From Lab to Table: Casein Peptone Market Forecast 2024-2033
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Not just the Non-Human Mammalian Cells, we also use a number of other cells including:
Aortic smooth muscle cells (SMCs)
Lung epithelial cells (A549)
Embryonic renal cells (HEK293)
Hepatic cells (HepG2)
Cervical cancer cells (HeLa)
And much more….
You can know more about it by visiting https://bit.ly/34SUpDn
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Week 6: Pornification
What is pornification?
Pornographication or pornification is the absorption by mainstream culture of styles or content of the sex industry and the sexualisation of Western culture, sometimes referred to as raunch culture. Pornographication, particularly the use of sexualised images of women, is said to demonstrate "how patriarchal power operates in the field of gender representation".
In both journalistic and scholarly accounts, contemporary culture has been diagnosed as “sexualized”, “pornographicized”, “pornified”, “porned”. Despite their notable mutual differences, such diagnoses aim to account for how pornography has grown mundane in its abundant availability, how people of different ages are routinely encountering and consuming it, and how flirtation with both the sexually suggestive and the sexually explicit cuts through different strands of media culture.
The sexualization of culture
Media are contradictory locations for exploring “sexualization” since they are sites both where the phenomenon can be observed and where it is discussed and dissected, usually as a matter of “concern.” Not infrequently these two can coexist in the same space, as when newspapers and magazines print outraged or “concerned” readers’ opinion pieces about toys featuring the Playboy bunny or the selling to children of T-shirts bearing the legend “Future Porn Star” (to take two recent examples), amidst a range or other content (photographs of topless women, adverts for telephone sex lines and so on) which itself might attract the label “sexualized.” The media, then, are paradoxically perhaps both the biggest source of “sexualized” representations, as well as the primary space where debates about “sexualization” are aired.
In the course of such developments, sexual practices, cultures, and conventions have grown increasingly visible in the public eye. This encompasses trends as different as the seemingly global popularity of E. L. James’ 50 Shades trilogy, the ubiquitous use of hook-up applications designed for pairing up people looking for romantic and sexual encounters, and progress made in advancing the rights of sexual minorities.
Sexuality is not merely a personal matter of preference and orientation but equally a public issue connected to citizenship. While transformations in antidiscrimination legislation are local, the broader trends that they connect to are much less so, and are supported by the global flows of capitalism, by media and communication networks, and by the imageries of popular culture that affect ways of perceiving sexuality and intimacy alike. The spread and reach of networked communications, and the speed of the circulation of images, texts, arguments, news, and ideas that it affords, feeds such flows connected to sexual identities, practices, tastes, orientations, rights, and regulations. The mainstreaming of sex is hence markedly “glocal” in its resonances.
Pornography and the limit of decency
Far from being limited to the level of the individual, preoccupation with things sexual has been a key strand of popular media culture throughout its history: in print, cinema, television, and beyond. Sexual identities have been represented and negotiated, the boundaries of obscenity tenuously redrawn, and forms of intimacy established in a range of media, often in contradicting forms.
Today, “sex” may be an out of body experience, very intimately performed across time and distance; it may be an intense act of communication between strangers; an encounter conjoining flesh and technology; an act of presentation and a representation which is consumed as quickly as it is produced; a way of articulating or disarticulating identity; a type of interaction never before possible in human history.
The expansion of media culture into one of ubiquitous access, multichannel and multiplatform consumption has further fueled preoccupations with sexuality and diversified the shapes and forms that sexual representations take.
Pornography aims to sexually arouse its viewers and readers by depicting bodies, genitalia, sexual acts, and bodily fluids in attentive detail. The generic specificity of porn has been located in the images and texts themselves (what they depict), in authorial intentions (what they are intended to do and to be used for), in their effects (what they do), in audience interests (what is experienced as pornographic), and in combinations thereof. Notions of obscenity frame pornography in moral terms, casting it as immoral, damaging, and involving “prurient” (impure, lascivious, vulgar, bawdy) interests.
This conceptual and historical detour helps to point out at least three issues central in terms of contemporary debates on pornification: First, the cultural role—and, at least to a degree, the attraction—of pornography has been based on the constant drawing of boundaries between the unacceptable and the acceptable, the obscene and that which is deemed appropriate for public view and consumption. Second, this drawing of boundaries has been, from the beginning, strongly motivated by the figure of childhood at risk and the imperative of protecting it. This figure remains an affective epicenter in contemporary concerns over the pornification and sexualization of culture. Third, the fencing off of pornography as an ill yet titillating force has involved marking it apart from not only from culture proper but even from the category of culture itself. This has made it possible to position pornography as an external threat that must be regulated, combatted, and controlled in order to minimize its harmful effects on culture and society.
Reference:
Lababidi, Y 2013, The Pornification of Popular Culture, Truthout, viewed 24 February, 2022, <https://truthout.org/articles/the-pornification-of-popular-culture/>.
Paasonen, S 2016, Pornification and the Mainstreaming of Sex, Criminology and Criminal Justice, viewed 24 February, 2022, <https://doi.org/10.1093/acrefore/9780190264079.013.159>.
Wikipedia 2022, Pornographication, Wikipedia, viewed 24 February, 2022, <https://en.wikipedia.org/wiki/Pornographication>.
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Canvas Culture - Lewis Hamilton Formula One Canvas Wall Art Print Picture 45 x 30cm
Canvas Culture – Lewis Hamilton Formula One Canvas Wall Art Print Picture 45 x 30cm
Price: [price_with_discount]
Hand made canvas print. Comes framed ready to hang on the wall. Made to order in the U.K by canvas CultureMedia – Artist 380gsm matt gallery grade canvas (coated with Giclee Lamination Varnish)
Ink – Epson Ultra chrome lightfast k-3 inks (100 year fade resistant)
Frame – 4cm deep proffesional stretcher bar. Framed ready hang
Image – All images are digitally recreated…
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