#creating an employee handbook

[a-vague-yet-menacing-agency]

Old news but the fact that Cody was manager at hot topic is so unexplored in fandom. Like he wasn't some shithead employee he was the boss Entry level retail workers are so rarely promoted to manager nowadays, like, was Cody just that good at selling/managing the store? Also, managers make good money. Okay, haha, it's a hot topic, but store managers make like 70,000$ a year (CAD). They have health insurance. So Cody was actually doing pretty well. It's kinda weird to pretend he was on the same level as his friend with just a standard sales associate position, even if that friend was also full-time. Like the power and responsibility that Cody actually had is kind of impressive especially for 28.

AND then! To become a carnie! Like sick move and also Cody lost all his money anyway but the financial disparity! Was Murph probably thinking of like an assistant manager position which would make more sense with Cody's vibe? Probably. Is it funnier to imagine that Cody had to make sales reports to corporate and design store planograms? Absolutely.

Cody was management.

[fatuismooches]

Every time recruits were assigned to a Harbinger, they were required to give a speech to the new agents. It was simply the way the Fatui worked - everyone must be made aware and dedicate themselves to the Tsaritsa's will through working for the Harbingers. The experience varied from Harbinger to Harbinger - if one were lucky enough to be with the Captain, they'd be filled with a sense of pride and bravery, if they had the misfortune of working for the Balladeer, well... one could guess how that goes.

Dottore's orientations were also anxiety-inducing, no doubt, considering the kind of reputation he had. Most recruits prayed day and night not to be selected to work for him. It was a very popular rumor about how easy it was to end up as a test subject of Dottore's. However, what many recruits quickly realized was that... working for Dottore was not as bad as many claimed.

Sure, some segments were definitely more difficult to work with than others, but it was actually preferable to working for certain other Harbingers. Just continue to produce results, and you'll be fine. Surprisingly, there were a sizeable amount of agents who adored Dottore. They would rave about him at any given opportunity to anyone who was willing to listen, and that didn't even include their signature handbook. It was also said that if you truly impressed him, he wasn't picky about rewarding you. Unfortunately for new recruits, they were still unaware of this and were left to shiver with their hearts in their throats, awaiting their impending doom.

Even worse for those poor souls, was that a habit of the segments was that they were notoriously late to these meetings, diving deep into their research and discarding it until the last minute. You learned this through idle conversation with one such segment, Beta, who especially despised this baptism.

"So... you just stood there and gave a speech to them?" You couldn't help but find the idea very funny, considering the kind of man he was. "What are your speeches like? Are you motivational, Beta?" He scowled at your teasing and focused his frustration on his latest creation.

"I don't have the time to waste on foolish things."

"Isn't it a good thing to encourage your employees?"

"This is the Fatui. They know what's expected of them," Beta scoffed as if he hadn't turned certain agents into flying robots in the past.

"Aww, but it sounds fun! I would wanna talk to them like that," you sighed. Most of the time the agents would bow, stutter, and quickly make themselves scarce when they saw you. Certain ones would just stare at you in awe silently as if they couldn't believe their eyes, and then scribble something in their notepad. You were unsure of their motives.

"There's a reason why Prime has never attended one himself ever since he created his first segment. All of us fill up our schedules to avoid it," the segment grumbled. He was the one stuck with the duty today. You only hummed in amusement.

"So when is the next screening of new recruits?"

"Tomorrow morning. Hmm, Omega's turn this time too. He's best at these things, anyway." You smiled as you had a very good idea.

"I'm going to go!"

"Are you now? Have fun." Beta responded dryly. Now that he thought about it, if you were so eager, perhaps he should have brought you to do most of the speaking.

"I will. I'll get them to be the most motivated Fatui agents there is!"

—

For a small group of people, they were starting their mornings with possibly one of the most frightening experiences of their lives. It was only natural for them to whisper to each other, all huddled up.

"I wonder if the rumors about Lord Dottore are true. Is he going to dissect us if-"

"You know what I wonder? What segment of Lord Dottore we'll get assigned to. I heard-"

"He has segments???"

"Apparently, he cloned himself at different stages of his life, so we'll deal with numerous versions of him."

"... As soon as the time comes, I'm putting in a request to transfer out of here."

"And that will be your biggest mistake. Lord Dottore is far more generous than you lot make him out to be."

"Pardon?"

"Lord Dottore is quite frequently praised by many agents around here. You just haven't heard them yet. Furthermore, he'll always appreciate results, regardless of your actions." The Dottore defender passionately gripped his chest. The group looked unconvinced.

"Are you sure they weren't under duress or something...?"

"Well, I've met his spouse once too! And [Name] was as kind as-" The poor agent was interrupted by laughter.

"Spouse? The sun would sooner shine bright in Snezhnaya than Lord Dottore ever being married."

"Is he even capable of love?"

"It's not a lie. Many agents who work for our Lord know them! In fact, they-"

"Ahem! Attention everyone!" A voice sounded in front of the room, that was... definitely not Dottore's. There stood a person who was... definitely not Dottore either. The room went completely silent as they gazed upon your rather proud form.

"You all were expecting Dottore, but I, [Name], will start this thing off first!" The glint of your wedding ring became all too noticeable for the new recruits as your eyes scanned the crowd. "Oh, hey! You're that guy I gave directions to a while back! You really did transfer over, huh!" You gleefully waved to him as he scratched his head, in both embarrassment and honor, and the agents suddenly had a feeling that the man was not lying about Dottore's marital status.

"Anyway, I'm gonna ask you all the question I know you're all thinking about. You're absolutely terrified of Dottore, aren't you?!" You pointed at them while their throats were dry from the situation. After a few seconds, they glanced at each other before nodding awkwardly. You only chuckled as you puffed out your chest.

"Well, I'm going to erase all those fears right here, right now. As the person who knows him better than anyone, I can assure you he's a great Harbinger to work under! And to do that... I'm going to give you all a crash course on Dottore's segments! So go on, ask me anything and I shall deliver!" Your resounding confidence was met with blank stares, save for the new inductee into the fan club.

"Are they really Lord Dottore's lover?"

"Well, they have to be... no one can just walk around casually claiming to be married to him."

"I mean... if someone like Lord Dottore is able to fall in love, then he can't be too bad, right...? We should listen to them."

One by one the nervous agents asked you a variety of questions - how to deal with them, how to tell them apart, what to do if they were annoyed, a few quirks to look out for, the kind of work efficiency he valued, the kind of sweets they most favored when it came time to pacify them- the more you spoke, the more engaged the new recruits got. You were rather proud of your skills.

"And if that wasn't enough motivation for you, do it for him!" In the end, you pulled out your one and only pet, the strange blue fox creature who blinked at the crowd who was loudly clapping for some reason.

"You know, I feel a lot more confident about working here!"

"I told you all, you just didn't believe me," the one fan said, still over the moon. But even amidst the commotion, a pair of shoes neatly echoed throughout the room, causing everyone to nearly fall silent at his presence.

"Oh... that's Lord Omega, right? His mask is black." Said agent got elbowed by another for speaking, as they all bowed lowly in respect. The segment was more interested in what you were doing here.

"... [Name], what exactly is the meaning of this?" The segment studied you carefully - despite your sweet smile, he didn't exactly have the best feeling about this.

"I gave them a speech of course! You need to motivate them more, you know? For the results you love so much! I just decided to do your job for you." Your lover stared at you and then turned his attention to the group who were standing stiffly.

"Is that so?"

"Y-Yes, Lord Dottore."

"Then you are all dismissed." The group blinked before quickly shuffling out of the room, mostly in awe at how casually you spoke to the Harbinger. You really were married...

"Just trust me Omega, those guys will be some of your most hardworking agents!" Omega looked at you thoughtfully - their demeanor did seem much better than when he spoke. But he still had a lingering thought that bothered him.

"[Name], you didn't tell them anything potentially... inappropriate, did you?"

"Inappropriate? O-Oh, of course not, Omega. I merely boosted their spirits into working for you!" You smiled, ignoring how his gaze was boring into you.

"That's all?"

"Yes, that's all!"

"..."

"..."

"Well, actually, I-I may have told them about the sweets thing again- hey- don't get closer!"

[nanowrimo]

A Message from the NaNoWriMo Board of Directors

Dear NaNoWriMo Community Members,

Thank you for reaching out to us with your inquiries about the forums, your support, offers to volunteer, and your legitimate concerns.

Our inbox has been flooded, and we appreciate all of the thoughtful responses from participants and volunteers who genuinely care about NaNoWriMo, our fellow writers, and the community as we do. It is impossible to respond to each message individually, but we wanted to let you all know we are working with purpose and sincerity.

Please see below the breakdown of the work that has been done since we last shared an update with the community. Our intention is to keep you abreast of all we are doing to make NaNoWriMo a better, safer, place:

We’ve overseen a full-scale review of business practices led by former Board Member, Kilby Blades, who has stepped in to assist the organization on an interim basis.  

We’ve begun to implement new procedures around community safety, including:

Full revision and legal review of our employee handbook and codes of conduct.

Full revision and legal review of our Municipal Liaison(ML) agreement.

Development of a formal contract agreement for all (non-ML) Volunteers.

Development of a stricter vetting process for all volunteers (which includes identity verification and background checks, wherever necessary).

Licensing of a digital constituent management system that will enhance volunteer management capabilities.

Comprehensive background checks for all current employees.

Checks and balances to ensure that standards of conduct and ethics are adhered to (e.g., better leadership training, volunteer training, tech mechanisms, and active oversight).

We’ve made staffing changes and revised our staffing plan.

We have rescoped certain roles and initiated some staffing changes. (However, certain employees who left the organization voluntarily are in pursuit of their next opportunities.)

We believe that learning from this moment through addressing skill gaps in the organization is healthy and we will go through a hiring process to fill necessary gaps in open roles.

We’ve listened to other community feedback and are still in listening mode.

We’ve disabled the mechanism on the YWP website that allows users to self-identify as educators for the purpose of creating classrooms, and we are researching mechanisms that will allow us to verify adults as educators.

We’ve revised our technology roadmap to address usability issues and are hoping to introduce new features in 2024.

We are midway through a deep dive on forums and forum moderation; this has included benchmarking with other organizations with similar challenges.

In February, we will hold focus groups for continuing MLs. We are also thinking through the logistics of Town Hall meetings and other gatherings.

We’ve processed dozens of pages of community member feedback and are integrating it into our thinking.

With the staffing changes mentioned above, we are open to hearing from those of you who have reached out with offers to help and/or be a part of the organization’s future. Get notified about future job opportunities at NaNoWriMo.

We are excited about the future, and expect it to be brighter! We hope you feel seen and heard, and that you will stick with us as we continue supporting the writing community and our organization.

Kind regards,

NaNoWriMo Board of Directors

[maddymoreau]

The Naughty Ones and the Rebellion explained:

I'm seeing a lot of people still confused on the origins of the naughty ones along with how they (including Sir Dadadoo) ended up trapped inside Queen Bouncelia's pouch. So I thought I'd help explain.

Naughty Ones Orgin:

First the naughty ones were created together by Sir Dadadoo and Queen Bouncelia. We learn this in Case #14 Update #15.

"Given the impressive regenerative properties of Givanium, the expedition team have provided evidence that cases 14 and 18 are using their own genomes to produce cases of their own."

Case #14 being Queen Bouncelia. While Case #18 is Sir Dadadoo.

We know they're Queen Bouncelia's children partially due to a line from Garten of Banban 4:

Queen Bouncelia: "I think I know. A worried parent can spot another worried parent from a mile away."

The Rebellion:

Note: I added to the reports parentheses () to make it easier to understand which case is each.

The Second half to Case #14 Update #15 reveals:

"Although research on subcases (or cases that have two Givanium-based entities as their donors as defined in the employee handbook) has been minimal, experts predict that these subcases will have identical levels of obedience as their genome donors."

"Cases 9 (Toad Sheriff), 14 (Queen Bouncelia), 17 (Bittergiggle), and 18 (Sir Dadadoo) would not have known this to be possible without insider information, and we believe Case 4 (Syringeon) to be the informer. Predictions show that a rebellion is imminent. We await management's instructions on how to proceed."

Syringeon taught them that they could create cases of their own IE children. The naughty ones were created and a rebellion was planned but failed.

This is shown in Case #14 Update #17 -

"As per management's request, cases 4 (Syringeon) (now permanently moved to the lower levels), 9 (Sheriff Toadster), 14 (Queen Bouncelia), and 17 (Bittergiggle) were given 24 hours to decide on whether they will proceed with their malevolent plan or completely destroy any and all feats they have achieved this far,"

They were all given the opportunity to cast aside the rebellion except for Sir Dadadoo.

"unbeknownst to case 18 which appears to be the most in favor of said plan."

Although not explicitly stated we know Sir Dadadoo is Case #18 because of multiple scenes.

Sir Dadadoo: "Consider it part of the payback for what was done to me. Plus I need to make sure history doesn't repeat itself."

Sir Dadadoo: "Together and under my command, we will finish what the queen couldn't."

We also know Case #17 is Bittergiggle because of this exchange:

Bittergiggle: "We had no choice. They were going to destroy us all!"

