the topic is Trapper and the army as foils, you have three hours, go
In no small part the satire of Mash, particularly in the first half of the show, is tied up with gender performance.
The army represents traditional, stifling and violent masculinity. This is shown through everything from freudian jokes about guns (eg Frank and Margaret's flirtations in The Sniper or The Gun), to Margaret trying to cajole Hawkeye into performing a more traditional standard of masculinity while treating him like a soldier in Comrades in Arms Part 2, to many jokes and comments about (usually) Hawkeye not being a real man in contrast to army standards and various specific army personnel (eg Lyle in Springtime, Flagg in White Gold), to Frank and Margaret's worship of the masculinity of the army ("He's twice the man you'll ever be," re: Flagg and Hawkeye, Margaret's lust for MacArthur, Frank pursuing the sniper in The Sniper in an attempt to be a "real man" in Margaret's eyes, etc) to many jokes positioning the military as a sexually aggressive man pursuing Hawkeye ("Sure, the sun the moon the stars, your high school letterman jacket. Same deal I promised nurse Baker." "A receipt please, and promise you'll go out with other doctors," etc.)
In contrast, the main characters all fail to perform traditional gender in some way, from crossdressing to immaturity to indecisiveness to peacefulness to Margaret's masculinity and Frank's pathetic failure to live up to his own masculine ideals, to just about everything about Hawkeye. His cowardliness, his jokes about not being a real man, his jokes about taking the feminine role in sexual encounters with men and women, even multiple double entendres about his average at best penis size.
Trapper is the most traditionally masculine of the main cast. He still subverts masculinity in some subtle ways here and there, such as the occasional feminizing joke and mentions of not being in great shape, but overall he's the more butch counterpart to Hawkeye's fem. He plays the role of boxer while Hawkeye plays the role of diva in their respective manager/star roleplaying episodes. He's broader and buffer and plays football, often seen playing catch with someone while walking around the compound, while Hawkeye disdains sports and doesn't participate. He reads Field and Stream which Hawkeye derides in Alcoholics Unanimous while making a wry comment about shaving his armpits. A past lover nicknamed him Big John.
And there are many, many jokes about Hawkeye and Trapper being sexual partners. The recurring Uncle Trapper and Aunt Hawkeye gag, if my father sees this you'll have to marry me, for me? only if you put those on, your father and I will tell you what we did to have you, that's when I fell in love with him, etc etc etc. It's constant. In these jokes Hawkeye usually takes the feminine role, though not strictly every time ("Me and the missus," is one exception in As You Were, the dance in Yankee Doodle Doctor is another).
Trapper's masculinity is differentiated from traditional military masculinity in a few ways. Most obviously, Trapper abhors the military's violence. He never uses guns and mocks Frank's obsession with them, he's a healer rather than a soldier, and he's disgusted by the results of military violence on the men on his operating table.
He's also secure in himself. The military's brand of masculinity is strongly characterized by insecurity and overcompensation. Frank is the main representative of this military insecurity - a coward who insists he's brave (The Army Navy Game), a man who clings to a phallic gun to compensate for his sexual and gendered inadequacies (a main theme of The Sniper, perfectly mirrored when the army itself comes in with a vastly disproprotionately powerful automatic machine gun on a helicopter to shoot down one sixteen year old), a homophobe repressing his own attraction to men (As You Were, the original script of George), etc. We also see this in Flagg, who implicitly sublimates sexual urges into violence (seen when he suggestively caresses his gun while describing how he wants to torture a boy in Officer of the Day).
Trapper doesn't need to overcompensate. He's well-endowed physically, he's portrayed as a competent and considerate lover, he's a brave man who doesn't mind being seen as a coward, and he may or may not be attracted to men but either way he's not a homophobe (George) and he doesn't express his sexuality through violence. When Margaret proves herself stronger than him, his response is to be impressed rather than offended (Bombed). When he dances with Hawkeye for a gag, he doesn't mind letting Hawkeye lead.
He's also differentiated in terms of tradition, with the mliitary representing a more propagandic 50s traditionalism, and Trapper representing a 70s, countercultural freedom from tradition. We see this in the way Trapper has plenty of sex despite being married, while adultery is a court-martial offense in the military. It's notable that he's open and carefree about it, while Frank and Margaret are surreptitious and hypocritical in their affair. This lack of traditionalism is also shown in his disrespect for authority, often in direct contrast to Frank and Margaret's worship of it, and his allyship to George who the military would persecute for his sexuality.
