothing Clinic for Dry Cleaning in Bray?

The Clothing Clinic is not just another dry cleaning company in Bray; we are a team of dedicated professionals with a passion for delivering impeccable results. Here’s why we stand out:

1. Unmatched Expertise in Fabric Care

At The Clothing Clinic, we take pride in our deep understanding of fabric care. Whether you’re bringing in a silk blouse, a wool coat, or a cashmere sweater, our experts know exactly how to handle each fabric type. We use state-of-the-art dry cleaning techniques that preserve the integrity of your clothing, ensuring that colors stay vibrant and fabrics remain soft and supple.

2. Eco-Friendly Cleaning Solutions

We believe in providing exceptional service while also being kind to the environment. Our dry cleaning processes utilize eco-friendly solvents that are gentle on both your clothes and the planet. Unlike traditional methods that can be harsh and abrasive, our green cleaning solutions effectively remove stains and odors without compromising the quality of your garments.

3. Convenient Services Tailored to Your Needs

Your time is valuable, which is why we offer a range of convenient services to fit your lifestyle. From pickup and delivery options to express dry cleaning, we make it easy for you to get your clothes cleaned without any hassle. Whether you have a busy schedule or need a quick turnaround, The Clothing Clinic is here to accommodate your needs.

Comprehensive Dry Cleaning Services in Bray

The Clothing Clinic offers a wide array of dry cleaning services in Bray, ensuring that all your garment care needs are met under one roof. Here’s a closer look at what we offer:

1. Standard Dry Cleaning

Our standard dry cleaning in Bray is perfect for everyday clothing items such as suits, dresses, trousers, and shirts. We meticulously clean and press each garment, ensuring that they return to you looking as good as new. With our attention to detail, we remove stains, odors, and wrinkles, leaving your clothes fresh and ready to wear.

2. Specialist Cleaning for Delicate Items

Certain garments require extra care, and we’re well-equipped to handle them. From wedding dresses to vintage clothing, our specialist cleaning service is designed for those delicate and precious items. We take extra precautions to ensure that your garments are treated with the utmost care, preserving their beauty and prolonging their lifespan.

3. Alterations and Repairs

In addition to cleaning, The Clothing Clinic also offers professional alterations and repairs. Whether you need a hem adjusted, a zipper replaced, or a button sewn on, our skilled tailors can make it happen. We believe that with the right care and attention, your clothing can last for years to come.

4. Leather and Suede Cleaning

Leather and suede are luxurious materials that require specialized cleaning techniques. Our team is experienced in handling these delicate fabrics, ensuring that they are cleaned without losing their texture or color. Whether it’s a leather jacket, suede boots, or a handbag, we provide a thorough and careful cleaning service.

5. Household Textiles Cleaning

Beyond clothing, The Clothing Clinic also offers dry cleaning services for household textiles. From curtains to cushion covers, we clean a variety of home fabrics, helping you maintain a fresh and clean living environment. Our experts use methods that remove dust, allergens, and stains, revitalizing your home décor.

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At The Clothing Clinic, we believe that the key to our success is customer satisfaction. We are committed to providing a service that not only meets but exceeds your expectations. Our friendly and knowledgeable staff are always on hand to answer any questions and provide advice on garment care. Whether you’re a first-time customer or a regular client, we value your business and strive to deliver the best possible results every time.

Our Commitment to Quality

Quality is at the heart of everything we do at The Clothing Clinic. From the moment you hand over your garments to us, you can trust that they are in good hands. We conduct thorough inspections at every stage of the cleaning process to ensure that no detail is overlooked. Our goal is to return your clothes to you in pristine condition, ready to wear and enjoy.

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We believe that high-quality dry cleaning should be accessible to everyone, which is why we offer competitive pricing without compromising on service. Our pricing structure is transparent, with no hidden fees or unexpected charges. We provide upfront quotes so you know exactly what to expect, making our services a great value for money.

Contact The Clothing Clinic Today

If you’re looking for reliable, professional, and affordable dry cleaning services in Bray, look no further than The Clothing Clinic. We invite you to experience the difference that our expertise, attention to detail, and commitment to customer satisfaction can make. Trust us with your wardrobe, and let us help you keep your garments looking their best for years to come.

Visit Us or Schedule a Pickup

You can visit our store in Bray to drop off your garments, or simply schedule a pickup through our website. We offer flexible options to make your dry cleaning experience as convenient as possible.

Follow Us for Updates and Special Offers

Stay connected with The Clothing Clinic by following us on social media. We regularly post updates, special offers, and tips on garment care. Don’t miss out on the latest news from your favorite dry cleaning company in Bray.

[sweaterproducer]

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[ineffablegame]

Crowley begins growing out his hair again.

When he walks into the bookshop with his hair brushing his shoulders and a half-ponytail gathered at the back, Aziraphale does a double-take.

“Angel?” Crowley says.  “Something wrong?”

Aziraphale startles.  “Not at all.”  A quavery smile.  “That looks rather fetching, dear boy.”

Crowley says nothing for a moment, expression neutral.  Then: “Er.  Thanks.”

Crowley branches out.  As winter draws near, he dons cashmere scarves and suave jackets and strolls into the shop with his hair grown longer, a fiery pennant snapping in the breeze.  Sometimes he wears his hair in a messy single braid and Aziraphale’s fingers itch to comb it out, re-tie it, make it nice and neat.  Sometimes Crowley simply scrapes his hair into a loose ponytail, mussed with flyaway strands, and Aziraphale finds himself wondering whether it would feel silken or coarse.  

One evening, after polishing off a few bottles of wine between them, Aziraphale props his elbow on the arm of his chair and pillows hand on cheek.  The world has gone all soft at the edges, but Crowley is as sharp as ever.  His hair is longer today, falling below his shoulders.  

The words tumble out of Aziraphale’s mouth before he can catch them: “Can I braid it?”

Crowley stills, glass half-raised to his lips.  “Yeah.  Alright.”

Aziraphale, combing his fingers through Crowley’s hair, memorizing the texture – soft, so soft, it looks coarse when he crops it close, but it’s like silk in my hands – and admiring the play of lamplight across it, sunlight on autumn leaves.  His thumbs brush the base of Crowley’s skull and Crowley tilts his head back with a sigh.  The demon’s shoulders slump and Aziraphale finds his eyes tracing the motion, charting the path of his spine as it vanishes under the neckline of his sweater. 

“Angel?” Crowley asks.  “What are you—”

“Oh!”  Aziraphale pulls his fingers free.  Little snow-white blossoms thread through the braid, blooming before his eyes.  Crowley’s hair gleams red-gold as if lit from within.  “I’m— dreadfully sorry, oh—”

Crowley turns, brow furrowed.  His hand steals up to his hair to pluck out a flower, which he studies with an expert eye.  Angel hair.  “Winter jasmine, angel?  Why—”

“Oh, would you look at the time!” Aziraphale cries.  “Well, my dear, you had best be on your way!  I’ve so much work to do, I’m afraid, yes, new orders coming in anytime!”

“It’s the middle of the night!” Crowley exclaims, but despite his efforts, he soon finds himself standing on the pavement outside as the shop door slams shut.  Baffled, with flowers withering in his hair, he turns and stalks toward the Bentley.  

The next day, Crowley returns to the shop.  He saunters up to the front door, one hand stroking his chin absentmindedly.  The bell jangles as he steps inside.  Aziraphale, dissuading a pair of tourists, looks up.  Silence falls.  

Then, voice strangled, Aziraphale announces, “We’re closed!” 

His tone - sharp with ethereal alarm - clears out all the customers.  With a gesture, Aziraphale bolts the door and shutters the windows.  He strides across the room, face scarlet and jaw set.  

“What on earth is that?” he demands.

Crowley rubs his hand over his chin.  The beard is short, not yet fully filled in, a few shades darker than his usual fiery red.  The hair on his head is cropped short again.  “What d’you think?”

Aziraphale splutters, indignant.  “I think,” he begins, and then grabs Crowley and drags him into a kiss.  Crowley’s muffled yelp turns into a sigh as Aziraphale’s fingers sift through his hair, thumbs brushing the stubble at the hinge of his jaw.  

They part, breathing heavily.  “That’s what I think,” Aziraphale says.  

“Right—right,” Crowley rasps.  Clearing his throat, he says, “I was thinking of trying a bun, too.”

“Oh, good Lord,” Aziraphale says, simultaneously put-upon and scandalized.  His hands move down to Crowley’s scarf to pull him closer.  “You are going to be the end of me, dear boy.”

“So that’s a yes, then,” Crowley surmises, and kisses him again.

[lilianaswhatever]

Your love will kill me - Beginning

Summary: To describe it with the words of Lana del Rey: “If he’s a serial killer, then what’s the worst that could happen?”

Pairing: Hannibal Lecter x Reader

Part 4 of 5. Chapters can be read as individual stories but they loosely connect to form a story I came up with in the middle of the night after watching a Hannibal cooking video on Youtube.

Part 1  Part 2  Part 3  Part 4  Part 5

Enjoy!

Soft jazz tunes were melding into pattering of rain as you carefully folded a red cashmere sweater. You neatly placed it on the others giving it one last stroke with your hand to smooth it down. The small bell on top of the door rang announcing a new customer. You raised your head, a trained smile turning into a real one once you saw who was entering. „Good morning," you greeted him. He always came in the early hours when the streets were still silent and only a few got lost in the city. He greeted you, always addressing you by your last name, and you could swoon at his chivalry. It was after his second visit when he asked you for your name and you gave it to him with a slight blush on your cheeks. This was now his sixth visit. You felt foolish keeping count on that, but you couldn't help looking forward to him coming into the store.

You remembered a hot afternoon; the shop was fuller than usual. You and your colleague were skipping between consultations and the cash register. You were just coming out of the stockroom as you saw him entering. It was as if time did not exist when your eyes met. He nodded politely with a small smile, and your heart began to beat a little faster. He wore a white linen shirt, one he had bought from you, and a light beige tweed vest and trousers of the same color and material finished his outfit. He looked so out of place at this moment. His tall, broad figure in the small store. His slicked back hair, his clothes, his demeanor. Everything set him apart from the customers around him. He was like a mirage in the flickering heat of the day. You were pulled back into reality as your customer stepped in front of you. „You found it, amazing!" they exclaimed. You gave the woman a white silk blouse with a polite nod. „If you need me, I will be here." you offered as she made her way over to her company. Your eyes were searching the store and heat crept into your cheeks as you saw that he was still looking at you. You nodded at him and raised your hand - which to your surprise was slightly shaking - signaling him to wait a moment and then you turned around to enter the stockroom again. The cool temperature in there was a welcomed difference. You went to one of the shelves and picked up a box containing a beautiful maroon tie he had picked from the catalog with you a week prior. Your fingers glided carefully over the card that was attached to it. You remembered exactly when you asked him for his name to put down on the order. Your hands shook ever so lightly as you wrote down Hannibal Lecter. You took a deep breath to calm your nerves and headed back out.

This happened three weeks ago. And now here you were smiling at each other, completely alone in the shop. Hannibal folded his umbrella and placed it into the stand beside the door. He brushed his already perfect hair back with his hand as he began to speak: "I just came by to see if you had the new fall colors." "Yes, I was just decorating them in the corner over here," you answered him. He followed you to the shelves. "We just got a vest that would fit your maroon tie perfectly," you said softly as you reached for a hanger with a dark grey vest. The trims were made of a deep maroon shade. "I suppose you like it?" he asked you. You turned around to face him realizing only now how close he was. "Yes, it is a very nice piece," you answered. Your voice was a lot more silent than before. "Well, then I will take it." The tone of his deep voice mixed with the blood rushing in your ears. His eyes lowered just for a second before he said: "The clasp of your necklace slipped, may I?" You automatically nodded before you could even think about it. His fingers brushed against your skin as he carefully took the dainty chain around your neck gently pulling it in the right place. Your skin seemed to burn under his touch and your grip on the hanger tightened. After he was done, he let his fingers glide down your neck while you looked into his eyes. Eyes that were so deep and warm. Heat turned your cheeks red as the blood spilling out of you tinged your hands. You wanted to touch him, but he disappeared in a haze of black.

[knitmoregirls]

Barnyard Episode - Episode 585- The Knitmore Girls

This week's episode is sponsored by:

  Carry your creativity with Erin Lane Bags! Whether you show your fiber fandom with the woolly wonder 

Sheepleverse, or dive into history with the Curiosities collection, our project bags, totes, and hook and needle 

  organizers are at the ready to keep your hobby happy.

    When was the last time your knitting yarn was a work of art?

Infinite Twist produces one-of-a-kind semi-solid gradients featuring speckles, high-lights, low-lights, and gorgeous color transitions. From 700 y Giant Gradients to 200 y matching sock sets, Infinite Twist Gradients will hold your interest from cast on to bind off.

