[local supercomputer mocked by rodent]
hiiii welcome to my first post I guess~
@tsunochizu's wonderful heartstring-shredding fic (backwards through the snow) has eaten me up and spat me back out send help
(this scene is from chapter 27)
read all of it in like two days then immediately reread it
definitely go read it if you haven't, im on my hands and knees
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I think that there’s a fundamental misunderstanding of what exactly is…happening with Izuku’s character. Specifically in regards to chapter 425.
I’m glad that a lot more people generally recognize that Izuku is not a character that can be read at a surface level, given that he’s both a repressed person with built up emotion of basically everything and also a very glaringly HUGELY unreliable narrator, but that doesn’t necessarily mean I agree with the ways I’ve seen this most recent chapter spoken about.
I see posts, comments, etc with ideas like “Izuku don’t suppress your emotions! Open up with people! It’ll be okay I promise!” When that’s fundamentally not what is happening here.
There’s always always ALWAYS been a distinct difference in character throughout horikoshi’s writing when he is showing that a character is:
A—Avoiding emotions, thoughts, ideas less than ideal for them. Not opening up when they probably should about their problems given that they’ve been handed the space to do so. Just genuinely not acknowledging, feeling, or expressing emotions that they don’t want.
B—Reflecting on the ways they feel about the world, themselves, or other people given their new perspective on a situation. Not outright reaching out to others to talk about these problems/feelings, but instead waiting until the moment they feel they have the most confidence to do so with their new outlook on their own life.
And genuinely, guys, to grab your BkDk attention rn, this is the exact reason why Ochako’s reflection on her feelings for Izuku and thereafter decision to pull away from them WAS NEVER GOING TO END IN OCHAKO EXPLODING WITH HER LOVE FOR HIM.
This was another common interpretation I saw of Ochako and Izuocha for a long time. That because she pushed these feelings away, they were somehow going to explode in this unbelievable way and she would “get the boy” because of it. That her arc would surround accepting her romantic feelings and that she can’t just push away how she feels for a career.
But yk. That didn’t happen. At all. Nowhere close even.
The same kind of goes for Katsuki, allmight, etc. They all had moments in their arc where it was spent genuinely reflecting, and the only reason we as the audience never connected it in the same ways we do ochako or Izuku was ALWAYS BECAUSE the narrative showed their inner thoughts while doing so (mostly because Allmight’s arc after losing OFA and Katsuki’s arc on what it means to be a hero were so intrinsically tied, both starting at the same time and ending at the same time during the final war. And because they were so tied this caused their own reflections, development, and thought process to be broadcasted to us frequently throughout their arcs… to each other. They also somewhat shared aspects with Izuku, but these were cherry picked more often than not, like dvk2 for example).
To us Katsuki never seemed to be.. idk, suppressing his anger in any way because we were always told what he was doing and why (side note: this is why I’ve always thought arguments against Katsuki were so weird, bc unlike characters like endeavor or Ochako he wasn’t like… hiding who he was and how he was changing. Ever. Like the audience knows at all times past basically season 3 what Katsuki is thinking and doing. Like how do you watch this happen, stare me dead in the eye, and tell me how much of a terrible and awful teenage boy he is. Like damn I didn’t think we were this dumb. This is also my theory as to why he’s most popular, his arc is very… in your face if that makes sense). Katsuki’s entire mini arc on reflecting his mistakes and his childhood and his future is spent TELLING YOU that it’s what he’s doing. (I’m referring mostly to the endeavor internship arc, the provisional license exam makeup, and basically everything in the war arc related to him leading up to bakugou Katsuki rising here)
And see, Horikoshi will stare you dead in the eye, tell you “this girl has taken into consideration that she doesn’t want to waste her time training her career focusing on a boy because he kinda caught her fancy”, and y’all will still say that this will explode in her face.
Y’all this is a series about learning how to manage emotions, maturity in relationship to one’s emotions, how to feel an emotion, but in a way that is helpful. Horikoshi isn’t telling you “go buck wild, feel everything all the time and always express it”, in fact he explores why you DONT do that! Through Toga or Shigaraki, they show how grief and anger can genuinely consume you. But he also shows why you shouldn’t just put everything in a box to never look at or acknowledge, or why you shouldn’t just let your grief destroy the world around you, or pretending that some emotions simply don’t exist.
I can’t say this enough, so let me say it now, mha is about the extremes of your psyche. That you should control something, but not too much. Everything can be harmful. Everything can be good.
Izuku is not controlling too much, he’s expressing just enough.