So ultimately we can see that while Trapper and the military are both examples of masculine performance, Trapper's masculinity differs from the military's in being more flexible, less violent, less traditional, and more secure. The military's masculinity is far more toxic than Trapper's, particularly in the context of 70s counterculture media, which aligns womanizing with sexual liberation rather than a lack of respect for women, accurately or not.
This contributes to their respective dynamics with Hawkeye.
Hawkeye, we've established, is usually more feminine, and there are a myriad of jokes characterizing Trapper as his sexual partner, as well as the military as a sexual pursuer.
The jokes Hawkeye and Trapper make about their relationship tend towards cozy domesticity. They're Radar's "aunt and uncle," they directly roleplay marriage ("Martha, we're going to have to move, the people upstairs are impossible,") and less directly behave as though married (the bickering in Alcoholics Unanimous, the discussion about naming their pony in Life With Father). Occasionally they're treated as a healthy couple in contrast to Frank and Margaret's toxicity ("While I'm gone, promise you'll go out with other doctors," vs "Touch anyone else and I'll cut off your hands" in Aid Station).
In some instances the jokes lean towards predatory - "If you're trying to get me drunk, it'll work," or "Who is this man in bed with me?" "I followed you home from the movies," but they're always playful, always fond. If Hawkeye takes on a submissive or victimized role in these jokes, it's one he has fun with and discards just as easily in the context of the rest of his relationship with Trapper.
So, it's important to note that Hawkeye and Trapper support each other and look after each other in an equal, enthusiastic friendship. From Trapper ensuring Hawkeye gets to sleep in Doctor Pierce and Mr. Hyde, to Hawkeye supporting Trapper when he wants to adopt a child, to Trapper right at Hawkeye's side as they attempt to procure an incubator, they are there for each other every step of the way. If their relationship is a marriage in some ways, it's a healthy, strong, and non-traditional marriage, an equal and open partnership free of jealousy and insecurities.
Compare that to the military's relationship with Hawkeye. In jokes it's characterized as powerful and predatory, far from an equal partnership. Sometimes it approaches positive - in Carry on Hawkeye, much of the humour is derived from Hawkeye and Margaret's gendered role reversal as she assumes military command of the unit. Hawkeye playfully calls her sir, seductively lies on her desk like a secretary in a porn film, and most notably treats an immunization shot as sexual penetration in a prolonged gag about sexual role reversal. Hawkeye has fun playing a sexually submissive role to a representative of military authority in this episode, but it is a submissive role.
Several of the one-off jokes have a similar sensibility, such as the double entendre of "My bellybutton's been puckering and unpuckering all day," in response to a representative of MacArthur assuming their excitement over the general's arrival to the unit, or Hawkeye's "Okay, take me, I'm yours," to Colonel Flagg. They demonstrate a willingness to play the receptive role on Hawkeye's part, but they also, pointedly, disturb the object of the jokes.
When Hawkeye makes these jokes that sexualize military authority, he's attempting to be provocative as well as defiantly drawing disruptive attention to his own powerlessness as a drafted surgeon. The power dynamic between Hawkeye and the authority of the military only goes one way, and Hawkeye gets a kick out of pointing it out in ways that perturb the representatives of that authority, but it's a power dynamic that takes its toll on him.
Many of Mash's plotlines revolve around Hawkeye rebelling and attempting to seize some scrap of agency back from the military. Adam's Ribs, for example, in which he starts a mild riot over the food he's being fed and spends the episode attempting to procure barbecue ribs from Chicago (which Trapper procures for him), or Back Pay where he tries to charge the military for his forced labour. A particularly notable example is Some 38th Parallels, in which Hawkeye complains about being paid the equivalent of a nickel per operation, and his frustration manifests in impotency until he can perform a gesture of rebellion against the military.
One unfortunate consistency of these episodes is that the army ultimately retains its power. When Hawkeye achieves his goals, it's only in small ways that do little more than satisfy his own need to assert his sense of self. Often, Hawkeye doesn't achieve his goal at all, but is thwarted by the army, such as in For Want of a Boot. In every instance he remains powerless in comparison to the authority of the military.
So the context in which Hawkeye makes these sexualized jokes about the military literally fucking him is one of abject helplessness. In a sense, all he's capable of is pointing out what the military is doing and putting it in his own, audacious terms. He's not capable of preventing it. His jokes usually have an edge of bitterness to them in delivery, and when they don't, that tone is imparted anyway by the greater context.