See the currently available gradients at infinitetwist.com, or be the first to know when new colors are posted by signing up for our newsletter at infinitetwist.com/newsletter-signup

                Have you ever had to frog because you forgot a step several rows back? Or lost your spot because you dropped your magnet board or lost track with your highlighter tape? Instead of wrestling with paper, use the knitCompanion app. It keeps you on track so you can knit more and frog less. knitCompanion works with ALL your patterns and is available for apple, android and kindle fire devices.

      LoLo Body Care, formally Bar-Maids, creates exceptional moisturizers hand-poured by staff who add a good dose of heartfelt love to each one. Most all their supplies are made in the US, and their beeswax sourced from a local farm. Besides quality, the value of their product lies in that they last a very long time and are loved to the very last bit. They built their brand on being eco-friendly and their new packaging rocks. Their customers and customer service are rare and treasured jewels.

    One minute family update

  On the Needles:(1:11)

After a month of concerns about users who have been harmed by NuRav being ignored, we are shifting to adding more content to our shownotes pages in order to make them as accessible as possible to our listeners.

From here forward, we will be putting our projects here on our blog as well as in Ravelry.

Gigi is swatching for a Ridgeline cowl out of Backyard Fiberworks

  Gigi is working on Knitmore cowls. She is working on a Fade cowl out of an Onyx Fiber Arts mini skein bundle.

and one out of primary colors from Black Trillium Fibers

Gigi is working on the Ochre cardigan 

Jasmin picked up her 2014 SPAKAL Harvest Cardigan. She has finished the sleeves, and is nearly done

with the bottom edging.

Jasmin is making good progress on her Match and Move shawl (by Martina Behm #behmalong); she's

knitting it in Black Cat Fibers Nomad Sock.

Gigi is working on Opus the Octopus. She sewed eyelids, and is working on tentacles Gigi finished the

washcloth blanket out of acrylic yarn 

Gigi knitted a washcloth blanket out of acrylic yarn

Gigi had set up a preemie hat kit: she is making more baby bear hats (RAVELRY LINK) out of Jamieson yarn and some

yellow yarn, and is knitting plain hats to embroider later.

In Stitches (14:51)

Gigi is sleeping under a Stack and Whack quilt.

She is wearing her A line skirt, using a  burrito pillow case, and also the yellow Cal King quilt

  Events(20:29)

The Operation Sock Drawer book will be published in October. Call Hicklebees for a SIGNED preorder

copy of Operation Sock Drawer

We talk about Drinking French

knitty.comhttps://knitty.com/sos.php   has a comprehensive list of events that have been canceled

Stash Dash 2020. Dates 5/22 to 8/22/20 #teamcuteknitter #beatbostonjen

Fiberworld 2020 

Tour de Fleece has started! #Team Sasquatch

Mother Knows Best:(29:00)

Just keep swimming.

We reference Dr Gemma 

  When Knitting Attacks: (32:44)

Gigi : cast on again for the primary color cowl. Making it pool is hard

Gigi: Ochre cardigan. She ripped out the sleeve, and picked up more sleeve stitches at the underarm 

Jamin dropped a stitch on her  2014 SPAKAL Harvest Cardigan.

  Review:(41:48)

Cable Knits from Nordic Lands by Ivar Asplund 

Jasmin mentions Elsebelth Lavold 

Viking Knits

Viking Patterns 

  Straw into Gold:(48:51)

Tour de Fleece! Jasmin is finished spinning and plying the Targhee/Romney/Angelina from Morro Fleece

for a sweater. 

Jasmin finished spinning her Elsa blue Abby batts

Jasmin is half finished with spinning the cashmere/silk roving from Abstract Fiber 

She is using the Schacht Double Ended Electric Bobbin Winder, blue shop towels and oil applicator

Gigi is spinning on the Jenkins Turkish drop spindle

  Knits in Space:(54:48)

Jasmin took Gigi on a virtual fabric store visit 

  And Sew On:(58:20)

Gigi dug out UFOs. Working on the background of a whole cloth quilt piece. There are feathers with a

grid background. Genevieve is practicing sewing straight lines. Gigi cut fashion fabric and lining for

Grinch bags.  They are black light reactive .She is hand basting the zipper from her Carli sweater

Check out this episode!

[nomanwalksalone]

DO BOTH

by Claude T. Hector

I recently returned to work at a retail suit shop and since my return, many a potential shopper has asked me how they should be dressing at work now that most of their workspaces no longer require a full suit and tie. And even guys who still wear a suit and tie at work ask me about elevating their weekend wear. So in honor of these confused men, I’m going to do my best to teach you and your most swaggerless homey how to take some of the best tailoring pieces and make them into elevated street wear ‘fits.

Let’s start from your top most layer and work out way down. A fresh overcoat can make your entire outfit since it’s the first thing people see in the winter months. I use mine to elevate my outfits whether I’m making a bodega run or taking my lady to brunch. The trick to getting a good one is to make sure it matches everything and nothing at all. No Man Walks Alone has a Doppiaa coat that’s double breasted with a brown and rust colored houndstooth pattern. I own a custom one just like it and I’m constantly being stopped and complimented on it.

You’re going to need some pants under that coat so you don’t get arrested. Instead of chinos, try a pair of corduroy trousers this winter. No Man carries a pair from Blue Blue Japan that are dope. They’re indigo dyed so they’ll take on a different patina as they age and the color will go with literally everything you own. Corduroy will also add texture to your wardrobe.

As the temperature drops, you’re going to need some nice knitwear. Luckily for you, No Man carries Inis Meain. Specifically, a sweater in an burnt orange alpaca and silk yarn that will help round out this outfit we’re putting together. Now when you take that overcoat off, you’re not wearing your college sweater under it.  

You’re going to need a boot. But not just any old pair you got from the department store. You need a pair built by people who can at least pretend they like you. That’s one reason I like this pair from Viberg. They’re built to last and look better as they age so that maybe one day you can pass it on to your kid who’ll wonder why you’re giving them a pair of old boots that don’t fit them.

The last and most important thing you’re going to pick up today is a pair of Dore Dore socks in navy. You’re going to get the wool and cashmere blend because your feet deserve and you’re going to throw out the pair you got at Target last year because you should like yourself as much as I like you. Enjoy!

[nhouvang-blog]

Pankaj and I first met in graduate school, by way of introduction from a mutual friend. Over the course of several months, our friendship blossomed. He asked me to go on a date with him several times; I was initially skeptical, but eventually conceded. I still remember staying up all night after our first date, talking about our families, our shared love of travel, and our life’s ambitions. It was as if we had known each other in a previous lifetime. We knew right away that we wanted to marry each other, but, of course, the actual proposal came years later. Ultimately, I found myself marrying my best friend and the man of my dreams.

What was your wedding style/theme/colors & how did it represent the two of you: Our goal was to create a magical, memorable, elegant experience for our family and friends, that was a true reflection of ourselves, our love, and our gratitude. The entire process really was a labor of love. Pankaj and I are both very detail-oriented people, so we poured our time and energy into making the wedding weekend an experience that everyone would remember forever. We brought on board Beth Helmstetter and Madeline Hunter, of Beth Helmstetter Events, to bring our ambitious vision to life. Beth’s creativity inspires me and she has such vast experience with luxury destination events; we knew that she was the one right away. Even now, several months after our wedding, we still receive countless compliments on how beautiful and meticulously planned the wedding was. The credit for that goes to her – she and her team are extraordinary. All events were held at the Ritz Carlton Bacara Resort & Spa in Santa Barbara, California. We wanted every event to be distinctly different from the others in terms of mood, décor, and color palette. The resort has such a striking beauty of its own, so it was important for us to keep the décor elegant yet simple, to enhance the natural beauty of the surroundings without competing with it. We were fortunate to be able to take over the resort for the weekend, so that all guests could be hosted on property to create a unified experience. The staff was amazing and took great care of our guests, which meant a lot to us.

The wedding was held over an extended weekend in September 2018. The events were as follows: Intimate mehendi gathering on Wednesday AM. The wedding festivities started with a small mehendi gathering on Wednesday afternoon. This was an informal event for family before the rest of the guests started to arrive. It was held in a private villa overlooking the ocean. The goal was to have my mehendi ready by Thursday night, so I could move around and enjoy the Welcome Party the following night. Vaishali Gordhan, of Henna by Vaish, was my mehendi artist. She has a wonderful energy and she did a beautiful job of bring my creative vision to life. We used fleur-de-lis motifs to symbolize the city of Paris, where Pankaj and I got engaged, and wave patterns to symbolize Santa Barbara. In the end, Vaish captured our love story beautifully through her art. I wore a crimson colored silk slip-dress and an off the shoulder blush cashmere cropped sweater. I paired it with mother’s vintage pearl and diamond necklace and earrings. The hair and makeup were natural.

Welcome dinner and Mehendi Party on Thursday PM: The Welcome Dinner was on Thursday night. It was a fun, summery, bohemian inspired event that was held in a private, enclosed lawn space on the resort for our closest family and friends. The space was decorated with suspended, hanging lights and hundreds of candles and lanterns. We had one long dinner table, which was draped with block print textiles and mismatched china. Centerpieces featured florals with feathers in dusty tones, periwinkle, and pale blush interspersed with gold lanterns and wooden bowls of heaping nuts and fruit. A separate lounge area with polished ivory furniture paired with mismatched block printed pillows and Persian rugs was created for guests who wished to get their mehendi done. Dinner featured a farm-to-table family style menu, incorporating seasonal produce local to the region. Guests especially loved that Ronobir Lahiri played renditions of modern songs on his sitar, filling the air with beautiful and mystical sounds. Pankaj wore a draped, mousepeach colored jersey kurta, with silk churidar style pants. He paired it with a mousepeach and silver brocade vest. All were from Shantanu & Nikhil. Accessories included an Omega watch, which was an engagement gift to him from my parents, and Grecian-style sandals by Joy. I wore a custom JADE by Monica and Karishma organza wrap blouse with a matching netted ivory and nude lehenga skirt. I paired it with champagne wedges and a Whiting & Davis silver clutch. Jewelry included Tiffany & Co gold leaf, pearl, and white diamond earrings and necklace. I paired this with my grandmother’s vintage gold and pearl bangles.

Wedding Ceremony on Saturday AM: The wedding ceremony was on Saturday morning, on a lawn overlooking the ocean. The celebrations commenced with a baraat procession around the resort property, which led into the wedding ceremony. Upon arrival to the ceremony, guests were greeted with rose water lemonade. The Hindu ceremony took place under an 18 foot mandap made of a light mango wood. Overgrown blooms in shades of deep red, fuchsia, aubergine, blush pink, and cream were wrapped around the mandap, giving the appearance that they had been there for years. The stage was covered in layered rugs in the same color palette. The ceremony was adapted to include our personal vows and ended with a kiss. Following this, guests enjoyed brunch overlooking the ocean. Pankaj wore an ivory sherwani from Sabyasachi, paired with a matching ivory raw silk kurta and churidar pants. In keeping with the tradition of his family, he wore an ivory silk safa tied in a traditional Rajasthani style. He paired it with ivory suede loafers from Joy, a vintage emerald kalgi brooch, and an emerald necklace. He looked so handsome! Originally, for my wedding day, I wanted to be a non-traditional Indian bride and wear a muted palette. However, as the setting of the ceremony was finalized, we realized that a more vibrant color would be more striking with the blue sky and ocean as our backdrop. I ultimately decided to wear a red and gold lehenga from one of my favorite designers, Sabyasachi. It was traditionally inspired, but with a modern feel – a perfect representation of who I am as a person. The blouse had a sweetheart neckline and the chiffon dupattas had playful gold polka-dots. The all-over golden embroidery featured an intricate paisley pattern. I paired it with gold wedges. My mom and I made a special trip to Hyderabad, the city in India where she was raised, to pick out my wedding jewelry. I ultimately decided on a set from Kishandas & Co, a heritage jeweler in Hyderabad. I wore a maang tikka headpiece, earrings, collar choker/necklace, and bangles featuring raw, uncut diamonds, emeralds, and pearls in yellow gold. It was exquisite and complemented the lehenga perfectly. The whole experience of picking it out with my Mom was a memory I will treasure forever. Bridesmaids wore couture saris designed by me, in collaboration with Megha Rao of holiCHIC. Groomsmen wore bespoke raw silk kurta-churidar sets arranged by Mallika Oberoi, an upcoming Mumbai-based designer. She was incredibly resourceful for our wedding outfit preparations!

