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yoonrimin · 1 year

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yoon recommends

STRAY KIDS

@feelbokkie >>>> don't let me love you

pairing: felix x fem!reader / chan x reader

summary: with the upcoming wedding of her cousin and her ex, y/n is in desperate need of a date for the wedding that will show the happy couple that she moved on

genre: smau, fake dating, crack, angst, fluff

status: completed

feelbokkie also has a lot of other content for stray kids that i really enjoy, i think that i read all her materialist so go and check her blog out!

@milkandhyunnie >>>> this boy is bad news

pairing: hyunjin x reader

genre: angst, smut, smau, college au, enemies to lovers

status: ongoing

summary: as an aspiring journalist, you are the news editor for the uni chronicles; the campus newspaper, popular for delivering breaking news at the drop of a hat and providing detailed articles about the various happenings around your university. you think you’ve covered every story there was to cover before you’re tasked with producing an in-depth editorial on a student whose name is on everyone’s lips—hwang hyunjin.

we love a good enemies to lovers in this blog! and the character development????? off the charts

@sluttywonwoo >>>> instead of you

pairing: best friend’s brother!lee minho x f!reader ft. han jisung

status: ongoing

summary: you didn’t expect to spend your summer pretending to be your best friend’s girlfriend- then again, you didn’t expect to fall for your best friend’s brother, either.

series warnings: swearing, drug + alcohol use/mentions, menstruation mentions, angst, eventual smut

one of the best minho fanfics fr

btw you're going to see a lot of Kaili in my recs ;)

@skzonthebrain >>>> GO LIVE bangchan

pairing: chan x fem!reader

genre: smau, university au, established friendships, strangers to friends to lovers

status: ongoing

summary: you're crushing on the local JYP Campus Radio Host, Chan, but then again who isn't? You've always admired him from a far, thinking just like any other popular guy, he wouldn't give you the time of day. After a sudden encounter with Chan one day in the campus coffee shop 'Lifeline', everything changes."

>>>> If only you new

pairing: Chan x reader (gender not mentioned)

genre: one shot, established best friends with chan, angst, pining, fluff

summary: your ex cheated on you. you are heartbroken, have been crying for days and the worst of it all, you're now sick with the flu. thankfully Chan will always be there to look after you. is there a reason he cares so much?"

content warning: mentions of cheating, reader is cheated on, mentions of betrayal, character gets sick and pretty depressed.

>>>> what the heart wants

pairing: chan x reader

genre: one shot, nonidol!au, fluff, emotional, first confessions, best friends to lovers, established friendship with Minho and his fiance, established friendship with chan

summary: you have healed from the pain your ex caused and your close friend helps you realise you're ready to love again. will Chan still feel the same way after all this time?"

content warnings: mentions of being cheated on, emotional but happy emotional, mentions of pregnancy (not y/n), opening your heart to love after betrayal, nothing but fluff really.

i find all of the works of Ven pretty well written, is one of those writers that leaves you feeling the passion that she puts on her writing. i love them.

@kkami-writes >>>> waiting for us

pairing. ot8 x fem!reader

genre: soulmate!au, college!au, social media!au + written parts, angst, hurt/comfort, fluff, smut(?)

status: ongoing

summary: at age 16 you either get your soul mark (in the form of your soulmates name somewhere on your body) or you become a blank, someone who doesn't have a soulmate. you've long lost any semblance of hope or comfort in the magic of soulmates, despite the fact that you have 8 of them.

content warning: swearing, mentions of sex, sexual innuendos, skz should be in horny jail, potential smut (MDNI), domestic abuse, sexual assault, implied/referenced self-harm, suicidal tendencies/thoughts, male x male relationships (skz are soulmates), polyamory, kms/kys jokes, mentions of homophobia + transphobia, lots of written parts, more to be added.

one of my recent lectures that i've been enjoying a looot. i truly recommend it.

@mazeinthemiroh >>>> all her materialist

i love their work, her reactions are really really good and well written. one of my comfort blogs tbh

that's why all her stray kids materialist is here, just so you can see and read it with your own eyes

@straylightdream >>>> 8.13

pairing: lee know × fem!reader

genre: one shot

summary: after a nightmare wakes you up your husband comforts you.

this made me cry its so good and fluffy omg

p.d: in the future new blogs are going to be added, these are my more recent and current obsessions of the month if am being honest. but they're here because of the history and the writers are doing a really really good job with their works which is highly appreciated.

♡♡ if you're one of the creators tagged here i wanna say thank you for your hard work and that i truly admire your talent and skills that give us those beautiful stories ♡♡

p.d. 2: i apologize if there are any mistakes, english is not my first language, if you find any please let me know so i can get better!

xoxo, yoon's out!

#stray kids #stray kids reactions #bang chan #lee know #changbin #hyunjin #lee felix #seungmin #i.n #stray kids recs #han jisung #kpop smau #skzonthebrain 💜#kkami

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republicansaredomesticterrorists · 1 year

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Betsy DeVos has been trying to break public education for decades so her “for profit charter schools” can rake in the dough from school districts across the nation.

Most charter schools are non-union, pay slave wages, don’t require qualified teachers, are exempt from the standards public schools are held to. They are failing miserably, offer little to no special needs or bilingual education, and produce poorly educated MAGAs that can not survive in today’s complex job market. It’s a scam that was pushed into the mainstream by Bush/Cheney with their No Child Left Behind. Another tricky Republikkkan misnomer.

NCLB brought us standardized testing to punish public schools, particularly those in inner cities that catered mainly to children of marginalized people. A school superintendent in Texas, that was a crony of Bush, expelled all the failing children (mostly minorities and poor whites) issued standardized tests and proclaimed his district proficient based on the scores. State legislatures across the country started punishing inner city districts by pulling funding from underperforming schools and giving it to charter schools. The charter schools were owned by DeVos and other billionaire Republikkkan donors.

Even blue states were pressured into adopting the standardized tests and the curriculums and texts that came with them. These materials that costs millions per district mostly came out of Texas and other red states. Ironic that Texas supplies the majority of our textbooks and has since before this scam. The Red States control our history and education in general, or at least have a profound impact on it. Many local level Dems on school committees and state boards of education also invested in this get rich scam.

Betsy DeVos runs a propaganda policy agency, the Mackinaw Center, that purports to be a grass roots movement for better education. It sends out emails, to everyone in education, that praise charter schools while denouncing public schools. Mackinaw created an artificial crisis of faith in public schools and largely blamed teachers’ unions-because organized labor is always the enemy of billionaires. DeVos’s agenda has seeped into the consciousness of Americaand even some public school employees have unwittingly bought into her propaganda. Southern Red States was where, and still mostly is, where the underperforming schools are-and that’s by Republikkkan design. Late stage capitalism, when the people have been bled dry the oligarchs begin plundering the government.

Oligarchs have been attacking our society on every level for decades. They have so many policy institutions, propaganda outlets, and political operatives working 24/7/365 that is almost inconceivable. While the main attack ramped up in the 1960’s it’s actually been going on here since the start of the Industrial Revolution.

Hilary Clinton was mocked viciously by Fox, talk radio, and Republikkkan politicos for comments about the “vast right-wing conspiracy” in the 90’s. Today there are college courses about it, books, articles, and documentaries. High ranking Dem party leaders are given briefings about it. RI Dem Senator Sheldon Whitehouse exposes it on the floor of the Senate daily. We’ve all seen charts of the Koch-topus with its tentacles stretching from right-wing billionaires to think tanks that openly write legislation for Republikkkan politicos to introduce. From the John Birch Society to ALEC and the Federalist Society they shape and control our laws and destiny.

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fromtenthousandfeet · 4 months

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Smells Like Steady Vocals and Perfect Pitch

Part 1.

I wrote this on April 5th, 2024 in a fit of rage/inspiration. I wasn't going to post it but I've decided to anyway because I'd like to give a little perspective about why Jimin, out of all the members of BTS, is popular in the US, and why I think he has amazing potential as a solo artist if he's given the right team and tools.

*******

Today is the 30th anniversary of Kurt Cobain's death, so it feels like a sign from the heavens that it's time to write a post I've been composing in my head for months.

So often when I'm on Twitter/X looking for information about Jimin, I see one nasty comment after another downplaying his singing, his artistry, and his talent in general. The phrase repeated the absolute most by the fandom of a particular member is that the reason HYBE invests in one above all the others is because he has the most stable singing voice. And perfect pitch. And the perfect tone for pop music.

Frankly, I get so sick of reading those comments, but I also have to laugh, because it shows such a fundamental misunderstanding of what appeals to music fans in the US/Western countries.

If you open Spotify right now and search for Nirvana, you will see 31.1 million monthly listeners! As a reminder, their last album was released 30 years ago and they only put out 3 major label albums over a 3 year period. Meanwhile, BTS has 28.6 monthly listeners and has a discography a mile long and a career spanning more than 10 years.

Do you honestly think that Nirvana has enjoyed so much popularity over the years because Kurt Cobain had perfect pitch and could sing live? Yeah, no.

I remember where I was the first time I heard "Smells Like Teen Spirit." I couldn't decide if I loved it or hated it, but the song held a strange grip on me. It was sooo different than all the other popular music at the time, even in the alternative scene. It wasn't quite punk, wasn't quite heavy metal. The song was angry and raw, but also oddly charming. But mostly, it was refreshingly different from all the highly produced music that was on radio stations' rotations at the time. Don't believe me? Here's a link to the Billboard Top 100 on the week "Smells Like Teen Spirit" was initially released:

Check out the list and tell me how many of these songs you know. Probably a few, but not many have withstood the test of time (shout out to 3 a.m. Eternal by The KLF, though. That was a fun song).

This was the #1 song that week:

Didn't like it then. Don't like it now.

Now compare that to Smells Like Teen Spirit:

Look at the Billboard list again. Lots R&B (love), dance tracks, a smattering of college radio/alternative tunes, and a whole lot of what we would call easy listening/adult contemporary music. A snooze fest. Nirvana came along at the right time when the American music audience was in desperate need of something more authentic and not so over produced.

Sorry for this long-winded pop music history lesson. Believe it or not, I have a point to make. Americans like a huge range of music styles (as can be seen on the current Billboard charts). We get bored easily. We don't demand a steady voice or perfect pitch. What we want is something new. Something innovative. Something authentic. The biggest western pop stars who have enjoyed long careers in North America know that they must push boundaries and release new, unexpected material in order to stay relevant.

Be it BTS' English trilogy, songs that blatantly emulate American pop singers, or the conveyor belt of 2 minute TikTok-ready tunes sung by Korean girls, so far it doesn't seem like we should expect anything terribly innovative or cutting edge now that Big Hit has morphed into HYBE with its many labels/subsidiaries. Fickle American audiences will move on quickly, in my humble opinion.