I LOVE shaming this dickhead at all times in all my posts. I love saying he’s an ignorant dipshit with a weird amount of distaste for a girl who just confessed to him. I’ve joked that chapter 348 is basically an entire chapter spent on Izuku calling Himiko a mean dyke. And yet I also believe he’s doing nothing WRONG here.
In fact, I’ll even say that this moment right here?
ISNT EVEN IZUKU DOING THE SOCIALLY APPROPRIATE THING ABOUT IT! But he’s still TRYING to reach out to someone he thinks MIGHT be able to understand. (And frankly, this moment is far deeper than what it’s being made out to be, to me it reads more like an unrequited friendship that Izuku both desires and has thought of them to have, while simultaneously showing the distance Ochako has successfully wedged between them for her own sake. Maybe it was always there though, maybe in weird, miscommunicated Horikoshi fashion, this is a representation of how Ochako always read all those “fun friend hangouts” as a little more than that, and without those feelings the friendship never really held any substance to her in the first place. Where Izuku saw his first real friend at UA, she saw little more than acquaintance)
Simultaneously, Izuku is genuinely reflecting on what it means for the world to change, to be a hero, to live after loss—and trying and failing to gain the connection he desires from individuals who can not and will not afford him that.
Izuku is ready for the world to change, a few select characters are also ready for the world to change (mirio, for example), but not nearly enough are. So maybe I’ll have to take this back if I’m proven wrong and I accidentally looked into this far past what everyone else did for no reason, but I genuinely believe with moments like this
And this
Aand this
That Izuku has come forward with that aspect of his character development. He’s reflecting on his new beliefs, not repressing his emotions for them.
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fellas you ever consider that vertin can never have it all?? ever?? or even just like a little bit at all?? (chapter 1 + 2 + 3 spoilers)
like bro schnedier. schneider kisses her and then fuckin DIES. bro. one girlfriend off the books. she has to fucking go through therapy and that shit still haunts her dreams. oh lord.
and on top of that. there is so much unclosed shit between her and sonetto. do you guys remember that poem in chapter 3 about sonetto being the 'puppy' and how she cried when the stone wall shut between her and vertin??
yeah bro that shit haunts me. and how she?? she CRIED in the car when vertin was in danger?? shes so down. down horrendous. sonetto my baby
and if THAT isnt bad enough. lets say sonetto and vertin sort their shit out. italian cheek kiss or whatever. lets say schneider comes back to life. SONETTO ISNT OKAY WITH THAT. she was visibly and verbally jealous when schneider got close to vertin. even if vertin got her dead mf girlfriend back sonetto would either be hurt, disapproving, or both.
okay let's say everything is fine. let's say schneider is alive and vertin is ay-okay and sonetto is emotionally stable. WHAT ABOUT MATILDA?? she is not going to be okay either.
get me the FUCK OUT OF THE YURI SQUARE
Let me OUTUTTTT
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you could theoretically read the series in the order 8.5, 9.5, 9 instead of 8.5, 9, 9.5 because books 9 and 9.5 take place parallel to each other but also sophie and keefe never interact between them so hypothetically there should be no difference (and no spoilers either way).
another thing you could theoretically do is alternate between reading books 9 and 9.5. a chapter here, a chapter there. it would be like reading a longer version of unlocked, with the povs alternating between sophie and keefe.
in fact, in theory, there could be a possibility of even less spoilers if you read it 8.5, 9.5, 9. for example, if vespera makes an appearance in unraveled, and you didn't know she would die yet, it could be a really cool way to see her last minute and have an extra layer about her before her death. whereas if vespera makes an appearance in unraveled and you already know she's going to die, it feels a little more empty. not completely meaningless, but like. kinda empty. like if vespera hints at a larger plan or something in unraveled and you didn't know she was going to die, you'd be super excited to see this plan shake out, but now that we know she's going to die something like that wouldn't hit as hard.
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Is there a lil sneak peek of Old Habits Die Screaming you could share with us? I so can't wait for the next chapter!
you may have a little sneak peek 🫶
“You thought about me?” Max asks quietly.
He pushes himself off where he’s been resting on Max’s chest, the warm summer air filling the gaps where he used to be. Daniel watches as the corner of Max’s lips pull down, brows furrowing, before he manoeuvres Max to lay on top of him, his head resting in between the crook of Daniel’s neck and shoulder.
A tiny, miniscule part of his brain is screaming at him to run, probably planted from the years of scars grown from overattachment. His teeth burrow under the skin of everyone he’s ever loved before they’re ripped out by his own hand.
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