my heart might give out from stress
i don't want my drafts to remain in purgatory if that happens
here's a snippet from the blowjob brothers
happy vday or whatever
hlwi snippet: timkorv ceo and pa roleplay
tldr what you get when you have two overthinking maskers that are dating
(mature, allusions to exhibitionism)
Korvin is supposed to shadow Tim today as his PA. At the same time, he can stealthily join in discussions on some Wayne Enterprises & Subsidiaries’ projects for the next fiscal year. It’s dubious as hell, managerially incestuous, and not at all billable to any of the workbooks. Technically, Korvin is “Out of Office.”
Tam gives them a Look, Lucius gives them a bigger Look, and they both separately say, “Keep it out of Meeting Room 5B.”
“Pardon?” Korvin plays the wide-eyed mangénue well—first PA job fresh out of his management degree, definitely-of-course-not hired for his credentials nor family connections.
“Director Kwan-Wayne.” Lucius removes his glasses to polish them and says in a mild tone, “That 3 AM with M-Systems could have your name on it for the rest of your tenure. Clear?”
Korvin drops character for a brief moment of honesty. “Crystal, Chief Fox; keeping it contained.”
They get left alone late morning in Tim's office. Tam pointedly does not look in their direction and pushes the controls to shut the blinds.
That’s not Tim’s concern right now.
Right now, his only concern is coaxing the young and nervous PA to come play with him. Cute face, DSL, firm ass, and positively stacked—Tim has to have him under his hands as soon as possible. “I don’t have super hearing, Mr. Kwan. You’re going to have to come closer to my desk.”
His PA walks to the front of the desk, posture stiff and straight like he’s about to crumple with nerves given any leeway. He doesn’t look Tim in the eye; instead, he leans over the desk and clumsily holds the tablet out to show the agenda for the day.
“Mr. Drake, I have the brief for 11 AM printed—if I could go retrieve—”
“Mr. Kwan, no need for that; just brief me like this.”
“L-Like this?” Poor thing is flustered and baffled. Tim supposes he needs a bit of clear direction to help him along.
“Oral report,” he clarifies. And Tim can’t help it when the back of his pen traces against the younger man’s jaw. The metal tip goes up to the corner of his lips, tapping that tempting beauty mark right at the edge. All of it would look amazing wrapped around his cock. The heat would fog up those cute glasses, and if Tim gets careless with his aim? A little mess on those unruly curls wouldn’t be out of place. “Nervous when you speak, Mr. Kwan?”
“I-I,” his PA swallows, the motion framed by the turtleneck under his suit. The suit itself is nicely fitted, if a little juvenile in the fabric weight and cut; obviously a gift from someone with more means. The turtleneck pairing is tasteful, but a choice—hiding love bites? With the gift suit and his looks, maybe this type of “PA work” isn’t outside of the younger man’s experience. “I’m trying to work on. Uh. That, M-Mr. Drake.”
“Luckily for you, I have plenty of advice to offer,” Tim offers with a smile. “We have half an hour—why don’t you come around and I do that while we discuss the brief?”
His PA gives a bashful glance at the wall clock, though still frozen in his vulnerable pose and in Tim's hand.
“Don’t be shy,” Tim whispers, letting the back of his fingernails graze along the younger man’s cheek. Dark eyes follow the path his hand takes, trace it back to Tim himself. When it’s obvious that the other is fighting back a timid but interested bite on his bottom lip, Tim lets his gaze fall to “bedroom eyes” and cocks his head to beckon his new playmate over.
Their roleplay quickly falls apart after that, though because neither Tim nor Korvin can stand being Not Correct. The derailment happens at the intended coy exchange of, “‘Oh, what if we get caught?’ ‘Guess you’ll have to be quiet, sweetheart,’” and then—
“What? No, now I’m actually concerned. You’re the loud one,” is refuted with, “no, that’s you with the actual anechoic sex room.”
“It’s not a—whatever! I literally had to install a trained bypass filter on the hall cams because of you!”
Never mind the unhinged meticulousness in finding the right sounds to train said filter on— “And you got caught, so fine, we’re both loud but I’m stealthier! ...and you’re louder.”
“We have the technology to be, y’know, objective. You just don’t want to be wrong.”
“I don’t want to dignify this argument with actual data.”
“Yeah, that’s how I know you’re actually louder,” Korvin rolls his eyes, even as he continues to contort himself under Tim’s desk. “This front drawer’s in the way.”