Reception on Saturday PM: The reception was held later that evening. This was a formal affair with women in summery gowns and men in summer suits. We wanted it to feel like an intimate dinner party with 250 of our closest friends and family –it was romantic and elegant. Cocktail hour was held at sunset, on a bluff overlooking the ocean. Grey tarnished bars were donned with saturated blooms repurposed from the ceremony. Guests were greeted with custom cocktails and treated to sounds from Ybarra, a local Spanish guitarist. Guests were then escored to the Bacara ballroom, which was draped with a soft grey velvet. Half of the tables were light wood, and the other half were linened with a luxurious textured linen in shades of cream. We used a combination of cream velvet, rose velvet, and X backed wooded chairs. The tabletop featured gold leaf china with gold flatware and classic glassware. Centerpieces featured blooms in shades of lavender, blush, and aubergine. Blush and grey taper candles were placed in gold holders, with tealights in rose colored glass votives. We especially loved the chandelier with overgrown green foliage and twinkle lights, and the custom leaf-printed gobo projection over the dance floor. The rest of the room was filled with potted plants and trees, in keeping with my vision of bringing the outdoors in. One of the most special memories was our first dance, which was to “La Vie en Rose.” Anthony Ybarra, a local Spanish guitarist, was kind enough to play this for us. Pankaj and I had spent countless hours with our choreographer, practicing every turn and twirl. But, in that moment, nothing else mattered – it was just the two of us, husband and wife for the first time. This was followed by sentimental toasts from our parents, our siblings, and our closest friends. Shortly thereafter, guests jumped on the dance floor and didn’t stop partying until 2 am! The afterparty consisted of guests wrapped in blankets, under the stars, enjoying late-night snacks. It will be a night to be remembered for years to come! Pankaj worked closely with the Executive Chef at Bacara to develop a custom-plated Indian-inspired menu using local ingredients. Our triple-berry wedding cake was brought in from Sweet Lady Jane, one of our favorite LA bakeries. Pankaj wore a made-to-measure tuxedo from Tom Ford and woven leather shoes from Lanvin. He paired it with his Omega watch, and his David Yurman black diamond wedding band. I wanted to wear a soft pastel shade to complete the romantic feel of the event, and a modern silhouette that would contrast with my previous looks. In the end, I wore a custom blush version of the Sunset Gown by Naeem Khan. It was so special to be able to visit his atelier in New York and work with the team on this special dress. It featured a deep cowl neck at the back, and intricate crystal beading that shimmered under the candlelight. I paired it with a custom a yellow diamond bracelet, cocktail ring, and earrings. Shoes were from the French designer Jonak, and sourced from their store just steps away from where we got engaged in Paris. Clutch was from Inge Christopher.

For us, the most special parts were: -Milni: This is the Sanskrit word for “meeting” and is an opportunity for the family of the bride and groom to welcome each other. Our mothers, fathers, aunts, uncles, and elders greeted each other, exchanging smiles and garlands of roses. It was really special to see their willingness to embrace one another.

-Vows: Somehow, in the all the last-minute preparations leading up to the weekend, I had forgotten to write my vows. I remember well staying up late to write them on the night before our wedding. Once I put the pen to paper, though, the thoughts flowed freely. It was very special to be able to share these promises to one another, in front of our friends and family.

What about your venue made it “the” place: Pankaj and I had always fancied a destination wedding. We really wanted to create something special and memorable for our guests, who would be flying in from all over the world. We explored several destinations, but ultimately kept coming back to Santa Barbara. We have a long-standing tradition of visiting every year: it’s stunning and picturesque, but also feels familiar and intimate. It’s one of our favorite places, and we wanted our family and friends to fall in love with it just as we did many years ago.

What flowers were used in your bouquet: The bouquet featured blooms in shades of fuchsia, raspberry, burgundy, nude, and pale blush. Holly, our florist, affixed lockets containing photos of each of my late grandparents on their wedding days at the base of the bouquet. This was a really special way to include them in the festivities.

What from your wedding was DIY: One of the most fun aspects of wedding planning was preparing for the Sangeet dances. We had a joint dance for Pankaj and I, a bridesmaid dance, a groomsmen dance, and then one huge group dance.

We hired a local choreographer, Ana Perales of Get Amped Entertainment, to help us create Western choreography to several of our favorite Bollywood songs. Most of our bridal party didn’t have dance backgrounds, so we were really humbled by everyone’s willingness to participate. It was endearing to see how focused and eager they were to master the moves! The whole process brought us much closer together as friends.

Most memorable moment from the day: One of my favorite memories was our first look, which took place on a private bluff overlooking the ocean. The clouds were clearing, and the sun was breaking through; there was something so beautiful about it. At the time, it felt like some sort of blessing. In that moment, there was a rush of emotions. I’ll never forget the look in Pankaj’s eyes – we couldn’t hold back our tears of love and joy. We had both been dreaming about the day for so long. Now, in hindsight, we never could have anticipated how that moment would change our level of commitment to one another and solidify us as a team, ready to take on the adventures of life ahead, hand in hand. Another really special moment was the Father Daughter/ Mother Son Dance during the Reception. Pankaj and I wanted to recognize the special role our parents have played in our lives. Without them, we wouldn’t be who we are today. In an effort to acknowledge them for that, we did a Father-Daughter/ Mother-Son Dance. While the dance itself was space, the preparation for it was arguable more memorable. We took two joint dance classes at the Arthur Murray Dance Studio in Santa Barbara during the week leading up to the wedding. There were lots of smiles and laughter (and crushed toes)!

How long it took you to plan & the biggest hurdle you overcame: We planned our wedding over the course of a year and a half. Pankaj and I are both physicians, and our unpredictable work schedules would have made it hard to plan any quicker. For us, it was just the right amount of time to be thoughtful about our decisions and mindful of the guest experience. The biggest hurdle was learning to reconcile our differences of opinion. In the end, we compromised and our weekend really was the best reflection of both of us. We are both very proud of what we accompanied. I am in tears every time I look thought our photos and watch our highlight film! I believe that planning a wedding represents the first of many challenges in life, and it’s important to remember that things won’t always go as planned. That’s OK. Focus on what is most important: the commitment to love each other unconditionally and to prioritize each other above all else. Stay positive and forward-thinking. Having all of your loved ones in the same place to celebrate one of the most special moments in your life is priceless. Other advise would be to put yourself in the shoes of the guests. They have come long and far to celebrate this day with you. How can you make the experience enjoyable and seamless for them? When planning your bridal looks, start as soon as you can. It takes a lot of time to produce, ship, and alter these garments. And, on top of that, you need accessories for multiple outfits. Decide early and order well in advance! Meet in person with key professionals that will be with you throughout the weekend. You want to make sure that you are surrounded by the right kind of positive energy during that time. When it came to assembling the rest of our team (photography, videography, makeup artist, priest), we were very discerning. I had a particular vision of how I wanted things to look and be captured, so I spent a lot of time researching, meeting with, and selecting the right people to make it happen. They all did a wonderful job.

The post MEGHNA + PANKAJ // Santa Barbara Wedding Photography by Lauren & Abby Ross appeared first on South Asian Bride Magazine.

[how-to-get-refund-blog]

How to Get Refund?

Ever returned poor or faulty goods for the shop to simply dismiss your complaint? Now imagine walking down the high street, or phoning up, this time covered in a glistening suit of consumer rights armour.

We hope our guide will help you do just that. Below it explains what your consumer rights are, and what to do if your purchases go wrong. Read it now and save it to your favourites for when it's needed.

The law changed in Oct 2015. The Consumer Rights Act came into force then. This guide focuses on your rights for items purchased AFTER 1 Oct 2015 – but where the rules differ for items bought before then we've made it clear.

In this guide

What are your consumer rights?

Understanding the law

Your rights when buying goods

Your rights when buying digital content

Your rights when buying services

Buying on the web, by mail or from home

How to make 'em pay up

Still not happy?

Consumer rights Q&As

The complaint checklist

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What are your consumer rights?

Your consumer rights protect you when you buy goods and services. This means you have rights by law, which a shop or service provider can't change.

This should be taught at school - everyone should know their basic statutory rights. Know these and you can enforce fair treatment. It's so crucial, you should actually memorise it. Our mnemonic is to call them your Sad Fart rights. When you buy goods they must be...

This applies even if you buy things in a sale or with a discount voucher. Frankly, every customer-facing member of staff should be taught these rules before they're allowed to work. Yet as they're not, we need to be polite and persistent in quoting the rights.

Consumer rights: Quick dos and don'ts

Later in the guide, you'll get a much more detailed explanation of how consumer rights work. But let's start with a few simple dos and don'ts to help you protect yourself.

DO spend gift vouchers quickly

DO take things back as quickly as possible

DON'T assume you can exchange it if it's the wrong size

DO write 'it's a gift' on receipts

DON'T think buying online means fewer rights

DO check suitability before buying

DON'T think 'no receipt' means 'no return'

DO return it to the store, not the manufacturer

DON'T think eBay's different

DO ensure Christmas delivery's specified

DON'T think you've no rights with freebies

DO consider paying by credit card if it's over £100

DO remember it's about expectations as well as rights

Whatever you bought, don't just quote the rights, say this… "according to the Consumer Rights Act 2015".

Saying this can make a powerful impression. Yet if you're going to complain, especially about an expensive item, it makes sense to dig into the rules in even more detail – see the section below.

Bought something prior to 1 Oct 2015? Don't quote the Consumer Rights Act – it doesn't apply to things bought before then. Instead, quote the Sale of Goods Act 1979 for goods, or if it's a service, the Supply of Goods and Services Act 1982 (common law in Scotland had a similar effect for services).

Understanding the law

If you've got a dispute going on, it's important not just to know your rights, but to understand how and why they work.

Every time you buy something, be it a mobile phone from a mate or a week in Cuba from a travel agent, you make a contract with the seller.

What does this contract really mean?

Both you and the other party agree to terms and conditions. The seller has agreed to provide your 'statutory rights'.

The nitty-gritty of the law depends on whether you're buying goods, digital content or services. It's also worth noting it only applies to consumers, not to something you're buying in the course of a business (eg, from wholesalers such as Costco). However, it does apply to everything bought in the UK regardless of where the retailer is based (though if you bought something from, say, Outer Mongolia, it might prove tricky to enforce).

Bought something prior to 1 Oct 2015? The laws only apply if the retailer is based in the UK or elsewhere in the EU – if you bought from elsewhere you're subject to the laws of that country. Digital content also wasn't covered separately prior to 1 Oct 2015 – it's just treated as a good or service.

Goods: Anything you can hold

Goods could be a T-shirt, toaster or a truck, whether new, second-hand or bought online.

Jump to the Goods buying rights section for full info on your rights.

Digital content: Data and anything digital

Officially described as "data which is produced and supplied in digital form" this includes things like computer games, films, downloaded music, ebooks or mobile phone apps.

Jump to the Digital content buying rights section for full info on your rights.

Bought something prior to 1 Oct 2015? Digital content wasn't covered separately – it was just treated as a good or service. For example, a Blu-ray would count as a good, while downloaded music would count as a service.

Services: Everything from dentists to restaurants

Whether it's fixing your teeth or filling your tummy, a service is a contract where a company has carried out some work for you.

Jump to the Service buying rights section for full info on your rights.

Mixed contracts: A combination of any of the above

If something you buy is made up of more than one type you need to look at the rights for the part that's faulty.

For example, the delivery (service) of a compact disc (goods) containing music (digital content) could use any of the rights available depending on what's gone wrong.

Bought something prior to 1 Oct 2015? If you bought goods with a service (eg, a handset with a mobile contract), your service buying rights apply (under the Supply of Goods and Services Act, or, in Scotland, common law had a similar effect) – even if it was the good (ie, the handset) that was faulty. The protection's the same as under the Sale of Goods Act, though – it's just that you need to quote the services law.

Your rights when buying goods

The legal protection you have here is from Part 1 Chapter 2 of the Consumer Rights Act 2015. This sledgehammer cracks any nut.

At this point, it's crucial to understand each line of the SAD FART mantra and exactly how it works.

Bought something prior to 1 Oct 2015? Your legal protection's under the Sale of Goods Act 1979 rather than the Consumer Rights Act 2015.

'Satisfactory As Described'

Now the latter part of this, as described, might sound pretty obvious. For example, a blue jumper either is or isn't. But other goods, such as a silk shirt or a cashmere sweater, must be made of that material, while a multi-region DVD player must play international DVDs.

It's easy to buy goods that don't measure up to what the label says. So "as described" is the foundation that makes sure you get what you pay for. Dangerous goods always break this rule, though.

Satisfactory quality is harder to define. The law says "satisfactory" is what a reasonable person would be happy with, looking at all of the information easily available to you, such as its price and condition. See more later on second-hand goods.

But what's reasonable? Now there's a question lawyers have rowed about for years and there's no set answer.

In a legal context and in a dispute with a shop, it means goods must be in a state that you, or any other normal, reasonable person would think was reasonable. Easy, eh?

Certainly if you bought an expensive music player and the sound was virtually inaudible, most people would almost certainly say it wasn't satisfactory. But let's say you bought a cheap garden trampoline, where you could bounce on it, but it moved around as it wouldn't bed into the soil. Would that be satisfactory?

