#ciaran hinds

[hotjaneaustenmenpoll]

WHO IS THE HOTTEST JANE AUSTEN MAN ? THE FINAL

Propaganda...

Captain Wentworth (1995):

Ciaran Hinds has that perfect ruggedness yet friendliness to his face that makes him the perfect charming Wentworth. And all of the longing that he manages to convey in his eyes is so hot.

Wentworth may be angry/resentful with Anne but in general he is charming and the best friend you could ever have. Ciaran gets the pleasant parts of his character and brings them out, while keeping a guarded coolness (protective camouflage) with Anne.

64.media.tumblr.com

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I dunno if this counts as propaganda or not, but Ciaran Hinds has a face that looks like it was jackhammered out of a shale cliff.

If a line like 'I am half agony...half hope' comes out of a face like that you know that man has a soul for poetry.

I can listen no longer in silence. I must speak to you by such means as are within my reach. You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone for ever. I offer myself to you again with a heart even more your own than when you almost broke it, eight years and a half ago. Dare not say that man forgets sooner than woman, that his love has an earlier death. I have loved none but you. Unjust I may have been, weak and resentful I have been, but never inconstant. You alone have brought me to Bath. For you alone, I think and plan. Have you not seen this? Can you fail to have understood my wishes? I had not waited even these ten days, could I have read your feelings, as I think you must have penetrated mine. I can hardly write. I am every instant hearing something which overpowers me. You sink your voice, but I can distinguish the tones of that voice when they would be lost on others. Too good, too excellent creature! You do us justice, indeed. You do believe that there is true attachment and constancy among men. Believe it to be most fervent, most undeviating, in

F. W.

I must go, uncertain of my fate; but I shall return hither, or follow your party, as soon as possible. A word, a look, will be enough to decide whether I enter your father's house this evening or never.  

This is propaganda for the next round because I need my boy to be a finalist! But this letter is all the persuasion I need to know that he is a winner

Ciarán Hinds in this is a whole other level of "a good man" He makes Anne's decision at the end so much more perfect.

LOOK

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HOW

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HE

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YEARNS

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The yearning the yearning - JLM gives a great look but Captain Wentworth is the king of longing stares. He's trying sooo hard to hate her sooo hard to get over her - 8 years and he thinks he's ready to face her and move on but no he has to notice she's exhausted on the walk, that her nephew is being overwhelming, that she should be dancing and not just playing the piano for everyone else. And even though he's jealous later on when Mr Elliott gives her an "admiring look" in lime he's pleased for her because he knows she deserves to be admired and cherished even if he's angry that he wasn't able to be the one she let admire and cherish her. I just this man - he loves Anne so much and it's so so hot.

Propaganda for Captain Wentworth.

I've always loved Persuasion and so I was voting for him in his polls anyway, but I had never seen the 1995 adaptation. So because of this blog I decided to check it out.

Well. Now I'm obsessed. I came into this tournament fully expecting to vote Firth Darcy to victory. Ciaran Hinds suddenly showed up and sparta kicked him to curb. His every look, every gesture is laden with longing. He's so tender with Anne but then the barely restrained rage in his voice when he speaks to Lady Russell. He's rugged and manly yet tender and considerate.

I BURN, I PINE, I PERISH

If you're wondering why you should vote for Wentworth 95 in the @hotjaneaustenmenpoll, it's because he's got something hot for everyone.

Do you think it's hot when a man dresses up fancy? He looks very dapper in his uniform! Or do you find it more sexy when a man is more casual, a little mussed up, maybe even a little grimy? He does that perfectly too!

Do you find men hot when they're being tender and restrained? Or do you find men hot when they're losing control a bit, maybe getting a bit passionate with anger or jealousy?

Do you like a refined man of culture? Or a rugged outdoorsman?

A warm smile? Or something more broody?

Someone who's the life of the party, boisterous, laughing, charming? Or the strong silent type, serious, calm, mysterious?

