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deanssluvr · 3 months

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Maybe a Joost Klein x Broadway reader

Where the reader is a Broadway star and for some reason Joost is in New York and he decides to see a show and when he sees the reader preform he’s smitten and maybe the next day or so they run into each other what he doesn’t know is that reader knows who he is and is also a fan

i have found her

pairing: joost klein x broadway actress

word count: 1.8k

warnings: none

a/n: as a theatre kid I was so happy to get this request. I hope I did it justice.

With his New York show now finished, Joost had a few days to enjoy the unfamiliar city. When exploring he found fun things to do like trying new foods, seeing a bunch of landmarks, doing a helicopter tour, and a bunch of other experiences the city had to offer. One night his friends offered to take him to see a musical. He had never been into theatre that much, but was open to the opportunity. His friend told him they were going to see Cinderella. He was very familiar with the story and had seen the movie many times, but was excited to see it nonetheless.

They went down Broadway to the theatre where the show was being performed. The street was so full of life that it was overwhelming. The sound of traffic, the blaring wails of sirens, and the chatter of people as they walk past. Blaring neon lights surround them as they decorate all, luminous buildings. All advertising the latest entertainment. The smell of street food mixed with the many perfumes and colognes of passersby engulfed his nose. They were stopped for a moment when they came across a street performer who was performing music. They stayed for a moment before dropping a few dollars into his case and continuing their way to the theatre.

Outside the theatre was a large crowd trying to push their way into the theatre. Everyone was eager to get in. Finally, it was Joost and his friends' turn to present their tickets to the ticket taker. Once inside, they were greeted by a beautiful lobby. It had white marbled walls and floors lined with velvet red carpet. They were handed playbills as they walked further into the building. His friend looked down at his ticket and led them up a set of stairs that led to where their seats were located. They had very good seats. They sat towards the house's middle and close to the front. As they waited for the show to begin, he flipped through the playbill. He landed on the pages that displayed the cast. His eyes scanned the page until they stopped on your picture. He thought you were absolutely beautiful, especially your smile. He read your name and then your role as “Cinderella”. He was more excited to see this show now. He was so captivated by your beauty that he lost interest in the playbill. He couldn't wait to catch a glimpse of you on stage.

Meanwhile, you were in your dressing room warming up one last time. Though you had performed this show 4 times in front of an audience already, you still were a bit nervous. Nut at the same time you were always excited to perform.

“Hey. Places were called a few minutes ago.” Your friend popped her head in.

“Oh shoot. Thanks.” You took one more sip of water before rushing off to places.

In the audience, Joost and his friends were discussing what else they planned to do with the time they had left in the city. There was a moment of silence as the house lights dimmed and the crowd grew quiet. During the opening of the curtains and the beginning of the orchestra's music, his anticipation grew. You took a deep breath and ran out on stage like you always do. Joost's eyes lit up when he saw you. The performance began and you felt a wave of energy wash over you. As the show went on he was mesmerized by you. He loved your voice. When you sang it sounded so powerful yet graceful. Then came the scene where you transform into the Cinderella gown. You proceeded to spin and pull off the peasant costume, revealing the gorgeous gown underneath. The transformation first took him aback, and a look of shock covered his face as he saw you in this new costume. The way you sparkled under the lights entranced him. You were the only thing he could focus on for the rest of the show.

Bows started and you were anxiously waiting in the wings for your turn. The energy was unmatched at this moment. The relief of finishing a show and going to take your bow. It was always your favorite part. You walked out on stage with your co-star and he took his bow first. Then it was your turn. The applause was wonderful. The house lights were brought up slightly, so you were able to see many of the faces in the crowd. Joost was standing and cheering like everyone around him, but for some reason, he caught your eye. He looked familiar to you, but you couldn't put your finger on it. You made eye contact with him in the audience for a moment, and you smiled sweetly. It was as if the world momentarily paused, and everything faded into the background. You continued looking through the crowd, smiling and waving.

After the show, Joost and his friends were back out on the streets walking back to their hotel. His friends were discussing the show and how they enjoyed it. But his mind was somewhere else. He couldn't stop thinking about you. He wanted to know more about you, and more importantly, he wanted to see you again. Once he made it back to his room, he showered and settled comfortably in bed. Though it was getting late, he wasn’t ready to go to sleep. So he grabbed his phone from the bedside stand and decided to do some harmless digging. He opened Instagram, and easily found your page since you used your name. He scrolled through some of your pictures.

The next morning the sun peeking through the curtains woke him up early. Rubbing his eyes, he turned over to the bedside table and picked up his phone. Squinting slightly, he opened his phone to search nearby cafes. There were a lot of options, but just picked one that was within walking distance. He got out of bed and went to the bathroom to freshen himself up. As he was brushing his teeth, his mind wandered back to you. Specifically, he thought about the very brief look you gave him last night. Of course, you could’ve been looking at anyone in the audience, but he was sure it was at him. He also swears that you smiled at him. And his mind races, replaying the moment over and over, each time finding new details to cherish; The way your eyes crinkle at the corners, the slight tilt of your head, the warmth radiating from your expression. That moment warms his heart whenever he thinks about it. He realized how long he was taking and quickly finished up. He stepped out of the bathroom and dug through his suitcase for something to wear. Once he put together an outfit he was happy with, he started to make his way to the cafe.

The walk to the cafe wasn’t bad. He enjoyed seeing the many sights of the city. The sun was out, warming everything up in contrast to the chill from last night. He put in his earbuds to avoid the overwhelming noises around him. On his way, he passed up many stores such as a bustling deli with a line going outside and a souvenir shop brimming with NYC memorabilia. He watched the signs carefully as he did not want to pass up his destination. It was a nice 10-minute walk before he finally made it. He almost missed it as it blended in with most of the other buildings surrounding it. When walking inside he was greeted by the smell of coffee and various baked goods. Looking around he saw that it wasn’t busy. Only a few people were in line and a handful of people sitting at various tables. Some are on their laptops, others just enjoying the atmosphere. It was rather quiet other than hushed conversations and orders being communicated. He stepped in line and read over the menu. While his mind was on the menu, he hadn’t noticed someone walking in. It was you. You wanted to grab a coffee before the matinee show. As you waited in line, you noticed who was in front of you. Although you were looking at the back of his head, you were almost sure it was Joost Klein. You started listening to his music recently and quickly became a fan. There was no way to know if it was him unless he turned around. You were too nervous to talk to him though, but you didn’t want to miss this opportunity. So you lightly tapped on his shoulder and he turned around, pulling his earphones out.

“Hi. I’m sorry, I don’t mean to bother you. I just wanted to want to say that I’m a fan of your music.” He stood there speechless, which made you more nervous. But what you didn’t know is that he hadn’t stopped thinking about you since last night, and now you were standing in front of him. Sure you were beautiful on stage, but he thought you were even prettier up close. There was a moment of silence between the both of you before he spoke.

“I saw you last night. In your show.” He smiled as he thought back to your performance. “You were amazing and you have a beautiful voice.”

You smiled sheepishly as you thanked him for the compliment. Then you think back to last night’s show. Specifically the bows and the man you made eye contact with. You looked at him, realizing that it was him.

“Wait. I think I remember seeing you in the audience.” At first, he was a bit shocked, but happy that you remembered the brief moment you both shared. “I couldn’t recognize you at first, I’ll admit. But now I’m happy to know it was you.” He chuckled.

Your phone buzzed in your pocket and you took it out, reading the message. Your director wanted to change something and needed you for rehearsal. You sighed before looking back up at him.

“I’m sorry but I have to go. Last minute rehearsal.” You were bummed that this interaction had to be cut short.

“Oh, that’s fine.” He didn’t want this to be the last time saw you. “Hey, can I get your number? I want to see you again.”

You nodded trying to contain your excitement. Him wanting to see you again made your heart flutter. You both exchanged numbers and said your goodbyes before you left the cafe. As you make your way through the bustling city, your phone vibrates again. You opened it, reading the message from an unknown number.

Good luck with your rehearsal today and the rest of your shows. I’d like to take you to dinner the next you're free.

You responded quickly.

I’d love that.

And that was all you could think for the rest of the day.

#joost klein #joost klein x reader #joost klein x fem!reader #joost

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beybaldes · 1 year

Text

And somehow I know that you and I would've found each other

roy kent x gn!reader

word count : 8.7k

masterlist

summary : you and roy always end up finding your way back to each-other

content warning : taylor popped the fuck off with the speak now vault tracks especially timeless (another timeless fic coming out soon!!!!), slow burn that takes place over 36 years - dermatologists hate me! Roy’s sister is dubbed Molly yet again, I steal britanny brett for plot because I’m obsessed with @onceuponaoneshotfanfic and superstar (check it out now if you still haven’t, and if you have already, then reread it!!!!!!)

It's 1991 and youre not old enough to understand why your neighbour, and best friends older brother Roy, has to move away. You're only 4 years old, and so is Molly, and Roy's only 9 - so you're not sure why he's going away, where he's going, or if he's ever going to come back.

All you do know is that you and Molly's little arms are wrapped tightly around each other and you feel like it's never going to be enough to fill the hole of Roy's absence.

It's a cool September morning and Roy knows that December 19th - the day he gets to come back home for Christmas - is exactly 107 days away, but not even the last dregs of summers warmth can make this moment something he's going to look back fondly on.

He's got blankie folded perfectly at the bottom of his backpack and your favourite teddy bear wrapped up in it. Even though he wouldn't discover it until he'd arrived at Sunderland, you knew it was there and that Roy would look after it, and it made everything feel just a little bit better.

When Roy's Grandad announces that it's time to go, he gives you and Molly one last hug, pressing a kiss to both of your heads and promising to write and call whenever he can. You and Molly chase the car until the end of the street, where it turns a corner and Molly's mum calls you back to the house; you linger long enough to watch Roy turn from one of your best friends into a blurry figure in the back of a car.

Ms Kent gives you and Molly ice lolly's from the freezer and puts on 'Cinderella' while you eat them. She then sits through 'Sleeping Beauty,’ ‘The Little Mermaid', and 'Beauty and the Beast' with the two of you until your tears have long since stopped and you've fallen asleep in each others arms.

The following morning, Ms Kent nearly has a heart attack when she doesn't find you in Molly's bed, but her worry is soon ended when she realises the door to Roy's room is half opened and you're quietly curled up in tear stained sheets. Slowly, she wakes you up, and when fresh tears spring to your eyes she's quick to pull you into her arms. As she rocks you gently in her hold, she promises you that the prince always returns to the princess; even if it takes breaking a curse or waiting for 100 years.

They always find each-other in the end and live happily ever after.

And 107 days is nothing when you're 4 years old, it's the blink of an eye and sticky melted ice lolly on your hands, it's your first ever school uniform and glitter from Christmas crafts that you cant get off you no matter how many showers you take, and it goes by even quicker when Roy comes home 10 days sooner then expected.

You don't see him for the first 5 days. Roy locked himself away in his room and refused to come out or speak to anyone. But when the sixth day, and the weekend, finally rolls around, you decide to do something about it.

For a 9 year old, Roy sure had a lot to think about. He never got to say goodbye to his grandad, and he wasn't going to teach him how to ride a bike, or see him score his first professional goal, or get married, and he didn't know how to explain that when he went back to Sunderland come new year, he wasn't going away in the same capacity granddad had.

No 9 year old should've been thinking of all that.

Roy hadn't been expecting any visitors, not that he wanted any, but when you barged your way into his bedroom, he couldn't bring himself to send you away.

"Go away." Roy had growled, hidden beneath blankie and curled tightly into himself. "I want to be alone." Roy hadn't meant a lick of it and you hadn't believed any of it either.

"No, you don't." Though you had to wriggle your little self into his arms, you did it, and beamed proudly against his pyjama clad chest when he let you cuddle up to him. Roy had hugged you tightly, pulling you closer to him and wrapping blankie tightly around you both. "I missed you, Royo."

"You packed Dave in my bag." Roy stated, not asking why, or whether you wanted the teddy bear back, or telling you that he'd actually left it in Sunderland for when he went back in a few weeks time.

"You need him more then I do." Roy just nodded his head at your words, willing himself not to cry at the guilt he felt over leaving you and Molly behind and thinking about something other then his grandad. "And, if you have Dave, and Dave is mine, then you have to come and give him back to me. You have to come back from sundayland."

"Sunderland."

"What's that?" You tilted your head up to look at Roy, and found him already looking at you, half a smile on his lips.

"It's nothing."

Both you and Roy fell asleep in his room, under the safety of blankie, talking about 'sundayland' and everything good about his time there. It wasn't until tea time that his mum found the two of you and dragged you down stairs for dinner, teasing Roy once you'd gone home that you definitely had a little crush on him.

~*~

Roy's transfer to Chelsea once the season is over is announced just before your 16th birthday and you swear it's the best birthday present you've ever gotten. He's newly 21 and he's got this shaggy mullet thing going on that really shouldn't be working for him, but it is. You can't keep your eyes off of him, and Roy pretends not to notice for what he tells himself is your sake. He knows it isn't.

