#cool songs to write to

[robinfollies]

and we believed ourselves when we said we’d never be alone again 🌼🌈💖

[shoegays666]

i am not cool about it.

[sysig]

You're still standing off to the side. Somehow, center stage has shifted from under your feet without you realizing, and you're standing in the wings, performing to no one.

Starring Role (Patreon)

[larabar]

"so, that was fun"

[raineyraven]

just watched vide noir (2022) and i have to say the tragedy of a man whose love leaves him because he wasn't what she needed him to be, who through his journey to find her again became the man she wanted him to be so that he could get to her, only to reach her and find that it's too late to get her back, who grew and changed in his quest for someone who was always going to be out of his reach and he didn't know it until he'd undergone that change?? that shit fucks oh my god.

[nafohcnis]

ths song remind me of them cause auaug least favorite and most favorite brothers out of al of them and mirrorr YADAYADA U GET IT

[iris-drawing-stuff]

Whenever I get a new, interest I look at my favorite characters and go "Put their ass in prison," so here's Dmitry in Milgram.

Also, just for funsies, let's judge him. Imagine that Comfort Zone is his first trial song.

Some thoughts about this AU under the cut.

"Focus, channel and then discard

Now, sympathy has no place in a righteous heart"

The facility used Dmitry for experiments, and it's implied that part of that was killing other mutants. They would be his murder/s

Voting-wise, I think this could lead to an Amane-like situation where people vote him guilty to try to teach him that he was in the wrong. I'd like to think it would backfire just as badly.

I think the environment of Milgram would remind Dmitry of the facility. Milgram is basically one big weird experiment. The only upside for him would be the fact that Anya is there (IDK what her murder would be, but I am not seperating them).

Full body

Also, here's the other 2 ideas for his victim that I came up with:

1. Yura

"Keep barking all you want, cutting to the bone

You are like a cornered dog, cut the microphone"

In Convergence, he really wanted to kill Yura, and the only thing stopping him was his threat to make things worse for Olya. What if he was just a bit more impulsive and straight up killed him? I like this idea the least because we can't make Yura another prisoner if he's dead.

2. Katya

"Hey don't you realize...

That this life's not fit for the likes of you and I"

Okay... this is my most out there choice. Basically, when Katya gets captured and brought back to the facility, they kill her instead of whatever they do in canon, and Milgram considers it Dmitry's fault because he abandoned her after they escaped. It's kind of similar to that theory that Kotoko's victim is Lucky because she abandoned her at the end of Deep Cover.

[ruvviks]

All That's Left follows two journalists and their friends in post-apocalyptic United States as they travel from the fallen east coast megalopolis Opportunity back to Los Angeles, crossing through a harsh wasteland overrun with zombies— only to find out that there is a lot more life left than what the protected cities want them to believe. On their journey they meet dozens of people living their lives as peaceful as possible away from military forces, corporations, and corrupt governments; and they learn that the same mutated ghouls that took down Opportunity are spreading rapidly through the country, destroying everything in their path. Will this finally be the end of the world as we know it?

taglist (opt in/out)

@shellibisshe, @florbelles, @ncytiri, @hibernationsuit, @stars-of-the-heart;

@vvanessaives, @katsigian, @radioactiveshitstorm, @estevnys, @adelaidedrubman;

@celticwoman, @rindemption, @carlosoliveiraa, @noirapocalypto, @dickytwister;

@killerspinal, @euryalex, @ri-a-rose, @velocitic, @thedeadthree

[eri-pl]

My dear mutuals, I just realized something.

So, there's been talk recently about breaking Papita out of Mandos and I suppose more of us may need help at some point... but we need one fundamental thing if we are to be able to save one another from some terrible prison (or, idk, recognize each other in a supermarket...):

we need to have a song in common

Like, seriously, the default scheme for breaking someone out from somewhere is: character A start singing, character joins them, character A finds character B and gets them out. Except...

I'm not sure there's any song I could sing together with any of you.

We need to make a list of songs that we all know well enough. Seriously.

[shriveled-grape]

“Do you enjoy playing with your food?”

“…what?”