Hinds's Wentworth does all of these sexy things brilliantly! You cannot lose with him, he's got it all!

II ranked Wentworth as the #1 Austen man in terms of fuckability, and I stand behind that when it comes to Wentworth 95 versus Knightley 09.

Is Wentworth 95 angry sometimes? Yeah. But that's hot, at least coming from Ciaran Hinds' ruggedly handsome face. Have you heard of makeup sex? Tell me Wentworth 95 and Anne don't have the most scorching hot angry makeup sex imaginable 🥵

And yet Wentworth 95 is also super tender! The slow, gentle, worshipful way he kisses Anne at the end?? So beautiful and hot. The longing way he looks at Anne in silence. The way he is so solicitous of Anne's comfort to put her on the carriage with his sister! You can just tell he's gonna take the time to worship his wife in bed.

And let's not forget that he writes the most romantic letter ever written! The depth of passion in this man, my god! 🔥💕🔥

This is not a who is the better man contest, or who is the more faithful to the book, or who would you most want to marry. This is a hotness contest, and Wentworth 95 is so fucking hot.

Mr Darcy (1995):

Colin Firth (1995) is book Darcy brought to life. He uses tiny gestures and looks to communicate with us and Elizabeth… his struggle is so subtle but so palpable. A beautiful asshole with a creamy nougat center. Just perfect.

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Those heart-eyes right up above☝️? Hot!

Passive-agressively drinking tea? Hot!

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The way he rushes over to see Elizabeth at Pemberley on those delicious long legs of his with that slutty wet curl hanging over his forehead? Hot!

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Fencing? Hot!

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The way he is so concerned about Elizabeth crying and takes her hand even though he shouldn't? Hot!

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This dimple-y smile of pure joy because he knows he's married to Elizabeth freaking Bennet? Hot!

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Colin Firth Darcy is simultaneously immaculately put together and entirely falling apart internally. The wet shirt scene is so iconic not (only) because ‘oooh almost-shirtless sexy man’, but because it’s a metaphor for how he’s absolutely falling apart!!! This is a private moment, when he doesn’t think anyone can see him. And then he bumps. into. Lizzie. At his house!! And the entire sequence that follows with him rushing out still doing his jacket up to catch her before he leaves. They are both on the back foot and it’s THAT moment of confusion that opens a more honest dialogue between them.

Without Firth in a lake you wouldn’t get Macfadyen in a downpour!

There's a reason why Colin Firth is forever known as Mr. Darcy above all other roles he's had and will have! Even ignoring the wet white shirt, which has become A Thing now, he is so hot with his curly hair and his little half smiles and his intense looks of longing and his legs that go on for milessss.

This cannot be real. My fellow Jane Austen people. Without Colin Firth’s Darcy we wouldn’t have 90% of modern JA content. He opened a door and there was no turning back for modern culture. There would be no MacFadyen standing half undressed in a field at dawn without Firth jumping into a lake first. There would be no hand flex if there hadn’t been Firth doing his best impression of a man undressing Elizabeth Bennet with his eyes and hating himself for liking it. There would be no Bridgerton without Bridget Jones. Let’s face it people. We wouldn’t be here having these arguments if Colin Firth had not been Mr Darcy.

Colin Firth understood Mr. Darcy in a way no other actor ever has. He is awkward as fuck in a way that comes across as snooty and judgmental on a first watch-through, then can be read as awkward and longing on a second time. His performance had such depth while looking extremely shallow at first glance. This man WAS Mr. Darcy. (I love 2005, as well, and I love Matthew McFayden, but he was awkward for awkward sake.) Colin Firth made Darcy's awkward look snooty and aloof.

THE socially awkward Darcy is the 1995 Darcy - look at him coming and sitting in awkward silence with Elizabeth pointedly asking her if she wants to live a long way from her family (to obvious relief) and then abruptly leaving - vote for him please 😭😭😭😭

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Colin Firth served so much as Darcy that when they did Bridget Jone's diary, they brought him back.... AS DARCY. The smoulder. The angst. The man is the quintessential Darcy.