When his car pulls up in the drive for the first time since the weekend he came down for Mollys birthday, you and Molly run out of the house hand in hand to greet him, crying his name. He lets the two of you crash into him and wrap your arms tightly around him, almost squeezing him to death when he finds himself sandwiched between the two of you.

Roy's barely been on home soil for 10 seconds when Molly pulls away from the hug to look up at her big brother with the best puppy dog eyes she can muster up at 16. "Will you buy us drinks to take to leavers?”

"Fuck off, buy your own." You don't unwrap your arms from around Roy while they bicker, quite enjoying the familiarity of the scene before you. It was almost too long ago to fathom the last time Roy had been home long enough to start a fight with Molly, and though you never thought you'd say it, it was really nice to see.

"Incase you lost some brain cells this season, you have to be 18 to buy alcohol, fuckhead." Roy just stared blankly at Molly, and ran his fingers up and down the length of your arm as you stayed curled in his side, thinking about how similar Roy and Molly really are when it comes down to it. "So, I need you to buy it for us."

"Ask mum to buy it for you."

Molly immediately scoffs, throwing her hands in the air and muttering under her breath that she was genuinely concerned that Roy had lost some brain cells from all the headers he'd done this season. "Don't you think I tried that, dumbass? Mum said no to both of us."

Roy's gaze turned to meet yours, surprised to find you already looking at him. "Please Royo, everyone else will be drinking at leavers." Roy could never say no to you, and he was convinced both you and Molly knew that and had concocted this scheme to get him to buy it for you. He didn't mind saying yes, at least not this time, at least not when it was you asking.

Molly ran back into the house with an excited cry, promising to return with all the money she'd owe Roy for the drinks plus some as a charitable donation for his kindness.

For the first time in almost a year, you and Roy where completely alone together. He spared a moment to look at you, really look at you; notice how your hair had gotten longer and that your sense of style had completely changed, that the early summer sun was already tanning your skin and that you still had your arms around him. Roy only tightened his grip on you, dragging you into and around the house with him until you made it to the living room.

His mum had repainted since he'd last been down to visit from Sunderland and there were new photos on the wall behind the settee; mainly of you and Molly on your last day of school and one of Roy at his last match playing for Sunderland.

"You look like a proper footballer now, Royo." Despite every other seat in the living room being free, you took purchase on the arm of the chair right beside Roy and pray no one thinks it's a sign of the bubbling feelings you have for him. You may only be 16 but you're sure you've been in love with Roy for the better part of your life. It's one thing for everyone to tease you about you and Roy having little crushes on each other as kids, it's a whole other thing for people to tease you for having a crush on him when you actually did.

Roy scoffed, taking a long swig from the beer he'd grabbed from the kitchen when he first got to the house, swallowing down his smile. "But not enough for you to stop calling me 'Royo,' apparently."

"You could be the most famous footballer on the planet and I'd still call you Royo." You reached up for his hair and ruffled it, laughing at the way he pulled away from your touch and went to flatten his hair back out almost immediately. "But I mean it, you look like the kind of footballer kids have posters of up on their walls, that they want to be when they grow up."

And you're entirely right. Somewhere up in Manchester, a 6 year old Jamie Tartt is pinning a poster of your Roy up on his wall and promising himself, and his dad, that all of his time and money spent on football practice will one day pay off - that he's going to be one of the greats, just like Roy Kent.

"You'll always be my Royo, Roy. Even when you're super famous and don't remember me anymore." Your hand had somehow found it's way back into Roy's hair and he couldn't bring himself to move away from your touch. Since his sudden rise to fame, in which it seemed like he'd become an overnight sensation, he couldn't remember when he was last touched so gently. Touching only to touch, not because they wanted something from him or his name.

Roy couldn't keep in the smile that pulled at his lips. It faltered slightly at the fact he couldn't remember the last time he'd smiled, let alone genuinely, but it quickly returned and warmed his face when he meet your eyes. "And how could I ever forget the likes of you, yeah?"

Somewhere between shared words and glances, his hand had found yours and the two of you couldn't tear your eyes away from the other. "Dinners ready, guys." Molly was well known for her perfect timing, and despite some initial upset at the moment being taken from you, you knew it was for the better. Roy was Molly's brother, your best friends brother, who had 5 years on you yet. Though you knew it was unlikely anything would ever happen between the two of you, moments like this made you think there was a small possibility something one day would. The thought wasn't one worth seriously entertaining. "Did I... interrupt something?"

"What? No way." You and Molly ran from the room hand in hand, giggles bubbling past your lips and exchanged, in hushed whispers, the conversation that Molly had just walked in on.

It was like Roy had never left as he followed the two of you into the dining room. He took his seat across the table from you like he always did and knocked his foot against yours every time he wanted your attention. Dinner was good and before he knew it you were half on top of him on the sofa, sneaking bites from his plate of dessert as everyone else partook in the worlds most heated game of Pictionary.

He gave a sharp nudge to your ribs when you stole the last bite but quickly soothed it over with the gentle drumming of his fingers against your skin. The pair of you talked in hushed tones for the rest of the evening about his transfer to Chelsea and everything he was looking forward to now that he was back in London, as well as all your plans for your super long summer before you started college in September.

It was only when Roy's mum turned to ask if you were going home or staying over that anyone had noticed the two of you cuddled up in the armchair in the corner of the room, both fast asleep. She didn't dare wake you, thankful to see her son at peace for the first time in what felt like years, instead placing a blanket over the two of you and ushering Molly up to bed despite her insistence that you come with her.

One day, she thought, the two of you would finally see yourselves in other people, realise that if love looks like that then the two of you must be in it, and with any luck she'd still be alive to see it. She knew Roy was stubborn enough to keep that from happening. Maybe he would't be this time; at least, not when it came to you.

~*~

When the rumours of Roy's relationship with Britanny Brett are confirmed by a quote she gives in an interview, he finds himself typing out an apology to you. He stares at his phone for 3 hours and the most he can type out is 'I didn't want you to find out like this, I'm sorry,' but he still doesn't send it. Roy's not entirely sure what he's apologising for.

It's the night before his 27th birthday and he's debating whether or not he should show up to the birthday dinner his mum has planned for him tomorrow. You'll be there. He knows it. But only because he knows that Molly dragged you back from uni with her just for the occasion. And for some reason that he can't quite place, or just doesn't want to yet, he feels bad about having to see your face and hear you talk about his girlfriend.

Although Brittany Brett is smoking hot, and they have really great sex, he's not sure he wants to take her home to meet his family. To meet you. Sure, she's a great footballers girlfriend, but he's a little worried about what the people who know him as just Roy will think of her.

When she appears on the other side of his door the morning of his 27th birthday, the first thing he says to her is 'you can't come to my birthday party' and he feels like he's 8 years old again and making mortal enemies in the playground at school. She doesn't acknowledge his comment, instead inviting herself in and making herself at home in Roy's living room, and he's never been more thankful for her 'too good for everyone' demeanour.

He drops her off at her house on the way over to his mums house later that evening. Roy decides he hates the way her perfume lingers in his car and has buried itself under his skin. He wants nothing more then for it to get away from him but there's still 20 minutes left of the drive and he knows the second you hear the car pull up you'll come running out the door and he won't have anytime to get the smell off of him.

When he pulls up on the doorstep of his childhood home 20 minutes later, only Molly comes running from the house to greet him. For a minute he thinks you haven't shown up to celebrate his birthday with him and he feels his heart break in two. He tells himself he doesn't know why. However, when he walks into the house and heads straight to the kitchen in search of a beer to calm his nerves, and help him forget about you, he finds you there, helping his mum with making his favourite dinner and a wide smile on your face.

You notice him lingering, shocked, in the doorway and pull him into your arms. There's less strength to your hold then he's used to but he feels grateful that you even want him in your arms after everything he's done. Now Roy really isn't sure why he's talking like that; like you've been hard done by from his relationship with Brittany Brett. To a degree he feels like he's cheated on you, but he can't have done because the two of you were never together. However, he doesn't let the thought linger, instead pulling you tighter against him and pressing a kiss to the crown of your head. Of course you'd be here, of course you would, but he finds himself holding onto you for a little longer then he probably should just to make sure you're really here and really staying.

Dinner is nice. It's a piece of simplicity he's missed every night since he was 9 years old and heading away to Sunderland for the first time. It's not often nowadays that he gets to eat dinner at a dining table surrounded by people he loves and who love him, so he relishes in every moment of it. He lets his hand brush against yours when he asks for the salt and he nudges your foot with his every-time he wants your attention. Being in this room, in this seat, with you, is like being 8 years old again and everything bad is yet to happen to him. Roy realises he likes the feeling of it more then he ever remembers.

No one brings up Brittany Brett, the way Roy smelt like her when you hugged him, the apology he never sent, or the way you cried in Molly and Ms Kent's arms when you found out he had a girlfriend. Dinner is peaceful and you and Roy share a slice of birthday cake on his Grandad's armchair, then fall asleep together there like he doesn't have a girlfriend and you don't have a broken heart.

His mum feels like she's got two children in her house and she wishes it would stay like this forever, as long as that meant Roy couldn't hurt your heart more then he already had. But Roy is stubborn, and she knows that. When she comes downstairs in the morning it's just you on the armchair with Roy's jacket over your shoulders like a blanket. You're hugging the material tightly against you as if it could ever replace Roy's presence, and even though you're still asleep, both of you know it won't.

When Roy sneaks out at 4am, the first thing he does is drive to Brittany Brett's house and breaks up with her. After all, there's no point being with someone when you know for a fact that you're in love with someone else.

~*~

Molly's dating this guy who doesn't let her speak to you, or Roy, or her own mum and you're scared for her life. In the two times you've managed to get a hold of her, you begged and pleaded with her to leave him. She's only 25 and so are you, you could run away together and start it all over and no one would know any different. Both times she said she wanted to be with him, that she loved him. All you want is your best friend back and for her to be safe, and rather selfishly, because you need her more then you've ever needed anyone.

Despite trying all day, you can't reach her, or her boyfriend, and you don't know who else to call. Ms Kent was the only real parental figure you'd had growing up, but it was pushing midnight and you didn't want to wake her up for the sake of your own comfort. Roy's number is below hers on your favourite contacts and you don't hesitate to ring it. You know he's got a match this weekend and practice tomorrow but you need someone and you have no one else to keep you from your own mind.

Roy's in some club in north London when his phone rings and his screen illuminates with your name and a picture of the two of you from last Christmas. It's one of the newcomers 21st birthday and he remembers being 21 and moving to Chelsea, moving back home, like it was yesterday. He's got 10 years on the kid who's just starting his career while he's going on aging out of it. It's almost enough to make him feel old.

He's quick to answer the phone, practically running out of the club to make sure he can hear you and he's already walking back to his car when he hears the suppressed sniffle to your voice. Roy can't see 100% past 9pm anymore so he doesn't drink when he goes out with the team, he knows it'll only make it worse, and for the first time ever, it's actually come in use.

It takes him 37 minutes exactly to drive from the club to your childhood home that's pressed brick by brick against his, and that's only because he made a pit stop to his own house on the way over. Every time he comes back here lately, it feels like some cruel trick of fate, that he can't have you but can have his entire life shaped by you.

He's banging his fist loudly against the door before he can take into consideration that your neighbours, one of which is his own mother, are likely asleep and wouldn't take too kindly to being woken up at this hour. When you open the door to a friendly face, you all but collapse into Roy's arms, already sobbing and heaving and trying to get the words out but not being able to do so. He scoops you up into his arms, years of intense football training allowing him to do it without second though, and carries you to your bedroom.

He placed you against the pillows and then kicks off his shoes, he definitely scuffed them up in the process but Roy couldn't seem to find the time to mind. Before you've managed to get a single word out Roy's stripped off the bulk of his suit, leaving him in just a shirt, boxers and socks. The image is kind of funny and if you weren't so devastated, you were sure you'd be laughing.

"What's wrong?" When Roy's hands gently wrap around your wrists to try and pull them away from your face and get a glance at you, you just start crying harder. "C'mon sweetheart, talk to me."

When he's met with more silence he pulls out his surprise weapon, a raggedy, old teddy bear, with matted fur that smells surprisingly like Roy. "Would it be easier to talk to Dave?" Finally your hands move away from your face to get a look at the teddy bear, not believing it's right in front of you when you know you haven't seen it since you were five yours old. It took a couple of minutes, lots of sniffling, and really willing yourself to say it, but eventually you did. Roy's arms around your and the soft touch of Dave's fur against your skin settling your nerves.