With Trapper, Hawkeye can play-act a marriage or an assault, but in either case he's an enthusiastically consenting, equal partner. Trapper's performance of masculinity allows for Hawkeye to take any role from victim to wife to husband, and enables Trapper to respond in kind from a position of equality and respect. The military, in its insecure, domineering performance of masculinity, is a dictatorial authority, never allowing Hawkeye perform any role but a feminized, victimized one, and only ever giving him the choice of whether to perform with a wry smile or a sneer.
In short, Trapper is the cool, considerate service top to the military's insecure domineering boyfriend.
I'm tagging everyone who enabled this lol, share the blame. @beansterpie @majorbaby @professormcguire @rescue-ram
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Break Me Down - Part 10
Pairing: Soldier Boy/Ben x Female Reader
Summary: You’re a private investigator by trade, but now you happily sit at a desk — leading a surveillance team at Supe Affairs. After managing to end Homelander in New York, Soldier Boy escapes custody. You are recruited for the manhunt, joining Butcher’s team.
Truly, you joined the S.A. for the right reasons. But after you become his accidental hostage, Soldier Boy will break down every single one of them…
💚 Break Me Down Masterlist
AN: Song inspo for this one is “Caught In the Balance” by Toto!
Word Count: 5,300
Tags/Warnings: Violence, hints of past trauma, hurt/comfort, angst, and a (mean) cliffhanger...
Part 10: Caught in the Balance
“Christ on a cross,” Ben muttered.
He was just trying to start his morning with some huevos rancheros.
He hid behind a mask of impassiveness, while his stomach turned at the sight of the open cooler Frank had been forced to show him.
Saul’s bloody severed head was stored inside. Ben had asked for a report on the man’s reconnaissance mission, but this was a bit thorough.
“Black Noir took out his entire unit,” Frank informed him. His tone was stoic, as usual, but his dark brown eyes betrayed his solemnity.
Ben shook his head and peered inside. “I fucking figured…yep, that’s Noir’s handiwork all right.”
The cut was clean at the neck—sliced by a blade.
Unfortunately, that was when you entered the kitchen in search of breakfast. Ben looked over at you, taking in your matching purple pajamas with a hint of a smile. Your hair was a bit messy, your face still tired with sleep.
But when Frank swiftly snapped up the cooler, you still raised a perceptive brow.
“What’s that?” you asked. Ben shared a brief glance with Frank.
“Just some steaks for later,” Ben replied. You didn’t look convinced, sniffing the air with a grimace.
“Is that why it smells like a meat locker in here?” you said.
After you grabbed a mug of coffee, you took a seat at the far end of the kitchen island. It left an open seat between you and Ben, and he noticed the distance.
“What’re Saul and Loco up to today? Think they’d be up for some Texas Hold’em?” you asked Frank.
He shook his head and tucked the cooler under his arm.
“They’re on a job,” he said.
You warmed your hands around your coffee mug and nodded. “Ah, yeah. Trying to figure out how Black Noir pulled a Lazarus?”
Both men stared back at you, confirming your assumptions.
“You do realize this begins and ends with your buddy, Stan Edgar,” you said, turning to Ben. “Vogelbaum was his chief geneticist, the Head of R&D during your time. But Stan was the Steve Jobs to his Wozniak. Together they created Homelander.”
Ben didn’t know who the fuck you were talking about there, but he got the gist of what you were saying.
Stan had played him from the beginning; he’d masterminded what went down Nicaragua, replacing Soldier Boy with Homelander, creating him in some petri dish with Ben’s DNA.
Now, it seemed Stan was partnering with the CIA to take him down. He’d even brought that cunt Noir back to life to do it. Also, likely, with the help of Ben’s DNA. (Well, probably Homelander’s, but that was still partly Ben’s.)
He couldn’t let that fucking stand, now could he?
His hand fisted on the counter, next to his forgotten plate. His brows fell over his eyes as he contemplated. He knew what he had to do next, just not exactly how he was going to do it.
“I’m gonna have to cut the head off the snake,” Ben mused out loud.
You watched him wearily, hiding a measure of concern at the darker shift in him.
Ben nodded at Frank and the cooler still under his arm, dismissing him. “We’ll talk later. Take care of that.”
Frank went with a nod, leaving you with Ben in the kitchen. You frowned.
“If you go back to the U.S., especially to New York, they’ll have a much easier time finding you,” you pointed out.
Though part of you kicked yourself for doing so. An idea was forming in your mind, and it could just mean your freedom…
And that was when Ben looked over at you once more. His eyes were guarded, more so than they had been with you of late.