One last thing. The US is a huge country with very diverse cultures based upon geographical location. Gender, age, ethnicity, urban vs. rural, and region of the US all influence what people are listening to. What's popular in Atlanta isn't necessarily popular in Salt Lake City, for example. Americans are not a homogenous group and neither is our taste in music.

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zumicho · 3 months

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SOCIAL MEDIA AUs & FIC SERIES

matador

she’s the first female driver in formula one history to win the monaco grand prix. instead of a celebration, they replace her with a longtime rival. it sends her down a spiral no one can save her from. except maybe race engineer iwaizumi hajime.

𝜗𝜚 iwaizumi x reader ongoing

growing sideways

she takes work frustrations out on ao3, writing fics about the hot guy living next door — kita shinsuke. he helps fix roof leaks, kill pests, and stands up to their asshole landlord. unfortunately, having a spare key to her apartment leads him to read the monitor she forgot to shut down when she left.

𝜗𝜚 kita x reader ongoing

panorama

it’s been three years since tanaka & kiyoko tied the knot! as her family friend, you’re invited — as a bridesmaid to her vow renewal beach getaway on panorama island !! ♥︎

𝜗𝜚 interactive multi character x reader on hold

blueprints

who would’ve thought that someone who wants to build houses for a living was scared of building a home?

𝜗𝜚 architecture student akaashi x artist reader on hold

off the charts

you’re a radio show host engaged to a volleyball player. in a world where fate chooses your lover, he believes you’re his soulmate. so what if he’s not?

𝜗𝜚 sakusa x reader temporarily discontinued

stamped

your brother’s best friend is a travelling volleyball sensation. he sends him letters from every country he visits, & you could care less. till.. he starts addressing them to you.

𝜗𝜚 oikawa x reader completed

white denim overalls

you stopped believing in love the day your dad passed—leaving you to pay the debt left off from building his dream bakery. when your long term boyfriend breaks off a three year long relationship via text, you wonder if you have any more life left to live. heaven sends you a surprise ◡��

𝜗𝜚 suna x reader completed

mousetrap

your longtime motto: keep to yourself! it’s year two of college, when dragged into deep drama — the unlikeliest of knights come to your rescue. that changes nothing. right?

𝜗𝜚 iwaizumi vs. akaashi x reader completed

ONESHOTS, DRABBLES

to be loved is to be remembered

𝜗𝜚 post argentina oikawa x reader

everyone adores you (at least I do)

𝜗𝜚 bokuto x reader

HEADCANONS

ukai vs dating

𝜗𝜚 karasuno

haikyuu hamilton recast

𝜗𝜚 multiple

carnival date headcanons

𝜗𝜚 karasuno + shiratorizawa

aquarium date headcanons

𝜗𝜚 karasuno + nekoma

#here’s a map. be safe! 𖦹°⋆

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arctic-hands · 2 months

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The dirty secret of private weather tracking sites like AccuWeather, Dark Sky, and The Weather Channel is that they get a lot of the data they use to make predictions from government sources in the U.S. and abroad. They all process the data using proprietary systems, but many of the inputs are free. That’s always bothered the people who run AccuWeather.

The privatization of weather reports is a conservative project that long predates Trump and Project 2025. In 2005, Republican Senator Rick Santorum introduced a bill aimed at forcing the NWS and NOAA to stop providing free weather reports. AccuWeather, which was headquartered in Santorum’s home state, lobbied hard for the bill. It died in committee.

AccuWeather tried again during Trump’s first presidency. Trump nominated AccuWeather CEO Barry Lee Myers to head the NOAA. Smelling a fox in the henhouse, the Senate refused to confirm him.

AccuWeather is all over Project 2025. “Each day, Americans rely on weather forecasts and warnings provided by local radio stations and colleges that are produced not by the NWS, but by private companies such as AccuWeather,” it says. “The NWS provides data the private companies use and should focus on its data-gathering services. Because private companies rely on these data, the NWS should fully commercialize its forecasting operations.”

Saw this going around in a very image-heavy post nigh impossible to caption, so here's the whole article in the link and the AccuWeather parts in the excerpt. Time to use a new app

#accuweather #project 2025 #noaa

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bitchinbarzal · 2 years

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Vancouver | J.Hughes

summary: after a hurtful breakup he never thought he’d hear her voice again.

not entirely sure what this is but have it anyway

Through high school and all the junior clubs he went through, Jack stayed devoted to you and your relationship.

It surprised a lot of people. He was the supposed heartbreaker and player of the group of friends but he proved everyone wrong.

It all went downhill after the draft.

You’d been alongside him when he was drafted, cheering the loudest alongside his family. You were so proud of him.

He wasn’t like Quinn, he didn’t want to take time out or go slow into his career. When he heard first pick it went straight to his head.

It hurt to see what he became right infront of your eyes. He made the move straight to Jersey, threw himself into the team and proving himself to the organisation while pushing you away in the meantime.

The breakup was slow and he was oblivious. You’d stayed in Michigan after he left so the phone calls got fewer and fewer, you stop flying out to visit so much and even stopped hanging out with his family.

It became final when you flew out to Jersey to watch a game. He hadn’t done much with you being there and when the weekend ended and you had your bags packed you held onto him for just a little longer.

“Goodbye J” you mumbled, a slight crack in your voice.

“I’ll see you in a couple weeks at the red wings game, right? No need to be upset babe”

You shook your head “No, Jack I- I don’t think I can do this any longer”

“What? What are you talking about?”

He reached out for your hand but you pulled away

“I lost you Jack-“ “I’m right here! What are you on about?”

You were trying so hard not to get upset “I lost you, the real you, my Jack back in Vancouver. The day you became Jack Hughes the devil I lost you”

He had been rendered speechless, stumbling back a few steps.

“Goodbye Jack”

No reply. Just the sound of your suitcase wheels squeaking out the door for the last time.

He was heartbroken.

The days, weeks, months following he reflected on everything that had happened since he had been drafted.

Maybe you were right.

He’d tried filling the void with random party girls, set ups and dating app girls but nothing ever came close.

His family saw you around still. You went to lunch with Luke oftentimes but he never told Jack about it.

You’d told him that you’d dropped out of college and signed a record deal. You were finally getting your dream of creating music, being a voice and being heard.

“We’re really proud of you - all of us. We’re just really sorry”

“Everything happens for a reason Lu, I’m okay”

The first song you produced hit number one on the charts days after it’s release, it was all over social media.

It was the off season and the Hughes’ were all home at the lake house with their friends. Fourth of July, everyone was over.

Someone had brought out a speaker to the deck, tuning in the radio and turning up the volume to the max volume.

“and next up we have a brand new artist on the scene, she’s still young but she’s already broken the internet with her sound. this is vancouver by y/n y/l/n”

Everyone quietened down, some throwing glances Jack’s way as the music began.

He looked straight at the speaker as if it were you standing there.

He never thought he’d hear your voice again.

“-but I lost you in vancouver, it’s still so cold”

“I lost you when the devil got a hold”

He felt like he couldn’t breathe mid way through the song, standing up to excuse himself. He broke down in the living room still hearing your voice in the background.

Ellen rushed in behind him, holding onto him from the back whispering “It’s okay, you’re okay sweetheart”

“Mom-“ “I know baby, I know it’s okay”

He wasn’t the same that summer and returned to Jersey sooner than planned just throwing himself into work.

The season opener brought plenty questions from the media

“Jack, you signed a huge contract this off season. How do you feel? What’s the plan?”

“Um yeah, I mean I think I just gotta keep my head down and prove to the organisation we can continue what we started back in Vancouver, I lost a lot to get to this point and I’m gonna make sure it wasn’t for nothing. I’ve got a lot of people behind me to support so I just gotta do what I can”

At home, you sat watching the interview

“I’ll always be behind you J, you got this”

#nhl imagine #jack hughes imagine #jack hughes x reader #new jersey devils imagine

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wildestdreamcatcher · 1 year

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i need you to inspire me!!! tell me your purly hcs hehe

They started dating in their junior year of highschool. Curly flirted with Pony a lot and Pony hair didn't really notice because he thought Curly was being nice

They moved in together during Ponyboy's second year of college

Ponyboy decorated the apartment really aesthetically because everything has to be aesthetic for him

Pony's gay, Curly's bi

They have a cat together

Pony's really into astrology so he memorized Curly's birth chart.

Pony listens to Jeff Buckley, Hole, The Beatles, and The Cranberries. Curly just listens to what's on the radio and whatever Pony likes

Curly can't drive so he's just Ponyboy's little passenger princess

When they were in high school and when Curly would get into fights: Ponyboy would clean him up even though blood gave him the ick (he hates blood ever since he saw Bob's body after Johnny stabbed him)

They smoke weed together

Curly doesn't understand why Pony's stressed about school all the time so he just constantly flirts with Pony while he's studying because he wants to annoy him (he also wants attention)

Curly stole a bracelet during a rumble and he gave it to Ponyboy one time

Sorry these were so short!

#jay 🌟🌹#ponyboy curtis #curly shepard #purly #the outsiders #the outsiders hcs #the outsiders headcanons #ponyboy the outsiders #curly the outsiders

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ourladyofomega · 10 months

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I was getting deeper and deeper into everything electronic and industrial, all during my one-year break in-between the Brentwood era and community college. The UK electronics invasion, MTV's Amp, and Wipeout XL were the major influences that led me to that point. I was starting to have an endless appetite for music, and one thing I learned about myself that I could be interested in anything and everything. I already had an affinity to golden-era hip-hop / rap and alternative. The seeds of hardcore started to grow, so there would be no stopping me at this point. There were so many genres, artists, and sounds I was getting into, and I wanted to keep up. I had a position at a department store in the shopping mall, then later at a movie rental store, so I could afford to buy titles for whatever cash I had in hand.

I didn't have a desktop with internet to find independent stores. I had yellow pages instead: thick phone-books listing hundreds upon hundreds of pages of local businesses, their addresses, and their phone numbers all in minuscule print. That's how I discovered them back then. It was a year after visiting my first-ever independent record store, Commack's Mr. Cheapo's. Then came West Babylon's Looney Tunes before the holidays. Still enthusiastic in discovering the vast unknown, I wanted to find more. Port Jefferson's Music Den would be the next destination.