"My dad died this morning." Roy didn't hesitate to pull you into his lap, settling himself against your pillows as he brought you closer to him. "And I have no one to tell. Molly's boyfriend won't let her speak to me anymore, and I didn't want to burden your mum with it, and I just... I didn't know who to call or talk to and I know you were probably busy-"

"Hey, hey, don't. You did the right thing calling me. I wouldn't want to be anywhere else, yeah?" Both of Roy's hands are cradling your face, forcing you to look at him and really listen to what he wants to say. "I'm here, okay? I'm here. And I'm not going anywhere."

You shuffle in his lap, turning enough that you can bury your head in the crook of his neck and wrap your arms around his shoulders. Roy's warm and surprisingly comfy, but you reckon that's more so because the skin of his thighs are pressing into the skin of yours and you're sure it's the closest you've ever been to him. You try not to think about how you wouldn't mind being this close to him more often.

The rest of the night is spent with you in Roy's arms, his hand running up and down your back, his other hand cradling your face and wiping away each tear that spills over. He lets you ramble and ramble about everything on your mind with no regard for the fact he's got practice at 8am tomorrow. Even when you fall asleep in his arms, tears staining his brand new shirt, practice is the furthest thing from his mind, so much so that he doesn't even remember sending Di Matteo the text saying he wasn't well and wouldn't be able to make practice in the morning.

Roy wakes up a long time before you, and he finds he has to practically drag himself away from you and the bed. When his eyes blink open he sees the sight he's spent the better part of his life waiting to see: you're in his arms, fast asleep, looking entirely peaceful and for a minute he can pretend that this is his life. While the haze of sleep has yet to fade, he can act like he wakes up to you every morning, that you love him like he loves you, and that, if he wanted to, he could press kisses all over your face until you woke up and flashed him that bright beautiful smile of yours.

If he wanted to, he could press kisses all over your face until you woke up and you would greet him with a soft smile, pressing a kiss to his face in return and not caring if it landed against his lips, cheek, or jaw, because you know you'll be able to kiss the other places whenever you like.

Roy pulls himself out of bed and drags his feet all the way to your kitchen where he cooks the two of you breakfast. Nothing about it is rushed - he knows that he has nowhere to be but here, with you. He knows you've woken up when he can hear the gentle padding of your feet against your bedroom floor. Roy hears you walk down the hall, down the stairs, and into the kitchen, where you then cross the room to him, and wrap your arms around his waist. Dave is clutched in on of your hands and your head is pressed against the dimples of his shoulder blades, your other hand fiddling with the hem of the front of his T-shirt, so casually that any passer by would think this was routine. And even though it isn't, Roy takes the risk of placing his hand atop your own and lacing his fingers through yours. When he can feel you smile into his back, he thinks maybe he should've kissed you in the bedroom, that maybe you'd have liked it just as much as he would've.

~*~

It's another year after your dad died before Molly finds out. She doesn't show up to Christmas, or Easter, but she comes by one late spring afternoon when Ms Kent had invited you and Roy over for picky bits in the garden, with a bin bag full of her belongings and a black eye. If your hand wasn't holding Roy's so tightly you were sure he would've been right out of the door, driving off to find the prick and give him an even worse beating then he'd given his sister.

You pull Roy with you when you cross the garden to engulf Molly in a hug, both of you breaking down at the contact and apologies tumbling from both of your lips. Molly apologises for not being there when your dad died, and not attending the funeral, you force her to take back her apology while also shoving your own down her throat, apologising for not finding her, for not being there. The two of you only cry harder when Roy pulls the two of you, still hugging, into his embrace. It's warm and his hands are big and it makes you feel like you're a child again, and you suppose that in some ways you still are.

It takes almost half an hour for the two of you to calm down enough for any coherent words to get out, and the first ones that do is that Molly's pregnant and she needs somewhere to stay. Immediately you ask her to move in with you. It's perfect really, you're next door to her mum and you've got a room for her and for the baby (when it comes) now that your dads passed. Roy likes the idea even more; something about his three, soon to be four, favourite people being in one place taking his fancy.

The eight months between Molly showing back up and beautiful baby Phoebe being born seemed to pass in the blink of an eye. The soft, warm, yellow paint of phoebes nursery smears your memories of those months; everything about it is caked in the glow of the summer you have when you're 5 years old and have no care in the world.

You and Molly are best friends again and it's like you never missed two years of each others lives; everything just falls right back into place. The two of you do everything together and you wouldn't have it any other way, even when everything includes being in the room with her and Ms Kent when she's giving birth.

Roy, unluckily, is the only one not invited into the room, and he spends almost 6 hours pacing back and forth and back and forth and back and forth in the waiting room, waiting for some kind of an update on his sister and his niece. It's you that comes to give it to him. You're in blue scrubs that you pull off further with every step you take into the waiting room, running right into Roy's arms with the widest smile he's ever seen cross your face.

"She's beautiful, Roy. She's so beautiful." He just nods his head and allows you to take his hand and pull him in the direction of the room Molly and his mum are in. "I love her so much already and she's only been here for 5 minutes."

Roy understood what you meant as soon as he walked into the room. Molly was absolutely glowing, and cradling this tiny, tiny baby in her arms like she was terrified any movement at all might hurt her - she didn't even look like she was breathing less it hurt the baby.

"Do you want to hold her?" You whispered, nudging his foot with yours to gain his attention. "You won't break her, promise." You didn't give Roy the opportunity to answer, instead eagerly taking the baby off of Molly and walking over to Roy. His mum all but pushed him into one of the chairs they had in the room and lectured him on how to hold the baby correctly. Slowly, you lowered her into his arms, making sure he had a comfortable and safe grip on her before you removed your arms from the little Phoebe completely. "Isn't she amazing?"

Roy can already picture it and it's breaking his heart. You, and him, and a little baby wrapped in a blanket with eyes that don't yet know how to open. But, in the daydream he doesn't tell anyone about, you're holding the baby and his arms are around you, whispering how much he loves you into your ear and promising to do everything for that baby. Your baby. He doesn't yet know if a day like that is ever going to come; he'd have to get over himself first, and he doesn't see that happening anytime soon. For you, however, he just might try.

"Yeah, yeah she is."

Molly and little baby Phoebe have to stay in the hospital overnight, but can be discharged in the morning, and Molly doesn't let any of you stay with her. In fact, she demands the three of you head home and come back tomorrow, well rested to drive her and newborn Phoebe home.

The three of you pick up some chinese takeout on your way home and eat it around Ms Kent's dinner table. Molly's absence is so heavily felt that part of you feels thrust back in time to a year ago, when you didn't have any contact with her and didn't know if she was even alive, let alone okay. It shakes you to your core and you leave your dinner half eaten as you excuse yourself to the bathroom just to breathe. When you return to the table, you find that dinner has been cleared away, but Ms Kent is holding out a spoon for you, pointing you in the direction of the living room.

Roy's sat in his grandads armchair with the biggest bowl of ice cream you've ever seen and he opens up his arms to you when he feels you staring at him from the doorway. You didn't hesitate to sit with him, squished up in the seat that fit the both of you slightly better when you were kids, with Roy's arm around your shoulders. When you didn't take a large helping of ice cream for yourself, he nudged the bowl in your direction.

"When Molly came home, I'd get in bed with her each night." You whispered, only loud enough that Roy would be able to hear you. It felt embarrassing, to try and explain why you felt Molly's absence for one night so vastly, but you knew that if anyone would get it, it would be Roy. "For the first month or so, she'd ask me to stay with her, so she knew she wasn't alone and she was safe. So I did. And then one night she was like 'I don't need you in bed with me anymore, I think I'm okay now,' and I didn't know what to do." You stuck your spoon inside the ice-cream, stirring it around the bowl but never bringing the build up of vanilla on the spoon to your lips. "I got in bed that night and I couldn't sleep at all, so I went and knocked on her door and she was still awake. Told me she couldn't sleep either, and I got right back into bed with her." Tears pricked at your eyes and your spoon fell against the bowl. "I don't know what to do without Molly, Royo, I don't want to have to do without her again."

Roy quickly moved the half eaten bowl of ice cream to the coffee table, pulling you into him and cradling your head against his shoulder. "Molly's not going anywhere, babe, she'll be home in the morning. Everything's going to be okay."

Neither of you brought up how he called you babe, and his mum didn't bring up how you fell asleep cuddled up in the armchair like you did when you were kids. But when Roy brought Phoebe and Molly home the following morning, and Molly and Ms Kent had taken Phoebe upstairs to get her settled into her new home, he pulled you in for a hug.

"Told you so." He whispered in your ear, pressing a featherlight kiss to your temple. Then Roy grabbed your hand, interlocking your fingers with his and pulling you up the stairs to join Phoebe in her new room. Dave was in his other hand and he continued to stand by you as you placed it in the crib with her, knowing that she needed Dave more then you or Roy did now.

All of you couldn't wait to watch this little girl grow up surrounded by people who loved her so, so much.

~*~

Roy gets transferred to Richmond just before Phoebe's 4th birthday and you tease him that he has a penchant for getting the best kinds of birthday present. He asks why you remember so clearly that his transfer to Chelsea 15 years ago was just before your 16th birthday, and you answer honestly that it was the only thing you'd wanted for your birthday that year - for Roy to be closer to home. You immediately get to tease him again as a blush coats his cheeks.

On his first day at Richmond, he gets you, Molly and Phoebe seats in the family box, says that they'll always be there if you ever want to come and watch him play, and you reply that you always watch him play.

"I've been playing professionally for half my life. Sunderland, Chelsea, and now Richmond. I've never seen you even glimpse at a football match."

You scoff immediately and Roy's slightly taken aback, you almost look angry at what he's saying and he doesn't know why because he's right. Not that it matters to him, but you just don't like football that much; he doesn't blame you or anything, each to their own, but he wishes you'd like it for him. "I've seen every game you've ever played."

"Yeah, right."

"Yeah, right." You turned to Roy, putting down the bag filled with Phoebe's first ever school uniform inside now that you'd made it back home. "I'm serious. I've watched every match you've ever played in. All of your games with Sunderland and Chelsea, and I'll watch all your games now that you're at Richmond." You turn to Roy with a tense crease in your brow and he's wishing he never brought it up. "You're important to me Roy, of course I'd watch every time you play."

"What's sundayland, babe?" Phoebe had ran into the living room when she'd heard the door go, excited that you and Roy returned home. Molly and you had called each other babe since you were teenagers, and Phoebe had taken to calling you babe over your actual name. It didn't help that Roy had let it slip a few time too, only reassuring her that she was calling you by the correct thing.

"It's nothing, pheeb's." You scooped the little blonde into your arms, resting her against your jutted out hip and beginning to wander through the house. "Where your mum? You need to try on your uniform."

"Can I give you a fashion show?" She asked, leaning her head against your shoulder in a way that had Roy thinking about the two of you with a kid again. He'd have to ask you out first, and with each year that passed, the possibility of him actually doing that seemed to get slimmer and slimmer.

"Of course you can, Pheeb's. Go get dressed. Me and your uncle Roy will wait in the living room."

You stuck to your word, watching every single match that Roy played in. Sometimes at Nelson road, sometimes with Molly and Phoebe, sometimes in Ms Kent's living room - but you always watched him play.

The first time Molly let you take Phoebe to Nelson road was as your birthday present the same year Phoebe turned 6. You'd been pleading all year for Molly to let you bring Phoebe along to a home game, and she finally caved - on the condition you kept her ear defenders on all night and left if it got too much for her. Phoebe loved every minute of the match, screamed her little heart out just for the sake of joining in, even if she didn't know what people were saying; You were certain her cry of 'uncle Roy' every time she saw him with the ball was the loudest in the stadium.

When the match was over, a man with glasses found you in the stands, introduced himself as 'Higgins,' handed you two family lanyards with Kent plastered all over them, and asked you to follow him. You're barely in the changing rooms when Phoebe lets go of your hand, crying Roy's name and interrupting a speak from that new, American coach that Roy had complained about.

"Phoebe!" The blonde didn't wait up for you, running right at Roy and knowing he'd catch her when she flung herself the remaining foot into his arms. "What did I tell you?"

"I didn't know grandad fancied himself a cradle robber." You'd heard enough complaints to know the dig at Roy was from Jamie Tartt, the season loan from Manchester City. "Surely, someone like you isn't married to someone like Roy."

The twinge of disgust that slipped from the mans mouth when he said Roy's name had your blood boiling. "Why? Would you rather me with the likes of you instead?"

Jamie stood in dumbfounded silence as you turned back to Roy, your face entirely brightening, and his presence being totally ignored for the rest of your stay in the lock room. He wasn't used to that. He was trying to compliment you, say you were way out of Roy's league - maybe even ask for your number - but you didn't even spare him a second glance. In fact, now that your eyes were back on him, he wasn't entirely sure you were ever going to look away from Roy again. It made sense when he thought about it in bed later that night, even though he teased the fuck out of Roy and sometimes plainly treated him like shit, Roy Kent was one of the greats. Even Jamie Tartt knew that, and had known it since he was 6 years old - of course he'd managed to score someone like you.

Murmurs of Roy Kent having a secret spouse and daughter had filled Nelson Road before you'd even left the building.