“Why do you care?” he asked snidely. “You’ve barely said two fucking words to me in days.”
Which was true. You’d been carrying your grudges and your anger, both at him and at yourself, and your own conflicting emotions ever since you’d arrived at this new house.
The effects of V24 had long washed out of your system, but it still stung—that that poison had saved you. And so had these men, who had kidnapped you in the first place.
Shaking your head, you frowned at him to cover up your ongoing internal circus.
“Because you’re about to go on a fucking warpath. With, I imagine, a lot of collateral damage in store,” you replied, maybe more sharply than you’d intended.
Ben’s green eyes were dark and narrowed.
“There’s that self-righteous fucking tune,” he said. But his next words cut into you like so many knives. “You’ve been a fucking lapdog your entire life. Doing whatever daddy, Vought, or the CIA tells you to do. So remind me, why the fuck do you care so much about what I do, huh?”
For a moment, you were speechless.
Soon enough though, your shock melted into an angry glower as you tried to hide how much that actually hurt you.
A harsh breath expelled through your nose. Maybe he expected you to blow your top, like you usually would. Because that had worked so well at getting through to him in the past.
So instead, you tried to go with what seemed to work before.
“I didn’t used to,” you replied honestly. It seemed to make him pause, a little.
“When I joined the S.A., it was just my chance to break away from Vought,” you continued. “But…I don’t know. The more out of control supes we took off the street, the more I felt good about it. The work that I was doing.”
You let out a sigh, glancing down at your hands still wrapped around your cooling cup of coffee.
“You were right before, about me. I was part of it too. I helped cleaned up Vought’s messes. I made their supes look good, behind the scenes,” you said. “But I’m trying to do something that matters. Something honest, that actually makes people safer. It makes my family safer.”
That fell between you two for a while. Ben seemed to take it with his usual stoicism, but you knew him well enough by now. He’d been listening.
And eventually, he spoke.
“Then you should be grateful,” he said. “Noir. Stan. Vought. All those cocksuckers…I’m going to take them all out for fucking good.”
Are you, really? You couldn’t help but wonder. He’d been successful with Payback, and Homelander (with help from Butcher and Hughie).
But Vought was a machine. It had been an institution for decades. A multibillion conglomerate with a thousand and one hydra tentacles of ways to fuck people over…but if anyone was powerful enough to try to bring it all down, it was Soldier Boy.
Still, power isn’t everything. You thought of how he’d lost control against Noir, and how he’d blown up a hole in your bedroom ceiling and couldn’t remember much about it afterwards. Ben was still a mess.
But you considered a world where Vought couldn’t create supes anymore, like pop tarts coming out of the damn toaster. You considered what Ben could accomplish, now that he was properly motivated to end his six-month sabbatical.
And you considered what would happen if you helped him do it.
This is not the time to be reckless, the more rational part of your mind reminded.
And yet, you just had to continue following the impulsive voice that had led you for weeks.
“You can’t just run at this head on, guns blazing,” you told him. “Stan’s too smart for that.”
Ben eyed you with guarded interest.
“You look like you’ve got something in mind,” he said.
You nodded, though your lips pursed. You hated this idea, even though it had been growing since this conversation began. And you couldn’t even believe you were suggesting it, really.
“We can get into Vought under the radar, if you let me make a call,” you said. Ben’s expression tightened. Yours did too, with the beginnings of anxiety.
“Who do you need to call?” he asked.
“My father,” you replied.
As Stan Edgar’s Chief of Security, Jon didn’t often receive calls from phone numbers he didn’t recognize. Certainly not to his personal, blacklisted cell phone. He took the call into his personal office and shut the door behind him.
He answered it with a healthy measure of suspicion, “Hello?”
The last voice he expected to greet him was his eldest daughter’s.
“Hey. It’s me,” you replied.
Jon’s expression slackened. He sat down heavily at his desk, and your name fell from his lips in disbelief.
“You’re alive,” he said in genuine wonderment. “I thought…I thought you were dead.”
Your response was dry. “Before or after you sent Black Noir after us?”
Jon frowned, shifting back in his chair.
“That was Stan’s call,” he said. “There was no sign of you in any of our reports.”
“Then you weren’t looking very hard,” you said.
Your tone was matter-of-fact, unyielding. It was so like you that he had to smile.