“Firthing” is an actual term that is used now to describe someone yearning intensely. It is named after Colin Firth’s Mr Darcy performance.

Colin Firth all the way. He's known in our household as Owl Eyes because in every frame he's mooning over Elizabeth Bennet. Unsurpassable, unmatched, golden television (and some of the worst dancing you've ever seen).

Colin has beautiful, touchable curls.

Link

My high school English teacher was very into using movies to teach alongside literature, which was a great teaching tool. When we read Pride and Prejudice, he used both 2005 and 1995 for various scenes. What stands out to me all these years later was when it got to the part when Lizzy went to help Georgiana after Caroline dropped Mr. Wickham's name and Darcy gives Lizzy this look:

My teacher stopped the film and pointed at Darcy's face and said, "See that? That is THE look. If someone ever looks at you like that, you know they're in love." And what is hotter than that?

Also this teacher had two cats named Lizzy and Darcy. Not relevant to the poll but I wanted you all to know about them.

Colin Firth dazzles and amazes in the nuanced performance that just blows all other attempts away.

The best thing about the Colin Firth wet shirt scene is actually the scene that follows where him and Lizzie are both just dyinggg of embarrassment but Darcy pulls himself together refuses to lose his advantage and runs to get dressed and chase her down before she leaves - just the mix of cringe and hopefulness at seeing her again is so well done and so attractive!!! (this is just the bit where he's running after her but I love it all!)

[my-little-random-world]

𝑰 𝒉𝒂𝒗𝒆 𝒍𝒐𝒗𝒆𝒅 𝒏𝒐𝒏𝒆 𝒃𝒖𝒕 𝒚𝒐𝒖. 𝑼𝒏𝒋𝒖𝒔𝒕 𝑰 𝒎𝒂𝒚 𝒉𝒂𝒗𝒆 𝒃𝒆𝒆𝒏, 𝒘𝒆𝒂𝒌 𝒂𝒏𝒅 𝒓𝒆𝒔𝒆𝒏𝒕𝒇𝒖𝒍 𝑰 𝒉𝒂𝒗𝒆 𝒃𝒆𝒆𝒏, 𝒃𝒖𝒕 𝒏𝒆𝒗𝒆𝒓 𝒊𝒏𝒄𝒐𝒏𝒔𝒕𝒂𝒏𝒕... 𝑨 𝒘𝒐𝒓𝒅, 𝒂 𝒍𝒐𝒐𝒌, 𝒘𝒊𝒍𝒍 𝒃𝒆 𝒆𝒏𝒐𝒖𝒈𝒉 𝒕𝒐 𝒅𝒆𝒄𝒊𝒅𝒆 𝒘𝒉𝒆𝒕𝒉𝒆𝒓 𝑰 𝒆𝒏𝒕𝒆𝒓 𝒚𝒐𝒖𝒓 𝒇𝒂𝒕𝒉𝒆𝒓’𝒔 𝒉𝒐𝒖𝒔𝒆 𝒕𝒉𝒊𝒔 𝒆𝒗𝒆𝒏𝒊𝒏𝒈 𝒐𝒓 𝒏𝒆𝒗𝒆𝒓. | Persuasion 1995

[lily-s-world]

Thanks to @hotjaneaustenmenpoll I decided to watch Persuasion (1995) for the millionth time this weekend, and inspired me to create some propaganda on why you should vote for Captain Wentworth as the Hottest Austen Man:

Anne's face the moment she saw him after eight years screams "Oh, no, he is hot!" and she is right.

He makes one snarky comment towards Anne and immediately shows a regretted puppy face, because he realized he can't hurt her in any way. Gentleman as it finest.

Life of the party charms the pants off anyone. Not literally, except for Anne.

Mister "I don't care about Anne", but will gladly listen to anything other people has to say about her and won't stand seeing her struggle in anyway. Pure gentleman behavior.