It wasn't that Roy didn't want to talk about you. If he had the opportunity, he'd scream about you from rooftops, but being a footballer was a very public affair and he loved his privacy. Almost as much as he loved you.

The dog track didn't think they'd ever see your face again, not when Roy had growled at them after he'd guided you and Phoebe out of the changing room. Unfortunately for them, they would, under the worst possible circumstances.

You'd been on the edge of your seat the whole match. Roy's been benched for the first time in what you're sure is his entire career and doesn't come on until the 60th minute and when he does, you swear he's on fire. He's playing better then he'd ever played before, running faster then he's ever ran in the past few years, and he's slide tackling Jamie Tartt and getting the ball away from the goal. People are screaming his name and so are you.

And then he's not getting up.

And then he's still not getting up.

And then he's still not getting up, the cheers have died down, and everyone's waiting with baited breath while it's determined if they've just seen the end of Roy Kent's 30 year long career with their own eyes.

And then Roy gets up, and for a fleeting moment you think that maybe everything's okay, that Roy's okay, and he's going to carry on playing.

And then he's walking from the pitch, limping, and your sprinting from your seat in the family box and running up to the owners box. You don't have to say a word because Rebecca calls a member of security over to you, and asks with a kind smile for him to guide you down to the changing rooms.

You linger outside the door for about 5 seconds before you push it open. If you were anyone else, you'd were certain he would've yelled at you to get out, even though he didn't mean it, just for the sake of his image. But you weren't anyone else, you were you.

"I'm fine." You hadn't even made it fully into the room and Roy was already trying to make his pain seem less bad then it was. "I'm fine. Go watch the rest of the match. You might have to drive us back to yours though."

"Roy." He doesn't say anything as you cross the room and sit beside him on the bench. You slowly wrap your arm around his shoulders and tangle your fingers into his hair, pulling his head down to rest against your shoulder. "Don't. I wouldn't want to be anywhere else, yeah? You're important to me, let me be here for you."

Roy kisses you and you instantly realise you'd have waited 33 more years for it, if that meant it would happen.

His lips are chapped, and his beard is slightly scratchy, and he's already breathless before he even leans into it but you don't mind. You find that his lips slant against yours perfectly and he slides you closer against him on the bench, using the hand he'd placed on your hip to give it a squeeze, eliciting an gasp from you. He takes the opportunity to slide his tongue into your mouth but he pulls away before it can escalate.

You hope to anything listening that he wants to kiss you again, because you're sure he's ruined the touch of everyone else's lips against your skin for you.

"I've been in love with you since I was 5 years old." Roy pressed his lips back to yours in a quick succession of kisses and you're sure that thats a good sign.

"Since you were 5 years old?" He asks, nudging his nose against yours, pressing his lips firmly to yours when they brush slightly as he speaks. "Fuck, did we waste a lot of time."

~*~

Roy's been the manager of Richmond for the last 4 months and you're thankful that there's no football on over Christmas. You get Roy practically all to yourself for three weeks and it's the best feeling ever.

Phoebes still in school until the 22nd, and you live together at Roy's house, so there's no chance Molly will walk in on the two of you or his mum will hear you through the walls - meaning 90% of his first week off work is spent having sex on every surface in the house, in every position imaginable.

The second week off is the main bulk of Christmas. You pick Phoebe up from school on the 22nd and she has a sleep over at your house. The 23rd is spent curled up on your couch, with Phoebe sandwiched between the two of you, watching Christmas movies all day and stuffing your faces with popcorn and hot chocolate. Phoebe spends the night again, and then the three of you drive down to Ms Kent's house at lunchtime on the 24th. Molly comes home from work around 6pm and the 5 of spend the rest of the evening in the living room, watching 'love actually' and 'the polar express,' until it's time for bed. Even though you and Roy have been together for nearly 3 years now, you sleep in Molly's bed with her and Phoebe, reminiscing on the christmas's of your childhood and giggling over them until you fall asleep.

When christmas morning finally comes, you and Molly are the last awake, Phoebe jumping all over the two of you and demanding you get downstairs as soon as possible to see what Father Christmas has left for her. You let Phoebe drag you down stairs even though you're barely awake and you crawl into Roy's lap, in his grandads armchair, at the first opportunity. He's already got a coffee made for you, just the way you like it, and a warm hand that he slips up the back of your tshirt to scratch gently against your skin as you watch Phoebe begin to open her mountain of presents.

"How many of these are from you?" You whisper, feeling Roy smile against your temple as you sip on your coffee, slowly waking up in his arms.

"Enough. They're not all for Pheeb's anyway." Roy picks you up enough to adjust your position in his lap, making it more comfortable for the both of you to sit and talk and watch presents getting opened. "Some for my mum, some for Molly, some for you."

"You're too kind to me, baby." You lean up enough to press a kiss to Roy's lips, ignoring the loud screech Phoebe lets out at the display of affection. "I got some stuff for you under there too, handsome."

"I don't see you under that tree, Father Christmas clearly mustn't have got my list." Even though you're not looking directly at Roy you can feel the smirk that is pulling at his lips.

Before you could comment on what that could possibly mean Phoebe was calling your name, sticking her hand out with a tiny, paper-wrapped box in her palm. "This one's for you, it says it's from uncle Roy!"

"For me, huh? Lets have a look then, shall we Pheeb's?" Phoebe abandoned her half opened pile of gifts to stand beside you, leaning over the arm of the arm chair and over your shoulder to get a prime look at the gift as you opened it. "Thank you, baby."

Roy pinched your hip teasingly, pressing a kiss to your cheek as he intently watched you carefully unfold the wrapping paper. "Open it first, you might not like it. I kept the receipt so... just say the word and we'll get it changed."

"It's from you, Royo, I'm sure I'll love it." You punctuated your words with a kiss to his lips, not realising just how much your words would ring true until you'd fully unwrapped the box; finding a navy blue, velvet ring box and tears in Ms Kent's eyes. "Roy..."

"I spent 36 years of my life not knowing you felt the same way about me as I felt about you." Roy took the box gently from your hold and opened it, taking the dainty and elegant ring from it and holding it between the two of you. "And I don't plan to waste another moment of my life without you by my side."

"Yes."

"Oi, you're supposed to let me fucking ask you first." A laugh bubbled past your lips despite the tears building in your eyes. "Will you make me the happiest man alive, and marry me?"

"Yes." Your hands found Roy's face before his could place the ring on your finger, pulling him into a hot and forceful kiss, tilting his head back with how much you leaned into it, into him. "Yes. Yes. Yes, please."

"You owe me £1, Uncle Roy."

Tears are shed and the rest of the gifts are opened. Christmas dinner goes by without a hitch, and before you know it the days nearly over and you find yourself in Roy's lap, in his grandads armchair, with one bowl of dessert between the two of you, like so many times before. Ms Kent is sat across from the two of you with her own bowl of dessert and she looks like she wants to say something about it. She doesn't, but only because she knows, and she knows that you and Roy know. This day was a long time coming and she's over the moon that it's come in her lifetime.

Roy's love for you was stronger then any will he had to remain stubborn, and after a life time of waiting, he'd finally found his way to you, and she was sure he would find his way to you in every lifetime; even if it took 100 years or breaking a curse. Like she'd told you on that cool September morning, the prince always comes back, and they always live happily ever after. And she was sure the two of you were going to as well.

an : if you made this this far I love you!!! I hope you enjoyed another super long Roy fic, feel free to leave some feedback or what your favourite part of the story was, or even a request from my summer sleepover prompts!! Mwah <333

#beybaldes writes !!#ted lasso x reader #roy kent one shot #roy kent x reader #roy kent imagine

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caffeinewitchcraft · 2 years

Text

Cinderella Doesn’t Believe in Fairytales (pt. 8)

(part 1) (part 2) (part 3). (Part 4) (part 5) (part 6) (part 7)

Cinderella wakes to birdsong.

It brings her to tears. She tangles her fingers in the soft bedcovers, pulling them up and over her face. Her tears blur the gentle light seeping through the fabric so that she feels like she might still be dreaming. Her body is pleasantly sore from dancing, but not hurting like it does after a day of chores. Her hair smells of the gentle oils Helga patiently brushed into it rather than fireplace soot. The gnawing loneliness that’s accompanied her for so many years is wonderfully quiet, soothed by the long evening spent in the arms of her friend.

The Prince.

Cinderella huffs a laugh, disbelieving, and pulls the sheets away from her face. Her room is pleasantly cool, the air brisk though the windows aren’t open. She breathes in deeply. Her friend is the Prince. Her impossible, magic-wielding friend who saved her life and listened to her worries and always made her laugh is the prince.

And he’s a hell of a dancer too.

Even the memory of their dances thrills her. Cinderella jumps out of bed , unable to bear the sudden surge of energy coursing through her, and braces for the shock of cold stone against her bare feet. It never comes. Instead, the floor hums with the sort of warmth she’s begun to associate with magic. Cinderella laughs and sways to the window, humming portions of the previous night’s songs under her breath.

The people! The music! The colors! Her memory is a kaleidoscope of everything beautiful she’s ever seen in her entire life. At the center of it all is her friend and his gentle smile, his hand outstretched for hers.

Cinderella eases the window open. She’d been too nervous to take a proper look outside yesterday, but today is a different story. For all the elation she feels, there’s also something settled inside of her. A sort of contentment that sits at the bottom of her stomach where it won’t be easily swayed. So she opens the window without worrying if she’s allowed to do so and takes in a lungful of fresh morning air.

“The late Queen’s gardens,” Helga says from the doorway. Cinderella turns to find Helga with a breakfast tray balanced on one hand and a letter held in the other. Helga’s eyes sparkle. “They’re beautiful, aren’t they?”

They are. Cinderella was listening to the birds and not looking at the garden, but she knows it’s true. The greenery is lush and well-maintained, the flowers blooming big and beautiful along a carefully swept path. She can hear water from beyond a row of hedges. A fountain?

“Everything is beautiful,” Cinderella says. The Prince’s green eyes against the night sky comes to mind and Cinderella’s heart flips. She clears her throat. “The grounds. The castle. It’s all very beautiful.”

Helga hums and closes the door with her foot. “Would you like to sit by the window then?”

“Yes,” Cinderella says. The idea of eating the croissant and eggs Helga brought while listening to the birds and watching the flowers gently sway in the breeze is so wonderful that Cinderella doesn’t see the problem right away. She frowns and looks around the bedroom. Besides the bed and the vanity, there’s not much more furniture in the room. “I can help you with some chairs…?”

Helga laughs and waves the hand holding the letter. “Don’t be silly, dear. It will only take a moment.”

Cinderella has to bite her tongue to keep from yelping when Helga lets go of the tray suddenly. It doesn’t fall. Instead the food hangs in the air as if set on an invisible table. Helga whips out her wand and flicks it at the stone near the window.

A chair and a small garden table rise from the floor, melting in reverse. The table is set with a series of dainty forks and a crystal glass. After a moment’s thought, Helga waves her wand again and a bottle of orange juice appears.

“Wow,” Cinderella says.

Helga is frowning. “Yes, well, it will do. Somehow, I always conjure garden furniture even when I had the loveliest tea table in mind…” She busies herself setting up the breakfast tray. “Come now, sit, sit, sit. Before everything gets cold.”

Cinderella doesn’t move. She’s never noticed it before because of the low lighting at night, but Helga’s magic looks a little like her friend’s magic. There aren’t as many colors and it’s very faint, but when the sunlight catches it just right, the air shines. As she watches, the shine sinks into the floor until the chair and table look as mundane as can be. Cinderella is fascinated. “How does that work?”

“How does what work?” Helga asks absently. She holds the orange juice up to the light, squinting at it. “I swear I meant to conjure peach juice…”

“The conjuring magic,” Cinderella says. She waves her hand to the table and chair. “That looked different than the floating magic you do.”

That gets Helga’s attention. Her gaze snaps from the orange juice to Cinderella. “Looked?”

“The magic came up from the stone,” Cinderella explains. She waves her hands in a vague approximation of it. “Then, when you finished, it went back.”

Helga doesn’t answer right away. She stares at Cinderella very hard, her gaze piercing, as if trying to see if Cinderella is being serious or not. She chews her cheek and finally says, “You’ve seen a lot of magic?”

Deny it. It’s not a voice, not really. It’s an ancient instinct and Cinderella works very hard to make sure that none of it shows on her face. Carefully, Cinderella shrugs. “No. But my friend uses a lot around me. Sometimes I can guess where it is.”

Slowly Helga’s shoulders relax. “…from exposure makes sense,” she murmurs under her breath. Then, louder, “You shouldn’t look at magic, dear. It can hurt your eyes.”

It doesn’t hurt. Cinderella smiles. “I’ll try not to.”

Satisfied, Helga says, “To answer your question, it looked different because that wasn’t a spell. I don’t have magic, remember?” She twirls her wand. “I use this to direct what my Lord lends me. What I did just then was—well. This castle is very old, yes? It’s got magic of its own that I can ask for help from time to time.”