Tim pushes his chair back and bends to look at the bottom of the drawer. “I think if you kneel further back, but then—”
“—yeah, I'd have to lean forward.”
“Oh…but that's a better angle for your throat, though.”
Korvin nods thoughtfully. “You'd have to keep me from falling too forward or chance someone seeing my hands stick out,” he muses.
“I'll keep my ankles crossed back in. Brace against that,” Tim suggests, and at Korvin's nonchalant thumbs up, he rolls back in front of his desk.
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I feel like people who complain about Scaramouche "being redeemed" in 3.3 as in "not held accountable" are really like... missing the point?
So you have this creation with one foot in humanity and another in divinity, whose entire existence has been defined from the very beginning by not being enough to truly be either human or god. Who was led to believe that the sheer intensity of his emotions where the cause for being abandoned by his creator and mother. Every single time he finds a semblance of peace and belonging, it's violently taken from him.
Humans can't be trusted. Human emotion is the greatest flaw. Everyone will abandon and betray you sooner or later.
Only for it to be revealed that the entirety of this situation had been carefully plotted in advance by (from what we currently know) Pierro and Dottore, all to specifically set the gears in motion for the naive puppet to spend centuries believing that the loved ones they took from him betrayed him. Completely unaware of the fact that they were eliminated specifically to trap him in the Fatui, so that they could get access to the secrets regarding the Electro Archon's creation methods.
He only became who he was within the Fatui due to being at Dottore's mercy, and for being able to "withstand abuse better than most humans". And now it's also confirmed that this is what made it possible for Dottore to create his many segments in the fist place.
But despite all that, this is a person who sees the divinity that which is the puppet's birthright. The sole purpose of his existence. And this same person promises to unlock that power, and help him scrub away the human emotion that ails him in order to elevate him to true divinity. Infiltrating and conspiring with the leading figures of Sumeru's Akademiya for it. Even when recognizing that this is all for Dottore's goals and nothing else, Scara still accepts it.
... only for everything to collapse and burn on itself, after having a taste of the power that he was taught to covet so. And now he's in the hands of the people who tried to get in the way multiple times before, who finally emerged victorious for it. And for what purpose could he yet be kept alive if not for the potential ways they could use him?
He complies to the tasks they ask him to fulfill, including searching the Irminsul. Only to then learn that everything he thought he knew about his life, his circumstances, his pain... all of it was planned by the Jester and the Doctor before he even knew them. And the people they claimed betrayed Scara had actually defended him and his heart to their literal dying breaths. Even as Dottore revealed his identity and the truth of what went down at Tatarasuna, Niwa's concern for Scara's safety even as he bled to death.
Scara asking the Traveler if there is any chance of changing the past, this wasn't him selfishly trying to erase the errors of his past. This was an attempt at self destruction in the hopes that there was even the smallest chance of changing the outcome of what happened back then. To try and change the timeline, so that Niwa, Katsuragi and everyone who died by assocation of knowing him wouldn't have died that day. Even at the cost of deleting his own existence.
This obviously didn't work out, for there is no way to change fate, and the only thing you change by altering Irminsul is the memory around how things came to pass, not if. And so Niwa, Katsuragi and the others all still died horrible deaths... there's just no puppet to be remembered now.
And then, without his memories, Scara becomes more mellow, and lost. And when faced with the information that he's committed atrocities in the past he accepts this as truth. And this is before the strangers (as the Traveler and Paimon are to him at the time) have any sort of proof to back this claim up with.
Despite that, he asks to bear witness to his past sins. Even when it's hard for him, he never looks away from it, and by the end of it he asks for his memories to be restored even though it will bring back the centuries of pain that lead him to that point. And he's willing to bear the burden, begs for it even.
He asks Kusanali what it means to be human, and if a puppet can truly be human. This is pivotal, as Scara's entire life has been dictated by the shackles of his past, by the things he lack. For the first time ever, he senses a potential way forward, towards a more hopeful future.
And the fact that he gains his vision the exact precise moment he reconciles with his past self, and lets it take a backseat as a part of what's shaped him rather than what forever defines him, is the freedom that which Anemo symbolizes.