Ultimately if you and the shop couldn't resolve it, you'd need to take it to court for a judge to decide. But hopefully, it wouldn't get that far.

Fit for purpose AND last a reasonable length of time

This means stuff must work and not fall to bits after an hour's use. This might sound pretty basic common sense, but without it, you can find yourself exposed.

Say you buy some new car headlights without checking which car they're for – if you get the wrong ones, that doesn't make them faulty. Yet if you get them having asked the shopkeeper if they'd work in your car – even though the box didn't say yes or no – then they aren't 'fit for purpose' and you can get your money back.

Get a full refund within 30 days

This is a nice new addition to our statutory rights. The Consumer Rights Act 2015 changed our right to reject something faulty, and be entitled to a full refund in most cases, from a reasonable time to a fixed period (in most cases) of 30 days. After that, you lose the short-term right to reject the goods and you'll have fewer rights, such as only being able to ask for a repair or replacement, or a full or partial refund if this doesn't work.

Bought something prior to 1 Oct 2015? Under the Sale of Goods Act, an item still has to be fit for purpose – but you have a 'reasonable length of time' rather than the fixed 30-day period to get a full refund.

Second-hand or 'on sale' doesn't mean second-rate

Even if the item's second-hand or reduced, it doesn't mean you get second-rate consumer rights, except where the seller pointed out the specific problems before you bought.

The same consumer rights rules apply to second-hand and sale goods from shops. They must be of satisfactory quality and, if they're faulty, you can return them.

If you buy a used motor from a trader or grab a £700 'sale' telly with 30% off and it goes kaput once you get home, then take it back and complain.

It's worth stressing that the second-hand price will be taken into account. So if you buy a car for a fiver, you wouldn't expect it to run normally. Second-hand cars are one of the most complained-about issues – see these Citizens Advice and Gov.uk guides for more.

Watch out too if the goods were uber-cheap because of a blindingly obvious flaw. In this case, the shop could refuse to refund you.

The rules change with private sellers

If you're buying second-hand goods from a private seller (someone who doesn't sell goods for all or part of their living), your rights are nowhere near as strong as when buying from a shop.

The only protection is that it's correctly described and the owner has the right to sell it. Here, it really is a case of caveat emptor or "let the buyer beware".

So if the seller says nowt or little about the goods and you buy it, then that's it. Even if it's shoddy, you weren't mis-sold, so have no comeback. Though if they lie to you – you do.

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Know who's responsible

When returning items, beware shops trying the oldest trick in the book: saying they're not responsible for the shoddy goods and you must call the manufacturer. This is total nonsense!

If a company fobs you off by saying "go to the maker instead", it's wrong. It's the retailer's job to sort it.

It doesn't matter if it's an iPod from a high street shop or a designer frock from a department store. If something's broken, torn, ripped or faulty, the seller has a legal duty to put it right as your contract is with it.

What proof do you need?

When goods are faulty, if you return them within six months, then it's up to the shop to prove they weren't faulty when you bought them. After this, the burden of proof shifts and it's up to you to prove they were faulty when you bought them.

But that's not all. There's another piece of legislation called the Limitations Act (it's the Prescription and Limitation Act in Scotland) that can help you out.

You have up to six years after you bought a good to complain. (In Scotland, it's five years after you first realised there was a problem.)

This comes in handy if you buy goods, but don't use them for a few months or if something breaks after the six month rule and the fault was likely to have been there all along. Yet the longer it's been and the less durable the item, the harder it'll be to fight for a full refund. In such a case, you might have to accept a partial refund or credit note.

Bought something prior to 1 Oct 2015? You have the same rights but they are under the The Sale And Supply of Goods To Consumers Regulations 2002.

This is the law BUT in reality shops usually give you more leeway (though this is often suspended in sales)

Many of us have bought something only to later decide it's unsuitable or not needed and shops are under no obligation to take your goods back, just because you've changed your mind.

But even when you don't have legal rights, plenty of companies do STILL give refunds even if the item isn't faulty. These are mainly high street stores allowing you to simply take back whatever you want within a set timeframe. Here are some examples:

* John Lewis. If you're unhappy with a purchase, you have up to 35 days to return it. There are some exclusions including perishable goods, made-to-order products or opened computer software, which must be faulty or not as described to be refunded or exchanged.

* Waterstones. If you're unhappy with your purchase you can return it in a resalable condition with proof of purchase within 30 days. Gift cards and some specially ordered items are excluded.

So what about my 'extra rights' during sales?

Many shops often revert back to the basic statutory rules during sales, so you may not be able to enjoy any extra rights if the item you bought has been discounted.

But remember, if goods are faulty you can still use your Sad Fart rights. This applies whether you bought something in a sale or not, unless the retailer told you about the fault before you bought it and part of the reduction in price was due to this. Plus, online orders always get the 14 day cooling-off rights from the Consumer Contracts Regulations, subject to the standard exclusions, wherever and whenever you bought them.

Your rights when buying digital content

The new Consumer Rights Act has introduced specific new rights to protect you when buying digital content (it's Part 1, Chapter 3, if you want to look it up).

Before the act came into force on 1 Oct 2015 (or still, for anything bought before then) you didn't have separate rights for digital content – you had to use the goods and service rights, which didn't always apply well to digital items.

The new law applies to any digital content, whether it's a Blu-ray disc containing a film that can be physically touched, or a downloaded film that can't be. It also applies to any updates and modifications made to the content for six years after you've had it.

The SAD FART rules still apply to digital content – it needs to be of satisfactory quality, as described, fit for the purpose and last a reasonable length of time. But there are a few differences with digital content as well.

There's no automatic right to a full refund within 30 days

If the digital content doesn't measure up you can ask for a repair or replacement. If the repair or replacement doesn't work, or isn't possible, you can then ask for a reduction in price instead.

The law says that a full refund may be given "where appropriate", so act quickly and you may actually get all of your money back – but in general this is likely to be a partial refund.

Compensation is available if the content damages your device

If you can show the faulty digital content has caused damage to your device or other digital content you're also entitled to compensation for the damage caused, or to get the damaged item repaired.

This might apply if, for example, a downloaded music track caused your MP3 player to play up, or an updated app deleted movie files from your mobile. Any repairs needs to be done in a reasonable time and compensation paid within 14 days.

It doesn't cover free content, unless you paid for something else to get it

You need to have paid for the content, either with cash or something like a gift voucher, token or virtual money in a game, to be eligible to use these rights. This includes buying something that includes free digital content, like software with a computer.

If something was free, and it damages your device, you won't be able to use the Consumer Rights Act. But you might still be able to get compensation via a different route – complain to the retailer in the first instance, but ultimately you might have to go to court.

Bought something prior to 1 Oct 2015? Digital content wasn't covered separately – it was just treated as a good or service (for example, a Blu-ray would count as a good, while downloaded music would count as a service). So the usual rights for goods or services apply instead.

Your rights when buying services

Whether it's a shop, restaurant, bank, insurer, public and private transport or healthcare (we could go on!), top-notch service is the least you should expect in today's super-competitive climate.

Of course, things still go wrong and when they do, you've powerful protection from Part 1 Chapter 4 of the Consumer Rights Act 2015.

Quite simply, it demands that any service should be carried out with...

Reasonable care and skill, Within a reasonable time, At a reasonable price.

Bought something prior to 1 Oct 2015? Essentially you had the same rights but they were under the The Supply of Goods and Services Act(common law in Scotland had a similar effect).

What is 'reasonable'?

In a legal context, and in any dispute that you might have with a retailer or company over standards of service, it means the level of service must be one that you or any other normal reasonable person would also consider to be reasonable.

The best way to think of it is to imagine what a sensible, unbiased, friend would say who knew both you and the person providing the service – would they agree it was reasonable?

Of course this can stray into difficult territory. If you get a mobile phone in Scotland and have told them you'll use it there, but it only gets a signal in Wales – no one would consider that reasonable. Yet if you get the phone and the only place it doesn't get a signal is in your home – is that reasonable?

But what do the 'reasonable' rules actually mean?

Care and skill

This means a business should look after you and your property properly as, by being a business, it is saying it is capable of doing so. So a hairdresser would be expected to NOT ruin your hair and a builder NOT to forget to lay foundations.

Reasonable time

If the time taken to complete a job is unclear, it should be carried out as soon as possible and not drag on for years. If you need something doing by a certain date, eg, a wedding cake to be made in time for your special day, you can make your contract 'time is of the essence', which'll give you stronger rights if there's a problem.

Reasonable price

This is about the price of work that hasn't been agreed in advance, not the overall price of the service. If you get an estimate to fix your boiler for £200, have the work done and problems mean you end up being charged £2,000, the trader would need to prove this was reasonable, usually meaning what other plumbers would charge.

Do note you can't be unreasonable and also expect rights. So if, at the start of a new conservatory job, you agree a price and timescale, you can't come back later and substantially change your order – although you can if there were new charges, or the work was taking longer than agreed.

Buying on the web, mail order or from home

On top of all the other protections described above, there are major advantages to buying on the web, mail order, or simply from home. Thanks to the Consumer Contracts Regulations 2013, in most cases you have the right to cancel your order and get a refund – even if you've just changed your mind.

When do I have the right to cancel?

The Consumer Contracts Regulations apply to contracts for goods or services (including digital content) of any value ordered from an EU-based business via mail order, phone or online. You're also protected if buying something costing more than £42 away from a normal seller's premises (usually at your home or work).

I got a present from someone who bought it online. Can I return it?

Importantly, these rights only apply to the person who bought the item, so it's trickier if you want to return a present you got. The store may ask that the original purchaser return it.

How long do I have to cancel?

Here it depends what you're buying:

Goods: 14 calendar days from the day after you receive all goods in an order (unless it's for regular delivery such as a magazine subscription, when the first delivery counts). Once you've cancelled an order you then have a further 14 days to send the goods back.

Services and digital content: 14 days from the day after the order is made. If you want to start a service within the 14 days, you will usually be asked to give your agreement in writing. This then means you can't cancel. However you are able to get a refund minus the proportionate cost of anything you have used.

If you aren't told about your cancellation rights in writing, you have up to a year and 14 days to cancel the contract.

What ISN'T covered?

There are quite a few exceptions, but they are usually in niche areas.

Show me the excluded items

How do I cancel a contract?

The business will give you a cancellation form, which it must acknowledge receipt of . You can use this if you like, or you can write to seller instead. Some businesses may allow you to cancel by phone. Your time to cancel starts from the day you send a form, letter, email or fax, not the day the seller receives it. It's your responsibility to prove you cancelled on time so ensure you get a confirmation from the company. As soon as you've cancelled, take good care of all of the goods, as you have to return them in reasonable condition (but not necessarily in the same packaging) and within 14 days. If the goods are damaged the seller can take the relevant cost from your refund.

How do I get a refund – and who pays for delivery?

The seller must then pay back any cash within 14 days of it receiving the goods or being told you want to cancel a service or digital contract. Your refund must include the least expensive delivery option but if you chose a more expensive delivery you'll need to cover the difference. Be sure to specifically ask for delivery to be included as some stores don't add it automatically. You'll also usually be asked to pay for return delivery, unless the seller doesn't say this in its T&Cs, or the goods were faulty.

Quick questions:

What about 'click and collect'?

Do I have to send it back in its original packaging?

What about specific deliveries?

What if I'm buying on eBay?

What if I'm taking out a financial agreement?

How does this apply to package holidays and timeshares?

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How to make 'em pay up

While the legal protection is strong, it doesn't matter what the rules are if the seller won't obey them. Yet this isn't always easy with consumer law, you need to sort out your own problems.

Don't go militant unless you have to. The first easy step is to go back to the shop or phone the call centre and explain the problem and your suggested resolution.

If you go in with gusto, saying you know what your rights are, chances are the store will sort your problem in a flash.

Sadly, many customer-facing staff in stores have no idea about the statutory rights, so you may come up against a brick wall. Stay calm, if possible find them the law – and politely ask to speak to a supervisor.

Before you go though, there's some rules to follow...

The complaint checklist:         Know what outcome you want

When complaining, don't get angry. Be cool, calm and rational and you'll be more likely to get results than ranting and raving. Throw a temper tantrum and the company may be perfectly happy to lose your custom so it gets rid of you.

Decide the answer to these three questions before you start:

Do you want to exchange the goods/keep the digital content/continue the service? If you could get the goods fixed, the digital content replaced or have the service improved, would you be happy to accept that? If the answer's yes, life's easier.

Do you want a full refund? While you may want a full refund, you're not always entitled to it if they can fix the problem. Having said that, sometimes it's just easier for them to pay up to have the problem solved.

Do you want compensation and, if so, what kind? Do you want money over and above just fixing or replacing a product, for the time you've spent sorting it or the distress you've been caused? While this can happen, it certainly complicates things. Be reasonable and be sure you genuinely feel you've been unfairly put out.