“Do you enjoy playing with your food?”

“Ha… I heard you the first time, Barbatos, but I’m not quite sure what you mean.”

Venti narrows his eyes at him, a song playing in his mind. One that’s not created yet.

He can hear bards sing it — about a man who killed his lover because his hunger was too great and did what he feared most.

“You don’t have to worry about it yet, Tartaglia.”

He smiles, swirling the wine in his cup before he takes a drink.

And pretends he can’t see the blood that will eventually stain the Harbinger’s hands.

[titsthedamnseason]

the video of taylor and gracie songwriting is amazing. it reminds me of the famous getaway car clip….its just so cool to see how her songwriting brain works in real time

[toskarin]

can't stop thinking about j-electronicore sounds like that because FaLiLV, in popularising the japanese scene for it, used lots of chip sounds which led to people calling it picoriimo (pico-screamo) until the genre terms became interchangeable and pico- became much more expected in the genre as a whole

[triglycercule]

ok so there's murder time trio where theyre best buddies and get along and sometimes even having more than just platonic interactions. and then there's also the murder time trio where they genuinely just don't like each other and avoid each other and do NOT get along and to me there's just a VERY clear timeline of events that could connect these two group dynamics. like these 2 could coexist,,,,,,

nightmare's fresh outta his little corruption sequence and he needs his henchmen. goes out and gathers the obvious three killer horror and dust (does it really matter how he got them??? kidnapping or not the trio will warm up to him). its his first time having to deal with mentally unstable grown up mortal men and he really has no idea how to manage the team so he lets them have some slack. spoils em a bit yk yk stops fights allows them to hang out allows em to screw around the castle even COMFORTS them,,,, shocking i know (a slightly nice nightmare interpretation from triglycercule? UNFATHOMABLE!!!!)

this killer's fresh outta something new so he's still kinda curious and nosy. he hasnt seen the multiverse and especially not interacted with nightmare/horrordust so he's kinda more outgoing and friendly (ish. to get to know better everyone and satisfy the curiosity of seeing what reactions and feelings these fellas could give him.) bc killer's not that much of a prick and horror and dust would naturally SLIGHTLY get along (and if in the right environment be good buddies. which is nm's lenience and killer's not shittiness) the mtt actually get along pretty well and are good buds!! like the first group dynamic i mentioned where the bad sanses are just kinda like a friend group except they have some weird work relations

and then a fight breaks out and nightmare kills either dust or horror (what about??? anything!) likely dust first because he's more likely to be wary of nm (if kidnapped) and also because he's just kinda more actively righteous compared to horror (who likely wouldn't do much against nm) or killer (does not give a shit.) dust dies, horror likely dies defending dust and that just leaves the og killer and nightmare

nightmare is like "oh shit i just killed my workers". he'll take like a week to ponder what he did and then completely move on (because hes an ass like that.) nightmare gets another horror and dust to replace the ones he killed. and killer is just like wtf how do i deal with this. the guys i were kinda friends were are dead but their copies are right here. like he knew copies existed in the utmv but he didn't think nightmare was so willing to replace them so fast???

this killer's still adapting to the multiverse and stuff (it probably hasn't even been a year since he got snatched up!!!) and yeah hes aware that copies exist and he could get replaced by one but he didn't think that it would LITERALLY HAPPEN RIGHT BEFORE HIS EYES. so he decides to stick more around nm and avoid getting replaced like the og dust and horror because it really just hammers in the point that he's kinda useless if he speaks out like those 2. hes avoidant of the new replacements as well bc hes still new to this experience and is getting used to the whole implications of two guys that were once him and he was friends with died and got replaced by basically the same person

but they still have to work together for obvious reasons. and even if killer's avoiding horror and dust they probably aren't avoiding each other and probably are like wary friends/acquaintances. and naturally killer HAS to become okay worker buddy pals with them because hes stuck living with them. nightmare's a lot stricter and cold to avoid something like dust's rebellion against him happening again. mtt are wary of each other (mostly towards killer. horrordust are pals and killer's kinda growing more apathetic to the duo because he's already experienced a lot of the stuff before with the og two that died.) but theyre still "friends" you could say