“If nothing else, you were ambitious going after Soldier Boy,” he said, rubbing his chin. It reminded him that he needed a shave. “I should’ve known you were still alive…it seems I taught you better than I thought.”
On the other line, you had Ben’s cell in your hand while you spoke to your father on speaker. Ben and Frank were both in the room with you, sitting in chairs on either side. Frank suggested this conference room beside the study to conduct the call.
However, you tried not to look at either man while you tried to focus on getting through this.
“I managed to grab a phone from one of my guards,” you said into the speaker. “I can’t reach out to the CIA. They think I’m a damn turncoat at this point. But if you really want Soldier Boy, I can tell you where he’s going to be.”
“…Where?” Jon asked.
You glanced up at Ben before you replied. He gave you a nod.
“He plans to be in New York in three days.”
“Why?”
“Oh, I don’t know,” you said wryly. “To find Black Noir. It’s all he’s been moaning on about. He’s kind of a simpleton that way. Tit for tat on the vengeance beat.”
Ben gave you a dark look for that one, but you ignored him.
“Well, I can certainly give him a meeting with Noir,” said Jon. His voice shifted into that calculating tone you knew all too well. “That, and much more.”
“Good. Give him a big enough distraction, and I can lose his crew,” you replied.
There was a beat on the other line. You and your companions waited, for his agreement, for some kind of confirmation, but he didn’t give you that just yet.
“Are you all right?” Jon asked. “How’s your sister?”
Your lips pursed. “Clearly, I’m peachy. Are you in on this?”
“Of course, sweetheart. I’ll help you get out of there, don’t worry,” he said. He almost sounded like a father. It made anxiety crawl up through your lungs, into your throat.
“It’ll be good to see you,” he added. “What’s it been, a year? More?”
You swallowed your unease.
“Let me make this clear,” you said. “This is just business. If you want to help me, fine. But don’t make it more than that.”
There was another pause, a heavy sigh.
“Oh, believe me. I know you wouldn’t be calling unless this was your last resort,” Jon said.
You tried to swallow, and found resistance.
“Good,” you said. “I’m glad we have that understanding.”
“See you soon,” he said. You ended the call afterwards.
Both men had been monitoring you throughout the exchange, but it was Ben’s gaze you felt, hot across your profile. Even now, he watched you behind impassive eyes. You wished you knew what he was thinking.
Regardless of things you’d said when you were angry, Ben knew too much about you now. There was no way he didn’t see it—how you were putting your all into keeping yourself together.
You stared back at him, but he didn’t ask if you were all right. He just nodded.
“Are we done?” he asked.
You scoffed, hiding your disappointment, and maybe the beginning of tears burning in your eyes. You blinked past them with an unsettled breath.
“Yeah,” you replied. “We’re done.”
Ben watched you get up, and you let the cell phone clatter on the table before you left.
Late that night, Ben wandered the dark halls of this house. He was trying to familiarize himself, and remember why the hell he bought this gaudy thing.
It was another big, empty shell that didn’t have much life in it—even less than the last place in Medellin. At least that one had character, surrounded by the mountains and wildflowers.
This house, while beautiful, felt stale; like an old photograph in sepia tones.
He found himself stopping outside your door. It was late, and he couldn’t hear your TV on, so you were probably asleep by now. If he stood close enough to the door, his superior hearing could just make out your soft, even breaths.
He knew you were pissed at him, but really, he thought you were being a bitch about it.
I fucking saved her, he thought sourly, and not for the first time. She should be fucking grateful I lifted a finger.
But then, he remembered just how pale you were when he found you in the helicopter, after the blast, and after he made his escape. Ben saw how wide your eyes got when you saw what had hurt you—that giant fucking piece of wood embedded in your body.
He remembered the sound of your scream, blood on his hands. He could feel your life slipping through his fingers…and for once, he wasn’t okay with letting it happen.
So he stopped it. Or at least, he ordered Frank to do it.
And afterwards, Ben couldn’t believe how you turned on him. That you were actually angry at him for saving your life!
What kind of idiot are you. He’d wanted to grab you and shake you until you saw good sense.
You were stronger on V. You were powerful, almost his equal. And Ben could admit, if only to himself, that he craved that: having an equal.
When he’d had Countess, that bitch, he thought he had his life sorted. He’d figured he had time to settle, to have a family…
But now that life was gone. His asshole team was gone. What the fuck was left?
Ben leaned against your door, as if he could brace against the depths of thoughts he hadn’t allowed himself to fall into since he left the U.S.