Sir Dadadoo: "You did have a choice. and you chose wrong."

Due to the fear of death.

"A very violent outcome was hinted at if they had decided to go with the former. As per management's request, we are keeping annihlation of all participanting cases and newly-formed subcases as a last restort, given how financially ruining that option would be."

Behind Sir Dadodoo's back they trapped him and the naughty ones inside Queen Bouncelia's pouch using the scepter to create a temporary peace.

Sir Dadadoo: "So this is where the key to my prison was stored away."

To prevent any future rebellions they're also checked on regularly.

"An expedition will be dispatched bi-weekly from now on to ensure that cases 4 (Syringeon), 9 (Sheriff Toadster), 14 (Queen Bouncelia), 17 (Bittergiggle), and 18 (Sir Dadadoo) are not getting any unwanted thoughts again."

[theholmwoodfoundation]

DOCUMENT A scanned page of The Holmwood Foundation Employee Handbook. June 2024

Dear [Employee Name], Welcome to The Holmwood Foundation. After a lengthy vetting process, and what I am sure has felt like an excessive number of contracts, I am honoured to have you join our cause. Every employee of this Foundation has been recommended or scouted by our most trusted members, chosen for your discretion and expertise in your field - whether this is as a historian, a security officer, or as a scientist. We welcome you. There will be much to learn in the coming weeks, and much I am sure you are eager to ask, but I wish to take a minute to address the heart of The Holmwood Foundation—our core value.  Ever since Dame Harker and Lord Godalming created us, we have pursued a singular purpose: to prevent the reanimation of Count Dracula, and to study the lasting effects of vampirism on the human body. In your time here, everything you do will support this cause. You will find your employee handbook and the rest of your onboarding plan in your welcome packet. I encourage you to contact your new team members and manager with any questions you may have.  As I am sure you are aware, any attempts to spread even the most tentative company information beyond the walls of your central facility, or indeed beyond your personal team, will be met with the highest punitive measure this company can afford. I ask you to contemplate why you may not have heard of your department prior to employment, to remember that we have been active for a long, long time, and to remind yourself that you are but a small, easily-expensed cog in a much larger, well-funded machine. Best wishes, and best of luck, Jonathan Harker, CEO

A welcome message from Jonathan Harker 3rd.

[pixiecaps]

also the admins creating that federation handbook that literally says “At the Federation our employees are the lifeblood of our organization. The cogs in the machine, all working together!” during THIS ARC like yeah okay i see what you’re doing you fuckers i see what you’re saying

[doodle17]

Some DR theories that made me realize they should've hired me to write the Bendy Lore

I'm just gonna dive right in okay? Okay. First things first:

Audrey is not a Drew.

At least her soul isn't. Hear me out, why did all those failed attempts call Joey, her "father" uncle? That's not just some- weird flaw I don't think. Also, it has been proven time and time again that you cannot, I repeat, CAN NOT create a perfect living thing from the machine without a soul. Ink Bendy is a perfect example of that

One of the first things we hear the Ink Demon say is "A voice... A soul..." Why would he say that if Audrey was just made completely out of ink. It doesn't make sense.

Which is why, I think Audrey isn't a Drew. She's a Stein. This will come back later it is crucial to my next theory, I promise, so I'm quickly going to talk about:

"Everyone is just an ink copy"

See that? That's bullshit right there. I've already said you can't make a perfect thing unless it has a soul inside of it, unless you excuse the searchers and lost ones.

I really do think that Henry, Allison, Tom etc. Are all the real people. Henry is an interesting case, however.

I think it's in scraps of paper hidden in the Employee Handbook (the original one) saying something about how an employee was worked to death. Literally, found dead at their desk. Who's to say that wasn't Henry?

Joey could have had plans for an ink clone of Henry but was unable to execute it. So? Use the real Henry's soul for the copy. There ya go. It could possibly explain why some of Henry, and characters like Sammy, have their memories so jumbled up.

Now back to the topic of Audrey, what if Henry had a daughter? Joey always wanted a family, right? Seeing Henry have what he didn't definitely would have pissed him off.

So, if we were to assume that when Joey invited people over, like Allison, he could've totally sacrificed them to the machine. What if he invited Henry's daughter? And with her he could finally get what he's always wanted.

Audrey is Henry's daughter's soul

We learn that once your soul is trapped/bound to your character, you start to lose your memories, and even have false ones replacing who you really are. It happened to Buddy as he slowly forgot who he was, and started becoming more like Boris, until Buddy had seemingly faded away completely.

It could explain why Audrey has no memories of her childhood. Why she doesn't remember where she came from. Because she's not supposed to.

Audrey is really Henry's daughter, but her soul is now inside a different body, and believes she's Joey Drew's daughter instead.

Speaking of Joey, let me bring up my other theory:

Memory Joey was lied to as well

I know people think memory Joey is lying, and, while, yeah he totally could be, what if he doesn't even know he's lying?

Remember that Joey most likely made Memory Joey, and he could have told/made him to believe in everything he tells Audrey. The reason reason he seems so genuine in what he's telling us is because he was made to be that way. BUT remember when I said that you can't make something perfect without a soul? Remember how I said real memories can be replaced by false ones?

That could have happened to Joey. What if with his dying breath he became Memory Joey? He doesn't even remember who he really is or all the terrible things he's done because he designed himself to be the perfect "doesn't murder his coworkers for experiments" kind of boss, who made a few oopsies, but can easily be forgiven.

I hope this doesn't come off as ramble-y and doesn't make sense fam, but I swear this would have been a MUCH better concept

I love Dark Revival, don't get me wrong, but there is no way that none of the people we meet are just copies.

And I know there's a reason all the failed Audrey's called Joey uncle... That wasn't just some minor mistake...

[jtrahan]

Tech Support

You work tech support at a company that makes robot butlers, and every day people call you to complain that their brand new robot butler keeps serving soft boiled eggs when it has clearly been instructed to make them poached. “Please hold for a moment,” you say. You push back your chair and walk down past the long line of other workers hunched over their monitors or jabbering into headsets and you push open the door to the prototype room, where a dozen robot butlers are preparing eggs at stoves all around the edge. There is a lot of egg on the floor and there is egg on the ceiling and egg dripping from the light fixtures. One of the robots has begun stirring its bowl of egg faster and faster, inhumanly fast, and the whisk abruptly flies out of it hands and embeds itself in the wall. “I can’t do this anymore!” shrieks another of the butlers, and it begins to advance on its handlers, electric mixer raised above its head. A SWAT team bursts in through the door and guns the robot down in a hail of bullets, which is unnecessary because you can just shut down all the robots remotely, but ever since the new nationwide robotic police force was established the government has instituted programs providing employment to now indigent SWAT teams, and they only know one way to do things.

You sort of just take it all in for a bit, and then you go back to your cubicle and pick up the phone. “Listen,” you tell the customer on the other end, “You don’t need a robot butler. They’re completely useless. The only reason they exist at all is because some people have too much money and they can’t stand the idea of just giving it away. Our entire economy is built on inventing expensive new kinds of garbage to sell in the hope that eventually a tiny amount of money will trickle back over to the people who actually need it. Take the robot, and--”

The side of your cubicle explodes inward as another SWAT team smashes through the wall, screaming at you to get on the ground so that you can be properly fired. Almost at the same moment the other side of the cubicle explodes as a team of HR representatives smashes through that wall, thick employee handbooks strapped to their chests and limbs like body armor, screaming that you can’t be fired because the damage control following your outburst has created so many jobs for company lawyers and publicists that you’ve actually saved the local economy. You watch the SWAT team and HR reps create jobs for the nearby hospital by beating the shit out of each other for a while, and then you quietly slip away and out the side door.

Someone is running across the employee parking lot in the distance. As you approach you realize it is the deranged robot butler from earlier, somehow slipped out past security, body riddled with bullet holes, electric mixer still clutched in its fist. It is staring at the sun and there are motor oil tears leaking from its eye sockets.

You watch as it feverishly rushes for the edge of the parking lot. The robot vaults the guard rail, sprinting towards freedom, and is immediately run over by a self-driving car.

[skemford]

I like talking about bendy characters so it’s time to touch up topic of… Joey Drew himself

Doing it before fade to black release on purpose :)

Here’s my analysis of his behaviour and on the illusion of living philosophy

It’s a huge read and I’ve enjoyed writing it!

(Continuation under the cut)

1. Joey’s family situation was hard on it’s own

Joey doesn’t talk about his parents way too much and mostly focuses on story elements (his father being a shoe maker and how his parents affected his childhood) rather than on his parents as their own people.

They weren’t rich and Joey talks about their family earning a “honest living” but at the same time, he describes how hard it was for his father.

“We weren’t rich. There was an honest living to be earned and Father did that with Mother keeping the books” (TIOL, page 18)

“I definitely saw her (mother) more than I saw Father, who sometimes would only appear briefly at the dinner table, hunched, brow furrowed, silently eating his meal. He’d disappear downstairs right after, and I’d help Mother with the washing up. (TIOL,page 18)

He comments on his father creating fake scenarios (elves helping him to work) to distract from hardship of needing to work a lot to be able to feed their family.

Joey has hard time of understanding ‘why’ he does that and how fantasy can help to work but he wants to believe. He tries to prove to himself that magic can be real.

"I didn’t believe it. I couldn’t believe it” (TIOL, page 19)

“I couldn’t see the elves. They must have been sitting on the table itself, hidden behind Father. I pushed the door open just a little bit and stood taller on my tiptoes.” (TIOL, page 21)

Joey switches between wanting to believe in illusions and not wanting to. He’s scared of not being perceived as normal by others.

He says that it’s not okay to be deep into the fantasy but notes on the fact that he can grasp the concept.

“I knew about make-believe. Played it all the time with my friends. But I didn’t know that adults knew about make-believe too. I nodded. (TIOL, page 23)

After he asks his father directly, he explains his reasoning and says that make-believe helps to feel less lonely (I’ll note on this part, it’ll come in handy later) which changes Joey’s perspective greatly:

"But the make-believe, the little characters, the songs, that changed his reality. What was reality except what we perceive it to be? Elves and magic? Well, why not? (TIOL, page 24)

It’s everything we’ve got to know about his family.

Hard working to earn money for living, using escapism to cope and distant from each other because of their struggles.

This distance likely has continued to grow with years, since for some reason he escaped his home when he was 15 y.o (+ signed up to army); no one seems to actually care and he was left on his own.

1.1 Stage name

Talking about Joey’s distance from his family, he doesn’t use his real family surname or full form of his name.

It’s not something that was explored a lot in Bendy (among all of its content) but we know that he doesn’t like to be referred this way.

'Joey’ was a nickname that he picked up for himself when he was 19 y.o.

"I’m Detective Adam Sinclair. You’re Joseph Drew.” “Joey,” I said. It was a new nickname I was trying out, ever since I moved to the Village. (TIOL, page 88)

Usually he’s referred as 'Joseph’ by his family members or people who are distant to him/don’t know him well.

But "Joey” is not the only one name he gave to himself.

'Drew’ doesn’t look like a real surname. He likely picked it up after getting close with Henry.

Imo Drew is a fun pun name that’s related to Joey owning the studio (and “Joey drew Studios” (literally) in the case of the cycle)

It has never sounded real.

Employees handbook mentions some “Dempsey” person who invests their own costs into the studio:

(Receipts: Investor Deposit, J. Dempsey)

Their initials are “J.D.” which makes it’s obvious who they are.

Joey’s house also doesn’t look rich which would make sense if he put all his earnings into the studio itself.

Bendy devs like to pick names that fit characters & “Dempsey” means “arrogant person” which does fit Joey perfectly.

1.2 Joey is deeply ashamed of the way his family lived.

Everytime someone mentions anything he associates with his past (shoes, for example) he overthinks and creates imaginary conflicts with these people.

His negative thoughts about them take whole paragraphs of text; he tries to make himself believe that he doesn’t care about looking “less” in someone’s eyes. He looks for reasons why they're worse than him constantly.

"Probably trying to figure out my past, and that was none of his business. Then I told myself it didn’t matter because I didn’t care what he thought. I didn’t care much for him in general. He might have been richer than me at the time, but that’s where his superiority ended." ( TIOL, page 26)

He often downplays people because he's deeply insecure and is scared of being outcasted, especially by rich successful guys.

After doing so,he switches toward praising himself and names reasons for why he's better (classic Joey Drew behaviour)

He was a year younger than me, hadn’t fought, hadn’t signed up like I had, hadn’t lied about his age to fight for his country like I had. What could he say to an answer like that?Nothing. Absolutely nothing (TIOL, page 26)

Не believes that they need to feel sorry for this because they have no idea how much he struggled in the past.

2. He's insecure & scared of things he can't control

I could've continues this in previous paragraph but it's a bit different.

You see, while Joey was insecure of his past (things he associated with it acted as "triggers") he still was full of himself.

It was an act but it looked convincing enough; with time it became harder for him to keep it up.

It easily explains his behaviour in batim tapes.

When Joey tries to reassure everyone that he knows what's going on, he actually doesn't. He's as lost as everyone else, he tries to act only when he's forced to do so.