and then perchance maybe horror and dust decide to let killer in on a lil secret theyve been cooking up. theyre planning to escape (kidnapped DUH. and nm isn't as nice as he was to og horrordust to warrent them to wanna stay) and even though they don't really trust killer theyre still letting him in on the plan and offer for him to come with them because they lowkey feel bad for him and he's really not all that bad under all the bullshit

but killer saw what happened to the og dust and horror so he says no. and the night that the duo are planning to escape he just has this overwhelming sense of dread. the next morning he wakes up to nightmare standing over his bed with a cold glare telling him of horror and dust's attempted escape and death and killer just kinda. sighs. his dread was right (he was lowkey hoping that they could escape so they didn't die like the original 2)

and then the cycle repeats. previous dust or horror or both die to nightmare or some random outside force or escape (because it has to happen eventually right??) and the pair keep getting replaced. killer keeps witnessing their deaths and replacements and at this point he's just so used to it that he doesn't even TRY to interact with the new horrors and dusts. theyre not even like real people that are getting killed and replaced like robots to him anymore they're just distant coworkers that get fired and then a new one comes to take up the position

each new dust or horror is icked out by nightmare and killer. nightmare is incredibly cold and intimidating and dictatorial and just sucks in general. and killer gives them this distant look. like he knows something they dont. he's already proven to them that he knows that they should obey nightmare and how to deal with the king and they know he's been here longer than them but even when he's not with nightmare or not talking about him they get the blank stare

sometimes when a nicer replacement of horror decides to do something nice for killer like make him a meal he just gives him that look and declines (there's already been countless different horrors that tried doing nice stuff for him. it's not new and nice in his eyes anymore.) maybe when a dust replacement gets irked by killer's apathy and decides to try and say something that'll bother him or snoop through his personal stuff killer will just walk away or kick him out of his room with that creepy ass blank stare again (it's not the first time a dust has tried to rile him up. it's not new or interesting and just predictable)

killer just doesn't CARE about the new horrors and dusts. they're all pretty much the same two guy except maybe a bit nicer or meaner or quieter or even taller or something?? all he really cares about is is serving nightmares atp, no other outside relationships. and ngl he doesn't even care that much about nightmare either. he's already figured out his thinking he's already figured out all of his likes and dislikes and what not to do to piss him off. the only reason he's still dealing with him is because he doesn't have anything else better to do and he doesn't wanna be useless to the one guy that he's served all this time

he's just kinda stuck in an empty boring limbo that killer's only maintaining due to a lack of motivation and any other priorities. and personally i just think this bad sans dynamic is lowkey tragic because like killer keeps witnessing all these guys that he used to be friends or enemies or rivals or whatever with and they just keep dying or leaving him behind. not one ever stays for THAT long (because no wayyyy a dust or horror would take being under a cruel nightmare well) and it's given him this idea that none of these people matter (aside from the important one which is nm) because they're just gonna leave me and the connections ill have formed with them will be for nothing so why even try being vulnerable and friendly and interacting with these cheap copies of the guys i USED to be friends with

[seaofreverie]

Sparkstember Day 19: Lil' Beethoven (Ride 'Em Cowboy)

First of all, let this very important fact be known: the love I have for all three albums in the Lil' Beethoven trilogy cannot be overstated. I think I can safely call them my favourite pieces of art ever made. You know, when you look forward to something and it not only lives up to all your expectations but it's also just SO SO much more? Something about this neoclassical / dada / deconstruction of pop music / whatever-you-should-even-call-it approach is absolutely PERFECTLY suited for my tastes, and I didn't even know I was looking for something EXACTLY like this until I found it.

I think the circumstances of my first hearing of this album are pretty funny and something I got pretty lucky with actually (I often think about this with Sparks in general, as much as I wish I've known about them sooner I also do feel like they appeared in my life when I needed that the most. But anyway.) I was very eagerly looking forward to hearing it and finally seeing for myself what the genius of this album is all about. But I insisted that I can only do it through a physical format because yesss, let's make it even more *special*! The moment I've been waiting for! So yeah let's gooo, I need to wait until my CD arrives in the mail (that was one of the longest weeks of my life). And then I started to wonder, well, maybe I actually won't like it that much. To hype myself up to this extent and then be severly dissapointed - would have sucked!