“The castle did this?” Cinderella asks. She studies the table and chair with renewed interest. They look solid and well-made and the food seems edible. She thinks about the way the magic rose from the ground. “I wonder…”

“Pardon?”

But Cinderella is already extending her hand. The single chair next to the window looks lonely. It would be so wonderful if there was another chair for Helga to sit and have breakfast with her… “If you would?” she asks the castle.

Where the magic curled and bent to Helga’s will, it explodes under Cinderella’s. Another chair springs into existence faster than Cinderella expected. The table extends another foot with a pop! and a second bottle of orange juice appears next to a second glass.

“Oh my,” Cinderella says. She flexes her hand. The magic twines around her fingers before slipping back into the stone floor. She grins. “How wonderful!”

Helga blinks very quickly. “Yes…yes, wonderful.” She studies Cinderella, almost speaks, and then seems to reconsider. Finally, she says, “I take it the second chair is an invitation?”

“Yes,” Cinderella says. Perhaps she should have asked Helga before she acted, but she didn’t feel as if she needed to. Like Helga said, the castle was right there to help. “I would enjoy the company.”

They settle at the little table, Helga pouring juice and serving the breakfast pastries she brought. Cinderella’s feet are warm from the magic sitting so close to the surface of the stone and her heart is warm when, unthinking, Helga spreads jam over a croissant for Cinderella.

“Oh,” Helga says when she notices. She’d been staring into space as she prepared Cinderella’s breakfast and, now, jolts back to herself. There’s a light flush on her cheeks when she says, “Excuse me, my mind was elsewhere. Do you like strawberry jam? I can go to the kitchens for fresh pastries—”

“It’s perfect,” Cinderella assures. She remembers her mother’s hands around a crystal jar of jam, a whisper of just a little before dinner. She takes a bite of her croissant and feels a thrill at the sweetness of the jam. Just like she remembers. “Delicious.”

“An invitation came for you at dawn,” Helga says after a few moments of silent eating. Her eyes sparkle as she draws the envelope out from her skirts and holds it so the sunlight reflects off the golden seal. “I wonder who it could be from?”

The second invitation. The Prince told her it was coming, but Cinderella’s heart flips when she sees it anyway. She takes the envelope from Helga as if it were made of butterfly wings and opens it carefully. The faint smell of oranges drifts from the card inside.

The Baron’s Daughter is hereby cordially invited to the Castle on this day for a continuation of festivities…

Then, at the bottom, her friend has written I’ll pick you up in his own handwriting.

Cinderella strokes the letters of her friend’s writing. Each one is elegantly shaped and perfectly placed. She can imagine him as a boy sitting politely during his lessons, quill clutched tightly in hand, and brow furrowed as he practiced each letter.

“What was he like?” Cinderella asks.

“Pardon?”

“I want to know how the Prince was as a boy,” Cinderella says. When the silence stretches, she looks up from her invitation to see unease on Helga’s face. “Helga?”

“That’s…difficult for me to say,” Helga says.

“Were you not with him as a child? I assumed from the way you spoke…”

“No, I was,” Helga says. She tucks her hands under the table and looks out the window. The sunlight falls across the older woman’s face, highlighting the way the wrinkles at the corners of her mouth deepen when she frowns. “The Prince now and the Prince then are two very separate people. I don’t want to scare you away with stories of a person who no longer exists.”

Cinderella waits for Helga to say more. When the silence again goes on for too long, she prompts, “What do you think would scare me away?”

Again, Helga hesitates. There seems to be a war going on behind her pale eyes. Cinderella thinks that she must be twisting her apron under the table.

“He wasn’t kind,” Helga says at last. She busies herself wiping a stray smear of butter from the table. “Anything more, you’d need to ask him.”

Helga means to end the conversation there. Cinderella could let it end – should let it end – but the words echo. He wasn’t kind.

Cinderella’s first thought is good. She’s glad that her friend wasn’t kind. Cinderella has lived her entire life being kind and she’s seen what rewards are at the end of that road. Good that her friend knew better than to let others extract kindness from him like blood, good he didn’t sleep next to an empty hearth praying for the ones who put him there to return kindness with affection, good that he protected himself in a way Cinderella never could.

Cinderella’s second thought is why? Why did Helga sound apologetic? Did she think Cinderella would think less of him?

“When I was a little girl,” Cinderella finds herself saying, “I spent many hours in the garden.” She looks out the window and sees a different garden than the former Queen’s. She sees roses and sprigs of lavender as far as the eye can see. Her mother’s garden. “My mother had quite the green thumb. The things she could grow! I was so young then and didn’t have much reference, but it seemed as if every flower bloomed bigger and every bush grew fuller under her touch.”

“That’s quite the gift,” Helga says.

Cinderella hums. She loved her mother best in the garden. When her mother waited for her father by the window, she seemed colder and more distant. In the garden, her mother smiled. “It was. If we lived anywhere else, we would have had butterflies all year round. But being where the estate is, we only had a few weeks in spring and a little in fall when the butterflies would pass through the garden on their way to the Capital.”

“I didn’t realize you come from so far west,” Helga says.

Cinderella nods. “Near the mountains.” She finds her gaze being pulled toward the west as she talks. How far away is her home? At least a week’s ride by carriage. “I always waited for the butterflies to visit. One day, when I was very young, I woke up to see they’d come during the night. I raced outside to see them up close. There weren’t many of them yet, just a few, and I had the good luck to spot one resting on the ground.” Cinderella’s lip curls. “Only it wasn’t resting any longer. It had the misfortune to land on an anthill. The ants were hungry, I suppose. They were tearing the butterfly apart piece by piece.”

Even now she remembers the sick horror that filled her at the sight. The vicious hold the ants had on the blue wings, pinning the poor thing to the ground. The way the butterfly’s antennae waved in panic. The smell of the ants as they poured from their mound to feast.

“How awful,” Helga says. She’s watching Cinderella carefully, her hands still in her lap. “What happened then?”

“Nature,” Cinderella says. She feels as if her mouth is not her own when she says, “There’s nothing awful about nature. The ants needed food after the harsh winter and the butterfly was unlucky. It wasn’t the ants’ fault that they killed the butterfly. It was simply nature.” Cinderella breathes in through her nose and stiffens like a woman freed from a trance. “That’s what my mother said when she caught me killing the ants.”

A sense memory: her shiny black shoes coming down on the damp, red dirt as she collapsed the ant hill. The flecks of mud that splattered her ankles when she crushed their exoskeletons under her heel. Her mother’s hand hot on her shoulder. The percussive force of her mother’s shout ringing in her ears.

“She told me that I needed to try and understand the ants,” Cinderella continues. Her feet aren’t cold and muddy now. They’re warm from the magic coating them, tucked neatly under her chair. “She understood I was upset about the butterfly, but being upset was no excuse for the violence I responded with. I shouldn’t have punished the ants for what was in their nature to do.”

“A wise woman.”

Cinderella smiles with closed lips. The sun is well and truly risen now and its harsh rays feel hot against Cinderella’s cheek and collarbones. “A kind woman.”

“Ah,” Helga says, understanding.

Cinderella wonders what it is Helga’s understood. “Hm?”

Helga weighs each word carefully. “If I may offer my two cents, my lady?” When Cinderella nods, she says, “Your mother was right that it was in the ants’ nature to kill.”

Why is she disappointed in Helga’s response? Cinderella sips her juice to hide her frown. “That’s true.”

“However,” Helga says, “nature does not protect one from another’s nature. Yes, it was in the ants’ nature to eat the butterfly. But perhaps it is in your nature to kill ants for tormenting butterflies.”

Cinderella sets down her juice and gives Helga her full attention.

“Considering that,” Helga says lightly, “was it so wrong to kill them for hurting something that meant so much to you?”

Oh. Cinderella swallows, desperately willing away the ache in her throat. Her lip trembles. Helga is looking at her with such deep understanding that Cinderella feels shaken to her core.

All these years and she understands now why her mother’s words bothered her so much. Her mother always seemed to think Cinderella should behave as if nothing affected her, not her mother’s absence, not her father absence, and not the violence of the ants against the butterfly. Helga is saying the opposite. Of course, Cinderella acted that way. Of course! Like the ants, Cinderella also had a nature. Cinderella, like the ants, also had a right to act the way she did.

A knot she didn’t know existed unravels in her chest. Cinderella doesn’t need to sit quietly when an injustice is being done to her or others. She doesn’t need to make excuses for the aggressor or understand their motives. She can act. She can defend. She can protect herself.

(It was never about the ants at all.)

Cinderella clears her throat. “Yes.” Thank you. She can’t bring herself to say the words. “I’d like to wear the blue dress tonight.”

“We had to rush getting ready last night,” Helga says. She reaches across the table to place her hand on top of Cinderella’s. It’s cooler than the sunlight but warms Cinderella all the same. “Why don’t we take out time getting ready, hm?”

“I’d like that,” Cinderella says.

--------

Thanks for reading!

If you’d like to read more parts of Cinderella a week earlier, please consider checking out my Patreon (X)! On top of posting all my stories a week earlier there, I also post Patreon Exclusives.

#long post #my writing #Cinderella fan fiction #cinderella retelling

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majorlysapphic · 1 month

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It's brain splurge time once again...! What am I presenting today you may ask?

A glassheart, modern-day celebrity/performer AU!

TW: self-destructive habits.

(This AU is a continuation of my previous big brain splurge post, so I'll be making small references to it at the start, but I'll try my best to write this post in a way so it can be read as a standalone :)) )

Okay, here we go!

So I imagine that Red would have LOVED performing from the earliest moments of her life. Music, dance, acting, modelling; it flows through her veins and has always been her calling. And who can even be shocked by that fact? She's the only child of two of Auradon's most iconic stars in the 80s: her mother being 'The Queen of Hearts', a pop princess with a golden public imagine, and her father being the heart-throb bassist of a punk band ('Uliana's Crew'), James Hook.

It's only natural that the daughter of these two would follow in their footsteps, especially knowing her mother runs one of the most successful music labels in Auradon: 'Wonderland Records'. However, every time Red mentions she wants to start performing, she's told no (and on occasion actively discouraged from following her parents career path). Because 'she needs to prioritise growing up away from flashing cameras' and because 'the life of a performer can be demanding, it's best she focuses on school'. Frustrated, Red does end up getting a normal childhood (barring the pretty strict rules she's living under as even though she hasn't made a name for herself, yet, paparazzi still like to have a field day following her life because of who her parents are), and she's (im)patiently waiting for the day she turns 18 to finally start her career as a performer.

But we all know what Red is like, and when she thinks of an opportunity to get what she wants, she's going to take it. So, she starts anonymously posting her music on social media at the age of 14 under the username 'rebel riot', and she goes viral. People love what she's got, and Red is soaring, because this is proof enough that she can make it. So for the next 4 years, she carries on growing her platform, posting videos (whilst hiding her face with an iconic heart mask and talking with a slightly morphed accent/pitch) and interacting with her growing fanbase. Throughout this entire time, she has always had to reject invitations to perform, but on her 18th birthday she can finally take control. So when she's emailed an invite for 'Rebel Riot' to perform at a charity event, she takes it.

And that's how her official, big debut goes. She's the last to perform from all the artists at the charity concert (which include her own parents, who on occasion take a step out of retirement to perform for charitable causes), and after giving her performance her all, she takes a deep breath: flipping down the hood of her outfit and letting her hair fall down, talking in her normal voice (trying not to note down the shocked looks of Bridget and Hook as they realise who she is) as she properly introduces herself as Red Hearts, whilst theatrically throwing off her mask.

The crowd goes wild. And Red is signed up to a music label that same night, choosing to carry on performing under her stage name.

Now... Onto Chloe's path to stardom!

Chloe grew up not wanting to be in the spot light (to the relief of her mother, a popular 80s riot grrrl, 'Cinderella'). Instead, she dabbled in multiple interests, and whilst she did have fun in her music lessons, she ended up figuring out how much she loved academics. So, she grew up happy and safely tucked away in a countryside estate (meaning she is quite sheltered, but that's something Ella and Charming were willing to deal with so long as she got a normal childhood). Chloe eventually figured out she wanted to become a historian, and started her journey towards that goal - but things didn't quite go to plan. Because the world of academics can be tiring and toxic at times, so once graduating with her diploma at 21, she takes a year out before thinking of applying to masters programs. To deal with her burnout she starts making music.

And she loves it. There's a spark there that wasn't present in childhood, and soon enough Chloe's writing songs and strumming on her guitar. But it's only a small passion so far, so she enters her masters program still set on becoming an academic, but to keep her spirits high she starts posting song covers and some original works on social media.

The next thing she knows she's got a loyal following and finding that maybe, music is something she wants to take more seriously. So she starts playing at a few small indie festivals, and she loves it. So in spite of her parents worried protests, Chloe drops out of her masters program and signs up to a music label, and she finds a gradually growing success over the next few years.