Also, will give deadly stares to the men that approach Anne in a romantic manner.

Ciaran Hinds in a Marine Uniform. Even Lady Dalrymple said he looked fine as hell in that uniform.

The letter with that voice, perfection.

The yearning and longing on his eyes is worthy of an Oscar, this man embodies that character perfectly.

I know you love Darcy, I do too, but that is the obvious choice; Wentworth is as good as he is (if not even more).

[firawren]

Headcanon: Anne and Wentworth have a very fun time together on his ship after they're married

x

[adobongsiopao]

Some press photos of "Persuasion" 1995 version starring Amanda Root and Ciaran Hinds.

[spockvarietyhour]

Rome "Triumph"

[kennethbrangh]

Ciarán Hinds on BBC HARDtalk (Feb 22, 2024)

[comicaloverachiever]

He drew out a letter and placed it before Anne.

Persuasion by Jane Austen (illustration by Hugh Thomson) / Persuasion (1995) dir. Roger Michell

[molinaesque]

Yes; he had done it. She was in the carriage, and felt that he had placed her there, that his will and his hands had done it, that she owed it to his perception of her fatigue, and his resolution to give her rest. She was very much affected by the view of his disposition towards her, which all these things made apparent. This little circumstance seemed the completion of all that had gone before. She understood him. He could not forgive her, but he could not be unfeeling. Though condemning her for the past, and considering it with high and unjust resentment, though perfectly careless of her, and though becoming attached to another, still he could not see her suffer, without the desire of giving her relief. It was a remainder of former sentiment; it was an impulse of pure, though unacknowledged friendship; it was a proof of his own warm and amiable heart, which she could not contemplate without emotions so compounded of pleasure and pain, that she knew not which prevailed.

- Chapter 10, Persuasion (Jane Austen)

- Persuasion (1995, Roger Michell)

[seldonhari]

Ciarán Hinds in L'amante perduto (1999)

[theboarsbride]

*smacks him* This lad can fit so much imperialistic hubris-

Hiiiii Sir John what's uuuuppp??😘(and Fitzjames heyyy)

He is wife to me. I'll marry him as to spare you all of his all-dooming stupidity💕 I need him carnally

[hotjaneaustenmenpoll]

Semi-Final Two

Propaganda...

Mr Knightley (2009):

Johnny Lee Miller as Knightley is JUST SO. I mean the way he says "if I loved you less I might be able to talk about it more" IS JUUUST. The dance scene. The tentative shy smiles. The fact you can see in his eyes the entire time " I am completely in love with this woman. She'll never love me back BUT I DO NOT CARE I'LL LOVE HER FROM A DISTANCE ANYWAY" IS JUUUUUUST

We need to appreciate Mr Knightley more for both his snark and for those soft eyes just so full of love for Emma

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I was just going to send in the actual dance but the little panic he has when Emma says she knows his secret is just soo charming. There was some thread on twitter a few years ago about how a romcom man's most important quality is knowing how to look at a woman and JLM is just the master of it in this Emma

I really feel like the pictures say it all. He stands there, head tilted to one side. He is listening to you. His posture is relaxed. His gaze open, frank, candid. He's not trying at all. He just is.And that's why he is Knightley.

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Some propaganda, not just for Jonny Lee Miller, but the general interpretation of 09 Knightley. I have some excerpts here from my review of the 09 adaptation:

What I really think is great about the 2009 interpretation of Mr. Knightley is what an easy and comforting presence he is, without being apologetic when he scolds Emma. I think this is communicated especially well by how often we are actually shown Mr. Knightley taking his almost-daily walks to Hartfield, how smoothly he comes and goes, and how happy Emma is every time she sees him coming up the path (usually, just at the perfect moment when she needs something to put her back to rights.)

Here is Emma, feeling lonely after Miss Taylor's wedding. And in the background, walking up to Hartfield--there's Knightley. He's always been there for her, and he always will be.