Still, he couldn’t help but think…after he became a supe, he’d reveled in standing alone, in the spotlight. When did it start to get harder?
Just then, his sensitive ears picked up on something: your breath hitched. He paused, listening closely. Soon enough, he heard a whimper.
Ben debated for a few seconds, but he decided to open the door, quietly twisting the knob and pushing it open. His eyes found you in the dark, curled in on yourself on the bed.
He drew closer until he reached your bedside, and even heard your pulse starting to race. His lips drew into a frown as he read the distress in your features. You were dreaming, and whatever it was, it didn’t look pleasant.
Ben hesitated, but he kneeled by your bed and carefully slid your hair away from your face. You were an angry, stubborn, mouthy little thing. He could just hear your voice now.
You still haven’t even apologized!
The audacity you had, to demand shit from him.
But then, he almost sighed when he realized he was glaring down at your sleeping form.
What the fuck’re you doing, anyway? He shook his head at himself and got up to leave, but your voice stopped him.
It was a pained whimper, a shuddering breath. Ben’s attention shifted back to you as he watched you tighten in on yourself, your hand curling into a fist that pressed against your throat. He didn’t know if you were trying to choke yourself, or fend someone off—
And then, Ben had to struggle against a firebrand of anger under his skin.
He finally realized what you were probably dreaming about; who you were fighting, even in your sleep.
He regretted letting you call your father. Maybe he even regretted pretending he didn’t notice…how talking to your dad had clearly fucked with you.
But he wasn’t about to show weakness. Not in front of his men…
With a quiet sigh, Ben reached out and soothed a hand over the top of your head. His fingers slid through your loose hair, stopping when they reached some tangles. Slow and careful, he repeated this. Until finally, your breathing seemed to ease up.
He unclenched your fingers out of their loosening fist, and he absently stroked his thumb over the back of your hand. You’re one deep sleeper…
You sighed and shifted in your sleep, resting your cheek easier on the pillow. Your brows were still knitted, but after a while, even your face relaxed.
Ben placed your hand down, giving the back of it one more tentative swipe.
And then he left, shutting the door behind him with a quiet click. You never woke up to catch him.
A helicopter took you from the house to a private jet with Ben, Frank, Loco, and a few other hired men for the mission. You sat across from Ben, both seats facing one another. Your eyes were narrowed as you watched him accept a glass of whiskey.
“Where’s Saul?” you asked. Ben gave you a side glance, and with a quiet exhale, he answered you.
“He’s dead.”
You nodded through your sad, angry frown. You’d had a feeling that was what he and Frank had been hiding the other day, but you hadn’t wanted to face it.
“Black Noir?” you asked.
Ben nodded and sipped at his whiskey. “Yeah.”
“Do you even care?” you asked. Ben eyed you a bit sharper, but he didn’t comment.
“A couple of knocked banks didn’t get you this jet, on top of everything else,” you remarked, gesturing at your surroundings. “Where’s the money coming from?”
He’d bought back at least two properties from Vought, along with all the other shit he’d likely been blowing his money on for the last few months.
Ben sipped at his drink. You imagined it was hard for him to cross his legs in his super suit, otherwise he might’ve, to complete the air of asshole-ish nonchalance. You’d decided to dress comfortable, but prepared in yoga pants, sneakers, and a matching activewear jacket.
“Why do you think I settled in Colombia, of all places?” he asked you. His lips curved into a smirk and he shot you a wink. “Best drugs in town.”
His assets were frozen by the government, which meant he’d gotten the money from somewhere…
Your face soon fell as you realized your own stupidity. The shady characters he’d recruited, not just Frank, Saul, and Loco, but other men too that would occasionally traipse through the house. Plus the mysterious “jobs” they would routinely disappear on, sometimes for days on end.
Ben had infiltrated a drug cartel.
“Frank and his men were the muscle for some hot-shot kingpin, until I cut the head off the snake,” Ben revealed. “Which is what I’m about to do to good ole’ Stan.”
You crossed your arms with a deep frown.
“Every time I think I’ve got you figured out, I discover a new scum-ridden layer,” you said.
His lips quirked humorlessly. “Disappointed?”
You just shook your head and looked out the window of the jet.
“Mostly in myself,” you replied.
Ben didn’t show how your words sunk into him. He continued drinking.
Hours later, you all arrived at JFK Airport in New York. The jet landed far enough away from the larger commercial planes, but somehow that made you even more nervous.
You felt like you were stepping out into the Wild West as you disembarked from the jet and landed on the concrete ground of your home city.