I already felt like an outsider when I arrived on campus. It was a different type of demographic I was used to. I looked around and I'd still see cliques, circles, and other "exclusive" groups of students that I felt I wouldn't be included in. I'd meet newfound friends who'd introduce me to their friends, but it felt forced, and they didn't seem to care. I was crazy for Atari Teenage Riot because they showed me exactly what techno always should've been: deafening loud, criminally high-speed, and maniacally all over the place. I tried looking for people who were in them, and observed what types of music the majority were into. Simplistic, manufactured, predictable dance hits. Boring weekend club-mashers. Formulaic radio chart-toppers. I wasn't impressed. The people who were into that were shallow, superficial, judgmental, needlessly competitive, and at times just unnecessarily mean. Drama artists and attitude jockeys all over the place. That's why they called community college "13th Grade". Now you'd see the disgusting distaste of the late-Nineties music scene I had. But, I did have a couple of good cards given to me. I joined the campus newspaper which I'd write music reviews for. An attractive brunette, Sandra, randomly stopped me to strike up a conversation, and wanted to get to know me better. She was also a Jesus freak. I also made another friend I met on campus who decided to set me up with an Irish blonde acquaintance of his, and we hit it off right away. Even then, I'd deal with constant games, rudeness, and random acts of ego during my time there.

The newspaper meeting ended one late October Thursday night. I finally had the opportunity to drive out eight miles from campus to the Port Jefferson Music Den for some shopping. I walked right in, and started digging. I'm not even there for two minutes and I already find gold: the import version of Alec Empire’s The Destroyer for only $9.00 used ($22.00 brand new otherwise). That was a huge deal for me because (once again) I was an Atari Teenage Riot / DHR fanatic. Right after that? Another label release, this time from EC8OR. I'd finally discover all those artists I heard about on the internet; thirty-minute download times of grainy 480P-resolution video and all. I was really starting to like this place. I start scouring the used CD bins, and I’d stumble upon KMFDM’s banned version of Naive for $8.00 - back when used copies on eBay were selling for…$80.00 each! Then came Pigface’s Washingmachinemouth and Ministry’s The Land Of Rape And Honey for a few dollars used. I copped Fluke’s Risotto because of Wipeout XL, and I’d snatch Skinny Puppy’s Back & Forth Volume 2 and Cleopatra’s Industrial Revolution: Third Edition, all for regular price. Finally, Coldcut’s "Atomic Moog 2000" / "Reboot The System": the first-ever multimedia CD I'd ever own.

Minute-by-minute, I'd slowly discover all sorts of wild and unusual sounds and artists they had on the racks. The Port Jeff- Music Den carried all the rare, unusual, and obscure stuff no other store on the island did. Sure, there were plenty of used CDs and vinyl bins in pop, metal, alternative, shoegaze, indie, hip-hop, and jazz. It was their industrial, noise, electronic, and experimental selections, however, that would be the all-important tie-breaker. They had all what I was looking for. I remembered seeing titles like Gescom’s Minidisc on the racks, Coil’s “Autumn Equinox: Amethyst Deceivers” 7", tons of Clock DVA, Controlled Bleeding, plus some Oval and Microstoria albums. It was wild. I felt stimulated because I found plenty of abnormalities that I never knew existed, instead of the expected, typical, calculated fare that did absolutely nothing for me.

90 minutes later, I took my short stack of CDs, placed them on the counter to be rung up, cashed out, and wrapped up what would be my first visit to The -Den. $82.00 later, I leave fucking satisfied.

With each visit after, I’d continue to score big victories where I’d find them. They were Phil Western’s debut album The Escapist, Muslimgauze’s Hamas Arc, Mike & Rich’s Expert Knob Twiddlers, Aphex Twin’s Analogue Bubblebath 3, Merzbow’s Pulse Demon, and Sam & Valley. I’d nab more DHR albums from 16-17, Shizuo on vinyl, Fuck Step '98, Give Up on 12", and Alec Empire’s Squeeze The Trigger. The best? Autechre / Gescom’s “Keynell” 12" that I found under the vinyl bins and hidden inside the cabinet underneath. It was stickered for $17.00 - another record where second-hand copies sold on eBay for $125.00. I also managed to pick up a few of their 12" EPs, mainly Chiclisuite and Envane.

All these finds made The -Music Den the most unforgettable store I had the privilege to visit. They were like nothing else on the island. Sadly, they closed down after the turn of the millennium, and no store that came after was half-as-good enough to fill the hole they left behind. Believe me, if any of you reading this would’ve shopped there, you’d feel amazed and blown away like I was. I’d still have a tough time dealing with all the constant, petty drama on campus over the next couple of years. At the Port Jefferson Music Den, however, I knew that was a place where I felt like I’d belong.

#omega #our lady omega #personal #Long Island #Alec Empire #EC8OR #Pigface #KMFDM #Ministry #industrial #electronic #techno #Cleopatra #Skinny Puppy #Fluke

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archivist-crow · 1 month

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XTC - “Dear God” (1986)

Thirty-eight years ago today, on August 16, 1986, “Dear God,” the b-side to “Grass,” the lead single from the album Skylarking, by XTC was released. Written from the perspective of a questioning agnostic in the face of violence and intolerance, the song was, of course, enormously controversial. Originally intended to be included on Skylarking, it was left off due to concerns of potential controversy, particularly in the US. However, as an import, the song found an audience through college radio stations, and the American distributor, Geffen, was inundated with calls asking how the song could be purchased. Geffen then made the rather surprising decision to recall the album and issue a new pressing with the song included, followed by a US single that helped propel the album to number 70 on the charts. However, the concerns were not unfounded. In the UK, some stores refused to stock the album. In the US, a Florida radio station was subjected to a bomb threat for playing the song. In New York State, a student demanded the song be played over the school’s PA system while holding a faculty member hostage. Andy Partridge, the song’s author, received a plethora of hate mail—all of it from the US.

#xtc #music #video #dear god #skylarking #anniversaries

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battleangel · 10 months

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4 Minutes Is An Eternity

I am 42 years old.

I was in college 20 years ago in 2003.

In just 20 years, I have noticed a profound shift in society.

I was born in October 1981 so I am considered an older Millennial.

I have noticed a signficant macro difference between Gen X & older Millennials vs younger Gen Z and Generation Alpha (the generation after Gen Z).

What is the one change across society in the past two decades that could account for this change?

The total ubiquitousness of social media.

Whats the change?

The shortening of attention spans and the shortening of the mind.

Songs used to be, on average, approximately four minutes long.

Go back and look at the Billboard 100 in 2003 and look at it today.

Something should immediately jump out at you.

Songs today are much shorter than 20 years ago.

Songs today are typically just under 3 minutes long.

How did we lose a full minute in only 20 years?

Billboard also recently announced they established a TikTok chart to track the success of songs on TikTok, which is the new radio.

You may not know who Flyana Boss is but if I say, "Hello Christ?" if you were on social media at all the past few months, your mind probably automatically filled in the next bar, "I'm bout to sin again".

"You Wish" by Flyana Boss was literally all over TikToks for you page and later Instagram Reels to the tune of over a billion combined views.

They cleverly had their director film them while they ran towards him in public places as the director ran backwards in front of them with a camera on top of his head.

It is an arresting visual and the views racked up as Flyana Boss started to get requests from local businesses in LA begging them to run through their restaurants and stores for the publicity on TikTok.

Flyana Boss are Black female rappers, eclectic and a total callback to 90s rappers like Missy Elliot.

The kawaii aesthetic, elf ears and relatable clever lyrics about life and sex resonated with people.

They provide an alternative to the Ice Spices shaking their ass in a deli.

They also represent the Sexyy Red "Skee Yee" phenomenon.

Sexyy Red was the first artist to top the newly established TikTok Billboard 100 chart (she debuted at number 1).

Whats the Skee Yee phenomenon?

Its never about the actual song anymore.

You've probably heard "Skee Yee" by now.

Or maybe you saw Sexyy Red in the MetLife VIP area meeting the Jets owner with a stack of 100s held up to her ear.

The truth is, despite literally billions of views on TikTok and Instagram, almost noone has heard the full songs for "You Wish" by Flyana Boss and "Skee Yee" by Sexyy Red.

Because of TikTok, all you need today as a music artist is a catchy 5 to 7 second jingle, verse, hook, chorus or bar and if you can film viral content to it that people either imitate or watch, you can launch yourself into music superstardom.

Flyana Boss has already toured with Janelle Monae.

They were virtual unknowns prior to Summer 2023 with a few hundred views on their respective Soundcloud profiles.

Sexyy Red released her first mixtape, "Ah Thousand Jugs", in 2018.

The Hood Hottest Princess had been grinding away for the past five years on mixtape releases and trying to go viral on Triller.

"Dogg Pound Town" blew Sexyy Red up earlier this year.

Its the song about her toes and ass being ate while she eats Popeye chicken.

She has fire engine red hair and facial tattoos.

If you have a TikTok or Instagram, there is literally no way you havent scrolled past Sexyy Red at this point.

This is the new way to make it in the music industry.

We see Lay Banks, a 19 year old female rapper, utilize this formula to great success with "Ick".

Lay hired the same director that Flyana Boss used for "You Wish".

Instead of running in public places, Lay was filmed rapping "Ick" at a gas station.

"Ick" is about a guy with a foot fetish and bad credit who kills Lay's lady boner and gives her the "Ick".

The hook at the beginning of the viral clip is "Lady boner gone".

Lay is an extremely high energy rapper with hard hitting beats, a sick flow and clever and humorous lyrics complaining about men being in their soft girl era with their credit cards declining.

Its the updated 2023 Missy Elliot "I dont want no one minute man".

Lay is also strikingly beautiful, young and knew that "lady boner gone" waa a viral TikTok catchphrase that would catch on and go viral.

She also cleverly asked female viewers to film themselves rapping the lyrics to "Ick" if any guys had ever given them the "Ick" and then she reshared hundreds of these Youtube Shorts, TikToks and Reels to her personal social media profiles.

Lay has already charted on the TikTok Billboard 100 chart and she has millions of combined views.

This is clearly the new path to musical success as Billboard has recognized by establishing the TikTok Billboard 100 chart.

What have we lost in the process?

To be very clear, I love all three songs and all four rappers (Flyana Boss is a rap duo), especially Lay Banks "Ick".

That doesnt mean that this is a good change for society as a whole.

We, to speak on a macro universal level, dont listen to full songs anymore.

Everything became a sound bite, a viral clip on the for you page before you scroll on to the next video.

TikTok replaced radio.

New music is now discovered on TikTok.

But only in 5 to 7 second snippets curated to blow up on the for you page.

What happens to the Radioheads, Slipknots and Deftones in this brave new world?

What happens to us on a macro level when our attention spans have been so shortened by social media we cant even be assed to sit through a four minute song?

Social media, including messaging apps, is constant and ubiquitous.

It is a pervasive and constant distractiveness and mindlessness.

Its constant scrolling, constant notifications for discord servers & Whatsapp group chats, likes on Instagram & TikTok, trending hashtags on Twitter, new uploads on Youtube.

Constant validation, constant distraction.

Doom scrolling, scrolling for likes, scrolling for vanity, scrolling for boredom, scrolling for depression, scrolling for jealousy and envy, scrolling to endlessly compare.