And also this Mr. Knightley is as understated as ever, but I wanna highlight this outfit and why I love it: This is Knightley’s first appearance in the series and it’s the perfect establishing shot that shows the viewer everything they need to know about Emma and Knightley’s relationship and how it has always been. He sort of materializes, out of focus in the background, but Emma immediately knows he’s there. And to accentuate how much Knightley is part of her home and scenery, his clothes (similar shades of pale tan, white and minty green to the wall behind him) almost camouflage him and make him seem at one with the moulding of her home.

Additionally, Jonny Lee Miller captures Knightley’s playful qualities, and his exasperation is so endearing

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I can’t be the only one tickled by this Knightley’s frustration with Emma! JLM FTW!

Jonny Lee Miller is mesmerizing in any role he inhabits. It’s 2009 Knightly all the way.

no but can you actually go vote for mr knightley he was FOUNDATIONAL for 16 year old me my favourite portrayal of my favourite austen man cannot fall at this hurdle!!!

He is my ultimate Austen Dream Man, I'm with him until the end. Honestly this adaptation is my very favorite of them all (P&P 1995 is a VERY close second) because it made me fall in love with Emma as a story? Honestly no other adaptation or indeed even my reading of the book made me love it quite as much. My crush on JLM goes back to 1995 and I do think he is one of the better actors of his generation - his range alone is just impeccable. The fact that he can go from Sick Boy to Mr. Knightley to Sherlock to Jordan Chase is really something. Of all the actors I know, his range is the most impressive. But i love how bright and sunny this adaptation is. The colors, it is as vibrant as Emma should be! The Kate Beckinsale Emma is dark and terrifying to me, not at all suitable an adaptation. I like the Paltrow Emma a lot, but it's got the same issue the 2005 P&P has for me -- it's just too short. This is tonally just right, and the casting is lovely, and JLM is just at his dashing best. His face is so expressive, he is so capable of communicating so much without saying a word. His open jealousy of Frank Churchill is delightful to watch. His face when Emma tells him his secret is out at the ball! JLM is maybe the most underrated actor of his generation and I LOVE that he has been multiple Austen heroes. I maintain that in a future adaptation of Pride & Prejudice, an older JLM would make an EXCELLENT Mr. Bennet. He would convey the right amount of grumpy but fond beautifully.

Look. Do people realize JLM hates wearing period clothing AND hates dancing? And yet in Emma he's sashaying around in pink jackets looking amazing and is THAT convincing? That's called BRILLIANT ACTING!!

A tiny bit of Mr Knightley 2009 propaganda but I love that they put in that bit from the book where he looks like he's going to kiss Emma's hand when he's saying goodbye but then he hesitates and doesn't and I just...it's such a tiny detail but conveys so much!

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It’s the only Emma adaptation that really hits the romance notes well. Knightley’s crowning moment of awesome really feels like it (when he rescues Harriet from humiliation) and his subsequent dancing with Emma does make you feel a shift in their relations. Love this adaptation. - This Knightley and Emma in particular are equals. They quarrel, not because he’s telling her off, but because they can have an argument because they know each other, trust each other and care about each others opinions, and there is never a sense of domination of one over the other. This adds so much fire to the romance, and it’s so unusual for a romance of that era (or even one written today!!). - Emma is rich, clever and beautiful and as powerful as a woman of her age and situation could be at the time and she married Knightley for no other reason but because he’s her best friend and his company for the rest of her life will enrich her. - He even leaves his house to move in with her!

Captain Wentworth (1995):

Ciaran Hinds has that perfect ruggedness yet friendliness to his face that makes him the perfect charming Wentworth. And all of the longing that he manages to convey in his eyes is so hot.

Wentworth may be angry/resentful with Anne but in general he is charming and the best friend you could ever have. Ciaran gets the pleasant parts of his character and brings them out, while keeping a guarded coolness (protective camouflage) with Anne.