Bought something prior to 1 Oct 2015? Digital content wasn't covered separately – it was just treated as a good or service (for example, a Blu-ray would count as a good, while downloaded music would count as a service). So the usual rights for goods or services would apply.

       Act as soon as possible

In a nutshell return something in 30 days and in most cases you'll get a full refund. Miss this and your rights reduce.

Therefore the best route is simple...

Complain the instant you realise there's a problem. The longer it's left, the more likely you'll lose your rights.

The longer it's been and the less durable the item, the harder it'll be to fight for a full refund. Yet whatever you request, the retailer must sort it within a 'reasonable' time. So while two weeks to fix a car brake fault is acceptable, two weeks to clean it isn't.

What if you've taken longer to return the goods?

If you take longer than 30 days to return the item, you'll have to choose between a repair or a replacement. The retailer can veto either though if it's impossible to carry out a repair or the cost of a replacement is much higher than that of a repair.

If the item is still dodgy after just one attempt at a repair or replacement, the repair or replacement isn't possible or it hasn't been carried out quickly enough you're then entitled to ask for a refund – this could be the full amount within the first six months, or otherwise is likely to be a partial refund.

Bought something prior to 1 Oct 2015? You still need to act as soon as possible – but the crucial point here is whether you've been deemed to have 'accepted' the goods.

Read more

        Stop using it as soon as you can

This could be tricky, especially if it's a car or your bank. But the less you use something because of your annoyance, the more it adds weight to your complaint.

Do be careful about payment here, though. If you've not paid in full, beware cancelling payment as the company could continue to chase you for money, which may end up affecting your Credit Rating.

        Keep a diary

Note down what went wrong, who you spoke to and when and what you agreed, if anything. This is more important if your original agreement was made verbally, as your complaint will be harder to prove.

        Collect evidence

Stash pics and other evidence to back up your case, such as receipts or terms and conditions. Receipts are not essential to have (or give, although nearly all stores do), but proof of purchase – a cheque book stub, bank statement or credit card statement – usually is. Don't post originals to sellers, because you'll need a back-up.

        Keep a log of any extra costs

Note down any extra costs you've had to pay, such as phone calls or replacing damaged items, so you can ask for the cash back. Ask to be reimbursed for additional costs. In the case of holidays or fun activities, it's possible to get extra cash for inconvenience or distress.

        If you're forced to pay, do it 'under protest'

If the seller is forcing you to pay for something you're not happy to cough up for, you have two options. One is to refuse and suggest they take you to court for the rest. The other – possibly a better option if they have something of yours, such as a PC in for repair – is to say you are "paying under protest". This will help your case if you need to take your complaint to court.

Still not happy?

If you've followed all the tips in this guide, hopefully things have been resolved. Yet if your complaint to the seller has fallen on deaf ears, there are several other steps you can take to fight back. See the full How To Complain guide to see which is best for you, or the Small Claims Court guide on how to take legal action for up to £10,000.

[luxelemode-blog]

Why Céline Was a Fashion Flop

While brands like Gucci, Louis Vuitton, and Dior have been coming out with stunning spring collections left and right, there was one show that stood out to me; Céline Spring 2019. This was probably my worst nightmare in the form of a fashion collection. There was a shocking lack of creativity, models who didn’t know how to walk, outdated mid-2000s style references, and clown hats. 

First I think it’s important to know the history of the brand prior to this nightmare of a show. Céline was a brand that held no significance until Phoebe Philo, the first female creative director took the helm. Phoebe designed clothing she herself would want to wear and turned far from the over the top and narrow-minded view most male creative directors assert at a brand. Her clothing was simple, understated, and almost invisible, which allowed for the women's mind and thoughts to shine through rather than having her clothing speak for her. But while the clothes were simple, they were extremely luxurious. Beautiful cashmere, wools, and silks were utilized in subtle ways. They were clothing that spoke to women; a nice pair of pants and a sweater that could just let them get the job done. 

She also created one of the first “It bags” of social media, which raised the brand's income.

 It wasn’t that the brand wasn't getting the money that it needed, it actually seemed like people were throwing money at the brand before it was destroyed. But a last, when Phoebe announced her departure from Céline, her fans wilted. As their fearless leader moved on from her post, they thanked her for her work and mourned the loss that they experienced. I think that everybody just assumed that they would be appointing another creative director that would reinvigorate the brand a little bit and keep doing the same thing. I mean, why wouldn’t you want to just keep making money on a brand that was successful and spoke to the customer really really directly, right? Well, when Hedi Slimane was appointed as the new creative director, there wasn't too much outcry. I think people were actually pretty intrigued to see what he could do to the brand, like how he could interpret Phoebe's work at Céline and mix it with his impeccable tailoring and experimentation with black. If you don’t know about Hedi, he’s known for rebranding YSL into it’s current Saint Laurent Paris. There was anarchy when he redesigned the logo and his exclusion of “Yves” from Yves Saint Laurent spurred outrage. But, his collections reinvigorated the brand and brought more income so all was forgiven. That was until everything changed when Hedi wiped Celine’s Instagram of Phoebe’s carefully curated work without giving anyone notice. There was an almost guttural scream on social media. Endless inspiration and millions of dollars of work were thrown out like garbage as if it had never mattered. Now, you would assume that in order to destroy and rebuild a brand that the new creative director would have had to have a vision for the brand that was new. You would be wrong. When it came time for the collection to debut, it was nothing but an utterly depressing, overhyped, and melodramatic Saint Laurent rehash. Definitely not what I signed up for. I wonder how big your ego has to be to go away from the fashion Industry for three years, totally rebrand an already successful brand for no reason, and then present a trash collection in which you feel that you don’t need to push yourself all while putting models that were majority white and so skinny it actually kind of shocked me that we still thought that that was appropriate for a runway show, on the catwalk, as if that was normal. 

There were boring black suits for men. I don’t care that Hedi ”reinvented the black suit “. In all honesty that is probably the only thing going for him. I've seen every black suit he could possibly think of. These were just prideful displays of the same old style that he did at Saint Laurent. 

I’ll be fair, there were a few nice cut-out dresses, but those were the only pieces of somewhat interest. The rest of the women's clothing was gaudy, awful, and tacky sequence dresses and overdone 80s silhouettes. Yeah, like we need more of those right now. There also was slinky black dresses under leather jackets and fur coats that looked like the uniform of band groupies. Yes, what an amazing and strong depiction of women you’re presenting us, Hedi.

And when we finally got to see some suits for women, they were demeaned by the silly dated hats with tacky tulle thrown on. It looks like he presented a professional woman but made a last minute decision to throw on the most ridiculous clown hat (that none of the men models were wearing) to make a joke out of her. 

Then we have the fact that, at look 34, we get the first model of color. In show consisting of 96 looks total, there were only 9 models of color. That’s less than ten percent. I know that in 2013 the industry was not anywhere near where we are now in terms of diversity, but, let me be frank; if Hedi thinks he's such a rebellious designer and fashion revolutionary, don’t you think he would have put more than nine models of color on the runway? Some reviews defended the lack of diversity with the pathetic excuse: “It’s based on Paris”. I don’t know why these people can’t understand that the Paris today is a whole lot more diverse than in the 1700s. 

To conclude yet another fashion roast, I’m not sure if a collection can get any worse than this. Hedi took over a brand focused on providing women with luxurious clothing they could work comfortably in and rebranded the whole thing. The new Celine is boring, degrading, tacky, and discriminatory. After all the backlash on Twitter, I hope Hedi can redirect the brand in the right direction, or at least leave it up to a designer who can. 

[letowholesale]

Buying quality ponchos wholesale for your boutique

Winter is approaching, and your customers will soon be looking out for something on-trend to help them keep warm as well as stylish. Chuck out the stuffy sweaters and jackets and stock up on this latest trend on board- Ponchos!

Ponchos are modish winter garments that keep the body warm, isolated, and, at the same time, enhance the look of a person. Designed to provide warmth, protection, and a fresh look to the overall outfit, ponchos come in an extensive range of materials such as cotton, wool, silk, etc. They can be worn with ease and styled to wear at parties, workplaces, or any place.

Delight shoppers with these beautiful multipurpose garments in stylish designs and trendy colors that provide a comfortable feel.

Ponchos- The Next Generation Winter Garment

As ponchos can be worn as sweaters, tops, or suits, help your customers make a fashion statement by buying ponchos wholesale in trendy designs, patterns, and styles to suit every occasion- be it for a party or work. Some of the top picks that you can consider for bulk purchase include:

Sweater Style- Ponchos are patterned like sweaters to protect during winter, and the fabrics keep warm. Choose from a wide range of self-design woolen ponchos in bulk, solid sweaters, fringed or striped sweater wholesale ponchos, solid knitted, solid cashmere-blended, checked, and women front-open sweater ponchos wholesale.

Jacket Style- Patterned like jackets, these poncho garments are the best options to buy in bulk. They usually come with mandarin collars, long sleeves, button closure, and hem lining. Pick from various wholesale ponchos like a navy blue solid poncho, navy blue jackets, or woolen styles in checked or solid patterns to suit your customers’ needs.

Don’t miss out on the new poncho- A Ruana!

Trendy Ruana is one of the top products of 2020. These lightweight, comfortable-to-wear ponchos are perfect for lounging around the house, sitting by a bonfire, or throwing on when rushing out the door. Customers will love these because they can dress up any outfit and simply enhance their winter look. Be sure to buy plenty of our unique bralettes in bulk. Wearing them under a ruana is incredibly on-trend this year!

Ponchos are the one winter wear that never goes out of style. Therefore, make sure you buy all the latest design ponchos wholesale, suiting your customers’ requirements.

Buying Ponchos in Bulk Online

With online shopping making substantial progress, you can easily buy stylish ponchos in bulk. At Leto Wholesale, we provide many varieties and options of ponchos wholesale like jackets, sweaters, coats, waistcoats, and many more. 

Leto wholesale offers the latest designs and amazing deals at the best prices online. We have trendy colors and styles, including plaid, Indian print, ombre, and colorblock.

Why Buy from Leto Wholesale?

·       We are the leading ponchos wholesale distributor, with a large clientele base.

·       We offer excellent quality ponchos in bulk at the best prices.

·       Our site includes ponchos in exquisite designs, trendy colors, and patterns.

·       Our Ponchos are available for various uses and help you stand out from the crowd.

·       You get an exhaustive range of wholesale poncho collections in attractive colors and designs.

Advantages of Buying Ponchos in Bulk

Design is one of the significant benefits of choosing wholesale ponchos to help customers choose from a wide variety of styles. You can select from a myriad of ponchos styles and patterns that make up the store inventory.

Buying wholesale ponchos is affordable and is another key factor for opting for wholesale purchase. Buying ponchos in bulk means paying prices for products that work for many shop owners. It also can help retailers gain an edge over their competitors in the market and help them remain active in the business competition.

Last Words

Considering the gorgeousness and charm ponchos add to the overall look, we bet your customers can never get enough of it. If you haven’t stocked up ponchos already, now is the time!

[sweaterproducer]

wool sweater Producer

sweater maker https://sweaterchina.net

Email: kintsweatermaker@gmail.com

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[wcrstarter]

meta headcanons: Sonja and Materialism

Sonja was raised in a time where to show one’s wealth, it was custom for husbands and fathers adorned their wives and daughters in fine jewels, furs, silks, and fabrics. Given that vampires possess eternity to collect and hoard wealth if they should choose, means among vampires this practice was brought to a new level.The daughter of a vampire Elder who ruled as a sort of King over all the kingdoms, considered a high ranking Warlord over the Maygar Empire to which many local barons and lower ranked lords paid tithe to each month--Sonja had much of what was considered to be the finest in the lands to show just how wealthy and powerful her father was. As his sole child, she was heavily doted upon and wanted for nothing.

However she has never cared for the pomp and circumstance of the court and ‘higher’ society, her concern over the quality of an object lies solely in how strong and durable it might be. Will she have to replace it before the next season comes, or will it be easy to maintain it’s upkeep to have it remain in her possession for years to come? A a result, she tends to ignore fine silks and satins (their dyes fade overtime, especially after the 19th century) in favour of having linens, wools, leathers, and furs to clothe herself with. 

Up until the modern era and the dawn of the twenty first century, she continued to wear obsidian plate armour in battle. Afterwards, she favoured thick woolen and leather armour, before turning to kevlar and similar textile fabrics to allow her to be protected in combat but be unburdened by the heavy weight of the black plate and silver chainmail she once wore. In modern times it’s easy enough to find a few fine silk dresses in her wardrobe for special occasions; with the rest being leather jackets, fine woolen sweaters, coats, and cardians, and soft stonewashed linen clothing of varying weights for the bulk of her wardrobe.