When TikTok surpassed Google as the number 1 website in the world last year per number of visits, Google removed the pages in their results and made their results pages endless just like TikTok's for you page.

Googles results page was the new limitless rabbit hole of Youtube Suggested Videos -- it never ends.

No more iconic "Gooooooogle" at the bottom of the search results with a different colored "o" above each individual page number.

Nothing ever ends anymore.

Coupled with nearly limitless options to binge watch on streaming services where all episodes are released instantaneously and noone ever has to wait for anything, there are no weekly episodes anymore, no mid-season hiatuses, there are no repeats, season finales that are breathlessly anticipated...

Everything is immediately and constantly at your fingertips.

Its a total closing and shortening of the mind.

It is the evisceration of our collective attention spans.

Multiple screens at all times -- flat screen TV, smartphone, tablet, laptop, Nintendo Switch, Xbox Live, Playstation Network.

Multiple inputs -- music on Spotify, podcasts on Youtube, streams on Twitch, sports games, competition shows and reality TV on regular cable, streaming shows on Netflix/Disney+/Hulu, multiplayer online games on Xbox, Playstation & Nintendo, group messaging chats on discord, Whatsapp, iPhone, Facebook Messenger & Instagram.

Everything is always on, especially you.

Theres always a buzz, theres always a noti, theres always an active discord server, theres always something to check, theres always something happening, theres always something to distract your mind.

Do not disturb is only for when you're asleep.

We were not designed for these constant notifications and interruptions.

They are short circuiting us as a species by design.

Everything became bingeable, nothing ever has to be waited for.

Once the show is released to Disney+ & Netflix, I can binge to my hearts content.

It is a relic of the old days to have to wait a week for new episodes of a favorite show and to have to wait months for a highly anticipated season finale.

Everything is bingeable, including you.

Everything is easily consumed and passed through like the ephemera it is, including you.

There is no permanence, there is no gravitas.

Everything is trending, everything is the now.

Everything is forgotten in 24 hours.

What genocide in Palestine?

There are people trapped on the Gaza Strip?

Emergency medical supplies, food, fuel , water and electricity are being cut off to the Gaza Strip?

Did Travis and Taylor already break up?

Its the shortening of collective memory, the evisceration of our attention spans and the shortening of the mind.

Everyone has already forgotten that Sexyy Red supported Trump on a podcast and posted a sex video of herself on her Instagram stories (right after the Trump story broke so no I dont believe Sexyy was hacked) -- both of these things happened last month.

Does anyone remember Biden brazenly, unapologetically and inhumanely telling reporters on video, Aviators firmly in place, that he guarantees "there will be no ceasefire" between Israel & Palestine despite 13k+ Palestinian civilians being murdered by the Israeli Defense Force over the past two months in one of the worst instances of ethnic cleansing this century?

That literally happened this month and its already been collectively forgotten.

Theres always a new Skims ad for undergarments that give you the perfect nipples.

Taylor Swift was being discussed on NFL broadcasts more than Patrick Mahomes while dating Travis Kelce -- now she has been disappeared from all NFL broadcasts as if she had never been endlessly discussed to begin with.

We are no longer being shown Taylor sitting by Kelces mom and Mahomes' wife and daughter.

But there has been no corresponding commentary at least making a joke about a breakup and a possible Taylor Swift song about same.

The NFL literally had Taylor Swift as their header on Twitter and now she is gone and they are acting like the above never happened.

I get it, the NFL wants female Gen Z to tune into their games but they literally had a slow mo of Taylor walking into Arrowhead Stadium.

Thats not drumming up female viewership, that is patently insane.

They were slow mo'ing Taylor high fiveing Kelces mom when Kelce scored a touchdown.

That is just downright bizarre and is not about increasing the young female demographic that watches NFL games.

It was creepy in how over the top it was.

Taylor was now the big topic of discussion during pre-game analysis of the Chiefs instead of Mahomes, Kelce, MVS, Pacheco, Chris Jones, Andy Reid.

It was an all out blitz for a month that went so far as Kelce being described as "Taylors boyfriend" instead of as a 3-time Super Bowl champion and star tight end of the Kansas City Chiefs.

Kelce was always the new Gronk, the current poster child party boy of the NFL.

But the slew of commercials, brand sponsorships and SNL hosting gig didnt come until Taylor.

Predictably, young female NFL viewership went up over 300%, Kelce gained hundreds of thousands of Swiftie social media followers then Kelce stopped attending Eras tour shows, Taylor stopped attending NFL games, the NFL dropped it like it never happened and switched their header to Vikings QB Dobbs.

Back to your regularly scheduled programming.

Movies are going to head in the same direction.

2 hours will no longer be the default film duration.

These conversations are already happening within the film industry as studios are pushing a "crowdsourced film by committee", a Choose Your Own Adventure clusterfuck where multiple endings are filmed for each movie and each individual movie theater audience decides the ending in real time as they watch.

Everything is instantaneous, everything capricious, everything fickle, any demand can be met.

What happens to a directors vision if the audience can just decide everything?

And bet that studio analysts and executives will be closely monitoring what audiences vote for and will change future films to align with those votes.

What happens to A Clockwork Orange?

What happens to the Stanley Kubricks, George Romeros & Quentin Tarantinos?

What happens to taking risks?

Will there never be another cult classic?

Will there never be another Rocky Horror Picture Show?

Would these future audiences have changed the iconic twists in classics like Empire Strikes Back and Sixth Sense?

Will all the sharp edges go away and will we be left with a frictionless existence?

Wheres the space for a nearly six minute operatic genre defying theatrical dramatic essence of drag singular revelation like Bohemian Rhapsody?

Will everything be safe, sanitized and sterilized?

What happens to horror movies that take risks and confront their audiences and skillfully mix gore, humor, satire, societal critique, snark, comedy, slapstick, survivalism, political commentary, dystopia, sci-fi and parody?

Will every rough edge be sanded away?

Do we want an existence like that where our art mediums no longer challenge, repel, confront, repulse, enlighten, elucidate and force us to take a look at ourselves?

Do we no longer want art that takes the piss out of us as an audience?

Do we just want all of the art and media that we consume to be like the Netflix algorithm, endlessly adjusting to our every whim and preference, tirelessly trying to please us in every way, never offending?

Do we never want to be shocked or angered by our art again?

Isnt that what art was supposed to be?

Do we always want to be perfectly happy and satisfied with everything we see?

What will happen to movies that are so bad they're good?

What will happen to guilty pleasures?

Will everything be bland and vanilla, too dull to offend or tittilate, instantly consumed and forgotten with all of the other endless media we are constantly bingeing?

Our existences have been Doordash'd & InstaCart'd.

Everything can be done for us, delivered to us, driven to us, picked up by us, ordered for us, shopped for us, cooked for us, prepared for us, written for us, applied to for us.

Theres an app for almost everything.

The age of inconvenience and frustration is over.

Everything is frictionless -- even our art and entertainment.

What happens to quirky oddities?

Random ideas and concepts?

Harebrained notions and acid dreams?

Paranoid androids and visions?

Night terrors and daydreams?

All of the above have led to crazy innovative mindfucky scripts, films, songs, album concepts, music videos and movie shorts.

Where is the space for body horror films and Takashi Miike?

When do songs become 2 minutes vs the current 3 minute average?

When do songs become 1 minute?

When do songs cease to exist and people just start to record the chorus or the catchy part for TikTok virality since thats all anyones listening to anymore anyway?

When do 2 hour movies become 1 hour?

When do 1 hour movies become 30 minute shorts?

When do movies in general just become instantaneously streamable shorts that are a few minutes long available simultaneously on every platform?

When will the concept of a full length movie that anyone would have the actual patience and attention span to sit through become anachronistic?

When do single player video games go away because noone has the patience to sit through a solo adventure and play through the game for the plot, storyline, twists and turns and all anyone wants to do is get online and just play against each other?

When do we lose our humanity?

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singlesablog · 10 months

Text

A New Cool

“West End Girls" (1985) Pet Shop Boys Parlophone Records (Written by Tennant/Lowe) Highest U.S. Billboard Chart Position – No. 1

There are two lines of thinking concerning the debut pop single for the seminal electronic pop band Pet Shop Boys; one, that the song is atypical of all of the hits they would ultimately create (and are still creating over 30 years later), and the other is that this is their signature song. I am of two minds, that it is at once very them, and conversely not them at all; in some ways their first hit was a makeover of the band, whether by design, or not. It is undeniable that in 1986 it was enormously successful, an evocative ear worm, and that the single introduced the strangely beautiful tenor voice of singer Neil Tennant, and ushered in one of the greatest pop duos ever.

Neil Tennant and Chris Lowe met in a hi-if shop in London on Kings Road in Chelsea in 1981, and discovering a mutual love of electronic music, formed a band. Tennant was at that time an assistant editor at Smash Hits magazine, and Chris a college student studying architecture. Immediately, they began writing songs together in Neil’s bedsitter apartment (which I believe translates as a studio in the US). They signed with American producer Bobby O (who oversaw rather crude Miami-tinged 80s dance music) in 1984/85; together with him they produced for the first time many of the songs that would appear on their debut Please, and the follow-up LP, Actually. “West End Girls” was released in 1985 as a 12” disco version that was much cruder and sparer; it was a minor hit in Europe and a “Screamer of the Week” on the influential 80s radio station WLIR in Long Island, New York (who's djs had a nose for new wave talent). Nevertheless, it sank, and they spent the next year extricating themselves from Bobby O and signing with EMI, relinquishing to him some of the future royalties on many of the soon-to-be famous songs they had already written, including “West End Girls”, “Opportunities”, and “It’s A Sin” (all of which were re-recorded and eventually went top ten in the United States). It would seem that the Imperial phase for any great band must always begin with a lawsuit.

“West End Girls” was re-released by the band in late 1985 in a much different version produced by Stephen Hague, and it immediately conquered the world, selling 1.5 million copies. Where the Bobby O version squawked and squealed and sounded dated even then, this new track slithered on to the airwaves with a newer, more insinuating quality. Rather than a club banger, this was now a highly suggestive track, with droning, floating synths, every effect modulated downward into an expression of cool detachment. It was an important single not only in introducing this idea of bored aloofness from the duo, but also by permanently stamping them with the image. No matter how hard they would try in the future to produce bombast (say, on “It’s a Sin”, a truly bezerk pop hit) they would be forever labeled as sardonic, stand-offish, bored, or sarcastic. These are words that really translated into one idea for me: that they were actually gay, and smart, and therefore happy to play along with any narrative the public chose for them as long as people continued to buy their records. The song’s lyrics, written by former history major Tennant, apparently reference Eliot’s “The Waste Land”, which sounds hilariously high-toned, but for the then 19 year old that first experienced it, it was clearly a coded story of gay boys clubbing on the wrong side of town, because the gay bar is inevitably on the wrong side of town, and that perhaps West End Girls is a clever wink at describing gay men crossing over. On top of all of these suggestions was a very fey British man successfully talk-rapping lyrics (a rap I can to this day successfully recite), telling a story with no obvious conclusion, because, well, you know. It is a coded song about a coded world. And while the Pets didn’t invent the electronic pop song, like couturiers they certainly tailored it to the measure of some very strict gay signifiers, and when I fell in love with the hit (and the band) I was already acquainted with those ideas and understood them instantly. Of course, I did not experience the duo as detached; instead, they were stylistically and artistically brilliant, and their songs were clever, propulsive, and unique.