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I dunno if this counts as propaganda or not, but Ciaran Hinds has a face that looks like it was jackhammered out of a shale cliff.

If a line like 'I am half agony...half hope' comes out of a face like that you know that man has a soul for poetry.

I can listen no longer in silence. I must speak to you by such means as are within my reach. You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone for ever. I offer myself to you again with a heart even more your own than when you almost broke it, eight years and a half ago. Dare not say that man forgets sooner than woman, that his love has an earlier death. I have loved none but you. Unjust I may have been, weak and resentful I have been, but never inconstant. You alone have brought me to Bath. For you alone, I think and plan. Have you not seen this? Can you fail to have understood my wishes? I had not waited even these ten days, could I have read your feelings, as I think you must have penetrated mine. I can hardly write. I am every instant hearing something which overpowers me. You sink your voice, but I can distinguish the tones of that voice when they would be lost on others. Too good, too excellent creature! You do us justice, indeed. You do believe that there is true attachment and constancy among men. Believe it to be most fervent, most undeviating, in

F. W.

I must go, uncertain of my fate; but I shall return hither, or follow your party, as soon as possible. A word, a look, will be enough to decide whether I enter your father's house this evening or never.  

This is propaganda for the next round because I need my boy to be a finalist! But this letter is all the persuasion I need to know that he is a winner

Ciarán Hinds in this is a whole other level of "a good man" He makes Anne's decision at the end so much more perfect.

[my-little-random-world]

𝑻𝒉𝒆 𝒆𝒗𝒆𝒓 𝒅𝒆𝒍𝒊𝒄𝒊𝒐𝒖𝒔 𝒕𝒆𝒏𝒔𝒊𝒐𝒏 𝒃𝒆𝒕𝒘𝒆𝒆𝒏 𝑨𝒏𝒏𝒆 𝒂𝒏𝒅 𝑪𝒂𝒑𝒕𝒂𝒊𝒏 𝑾𝒆𝒏𝒕𝒘𝒐𝒓𝒕𝒉 | Persuasion 1995

[emotionallychargedtowel]

Intense Subtext in Front of Oblivious Side Characters: "I had no wife in the year six"

There's a thing, I guess it would be considered a trope, that is one of my favorite such things in any form of media but especially any sort of romance-centered story. I don't know of an existing term for this and I'm terrible at being concise so I'm not sure how I could put it briefly. Basically, it's the thing that happens when a larger interaction is happening with a group of people but there's a subtext to it that means something very different--and generally, much more meaningful--to the central characters. You could call it something like Intense Subtext in Front of Oblivious Side Characters.

I've been thinking for a while about possible parallels between BLs and Jane Austen novels and/or adaptations. This is my attempt at taking a small, specific example of a parallel I sometimes notice and talking about it. Austen's novels do a lot of this trope I mentioned. That's in part because of choices Austen made in what she wanted to write about. But it's also because of the social context of her time. There was a lot going on that people couldn't be explicit about, for a variety of reasons. I think one reason why I see similar things happening in some BLs--and maybe one reason for the appeal of certain types of BLs--is the fact that being queer in a homophobic society makes openness complicated in a way that doesn't come up as much for hetero relationships these days. Especially when we get into things like office romances, in which appearances have higher stakes. These complications around openness have a kind of similarity to the reasons Austen's characters had to play a lot of things close to the chest.

Fellow Old Fashion Cupcake fans will remember an example from that series that I think really fits here. Nozue and Togawa agree to attend a goukon, or "mixer" as it's sometimes translated--basically a group hangout intended to help men and women meet for the purpose of finding people to date. Nozue is hitting it off with a cute younger woman, which is bad enough. But then he mentions his "anti-aging" efforts, and because of the mysterious way he words it, the woman asks, "Does that mean you're in love?" which of course catches Togawa's attention even more. He's clearly affected when Nozue answers, "If I were, I wouldn't be here."