He lies to people and runs away from responsibility because he's scared of abruptness, something out of his control.

Joey shows fear of everything that's unknown to him but he tries to play it off somehow: he tries to be on top and be unpredictable to others.

He treats himself as a human that lives around unpredictable fictional characters that he can't control or read intentions of.

"My father though was a real person. I knew that deep down. But in this moment I saw him not as a son looking at his father but as a viewer looking at a fictional character." (TIOL, page 50)

It's mentioned in the novels that Joey likes theatre and he expresses his thoughts about it to Buddy in dctl.

Theatre operates in "cycles":

Actors play their parts→ the audience applaud→ actors bow→ performance ends→ performance begins and so on.

It's has a pattern and won't introduce anything that will caught you off guard. It's "safe" and as a part of audience,you don't need to perform, you only watch.

Does it remind you of batim's cycle? Outside of holding grudges toward Henry and wanting to run away from everything Joey has performed with GENT, he also searches for control while not being included directly.

HE decides what will happen to the cycle residents. HE writes the story that other people can barely affect. HE blames other people for studio's downfall and makes them suffer for his wrongdoings.

Joey knows that he has failed but he can't process it. He doesn't know what will happen and he's scared of being put into situations he can't predict.

It's really shows how insecure he became with years.

3. Why Henry is important?

Why exactly Joey couldn't replace one man he didn't knew for a really long time? What made Henry so special to him?

We don't get a big insist on their friendship but it can be said that their short-lived bond was strong or at least Joey believed that it was.

Henry seems to be Joey's role model of sort even if Joey doesn't want to acknowledge it.

Joey notes on how Henry changed the course of his life without knowing about this

Henry is a determinated man who went for a career in art because he knew what he wanted & he stayed on this path no matter how hard it was to get any recognition.

Henry's the man who makes decisions and acts when he needs to.

Meanwhile, Joey feels lost his whole life. He searches for answers,purpose or a place with a "soul".

Henry gave him new meaning for life. Creative path with endless possibilities that Joey could build from scratch.

Joey was heartbroken when Henry left, doesn't matter for hard he tries to act like he wasn't.

"His presence was helpful, I can happily admit, but his absence was even more so. Not having him at the studio ended up being one of the best things that could have happened to it" (TIOL, page 138)

For some time his life was revolving around Henry. He knew what to do and what will happen, Henry always pushed him to the right decisions.

He says so directly in batim chapter 5:

"The truth is, you were always so good at pushing, old friend... pushing me to do the right thing"

With loosing Henry, Joey lost his newly gained purpose in life. It wasn't something that he was able to figure out by himself & it made him blind to the road that lies ahead.

He's angry at Henry for being like "other people" that he hates. For leaving him behind when he's scared of being alone.

We don't know about Henry's perspective much but he strikes me as someone who would be supportive of Joey at first.

He made some of Joey's ideas real and left only after a breaking point.

3.1 "Cartoon family"

Joey is deeply attached to main JDS toons that he "mutually" owns with Henry.

Especially, it's noteciable with toon Bendy who was called his child on a couple of occasions:

"Bendy was Joey’s child, and he felt just as strongly about Bendy as I feel about my flesh-and-blood son" © Nathan Arch (TIOL, page 5)

"He was my very first creation—one could even call him my firstborn." (TIOL, page 12)

Joey not only sees Bendy as his child but he also relates to him.

He draws parallels between them both, calls bendy manifestation of "the illusion of living" and shows some of his mannerisms (as he says)

Joey wants to see himself as Bendy.

A character who's loved by kids and adults alike and who always has friends around.

"I tell people that Bendy is the perfect example of my philosophy." (TIOL, page 12)

"To know that I needed a creation so perfect, so accessible to so many people, that it would help me change the way the world saw itself." (TIOL, page 13)

In Joey's apartment the only one picture in frame that he owns is illustration/animation cell of toons drawn by 'Henry Stein':

They're depicted holding hands with Bendy being in the middle of both; it's portrays closeness between them and Bendy's importance in the picture

But was it's actually signed up by Henry or Joey is the one who did it for himself?

We know from batim (and batdr notes) that Joey's signature is "your best pal" which makes this case...a bit complicated

Joey could've wanted to pretend that Henry is still close to him and decided to sign up drawing with his name

Or possibly it was signed up by Henry somewhere in the past. In this case, Joey could've adopted Henry's signature as his own.

Both speculations have place to be real and we can't prove any of them.

Joey's known for pretending (which would fit with the 1st possibility) but he's also stuck in the past and stole a lot of ideas that belong to other people.

Imo it can be interpreted based on the way you see him.

4. Why was Susie fired?

Joey's obsessed with everything that is related to Bendy which can be seen with him being angry about "crooked bendy dolls" or bendy expression sheet in batim ch 2.

We can speculate that Susie Campbell wasn't fired from the role of Alice's voice actress for any valid reason BUT because Joey felt personally offended.

As Norman says in dctl, Alice Angel was really popular for a bit, which possibly could have been unacceptable for Joey.

Bendy is the main character Joey relates to and he wouldn't have wanted to be overshadowed in any way.

Susie being fired and humiliated (for not knowing that she was in fact fired) is the consequence of Joey's insecurity.

Susie claims that "she was absolutely perfect for the role" at first so at some point Joey completely changed his perspective.

Any character getting attention would be good for the studio. Firing a voice actress that helps to get this attention lacks logical reasoning.

After Joey "calms down" he has a conversation with Susie about 'an opportunity' he has for her. This opportunity is Susie being the first (speculated to) human sacrifice. He believed that she'd have been a perfect Alice.

Joey puts Bendy above Boris and Alice (like he does with himself & other people) so him acting pitiful about any other character getting popular does makes sense.

But he still cares about them...to some degree.

"Boris was special, Alice was complicated." (TIOL, page 154)

Joey having complicated feelings with Alice as character is really interesting and it's perfectly reflects what he was thinking about Susie.

She was a perfect voice actress to others but wasn't to him. He thought that she'll be a perfect Alice (after the ink machine was created) but she failed to be.

"She was beautiful. And loved by all. She was perfect...No matter what Joey says." (batim chapter 3, Susie talking about herself in 3rd person)

In dctl he claims that he relates failed experiments to "people not being real enough" or says that they weren't pure.

At the end, Joey basically has decided to pretend that she never was real

Susie is never mentioned in his memoir and she's almost fully erased from studio's history.

In Batdr's studio tour (music department part) "Susie Campbell" was replaced with "Allison Pendle"; meaning that Allison is officially the only one Alice Angel voice actress according to him.

5. The ink demon

It's one of the most interesting parts here and I'm sure that a lot of people have talked about him better that I'll.

The ink demon is a "product" of mistreatment, Joey's unhealthy projecting and capitalism (duh)

Joey saw Bendy as his son

He wanted to be like Bendy, someone who's loved and can always escape from troubles

One of reasons to bring Bendy to life is his marketability. Joey wanted "alive attractions" he can get money from.

The ink demon wasn't able to fullfil any expectations that Joey had.

He was passive and harmless (at first) but to Joey, he's not a cheerful toon that he has always dreamed about.

One of main issues that Joey has with him is that he's off-model:

"Listen Tommy, i know you boys over at Gent are doing your best but I'm paying for living attractions,not walking abominations. Whatever that grinning thing was i saw walking around your office,you better keep it up locked tight! Might scare off investors!..." (batim chapter 5)

"Grinning thing" and "walking abomination." The ink demon is completely dehumanised because he's not marketable.

As it was mentioned earlier, Joey sees Bendy as a perfect being and relates to him

He doesn't want to relate to the ink demon; for this reason, he separates them both.

Joey has hard time with accepting "failures". They either get forgotten, dumped or he tries to change them somehow.

The ink demon is a mistake that Joey and GENT have tried to "fix" for years. "A monster" that has shattered Joey's dreams.

5.1 The ink demon's sense of self

It's Joey character analysis so this point won't be too big.

The ink demon was treated like a mistake for being different:

Closed off, isolated, put in the cycle,tortured.

He was in the place where no one would care because he's not "a perfect bendy". Most of it comes from Joey or is related to him in some way.

Everyone saw him as a monster and he has accepted this role.

We know how it went in batim/batdr.

Worth to mention that unlike Joey, he has never lied in batdr. It's either harsh truth or projecting.

6. Ink Children

Allison was close to Joey and had a good impact on him,as he claims.

Indirectly, she made him want to have a family with the help of the ink machine.

I doubt that this decision has come from the place of jealousy toward Henry (who has a family) unless future content will somehow prove that I'm wrong. Joey can have one good intention while failing everywhere else.

Joey could've wanted to have a family to prove that there's still something good in him.

He was scared of dying alone and being forgotten.

"I hadn’t known that at the time. It gave me chills. The thought of success only after death, now that terrified me. That was not the plan and would never be the plan" (TIOL, page 122)

We don't know how many children have perished until the final, perfect one. And we can't claim what exactly has happened to them.

We don't get much details about the creation process of artificial "almost humans".

The only one we heard (outside of Audrey) is "AD" (name of the file) from batim chapter 5

"Tell me another one,uncle Joey..." ("AD" in batim post credits)

And sadly,you can't say much based on this.

They could've been physically unstable and die on their own terms

(milk packages from Joey's kitchen table in batim chapter 5. All of them were stained with ink)

If they stained object with ink by interacting with them, it could've become worse with time.

Again,with lack of context,it's almost impossible to debate for or against this idea. Was that's a thing for other ink creatures?

Susie does brings up in batim that she was "a shapeless slug" at first.

Joey didn't changed much and dumped imperfect ones

Honestly this part depends on how much you believe that he could grow as a character.

(memo from batdr, GENT building)

The way Joey talks about "other versions" sounds... indifferent.

Which is weird, because he did spend time with "AD" from batim by entertaining her with stories when she has asked him to

Does he tries to justify them being dumped OR he's distracting from the fact that they didn't had a chance to properly exist?

It feels like it was left for interpretation on purpose.

6.1 Audrey Drew

Second and last artificial child after "AD" that we canonically know about.

For Joey, creating something perfect that will outlive him could've been a key to his definition of immortality. He wanted to leave something after his death that people could know about. A piece of "perfect art"

"...Of course, I intend to live forever, so that will never happen! Ha, a joke indeed, but in a way not a joke, for what is art but a doorway into immortality? The greatest Illusion of Living then, living on after we are no longer alive. What is more of an illusion than that?" (TIOL, page 219)

Joey makes jokes about living eternally even before the ink machine's existence.

After it's creation, it's wasn't something that he has planned but he was ready for this fate (for one reason or another)

At the end of his life, Audrey has became a thing he'll live through eternally. And Memory!Joey is here ig

Memory!Joey basically calls Audrey his magnum opus:

"...My Greatest creation" (batdr, final Memory!Joey custscene)

Which further established that Joey is more proud of Audrey than he ever was on the Bendy franshise (it's hard to be proud of the stolen ideas, peoples deaths or the cycle,eh?)

Audrey seems to share adventurous spirit of young Joey (in his early 20s) & determination

They both got dragged into events they didn't asked for:

Joey (when he was 19 y.o) by detective Sinclair who has blamed him for a murder.

Audrey by Wilson Arch who has wanted to murder her.

6.2 Audrey and the ink demon

Similar trauma, different outcomes and treatment.

How present Joey was in Audrey's life? Why did they got separated at one point even before he has died?

Is there's something Memory!Joey hides from Audrey on purpose?

Batdr archives mention that Audrey has repressed her memories but what and why exactly?

In batdr the ink demon interacts a lot with Audrey which holds huge significance on the story.

In his first interaction with her he says "ink speaks to me and whispers your secrets" so the ink machine (who seems to hold some sense of identity) does know too.

The ink demon heavily relates to Audrey through the game. They were both left alone (in different ways) and they share one creator.

"You are without the purpose. Your very existence.. was a terrible lie...you're a mistake. A monster. Just like me." (batdr, the ink demon, last playable segment)

He heavily projects on her through this last interaction. Audrey does has a purpose,she was created to be a daughter Joey did wanted and loved. As much as Joey Drew could love at least, if you see this part as debatable.

But there's one thing he's right about, her existence is a lie.

Joey put burden of "protecting the cycle" on her while she thought that she's an orphan.

Batdr archives also question how much agency she has, which i find interesting.

7. "The illusion of living" (or TL;DR for this analysis)

The art of lying masterfully and manual on how to justice God complex.

Joey describes his life from early childhood (when he was 5 y.o.) and to the point of him being 42-43 y.o., a bit before the ink machine was created.

This book is about a man who couldn't find his purpose in life even with the help of other people and decided to blame everyone for this.

Lies, accusations, insults, distorted information, searching for "a soul" (literally and figuratively) and never ending hidden sadness after he lost Henry.

He tries to replace this empty gap with letting their creations become his whole life but it doesn't end well... (the ink demon,dead employees and the cycle)

He tries to separate himself from this and focused on creating a family.

Artificial daughters are electric boogalo №2 (unexpected direct sequel) which has ended working somehow.