Please as an album can be examined as a cohesive slice of queer nightlife in the 1980s: escaping to the city (“Two Divided by Zero”, “Suburbia”), sneering at society (“Opportunities”), fighting oppression (“Violence”, “I Want a Lover”), and, finally, reconciling to life and love, whatever that might mean (“Later Tonight”, “Love Comes Quickly”, “Why Don’t We Live Together?”). I am sure “West End Girls” does reference “The Waste Land”, but somehow, just perhaps, Neil, the master of collage, is actually speaking more allusively to the mating habits of the male homosexual circa 1985. Chris Lowe, for his part, made absolute certain that the songs would be played were they belonged, which was in the club, his complete obsession in every way; the electronic sounds he produced are essential to the texture of what Pet Shop Boys ended up doing better than anyone else, which was to document gay lives by dropping clues and signals to fantastic disco music while leaving out the specifics. And this is possibly why the original Bobby O version was so awfully wrong, and not really them: the duo must have discovered that they didn’t need to bang bang bang, that they could be better than that. In fact, they actually didn’t need Bobby O at all; they could conjure up these subtle and delicious scenes all by themselves.

Sadly, Bobby O still got the money. Kind of just like a Pet Shop Boys song, isn’t it?

A little cynical, but true.

*The title of Please, which I always found entertaining, I imagined was a reference to gay men chastising one another with "Oh, Please", or "Girl, Please." This has never been substantiated. Instead, Neil was quoted as saying it was a little joke, so when a customer asked for it, they would be forced to say I would like Pet Shop Boys, Please. Hmmm. Regardless, this would still qualify as a double entendre.

Dropping a hairpin (verb, gay, archaic slang term): to reveal one's sexual preferences by dropping broad hints; thus keep your hairpins up, and maintaining a 'normal' mask.

Who, who wants a cocktail? (“Opportunities (Reprise)”)

Someone spread a rumor. Let’s run away. (“Two Divided By Zero”)

In every city, in every nation, from Lake Geneva to the Finland Station. (“West End Girls”)

You may not always love me I may not care But intuition tells me, baby There's something we could share If we dare, why don't we? (“Why Don’t We Live Together?”)

And you wait 'til later, ‘til later tonight. 'Cause tonight always comes. (“Later Tonight”)

Neil Comes Out

In the early 1990s, Jimmy Somerville, formerly of the very out, gay 80s band Bronski Beat, accused Neil and Chris of Pets Shop Boys of exploiting gay culture for career purposes, and of not putting anything back.

Neil came out officially in 1994, and commenting in print on the matter, said that he resented anyone telling anyone how out they should be, or just what constituted a “contribution” to gay culture:

“I do think that we have contributed, through our music and also through our videos and the general way we’ve presented things, rather a lot to what you might call ‘gay culture’. I could spend several pages discussing the notion of ‘gay culture’, but for the sake of argument, I would just say that we have contributed a lot. And the simple reason for this is that I have written songs from my own point of view…”

He pauses again. “What I’m actually saying is, I am gay, and I have written songs from that point of view. So, I mean, I’m being surprisingly honest with you here, but those are the facts of the matter.”

Having finally got all that off his chest, Neil Tennant pours himself a glass of mineral water and takes his sweatshirt off. He is looking distinctly pink around the gills. Maybe it’s the effect of suddenly admitting that for all these years he has been singing nothing but the truth. Or maybe it’s just the unbearable heat in here. “Well,” he says, in a voice which carries a distinct [air of]‘moving swiftly on’, “what’s your next question?”

Source: Neil Tennant in Attitude Magazine, 1994

#west end girls #pet shop boys #1980s #pop #disco #electronic music #Please #music history

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omegaremix · 5 months

Text

Rioux, 1999.

Post-Brentwood was a turning point in my life. The minute I heard Sick Of It All played at Drew’s (♀) graduation party was the very minute my music tastes would change forever. As an Eighties’ kid, I grew up on Duran Duran, Run DMC, Alisha, Lisa Lisa & The Cult Jam, Poison, and other chart-toppers. Anything could be ‘pop’ if it becomes popular enough. That’s how it got its name. Pop set me up to be diverse person I am now with stations like New York City’s Z100 where there’s a new market trend manufactured and released every five years to be fed on by the majority.

“Maladjusted” blasted through her backyard boombox for all of fifty of her closest friends and classmates to hear; the same friends and classmates who laughed at me or ignored me for being a poser. They weren’t laughing or shit-talking behind my back now that they saw me at Drew’s get-together. “How did he get in?” they wondered. That didn’t matter. They didn’t say shit to me. I never saw most of them again after that, nor did I keep tabs, either. I asked Drew who they were and she told me. Boy, did it go down angry and aggressive. I didn’t hear anything like it. So I went to the South Shore Mall’s record store and copped Scratched The Surface on cassette to quickly become my go-to record during senior-year summer. That was my introduction to hardcore and the start of something more personal and relatable than what I listened to before.

Shortly thereafter, Wipeout XL came out for Playstation and my trajectory in taste had changed for a second time. It was one of the first games released that had a major soundtrack thanks to disc capacity. A line-up of Underworld, Fluke, Photek, Future Sound Of London, The Prodigy, and Chemical Brothers gave me a three-month head start before - you guessed it - pop and alternative rock stations jumped on that wagon as the next great profit maker. Even stations changed their formats for a night or two to keep up with the hottest trend of the year, such as when Atari Teenage Riot slipped through the airwaves and literally changed my attitude of music. Another hand would be dealt, and one which was the most fascinating: industrial. Mortal Kombat motion picture soundtracks were the gateway to it after establishing Nine Inch Nails, Filter, and Ministry as my Big Three. I snatched up on three Meat Beat Manifesto tapes, four Skinny Puppy discs, The Wax Trax box set and label mail order, and some Cleopatra label compilations. (Yeah, I know. No need to tell me.) It all goes to show how a lot can happen in one year before heading to community college.

Whether or not I had employment, I still managed to purchase tons of music. It became a beast I constantly had to feed. I had record store visits, radio, magazines, and now the internet (‘world wide web’ they once called it) to keep me updated. Every week I found something new to check out. Oh, look. Alec Empire is on the cover of another magazine! The December 1997 issue of Wire, #166. Have to buy it as his stock was riding high with (once again) Atari Teenage Riot and his DHR label. On the way to Empire’s glow-up were two other artists I came across in their pages: Autechre (who they proclaimed as noise gods) and Merzbow.

When you keep hearing the same names over and over, eventually they’ll get you to check them out. That’s what happened with those two and with expectations - what you shouldn’t have when diving into an artist or album. Autechre’s Tri Repetae++ caught me off guard. They said it was an electronic record and I foolishly thought it was techno instead. I hear the album opener “Dael” expecting a build-up leading to an explosion of sound. Wrong. The minimal structure and complex melodic rhythms of a cold, mechanical, emotionless being started as-is and moved its way to the end. This wasn’t anything to a traditional dance record I was accustomed to. No. These were experiments that Sean Booth and Rob Brown created which were so innovative that they’ve gotten endless praise for them since. A few listens later and I had Tri Repetae++ on constant repeat.

Merzbow? That’s another story. Like Tri Repetae++, I bought Pulse Demon at the Port Jefferson Music Den, once a bastion of everything obscure which hasn’t existed in 20 years. That was my introduction to noise. Fucking Lady Godiva riding on a Sybian did I not know what was in store for me that day. It was the shiniest and sharpest-sounding thing I now had in my collection. I load the disc in, pressed play and - what?! It was one giant maelstrom of harsh white noise, produced and output louder than usual, complete with Bridget Riley-esque op-art and its silvery prismatic sheen. Pulse Demon was devoid of any rhythm, melody, beats, measurements, sound structure, tonality, vocals, or even a sense of time whatsoever. It was a giant endurance test that felt like there was no end in sight. Again, expectations are a foolish thing to ask for.

I didn’t know what to think. I immediately dismissed it and never played it again. I couldn’t say I was actively disappointed or put-off but rather dissuaded. It was nothing what I experienced. Back then, I was a feature writer for the student paperduring my disastrous time at community college’s middle campus. The campus majority consisted mostly of shallow club-goers and superficial people who stood in their safe comfort zone of basic dance music, fashion, and friends who judged and dismissed anyone who were weird or different from them. I always went against the grain and reached for something different and challenging; things that loudmouth belligerent chauvinist Opie & Anthony fans were too stupid to learn from. I had no other albums to review on the backburner, so Pulse Demon was it for the following issue. I was honest about my take on it: it was an unlistenable mess of a joke. I handed in my 1,000 words to our features editor, a long-haired burnout held over from the hippie generation, and it finally saw print in one of our Spring issues.

The day after my review came out, I was called in to the office by my editor-in-chief Phil. Somehow we got word from a professor who read my article and took issue with it. “Really?” I said. But it didn’t stop there. Phil also told me that Professor Rioux wanted me to visit his office to discuss the article with him.

I failed an article for a professor I didn’t even know I had?

Phil had him for English. But not to fear. The overall consensus was that he was friendly, calm, and reasonable with his students. And here was an odd moment he shared with me: Pfr. Rioux played some of his favorite weird music during an end-of-the-semester holiday party for his students to hear. Seriously, not to fear. He sounded like someone I would connect with. Phil assured me that all would be fine and ended up arranging a time and day to meet up with him. That would be next week Wednesday after the publisher’s meeting.

I arrive at Prf. Rioux’ office where he welcomed me in and introduced himself, dressed up in the usual teacher’s attire of blazer and dress pants. So far, so good. I sat down in his office and looked around to notice two rows of tapes sitting on a desk next to his bookshelf. There was a Temple Ov Psychick Youth cross hung up on the wall and also noticed the black shirt he was hearing under his blazer which featured Aube’s Quadrotation on it.