Well, I was NOT dissapointed. Instead I was perplexed, confused, but also very intrigued and quite, ok not just quite, *completely* amazed already. That was the initial reaction and I think it's a rare but very beautiful moment when this happens - no need to *fully* grasp it right away, but enough to be all like "oh that was SOMETHING. I need more." As I said after that first listen (and I actually have my whole LIVE reaction to hearing LB written down lmao, that's how much of a big deal this was for me), I felt like it actually has to grow on me a bit still, gradually but surely with each next listen, rather than the 1st listen being THE prime listening experience. And that was very true! But it wasn't even gradual, it was very fast, seriously. And something very important that stood out to me right away too were the melodies - something about them, and that continues into HYL and ECOTD too. It's this classic feeling of: this always existed, or at least it feels like I've known it for years already. And as I listen more and become more familiar with them the magic still grows.

It's of course no coincidence to me that an album that relies so much on extreme levels of repetition is so addicting, even hypnotising. And once upon a time I thought that I couldn't like something that's too repetitive and therefore could be considered monotonous or "predictable". But nothing is predictable about LB actually. (Besides... ok, I'll get to that one bit later). But yeah, it's good for the brain. And it's been said before by others but this music definitely has this certain neurodivergent appeal thanks to all this, and, well, I love that aspect of it so much and I definitely relate to it on some level that goes even deeper than just song topics and instrumentation choices. It's in the structure and the fundaments of it all too.

I legally can't finish this without a dedicated paragraph to the 2004 Live In Stockholm performance because HOLY SHIT. Feeling so lucky again that all three of these albums got this treatment and we have recordings of these half-concert-half-performance-art pieces that we can now marvel at. I will say that like, a pretty big part of the sum of the appeal that LB has as an album is stored in this show and its visual and narrative elaboration on its themes. And also it's just so fun to watch! Sometimes I thought about how this might be an even better introduction to LB / this era of Sparks / Sparks in general than the actual album but well, never had a chance to test that and you know. Maybe shouldn't recommend Sparks with one of the most leftfield things there is to be found from them. Either way, very good, very important, felt like experiencing the power of LB for the first time all over again.

So now, please hear my exact reasonings for why I so deeply love (almost) every single one of these songs......

The Rhythm Thief

NO song made such a big impression on me the first time I heard it as this. I might have gotten more used to it after all this time but man, The Rhythm Thief, you will always be the realest one to me. This is what made me look forward to the whole album so much and convinced me that it would be like nothing else I've heard before. And that turned out to be so very beautifully true!

How Do I Get To Carnegie Hall?

I could listen to this one a hundred times in a row over and over and not get sick of it one bit. That's it, idk what else to add, beautiful and ethereal in every way

What Are All These Bands So Angry About?

Mostly I just want to direct everyone's attention to the bridge section, at the 2:26-2:52 time mark, which as far as I can say is the most heavenly piece of music ever made. Feeling like that Winnie The Pooh soul leaving his body gif each time I hear this

I Married Myself

Aromantic anthem, to me. Not that much to say actually but it's just, a very sweet and pretty song even when it might be taken as just this sort of ironic piece, I think it's this situation where a song can be taken more or less literally and it doesn't lose anything, rather the sincerity takes on a new sort of meaning? Because yes, maybe this hyperbolic situation (marrying yourself) COULD be the solution to the heartbreak of failed relationships. Ever thought about that??? Ok, stopping right here and leaving my I Married Myself analysis for another day

Ride 'Em Cowboy

My mind is blank on this one suddenly. But it's so good believe me. I love it a lot. It just has this LB spirit that makes it very addicting to listen to

My Baby's Taking Me Home

This was sort of the first Sparks song I've ever heard, or maybe that I quote-unquote purposefully listened to, and I think that's pretty important considering that it was the moment that ultimately lead to... all this. This song has always been incredibly beautiful and powerful to me, but lately it just makes me emotional to an extent that makes it hard to listen to most of the time. I WOULD sell all my material possessions for even one chance to experience this song live by the way