She has no place for gold in her personal belongings, due to how fast the metal fades and how soft and delicate it is--easily dented and scratched by daily wear. Nor does she have much gemstone jewelry in her jewlery box, she does not care if the gems are of the actual stone or merely paste--if they were gifted to her by someone she cared about then she will keep them with her wherever she goes, and upon the rare occasion when the need for it is called she will adorn herself with it. 

Her most prized pieces of jewelry is the brass pendant (that truthfully is one of two keys) with a piece of polished malachite in its centre, something given to her by her father under the belief it belonged to her mother Illona; the other is a simple brass ring she keeps on a length of oiled leather, a ring forged by her beloved lucian to mark their union to one another. The brass necklace can be found around Sonja’s neck, whereas the brass ring can be found coiled and tied onto her wrist as a bracelet (often hidden beneath long sleeves to avoid attention towards it due to her private nature).

Sonja’s residence is never anything grand, usually she finds a spacious apartment that possesses a nice windowed view so she might freely look out at the moon and the stars without having to climb up onto the roof. Sometimes this means she resides in the penthouse suite that has roof access, other-times its the apartment with the largest balcony so she can go out to lean against the railing and stargaze. 

The one constant in every single one of the places Sonja calls home for any large stretch of time, is that the bathroom always has a large soaker tub she can relax inside. Her one true vice is having a long hot bath, modern plumbing is a marvel to her for this used to be a rarer treat--a true display of wealth to be able to have the bath basin filled to the brim with steaming hot water to lounge comfortably in. She collects perfumed bath oils, dried flowers, and scented bath salts from across the globe in her travels and enjoys them at least once a week. 

In addition, even though the modern convenience of electricity makes it so that she is not entirely dependant upon candle light to see; her home is usually outfitted with various sconces, lanterns, candelabras, and candle holders to provide the option to go by candle light if she chooses. Though to human eyes the candle light might seem far more dim to them as it does to her, given Sonja is capable of seeing perfectly in the dark.

Her choice of furniture might strike guests as rather spartan and minimalist, though the few pieces she have are usually of excellent quality and handmade from centuries past from master craftsmen that caught her eye--allowing her to forgo having to replace anything as the decades fly on by. But it does present a unique problem should she need to get something repaired, as finding a craftsman to do so means she runs the risk of a museum curator contacting her in the hopes of getting her to surrender the piece for their collection. Everything has a place and a purpose, but its not uncommon to find odd little trinkets scattered across her home. 

Little gifts or items that were either gifted to her, or remind her of a loved one in her life or from her past. If you were to crack open the massive oaken chest that sits in the corner of the living room; you would find stacks upon stacks of well loved leather bound books, letters from friends and lovers alike, portraits and photographs and scrapbooks of memories of loved ones from Sonja’s life, including her original set of armour from her Deathdealer days and the silver sword Lucian forged for her. Anything gifted to her or that sparks a deep enough memory of someone she loves, is usually gifted and found a place within her home to keep with her and her journeys throughout eternity.

Despite the scarcity of furniture and the trinkets decorating the tables and shelves, Sonja’s home has a welcoming atmosphere and often is bathed with the soft light of candle flame and strongly scented of incense burning somewhere nearby. Fine cashmere blankets or soft fur pelts are thrown over the chairs and the sofa, making it more comfortable to sink into and relax in her space. Rugs will cover most of the flooring, but shoes are never permitted beyond the threshold of the door. 

There is the occasional piece of macabre decor she will collect around October, to lightly poke at the fact the average person expect’s a vampire liar to be something terrifying to behold, even if her space is a sanctuary away from the world and the drama of the covens she has to deal with. Sonja’s home is where she retreats to get away from the world, somewhere she can freely be herself and not have to act human when she is not. The same rules apply to any guests of hers, there is never a need to hold up a front in her home or worry for someone watching through the windows. Even if they were to try to, she has had the windows tinted to block out UV rays and thick curtains she can draw shut to keep out peeping toms.

She might keep almost every gift she is given (some become lost to time or damaged in her travels and force her to let go of them), but its not often for her to gift something to anyone. The gifts she herself will give are few in number, but always with careful thought and consideration towards that friend or loved one’s needs and desires. Sonja has an abundance of time on her hands, and will use it to observe and collect the occasional gift to surprise others with. Some are done by complete impulse when out, she sees something that she knows they will like and she simply purchases it. When you’ve had as many centuries as she has, the price of an object is hardly an obstacle from the money you’ve had sitting in various banks or safes over the years.

A material possession is a rare gift, usually only being handed over during a holiday (either one of her own that she has always celebrated such as the harvest festival days or solstices, or that of the other party’s belief system), but gifts such as experiences or a favoured food or drink will be freely given whenever she has the chance to do so. It’s not uncommon to open Sonja’s fridge or pantry doors to find the favoured food, snacks, or drinks of those she holds dear to her heart even if she is incapable of consuming any of it herself.

[joshuajmadrid]

How’s the cashmere fabric made and who are the right cashmere fabric suppliers?

Cashmere fabric suppliers tips:

If you are not living with cashmere yet, here are reasons why you ought to be. Regardless of whether you are twisting up under a cashmere toss or picnicking on a cashmere wrap, cashmere has unlimited uses around the home. What’s more, it’s useful from various perspectives. Here’s the reason we should have a cashmere scarf or a cashmere sweater.

Cashmere wool fabric can protect up to multiple times more warmth than standard sheep’s fleece do.

Buy an cashmere sweater is so worthable. At first, there is the additional glow of the cashmere material over manufactured options as it can protect up to multiple times more successfully than ordinary sheep’s fleece. The Pashmina goats will grow a delicate undercoat cashmere fiber throughout the winter a very long time for protection against frigid temperatures. It is a key attraction to purchasing cashmere with the chief reason for cashmere clothing being to keep you warm in the cooler months. Cashmere fabric has 17 sorts of copious amino corrosive, which gives the cashmere the component of shutting to the skin.

Cashmere fabric is breathable

Furthermore, given that cashmere scarves are worn around your neck, which is frequently delicate to bothering, cashmere is fantastically delicate and agreeable against the skin. The cashmere material is likewise stunningly breathable so you will keep away from any undesirable material.Cashmere fabric enables your body to breath all the time.

Everlasting popularlity

The magnificence of cashmere fabric is that it is a speculation that will last. Cashmere cloth is ageless, and exemplary styles will seldom date. Specifically, a shawl, scarf or wrap will get a ton of mileage in its lifetime. They are impeccable to haul out for weddings or events when you may require a little warmth later at night, without conflicting with, or diverting from, your progressively formal wear.

Naturally fire resistance

It is difficult to fire the cashmere material or fiber, and it won’t discharge a great deal heat. It jars likewise oppose extreme consume, so it is very secure.

How is the cashmere fabric made?

The cashmere fabric making process include 3 steps:1 cashmere material preparation, 2 cashmere yarn spinning,3 cashmere fabric woving.

First the cashmere fabric manufacturers or cashmere fabric suppliers would buy the enough right cashmere raw materials. The cashmere materials mainly comes from Mongolia Area in China.Mongolia cashmere fiber is the best in the world.There is a lot of cashmere fabric suppliers there.

second step, the cashmere fabric suppliers need to dye the cashmere material as per the color quality required. Normally different clients have different color requirement.And clients will give their own color pantone number to you to make colors as per their own stardard.If you need white cashmere fabric, the cashmere fabric manufacturers will dye the raw cashmere material into white color, if you need black cashmere fabric, the cashmere fabric manufacturers would dye the cashmere material to black color.

some cashmere material has its own natural color. But most colors for the cashmere suit fabric need to dyed before yarn spinning. Cashmere yarn spinning process is a important part of the whole cashmere fabric making process. Since people need to make heavy cashmere coats,cashmere sweaters or cashmere suits for winter season.Cashmere fabric suppliers would need the cashmere wool fabric in heavy weight to anti-cold such as double faced cashmere fabric and etc. While in the spring and Autumn season, people like the cashmere coats or cashmere suit in light weight. They prefer to buy the cashmere flannel. So cashmere cloth of different weight is made according to different requirement from clients. The yarn thickness specification is the key of the cashmere fabrics. The cashmere fabric manufacturers make different weight cashmere yarn as per the corresponding fabric quality requirements.

Last step: woving the cashmere cloth on the textile woving machine. Then the cashmere fabric suppliers will do the fabric finishing jobs on the fabric blanks to make a right quality cashmere wool fabric ready.

What kinds of cashmere fabric quality do the cashmere fabric suppliers have?

As one of the most professional cashmere fabric manufacturers,Unitex provides different quality cashmere wool fabric to meet clients’ various requirements. According the cashmere content standard, they have pure cashmere fabric, cashmere blend fabric, wool cashmere blends, cashmere cotton fabric, silk cashmere fabric, viscose cashmere fabric and etc.

According to the functional purpose, they have the cashmere knitting fabric,cashmere flannel, cashmere jersey fabric,cashmere suit fabric, cashmere tweed fabric,cashmere suit fabric, cashmere felt fabric, cashmere coating fabric as well as the double faced cashmere fabric.

According to the weight of the fabric, since clients need light weight cool wool cashere mainly. Unitex also provides the cashmere wool fabric such as: cashmere fabric 220gsm, super 180 cashmere wool, and super 150 cashmere wool also. Cashmere fabric 220 is the popular fabric model now.All cashmere fabric manufacturers like to make this cashmere 220 fabric.

Clients could also custom make the required cashmere wool fabric with the cashmere fabric suppliers.You could contact Unitex for custom jobs you need to them to do for you. As one of the most professional cashmere fabric manufacturers, they have their own cashmere fabric making workshop and skilled workers team.

How to buy the cashmere fabric from the cashmere fabric suppliers or manufacturers?

As one of the best cashmere fabric manufacturers in China, Unitex also provides cashmere fabric for sale online.Clients could buy cashmere fabric by the yard with them. Some people likes to buy the cashmere fabric by the meter which is also ok. Besides, Unitex also could do the cashmere fabric wholesale all over the world with the best quality and price.

If you are interested to buy the cashmere fabric and hope to find reliable cashmere fabric suppliers, Unitex is a good option for you. They have the best custom made jobs service and a very nice sales team. You could even buy cashmere fabric by the yard from the cashmere fabric manufacturers. Visit Us: Cashmere fabric suppliers

[michaelgeertzen-blog]

HISTORY OF SCARVES

OUR COMPLETE GUIDETHE ORIGINSCASHMERE SHAWLSWAR DUTYTHE EMERGENCE OF SCARVES AS ACCESSORIESDEVELOPMENT OF SYNTHETICSSCARVES AS A PROPAGANDA TOOLPOST WAR SCARVESSILK SCARVES AS A GLAMOUR ACCESSORYSCARVES AS A LUXURY ACCESSORYA DECLINE IN POPULARITY IN THE 90'S REDISCOVERING AND REIMAGINING CLASSIC DESIGNSCASHMERE SCARVESADAPTING STYLES TO MODERN LIFERECENT TRENDSFINAL THOUGHTS Men's Scarves & Ancient RomeMen's Scarves & The Croatian MilitaryMen's Scarves & French FashionThe Battle of Steenkerque:  Beginning of the Modern NecktieMen's Scarves & BeethovenMen's Scarves & Victorian EnglandMen's Scarves In Modern War And AviationIn Summary – The Scarf & History

HISTORY OF SCARVES

As a symbol of femininity, the scarf is the ultimate chic fashion accessory oozing sophistication and elegance. As a garment worn for practical purposes, a scarf can provide the wearer warmth or keep them cool. The scarf comes in a many a shape and form demonstrating its ubiquity and ability to blend into the wardrobes of undoubtedly every woman over the past few decades.

The origins of the scarf trickle back to Ancient Egypt, precisely to Queen Nefertiti, who was believed to have worn a woven wrapped scarf under an extravagant jewelled headpiece. Whilst scarves are more often than not associated with the female wardrobe nowadays, they have been worn by men and women for many centuries. In Ancient Rome, men wore them as ‘sweat cloths’ used to keep cool and dry sweat.

In the Far East, scarves were worn by military personnel to show rank. Scarves with numerous designs, worn in various ways can be viewed on the terracotta army soldiers, which were buried away more than 200 years BC. It is even said that on his return from Egypt, Napoleon Bonaparte gifted his wife Josephine be Beauharnais a pashmina scarf. Whilst she was cynical at first about this exotic gift, she is noted to have collected over 400 scarfs over the next 3 years adding up to a total of around £80,000.

It is easy to believe that the scarf was an overnight success, however the evolution of the scarf from a plain practical accessory to a trendy must wear item most definitely did not happen overnight.

Cashmere shawls became the epitome of high fashion in the 19th century. The famously Paisley pattern was established during this time as it was the first town to manufacture cashmere ‘Paisley’ shawls similar to those brought back by Bonaparte.

The town was home to 7000 weavers and the shawls were so popular that even Queen Victoria purchased a shawl in 1842. In the latter half of the century, the popularity of shawls declined as new trends emerged. Women's wardrobes developed so that it became more and more impractical to wear a shawl draped over one's shoulders.