Now, a key plot point: Chloe and Red are signed up to the same music label ('Atlantis City Music Group' - ACMG for short).

There's excitement surrounding the artists ACMG keep signing on, and whilst there's success with touring each of the artists separately, the label decides they want to do something big to appreciate all their stars. So, they announce a world tour with all their singers/bands participating: going from place to place over 3 months of summer in order to host music festivals.

This is how Chloe and Red will meet... And the meeting doesn't go well.

They've been assigned to share a stage for most of the up and coming festivals, and as ACMG is funding it all, they're in the same accomodation/transport/rehearsal spaces/dining areas/etc.

They're still in the starting leg of the tour, and so as stages and stands are being set up in the opening festival of the tour, Chloe and Red are at their shared stage. Chloe's heading on stage for her rehearsal time, and Red is going off. And it's an understatement to say Red is in a bad mood that day; she's dealing with a few overeager fans/borderline stalkers (which she refuses to tell anyone about because she doesn't want people fussing over her, especially her mother) and her trusted friend and backup musician (Maddox) has his flight delayed, meaning she'll start her first performance of the tour solo.

So when Chloe tries to greet her, she's brushed off passive-aggressively. And, ouch. That stings, because Chloe is a fan of Red's work - and has been following Rebel Riot since her early stages of being an anonymous singer online. But whilst it stings, they're both 23 years old and shouldn't be immature enough to hold petty grudges. Chloe can handle this (she's going to be thinking about that one interaction at 2am for at least a month), and decides to just keep pushing forward. First impressions can be deceiving after all.

But as time passes, travelling occurs, and performances go on. And Chloe gets a second impression of Red. And a third. And a fourth. And a fifth.

She doesn't need to wait to give a sixth chance to know she absolutely despises Red. Because Red is loud, impulsive, ignorant of others time, sarcastic, quick to frustrate, and a flirt.

And Chloe knows for a fact that Red doesn't like her one bit either.

In Red's point of view, Chloe is up tight, has an annoying need to placate others, sugar coats things way too much, and is a plain bore.

Because here Red is, forcing herself to stick to the trademark personality of Rebel Riot for the entire summer, whilst Chloe is getting huffy about when Red decides to extend her performance/rehearsal times by just a little bit so she can be perfect for her fans. She's here to sell a performance (something that will leave viewers reeling. Red's been one of the best in the game for years and she'd soon rather drive into a ditch than have the quality of her work decline) and live life to the wildest, and Red will be damned if she'll let some random girls judgement get in her way.

So, they carry on travelling and performing at festivals. They give off snippy remarks to each other, and try to one up each other in performance quality. Red will roll her eyes when Chloe comments about being tired at the end of the day (they all are, it's what they signed up for.), and Chloe will scoff whenever she hears about another person Red's left lovesick and 'heart broken'.

People stay clear of the bickering between the two. Because they have better things to do with their life. And also because there's a growing tension that everyone can feel building up (though Red and Chloe remain ignorant to it) and they don't want to be caught in the cross-fire.

...Then eventually, the worst happens: Red and Chloe are alone together.

It's a small, private jet with just the two of them as they travel to the European leg of the summer tour. There's stony silence. There's poorly hidden glances. There's teasing once said glances are called out. Then there's arguing.

They're in each others face, and it's like electricity is running through their veins with each spiteful word tumbling out. Red can feel Chloe's breath tickle her cheek with how close they are. Chloe's eyes are darting down to Red's lips (a habit she picked up weeks ago). And next thing you know both are silently praying that the flight deck is sound-proofed as they meet in the middle for a bruising kiss.

Once the flight lands, they're both just about presentable for cameras, murmuring excuses to go their separate ways as soon as possible.

They were a one time thing, a moment of weakness. They'll be able to go the next 2 months being perfectly professional. They don't care about what the other does. They don't think about each other at all.

All of the above doesn't hold true. Not in the slightest.

Soon enough, Chloe and Red find out the best way to maintain peace in their workplace and stop being a headache is to just carry on leaving each other breathless - It's a burning summer fling. Something superficial. Where Chloe has to painstakingly shrug on a denim jacket in the July heat to cover the scratch marks Red left behind on her back. Where Red has to aggressively rub away Chloe's tinted gloss off of her stomach before running onto stage. Where they both pull each other into hidden corners/rooms after getting jealous way too easily.

It's casual fun with a time limit.

But it feels a lot less casual the more things go on. Because when it's just the two of them, Red finally drops her trademark Rebel Riot personality and lets Chloe in to know her properly. And they start getting on (really really well). Red learns of Chloe's love for history and will listen to her rants for hours and hours. Chloe learns of Red's adoration for art, praising her sketchbooks contents.

And of course, when they learn the big things about each other, they're bound to start learning about the little things. Red's mind is a wealth of information about Chloe's little quirks and likes (and vice versa). Without knowing it, they're with each other more often than not on this tour (I'm thinking: late night drives on countryside roads singing along to the radio with the windows rolled down, stealing each others wardrobes, baking together, sneaking around in festivals when they're not on stage, having a constant back and forth dynamic on social media posts).

But the turning point for both of them, the moment when they realised that they were in danger, is when they start writing songs about each other. And, fucking hell. They write a lot of songs. There's piles of papers with lyrics about the other girl, which they keep private. Because in no way would they would ever want to share this.

So they carry on ignoring what is obviously going on. But cracks start showing in their friendship.

The jealousy gets worse (especially on Red's side, knowing Chloe tends to be oblivious of how charming she actually is). The need to be around each other is ever growing, deeming their clandestine meetings as insufficient to satiate their urge to be in each others presence (meaning they start hanging out publicly).

And then, there's a final thing that starts causing problems: Red's destructive habits. Because after all this time as Rebel Riot, Red is doing her damn best to keep up with the massive reputation she's created whilst she carries on improving her performance/impressing anyone. And this quest of hers is destroying her as she's taking it at a pace that is way too fast/idealistic to be healthy, but she can't help herself. She needs to be the best. She needs to prove to everyone that she's not weak. She needs to put on a front to show her parents that they were wrong for worrying about her starting her stardom young.

And at first it's 'small' things that Red is having issues with - she starts with skipping meals and sleep in order to practice/improve. But then that spirals and spirals.

Chloe doesn't realise Red's destructive habits until she's driving to a rehearsal studio, only to find out that Red had passed out when practicing a new dance formation earlier in the day. So obviously Chloe does the only logical thing: driving like a madwoman back to their hotel after she learns Red's been sent back to rest for the day. Chloe enters Red hotel room with her spare key (which somehow Red had acquired and decided to give to her) to find a startled Red.

Chloe goes on a miniature rant about how she'd like to know if something happened and how Red should really take care of herself. Because if she needs to start bringing Red breakfast everyday she goddamn will, and-

Chloe pauses at the sight of Red: sat on the hotel bed, straight out of a shower with a bathrobe on, a perplexed expression as if she wasn't expecting Chloe to be concerned for her well-being. But the thing that's stolen Chloe's attention? The mottled bruises all over Red's entire body. Bruises that Red had been hiding with mountains of expensive concealer.

After evading Red's typical responses to change the topic, it's revealed how badly Red's been pushing herself to perfect her performances. That her collapsing today was something mild in Red's mind.

With enough gentle questioning, Chloe gets enough of an idea of Red's state of mind and is the one to suggest that Red should pull out of the rest of the tour to take some time to heal/get help.

Red reacts very badly to this. Like very badly.

'Because she's perfectly fine and doesn't need fixing. Chloe just worries too much - and why should she care so much anyway? They're not that type of close to each other, its unnecessary and suffocating. Red's fine with committing to the the demands of being Rebel Riot as that's what makes her interesting enough for people to remain fans.'

Chloe is obviously furious Red is trying to push her away. And she's even more annoyed that Red can't see that she doesn't need to stick to the Rebel Riot persona, because Red Hearts is just as, if not more, likeable. There's no logical reason to why Red can't give up something that's causing her harm (and Chloe feels like she's being punched in the gut seeing the other girl like this).

They argue. And it's not like their previous conflicts. It's vicious and they're both saying things that they don't actually mean in the heat of the moment. And the next thing they know, what they have is over.

An hour after she entered, Chloe storms out of Red's hotel room. Both of the girls experiencing heartache. It's messy, and they're both back to how they were when they first met each other.

In fact, they're worse than they were before. Because, you guessed it! When there's anguish, more songs are being written. And this time, there's no lyrics about falling in love, instead there's quotes of what each other has said to the other, there's double meanings in the lyrics, there's rage.

And neither seem to quit it, because soon enough they decide to start playing some of these unreleased songs at the end of their set. And then there's glares being shot at each other from across the stage. There's arguing. And oh god, history repeats itself, because they're once again back together (in secret, of course). They can't seem to stay away from each other.

This time though, they are swearing to themselves that they're going to stay out of each others business. They'll only think about each other when they're with each other.

(They're the worst liars ever, because those self-imposed rules don't last more than 24 hours).

But still, Chloe and Red are in an odd place. More than friends, and less than partners. Red will have a reminder on her phone to remind Chloe to take her iron pills and she'll buy all of Chloe's expensive hair care to keep round hers. And Chloe will make sure to drag Red out to lunch everyday and will always be around to hold her at night (as Red seems to fall asleep a lot easier and earlier when she's in Chloe's arms).

But they don't talk about the elephant in the room. But it's getting harder for Chloe to ignore as she sees the tell-tale signs of Red withering away as the festival tour goes on.

And out of all the people Red keeps contact with, it's Maddox who has to point out the two of them are practically dating and to sort it out before everyone on set has to deal with another awkward week of them blowing up.

So... They talk. They have to.

And they don't get together.

Because Chloe highlights the fact that she won't be a bystander AND a girlfriend if Red keeps destroying herself. And Red doesn't want to say goodbye to her Rebel Riot persona. She doesn't want to admit it's time to let go and/or make a change.

They make it to the final week of the summer festival tour with ACMG, and they're pretty much acting like kicked puppies around each other. The cherry on top? Both their mothers are here to support them for their final show of the summer, and they can tell something has happened.

And have you ever told your mother about your summer fling/sort-of-nearly girlfriend/one that may have gotten away/the bane of your existence and the reason you get up in the morning? No? Well neither have Red and Chloe before, and they both feel like digging a small grave when they both end up doing so.

Both get information on why their mothers were so against them becoming celebrities when they first started off. And for Red, this incudes Bridget tearfully telling her daughter that she is so much more than what she can give to people. That she should live for herself and for the people she loves that love her back. And whilst she can't dictate what Red does, she really hopes that she won't make the same mistake she did decades ago.

A lot is going on in Red's mind when she goes up to be the closing act for the final show.

She goes through with her set, hears the cheers of her fans. And once playing her final song, she starts making her way off stage only to meet Chloe's eyes. Chloe who had been watching from the VIP section by the stage, in hopes to find some kind of closure or at least say goodbye. And Red knows what she needs to do.

She goes back, calling attention for one last song. The song she covers? One of Chloe's unreleased songs she had shared a few festivals ago. A song that was about the good in life and the joy she's found with Red.

Red's heard it only a handful of times, but she committed it to memory. And after performing the song, she's looking at only Chloe when she makes a large announcement.

She'll be abandoning her act as Rebel Riot for good. That she'll be taking a hiatus to have some time for herself and others that she loves before releasing new music under her own name, not a stage name.

There's mixed reactions in the crowd. But for the first time, Red doesn't care if she's disappointed her fans. Because Chloe is quickly making her way onto the stage, and she practically runs to Red. And before Red can whisper any apologies for the past, Chloe is bringing her into a kiss for all the world to see.

In that moment, they're only caring about each other. In that moment, they know they'll be okay and they're going to be able to work through this together.

#descendants: the rise of red #glassheart #chloe x red #red x chloe #chloe charming #redcharming #charminghearts #MajorlySapphic'sConcepts

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tiny-1karus · 1 year

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Pairing: yandere!batfam (Dick, Jason, Tim, and Damian) x fem!reader

(All the boys are 20+, Damian is around the same age as the reader and they're both in university.)

A tiny little sequel to the Cinderella-esque story, but from the boys perspective. There are multiple parts to this but you can check out the first part here:

Part 1

This is an almost 3k fic, so enjoy!

...

It was the following evening after the inciting but unfortunate incident that had landed you on the medical bay of the Wayne manor. You had been unconscious for most of the night until the late afternoon as your body recovered from the traumatic head injury you had received from your stepmom, only gaining consciousness for barely an hour before immediately falling back asleep. The last night's events, along with your clearly overworked and underfed body, had clearly taken it's toll on you. With the state of your body and your consistent lack of consciousness, they had to attach an IV tube to your arm.

The Wayne brothers, along with their father, had taken turns diligently monitoring you throughout this time after returning in the early dawn from their... Mission.

They could all finally relax as the primary and greatest threat to your well-being was finally taken care of.