But still,i wouldn't trust this man even a pet rock and the ink demon & Audrey are a proof on 'why.'

~~~~~~~~~~~~~~~~~~

Trivial facts (bendy employees handbook/the illusion of living):

>He loves mac n cheese

>Joey meet Sammy at a theatre when they were teens

>Joey loves throwing peanuts at theatre actors

>In Joey Drew studios you can celebrate only main toons birthday or Joey's birthday. Other birthdays are prohibited.

>Joey stole award that Sammy has earned

> Joey officially is an employee of the month eternally...

> Joey stoles ideas for cartoons from employees and they don't get even a couple of cents for this (woah! How surprising /j)

~~~~~~~~~~~~~~~~

Special thanks to everyone who interacted with my Audrey analysis earlier!

[stelladoesstuff]

Ok

Okok

Hi hello

Loki episode 5 spoilers below because I have THOUGHTS

This is a lot of theorizing and just straight up rambling but who knows maybe you’ll get something out of it

Help me

The fact that one of the recap scenes TWICE this season has been Kang stating that he controlled every moment leading up to the moment is what’s making me think here. Because think about it- O.B. had to write the time manual in order for Victor Timely to create his temporal loom. And while O.B. stated that his work was based off of the work of Victor Timely, creating the whole chicken and the egg scenario, that first tempad prototype was because Loki gave him the TVA manual that HE wrote. He inspired himself. It’s a loop. Just like Loki pruning himself. Loki had to prune himself in order to go back in time just like O.B. had to write the manual in order to create the TVA.

And yes, he doesn’t remember this. But that’s because all of the TVA’s employee memories are said to be wiped when they entered. By Kang. Kang, who was Victor Timely, who had to read the manual written by O.B. to create the loom. But Kang can’t have O.B. remembering that O.B.’s manual was the basis of the entire TVA, so what does he do?

He makes O.B. believe that O.B.’s manual was based off of Victor Timely’s work. O.B.’s work was NEVER inspired by Timely. He just thinks it was, because that’s what he HAD to think in order for the series of events to proceed as they did. For the entire TVA to proceed as it did.

Also- notice how the room O.B. is in on the timeline is VERY SIMILAR structurally to his room in the TVA. Because that’s where it all originated. That was the foundation point. Kang couldn’t wipe all of O.B.’s memories from when he was on the timeline, because if he did, then O.B. wouldn’t retain the knowledge he had of making the tempad, or anything he read in his own book. O.B. had to retain some of that knowledge in order for everything to work.

So Kang specifically wiped specific memories. Memories that Loki had been the one to hand him the book. Skewed a few things- O.B. wrote a book. He remembers writing a book. So Kang took that knowledge and applied it to the handbook. O.B. remembers writing a book, and handbook states that he is the author, so obviously the memories align and his memories are skewed to apply the memories of writing his sci-fi book to writing the TVA handbook.

But then it’s a paradox. Because O.B. had to see the book to retain skewed memories, and so the book had to be written at some point… but when?

And so we’re back to the chicken and the egg. What came first, the TVA or the manual?

Also. We’re jumping topics.

Loki gathering everyone in one place. If you think about it… why did he have to do that? To figure out how to control the time slipping, sure, but… why did Marvel specifically make him run around on a wild goose chase getting everyone together?

Because he had to. Because it’s part of Kang’s plan.

Bring them all together. In order to do that, the tempad had to be made. The tempad which requires O.B. to read the manual. Which in turn leads to the creation of the TVA. Which means the entire group’s memories are wiped, and they are then TVA employees.

It’s a loop. As demonstrated by the beginning scene. Loki walked in, saw himself reading the manual, jumped back, and then was reading the manual and got called out by himself.

Same idea.

Loki went back in time to give the manual to O.B. In doing so, he sparked the entire creation of the TVA. He brought a group of people together who would become the TVA’s employees. And because he did that, every event of seasons 1 and 2 thus far could occur.

So in a sense, Loki created the TVA.

But still

WHAT CAME FIRST THE CHICKEN OR THE FUCKING EGG-

[beecryptic]

Federation Employee Handbook 12th edition

Welcome to The Federation! We are delighted to have you join our team. At the Federation our employees are the life blood of our organization. The cogs in the machine, all working together! We are committed to creating an inclusive and supportive environment for our employees. This handbook is design to provide you with important and essential information about the Federation, rights and responsibilities or our employees, and policies.

[lizardonatoadstool]

Oakie the Acorn is the Best Mascot Ever

I don’t even go to this school I just love them. Here’s an interview they did for SUNY Mascot Madness.

Oakie - SUNY ESF

Who are you, where are you originally from, and where do you do your mascot thing? I'm Oakie Acorn (they/them), proud representative of ESF and its Mighty Oaks athletic teams! I was “born” when I fell out of ESF's Robin Hood Oak which means my roots go back to the Major Oak in England's Sherwood Forest. Maybe that's why I'm so merry! While most of my mascot duties have me in Syracuse, I also pop in at our Ranger School in Wanakena and our satellite campuses in the Adirondacks and Thousand Islands.

What's a unique new thing (building, club, activity, employee, etc.) on your campus that you treasure? The newly renovated Marshall Hall is wonderful! Open since 1933, Marshall underwent a major two-year reno re-opening in 2023. We kept the classic features, such as the spiral staircase and auditorium, while updating the building to a state-of-the-art learning center with spaces tailored to the needs of today's students. The building is home to our Landscape Architecture, Environmental Studies, and mathematics programs. Along with great classroom and studio space, there are plenty of study nooks for students to tuck in and do work between classes or meet with friends.

If you could start your own club or major on campus, what would it be? Wow! Difficult question because ESF has so many unique clubs, activities, and majors already! That said, I'd love to start an a capella group – Oak-apella! I don't speak, but I have a song in my heart and would love to hear ESF students sing. Maybe I could do some interpretive dance while they sing.

What's your hidden talent that you haven't told anyone about yet? Anyone on campus at night might have seen me skateboarding. The other day I landed a kickflip over the gap and was pretty stoked. Sadly, no one was around to see it. Flicks or it didn't happen, right? We do have some talented campus artists who have drawn me and my board though.

What campus cheer gets you pumped up and why? (with great enthusiasm)  O-A-K-I-E!  They're our acorn can't you see?  Sprouting strong through day and night  We've got bark and we've got bite!    ESF Orientation Leaders chant this while they lead our newest acorns to convocation. I love hearing it echo off the campus buildings!

What sport would you play if you were a student-athlete? I would join the Bass Fishing team in a heartbeat! I know when you think “acorn,” you think “land-based,” but I'd love to get out on the water and drop a line or two. There's so much more to me than most people know.    I would look awesome in one of the Bass Fishing team jerseys – provided they could get me an XXXXXL.

Read any good books lately? The Climate Optimists Handbook by environmental activist Anne Therese Gennari is a great read. Her book is about empowering people to get excited about changing the narrative on climate change so we act from courage and excitement to co-create a better world. She totally gets the ESF vibe! She was our commencement speaker last May and inspired our graduates and their guests to Improve Our World!    And of course, Braiding Sweetgrass by our own Dr. Robin Wall Kimmerer is always close at hand to read again and again!

Favorite pizza topping? Mushrooms. I love to top my pie with things I've foraged in the woods. Remember, you have to be very careful with mushrooms. I always take along a friend who has taken Dr. Alex Weir's mycology course to ensure I don't eat anything that could make me sick or worse!

If you were SUNY Chancellor for a day, what would you do? I would declare every day Earth Day in SUNY and plant pollinator gardens on every campus. I would also help other campuses set and reach their own Zero-Waste goals. Sustainability is a key component to helping the environment. I would then ask to be Chancellor for a couple more days to visit as many campuses as possible and see all the great things SUNY students are doing.  I don't know how Chancellor King does it all! Does he ever sleep?

How would you celebrate being named SUNY Mascot Madness Champion in 2024? The same way I celebrated in 2017 when I won the title – surrounded by the best students, faculty, and staff ever! We had a party that the whole campus attended. My friend, Victor E. Knight from SUNY Geneseo, was gracious enough to come and present me with the trophy and join the festivities. I think it would be great to host Wolfie on campus this year. 

[mickeys-malarkey]

BATDR Analysis/Post-Playthrough Theory Revision Pt. 3/4: All this brings me back to Henry and Allison’s apparently-retconned stories.

Funny how the Memory of Joey tells us this story like a fairytale told to a child, isn’t it?

The Memory of Joey: Once upon a time, Audrey, there was a bitter old man. Who had lost just about everything. Audrey: Joey. The Memory of Joey: Right. The real Joey Drew. He blamed everyone but himself for his mistakes, but mostly he blamed his old business partner for abandoning their work, years and years ago. A man by the name of Henry Stein. A great artist and a good friend. In his anger, Joey used an evil machine to create another world. A world made of paper and ink, where he'd torment his own version of Henry forevermore. But one day, a miracle happened. An angel came into Joey's life. A young woman by the name of Allison Pendle. She didn't visit often, but when she did, she saw something good in Joey that no one else could. Including himself. Through their friendship, he began to see the world with better eyes. So one day, in his cartoon cycle of hatred, he gave Henry an angel of his own. To guide him when things were most dark. To always provide hope…

I’m certain that (aside from the green part) this is a fabrication created by Nathan Sr. and his modification of both the Ink Dimension and the memories of the real world contained in the loop in order to keep Bendy/Real Joey trapped and at odds with not just Henry (as I'd originally theorized), but also Allison beyond the grave (while also allowing them to stay friends although they're both trapped as well just to further taunt Joey). First of all, Allison’s surname was already Connor in her BATIM letter, remember? Doesn’t that mean she can’t have been called “Allison Pendle” when she met Joey, if the Memory of Joey’s story were true?! He’s claiming Allison and Joey met after Henry started going through his loops in 1963, remember (he’s literally saying that every scrap of information we have on her is imaginary just with this one claim, because this would mean that the invitation to her and Tom’s wedding in 1952 in The Employee Handbook [BATIM guidebook], where Allison herself wrote that Joey was the reason they met, was fake… Need I remind everyone that theMeatly, himself, literally told us multiple times, including the day after the trailer dropped, that all of BATIM’s established lore is still 100% canon in BATDR)?!?!

Second of all, I noticed long ago that there looked to be about 12-23 hatch marks (depending on if some of those are actually hatch marks or just meaningless scribbles) in Henry’s prison cell in Allison and Tom’s hideout, like the ones in the beginning hallway, and theorized that this meant Henry had been counting not just how many times he’d gone through the whole cycle, but also how many times specific endings had happened. If I’m right, that would mean that about 12-23 of those 414 loops Henry went through before BATIM ended with him in Allison and Tom’s hideout…

…which means that, even if all the other messages on this particular wall were written by Joey, Audrey, and Wilson, Allison’s addition was most definitely not what made Loop 414 different, as the Memory of Joey seems to be implying. I’ll talk about my new theory on what did make Loop 414 different in a bit.

Now, if that part of the Memory of Joey’s story is untrue, then what if the Henry we meet in Wilson’s prison for Cyclebreakers is not a copy created to be tortured, he’s just been gaslit into believing he must be by the fact he’s survived for years without eating in his new ink body? So much so that he believes that maybe he should just give up on holding onto his human life and memories (translation: he's leaning on Joey's Illusion of Living coping mechanism, trying to create a reality that hurts less. Which, as I've said before, Nathan Sr. loves because it makes him easier to control)?

Henry: What's your name? Audrey: Audrey. What's yours? Henry: Honestly, I've almost forgotten. My name is Henry. Audrey: Have you been a prisoner long? Henry: When the Keepers think you're a threat to their plans, they lock you away, forever. Still, it's given me time to think. Things like: if you haven't eaten in years, you might not be human.

The Memory of Joey literally confessed that he doesn’t actually know if the Ink Dimension was created for revenge or regret, remember? So, why is he now suddenly claiming that he knows for sure that it was specifically created for this particular brand of substitutionary revenge?? Sure sounds like Nathan Sr.'s manipulative self-contradiction, again, doesn't it? I also find it extremely suspicious how this headline that seems to be confirming the retcon of Henry’s death…

…not only sounds nothing like a headline you would read in real life (except maybe in a trash tabloid or something, which this might be judging by some of the other headlines and would mean we shouldn't be trusting it to have done any fact checking rofl) – it sounds like something that a player (maybe one of JDS’s real-life beta testers, even) said during their playthrough, after hearing the Memory of Joey’s “retconning” story – but also… isn’t even properly capitalized or in any of the same fonts as the other headlines on this paper nor on the other we have! Especially considering the fact that one of these headlines is talking about the angry moon Easter egg you can spot in Lost Harbor, I don’t think this is actually a headline confirming that Henry’s not dead in the real world; I think it’s the observer’s (be that Audrey's or those of any other random ink creature who’s run into the Memory of Joey and/or “Fake Henry”) thoughts leaking into the wider reality of the Ink Dimension.

Oh, by the way, we do have evidence that either Henry or at least one of the other potential message writers, at one point, seemed to know our dear Mr. Animator was dead in the real world, also found in his cell in Allison and Tom’s hideout, if anyone who knew forgot.

