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httyddragonfox · 8 months

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Tsukasa (Toilet Bound Hanako-Kun)

There really is no rhyme or reason to whatever that kid does, but I've decided to do something perilous and crack into his mind a bit. Wish me luck, and if I don't return...remember me.

Anyways, he's always been a messed up little dude, ever since he discovered the truth about him and Amane's destiny. So who knows, maybe he's always been a bit messed up, considering he told the deity of the red house that he wasn't going to "Hold back" anymore. I'm a twin myself, so I know that spats between us can get a little violent. We don't ever see the extent of Tsukasa's insanity as a human, but I feel it was a bit more than whatever me and my sister ever got up to. This guy is obsessed with his brother; yes I feel like my life can't be fun without my sister but I'm not that obsessed with her. Just read his character stat page and you'll know what I mean.

It all started as a normal twin relationship, his brother was sickly and Tsukasa just wanted him to feel better; he realized Amane's true wish was to be healthy. So he sacrificed himself for his brother to get better. Tsukasa didn't seem to understand his family's feelings, or the fact that they would miss him. He then learned that Amane would throw his well meaning sacrifice away one day and die young, and despite saying he loved him he would murder him. This doesn't make Tsukasa distraught, it just makes him curious. Despite Amane wanting to live so badly, there is something that would make him want to die. Despite Amane loving him, there is something that would make him want to kill him. Tsukasa just wants to know what these things are; he wants these events to come to pass, to satiate his own curiosity.

Upon his return, his mother can tell there's something demented about him. She wants him exorcised. From what I can tell, Tsukasa still spends time with his brother Amane, but he also can get a bit violent with him at times. Amane refuses to tell anyone who's hurting him. In one flashback, it also seems that Tsukasa can be emotionally manipulative as well, asking Amane if he would be okay if he just disappeared.

As a Twin, I hate to admit it, when I was younger I was emotionally manipulative. I threatened to run away or kill myself when arguments got too heated. I am aware, that was not good of me. In all fairness, she did that as well, and she is aware that was not good of her. We never beat each other up, but I wouldn't be surprised if Tsukasa got that way sometimes. Little Amane admitted that if you interrupt Tsukasa from doing something he's invested in or enjoys he gets a tad violent. That is reflected in his supernatural self, only really getting upset at people if they interrupt him or try to stop him from what he's doing at the moment.

So all in all, Tsukasa is a psycho. I can't end it there though.

He does anything to satisfy his morbid curiosity, like seeing a pufferfish's insides, building an artificial ghost to see if he could, or from the after school manga, seeing if fireworks still work inside someone's gut, or seeing if he can swim to LA. Whatever curiosity, whatever disturbing thought comes to mind, he wants to act on it. A ball of chaos, as he admits in his introduction to Kou. He doesn't believe in restraints or social order, he believes every supernatural should be free to act as they please, anyone should act to true heart's desire, even if it's acts of violence, especially if it's acts of violence. Violence is the one true thing that's a societal no-no, and since Tsukasa doesn't believe in a social order, he wants violence to run rampant. He admits loves the faces of those who don't hold back anymore, faces of people like himself.

Tsukasa is an honest person, he never once lies in the series. It's a belief of mine that he believes the social order is holding everyone back, forcing them to lie to themselves in order to uphold it. Of course some people don't want to hurt anyone, but like he cares about that. When Mitsuba in the Hell of Mirrors chose to run away instead of fighting the main group, he ends up punching him telling "you can do it" in a threatening tone. He truly believes Mitsuba can defeat them easily, and wants to see that in action, but Mitsuba doesn't want to. Also, even though he doesn't lie, he does know how to spin his words in order to make it seem like someone doesn't have a choice. He tells Mitsuba if he doesn't become the new school wonder, he's going to fade away, and "he doesn't want that, does he?" He wanted Mitsuba to gain a whole lot of power for himself to go against the group, and told if he didn't he was going to fade. It wasn't untrue, but Tsukasa made him make the wish to become the new school wonder. So Tsukasa knows how to manipulate things so that both and them get what they want, maybe in an indirect way.

When he twisted Souske's rumor, it was to grant his wish to have friends. It was rather messed up of him, because at that point Souske was happy Kou was his friend. Tsukasa didn't care about that, because Souske's true wish was to have friends, it didn't matter if Souske was okay with one. According to Tsukasa, "Your wish was to have many friends, and you're okay with just one? That doesn't make sense." Not to mention when Souske went off on his own and was receiving help from Kou, Tsukasa punched him through the stomach. It seems he wants people to go through with their original wants, and not change up their plans where it is most convenient. After turning Souske into a monster, he claims that if Souske were to make Kou like him they could be friends forever. I truly think he meant this, he just had no concern for what would happen to Kou or the fact that Souske didn't really want to hurt him, he just wanted Souske to be the worst he could be with no restraint and then have him go after what he wanted. He wishes more people would act as he does. He truly lives by his own beliefs, and wants others to follow that doctrine.