They hope they burned in hell.

Your condition, thankfully, wasn't dire, even if it wasn't ideal. All you needed was complete and relative rest until the next 3-4 days, which was slightly overestimated, but none of them were taking any chances on your health. Not when you were still in such a fragile state.

Currently, Dick and Damian were on watch for you. Dick was sitting on a chair to your left while Damian stood next to him like a silent sentry, both of them watching the steady rise and fall of your chest as if to reassure themselves that you were still there with them. Even in sleep, you still had this shadow that seemed to haunt you as your face never seemed to be fully at peace.

Dick was holding on to your hand with a guilty expression, his blue eyes darting to the large square gauze taped to your left cheek. It hid the massive bruise that nearly covered the whole left side of your face. He still couldn't express into words the magnitude of rage that had consumed him when he saw the dark mark on your precious face.

Dick never thought himself a particularly violent person. He tended to use diplomacy as a primary approach when violence is clearly not warranted. As a vigilante, he uses violence as a means to protect, but last night he had used all his strength to harm.

He still couldn't fathom why it had felt so good in that one instance, so he tried not to think about it anymore.

He gently ran his thumb against the back of your hand as his eyes darted to the bandage on your face. He bit his lip as his own face scrunched up into an expression of guilt once again.

Clearly, he was failing at that.

Damian let out an annoyed sigh and pinched the bridge of his nose. "Grayson, I can hear you thinking from here." He stared down at his brother with an unimpressed look, "and clearly, you're doing a poor job at it."

Dick bent his head until his forehead touched the back of your hand. He really wanted to kiss it but his guilty conscience made him think he was unworthy of the action at the moment.

"I dunno Dames, I just feel so... Guilty."

Damian let out a quiet exhale as he considered the miserable, guilt-ridden state of his oldest brother.

A tiny part of him, the part that hurt and raged at all the pain you had endured by your so-called family, felt remorseful that you had gotten injured that night. This piece of him ached at the thought of all the other nights that he wasn't there to protect you from it all, even if he had been unaware of your existence for most of it.

But he would never let anyone know that.

The youngest Wayne laid his hand on Dick's shoulder. He waited until his older brother finally looked up from his hunched over position on your hospital bed. Damian inclined his head towards the door before walking towards it, silently waiting for his brother to follow.

Dick seemed hesitant to leave your side but the impatient gesture that Damian made at the door finally made him follow his youngest brother outside. He closed the door with a faint click, and they both walked towards the observation window on the other side of the medical bay. They settled at the spot that was directly in front of your bed; Dick with his arms hanging loosely at his sides and Damian with his arms crossed over his chest.

You might have been unconscious but they didn't want to take any chances of you hearing this conversation.

Damian surprised his brother by speaking first. "I hope you know that it was done out of necessity. She wouldn't have come to us, where it's infinitely more safe and she has a vast access to superior resources, if this didn't happen." The conviction in his voice brokered no room for doubt or argument. He said this as if it was merely fact and to a degree, it was, but Dick couldn't help the sliver of doubt that persistently niggled at the back of his mind.

Damian hadn't turned to look at his brother as he spoke, his green eyes locked intensely on your sleeping form on the hospital bed. If he had any doubts, which Dick seriously doubted, he gave none of it away. Instead, his jaw seemed to clench a bit before letting out a silent, imperceptible sigh. "Nothing would have changed for her if we hadn't intervened." He pointed out with an unreadable look.

Dick sighed as he looked at you through the glass with a sad expression. He had hoped, however vaguely, that your family wouldn't have stooped that low. That they wouldn't have fallen for the bait.

The only tragedy is that they hadn't suffered more.

When Dick—uncharacteristically—still failed to respond, Damian let out a frustrated noise. Since when did he become the voice of reason for this family? The youngest Wayne pivoted and pinned his older brother with a hard, unyielding look.

"Grayson, I will only say this once. There is no need to feel guilty. It was the optimal way to get her out of that disgusting cesspool and we succeeded." There was a fierce conviction to the youngest Wayne as he said this and even Dick couldn't help but feel a little swayed.

Dick ran both of his hands through his hair aggressively and sighed harshly. "I just wish that she didn't get hurt in the process." We could have prevented it, was what went unsaid but clearly understood between the two brothers.

At this, even Damian didn't have a reply or rebuttal ready. Because it was the same thing that plagued him about this situation. But he consoled reassured himself that you had survived and were finally in their care, where you were safe (where you belonged).

It had been years since Damian has thought this way, not since he started living with his father and adopted siblings and developed a moral code and conscience of his own, but this is one of those rare instances where the ends undeniably justified the means.

Damian couldn't—wouldn't regret his choice to plant your money box on top of your bed while leaving your door ajar for the filthy vultures to pounce like the mindless, greedy beasts they were. It was their fault for acting on their avarice and they paid for it with their lives.

"I just wish she didn't get hurt."

Damian narrowed his eyes in thought. Truthfully, you weren't supposed to get hurt.

...▼▼▼...

The hours that had led up to the incident had been a hectic whirlwind for everyone as they were neck-deep in the process of busting a criminal network drug-ring operation. The entire team had been investigating this underground operation for weeks and were on the cusp of sweeping this operation into the light.

And this was in the middle of them monitoring the situation in your house. Robin had already planted your moneybox in the open a few days ago and it hadn't even taken 30 minutes for the pests to take the bait. Through the multiple cameras they had set up within your house, it almost amazed the team how none of your step-family seemed to think twice before going on a shopping spree with your hard earned money, extravagantly parading their ill-gotten luxury (Damian scoffed, they called that luxury?) in your house right in front of you. All this, as you still worked hard and let these putrid leeches work you into the ground like a slave. It was only a matter of time before you realized where your money had unfortunately gone. They all waited with baited breaths for the explosive fall out that would ensue and had prepared measures to protect you from it.

But the sudden arrival of a rival gang on one of the warehouses that also acted as a quasi-headquarters for one of the heads of this operation threw a wrench in their plans, and suddenly all hands were needed on deck.

Batman called all of them in and the team entered the warehouse into a room that had turned into a battle ground as men and women fought in a free-for-all. Without hesitation, they all leapt into the fray.

And although the vigilantes had been busy bashing skulls, they still kept an ear out for the little ping! That would alert them of your stepmother's arrival at your house. Since that alert never preceded anything good for you.

Ping!

Red Hood nearly missed it over the sound of his and his enemy's exchange of gunfire but when he finally noticed the alert, he hurried to the nearest stack of crates for cover before pulling up the feed. You were crumpled on the floor with your stepmother nowhere in sight.

Shit, that can't be good.

"RED!" He bellowed.

From across the large warehouse, Red Robin answered. "Already on it!"

Everyone on the comms heard a curse as Red Robin sounded out the custom alert sound they had set for emergencies that pertained to you.

"Guys, we need to wrap this up now. She's running around downtown in the rain alone. She seems erratic and terrified." None of them had to be geniuses (which they were) to guess that something bad had happened in the mere moments they had focused their attention elsewhere.

Batman's gruff and gravelly voice came through the comms in a clear command, "Red Hood, Nightwing, go out and secure her location. We'll finish this."

Robin and Red Robin tightened their holds on their weapons before going back into the fight with renewed and vicious vigor. They had to finish this early so that they can see you. They barely had time to look at your feeds once the fight broke out but they couldn't ignore the foreboding feeling they got when they received your alert.

"We'll be at the house by then, make sure she's safe."

...

Nightwing could barely hide his worry as he frantically changed into the spare civilian clothes he kept in a bag right there in his own car before booking it, with Red Hood hot in his trail in his motorcycle. He already put in your coordinates in the screen on his dashboard, it began tracking the tracking device they had planted on your phone for such emergencies.

He watched as your icon ran through streets without rhyme or reason, and in the rain no less. He bit his lip, you must be terrified.

Red Hood had already taken off his helmet and had shoved it into the underseat storage of his motorcycle before following Nightwing. It was all he needed to do to transition to his 'civilian' attire. He didn't care about the rain that pelted him and soaked his clothes as he drove with the single-minded intent of finding you.

He pulled up a feed on the little monitor on the instrument display of his bike, it showed you from the image quality of street cameras running frantically in the rain. Fuck, what if you got sick?

Nightwing's—now Dick Grayson—voice called to him from the comms they both still wore, "Jay! She's up heading towards the 6th. Intercept her from the other side. I'll wait for you both there."

Jason Todd revved up his bike and broke away from the main street to cut through alleyways to beat you there. He haphazardly parked his bike next to a pile of trashbags and ran out of the dark alley and into the sidewalk. He wasn't all that worried about his bike, the Red Hood symbol emblazoned on it's side should deter most people from even touching it. But if it did get stolen, then he could just as easily replace or track it.

None of that mattered more than finding you, though.

Once he ran up to 6th street, he immediately zeroed in on you. You were standing a few blocks away from him, your clothes looked rumpled and you were positively drenched from the rain. There was a glazed look in your eyes even from this distance and he called your name as he slowly approached.

The way you had reacted to him, sobbing and grasping at him as if he was your lifeline, broke him. And he held you even closer as he let your tears mix with the rain that soaked his shirt.

Even though, he knew he was part of the reason for that.

...

Once you were finally situated at the house with all the Wayne men surrounding you (protecting you), you were quiet and withdrawn. A stark contrast from the bright and warm air that you seemed to bring with you everywhere you go. It had taken some coaxing, but you finally opened up to them about your problems at home for the first time since knowing them. And they all were aware how you tried to sugarcoat it and minimize the worst of your pain and that hurt. (Didn't you trust them?)

And once your injury was brought to light, they were furious.

Once you were being taken care of by Alfred, they pulled up the feed of the time they had missed while they were dealing with the drug-ring bust. They all watched, with surmounting horror, the way your stepmom had ruthlessly beaten you into the ground and had shouted such horrible words at you.

To say that they were infuriated was an understatement. The magnitude of their shared rage could never be encompassed by any measure in the known world.

They were down-right murderous.

How could you have gotten hurt on their watch?

... ∆ ∆ ∆ ...

"Staying there would've only hurt her more." Tim's quiet voice interjected, suddenly appearing on Dick's other side. Damian gave him a passing, acknowledging glance before his green eyes returned to your prone form on the other side of the glass.

Tim had his hands in the pockets of his favorite hoodie as he watched you with a solemn expression. "I don't regret what we did." He stated firmly. "When I was in her shoes, I remember all the pain I went through and always wished that someone would save me."

Dick turned to his brother and slung his arm over his shoulder before bringing him into a side hug. Tim leaned into his brother a little as he joined them in watching over you. Something in him settled as he watched the steady rise and fall of your chest, it was comforting to know that you were here, even if the circumstances that had led to your arrival had been unfortunate. He couldn't help but think about the similarities the both of you shared.

But unlike you, Tim had been lucky enough to have the opportunity to save himself, when he chose to become part of this family of vigilantes and chose to become one himself. He didn't want you to feel alone like he did in his previous life. And now you would never have to feel that way again.

Tim's voice was resolute as he spoke to his oldest brother, "and we saved her, Dick. I can't ever regret that."

Dick reached up to ruffle the already messy hair of his brother. "I know, Timmy." He said softly.

Still, the guilt lingered (as it will for a longer time still, like a jagged pebble inside the shoes of his psyche) as Dick watched your prone form sleeping peacefully on the hospital bed. He had a part to play in your injured state and he could never truly scrub himself of the guilt that came with that.

But you were here now, and you were safe. That was all that mattered to them.

And Dick would rather regret the things he's done rather than leaving you there to suffer by yourself.

...

Does this count as part 3?? Idk, y'all decideee. I just wanted to write a small insight on the boys and a BTS on what happened during that night. Like, isn't it just so juicy how yandere tendencies can clash with a hero's moral code and how it affects and manifests for each member?? Anyways, sorry that Bruce weren't in this part that much ;v;

Lemme know if y'all want more from this, and let me hear your thoughts! Constructive criticism is always welcome with me (whether it's you pointing out a grammatical error or a faulty tense) :>>

I'll start on the first part once I've posted this, I've barely edited this lmaooo. Thank you and enjoy!

#yandere fic #yandere x reader #yandere fanfiction #yandere imagines #yandere batfam #yandere batman #yandere dick grayson #yandere jason todd #yandere tim drake #yandere damian wayne #yandere x you #yandere imagine #fanfic

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midnight1nk · 29 days

Text

If you were to ask me:

Out of all the Puzzlevision episodes we had so far, which is your favorite?

My answer will always be “Once Upon An SMG4”. I mean, who wouldn't want a silly fairytale parody? With the chaotic nature of the show, it just made sense to me. You know what also made sense? Having SMG3 play the princess role, considering he is qualified to be a Disney Princess.

if you think about it, the whole Star Trio could be Disney Princesses…

As a glitchybombs shipper, Mr Puzzles basically gave a fairytale AU for us to work with. And indeed, we could’ve had a 'true love’s kiss' moment. While all of these are good reasons, it's not the main reason why I love it.