Ben’s presence burned behind you, guiding you with a hand on the small of your back. Frank and Loco had the bags (and weapons). But before you could ask where to go next, Ben paused with a thoughtful frown on his face.
You opened your mouth to ask what was wrong, but then you heard it. A thin whistling in the air that couldn’t be attributed to an aircraft.
Ben pulled out his shield from its sheath on his back, and with his free hand he grabbed you, yanking you into his chest. He all but dragged you several steps away from the jet and then kneeled to cover both of you when a missile soared overhead.
It speared into the jet, destroying it with an epic explosion that seared across Ben’s back. He felt the heat, but it only singed the back of his neck without even burning his skin. His suit and helmet protected him from the rest, just as his shield and body protected you.
You could claim to hate him all you wanted, but your hands were braced against his chest as you leaned into him. And when you looked up, your eyes were wide with shock and fear.
“Go,” he ordered, pushing you towards Frank. You went with him, but you still looked back at Ben as worry undeniably claimed your heart. Loco and the rest of his team stood behind the supe.
Meanwhile, Butcher had appeared on the tarmac. With a rocket launcher, naturally.
He wore a smirk along with one of his customary, glaring Hawaiian shirts and long black trench coat. The hem of it fluttered as the wind blew between the long span of distance between him and Ben.
“So the CIA’s partnering with Vought now? How does that fucking work?” Ben remarked.
Butcher was joined by Hughie, Kimiko, and Frenchie, and then entire units of CIA and SWAT teams piling out of several armored cars.
“I’ll admit, you’re a tricky bugger to track down,” Butcher said. “But consider this your debt to fucking society paid in full.”
He launched yet another projectile from his gun. You gasped, but even though Frank pulled you towards the airport building and away from the fight, you still craned your head back to watch Ben bat away the missile with his shield. It landed far away, spilling concrete where it hit and shaking the ground.
Then a warning star bolt hit in front of Frank’s feet, stopping both of you short. You looked up and found Annie and M.M., the latter with an impressive gun in both hands.
“Stop right there, motherfucker,” M.M. ordered. “Time to let her go.”
“You okay?” Annie asked you. You had to smile, despite yourself.
“Yeah. It’s good to see you guys,” you said. Frank’s hand tightened on your arm, not enough to hurt, but enough to keep you from leaving his side. He was stronger than usual once again, with the help of V24. He wielded his own gun trained on M.M.
“Step aside,” he ordered.
Annie pursed her lips at shot a star bolt at him. You took your opportunity and kicked at the back of Frank’s knee. It made his grip falter just enough that when M.M. jumped in to fight him, you scrambled away and Annie took your hand.
While the two men fought, you finally noticed the black sedan the pulled up on the tarmac behind you. The tinted driver’s window rolled down, revealing your father in black sunglasses.
Annie followed the path of your gaze in confusion. “Who the hell’s that?”
“Annie,” you squeezed her hand. “You know I’m your friend, right?”
Her brows furrowed, especially when you let go of her. “What’s wrong? What’re you about to do?”
“I need you to trust me,” you said.
You knew she didn’t understand, nor did she want to let you go. But you ran away from her, towards the car. She meant to follow you, but Frank held M.M. at bay long enough to aim a few well-placed bullets between you and Annie.
It stopped her long enough for you to climb into the black sedan before it peeled away, speeding around to the private gate of the airport. While you caught your breath, Jonathan’s gaze peered at you through the rearview mirror, after he lowered his sunglasses. The car was empty except for you and him.
Good, you thought. That meant he was the only one you had to watch closely.
“Are you all right?” he asked.
“Just fine,” you breathed. “Where to now?”
“Let’s get you to safety,” Jon said. You nodded. And when his focus was back on the road, you discreetly retrieved a tracking device from your pocket and placed it on the side of your seat, hidden from view.
Ben had given it to you before getting off the plane.
The device was small and flat, with a smooth back that would attach to almost any surface.
You rolled it experimentally between your fingers and looked up at Ben. His face was harder to read than ever.
“Why are you trusting me with this?” you asked.
Ben’s lips quirked wryly, but there was little humor in it. His hand, half-covered by his glove, reached up to brush your chin.
“I’m not,” he replied. “I expect you’ll jump at the chance to get back with Butcher and your asshole friends. But either way, I’m gonna find out if you were worth it.”
You frowned up at him. It was hard to believe that for all you two had been through together, this was really how it was going to be from now on.
“If I was worth saving?” you challenged.