After Hanako ended Souske, he wasn't too torn up about it. As I said, he's only really upset if people interrupt him. He was more happy to see his brother again. Also, it's violence against violence, why wouldn't he be for that? He likes it when people don't hold back.

What is overall end goal? What does he want? Well for right now, he sees it as a game of good vs evil. He wants himself and Hanako to "Play together" like they used to. Of course, them playing is more on the violent side this time around, but that doesn't mean he doesn't love him. Tsukasa adores his brother (he's upset when Yashiro says he's not her type), but he thinks that violently going against each other is a form of fun. He admits to Yashiro that he sees himself and his brother as arch-enemies, and he's fully embracing the role he's playing in this game they're playing. He went after Yashiro for two reasons, first to get to know her because she's friends with his brother (he fully thinks they're dating), second to go against her in this deadly game (get rid of her) because he sees her as playing this game as well. Sakura and himself vs Yashiro and his brother; he doesn't so much care for Natsuhiko and Kou, they're just there, they help out sometimes. The real opponents are them and their assistants. Getting rid of his assistant would give Tsukasa an advantage in this game they're playing, so of course it'd be the move he'd take.

Of course, he's not too torn about it when she survives. So what, they won that round; we're no longer playing that round, we're no longer addressing that round. It's also great as that means she can keep playing. He finds her quite fun, when he first met her he was impressed by her gusto and how she just went to attack him like that. He doesn't like it when she interrupts him, but he's learned to be gentle to girls. He usually goes after Nene when trying to influence what happens next on his brother's side. He put a spy on her to see how his brother handled a twisted rumor, he had Sakura influence her to go tothe 4pm bookstacks to learn more about his brother, and he used her donut gift to find a way to visit him.

This is because he's met her before, and thinks she's fun to play with. In the picture perfect arc, he even wished her luck in killing his brother, and sent her with Mei because she helped her realize her wish, untimely freeing her from her cell Hanako locked her in. He seems like he's on her side, as he seems to support whatever crazy idea she has; like when she's suddenly okay with dying, he tells Hanako to let her die or else he's being selfish and a hypocrite. Then again, when his brother gets the idea to break every Yorishiro and then get a wish to save her, he's all for that because that would mean much more chaos would be unleashed. So not exactly on her side, just in support of her usually not supported ideas. He just wants to see what she'd do in these trying situations, because he likes her gusto. Of course, he knows that breaking every Yorishiro would lead to her death, but he's okay with that; he was okay when he himself was murdered. He does know she doesn't like killing people, but if she does end up doing it, she has his full support. If not, well she's locked in the boundary until she does. He likes playing with her. We get to school festival arc, and Tsukasa from the past asks her to play with him again.

When time is frozen, it seems he's talking to her more than Hanako. Probably because Hanako knows most of what he's saying already. He does ask him if he would still save everyone even if meant bringing Yashiro closer to her death. Tsukasa wants him to break the Yorishiro and save everyone, it's why they broke the clock in the first place. However, he is curious on what they rather do in this situation.

Why does he do what he does in chapter 105? For starters, I think he just wanted to know what kissing was like. When he met Yashiro for the tea party and he though Sakura was dating his brother, he asked what the kisses were like, and said he heard they tasted like lemons. When that's cleared up, he asked Yashiro what his brother's kisses were like because he assumed they were dating. When that's cleared up, he asks Sakura if she would smooch him, and that was a no.

Now Yashiro and Hanako are frozen in time but still conscious, and Tsukasa is aware that they like each other (Did he see them kiss in the boundary? Maybe.) These guys aren't going to do anything, and he can do anything to them. He kisses Nene. Nene is mainly confused, as she usually is by what Tsukasa does, and Hanako is not just confused but also very upset by that. Tsukasa probably did that to know what kissing was like, but maybe to also know what's it like to kiss her (like his brother does), and lastly probably just to get a rise out of Hanako. Yeah, I don't think he likes Nene like that. He likes her as another player of the game and thinks she's interesting, but probably only kissed her because of Hanako's feelings for her, to make him feel more helpless. He does seem pretty happy after he does it, probably because it was nice, and it satisfied his curiosity.