Your Call Is Very Important To Us. Please Hold

Earns soooo much as a live version, but even without that I think it's genius in the same way as The Rhythm Thief, and maybe the most disquieting piece here overall... If we ignore the next one maybe

Ugly Guys With Beautiful Girls

Sitting there hearing the intro of this song all like "huh, this is so chill and calm... too calm..." and then being hit with, well, everything that's going on in this song afterwards was truly THE MOMENT back in the day (and re: the predictability thing. idk though, it's not like, really an issue). Later on I decided that this sort of narrative nature of the song makes it have less replayability value than the rest (???) but I abandoned that opinion soon enough, thank god. I love it how long it took me to realize that this song and the ending of MBTMH are the only times when drums appear on this entire album (I mean no, I'm not very proud of that fact actually, as the self-proclaimed biggest LB fan in my area. And The Rhythm Thief literally saying "say goodbye to the beat"... come on man). So yes, sometimes less is more! I adore this song now it's such a treat I would gladly terrorize my neighbours with it

Suburban Homeboy

Ok, I'm sorry Suburban Homeboy fans but this is the only song here that I'm not a HUGE fan of. I still think it's brilliant and an incredibly fitting ending for the whole thing - the mood whiplash is amazing as this is the only "vaguely happy sounding" song on here, per my words from months back. And what's better than yelling WE ARE THE SUBURBAN HOMEBOYS! (I'm actually awaiting today's Sparks karaoke rating reveal very impatiently lol the reveal happened before I posted this and I'm very happy about it)

One more actually, a quick word on Wunderbar because it gave us two things that we might have not been able to do without: 1) this whole album actually (the fact that LB exists because of Wunderbar giving the Maels the idea to continue meddling with this style. Up there as one of my fav pieces of Sparks trivia) 2) anddddd the 21×21 performance of it of course

[a-very-sparkly-nerd]

Rayllum Month 2024! (4/13)

white flowers and love letters, you say i’m yours forever

July 7th - Flowers

~

Rayla hated mornings. Callum couldn't get enough of them- she was convinced he must be on something, but it wasn't her place to say; hell knew she'd done weirder shit. And conversely, Callum hated late night while Rayla loved them. But at least she had a reason- she was a Moonshadow elf, after all. Moon's at night. The math wasn't difficult.

He slumped onto his bedroll when they made camp that night in a meadow, a clear view of the stars above. And if Rayla had chosen it specifically for that, in memory of their last time and hoping for a repeat, well… at least Callum had the good nature to not say anything if it bothered him. He was probably too exhausted to care.

She pushed his hair back. “Go get some rest, Sleepy Mage.”

He groaned, pushing himself up and rubbing at his eyes. “No, I'm fine. I'll help with dinner, and-”

Rayla rolled her eyes, lifting the bag off Luna and holding it out of Callum's reach. “Your eyebags could carry a gallon of milk. Go to bed- you're exhausted. I've got it.” She smiled, letting her hand fall within his reach. “Really.”

Callum took it, sending a rush of warmth through her perpetually cold body, the smile he gave her worth a billion gold coins. No- more. Priceless. “Thanks, Ray.”

She smiled back, squeezing and lingering. “It's not a problem.”

With Callum passed out instantly, Rayla ate a handful of beige bittersquash as she set out her own bedroll. Once she had it laid out as flat as she could get it on the uneven ground, she plucked Stella from her shoulder, the cuddlemonkey looking at her sleepily.

“Shh, I know, baby,” she soothed when she chittered, scratching her under the chin. “Will you do a very quick job for mama?”

Stella nodded eagerly, big purple eyes focusing.

Grinning, Rayla set her down near Callum with a pat on her head. “I'm going to go use the bathroom. Will you keep an eye on our things and Callum for me?”

The cuddlemonkey saluted her, adorably tapping Callum’s shoulder.

Rayla kissed her forehead. “Thanks, baby. I'll be right back. So fast you won't even notice I'm gone.”