I don't think it's talked about enough that his mindset is so reliant on the concept of "eternity", even when acknowledging that he's Ei's creation. She made him and the Shogun as a result of her pursuing unperturbed eternity after the Cataclysm, seeing that even her vessel was not ideal for it (erosion, etc). Scara was ultimately created for that purpose, but even still he is so similar to Ei herself... Both feel everything so intensely they scarcely know how to bear it.
And seeing her own artificial creation shed tears upon receiving the gnosis, I think the "weakness" Ei could be argued to have seen was much more towards herself, rather than Scara (and who knows if his initial softness also bore a potential resemblance to Makoto.)
And so she thought she was doing the only right thing, by giving him her blessing and a chance to shape his own fate free from her influence, rather than destroying him as a "failed prototype". But inevitably, he saw this as abandonment and helped fuel the idea that his sole worth lied in being able to carry the gnosis.
Going back to Scara's vision, the moment he received it also meant that he had finally found the freedom that Ei had wished for him. Something he had only briefly known once in Tatarasuna, as the now forgotten Kabukimono.
Even though he is forgotten in the words of history, and in the memory of the world, he still asks us to tell the descendants of the Raiden Gokaden who had really brought them ruin. Even welcoming the prospect of them wanting to kill him in retribution, seeing it as only fair.
He has no plans as of now, and isn't that the first time in far too long too?
He is finally free from the prison of the past, where he saw no other way than to harm people, and is now free to atone and find himself again. He may forever be shaped by his past, but that does not mean he is incapable of making a difference for the better. Because as he learned the hard way, there is no changing the past.
I'm not sure what other way this part of the story could have been concluded, and I wouldn't have had it any other way because it's all so goddamn poetic and heart wrenching in the best of ways. Even as fate saw for all this hurt and harm to happen, there was still a chance for him to atone and improve, for himself and others.
And the trials of realizing that, and work towards doing better without expecting forgiveness or sympathy from those you hurt, is much more productive when trying to make things better. Why does one feel the need for further punishment after everything the story has told us so far? To me that's missing the point entirely about what makes Scara and characters like him so impactful.
Because nothing about this story has been inherently "redeeming", but if you work under the idea that "punishment and atonement" needs to be carried out and that even then it will never be enough to cleanse you from your past sins, what point is there to try and ever do better? This is why "redemption arcs" is such a useless topic to me and dare I say closemindedly christian
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Not Reverse Robins or Scrambled Birds but a secret third thing: A Step to the Left.
Not Dick > Jason > Tim > Steph > Damian,
but Jason > Tim > Steph > Damian > Dick*.
But not only them. Every sidekick with a legacy name gets shifted one spot. (No I’m not counting the Golden Age because I’m not combing through that ).
This means that Jason’s Titans team is him, Mia (Speedy), Jackson (Aqualad), Cassie (Wonder Girl), and Bart (Impulse but y’know he was KF II in the comics).
The NTT team including Starfire, Changeling, Raven, and Cyborg stays the same since they’re the only ones with those names. Cass gets lumped in here because Jason actually wants to do college/is becoming disillusioned about cape life and the idea of Kori learning Cass's body language is too good to pass up.
Tim gets one (1) cape friend (because Jason only got one) and it’s Zachary Zatara because it has to be a d-lister who deals with that disaster Teen Titans era.
Stephanie gets Jon (Superboy), Yara (Wonder Girl II now), and Irey (Because guess what it’s Impulse on the team and not KF which means we get Impulse II). Secret, Cissie, Anita, Slobo etc. all stay the same.
Damian doesn’t get anyone until he becomes Batgirl.
Duke literally gets Damian’s exact canon team but it’s Kon instead of Jon and probably won’t end with them committing war crimes.
If the character in that placement dies in canon then the new character in that placement also dies (i.e. Jason dies so Tim will die/ Kon dies so Jon will die).
But there will be changes because these are different characters so not all of them would react the same.
For example, Jason and Cass are the first Robin and Batgirl, but Cass becomes Nightwing while Jason becomes Oracle because I feel like Jason generally fits Barbara’s character better than Cass does (which is a fucking shame because Oracle being someone named Cassandra should be a no brainer but yeah).
Or how Barbara should be Batgirl number three, but it’s actually Damian because Cass would see their similarities between them and offer him Batgirl (which he refuses at first but after his disastrous run as Robin he sees how Batgirl would fit his strengths better).
Also I refuse to believe that Jason and Cass would let Dick out as Robin so young so he’s benched until later and his place is taken up by Duke and instead of Leviathan it’s Gnomon.
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