After the kiss, he kidnaps her, saying "You're my assistant now, okay?" He already has an assistant, and Yashiro doesn't even owe him anything, so she's not bound to him. Tsukasa is an honest guy, but I'm not sure how much of this he truly meant. It probably means he's going to keep her, and maybe force her to do what he wants like with Sumire and #6. He might be expecting Hanako to try to save her, but Hanako doesn't know where his hideout is. Also the two of them are frozen, can Tsukasa get Nene out of it? How is he expecting Hanako to get out of it? These things I don't know. If he can't get Nene out of it, he probably just wants to keep her frozen body around. If he can, he might force her to destroy #1's Yorishiro. If Hanako doesn't get out of it, everyone will be in frozen torment for eternity, which could be nice. If he does, he'd need Yashiro to destroy the Yorishiro, unless they force #1 to destroy it themselves.

Another thing I'm not sure about: he's a yorishiro. If he's destroyed he'll cease to exist, so he won't get to see that world he want's to see so badly or finish his game. Did that slip his mind? Probably not. My guess is that he wants to have a final battle with Hanako, and the winner will see the world come to fruition and win the game. Maybe he'll be content enough that the world of chaos will come to pass even if he won't get to see it. Maybe since Hanako doesn't want to hurt him again, he try to force Yashiro's hand.

Anyways, with Tsukasa as a villain I'm a little excited to see how things will play out, and also a little horrified.

#jibaku shounen hanako kun #toilet bound hanako kun #after school hanako kun #tsukasa yugi #yashiro nene #hanako kun #yugi amane #chapter 105 #thbk #jshk #character analysis

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pedanther · 1 year

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Some differences between the translations in Chapter 105.

The older translator seems to have found M. de Villefort's thoughts about cemeteries a bit disrespectful:

M. de Villefort, parisien pur, regardait le cimetière du Père-Lachaise comme le seul digne de recevoir la dépouille mortelle d'une famille parisienne; les autres lui paraissaient des cimetières de campagne, des hôtels garnis de la mort. Au Père-Lachaise seulement un trépassé de bonne compagnie pouvait être logé chez lui.

M. de Villefort, a true Parisian, considered the cemetery of Pere–la–Chaise alone worthy of receiving the mortal remains of a Parisian family; there alone the corpses belonging to him would be surrounded by worthy associates.

M. de Villefort, a pure Parisian, considered the Père-Lachaise cemetery the only one worthy of receiving the mortal remains of a Parisian family. The others appeared to him like country cemeteries, death's lodging-houses. Only in the Père-Lachaise could the respectable departed be accommodated at home.

I don't often say this when the translators disagree on the meaning of a passage, but in this case I think the older translator might have a better grasp of what Dumas is saying:

C'étaient presque tous des jeunes gens que la mort de Valentine avait frappés d'un coup de foudre, et qui, malgré la vapeur glaciale du siècle et le prosaïsme de l'époque, subissaient l'influence poétique de cette belle, de cette chaste, de cette adorable jeune fille enlevée en sa fleur.

These last consisted of all the young people whom Valentine’s death had struck like a thunderbolt, and who, notwithstanding the raw chilliness of the season, could not refrain from paying a last tribute to the memory of the beautiful, chaste, and adorable girl, thus cut off in the flower of her youth.

Almost all were young men who had been forcibly struck by Valentine's death and who, despite the cold mists of the century and the prosaic spirit of the age, felt the elegaic poetry of this beautiful, chaste, adorable young woman, struck down in her prime.

And finally, the obituaries:

Quelques hommes, et comme toujours, c'étaient les moins impressionnés, quelques hommes prononcèrent des discours. Les uns plaignaient cette mort prématurée; les autres s'étendaient sur la douleur de son père; il y en eut d'assez ingénieux pour trouver que cette jeune fille avait plus d'une fois sollicité M. de Villefort pour les coupables sur la tête desquels il tenait suspendu le glaive de la justice; enfin, on épuisa les métaphores fleuries et les périodes douloureuses, en commentant de toute façon les stances de Malherbe à Dupérier.

A few men, the least impressed of all by the scene, pronounced a discourse, some deploring this premature death, others expatiating on the grief of the father, and one very ingenious person quoting the fact that Valentine had solicited pardon of her father for criminals on whom the arm of justice was ready to fall—until at length they exhausted their stores of metaphor and mournful speeches.

A few men – and, as always, the least impressive – made speeches. Some regretted this premature death, others expatiated on her father's grief. Some had been found who were ingenious enough to have discovered that the young woman had more than once implored M. de Villefort on behalf of guilty men over whose head the sword of justice was suspended. Finally, every flowery metaphor and tortuous syntactical device was exhausted in every type of commentary on the lines written by Malherbe to du Périer.

(Buss explains in a footnate that François de Malherbe was a poet in the 16th century whose famous works include "Consolation to M. du Périer, gentleman of Aix-en-Provence, on the death of his daughter".)

#the cristo account #the count of monte cristo #chapter 105 #lost in translation #spoilers #the count of monte cristo spoilers #not a reblog

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