She picked her way off through the woods until finding a dark, secluded enough spot to do her business. Stopping the fuss with the buckles of her pants on her walk back–honestly, she’d had them for over a year now, and the damn things never got any easier to clasp–she stopped short.

Nothing looked familiar. Sure, it was dark, but Rayla had always been good at memorizing environments and had keen night vision even for a Moonshadow elf. Shit, was she lost? Wonderful; that was just the icing on the cake.

Rayla flicked open a single blade, letting it hang at her side. She doubted there was anything nearby, but better safe than sorry.

She slowly spun around, getting her bearings and trying to figure out which way was east, the way she’d come from. Moss grew on the north side of trees, so if she could just find some freaking moss, she’d be set.

She squinted at a faint glow in the darkness, picking up the pace as she made her way over, curiosity getting the better of her. She was already lost; what was another detour?

A cluster of flowers bloomed at the base of a tree, glowing silver and shaped like lilies. A little like lunablooms, Rayla couldn’t help thinking, a shuddering wave of nostalgia washing over her.

Rayla inhaled the flowers’ scent, smiling at the smell of, oddly enough, fresh-baked cookies and Stella–unhygienic as the little monkey was, she thought with a snort–and- Callum. Why on earth did a flower smell like her ex-boyfriend? Why did it smell like home?

Greedily, she leaned back in to smell it again, but lurched back when instead of everything she’d longed for those two years away, it smelled of sulfur. Of evil. Rayla coughed, shaking her head. Where had that come from? Yet when she sniffed them again experimentally, certain she’d gone well and truly crazy, she was proven correct by how it had gone back to smelling like home.

She was clearly crazy, Rayla decided. She’d already been having auditory hallucinations, and with the added stress of her parents in her pocket, the fate of the world on her and Callum’s shoulders, everything that might happen once they reached the Starscraper, what he’d asked her to do… She really deserved more credit for keeping herself out of an insane asylum.

She pulled up a flower, gently gripping it by the stem in her free hand, and continued on her way. No reason to kill all of them. Let a little beauty spread around, right? But, come to think of it, it was odd that none of the little blossoms were anywhere to be seen other than that one patch.

But what did Rayla know? She was no Earthblood elf, no botanist. And she had bigger things to worry about than flowers.

And yet, she couldn’t make herself let go of the blossom in her hand.

By the time Rayla found her way back to camp, tired and agitated from stumbling over tree roots and through thorn bushes, it’d been at least twenty minutes since she’d planned on returning. Stella had fallen asleep curled up with Callum, out like a light.

Rayla smiled softly at the monkey, brushing a kiss against her forehead. She glanced down at the flower in her hand, and before she could think better of it, tucked it behind Callum’s ear. Adorable.

Read more on AO3!

[dwobbitfromtheshire]

Robin and Steve are now working at a daycare since they got fired from Family Video. Steve was holding a baby who had grabbed a fistful of his hair.

Robin: There you go, kid. You've got him right where you want him. Now, take him for all he's got.

Steve: Robin, do not encourage her!

Eddie: *appearing over Steve's other shoulder* My money's on the kid.

Steve: What- Eddie, where'd you come from?

Eddie: My mommy and daddy.

Steve: *eyeroll* No, I meant, what are you doing here?

Eddie: Well, I couldn't let you have all the fun. So, I decided to come and play music for the kids. *shakes his acoustic at him*

Steve: *narrows his eyes at him* What kind of music? . . . Eddie, what kind of music?

Eddie: *grins*

Meanwhile, the baby let go of Steve’s hair, now completely distracted by Eddie. She reached out, wrapped her little hands around Eddie's hair, and tugged. Eddie let out a loud screech, causing the baby to cry.

Eddie: You little demon!

Steve: You're not going to start a fight with a baby, Eddie. Go play your music.

Eddie: She started it! *walked away, grumbling.*

A little while later, the three of them stood outside the daycare.

Steve: I can't believe you got us fired.

Eddie: Hey, in the end, those kids respected me. I was honest with them.

Steve: Yeah, a little too honest.

Robin: Steve. . .I hate your boyfriend.

Steve: We were on thin ice anyway.