#crimson peak lucille sharpe

[mlc-raspberry]

FEMALES THAT I ABSOLUTELY LOVE!!

I know that no one asked but I just wants to share this with ya :D

🗝 ⚉ 🪡 🐈‍⬛

The Little Memaid - Ariel played Halle Bailey

Beauty and the Beast 2017 - Belle played by Emma Watson

Snow White and the Huntsman - Snow White played by Kristen Stewart

Arcane - Caitlyn voiced by Katie Leung

Arcane - Vi voiced by Haillee Steinfeld

Arcane - Mel voiced by Toks Olagundoye

Arcane - Cassandra Kiramman voiced by Abigail Marlowe

Avatar - Neytiri played Zoe Saldana

Avatar - Ronal played by Kate Winslet

Crimson Peak - Lady Lucille Sharpe played by Jessica Chastain

Guardians Of The Galaxy - Gamora played by Zoe Saldana

Mitchells vs. The Machines - Linda Mitchells voiced by Maya Rudolph

Hansel and Gretel: Witch Hunters 2013 - Gretel played by Gemma Arterton

Turning Red - Ming Lee voiced by Sandra Oh

Sleeping Beauty 1956 - Auror voiced by Mary Costa

The Little Prince - the Mother voiced by Rachel McAdams

Ruby Gillman, Teenage Kraken - Agatha Gillman voiced by Toni Collette

Treasure Planet 2002 - Captain Amelia voiced by Emma Thompson

Boku no Hero Academia - Momo Yaoyorozu voiced by Marina Inoue (en: Colleen Clinkenbeard)

Lion King - Nala voiced by Moira Kelly

[greengableslover]

CRIMSON PEAK (2015) dir. Guillermo del Toro

[deadrlngers]

LUCILLE SHARPE's red silk gown

CRIMSON PEAK (2015) | dir. Guillermo del Toro

[didanagy]

CRIMSON PEAK (2015)

dir. guillermo del toro

[letoghanima]

CRIMSON PEAK 2015 | dir. Guillermo Del Toro

[iwouldvebeendrake01]

Crimson Peak (2015), costumes designed by Kate Hawley Poor Things (2023), costumes designed by Holly Waddington

"The house really dictated how to approach the costumes, from a sculptural point of view, to give them extra depth, to give them a painterly quality. I didn’t want to get myself caught up in detail that didn’t feel like it meant anything, like generic lace or decoration. So all the details we made and they all came from the symbolism of the characters or the house itself. The leaves on Lucille’s dress were constructed by hand, with a single piece of cording. And for Edith, the motifs of the flowers, she blooms. It was about trying to create an atmosphere. [...] [Edith's] like a chrysalis at that point. She’s very fragile, so the butterfly is dying and becoming this little husk. [...] When Guillermo said to me, “It’s about a house that breathes,” that’s why we chose the lightest fabric, just a little thing to try and help the storytelling with the idea of the house." "[As Edith falls in love with Thomas Sharpe,] the silhouette of the sleeves becomes fuller, and the flowers start growing on her dress. You have the world of the moon, and black, and Lucille being the moth, and Edith being the butterfly.” - Kate Hawley

"I wanted texture to be everywhere in the costumes… for everything to feel like it was living and breathing – from an animal or a sea creature from a shell. It all has a kind of organic quality to it. There are curvy, linear shapes, and no sharp lines. Bella’s costumes are very airy. Those sleeves are like huge lungs full of air, and she’s just been reanimated so that felt like a good thing to include. The huge sleeves also affect her body shape, which felt like a good idea, because she is more creature-like when she wears these.” - Holly Waddington

[dailyflicks]

CRIMSON PEAK 2015 | dir. Guillermo Del Toro

[marzipanandminutiae]

my other favorite antidote to ahistorical applications of the Hair Up = Repression trope in historical media is in my own most beloved Crimson Peak

Edith's hair is always up when she's healthy and in control of her life, doing proactive things and taking steps to get what she wants. pretty much all the time in Buffalo, and then at Allerdale when she's exploring the house before the poison really starts to take effect. even when she and Thomas consummate their marriage, a moment in which her hair could realistically have been down given the context

it really serves, once her hair is down all the time, to signify that she's losing herself and getting weaker- both physically and as a character within the story

Lucille has a bit less symbolism, or perhaps just a dark mirror of the way these things often work in modern media- she's letting her hair down because she's not hiding or repressing anything, but it's not a triumphant moment. it's a loss of control, in a negative way, as her life completely unravels around her. and showing off things she kept hidden for a very good reason (and she's trying to hold it together still- her hair is almost never seen all the way down; it's braided for most of the climax)

Hair Up In Public was a marker of adulthood for a woman in that era, NOT repression. a sign of normalcy, yes, but also of maturity and power. and they make good use of it that way rather than imposing a modern framework on historical fashions

[lucillesharpeismybaby]

Lucille encountering her younger self has been in my mind for a while and here it is

[ibrithir-was-here]

Wanted to do some more practice fake anime screen caps, so here’s Crimson Peak as a 90s horror anime ala Vampire Hunter D

[maureen-corpse]

[best-yandere-tournament]

Congratulations to Lestat de Lioncourt from Interview with the Vampire, you have won tumblr’s Best Yandere Tournament!

In second place, we have Lucille Sharpe from Crimson Peak!

And in third place, Griffith from Berserk!

Also apologies on the delay on the characters most screwed by the writers tournament, I’ve been really busy with work; extremely burnt out. But soon!

[greengableslover]

Period Drama Appreciation Week 2024 Day 4 ❥ Favorite Relationship

LUCILLE SHARPE and EDITH CUSHING | CRIMSON PEAK (2015) dir. Guillermo del Toro

[horrorlesbians]

the horror was for love.

[didanagy]

CRIMSON PEAK (2015)

dir. guillermo del toro

[dollsome-does-tumblr]

Lucille Sharpe and Edith Cushing in Crimson Peak (2015)