He didn’t answer you, but his hand fell away from your face.
The car soon made its way out of the airport and onto the open road. There you were greeted by the familiar highways and approaching skyscrapers of New York City. You would be relieved to be home (almost), if you weren’t so tense.
“I need to see Stan Edgar,” you told your father.
Jon’s gaze met yours in the rearview.
“I have intel that he’ll be interested in,” you said.
“Okay, and that is?” he asked.
“About Supe Affairs, Soldier Boy, take your pick. But it’s the kind of information you don’t play Telephone with.”
“Mr. Edgar is a busy man,” Jon started to say.
“And you’re his Chief of Security,” you cut him off. “Who’s wiping his ass while you’re here with me?”
Jon sighed. “Always with that fucking mouth. Do you want me to relocate you? Put you in a safe house until we finish dealing with Soldier Boy?”
And give your father abject control over your life? I think not, you glared at the thought.
“I want to speak to Stan. I don’t care if it’s here, or Vought HQ, or in the middle of Times fucking Square. Take me to his damn office,” you demanded.
Maybe Ben had rubbed off on you a little.
“Or pull over right now, and I’ll make my way to the Tower myself,” you said. Jon came to a red light and had time to regard you in disbelief.
“Jesus…all right, let’s see if Stan will see you,” he said.
You let out a breath and finally allowed yourself to sit back in your seat. When the light turned green, Jon took the correct fork in the road that would lead you to Vought Tower.
And before you left the car, you made sure to grab the tracking device from the side of your chair, carrying it with you into your bra.
It was strange to enter this building again. You had worked here for five years, but it had been a year and a half since you’d returned.
It was still as busy as ever in the halls. Though you noticed the ratio of employees to tourists was about 30-70. It was incredible what taking out Vought’s golden psycho could do to a company’s profits.
Now they just needed to put the final nail in the coffin.
Jon led you to the elevator, and all the way up the Tower to Stan’s office. You had only been to this room once, when you were hired, but it was more or less how you remembered. Very spacious, minimalist furniture in a desk and a slim couch set, complete with a long glass coffee table.
But Stan was nowhere to be found. You frowned.
“Where is he?” you asked. Suspicion and awareness pricked at your spine.
You turned around to face your father, just in time to slap away something metallic headed for your neck.
It was a syringe. You watched it spin across the floor, and you glared back at him incredulously. He had enforced his will on you before, but he’d usually managed that with his hands, not with drugs. Maybe Vought had changed him too.
“All right, easy,” Jon said, raising placating hands. He drew closer as you backed away from him.
“I had a feeling Soldier Boy let you go,” he said. “That you’d probably planned this little bait and switch with him from the beginning.”
Heat made your cheeks flush as you glared back at him. Your father quirked a smile.
“Despite what you’d like to believe, I know you better than anyone,” Jon said.
You begged to differ on that…but part of you knew he was right.
“You did what you had to do with Soldier Boy. I understand,” he said. “Playing both sides of the game was smart. But I’m going to make sure you’re safe.”
“By sedating me?” you shouted. Your voice quivered, both with rage and fear. “What the fuck is wrong with you?”
He knew that you’d tried to play him, but his mistake was thinking you’d been playing Ben too.
“Later we’ll talk. When you’ve calmed down,” Jon said.
He reached out to grab your arm, but you evaded him. He called your name in warning.
You just got into a defensive stance. And the next time he tried for your arm, you snapped back with a fist to the bridge of his nose. It sent Jon’s head back with a grunt.
When his hand came back bloody from his nose, his demeanor shifted, from placating to stern. His cool gaze met yours, and you stared back at him stubbornly, poised for a fight.
“You little brat,” he said, wiping his nose again. “I fucking pulled you out of the fire, and you’re being difficult. As usual.”
“You didn’t save me,” you retorted. Emotion burned in your eyes, but your anger (and a frisson of fear) allowed you to clamp it down. “You never have.”
You shot out a preemptive strike, but your father surprised you by grabbing your wrist. And he backhanded you hard enough to make you see stars.
AN: 🫣 Welp, we're back in the U.S. SB is storming the castle, but at what cost...
Next Time:
A moment later, Frank patched through while he struggled and fought.
“She needs help,” he said gravely.
Ben took his hand off the comm, gritting his teeth. Black Noir was still waiting on him, attuned to Ben’s every move as the other supe brandished one of his blades.
Shit, Ben thought. He needed to end this.
Right fucking now.
Keep Reading: PART 11
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