We sat down for a good 45 minutes discussing my article. Not once was Prf. Rioux mean, belittling, or off-handed - unlike others who called themselves ‘professors’. Rather, he gave me constructive criticism. Judging by my article, he told me that I missed the mark on Merzbow and didn’t come into the album open-minded. Clearly I didn’t understand noise music enough for me to write what I did and there was way more to it than I thought. The most important takeaway was that I shouldn’t have compared noise to anything else in a traditional sense. Sure, it was an entirely different animal that can still have value, substance, a structure, a methodology, and a meaning to it all like everything else.

So he kindly offered to make me three cassettes of whatever rang familiar and whom I was curious about to widen my horizons and get a better understanding. All early industrial and / or noise. Wonderful. I obliged. One week later, I returned to his office where he had them all ready for me. I thanked him for the tapes and said goodbye to him.

What was on those tapes? First, Merzbow. Not surprisingly. Three unknown tracks from the Lord of Harsh Noise. On the other side was Masonna, another Japanese noise artist whose Inner Mind Mystique finished up tape #1. Tape #2 was more varied. I heard very little of Coil other than “The Snow” off the Wax Trax compilation. Right after that was Jim G. Thirwell / Foetus whom followed up with three tracks. (Coincidentally, both aforementioned artists remixed Nine Inch Nails). Rioux threw on three tracks from Einsturzende Neubauten’s Kollaps with a small sampling of Clock DVA tracks from Black Souls In White Suits. Our final tape had a good ten tracks of Death In June whom I never heard of, and several versions of Throbbing Gristle’s “Discipline” rounded out all that Prf. Rioux gave me. Never had I received anything like it from any professor.

I was forever grateful. I played those tapes to good use, enough to go back into my usual grind of music and artist reviews with a better understanding and reasoning. I didn’t review any of the artists after that Merzbow debacle, but my stance of him changed for the better and went back to Pulse Demon several more times. I happened to purchase several more of his albums where I could, dove back into Inner Mind Mystique and picked up on Nic Endo’s White Heat when that was released. I pushed more heavily into Einsturzende Neubauten’s chaotic phase, Clock DVA’s experimental era, and the world of Throbbing Gristle. I would be only toes deep with the other artists; checking in from time to time.

What were the chances that anyone (who appreciated the genesis of industrial and a knowledgeable noise fan) would notice a specific artist printed in a campus newspaper no less? It was bad enough that I dealt with one disappointment after another interacting with people and trying to find my place on campus; which I eventually did with neutral results. Where reaching out to people with similar tastes in music were few and far between (only one or two people on campus wore Dead Voices On Air, Ant-Zen, and Ras DVA shirts), someone reached out to me instead. Of all the professors I ever had, no one and I mean no one had that kind of knowledge that Prf. Rioux did, with mixtapes to boot, too.

As his tapes played in my Walkman while trekking around campus, everything else around me was happening as usual. Cover bands and boring flavorless local bar acts peppered the Long Island music scene. WBLI continued to pump out more puerile paint-by-number club mixes as usual with Fatboy Slim and Robbie Williams up next. Ska fans hopped out of the woodwork to defend their precious circus music and became overnight know-it-all elitists ready to play the scene-politics card. And free pink PVC cowboy hats came included with Pamela Anderson, Britney Spears, Christina Aguilera, Spice Girls, and Limp Bizkit worship. Forget it. The late Nineties was clearly a bad era in music and pop culture - and it still had time to get even worse. The only places of solace I had were the few record stores I frequented. Commack’s Cheapo’s, West Babylon’s Looney Tunes, Central Islip’s Mother’s Music, Port Jefferson’s Music Den, and Centereach’s None Of The Above. At least they catered everything to my choosing.

But I never forgot where I came from or lost track of where I headed. By the time I attended Stony Brook, I fell victim to the Mothers Of Noise ‘scandal’ and discovered Prurient from it. I’d be one of the few on campus familiar with Whitehouse, Boyd Rice / NON, and even Lou Reed’s Metal Machine Music on top of everything else.Each and every one of these artists were mentioned in my new wave of reviews and I even featured on my radio show. I also never forgot those tapes. I still have them, and they became one of the few shining reminders of an era that was mostly ill to me.

Cassette #1, side A:

Merzbow: “???”, “???”, “???”

Cassette #1, side B:

Masonna: Inner Mind Mystique

Cassette #2, side A:

Coil: ”Panic”, “Tenderness Of Wolves”, “Clay”, The Anal Staircase”

Foetus: “What Have You Been Doing?”, “Today I Started Slogging Again”, “Gums Bleed”

Cassette #2, side B:

Einsturzende Neubauten: “Tanz Debil”, “Steh Auf Berlin”, “Kollaps”

Clock DVA: “Consent”, “Anti-Chance”, “Uncertain”

Cassette #3, side A:

Death In June: “Hello Angel”, “Heaven Street”, “She Said Destroy”, “Fall Apart”, “Leper Lord”, “C’est Un Reve”, “Touch Defiles”, “The Torture Garden”, “Come Before Christ…”

Cassette #3, side B:

Throbbing Gristle: three live “Discipline” performances.

12 notes · View notes

for-yoongi0309 · 1 year

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EVENTS (2015-2016)

2015

HYYH Epilogue Tour

Highlight mini US Tour

WAKE UP IN JAPAN Tour

150101 Countdown in Seoul

150124 Live Expo Tokyo

150128 4th Gaon Charts Awards

150212 Hi-touch in Tokyo

150224 Sungshin Women's College's entrance ceremony

150505 KBS Cool FM Super Juniors Kiss The Radio

150508 music bank

150515 SInchon Fansign

150517 Cheongnyangi fansign

150523 Dream Concert

150524 Myeongdong fansign

150525 Daegu fansign

150529 KBS1 concert at Gyeongbokgung Palace

150603 MWAVE Meet & Greet

150612 Star interview in Shanghai

150620 FOR YOU release event in Tokyo

150627 fanmeeting in Busan

150702 KBS Gwangju Summer Universiade

150703 KBS 'I Am Korea'

150704 Yeouido fansign

150807 Press Con in Thailand

150815 Summer Sonic in Osaka

150810 MBC ISAC

150818 Fanmeeting in Osaka

150905 iFun Music concert in Shanghai

150911 SH power house music festival in Jakarta

150913 Show Champion in Yokohama

150920 ALL FORCE ONE

151003 Gangwon Kpop festival

151009 ONE K concert

151011 Asia Song Festivial

151016 World Changing Quiz show

151023 Republic Of Korea share concert

151028 Seoul Brand launching event

151029 VLive Halloween party

151030 Kpop World Festival

151031 Asia Dream Concert

151104 Korea-China Song Festival

151107 MMA in Seoul

151202 MAMA in Hong Kong

151210 Gangnam fansign

151211 Sinchon fansign

151212 Super Seoul concert

151213 Gwanghwamun fansign

151216 ilsan fansign

151217 Gangnam Fansign

151218 music bank/Yeouido fansign

151219 Infinity Challenge Expo

151220 Incheon fansign

151221 Jongro fansign/Hallyu K-Road

151222 Gimpo Fansign

151229 SBS Awards Festival

151230 MBC Gayp Daejejeon

151231 MBC Gayo Daejejeon (D2)

2016

160109 TTV Red & White Festival in Taipei

160102 Myeongdong fansign

160114 Seoul Music Awards

160115 MBC Infinity Challenge Expo

160118 Idol Star Athletics Championships

160119 Gala Vietnam Top Hits

160121 Golden Disk Awards

160122 fanmeeting in Guangzhou

160217 Gaon Kpop awards

160307 WKBL Award Ceremony

160402 PUMA fansign

160424 Power Of K in japan

160512 Cultwo Radio show + Mokdong Fansgin

160625 KCON in NY

160721 BBQ 풀파티

160725 Ilsan summer festival

160731 KCON in LA

160810 Korea-China Martial Art Culture Exchange Festival

160903 Show Champion in Manila

160907 Pyeongchang Winter Olympics Concert

160930 Kpop World Festival in Changwon

161008 DMC Korean Music Wave Festival

161013 Cultwo Radio show

161016 Mokdong fansign

161015 Bundang fansign

161017 Sinchon fansign

161018 KBS 1 Open concert

161020 Myeongdong fansign

161021 Hongdae fansign

161022 Myungdong fansign

161023 Busan fansign + Busan Asia One Festival

161027 m!countdown in Jeju

161028 Yeouido fansign

161029 Jongno fansign

161106 Gimpo fansign

161031 Omokgyo fansign

161116 Asia Artists Awards

161118 KBS Music Bank special 🔥!

161119 MMA in Seoul

161128 fanmeeting in Japan vol.3

161201 MAMA in Hong Kong

161202 MAMA (D2)

2016 not done

#For-yoongi0309's masterlist #fy0309.events #events.2015-16

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debbiesblondie · 3 days

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Scenario: 🍒Debbie was on a tour and a bunch of fans asked her if she was going to make a Tumblr due to every other rock star having one🍒

Please be 15 or Older to Look at this account, Riot GRRL is a very Mature and adult movement but for the kiddy winks who are interested go watch Moxie on Netflix.

if you don't like the account then block it, simple as that but don't go harassing me or any other rock roleplay accounts because of your hatred.

This Account is all Parody, I do not know Debbie Harry own the rights to any Blondie or Runaways songs and am only a harmless fan.

Bands

Blondie

Blondie is an American rock band formed in New York City in 1974 by singer Debbie Harry and guitarist Chris Stein. The band was a pioneer in the American new wave genre and scene of the mid-1970s.

Bio on Debbie Hary

Deborah Ann Harry (born Angela Trimble; July 1, 1945) is an American singer, songwriter and actress, best known as the lead vocalist of the band Blondie. Four of her songs with the band reached No. 1 on the US charts between 1979 and 1981.

Born in Miami, Florida, Harry was adopted as an infant and raised in Hawthorne, New Jersey. After college she worked various jobs—as a dancer, a Playboy Bunny, and a secretary (including at the BBC in New York)—before her breakthrough in the music industry.

She co-formed Blondie in 1974 in New York City. The band released its eponymous debut studio album in 1976 and released three more studio albums between then and 1979, including Parallel Lines, which spawned six singles, including "Heart of Glass". Their fifth studio album, Autoamerican (1980), produced hits including a cover of "The Tide Is High", and "Rapture", which is considered the first rap song to chart at number one in the United States.

1945–1965: Early life

Harry was born Angela Trimble on July 1, 1945, in Miami, Florida. At the age of three months, she was adopted by Catherine (née Peters) and Richard Harry, gift shop proprietors in Hawthorne, New Jersey, and renamed Deborah Ann Harry. She is of Scottish ancestry and her biological parents' surnames were Trimble and Mackenzie.

Harry learned of her adoption at four years old.

At first, she decided against locating her birth parents, but nonetheless, in the late 1980s, located her birth mother, a concert pianist, who chose not to establish a relationship with Harry.

In her memoir, she recalls being a tomboy, spending much of her childhood playing in the woods adjacent to her home.