@jdramastuff did a great screenshot post of this scene if you want to see what this looked like.

After Nozue's comment, Togawa starts knocking back alcoholic drinks like it's going out of style, ensuring that Nozue will have to help him home instead of going home with the woman who's been flirting with him.

(You could argue that this isn't so much a case of subtext as it is the significance one person assigns to what another is saying. Subtext really requires some degree of communication between more than one person. But while Nozue doesn't fully grasp what's going on, I think he does understand in some ways what he's communicating. I don't want to go on too much of a tangent, so I'll just say that having just read the manga the series was based on, it strengthened my belief that while Nozue is repressed, insecure, even deluded at times, he has glimmers of awareness of his feelings for Togawa and even suspicions of Togawa's feelings for him, and on some level he knows what he's saying, though I don't think he knows in this moment how much these words will hurt Togawa.)

I have another favorite example of this, a scene from Persuasion. It's rendered really well in the 1995 adaptation of the novel with Ciaran Hinds and Amanda Root. (The whole thing is phenomenal, by the way--I think it's the best Austen adaptation ever made, personally.)

A bit of background for anyone not familiar with the story: Anne Elliott was engaged to Captain Frederick Wentworth in 1806 but was convinced by Lady Russell, her neighbor/family friend and a kind of surrogate mother to her following her mom's death, to break off the engagement. She has regretted it ever since. Wentworth was deeply hurt and angry when she broke things off, not surprisingly.

More than eight years later, Anne is visiting her sister and her sister's in-laws, the Musgroves, when Wentworth comes to the area and starts spending a lot of time at the Musgrove place (and with the Musgroves' eligible young daughters). Wentworth acknowledges Anne, but just barely, while paying enough attention to both the Musgrove girls that everyone is gossiping about which one he's going to marry. Anne's sister Mary was away at boarding school when her previous relationship with Wentworth happened, so neither Mary nor the Musgroves are aware Anne and Wentworth were involved and think they were only acquaintances.

At a dinner party, the Musgrove girls try to look up the ship that Wentworth first commanded, the Asp, in the Navy List, a book that chronicles the various ships in the British Navy, their commanders, and so forth. Wentworth tells them not to bother--"she" is not in the current version of the List because "she" no longer exists.

Louisa and Henrietta Musgrove are suitably horrified.

Admiral Croft, Wentworth's brother-in-law and superior in the Navy, remarks that Wentworth was lucky to get a command so early in his career at all, no matter how seaworthy (or un-seaworthy) the ship was.

(Remember, 1806 was the year that Anne and Wentworth became engaged and then un-engaged.)

Gut-wrenching. And nobody else sitting at that table has any idea what just happened. I love it.

I have some more thoughts about this languishing in an excessively long post in my drafts, which I'll try to get out one of these days. I know I've talked to a few people about trying to do some BL/Austen posts and had meant to tag them but the only person I remember talking with about it was @absolutebl. If you're reading this and you want a heads up next time I write about this stuff, let me know!

[firawren]

If you're wondering why you should vote for Wentworth 95 in the @hotjaneaustenmenpoll, it's because he's got something hot for everyone.

Do you think it's hot when a man dresses up fancy? He looks very dapper in his uniform! Or do you find it more sexy when a man is more casual, a little mussed up, maybe even a little grimy? He does that perfectly too!

Do you find men hot when they're being tender and restrained? Or do you find men hot when they're losing control a bit, maybe getting a bit passionate with anger or jealousy?

Do you like a refined man of culture? Or a rugged outdoorsman?

A warm smile? Or something more broody?

Someone who's the life of the party, boisterous, laughing, charming? Or the strong silent type, serious, calm, mysterious?

Ciaran Hinds's Wentworth does all of these sexy things brilliantly! You cannot lose with him, he's got it all!

VOTE FOR WENTWORTH 95

[adobongsiopao]

I still love this version of "Persuasion" starring Amanda Root and Ciaran Hinds. It's really great.