During the First World War, knitting became more than just a hobby for women, children and even men all over the world. It was considered patriotic war duty. Tons of socks, sweaters and scarves were produced to send to servicemen to keep them warm and dry in wartime conditions.

Whilst knitting nowadays is often considered an old-fashioned hobby, knitting saved the lives of many servicemen during the war. Knitted goods were produced by the ton and shipped out to troops who were battling harsh, wet and cold conditions not only in the trenches but also in the air too.

In addition to knitted scarves, pilots would also wear white silk scarves whilst flying as the soft, supple fabric provided protection from neck chafing. During the First World War, silk played a very important role in military operations. Silk bags were used to carry gunpowder charges for weapons as silk left no residue when burnt. After the war, this surplus silk was made into garments, scarves, and furnishings.

With the emergence of silk in the west, manufacturing methods were improving and many clothing brands started producing silk accessories. Liberty Of London started producing light silk scarves that became extremely popular during the post-war years. Their energetic prints provided a much-needed tonic to the gloom that was life on the home front in the early years after the war.

Similarly, in 1937 French fashion house Hermès started importing Chinese silk to be woven into luxurious square scarves. Raw silk imported from China was especially strong and more durable. Designs reflected the Equestrian background that was deeply rooted in the history of Hermès and these designs still prove to be the most popular nowadays. The classic Hermès touches which have become synonymous with the brand such hand-rolled edges, hand-painted details and its 90cm x 90cm were all established at this early stage.

Silk scarves, both now and then, are a luxury and can be unaffordable for many women. With the invention of rayon in the 1930s, also known as viscose, this slippery fibre was a semi-synthetic material that was named ‘artificial silk’. It could mimic all the properties of silk but it was a fraction of the price.

The scarf trend continued booming as it allowed more and more women to dress in the latest fashions. However, with the outbreak of the Second World War, wardrobes had to become practical and sensible above all else. Many women were drafted in to take over jobs that were ordinarily done by men. From working in weapons manufacturing factories to flying military planes, the demands of ‘war work’ came first.

Safety concerns within factories meant that women operating machinery had to make sure any long hair was clearly swept away. This meant that women wore headscarves as a matter of necessity rather than an accessory. As a result of clothes rationing throughout the Second World War, the colour palette became dull and sullen as materials were limited to cotton and linen, which were cheaper and more accessible.

Despite the restraints of the war, notable British scarf brand Jacqmar of London continued producing scarves with imaginative propaganda themes from 1940 -1945. Jacqmar started out supplying silk to couture fashion houses around the world but soon noticed a lot of cut-offs that were produced and as a result, they started producing silk scarves, which became extremely popular during the course of the war. Fabric supplies were often short during this time, therefore Jacqmar would use offcuts from parachute silk as well as rayon and linen.

Designs for scarves were based around 3 central themes: military, allied forces and the home front. These were especially popular amongst young lovers and nowadays have become treasured collector's items. Even the British Museum in London owns several rare Jacqmar scarves in their war costume collection. In the post-war period, designs celebrated victory, as one can imagine, and then progressed to more generic patterns such as florals and geometrics.

After the end of the Second World War, the world was craving for more bold and vibrant colours in their wardrobes. Patterned scarves attracted a wide audience during this time. From 1946 – 1955 textile company, Ascher commissioned designs from leading artists around the world. Henri Matisse, Pablo Picasso and Henry Moore were among the 42 world-renowned artists who contributed to the Ascher ‘Artists Squares’. The project not only united the art community post-war but also married ideals in both art and fashion making fine art more accessible to the many.

As a form of self-expression, the silk scarf quickly came back into fashion; the material allowed for bright patterns and vivid, sharp details to be printed. Hermès grew in popularity with the likes of Audrey Hepburn and Grace Kelly wearing scarves in movies or parading their chic Hermès scarves throughout New York and Monaco.

Silk scarves gained notoriety and soon became a symbol of glamour, power and independence. In the words of Audrey Hepburn below 'When I wear a silk scarf I never feel so definitely like a woman, a beautiful woman.'

Whilst Audrey liked to wear her scarves tied neatly around her neck, Brigitte Bardot styled her scarf into a statement headband. Grace Kelly wore a Hermès silk scarf on the cover of LIFE magazine in 1956; however, she hit headlines again when she wore a Hermès scarf as an arm sling later on in the same year. Even the Queen, Elizabeth II, was emblazoned on a postage stamp wearing an Hermès scarf.

Designs at this time were light-hearted and captured an optimistic spirit which in turn meant that women could be playful with not only their scarves but also their whole outfit choices. Not only was the headscarf ‘the’ accessory amongst the rich and famous, it also gave them privacy. When styled with the big sunglasses of the 60’s, the pairing acted as a veil for those who endeavoured to keep a level of anonymity.

During this decade, it wasn’t only the fashionable elite that were buying into the luxurious silk scarves. Famous New York restaurant, ’21 Club’ often simply ‘21’, has been frequented by celebrities since the 1930’s. Notable guests include Elizabeth Taylor, John F Kennedy and Ernest Hemingway to name but a few. It is most probably recognised by the 21 jockey sculptures that feature on the façade of the restaurant.

Each Christmas the owners would give away a customised scarf to their regular customers. These designs would change yearly, however, the central theme was always equestrian and jockeys. These have now become iconic in terms of scarf memorabilia as designs were so rare and very much sought after.

Many fashion houses also transferred their signature style onto scarves to encapsulate the feel of the brand. The famous tartan check of Burberry could be worn by women all over the world on a scarf costing less than a fifth of the price of a signature Burberry tan trench coat. This gave luxury fashion brands a dominant global presence but more importantly, it gave women the opportunity to show off their designer purchases.

Designs of the 80’s were bold and confident. Chanel used daring chains, to imitate the chain handles on their handbags, and placed large interlocking CC logos over their scarves. These memorable designs captured the distinctions from brand to brand and allowed women to firmly identify with certain brands aesthetics over others.

With the 90’s approaching and the rise of manufacturing and cheap labour, many silk alternatives grew in popularity. Bright vivid designs could just as easily be printed onto these materials and with less expensive dyes in the process too. As silk is a particularly labour intensive practice, farmers became disillusioned with the product when demand fell.

Silk scarves fell out of favour during the 90s and people flocked to buy accessories that were innovative and striking. This elegant, stylish accessory was no longer the must-have item in the woman’s wardrobe and soon disappeared from the spotlight.

However, technology and transportation boomed in this decade, making travel easier and far more accessible to the majority of the population. As the world opened up so did the fashion industry. Designers took inspiration from all over the world and rediscovered treasures of the past.

Pashmina shawls which were only worn by wealthiest and most well-connected ladies were re-envisioned and transformed into daily lifestyle necessities of the modern-era woman. Rediscovering the sensuous qualities of cashmere wool meant that these scarves were admired for their comfort and practicality over design.

Cashmere scarves and pashminas rose in popularity, as they were undeniably soft, warm and luxurious. They were considered exotic and rare as cashmere was woven from Cashmere goats that inhabit the mountainous regions of Kashmir, India. Their exclusivity attracted a large following that were drawn to its fine, downy texture.

In fact, the name ‘Pashmina’ translates to ‘Soft Gold’ in the Kashmiri language. Traditionally the goats are reared by nomadic tribes inhabiting regions at very high altitudes where temperatures drop to -40c in the winter. For this reason, the Cashmere goat grows a thick undercoat to keep them warm. As temperatures rise into spring, this coat is shed and this is where the wool used to make pashminas is collected.

Many scarves are sold as pashmina’s in tourist markets around the world, but there is an easy trick to test whether the scarf is made from true pashmina wool. If the entire scarf can pass through a ring with a diameter of 1.3cm then you can be sure that it’s a genuine pashmina.

These scarves became popular in the 90s as they could be worn as a shawl wrapped around the shoulders. As fashion became more daring, many styles of clothing became sleeveless or strapless. Shawls allowed women to wear these on-trend styles but also protect their modesty by covering bare arms and chests.

More recently we have seen a shift towards other uses for scarves, new styles demand accessories that adapt to our fast-paced lives. These items need to be flexible and keep up with the ever-changing demands of the fashion industry.

Hermès re-invented the scarf with their Hermès ‘Twilly’ scarf, a long ribbon-like scarf which is named after the ‘twill’ weave pattern used to create its fantastic drape. They look chic when wrapped around the handles of a handbag, giving a touch of personality as well as protecting the bag. These scarves can also be wrapped around wrists to make sleek, stand out bracelets.

As the Twilly is small, it can be used as a headband or used as a ribbon tied around a hat. It can also be used as a hair tie or braided into plaits to add hints of colour and pattern to hair. More recently, we have seen these scarves used as belts either on their own or wrapped around a belt then fastened around the waist.

The multiple ways in which the ‘Twilly’ scarf can be incorporated into the modern woman’s wardrobe had made it one of Hermès’ most successful designs. The Twilly scarf is a truly modern update to the otherwise classic silk scarf.

If we look at recent trends from the catwalk we can see many nods to the timeless look of the silk scarf as well as refreshing new styles. Stella McCartney sent models down her AW17 runway with headscarves reminiscent of the queen on her Scottish country hideaway trips.

Prada opted for chunky knit scarves tightly wrapped like a choker to contrast sleek, tailored garments. More and more we see runways filled with silk bandanas and headbands that exude glamour and substance but are still relatable for both older and younger generations.

Turbans have always existed solely within religious dress for many centuries as a symbol of respect and social status among men. However, ever since Prada paraded rainbow-hued glossy turbans down the runway in 2007 it now comes second nature to many women to wrap a silk scarf around their hair then wrapped into a turban.

Our love affair with scarves is unlikely to end anytime soon. We are enchanted with their multitudes of forms and the possibilities seem endless when it comes to pattern and print. From a blooming floral design to an indulgent woven pashmina, they morph with each season and our relationship with these scarves develop because as well as being a much-adored fashion accessory they also provide comfort, protection and modesty. Whether one is wearing a trendy headscarf as a fashion statement or as a belt, wrist tie or handbag accessory it will forever have a permanent in every woman’s wardrobe.

https://startupfashion.com/fashion-archives-a-look-at-the-history-of-the-scarf/

MORE HISTORY:

It’s safe to say that pretty much everyone has a scarf or two in their closet. This accessory is a staple that comes in a variety of colors, fabrics, and styles-there is a scarf out there for every taste.  Whether you a fashionista showing off a beautiful silk Hermes piece or just trying to keep warm, the scarf has become a timeless symbol of comfort and style.

Early Origins

So how did such a simple accessory become so ubiquitous? In fact, scarves have been worn for a lot longer than you might think. As far back as 1300 B.C to be exact. The very first scarves date all the way back to ancient Egypt, where it was a status symbol that denoted nobility and royalty. Queen Nefertiti was the original trendsetter-she was perhaps one of the first to wear a scarf. She frequently styled a scarf-like fabric behind her iconic cone-shaped headdress.

China was also home to early adopters of the scarf. There, it was originally part of the Chinese military uniform. Dating as far back as 1000 B.C., fringed, rectangular scarves were discovered on sculptures of Chinese soldiers. Scarves would continue to be a part of military dress: another early Chinese iteration of the accessory (around 230 B.C.) was part of the uniform for soldiers serving under Emperor Cheng. These scarves helped to denote military rank. Similarly, Croatian soldiers in the 17th century wore scarves according to rank as well. Those lower on the totem pole wore scarves cut from cotton, while the scarves belonging to officers were made from fine silk.

The next version of the scarf that cropped up was a bit more utilitarian. In ancient Rome around 10 A.D., Romans began using a piece of fabric known as a sudarium, or “sweat cloth,” which is exactly what it sounds like. Those engaging in exercise or strenuous physical labor would often keep a piece of linen around their person in order to keep clean and wipe away sweat. Men wore them so often it became a kind of accessory- tied around the neck, draped over the shoulder, or knotted around the waist.

From around the late 1600’s to early 1700’s, the scarf began taking on a less functional, more “fashion” role in the form of the cravat. In fact this neck-piece, which originated in Paris, was inspired by the neck-wear of the aforementioned Croatian military- the name is an allusion to the original source. Cravats were cut from a long strip of white fabric, typically embellished with embroidery or lace. The accessory was especially popular during parts of the French Revolution, where it grew in size and extravagance, occasionally obscuring the bottom half of the face. During the Revolution, the cravat was sometimes dyed in different colors to demonstrate allegiance to a certain side.

An Early Fashion Statement

From then on, scarves began to make their way into mainstream fashion- for both men and women. For example, Napoleon is said to have had cashmere scarves from India sent to his first wife Josephine. Also around this time, the Third Duke of Krakow supposedly created the first knit scarf. However, the accessory truly became popularized after Queen Victoria’s ascension to the throne in the early 1800’s. She frequently wore glamorous accessories such as silk scarves, which soon became stylish among nobility, as they differentiated them from lower classes.

