#cinemetography

[thelostjedii]

Christian Bale playing Bruce Wayne in “The Dark Knight” (2008)

[2001hz]

吸血鬼ハンターD ブラッドラスト (2000)

[girlbragging]

[confiturederoses]

Emma Stone as Bella Baxter in Poor Things (Film, 2023)

[zane-kun33]

Cinematic parallels

Dune: Part Two (2024)

[poachedangel]

“When she jumped, she probably thought she would fly”

The Virgin Suicides, 1999

[portraitofaladyonfire]

Summer Lovers (1982) dir. Randal Kleiser

[inolongerhavealilacname]

Yorgos Lanthimos

[bonnieblue0606]

If anyone has written or is planning to write a Farleigh x reader, please let me know

[mistikfir]

2x08 "Su-zakana"

(Will Graham) - I'm afraid I need to be saved from who you perceive me to be. […] (Hannibal Lecter) - If you're going to do this, Will… You have to do it for yourself.

[magicspeedwagon7]

a lot of analysis of "Saltburn" that i see on the internet focus on the text/subtext and maybe the symbolism but i'd like to focus on how messages can be conveyed by the visual elements of the film.

after your first viewing of the film, you've probably asked yourself a lot of questions, including: did Ollie genuinely like Felix (and all his plans derailed dramatically) ? or was Felix a mean to an end from the beginning (and Ollie's mistaken his obsession with Felix, more precisely what he represents (i.e. coolness, wealth, injustice etc) for genuine affection) ?

first and foremost, let's talk about the ratio used all throughout the film which is 1.33:1. so not a perfect square - that would be 1:1 - but here's a screenshot of my computer while i was playing the film on my media player so you can see the biiiig black stripes to the left and right.

such a square-ish ratio - especially compared to larger ratios, the hollywood standard being 1.85:1 - allows paying attention to the characters instead of the background in wide shots or floor shots and offers 'intimate' close-ups because little to no background is to be see as you get closer to the characters. the main drawback and that we cannot capture imposing backgrounds with it. it just doesn't fit.

the scene where Felix shows Ollie around the house illustrates perfectly the paradoxes of the film. Saltburn is central to the film and yet just a background.

the camera never moves away from Felix, not even when Ollie looks left and right. to add insult to injury, the narrow frame prevents us from looking at anything else even if we wanted to.

"some fucking hideous Rubens" said Felix. Rubens that...we will never see. same for the maze Felix will die in: we'll see it later.

of course, the previous scene depicted Ollie as insignificant compared to the castle but i think this scene is here to establish Duncan as the gatekeeper of the castle in a very literal sense. as if the gates of the castle had taken on a human form in the form of Duncan.

but the moment Felix comes in, all eyes on him.

for me, the message is clear: before the death of Felix, we don't care about the castle . there's not even a single room of that castle that you could describe extensively. do you know what Ollie's and Felix's rooms look like? and the dressing room? etc. Ollie was genuinely obsessed with Felix and he had to improvise when he died that aspect of him is not part of any scheme. in contrary i think the moments when Ollie's sexually excited by Felix (cf bathtub scene, grave scene) are Ollie's rare moments of vulnerability when his real personality slips through. he cold-bloodedly killed all the members of the Catton family except Felix he genuinely cried for.

that's why i do not subscribe to the view that every single thing Ollie does is part of a scheme from the get-go. sometimes, Ollie improvises and his obsession for Felix is not a mean to an end.

[cowboyseason]

BONES AND ALL (2022) dir. Luca Guadagnino

[2001hz]

Tank Girl Directed By: Rachel Talalay (1995) Animated Sequence By: Mike Smith

[filmaticbby]

Bones and All (2022) dir. Luca Guadagnino

[sparksetfire]

Can you hear the music, Robert?

[hamoodmood]

Perfect Blue and Black Swan