I highly doubt it was referring to the message about Allison leaving him for dead, considering how he was awakened by her sounds of panic and would have no reason to still be in bed when Bendy arrived, even if not knowing about the secret toilet meant he didn’t escape Bendy the first time he experienced an Allison and Tom Loop. Funny that this is also where we see the evidence of Audrey existing in BATIM, by the way; hand with a swirl saying “follow me” and another swirl labelled “trust her,” as SuperHorrorBro on YouTube pointed out? Hm…

Let’s go back to her. It does seem we can trust parts of what the Memory of Joey says, like how we were able to glean clues as to what was going on behind the curtain through TIOL despite both the hoops that Joey had to jump through to get Nathan Sr.'s permission to publish in the first place and Nathan Sr.'s postmortem edits; you just gotta pay attention to the patterns in the broader picture. We do know, for example, from clues in BATIM, TIOL, and TLO, that whether or not he wanted anything to do with romance and having kids was a huge internal struggle for Joey that culminated in regret at missing the chance; which tells me that, yes, Joey created Audrey to be the daughter he could never have (speaking of which… based on the Keepers' “surgical invasions” comment, I wonder if Nathan Sr. might've… *clears throat* had someone forcibly sterilize Joey… ☹️). However, unlike many fans (including MatPat of Game Theory on YouTube, I saw this morning), I think Audrey has a completely new soul; Joey didn't sacrifice Henry's daughter or Tessa Arch or anything like that. Lemme explain.

Y’know how Audrey talks and behaves a lot like Henry (planning on drawing her animations all night long and actually doing so in the secret ending you unlock if you don’t make her move at the very beginning of the game, saying a lot of the same lines as him, etc.) and there’s an Easter egg where you can spot a ghost train on Platform 77 at 4:14am or 4:14pm (the same number as the loop that was different, Henry’s identifier in the Cyclebreaker prison, in the corner of the so-called “death of Henry retconning newspaper,” and the dates marked on so many lore drops… Anyone remember Nathan Sr. saying the last he heard from Joey, when he sounded so happy, was during April? I wonder if Audrey’s “birthday,” when Joey tried to cut ties with Nathan Sr. and disappear off his radar for good, was April 14… and mayhaps Nathan Sr. had the announcement of his buying the Bendy IP published and caused Wilson to discover the Ink Machine on April 14th as a way to poetically rub it all in Joey's face and dance on his grave)? There’s also another place that we can spot a ghost: when you make Audrey strike a pose in front of the mirror in her office too many times, like the goshdarned peacock that Joey was.

There are Lost One memos that say not only that ghosts are what happen when souls randomly, accidentally slip out of the Inkwell, but also that new souls can be created by combining old ones inside the Ink Machine…

“We don’t live forever. When we’re killed or finally pulled apart, our diseased souls return to the ink to be reborn. An unending cycle of torment. But sometimes, something even worse can happen. A soul can slip from the ink completely. It gets caught between worlds, unable to die or return. They wail in the night. Drifting in shadow. The Phantoms of the Machine. The ghosts.” ~ Unknown, Bendy and the Dark Revival, “The Ghosts” memo (emphasis added)

“We live in the ruins of the past. Forever lost in the shadows of those who came before us. Blended souls to make something new. Birthed from a machine into a world we cannot own. But the Ink Demon lives in all of us. A voice that calls us to a purpose. We know it’s a lie, but his intoxicating pull is strong. He is calling. Always calling. Can you not hear him?” ~ Unknown, Bendy and the Dark Revival, “Who We Are” memo (emphasis added)

What if Audrey’s soul is a combination of pieces of Henry and Joey’s souls, so she’s Henry and Joey’s daughter, but none of the three of them realize it?? As far as Joey knows, she's only his own kid (because he knows with 100% certainty that he put a piece of his own soul inside of her), but the Arch family figured out what changed for Joey to finally succeed at creating life (by the way, I saw someone in some YouTube comment section point out a long time ago that, if you translate “414” to the alphabet, it spells “dad…” Wowzah, the symbolism)???

“I believe there’s something special in all of us. With true inner strength, you can conquer even your biggest challenges. You just have to believe in yourself and remain honest, motivated, and above all, who you really are. Okay, let’s stop it right there. I can only do so many takes of this trash a day. And tell the guys in writing I want more use of the word ‘dreaming’ in every message. Keep railing on that, get it? Dreaming! Dreaming! Dreaming! People just eat up that kind of slop. Hmm, what? It’s still on? Well, turn it off, damn it!” ~ Joey Drew, Bendy and the Ink Machine, ch. 4 (emphasis added)

The Memory of Joey: Well, geez! You haven't gotten far! Audrey: Don't do that! Wait… how… how did you get in here? The Memory of Joey: Oh, I have my ways. So, tell me. How goes the journey? Audrey: Slow, but I'll get through. The Memory of Joey: Ah! I see you have your father's never quit, go-getter spirit. Audrey: Oh, now you knew my father. Well, news flash! I didn't even know my father… or my mother. Or anyone else in my family. The Memory of Joey: I see then. You've chosen to forget the past. I can understand that. Audrey: What are you talking about? The Memory of Joey: Look, I don't think you're ready for this, *pats her hand* but hang on to your lunch money. There's something I want to show you. *Starts using his teleportation powers* Audrey: Wait. What are you doing? The Memory of Joey: *Teleports her and himself to BATIM Chapter 1* Henry's Voice (echoing like it's supposed to be a memory): Alright, Joey. I'm here. Let's see if we can find what you wanted me to see. . . . The Memory of Joey: …It was then, Joey decided to make something new. Something he had always wanted, but he could never have: a family. But not a cartoon one. Something real. And after many, many tries, he created something that made him happier than he ever could have imagined: a wonderful, loving daughter. Bright and kind. Almost human. He created you, Audrey. Audrey: What? Are you crazy? The Memory of Joey: Listen, I know it's a lot— Audrey: —Who do you think you are? I wasn't born from some… machine! I'm flesh and blood. I'm not some kind of ink monster. The Memory of Joey: Just because we're born of darkness, doesn't mean we belong to it. We're always free to choose. To believe what we want to believe. Audrey: Take me back! Right now! I'm not listening to any more of your lies! The Memory of Joey: Remember who you are, Audrey. *Tries to take her hand again* Audrey: *Yanks her hand away* Leave me alone! The Memory of Joey: *Sighs and sends her back to the Downside Hotel*

“This may be my last chance to record a message, I’m pretty sure he saw me talking into this thing, He probably won’t let me keep it. Not much left to say except… Linda, I miss you and I love you so much. Coming back to this old place well… it kind of reminds me of how much I’ve gained. I feel like there are so many questions that need answering, so many things that don’t make any sense. If anyone hears this, if you make it out, don’t ever return, because the Ink Demon will find you.” ~ Henry Stein, Bendy and the Ink Machine, ch. 5 teaser audio log #3 (emphasis added)

Audrey: Why would you be a threat to them? Henry: I'm what they call a “Cyclebreaker.” Once upon a time, I knew how to start the cycle over. And when that happens, everything begins again. Completely new. Obviously, Wilson and the Keepers don't want that to happen. Audrey: How did you do it? Henry: Reset the cycle? It turns out the Ink Demon himself is the key. This world is his, but even he must obey its rules. For now at least. If you can get him to look at something very specific, it will reset everything. Audrey: What is it? Henry: It's just a reel of film, labeled with the words “The End.” I can see it in my mind, every day. They keep it upstairs in the Pit [where Heidi says the ghosts live and nobody ever comes out of. At least, never quite the same]. Audrey: I'll see if I can break in and steal it. Maybe, if I reset the cycle, we can make things better for everyone here. Henry: And what about you? Audrey: I just wanna go home. Henry: So did I.

(*Side-eyes that “even Bendy must obey the rules” comment hard*)

Was Audrey created from Joey’s hatred of being what Nathan Sr. forced him to be, his coping mechanisms, and his desires for a family and to be his true self (which comes out in her as wanting to be a real human being of flesh and blood with a normal family, even if that means she has to forget her real family), and Henry’s kindness, curiosity, compassion, perseverance, passion and talent for drawing, and desire to go back home to his family? Joey says in TIOL that he admired Henry’s smile, and I noted in my original analysis/theory that Joey’s smiles that people find unsettling don’t seem to be a sign of malice but instead that he’s going through some sort of suffering, usually related to Nathan Sr., that’s causing him to dissociate just like Bill from TLO does, so of course the newest Audrey’s smile – Henry’s genuine, kind, confident smile – would fill Joey’s heart with joy!!

“Who would have ever dreamed? In the declining years of my life, I have someone more precious to me than any piece of art I could make. When she laughs and smiles, it fills my heart so much it overflows. For all the evil that’s come from me, this is something finally good. We play and talk as we both learn from each other. There’s not much time so every moment has to count. Unlike my versions that came before her, the ones who called me their ‘uncle,’ I’m proud to have her call me ‘Dad.’ Because she is truly my daughter.” ~ Joey Drew, Bendy and the Dark Revival, “True Daughter” memo (emphasis added)

Before anyone says anything, it's for the very same aforementioned “broader pattern” reasons that I'm unconvinced Joey's motivations behind having the previous (implied “imperfect,” which I agree with others could mean “unable to live very long in the real world,” explaining in addition to Joey being very old and sickly the extreme focus on not having much time 😢💔) versions of her call him “Uncle Joey” were as selfish and cruel as they seemed. I feel like it was simply, once again, a way to cope with grief, as he does so often (and Audrey seems to have done generational trauma-style, once again, “choosing to forget” rather than mourning)… I think, in reality, he didn't mean that the other Audreys weren't good enough to call him “Dad,” but that he couldn't bear to have them call him “Dad” because he could tell they'd be gone soon and he needed that fact to hurt less, his thought process something like “of course I still care about my nieces, but losing them is less utterly devastating.”

Speaking of the memories, was anyone else weirded out by the way Wilson said that Nathan Sr. “only ever had time for the grand creatives of the world. The ‘doers,’ as he called them. How could his lowly son ever compete,” after that conspicuous comment from Nathan Sr. that he dislikes creative people, back in TIOL (I specifically noted this comment in my original analysis/theory because it sounded like he was indirectly ending his relationships with every other creative he's ever met specifically so that nobody would believe anyone who claims he looked down upon Joey)? And was anyone else disturbed by the fact that, in the very same room where Wilson went on his rant about how Nathan Sr. was beyond saving (definitely didn't sound like he meant physically 😬👿) before he got freaking shredded (still not over it 😵‍), we find a hotdog connected to Audrey's pleasant childhood with Joey and a final Nathan Sr. audio log where he talks about going on a lovely walk and eating a hotdog for the first time in a long time (no, this isn't implying that the memories are actually Wilson's; the achievement for getting them all is called “Self Discovery.” And, sorry MattyPatty, but I'm not buying “they're Tessa's because the Fashionable Men's Hat was in fashion in the 1930s but not the 1960s;” I didn't know or care what was actually considered fashionable as a little girl – I mean, I still don't, but I'm autistic and that's beside the point – I even called old clothes of my grandmothers' that they gave me to play dress-up with “fashionable/chic/etc.” If I was pretending to be fashionable, I could tell it was expensive, and/or I thought someone – especially my parents – looked good in something, I called it such things without question. Multiple memories make a point of saying how old and/or cheap they are, the Rubber Duck straight-up saying that it was “still dusted with the decay of old soap;” it sounds to me like Joey kept a lot of old/broken things in order to save money and possibly also go out in public as little as possible in order to stay off Nathan Sr.'s radar, his biggest exceptions being making memories with his baby girl)?

“I decided to go for a walk this morning. Took a little stroll down to the park. Enjoyed the warm sun for a while, found a quiet bench, even grabbed a hot dog. It's been ages since I've done that. Tessa would kill me if she knew I've been off my diet. When I got back to the office, I stopped by the animation department and said hello to the troops. My gosh, they're getting younger every day. Either that or I'm just getting older. It all made me realize time is moving on. The hard struggles don't seem as dire as they used to. Life has other value. I think, I'll go home early today. Maybe I'll even pick up a hot dog for Tessa.” ~ Nathan Arch Sr., Bendy and the Dark Revival, “The Bigger Things” audio log

Just this one scene in this one room felt like a big, flashing neon sign highlighting the stark contrast between Nathan Sr. and Joey's parenting. So much here is screaming to me that:

Nathan Sr. – who seems to have just chosen to be a monster of his own, perfectly sane and untraumatized free will – had been working hard to make observers believe he was a good father while neglecting The Favorite Son™ (Nathan Jr.) and abusing The Hated Bastard Son™ (Wilson) so horribly both emotionally and physically that not only was Wilson jealous of how much his dad liked people he just disliked and/or of anyone who got his dad's attention and approval by being used in his machinations, but he was also made into a social pariah (just like Walter and Joey) by the horrific injuries his father inflicted on him, making him look and sound so creepy. I think Nathan Sr. was relieved that day in 1973 when his intricate plans finally came to the fruition he was actually planning on and they found his least favorite son's dead body on the floor of his JDS museum; the hotdogs were a way to celebrate finally ridding himself and Tessa of Wilson for good (seriously, frick you, Nathan Sr. I'mma slug you and then hug and adopt both your sons; nobody deserves a dad as pure evil as you).