Speaking of silk scarves, that particular accessory as we know it was first crafted in 1937 by, who else- Thierry Hermes. This was the first truly luxury silk scarf, and differed from anything that had come before it. Hermes’ company purchased raw silk directly from China to be spun into yarn. This was then woven into a high-quality fabric that was twice as strong and much heavier than other scarves of that time. As a final touch, a beautiful image would be expertly hand-printed onto the scarf. These intricate designs required around 43 screens to get beautiful color effects. Hermes’ first printed scarf design featured two women in white wigs playing a game.

Scarves As A Necessity

Soon after, rayon was invented, which was good news for women who otherwise couldn’t afford luxurious but expensive silk scarves. This material made the look much more accessible. In the 1940’s, scarves were worn a variety of different ways for numerous occasions- during the war years they were more of a necessity than a fashion statement. Cotton, linen and wool scarves also came into fashion as other, less frivolous alternatives to silk. Magazines even advised women who didn’t want to spend a lot of money on a new hat to tie their scarves into turbans and snoods. Scarves were even used as a safety measure- women working in factories had to cover their hair to prevent it from being caught in machinery.

A Staple of Fashion

From then on, scarves remained a staple accessory for both fashion and function. From 1970’s head wraps to today’s hipster neck-wear, scarves have cemented their place in the fashion world.

https://www.pashminapassion.com.au/pashmina/the-historical-and-cultural-significance-of-scarves-and-shawls/

The historical and cultural significance of scarves and shawls

Scarves and shawls are used across cultures all over the world, and it is not something utilized only during the winters, or extreme summers. They have been around for centuries are have a history far beyond being a fashion accessory! The historical and cultural significance of scarves and shawls is an quite an interesting read.

In cold climates, a thick knitted scarf, often made of wool, is tied around the neck to keep warm. This is usually accompanied by a warm hat and heavy coat.

In drier, dustier warm climates, or in environments where there are many airborne contaminants, a thin headscarf, kerchief, or bandanna is often worn over the eyes and nose and mouth to keep the hair clean. Over time, this custom has evolved into a fashionable item in many cultures, particularly among women. The cravat, an ancestor of the necktie and bow tie, evolved from scarves of this sort in Croatia[citation needed].

Religions such as Judaism under Halakhah (Jewish Law) promote modest dress code among women. Married Jewish women wear a tichel to cover their hair. The Tallit is commonly worn by Jewish men especially for prayers, which they wrap around their head to recite the blessing of the Tallit.

Young Sikh boys, and sometimes girls often wear a bandanna to cover their hair, before moving on to the turban. Older Sikhs may wear them as an under-turban.

Islam promotes modest dress among men and women. Many Muslim women wear a headscarf, often known as a hijab and in Quranic Arabic as the khimar. The Keffiyeh is commonly used by Muslim men.

Additionally, several Christian denominations include a scarf known as a Stole as part of their liturgical vestments.

Silk scarfs were used by pilots of early aircraft in order to keep oily smoke from the exhaust out of their mouths while flying. Silk Scarfs were worn by pilots of closed cockpit aircraft to prevent neck chafing; especially fighter pilots, who were constantly turning their heads from side to side watching for enemy aircraft. Today, military flight crews wear scarfs imprinted with unit insignia and emblems not for functional reasons but instead for esprit-de-corps and heritage.

In ancient times, the practice of donning a scarf or a wrap was mostly attributed to perspiration, the Romans called it “sudarium” which literally meant sweat cloth. These cloth items were used to wipe the sweat on the face and neck, and were initially worn by men. Also, according to historians, during the rule of Chinese emperor Cheng, scarves were made of cloth and were used in order to identify the officers and the ranks of the Chinese warriors. But then with the passage of time women too began to use them, and today it is a completely new avatar.

Scarves and shawls are now made from the finest materials available and are much sought after by men and women across the world. It has in fact moved up leaps and bounds in the social ladder and today stands as an expression of love and respect which is often exchanged as a gift.

So next time you wrap a beautiful Pashmina Scarf or Shawl around your neck or shoulders you will know you are not just being fashionable but donning an accessory that has had many practical uses over the centuries and serves a purpose for many cultures.

https://textilelearner.blogspot.com/2016/05/different-types-scarf-wearing-techniques.html

Different types of scarves:

Different materials:

Alpaca: for cold autumn winter days: Alpaca scarves are made from wool of the alpaca, which is a lustrous and silky natural fiber, warmer and softer.

Cashmere: for cold autumn winter days: This soft, luxurious fabric is made from the wool of the Cashmere goat. It is light in weight and, when handled with care, becomes softer with time.

Cotton: for hot spring summer days: Classic and easy, cotton is staple for its ability to be laundered and its durability. It’s a cool fabric, perfect for summer wear.

Jersey: For cold autumn winter days: This stretchy, soft cotton is breathable and light-weight. Jersey is an ideal pallet for beading, studding, sequins, and other embellishment.

Linen: For hot spring summer days: Promoted for its coolness, linen is often considered the most breathable fabric of the bunch. It is made from the fibres of the flax plant.

Pashmina: For cold autumn winter days: Pashmina refers to a type of shawl or scarf made from the cashmere wool of the pashmina goat.

Satin: For cold autumn winter days: Satin is a glossy, soft fabric most often made from silk or polyester. Satin comes in several forms or weaves, which may vary in shine, thickness, flexibility, and weight.

Silk: For hot spring summer days: Silk is a natural protein fibre obtained from the larvae cocoons of the mulberry silkworm. It can be shiny or matte in lustre, and is especially delicate.

Wool: For cold autumn winter days: Wool comes from the fleece of sheep and other animals. It’s very warm, durable, and with proper care should last you for years.

Shapes & Styles

2. Neck

Whether worn bandana-style, tied into knot, or looped into a feminine bow, neck scarves are sweeping Hollywood, runways, and city streets with gusto this season. Channel your inner Mad Men, classic girly-girl, or country club queen in one of our signature neck scarves! We carry styles perfect for a men's neck scarf as well as neck scarves for women. Try cute patterns like dots or floral or go abstract with stripes and shapes.

3. Ponchos

Nothing says posh like a poncho! Whether lined with fur, adorned with embellishments, or in sophisticated blacks, tans, and greys, our capes and ponchos add the perfect amount of pizazz to a classic gal’s wardrobe. Once you’re wrapped up in these stylish outfit additions, you’ll be the cat’s meow at your next soiree.

4. Head

Hair and head accessories have been a staple for fashion since the first bobby pin was invented. Whether you want to have that 50's ponytail flair or are looking for that gypsy, tousled hair look, head scarves can add exciting style to your daily fashion. Didn't have time to wash your hair? No problem! Sport a head scarf instead! Wear the scarf as a head band, bandana, or a wrap. A skinny scarf or square scarf works great for this trend that wears well in any season. You can even use a silk head scarf at night to help keep curls in place!

5. Infinity

The infinity scarf is like our love for scarves: it never ends. Instead, it goes on for forever in an ever-so dashing, flashy, and comfy-cozy way. A wool infinity scarf will keep you warm while bringing bold colors to your winter outfits, but there are infinity scarves that are perfect for any season. A circular scarf doesn't let its physical shape limit its stylish possibilities; whether you prefer a sleek, simple loop scarf or one bursting with bright, glittering detail, we have infinity scarves for women that you'll love! And before you know it, you'll find yourself wrapped up and feeling fabulous without ever having to tie a knot.

6. Pashmina

If there were a master list of the must-haves for every woman’s wardrobe, the classic pashmina would be at the top. The pashmina is timeless, and with its infinity of uses, you’ll find yourself wearing it as a warm shawl, as a trendy solid colour statement piece, and a million-and-two other scarf-tying ways. From bold prints to demure silvers, you can do no wrong with a pashmina. Find a gorgeous cheap pashmina to add to your wardrobe.

7. Square

There’s nothing square about square scarves; the moment it’s tied, looped or knotted around your dainty neck, it makes a bold style-statement. Whether you’re sporting one in chevron, hearts, abstract shapes, leopard print, or even a festive holiday neckerchief, square head scarves will surely turn heads. If you’re loving their silky-smooth feel, check out our full collection of square silk scarves.

8. Shemagh Scarves

Shemagh scarves, otherwise known as keffiyeh scarves, are a square cotton type traditionally worn by Arabs. These are worn around the neck or the head to protect from the sun and dust. This scarf is known for its white checkered weave that is combined with a dark colour.

9. Bandana

A bandana scarf is a piece of cloth in the shape of a triangle or a square that is folded into a triangle. These are often made of cotton and are popularly donned by cowboys and associated with western wear. Bandana scarves can be worn on the head, neck, and as a ponytail wrap. They may also come in silk as well.

Wraps

Shawls

https://www.realmenrealstyle.com/mens-scarves-history/

MENS HISTORY WITH THE SCARF

You're taking part in a manly 2,200 year-old tradition.

A tradition that many of history's greatest warriors, statesmen, and artists partook in.That's right – the scarf (or variations such as the necktie and cravat) have been in our wardrobes for over two millenia.Let's start at the beginning. Men's Scarves & Ancient China The first men's neckwear we have solid historical evidence for was worn by Chinese soldiers in the 3rd century B.C.E.  The terracotta soldiers buried with Qin Shi Huang, the first emperor of unified China, can still be seen wearing tied neck scarves.  These were used to denote rank in a form of early military insignia. The terracotta soldiers buried with Qin Shi Huang, the first emperor of unified China, can still be seen wearing tied neck scarves.  These were used to denote rank in a form of early military insignia. Chinese art from still earlier includes depictions of both men and women wearing fringed, rectangular pieces of cloth similar to scarves, dating back as early as 1000 B.C.E.

A band of linen cloth known as a “sudarium” was part of a standard gentleman's costume in the late Roman empire. It was worn around the neck or knotted around the waist in the first century C.E. Emperor Nero (among other peculiarities!) wore a sudarium around his neck during almost all public appearances, and is even depicted with it on some coins from his reign.

Soldiers in the Croatian military used scarves to denote rank, much like the early Chinese.  Historians do not know when the practice started, but it gained fame when Croatian soldiers impressed the French court of Louis XIII in 1636.

By the reign of Louis XIV the neck scarf was a staple of the French court.  They were named “cravats” after the Croats that had introduced them.  Many paintings of noblemen at the time, including Louis XIV, include a brightly-colored cravat. The style was spread across Continental Europe by military men, and was brought back to England by King Charles II when he returned from exile in 1660.

The Battle of Steenkerque in 1692 is remembered more for its fashion significance than its military impact:  the French army (led and heavily populated, at the time, by noblemen and gentlemen of class) was surprised by opposing forces, and the young men went into battle with their cravats hastily tied one end over the other rather than being done up in an elaborate bow. The result was the “steinkirk,” an Anglicized spelling of the battle and the prominent form of menswear in England for a good thirty years after the battle.  It replaced much larger and lacier cravats with a simpler knot and plainer cloth. The ends were twisted together and tucked through a buttonhole, creating a shape much more like our modern necktie.

When Ludwig von Beethoven set out to woo Therese Malfatti in 1810 he adopted a new personal style, which included silk scarves to go with his new suits.

Queen Victoria of England was a great proponent of fashionable accessories, including scarves for both men and women. Neck scarves and cravats became a status symbol, with the material and even the knot of your neckwear indicating your social class. Around this time coachmen and drivers also popularized the familiar “four-in-hand” knot as a way of tying their scarves while still holding the reins, i.e. the reins to four horses in one hand while you tie your scarf with the other.  This is still the knot many men use for their necktie today. Burberry, still a source for iconic neck scarves, was founded in 1856 (though their distinctive tartan pattern was not created until the 1920s, and even then began as a jacket lining rather than a scarf pattern).

By the First World War scarves were a staple winter garment for men. Knitting them was a patriotic chore encouraged in both America and Great Britain during the war.  Art from the time depicts soldiers wearing scarves in the trenches (the iconic trenchcoat, fittingly enough, was also designed by Burberry for the war effort). Early aviators considered scarves essential flight equipment. They provided warmth at high altitudes and needed padding when pilots craned their necks back and forth to scan for other planes.  Scarves enjoyed popularity among young men in the 1920s and 1930s partly because of their military origins and most likely – as is today, their ability to transform an outfit from mundane to striking.

The man's scarf has been replaced as an item of daily business wear by the necktie. Scarves are now an accent for men who choose them rather than a necessity that signifies your rank or class status. The few associations left range from the ultra-formal white scarf worn over a tuxedo jacket to the striped scarves of clubs – although these are becoming more and more rare. So while neckwear is a daily chore for some men, it is also a tradition dating back before the birth of Christ. So tie a scarf on with confidence, knowing that over 80 generations before you have done so with gusto. And that's something to cheer you up in front of the mirror each morning.