Harry attended Hawthorne High School, where she was voted "Best Looking", graduating in 1963. She graduated from Centenary College in Hackettstown, New Jersey, with an Associate of Arts degree in 1965.

Before beginning her singing career, she moved to New York City in the late 1960s, and worked there as a secretary at BBC Radio's office for one year.

Later, she was a waitress at Max's Kansas City, a go-go dancer in a discothèque in Union City, New Jersey, and a Playboy Bunny.

1966–1975: Early projects; formation of Blondie

In the late 1960s, Harry began her musical career as a backing singer for the folk rock group The Wind in the Willows,which released an eponymous album in 1968 on Capitol Records.

In 1973, Harry joined The Stilettos with Elda Gentile and Amanda Jones. Shortly thereafter, the band added guitarist Chris Stein, who became her boyfriend.

In her memoir, Face It, Harry describes having been raped at knifepoint during a burglary of the home she shared with Stein.

In 1974 Harry and Stein left the Stilettos (along with the band's bassist and drummer) and formed Angel and the Snake with Tish Bellomo and Snooky Bellomo. Shortly thereafter, they changed the name of the band to Blondie, named after the catcall men often directed at Harry after she bleached her hair blonde.

The band quickly became regulars at Max's Kansas City and CBGB in New York City.

1976–1980: Global success

With her beauty, daring choice of clothing, and two-tone bleached-blonde hair, Harry quickly became a punk icon.

Blondie released their self-titled debut album in 1976; it peaked at No. 14 in Australia and (later, in 1979) No. 75 in the United Kingdom.

Their second album, Plastic Letters, garnered some success outside the United States, but their third album, Parallel Lines (1978), was a worldwide hit and catapulted the group to international success.

It included the global hit single "Heart of Glass". Riding the crest of disco's domination, the track made No. 1 in the US and sold nearly two million copies. It also reached No. 1 in the UK and was the second highest-selling single of 1979.

In June 1979, Blondie was featured on the cover of Rolling Stone. Harry's persona, combining cool sexuality with streetwise style, became so closely associated with the group's name that many came to believe "Blondie" was the singer's name.

The difference between the individual Harry and the band Blondie was emphasized by a "Blondie is a group" button campaign by the band in 1979. The band's success continued with the release of the platinum-selling Eat to the Beat album (UK No. 1, US No. 17) in September.

Autoamerican (UK No. 3, US No. 7) was released in 1980. Blondie had further No. 1 hits with "Call Me" (American Gigolo soundtrack) (US and UK No. 1), "Atomic" (Eat to the Beat album) (UK No. 1), "The Tide Is High" (US and UK No. 1), and "Rapture" (US No. 1).

During this time, both Harry and Stein befriended graffiti artist Fab Five Freddy, who introduced them to the emerging hip-hop scene in the Bronx. Freddy is mentioned in "Rapture".

Through Fab Five Freddy they were also able to connect with Grandmaster Flash who is played by Jean-Michel Basquiat in the video.

"Rapture" became the first rap-oriented song to reach No. 1 in the US Billboard charts.

Grandmaster Flash said Harry "opened up so many doors for hip hop" by mentioning him in Rapture.

Harry was immortalized by Andy Warhol in 1980, who produced a number of artworks of her image from a single photoshoot at the Factory. The artist created a small series of four acrylic and silkscreen ink on canvas portraits of the star in different colors, as well as Polaroids and a small number of rare silver gelatin prints from the shoot. Stein was also present that day to capture Warhol photographing Harry in a series of his own photographs, exhibited in 2013 in London.

Her collaboration and friendship with Warhol continued and she was his first guest on the MTV show Andy Warhol's Fifteen Minutes. The first episode opened with Harry announcing the theme: "Sex, Vegetables, Brothers and Sisters".

Harry said of her relationship with Warhol, "I think the best thing [Andy Warhol] taught me was always to be open to new things, new music, new style, new bands, new technology and just go with it. Never get mired in the past and always accept new things whatever age you are."

1981–1996: Solo work and acting

In 1981, Harry issued a press release to clarify that her name was not "Debbie Blondie" or "Debbie Harry" but rather Deborah Harry, though Harry later described her character in the band as being named "Blondie", as in this quote from the No Exit tour book:

Hi, it's Deb. You know, when I woke up this morning I had a realization about myself. I was always Blondie. People always called me Blondie, ever since I was a little kid. What I realized is that at some point I became Dirty Harry. I couldn't be Blondie anymore, so I became Dirty Harry.

Harry began her solo career with the album KooKoo (1981). Produced by Nile Rodgers and Bernard Edwards of Chic, the album peaked at No. 25 in the US and No. 6 in the UK; and was later certified gold in the US and silver in the UK.

The album's cover art was controversial, showing Harry apparently with skewers through her face, and many stores refused to stock it."Backfired", the first single from the album, had a video directed by H.R. Giger (who also created the album's front cover featuring Harry's face with metal skewers through it).

The single reached No. 43 on the Billboard Hot 100, No. 29 on the Hot Dance Club Songs, and No. 32 on the UK Singles Chart "The Jam Was Moving" was lifted as the second single and peaked at No. 82 in the US. In the same year (1981) Harry appeared in the movie "Downtown 81" where Jean-Michel Basquiat played the leading role. Harry plays a bag lady who turns into a princess when Basquiat kisses her.

After a year-long hiatus, Blondie regrouped and released their sixth studio album, The Hunter (1982). The album was not as successful as their previous works, and a world tour was cut short due to slow ticket sales. It was around this time that Stein also fell seriously ill with the rare autoimmune disease pemphigus. His illness, along with declining record sales and internal struggles, caused the band to split up.

In June 1982, Harry contributed backing vocals to The Gun Club's second album Miami, being credited as 'D.H. Lawrence Jr' while Chris Stein also produced the record and is credited as 'bongos' and 'cover photos/design'. The Gun Club's singer Jeffrey Lee Pierce was an ardent fan, emulating Harry's hairstyle and founding the West Coast Blondie Fan Club, before becoming friends with the band in New York.

After Blondie split up in 1982, Harry's solo output slowed down as she cared for ailing partner Chris Stein. She released the single "Rush Rush" in 1983 (produced by Giorgio Moroder and taken from the film Scarface), but it was commercially unsuccessful. The same year, Harry had a leading role in David Cronenberg's body horror film Videodrome (1983), playing the sadomasochistic lover of a television producer who uncovers an underground video output of snuff films. Harry received rave reviews for her performance in the film.

Critic Howard Hampton noted in a retrospective that Harry "carries herself with the wry, burned-out, but still titillated instincts of a voyager buying a one-way ticket for the outer limits. A vivid, smallish part can either anchor or undo a risky, conceptually spiky film like David Cronenberg's viscerally deranged phantasia: Harry's presence grounds it in acute, self-aware reality."

A new single, "Feel The Spin" (taken from the film Krush Groove), was released as a limited 12" single in 1985, which peaked at No. 5 on the Billboard Dance Chart. In 1986, Harry released her second solo album, called Rockbird, which peaked at No. 97 in the US, and No. 31 in the UK(where it has been certified gold for 100,000 sales by the BPI).

The single "French Kissin' in the USA" gave Harry her only UK solo top 10 hit (No. 8) and became a moderate US hit (No. 57). Other singles released from the album were "Free to Fall" and "In Love with Love", with the latter completely re-recorded in London with hit British producers Stock Aitken Waterman (SAW).

The track hit No. 1 on the US Dance Charts and was released with several remixes. Harry also recorded another track with SAW during the same sessions, "Mind Over Matter", which was never officially released.

In 1987, Harry starred opposite Alec Baldwin in the comedy mystery film Forever, Lulu, playing the title character

"Liar, Liar" was recorded by Harry for the soundtrack album Married to the Mob in 1988 and was produced by Mike Chapman. It was their first collaboration since the 1982 Blondie album The Hunter. The same year, Harry starred as Velma Von Tussle in John Waters's satirical dance film Hairspray

Her next solo venture was the album Def, Dumb and Blonde in 1989. At this point Harry reverted from "Debbie" to "Deborah" as her professional name. The first single "I Want That Man" was a hit in Europe and Australia and on the US Modern Rock Charts. The success of the single propelled the album to No. 12 on the UK chart, where it earned a silver disc. However, with little promotion from her record company in the US, it peaked at No. 123. She followed this up with the ballad "Brite Side" and the club hit "Sweet and Low". "Maybe for Sure", a reworked version of "Angel's Song" she'd recorded for the Rock and Rule animated film, was the fourth single released from the album in June 1990 to coincide with a UK tour (her second in six months). The track "Kiss It Better" was also a Top 15 Modern Rock single in the US.

Harry also appeared in film during this time, with a supporting part in Tales from the Darkside: The Movie (1990). From 1989 to 1991, Harry toured extensively across the world with former Blondie guitarist Chris Stein, Underworld's Karl Hyde, and future Blondie bassist Leigh Foxx. In July 1991 she played Wembley Stadium, supporting INXS. In 1991, Chrysalis released a new "best of" compilation in Europe entitled The Complete Picture: The Very Best of Deborah Harry and Blondie, containing hits with Blondie as well as her solo hits. The collection reached No. 3 in the UK album chart[36] and earned a gold disc. The album also included her duet with Iggy Pop of the Cole Porter song "Well, Did You Evah!" from the 1990 Red Hot + Blue AIDS charity album.

In 1992, Harry collaborated with German post-punk band Die Haut on the track "Don't Cross My Mind" and released the song "Prelude to a Kiss" on the soundtrack to the film of the same name. She also released a cover of "Summertime Blues" from the soundtrack to the film That Night in Australia. Her fourth solo album, Debravation, was released in July 1993. The album peaked at #24 in the UK but was less successful in the US. The album's first single was "I Can See Clearly", which peaked at No. 23 in the UK and No. 2 on the US dance charts.

This was followed by "Strike Me Pink" in September. Controversy surrounded the latter track's promotional video, which featured a man drowning in a water tank, resulting in its being banned.

US editions of the album feature two additional tracks recorded with prerecorded music by R.E.M.: "Tear Drops" and a cover of Skeeter Davis's 1961 hit "My Last Date (with You)". Also in 1993, Harry had a supporting role in a John Carpenter-directed segment of the anthology horror film Body Bags.

In November 1993, Harry toured the UK with Stein, guitarist Peter Min, bassist Greta Brinkman, and drummer James Murphy. The set list of the Debravation Tour featured an offbeat selection of Harry material including the previously unreleased track "Close Your Eyes" (from 1989) and "Ordinary Bummer" (from the Stein-produced Iggy Pop album Zombie Birdhouse, a track that, under the moniker Adolph's Dog, Blondie covered in 1997). Tentative plans to record these shows and release them as a live double CD never came to fruition. However, covers of the Rolling Stones' "Wild Horses" and David Oliver's "Love TKO" exist as bootlegs. In early 1994, Harry took the Debravation tour to the US.