Joey – who was clearly forced to be the way he was for survival reasons – really, genuinely was trying to be a good uncle/dad to the Audreys, despite the mistakes he definitely made with them due to decades of being trapped in survival mode (and Audrey definitely loved him despite his flaws, which is probably why she's so willing to give Wilson a chance! Anyone notice the description of the Cracked Mug childhood memory? I… why are you making me tear up over a broken cup with a frowny face drawn on it?? Stop making me cry… 😭😭😭 Not only was Wilson trying to communicate what happened to him to her, but he was successful and she sees her dad in him and wants to help… Unfortunately, he ain't in the same place Joey was, anymore. His dad's Murder Puppet process worked, just as he feared; he's not the same person now as when he wrote The Mug and the Maiden, so she gets hurt for her kindness). He didn't want her to become like him, he wanted her to be safer and better able to move forward than he was, as seen in the memos signed “your best pal;” he fought for his daughter to not just survive, but joyfully thrive, taking her out for hotdogs just so that they could relax together on a Saturday.

“Every great story begins in mystery. Although things may be dark at the start, the truth will illuminate your way. Don’t be afraid of who you are. Fear only what you may become, and banish it away.” ~ “Your Best Pal” (heavily implied Bendy/Real Joey), Bendy and the Dark Revival, “The Beginning” and “Something Familiar” memos (emphasis added)

(The “Something Familiar” copy is literally found on the Memory of Joey’s bed which, as I said in Part Two, I think was actually Dapper Bendy’s.)

“Around here, it's just best to stay out of sight. Don't ever go running into some place if you don't know what's in there! If you attack a problem head on, you're going to find yourself in trouble. And that's just foolish! You gotta watch, listen, and when the time is right, push forward.” ~ “Your Best Pal” (heavily implied Bendy/Real Joey), Bendy and the Dark Revival, “Be Careful” memo

“Don't ever lose hope. When in doubt, the answer you seek is usually nearby. We all have dreams, ghosts in our past. But those ghosts can give us the path forward.” ~ “Your Best Pal” (heavily implied Bendy/Real Joey), Bendy and the Dark Revival, “White Rabbit” memo (emphasis added)

Back to the whole soul blending idea. If I'm right, this would all explain:

Why our Audrey could survive in the real world while the others couldn’t: they needed complete souls, but they only had part of Joey’s soul until part of Henry's escaped!!

What made Loop 414 different: Henry’s memories of the previous loops were erased because part of his soul had (genuinely, cause Joey seemed awfully surprised that something changed) accidentally slipped into the newest Audrey!!

The Memory of Joey saying A: that Audrey doesn’t have to be the Ink Demon anymore, making a big deal about how Audrey’s real and loved – the Ink Demon has the rest of Joey’s soul, he’s saying that she’s her own person and not either of her dads (while also making Joey sound like a selfish creep by passive-aggressively rubbing the fact that he was forced to be the monster he became in Real Joey’s face and also telling him that he’s unlovable trash unlike Audrey *stares at my notes on how Susie Campbell/Twisted Alice’s story parallels Joseph Dempsey/Joey Drew’s, again* but seeming like he's being a jerkwad to another one of his children, as @inkdemonapologist pointed out. So many reasons for Bendy to have crushed the life out of him, there) – and B: “just a pencil and a dream isn’t enough, you have to have heart” – not only does she need to keep choosing compassion to avoid going down the road Joey did, but Joey was The Dreamer, Henry was The Heart, and together they made a separate life!!

Why Wilson would A: describe Audrey's powers as “devilish” (they came partly from Joey, who is now the Ink Demon) and make a big deal about how the Ink Demon can't get into his lab (he knew that Bendy/Real Joey would 100% come to rescue his baby girl, if they were somewhere he was capable of entering. As he did at the end of the Shipahoy Wilson fight), and B: think that her soul would be powerful enough to create a deity that could defeat Bendy (she's also a descendant of the Third King of JDS, who left the kingdom) while also, apparently, not realizing that his own soul might be powerful enough, as well, and therefore never actually trying to kill Bendy himself (he tried to have his Keepers do it, remember? That's literally what those audio logs were all about); maybe this is how souls always work in the Bendyverse – everyone's souls are a combination of pieces of their parents', so Wilson's soul is partly Nathan Sr.'s, another one of the Three Kings of JDS (this might also explain why Henry, the Memory of Joey, Audrey, and Wilson are the only ink creatures we see who resemble humans; if the Memory of Joey is actually Nathan Sr., that means they all have Royal Souls, making them the most powerful beings in the Ink Dimension. Bendy/Real Joey is probably the way he is because A: he chose to be, B: Nathan Sr. forced him to be, or C: nobody had any choice in the matter because he was already bonded to the soulless Bendy body by the failed ritual performed way back in 1946) – but, as far as he knows, it only works that way for ink creatures…?

“Now I’m not lookin’ for trouble. It’s just the nature of us projectionists to seek out the dark places. You see, I’ve learned the ins and outs of this here studio. I know how to avoid being bothered by the likes of this… company. ‘That projectionist,’ they always say, ‘creeping around, he’s just lookin’ for trouble.’ Well trouble or not, I sees everything. They don’t even know when I’m watchin’. Even when I’m right behind ‘em.” ~ Norman Polk, Bendy and the Ink Machine, ch. 3 (emphasis added)

“‘Of course,’ Norman said to himself. He took another sip [of what was almost definitely ink]. ‘He says it like that, knowing that he's the one who brought this creature upon us. Of course. Of course.’ I felt cold then, like the temperature had dropped and it was winter. Like if I talked my breath would freeze. ‘What do you mean?’ But I knew what he meant. He meant the infirmary. The thing in the room with the locked door. The door I'd opened. I'd let it out. Me. It was all my fault. ‘What do you two know about the ink?’ Norman asked instead. ‘We know Sammy is obsessed with it,’ said Dot. ‘So not much then,’ said Norman. ‘How much do you know?’ I asked, trying to hold it together. ‘Everything.’” ~ Daniel “Buddy” Lewek, Dreams Come to Life, pg. 210-211 (emphasis added)

“I'm a fan of darkness. It just appeals to me. As old Norman would often say: people really become themselves when they're hidden in shadow. That creepy guy always had a story to tell about this place. But I think I've found a few narrow passages even he didn't know about. I can watch. I can listen. I can even steal. And no one ever sees me. I'm just a ghost, *giggles giddily* living in the walls, peering from the darkness. *Chuckles ominously*” ~ Grace Conway, Bendy and the Dark Revival, “Dark Places” audio log (emphasis added)

Is Grace a combination of Norman and somebody else's souls (someone who's not at all in denial that they enjoy getting into mischief and ruffling people's feathers, clearly… roflolol what if it's Shawn?? What if him leaving JDS was also one of Nathan Sr.'s lies, so he really was the Top Hat Searcher Boss in BATIM??? Omigosh, I wanna meet Grace, she sounds fun 🤣 but also, poor Shawn 🥺), so just as much his daughter as Audrey is Henry and Joey's? Was she created from his desire to find secrets? She has a very similar voice to him and everything, goodness. And while we're back on the subject of dear old Norman, could he have become a personification of part of Wilson's psyche when he got addicted to that same ink that Sammy did (which would also support my “Wilson's not actually the ‘new evil’ in the Ink Dimension, it's Nathan Sr.'s soul” theory)…? Wilson seems to have a Royal Soul, after all; maybe that gave him the ability to work himself into the hivemind that thoroughly… “Wilson's always watching. He knows your purpose…”

Speaking of which, it sure looks to me like we got a whole heckuva lotta “Joey's the center of the hivemind and anyone infected with the right kind of ink becomes a personification of part of his psyche (otherwise, they just send/receive thoughts to/from him)” confirmation, besides that second paragraph of the “Who We Are” memo (especially if Porter really is Brant; he assisted us in escaping Freaky Teeth alongside all the freed Cyclebreakers in the end, I highly doubt he betrayed us).

“A new terror has descended into our lives: This man named Wilson. Ever since, our world feels strained, like a great beast held in chains. The Ink Demon hasn't been seen in a long time. Many of us refuse to believe he's really gone. But what does it matter? Down here, we're all sinners. Children of the Machine all have the Demon in our inky blood.” ~ Unknown, Bendy and the Dark Revival, “Beast in Chains” memo (emphasis added)

“His eyes see all. His claws tear and thrash. His whispers turn your mind into dark, unspeakable trash. Listen for the heartbeat drone. Your doom is close at hand. The Ink Demon is both beast and lord. His powers, too vast for us to understand. Death is fast. Death is near. His reign will last beyond your fear.” ~ Unknown, Bendy and the Dark Revival, “Lament” memo (emphasis added)

“The Dark Puddles awaken. A voice, a soul. The ink speaks to me. It whispers your secrets. Who are you? Tell me your sweet name, that I may devour it. My ink swells and boils. It consumes. I am the Ink Demon. This realm is mine. You were born from it. You belong to it. You cannot hide forever. I will find you. (After telling Porter her name) The deep abyss remembers you, Audrey. A child of the darkness.” ~ The Ink Demon, Bendy and the Dark Revival, ch. 2 (emphasis added)

(Anyone notice the implication there that not only does the very fact that Bendy can hear Audrey’s thoughts mean she has a soul, but also that the very fact that we can hear Bendy’s thoughts must mean he also has a soul inside of him now, by the way?)

“I see your mind as the truth unfolds. You will accept your fate before the end.” ~ The Ink Demon, Bendy and the Dark Revival, ch. 4 (emphasis added)

Wilson: The Demon's evil continues to spread. This world has began to shutter… The Ink Demon (literally interrupting her conversation with Wilson telepathically): He’s lying, Audrey. Audrey (whisper-shouting): Be quiet! Wilson: What did you say? Audrey: Nothing. It was nothing. Wilson: Hm. *Opens door to security checkpoint* Just a quick stop. Won't take but a moment.

Did Susie/Alice not mean that Bendy killed her, but that she knew Joey was the center of the hivemind, back in BATIM? And if so, did she find a way to cut herself off from him or did his power just become stronger when his human body died and his soul finally merged with his ink one, I wonder? It seems like people could only fully hear others' voices in their heads in BATDR; before that, you had to actually be inside the inkwell or else people's thoughts just popped into your head as if they were your own…

“*Alice voice* …Take this little freak for instance! He crawled in here… Trailing his tainted ink to my door! It could have touched me! It could have pulled me *Susie voice* back!! Do you know what it's like? Living in the dark puddles? *Alice voice* It's a buzzing, screaming well of voices! *Susie voice* Bits of your mind, swimming… like… like fish in a bowl! *Alice voice* The first time I was born from its' inky womb, I was a wriggling, pussing, shapeless slug. The second time… well… *Susie voice* It made me an angel! I will not let the demon touch me again. I'm so close now. So… almost perfect… *Dreamy sigh*” ~ Susie Campbell/Twisted Alice, Bendy and the Ink Machine, ch. 3 (emphasis added)

Back to the soul children thing. I wonder if even Alan/Allen Gray/Grey (who can't even spell his name consistently. Yes, I'm mad about it. Jiminy Christmas, my guy) could be one of these “children of the darkness/Machine,” born of its ghosts?

“So we're looking at quite the job here! Walls come out, pipes go in… dang walls go back in again! It's like banging your head on a rock over and over and over. The first time, it hurts to heck. The hundredth time, well… you just don't think much about it. That's what it's like working for Mr. Joey Drew. At first you feel that bad pain in your gut that you're doing something very wrong. But after a time, when the dust settles, and Joey has played his cards, you just learn to go with it. Bit of your soul dies with each pipe you put in.” ~ Thomas Connor, Bendy and the Dark Revival, teaser audio log dated November 12th, 1943 (emphasis added)

“‘I'm not leaving until I get what's mine,’ Tom said as Mister Drew stared him down. . . . ‘I want my patent back,’ Tom said right to Mister Drew's face. They were practically nose-to-nose. Or more like, nose-to-chin. . . . ‘It's my machine, Drew, it's mine.’” ~ Daniel “Buddy” Lewek, Dreams Come to Life, pg. 247 and 248 (emphasis added)

“Joey, Sorry, it's been a while since my last letter. Been Busy with work at Archgate Films. The Studio ordered another sequel! So I have been spending many hours in the recording booth again! It's fun though. Tom is doing good, thanks for asking. He's always tinkering or something. Mostly he's still upset about someone stealing one of his dusty inventions from your old studio. He'll get over it. Have a good New Year, Joey. I'll send you another recipe soon. Warm Regards,” ~ Allison Connor (formerly Pendle), Bendy and the Ink Machine, ch. 5 (emphasis added)

(No, Allison, I don't believe he ever will get over it, rofl.)

“To Grant Cohen, accounting: Please inform Mr. Drew that despite his insistence that the rumors of Joey Drew Studios going bankrupt are untrue, I want to remind him that if his studio does indeed fail, all equipment and experiments produced through our partnership, by contract, belong to the Gent Corporation. We will reclaim these assets forcibly if necessary.” ~ Alan/Allen Gray/Grey (he spells his name “Alan Gray,” here), Bendy and the Dark Revival, “Gent Property” memo (emphasis added)

Could he be a combination of Tom and somebody else's souls (someone more privileged, with money, power, and a college education… Could be Allison, I guess… but also maybe Bertrum, or Nathan Sr…? Something tells me that ghosts gravitate towards ghosts who complement/complete the part of their parent that they embody to form new souls with), so actually his son, created from his desire to get his effing inventions out of JDS's hands (there's that very specific technicality I mentioned, back in Part Two), and perhaps altered by Nathan Sr. to create a new villain to distract us from himself (he's clearly not against doing that to his own sons, so… Also, this would support my “Wilson's not actually the ‘new evil’ in the Ink Dimension, it's Nathan Sr.'s soul” theory, too… The Memory of Joey was the one who retrieved the End Reel from the Pit, by the way. Remember? Audrey never gets to go inside)?

“We've hit rock bottom. No doubt about it. By all accounts, I don't even know how this studio is still going at all. If you follow the money, you just hit a big old brick wall! Well, let me tell you, blank ledgers, spare cash, Weird amounts that plain just don't add up. There's still income finding its way onto the books, but for the life of me, I can't figure out where it's all coming from. Though the obvious answer is that Gent is privately pouring in some funds. And truth be told, they really creep me out. Especially that Mister Gray. He doesn't seem to be motivated by money, and he sure as heck ain't telling us what he's REALLY after. You just can't trust someone like that.” ~ Grant Cohen, Bendy and the Dark Revival, “Strange Money” audio log (emphasis added)

Something tells me we shouldn't be looking at the obvious answer. I can think of someone else right off the bat who “sure as heck ain't telling us what he's REALLY after” and we know for a fact that Joey has audibly nervously begged for money from, before…

“It’s been quite a struggle to put this into words, Nathan. After so many years, you know I’d never ask unless it was dire. But when a man’s in a spot, he should call upon his friends. Truth is… well, the studio is… *slight tremor in voice* coming up a little short. Hit a few unexpected bumps. If you could… lend us the amount I mentioned in my last letter *inhale* it would be a big help to me… Hope this reaches you in South America. You and Tessa enjoy your vacation.” ~ Joey Drew, Boris and the Dark Survival

…and I think we just figured out what Mr. Gray/Grey's true motivations are by figuring out where they came from… Could being the second of Audrey's kind, “born of ink but living in flesh,” be why he seems to understand how to make things cross dimensions…??

“The future has arrived. I just didn't know it would get here so soon. Some of the stuff that's coming out of Gent doesn't follow any of the rules of physics that I know. Hard to believe they started out as a brick laying company once upon a time. Nowadays, we have all the modern conveniences and, worse yet, the headaches. Take that ID Card machine they've got at the door. You don't bring your ID, you ain't gettin’ to work. So I started putting my ID Card on my nightstand in my room at the Downside Hotel. It's not the safest place, but at least I know where it is.” ~ Eugene Lloyd, Bendy and the Dark Revival, “Daily Headache” memo (emphasis added)

Y'know, I find it incredibly suspicious how one of the secret endings reveals Audrey to be in an insane asylum, unlocked if you collect all the copies of TIOL (the biggest source of info on Nathan Sr.'s abusiveness towards Joey) that are scattered around the studio and then staring into the colored ink in Wilson's (the biggest source of info on Nathan Sr.'s machinations) lab. They're clearly tryna nudge us towards thinking Audrey might be a fan with an unhealthy parasocial relationship with Joey (the achievement for unlocking it is titled “The Insane Reader”)… but how many times have I said that anyone who might be an info leak or even just displeases Nathan Sr. seems to get disappeared mafia-style? What better way, if she couldn't be trapped in the Ink Dimension with everyone else, to simultaneously silence and torment Joey's only family member than by fabricating a different, more believable life story for her and getting her committed?

I wonder how many of the many more audio logs/memos/etc. there are in this version of the studio – many of which seem outlandish and surreal even in the context of the rest of the series – may have also been made up by the souls of the series' scapegoats/etc. in attempt to call our attention to the discrepancies and reveal the truths?

“Something funny's going on around here. Call me suspicious if you wanna, but I know the signs of weirdness when I see ‘em. Don't get me wrong, we've always had visitors around the studio, but lately we're getting just one kind of visitor in particular: Gent Corporation Employees. Tons of ‘em. They're working in the hallways, ripping up the floors, taking the best toilets, you can't even get near the Little Devil Lounge these days! It's starting to feel less like an animation studio around here, and more and more like some crazy scientist's laboratory. It's just plain weirdness.” ~ Lance Derby, Bendy and the Dark Revival, “Weirdness” audio log (emphasis added)

(Hm… Sounds an awful lot like Constance's comment on the potential dangers of “innocuous strangeness” I brought up in Part Two… 👀)

“This old town [Lost Harbor?] really has changed ever since that big Gent Building went up. Yesterday, I took a trip over to the Farmer's Market, and they had the whole dang street ripped up! It was like a large hole had just plain swallowed the sidewalk. Men were going in and out with strange iron tools. Kind of looked like they were installing some kind of tunnel under the road. Pipes just everywhere! Pete behind the produce counter was just shaking his head. ‘They're up to no good,’ he kept sayin’. ‘You'll see. This is how it always starts.’ I think old Pete might be right. But I don't like to dismiss people just on rumors. Only time will tell, I suppose.” ~ Kitty Thompson, Bendy and the Dark Revival, “Trouble Town” audio log (emphasis added)

“I heard some of the workers from down the hall last night talking about storming Joey Drew's office. They were using some colorful language, banging their fists on the tables and chairs. It was the same bunch who whistled at me yesterday. Things must be getting serious. That accountant, Grant Cohen, just walks from his desk down to the men's room and back all day. Over and over again, gripping his stomach. Kind of green in the gills. I can't tell if something he ate isn't agreeing with him, or if he just can't take the pressure anymore. Joey's got a plan, he keeps saying, Gent is making something special. I really hope he's right. I may just be a secretary, but this place has a magic I don't want to see end.” ~ Sally Newt, Bendy and the Dark Revival, “Getting Serious” memo (emphasis added)

Are the children of the Machine straight-up trying to tell us that A: Nathan Sr. is (genuinely) editing Mr. Gray/Grey into the story as yet another one of his many Decoy Villains for us to hate and pursue instead of him, B: in real-life, Grant was infected with ink (as the audio log in the version of his office in BATIM suggests he was) in order to disappear him for figuring out what Nathan Sr. was doing through the financial records, and C: Joey meant for the Ink Dimension to be salvation for people like Grant (like I suggested in Part Two)?? Wow…

While I'm still on the subject, I think I might know who a couple of other characters are the soul children of. I think Steve is the son of Wally and Tom, and Heidi is the daughter of Allison and Susie (sorry, SuperHorrorBro, but I don't believe Porter and Heidi are previous Audrey versions. Besides the “Who We Are” memo spelling out what “child of the darkness/Machine” actually means, the “True Daughter” memo implies that all of Joey's previous attempts at creating a child were daughters, Porter would be a son and Bendy calling Audrey “the daughter of Drew” as if there's genuinely only one – why the actual heck would he say that if he's not Real Joey and considers himself “one of the children of Drew?” Shouldn't he be giving his sister Heidi the same honor he, himself, wants but was denied, just like she was? That doesn't make sense, which Wilson explains to us is a sign that something was Nathan Sr.'s doing in some way – along with the way Audrey and Betty talk about Betty being “one in a long line of failed experiments” as if Wilson continuing to try and get her to come out the way she was supposed to is a good thing that's going to positively impact her eventually implies that all the Audreys were the same piece of Joey's soul reincarnated. Also, Porter says that he “learned” his powers, and there was a delay between the hivemind speaking to Audrey and her using her default powers for the first time, but zero delay between Porter and Heidi giving her their powers [which Porter does by taking Audrey’s hand like the Memory of Joey does when trying to get her to accept the entire so-called “retconning story” as truth, and Heidi does by touching Audrey’s face like the Memory of Joey does when using his teleportation powers on her, which suggests that this was how they were given to them…] and her using them. I think that A: the Memory of Joey gave Porter and Heidi their powers to push us towards believing that Real Joey was a cruel uncle/father who discarded the failed Audreys when he got sick of taking care of them [I wonder… could Porter's seemingly randomly dubbing Audrey “Bobby,” leading her to describe their interaction as “weird” – which can be another sign of Nathan Sr.’s interference or a sign of Wilson's warning riddles – was a message from Wilson, trying to highlight both his dad's “Fake Siblings” plan and the fact that Audrey's desire to be a normal human stems from Joey's desire to be his true self rather than the monster that Nathan Sr. forced him to be? 👀👀 And, by the way, did anyone notice that Porter, Heidi, and the Memory of Joey's powers are all travel-based?? 👀👀👀 Sounds to me like the Memory of Joey meant it when he said he has his “ways,” plural], B: Audrey just had her default powers automatically because she has a Royal Soul, but they didn't awaken until she wanted them [no, not “needed.” That Searcher outright tells us we don't need to kill them and, from my and my brother's playthrough, you can literally play your whole game without them ever leaving that spot, even if you fight Lost Ones right next to them. I think this moment is further symbolism for Audrey leaning on her dad's coping mechanisms generational trauma-style and the fact we actually do have a choice between cruelty and compassion], and C: Audrey, herself, as a benevolent ruler, is considered a gift from the two main users of the hivemind/Dark Puddles – Wilson and Bendy/Real Joey – by many inhabitants of the Ink Dimension. “And from the hallowed darkness, from the wretched abyss, a savior comes at last,” as Wilson says), created from their playful, lovey-dovey sides…

“These guys down at the warehouse get to play games all day while I'm stuck cleaning up after ‘em. They keep locking themselves out of their own back room. So I says to ‘em, ‘look guys,’ I says, ‘you're smart, right? Here's an idea! Why not rig these games to knock open the door if ya win? It'll be fun for you guys, and it saves me the trip down here every day.’ They went for it like a dog to pot roast. I tell ya! If these guys don't start realizing who the real genius is, I'm outta here.” ~ Wally Franks, Bendy and the Ink Machine, ch. 4

“So here we are! Another big day at Joey Drew Studios! Lot more people running around here these days. But for me, it's the same old dirty floors they've always been! Just more feet messing them up now! The only [new] feet I don't mind tromping around here are Miss Campbell's. She's good to me! I'll make sure I empty her garbage every day just to see how she's doing. Speaking of which, I heard her talking with Sammy the other day. If I didn't know better, I'd say there was magic there. But who am I to judge? I think they saw me looking though… So I just tipped my hat and said: ‘See you later!’ … ‘I'm outta here!’” ~ Wally Franks, Bendy and the Dark Revival teaser audio log dated March 5th, 1933 (emphasis added)

“I thought of Mr. Connor. Gruff, rough-around-the-edges Mr. Connor. Was he the manager? I thought he was, but he couldn't be, could he? Not if this elegant creature was the manager's partner.” ~ Bill Chambers, Bendy: The Lost Ones, pg. 204 (emphasis added)

“‘We aren't in your studio right now, are we?’ replied Tom. There was no way Mister Drew could physically intimidate this man. Tom wasn't burly and bear-like like Bertrum Piedmont. He was more wall-like. Still Mister Drew grabbed him by the elbow and through clenched teeth said: ‘The hallway. Now.’ ‘Come on, Tom, no need to make a scene,’ said Allison with a warm voice, gently placing a hand on his shoulder. Tom allowed them to escort him to the pink lobby…” ~ Daniel “Buddy” Lewek, Dreams Come to Life, pg. 247-248 (emphasis added)

“First week on the job at the Gent Workshop, and I can tell already this'll be interestin’. ‘Think you can lift this still girder?’ they asked me with a smug smile. I didn't even bother to answer. Just picked the whole thing up with one hand. You should have see the wee men drop their jaws. All in all, I've noticed this building just ain't built for someone my size. Every time I walk by the workshop shelves, the tools all fall to the floor. That and I gotta bend down for every doorway in the place. Still, there are some positives to workin’ here. Take that new secretary, the shy little one with the blonde locks, the one who follows around Mister Gray. I'm pretty sure she's been giving me and my muscles the eye. But I ain't no smooth talker. A work-worn man such as myself, ain't got no business with a woman that fine.” ~ Steve McGregor, Bendy and the Dark Revival, “New Job” audio log

“Allison just smiled her dazzling smile that made me melt a little, even though the scene was making me incredibly tense. ‘We'll talk about that in the morning, Joey. Come on, dear.’ She gave Tom a little push on his shoulder, and evidently she could move mountains because once again he gave in and took a step back.” ~ Daniel “Buddy” Lewek, Dreams Come to Life, pg. 248 (emphasis added)

“Who would've thought? Me having lunch with Joey Drew! Apparently times are tougher than I thought. For a moment there, I though I'd be stuck with the check. But I gotta say, he wasn't at all what I expected. Quite the charmer. He even called me Alice. I liked it.” ~ Susie Campbell, Bendy and the Ink Machine, ch. 3 (emphasis added)