In the UK, Harry's long tenure with Chrysalis Records also came to an end after Debravation's lackluster sales, but the label released all of Blondie's albums and Harry's KooKoo album (for the first time on CD) as remastered editions with bonus tracks.

In the mid 1990s, Harry worked as a guest vocalist on several projects: She joined the avant-garde jazz ensemble the Jazz Passengers in 1994, appearing on their album In Love (1994). Harry also reunited with Blondie keyboardist Jimmy Destri for a cover of Otis Blackwell's "Don't Be Cruel" for the 1995 album Brace Yourself! A Tribute to Otis Blackwell. During this period, she also recorded a duet with actor Robert Jacks titled "Der Einziger Weg (The Only Way)", a theme for the horror film Texas Chainsaw Massacre: The Next Generation (1994), which was recorded in German and in English. Harry also served as a vocalist in Talking Heads side project the Heads' 1996 release No Talking, Just Head, followed by the Jazz Passengers' Individually Twisted (1997).

The same year, she collaborated with Jazz Passengers' Bill Ware in his side project Groove Thing, singing lead vocals on the club hit "Command and Obey". Another Jazz Passengers collaboration, "The City in the Sea", appeared on the Edgar Allan Poe tribute album Closed on Account of Rabies (1997).

In film, Harry co-starred with Pruitt Taylor Vince and Liv Tyler in James Mangold's directorial debut Heavy (1995), playing a misanthropic waitress at an upstate New York restaurant.

The following year, she filmed Mangold's Cop Land (1997), a neo-noir thriller in which she portrayed a bartender.

1997–2007: Blondie reformation and solo output

In 1997, Blondie began working together again for the first time in 15 years. The four original members (Harry, Stein, Clem Burke and Jimmy Destri) began sessions for what would become Blondie's seventh studio album, No Exit (1999). The lead single from the album, "Maria", debuted at No. 1 in the UK, giving Blondie their sixth UK No. 1 hit. "Maria" also reached No. 1 in 14 countries, the top 10 on the US Dance Charts, and Top 20 on the US Adult Top 40 Charts. No Exit debuted at No. 3 in the UK and No. 17 in the US.

Harry appears on the 2001 Bill Ware album Vibes 4 singing the track "Me and You" as well as on former Police guitarist Andy Summers's album Peggy's Blue Skylight on the track "Weird Nightmare". A techno cover of Stan Jones' "Ghost Riders in the Sky" was featured on the soundtrack to the 1998 film Three Businessmen, and was available on her website to download. Harry sings on two tracks on Andrea Griminelli's Cinema Italiano project: "You'll Come to Me" (inspired by Amarcord's main theme) and "When Love Comes By" (from Il Postino), as well as on a tribute album reinterpreting the music of Harold Arlen, on which she sings the title track "Stormy Weather". In May 2002, she accompanied the Jazz Passengers and the BBC Concert Orchestra in a performance of her jazz material at the Barbican Centre in London. In 2003, she was featured vocalist on the song "Uncontrollable Love" by DJ duo Blow-Up. She also sang on the version of "Waltzing Matilda" recorded by Dan Zanes and Friends, released on the 2003 album House Party. The same year, Blondie released the album The Curse of Blondie (2003).

In 2006, Harry started work in New York City on her fifth solo album, Necessary Evil (released in 2007). Working with production duo Super Buddha (who produced the remix of Blondie's "In the Flesh" for the 2005 Sound and Vision compilation), the first music to surface in was a hip-hop track titled "Dirty and Deep" in which she spoke out against rapper Lil' Kim's incarceration. Throughout 2006, a number of new tracks surfaced on Harry's Myspace page, including "Charm Alarm", "Deep End", "Love with a Vengeance", "School for Scandal", and "Necessary Evil", as well as duets she recorded with Miss Guy (of Toilet Böys fame), "God Save New York" and "New York Groove". A streaming version of the lead single, "Two Times Blue", was added to Harry's Myspace page in May 2007. On June 6, 2007, a downloadable version was released via her official website.

In 2007, Harry delineated the different personae (Blondie the band, her role in the band, and Deborah Harry the singer) to an interviewer who asked why she played only solo music on the 2007 True Colors World Tour with Cyndi Lauper: "I've put together a new trio with no Blondie members in it. I really want to make a clear definition between Debbie's solo projects and Blondie, and I hope that the audience can appreciate that and also appreciate this other material."

Harry's fifth solo album, Necessary Evil (2007), was released after she completed the True Colors World Tour. The first single, "Two Times Blue", peaked at No. 5 on the US Dance Club Play chart. The album peaked at No. 86 in the UK and No. 37 in the US Billboard Top Independent Albums chart. Harry performed "Two Times Blue" on various talk shows to promote the album. She also started a 22-date US tour on November 8, lasting until December 9, playing small venues and clubs across the country. On January 18, 2008, an official music video for "If I Had You" was released.

Other riot grrl rp accounts

Gwen Stefani- @gwenstefoubt Kathleen Hanna- @bikinikillhanna Tobi Vail- @t0bi-is-cool Joan Jett- @queen-o-rock

#blondie band #debbie harry #riot grrrl #roleplay #rock n roll #cherry bomb

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allycat75 · 18 days

Text

Important events that actually took place on September 9th and were in no way a figment of a sad, delusional man and his advisors' imagination in order to continue a nefarious and daft lie.

1543- Mary Stuart, at 9 months old, is crowned Queen of Scots

1675- New England colonies declare war on Wampanoag Indians

1753- 1st steam engine arrives in North American colonies

1776- Congress officially renames the country as the United States of America (from the United Colonies)

1817- Alexander Twilight, probably first African American to graduate from a US college, receives BA degree at Middlebury College

1836- Ralph Waldo Emerson publishes his influential essay "Nature" in the US, outlining his beliefs in transcendentalism

1850- California becomes a state

1880- President Rutherford B. Hayes visits San Francisco

1888- Easter Island / Rapa Nui in the Pacific is annexed by Chile

1892- Edward Emerson Barnard at Lick Observatory discovers Amalthea, Jupiter's 5th moon

1904- Boston Herald again refers to NY baseball club as Yankees, when it reports "Yankees take 2," Yankee name not official till 1913

1908- Orville Wright makes 1st 1-hr airplane flight, Fort Myer, Virginia

1908- Russia annexes part of Poland

1911- 1st European post delivered by air (Hendon to Windsor, England)

1921- Guatemala, Honduras and San Salvador agree to Central American Union

1922- Turkish troops take the Greek-held Anatolian city of Smyrna during the Greco-Turkish War

1926- National Broadcasting Company created by Radio Corporation of America

1936- New York Yankees beat Cleveland Indians, 12-9 at League Park to clinch AL pennant on the earliest date in history

1939- Nazi army reaches Warsaw

1942- Compulsory work for women, children and old males in Batavia

1944- Allied forces liberate Luxembourg

1945- 1st "bug" in a computer program discovered by Grace Hopper, a moth was removed with tweezers from a relay & taped into the log

1950- 1st use of TV laugh track by "The Hank McCune Show" in the US

1951- 1st broadcast of soap opera "Love of Life" on CBS-TV

1955- Don Zimmer, hits 4,000th Dodger home run

1956- Elvis Presley appears on "The Ed Sullivan Show" for the 1st time

1957- US President Eisenhower signs 1st civil rights bill since Reconstruction

1960- Pakistan ends India's run of 6 consecutive Olympic field hockey gold medals with a 1-0 win over their sub-continent rivals at the Rome Games

1963- Alabama Governor George Wallace served a federal injunction to stop orders of state police to bar black students from enrolling in white schools

1965- LA Dodgers future Baseball Hall of Fame pitcher Sandy Koufax throws his 4th career no-hitter and first perfect game in a 1-0 win over the Chicago Cubs at Dodger Stadium

1966- The National Traffic and Motor Vehicle Safety Act signed into law by U.S. President Lyndon B. Johnson, 1st federal safety standards for vehicles and roads

1967- 1st successful Test flight of a Saturn V

1969- The Official Languages Act comes into force in Canada - making English and French the country's official languages (replaced 1988 by new Official Languages Act)

1971- Apple Records releases John Lennon's second solo studio album, "Imagine" in US; it tops the charts in US, UK, Australia, and 3 other countries

1972- West German equestrian rider Liselott Linsenhoff follows her dressage teams gold in Mexico City with the individual dressage title at her home Olympics in Munich

1975- Paul McCartney & Wings begin their "Wings Over The World" tour in Southampton, England; 65 concerts in Europe, Australia, Canada, and United States, runs through October of 1976

1978- Ayatollah Khomeini calls for an uprising in the Iranian army

1979- 31st Emmy Awards: "Taxi"; "Lou Grant"; Ron Leibman & Ruth Gordon win

1983- Radio Shack announces their color computer 2 (Coco2)

1985- President Reagan orders sanctions against South Africa, targeting apartheid

1987- Larry Bird of the Celtics begins an NBA free throw streak of 59

1987- Gary Hart admits on "Nightline" to cheating on his wife

1990- George H. W. Bush and Mikhail Gorbachev meet in Helsinki & urge Iraq to leave Kuwait

1990- Liberia president Samuel K Doe is captured by Mr Johnson's forces

1991- Mike Tyson indicted for rape of Desiree Washington

1993- Israel and the Palestine Liberation Organization exchange letters of mutual recognition

2010- A court in the Philippines orders Imelda Marcos to repay the government almost $280,000 for funds taken from the National Food Authority by Ferdinand Marcos in 1983

2012- Armenia wins the 40th FIDE Chess Olympiad

2015- Apple unveils the iPad Pro and iPhone 6S in San Francisco

2015- Queen Elizabeth II becomes Great Britain's longest-reigning monarch at 63 years and seven months, beating the previous record set by her great-great-grandmother, Queen Victoria

2017- Egyptian archaeologists announce the discovery of a 3,500-year-old tomb of a goldsmith and his family in Draa Abul-Naga, Egypt

2018- CBS chief Les Moonves departs the company after six more women make allegations of sexual abuse in "The New Yorker"

2019- Poet John Milton's own copy of Shakespeare's First Folio of 1623 has survived with his annotations according to scholar Jason Scott-Warren in Philadelphia library, could be world's most important modern literary discovery

2020- San Francisco Bay area blanketed by dark orange skies and smoke due to California wildfires

2021- Tom Brady becomes first player in NFL history to start 300 regular season games as he guides Tampa Bay Buccaneers to an opening day 31-29 win at home to Dallas Cowboys

ALL of these are more important than something that never happened on this day.

4 notes · View notes