“So turns out it's my lucky day! I got to cleaning some of the offices around 2 am last night. And what do ya think I find on one of the chairs? A big freaking chocolate cake. Just sitting there! Practically yelling my name! You know, I work hard! I earn my pay. Every darn dollar. But you know what this company's missing? Little, benefiting perks. And this here cake? It's a perk! Hopefully no one finds out what I done. Cause if they did, I can tell ya what would happen. I'm outta here.” ~ Wally Franks, Bendy and the Ink Machine, ch. 5 (emphasis added)

“The Keepers have taken my friend! Locked him away like some animal! Just cause he's big and strong. But they don't need to fear him! No! If they just make sure to feed him on time, Big Steve won't ever hurt a fly! He loves the food from the ‘Little Devil Lounge’ best. If only someone would take the long road back through the sewers, climb up the elevator shaft, and seek out his favorite thumping delicacy. Then they would see how harmless he really is!” ~ Unknown (heavily implied Heidi), Bendy and the Dark Revival, “Feeding Time” memo

“*Alice voice* …But for now, let's have fun. Plenty of time for a bloodbath later. Ooh! How about a game? Let's all play a game of riddles! *Susie voice* Riddles? *Gasps* Oh, what a wonderful idea!” ~ Susie Campbell/Twisted Alice, Bendy and the Dark Revival, ch. 5 (emphasis added)

“But… but first! May we play a game? Oh, I love to play games! I like hide and seek best.” ~ Heidi, Bendy and the Dark Revival, ch. 4

(…Anyone notice this ink message we see right before we hear Freaky Teeth Bendy's voice for the first time? 👀)

My gosh, no wonder Heidi and Steve are so flipping cute (I may actually have a new romantic ship, that's rare for me), roflol. Also, remember what I said about ghosts gravitating to ghosts who complement/complete the part of their parent they embody to form new souls with? *Stares at my notes on how it seems like Nathan Sr. was secretly driving a wedge between Tom and Wally the exact same way he secretly drove a wedge between Henry and Joey: through lies and sabotage* Something tells me that Nathan Sr. could tell our dear Mr. Inventor and Mr. Janitor would be a good team and too difficult to control if he allowed them to get along.

Anyways, now that I'm excitedly vibrating over all those prospects, let's return our focus to Allison's so-called “story retcon.” I really, really, really dislike how the Memory of Joey seems to be trying to convince us that one of the most critical pieces in noticing the similarities between the story of Joey, Allison, and Susie and the story of Walter, Arthur, and Isabel, and therefore in arousing suspicion that Nathan Sr. had orchestrated both situations was never involved in any of the previous stories she appears in at all except for BATIM, specifically, in a completely different way as just a character that Joey edited in decades after the fact, based on someone he'd just recently met; that's suspicious as heck and very reminiscent of Nathan Sr.'s erasure of Lottie's existence in TIOL. And, especially after my further thoughts on TLO inspired by The Mug and the Maiden, I wonder if not only was I right about Henry being murdered to punish Joey for contacting him (and him for responding like the good friend he is), but there's also another story that hadn't occurred to me despite noticing that Allison seemed to have started waking up from Nathan Sr.'s trance in between DCTL and TLO… Did Allison and Tom also get murdered, as punishment for Allison's deciding to try and be a proper friend to Joey rather than continuing to be Nathan Sr.'s pawn in the aftermath of Henry's murder (I wouldn't be surprised if it was straight-up the last straw for her… Nathan Sr. certainly could've used her as a spy in whatever other animation studio he worked at after he left JDS when he realized Joey was thinking about calling him for help, so maybe she knew Henry and liked him like everyone else – minus Nathan Sr. lol – who knew him seemed to… Now, he was gone, and she was just as devastated as Joey)?? Was she, indeed, able to see the good in Joey that even he couldn't see (because he was being eaten alive by guilt in his old age), as a fellow reformed abuse-victim-turned-abuser (when I first read DCTL and TIOL, not yet having read TLO, I thought the way she said “we’ll talk about that in the morning, Joey,” when he tried to fire her sounded like she knew full well about the true nature of her Pretend Boss and True Boss' relationship and really meant “we'll talk after Nathan Sr. puts you in your place, tonight…” Maybe I was right 😬)? She certainly tried to do that for Susie Campbell/Twisted Alice…

“Dear Alice, I don't know if you will read these notes, but I'll keep leaving them for you. I hope someday you'll understand my words and the madness will fade from your mind. In this strange and dark place, we can find light and purpose. We are not left to just wander alone, craving beauty, power, and other meaningless things. Even the heart of someone feeling incomplete, can discover joy. We're not lost. We're merely waiting to be found. We are so much alike. Formed from the same mold. We're like sisters, you and me. I wish you comfort and the wisdom to let your heart melt into happiness. I won't give up trying to reach you before it's too late.” ~ “A Friend” (heavily implied Allison Angel), Bendy and the Dark Revival, “Two of a Kind” memo

…so why not for Joseph Dempsey/Joey Drew? In fact, why not for Wilson, yet another abuse-victim-turned-abuser?

Allison: Are you crazy? Wilson's our enemy. Audrey: Do you even know him? Have you even talked to him? Allison: I've seen what he's done. That's good enough for me. Audrey: Look, it sounds like he has a plan to kill the Ink Demon. I think he can help us all! I just… I just need to go back and hear him out. Allison: Well, if it's true. You'll both need as much help as you can get. The Ink Demon won't go down without a fight. Tom and I will gather some of our friends. Anyone who's left. Good luck, Audrey. Audrey: Thank you, Allison.

This is turning out to be quite the support group, ain't it? Also, hm, sounds familiar, again…

“That big question. Why? The biggest of all the ‘W’ questions, I have found over my years, and often the hardest to answer. Especially when the why disguises itself as something else.” ~ Joey Drew, The Illusion of Living, pg. 21 (emphasis added)

“‘What?’ The most used of the ‘W’ questions, and I think the most useless…” ~ Joey Drew, The Illusion of Living, pg. 33

Speaking of which, it makes zero sense for “Cyclebreaker” to mean “someone who's capable of resetting the loop” as Henry claims when the Memory of Joey specifically said that Wilson, in preventing the resets, was “freezing the cycle.” The time loop cycle is supposed to keep resetting, that's literally the entire reason it's called a “cycle.” Why would all of these characters be potential cycle reset-ers in the way Henry says, anyways? Bertrum's ink form doesn't even have legs or hands like Henry, Sammy, Susie, and Norman's do; he can't even leave where he's supposed to be without being subjected to destructive force like he apparently was in order to remove his head from the octopus ride and put him in the Cyclebreaker prison, forget playing the End Reel. Y'know what all the Cyclebreakers do have in common, if my theories are correct? They could've broken that other cycle I mentioned in my original analysis/theory: Sammy, Susie, and Bertrum all became personifications of different parts of Joey's psyche and by extension are symbolic of how trauma often causes people to cause the same trauma in others, so they could've broken the cycle of trauma/abuse by choosing not to inflict their own trauma on others like Joey did; Norman was a habitual eavesdropper/etc., so he could've broken that cycle by hearing/seeing things he wasn't supposed to and using that knowledge to get the truth out and find Joey help, much like Wilson did in his youth; and Henry was Joey's dearest, truest friend, his Shoulder Angel, who he reached out to for help in the guilt-stricken latter years of his life, so he could've helped Joey to break the cycle himself if he hadn't been fricking murdered as punishment for trying…

…Did anyone notice that, right after telling her all about how they serve and were created by Wilson, the Keepers suddenly decided that Audrey was too dangerous and they needed to just gas her then and there when she asked them to take her to Wilson because he wanted her to find him…?? And how, when she escaped the gas chamber, they specifically sounded an alarm for access to the Cyclebreakers to be cut off…???

Something tells me that:

There's a reason that not only are these creatures referred to as “Wilson's Keepers,” but it's also only safe to be around them when Wilson is: the son may have created them, but the father Arch gave them orders to ensure that the son continues obeying and remove anyone who might genuinely help him recover from what he did to him from the picture, one way or another…

There's a reason that everyone thinks “Cyclebreaker” means what they think it means: to throw everyone off the scent of its true meaning.

The fact that the Memory of Joey wants the cycle to keep restarting and the potential Cyclebreakers think that the resets are a good thing is both A: symbolic of the fact that Nathan Sr. loves perpetuating the cycle of trauma/abuse by orchestrating situations where he can cause his old Murder Puppets to create new ones who are just as or more brutal while still thinking they're in the right, and B: another hint towards the End Reel having been created by Nathan Sr. in his twisting of the Ink Dimension from the heavenly paradise that Joey dreamed of into the hellish prison that he, himself, now relishes; mayhaps the secret Grayscale Ending, if it exists, will also involve destroying the blasted thing?

Frick. You. Nathan Sr. I. Hate. You. So. Much.

Wanna read about some more highly suspicious songs I found and my concluding thoughts on BATDR's default ending? Those are in Part Four!

To Read the Original Analysis/Theory: Part One • Part Two • Part Three • Unexpected Part Four

[kiwioala]

federation employee handbook that foolish found in the fed breakroom! (transcript)

Federation Employee Handbook (12th edition) Index: I Introduction - Federation Mission and Values II About the Federation: - Locations and Contact Information III Policies - Code of Conduct - Dress Code - Workplace Safety - Violence Prevention - Whistleblower Policy and Reporting Violations IV Employee Benefits V Termination and Resignation

I Introduction: Welcome to The Federation! We are delighted to have you join our team. At the Federation our employees are the lifeblood of our organization. The cogs in the machine, all working together! We are committed to creating an inclusive and supportive environment for our employees. This handbook is designed to provide you with important and essential information about the Federation, rights and responsibilities of our employees, and policies Our Missions and Values: Our mission is to provide a quality of life for residents on Quesadilla Island.

Core Values: - Integrity: Upholding ethical standards in all our actions. - Excellence: In everything we do. - Teamwork: Collaborating, respecting diversity, and valuing the contributions of employees and residents alike.

II About the Federation: We as a Census Bureau strive to create a perfect island for residents. Marinating order, enforcing rules and regulations and creating wonderful memories. Our organization strives to create absolute perfection. We achieve this by maintaining order, enforcing rules, and creating wonderful memories and experiences.

Location and Contact Information: - Census Bureau Agent While the Census Bureau Agent is not an employee and is very busy, it is not easy to get a hold of them. Please reach out to your supervisor instead if you have any questions. - President Forever: Located at the Federation Tower - Vice President Cellbit: Located at the Federation Tower. -Please refer to your facility-specific contact sheets for other contacts. Ranks: Please refer to our Employee Report on ranks for details.

III Policies: Code of Conduct: At The Federation we expect all employees to conduct themselves with both professionalism and integrity. Our key elements: - Transparency and honesty - Respect for colleagues - Data protection and confidentiality - Order with regulations and laws - Avoiding conflicts Dress Code: Employees must wear their assigned uniform on and off working hours. Please have your work badge on hand at all times. This is designed to ensure both a professional and safe work environment for all employees.

Workplace Safety: We are committed to providing safe and healthy workplaces for all employees. The following policies outline procedures to follow in case of emergencies. Violence Prevention: The Federation has a strict zero-tolerance policy towards threats and violence's in the workplace. We are committed to maintain order and secure environments for not only employees but residents as well. Regarding threats and violence from residents, please refer to your supervisor for further information.

Whistleblower Policy and Report Violations: We highly encourage our employees to report any concerns relating to illegal activities from both employees and residents. This policy information regarding whistleblowers. Reports will be shared anonymously. You may reach out to your supervisor for further information on our policies.

IV Employee Benefits: - Free, On-site residency, bring your family here too with all expenses paid! - 24/7 monitoring to maintain perfect safety, never feel unsafe within Federation facilities! - Steady pay* with company stores to spend at! - Company healthcare - Growth opportunities within the company! Rise up the ranks and gain more privileges within the Federation. * in form of Official Federation Duck Coins.

V Termination and Registration: Please contact Cucurucho if you wish to resign your position.

We would like to congratulate our new hires, you were chosen for a reason. Welcome to Federation! We hope you enjoy the Island! :)

[theholmwoodfoundation]

what's YOUR favourite extract so far? (if you're allowed to say)

GEORGIA:

I love so many!

I do especially love Jonny 3's welcome message to new employees (partially because I'm formatting the full Employee Handbook at the moment!) and I have a real soft spot for Maddie's job interview. I would love to have Rebecca and Sean read record it one day, as Maddie and Jeremy's first meeting.

I also just love writing Henri so much. Let Her Prod The Hand, as a treat.

FIO:

How can you make me chose between my babies?? Okay, but Tom’s fan letter reply gives me feelings. I adore the clinical nature of the Incident Report and the terror it provides and Tom and Jeremy’s phone conversations were very fun to plan. But then writing Jonny 2’s letter to his mum recently tugged on my heart strings, and Arthur and Jack’s letters to each other. It is so incredibly hard to choose from, they have been a lot of fun to create!