I love it because it's a parallel/twisted version of “It's Gotta Be Perfect”.

Every story, no matter how outlandish it seems, is grounded in reality.

Think of any fairytale you know of from the top of your head. Pretty easy, right?

But do you have a solid reason as to why the Evil Queen from Snow White is really evil? Or why Goldilocks was alone in the woods and decided to trespass on private property? Or why didn't the Godmother come sooner to save Cinderella from her abusive family?

Perhaps you can find answers in the depths of the internet and historical literature, but otherwise, it's up for speculation. That's because fairytales are for the sake of entertainment. Therefore, the characters and/or their personalities are reduced to simple roles: good guy, bad guy, etc. Toss in a subtle message about human morality and you got a nice little tale where the good guys win and the bad guys get what they deserve.

For “Once Upon An SMG4”, there's much more than what meets the eye. Follow me as I overanalyze this episode to events that happened in the “It's Gotta Be Perfect” arc, and discuss how they could be alluding to future character interactions, WOTFI 2024, and beyond...

ONCE UPON A Ṕ̷̱E̴̺̽R̵̖̎̕F̵̢̗̈́̀E̴̞̍C̴͈̽T̶͓̘̈́ SMG4

THE NARRATOR

The episode starts off with the first actual character of the story: the narrator. Now, we have no idea who that is.

There isn’t a name on who voiced him in the credits, and it can be easily assumed that it was just some random guy, like the one from the Puzzlevision Movie. But I think it might just be Mr Puzzles. He is the showrunner after all. He could've manipulated the script or be the narrator himself. Either way, he is the one in control, forcing the viewer to see the story through his lens (...or screen I guess).

Anyway, the narrator introduces one of the two main characters of the story:

SMG4

The narrator goes on to describe him as “an ugly, wicked witch who's selfish and cruel…” before Witch!4 proceeds to break his back for doing his evil laugh.

Remember how I said that complex characters were reduced to simpler roles? Four was one of them. In IGBP, Four felt inadequate as a content creator and just wanted to make his audience happy. He had insecurities before the arc, hidden in the back of his mind, but it was because of ‘SMG4... Are You Ok?’ episode that those insecurities have now come to light. As told in IGBP, his videos were a sort of “measure” of his worth. It wasn’t only that his videos weren’t good enough, it was that he wasn’t good enough. Therefore, he felt like he failed in making people happy. That would be his fault.

That was why he was desperate to create the best video ever. Unfortunately, when you are laser-focused on something, the world around you becomes a blur. Four isolated himself from the crew (We’ll get back to this, see: ‘Four’s Villain Song’). He didn’t sleep, didn’t even eat. He didn’t try to take care of himself because, as some of us relate, he thought that ‘if I worked on this a bit more, just another second more, maybe it’ll be perfect and I can finally finish it’, having his necessities as an afterthought or even ”reward”. It drove him to his breaking point in the ‘SMG4: MAR10 Day’ episode. It wasn't his intention to shut everyone out nor was it to hurt anyone. But, because he wasn’t in the right headspace, he lashed out at his friends.

As Mr Puzzles’ script stated, Four acted “selfish and cruel”, all for the perfect video. Mr Puzzles already perceived SMG4 in a negative light by calling the show “the stupidest” thing he’d ever seen. This was merely ‘evidence’ for Mr Puzzles to say, “See? This is why you shouldn’t be rooting for SMG4. He is a villain and he got what he deserved”. Four is a villain, that was all Mr Puzzles perceived him as, here in ‘Once Upon an SMG4’ (See: ‘You Look Peak, Brother”, for more). For his character, it makes a lot of sense. Mr Puzzles didn’t have friends growing up so he didn’t understand how Four’s insecurities were really affecting him.

However, a certain purple meme guardian did connect with Four. Speaking of which, the narrator introduces the second main character of the story:

SMG3

The narrator describes Three as “a beautiful princess pure of heart” and that he had “unparalleled beauty, embodying every romantic dream”. Insert Princess!3 having his Disney Princess Moment (TM).

If Mr Puzzles perceives Four being evil, does that mean he perceives Three as the opposite?

Well, sort of. From a storytelling perspective, for every bad guy, there is a good guy. Narrative foils, at times, are parallel to one another. They share similarities in terms of personality or appearance or just wanting the same goal. What better foil to have than Three, Four’s meme guardian partner and former villain.

What about beauty?

Three has repeatedly proclaimed how he's The Rizzler (TM) and how he is far more attractive than Four. In ‘SMG4: We Don’t Talk About What Happened in the Elevator’ episode, Four admitted that Three does have rizz, just as Three admits that he doesn’t hate Four (See: 'Fairest Fight 2024', for more).

Back to Princess!3, he sang how all he wants is money …and-a-sugarda--. While 'wanting to get rich' makes sense for Three’s character, it also doesn’t. Bare with me on this one:

In ‘SMG4: Trash Friends’, it was revealed that Three feels insecure about how he is perceived as Four’s cheap copy. Years ago, he tried being himself in memewarts and afterward. He failed to be recognized, unable to have friends, always being overshadowed by Four. So, in the YouTube Arc, he was obsessed with trying to become like Four. It wasn’t until he took over the channel that he got to experience what it truly felt like to be Four, before he eventually got sent to the Internet Graveyard and there began a whole new journey for him. He’s okay with his character development. In ‘SMG4: You Used To Be Cool’, he realizes that he doesn’t need to prove to anyone who he is, being satisfied with the life he now has.

What does it have to do with money?

Looking back at ‘SMG4: Trash Friends’ and the Meme Factory Arc, we saw that Three’s Coffee & Bombs wasn’t doing so well. It isn’t confirmed if this was of Mr Puzzles’ doing, but regardless, it does bring back some ugly memories for him. For once, he is enjoying the life he built and is currently trying to prove that he is not a mere copy of Four. But he might lose it, just as it happened with Snitch Productions.

He doesn’t want to go back to the life he had before. It isn’t just the café, it’s the possibility that he might lose his friends. Even if he doesn't want to admit it, he is part of the crew, and that is a lot more to lose. So, he has to “rescue” his café financially, to show that he “deserves” to have friends, that he “deserves” this life. Yes, he went through great risks to help his friends when they were in need, especially Four in IGBP. But he still wants to prove it.

(I’ll talk about it more about Three’s character on a later post.)

So, Mr Puzzles wasn’t all wrong; Three was “pure of heart” in a sense, he just has trouble showing his true emotions and being vulnerable again. After all, the first person he was vulnerable to was Terrence and we all know how that went.

And what about Eggdog?

Three literally came out of a flash drive so he doesn't have a biological family (or preprogrammed...because of the cosmology lore?). During the classic era, no one really treated him nicely. So, for Eggdog and additionally Terrence, he treated them with absolute devotion. Always reminding them that they are special, that they're loved. That they are never alone.

The difference was that Three was careful of Eggdog's whereabouts, while Terrence was always with him and minding his own business, including the Revelations movie. Three will always love Terrence, and to prove how good a parent he truly was, Terrence said a final "I love you" to Three.

He wasn't going to make the same mistake with Eggdog. Whenever Eggdog gets hurt, Three comes rushing to his side to ensure he is okay. Three keeps a close eye on him but when it comes to the bug mission, Three would have Eggdog stay at home or have a backup plan if Eggdog does come along. He just can't lose another loved one.

“YOU LOOK PEAK, BROTHER.”

Let’s cut ahead to when Witch!4 was giving compliments to a version of “him” inside the TV. Admittedly, this is just a bit.

HOWEVER, I overanalyze stuff soooooo…...

Remember how I said that Mr Puzzles sees Four in a negative light?

In IGBP, there was the hallway scene with Three, Meggy, and Mario discovering the paintings being replaced with messages. As Three states, these messages were his thoughts, how Four painted himself in a negative light. Four made sure to hide his low self-esteem well from his friends but it always lingered in the shadows.

Mario wasn't wrong: the person who "wrote" them was indeed a good person.

Mr Puzzles, however, showed the opposite. That Four set himself up on a pedestal, as someone who sees himself as righteous. A narcissist. And how? By being the “TV, TV on the Wall” and pretending to be Witch!4 on the screen giving compliments to the actual Witch!4 how perfect he is.

YOU’RE INVITED!

This is more of a parallel than anything. In the story, Princess!3 gets “invited” to King Bob’s Ballin’ Ball, the invite literally being launched to him by Witch!4.

In the IGBP arc, Three got invited to do a collab with Mr Yeast through his stream in ‘SMG4... Are You Ok?’ episode. While Four may have not been the one who brought in Mr Yeast for him, it was because of Four’s crew that made Three went through a new path in his life from the end of the Youtube Arc, being Lord of the Internet Graveyard, and becoming a streamer which got him the collab. So, indirectly, Four brought Mr Yeast to Three.

A (FAILING) PLAN

Fast forward through the story, Princess!3 strolls around the ball, Witch!4 instructs Prince Luigi to give Princess!3 the apple to make him "the ugliest princess" and Witch!4 would become the fairest of them all. As expected, it failed miserably, and Witch!4 had to improvise and come up with a new plan.

In IGBP, Four also had a plan when he was starting to create the perfect video, stocking his room with enough food for him to last. He made multiple attempts to create the video, feeling unsatisfied with every version he made.

MR. LUIGI

OMG, Mr L? Nah, I’m just kidding.

In all seriousness, though, I did find it fascinating that Prince Luigi basically turned Mr Yeast, the catalyst of IGBP. Hmmm….

THE TALLEST TOWER

By Witch!4’s instructions, Mr Luigi kidnaps Princess!3 and puts him in the tallest tower.

In IGBP, there is a scene where the rescuing trio finds SMG4’s classic design before it awakens and traps Three with him, making Meggy and Mario find Four to rescue them both. Curiously, the final showdown with Possessed!4 and Monster!3 waiting for them took place in the tallest tower of Peach’s castle.

A DOLLAR (…AND A BLOCK OF “CHEESE”)

In Mr Yeast fashion, he proposes a challenge that whoever save the princess gets a dollar, before he gets pushed off the tower by Princess!3. Realizing that he might need help, Princess!3 was able to get Mario to save him, promising that one dollar and an additional block of "cheese". In all technicality, Mario was completing the challenge.

In the IGBP arc, Mario completed a challenge created by Mr Yeast, making spaghetti while in a crashing plane. And, would you look at that? Food was involved too!

FOUR'S VILLAIN SONG

Told you we would come back to it! Better than what Disney’s Wish could ever do, Witch!4 sings how great being a villain was and how you just can’t go wrong with a great villain song. An absolute classic.

I do want to point out the first few lines of Four’s musical number:

I’ve gotta be honest with you, There’s many reasons I like being the villain, from just chillin’ to killin’ to tyrannically instilling fear, unto unwilling peasants who crossed my path…

Again, this shouldn’t be taken that seriously, but knowing how Mr Puzzles perceives him to be, this meant a lot more. Four, being the ‘villain’ of IGBP, was “tyrannically instilling fear” unto his friends who ‘prevented’ him from creating the perfect video. This, for the most part, was how Mr Puzzles saw it since IGBP was a horror parody. In reality, the crew was worried for him, not scared of him. Sure, there were moments when they were confused about Four’s extreme behavior but they were more worried about his wellbeing. Mr Puzzles didn’t know what that was like, to have someone worried for another’s wellbeing.

BOOPKINS

Yes, even Boopkins gets a spot on here! In the story, when Mario brought Sir Boopkins to save Princess!3, Princess!3 immediately regrets his life choices. Boopkins, on the other hand, doesn’t listen to what Princess!3’s yelled to Mario and attempts to save him… miserably.

It directly mirrors in IGBP, how Boopkins tried to defeat the keyboard demon with the ‘power of friendship and love’.

Love wins! Love always wins!

[It's Gotta Be Perfect]

He isn't wrong, a lot of the arcs were resolved because of love between friends, family, and partners. The good guys indeed win, but not without sacrifice. They kept their promise, but not without loss.

IGBP was no different. While ‘love always wins’ is true, Boopkins went about it the wrong way, thinking the demon itself would have a change of heart. Three was the one who somehow did it correctly and was able to save Four at the end.

Wow. Love does win, huh?

FAIREST OF THEM ALL

After Sir Boopkins’ failed attempt, Witch!4 comes in, riding a dragon, saying to Princess!3:

“Ha ha! You will never be saved, princess, and I shall be fairest of them all!”

[Once Upon An SMG4]

Do remember that scene?

Good.

Now imagine that moment in IGBP when Four had to choose to save Three or the flash drive that contained the video they made:

You will never be saved, Three, and I will have the perfect video!

…Ain’t that wild?

Then, it begs the question: Did Mr Puzzles want Three to die? Actually, no, he wanted Four dead. Remember back in the movie when the tentacles of the keyboard demon dragged Four back into the desk. Four knew he couldn’t leave so Four begged Three to leave him there and accepted that the whole incident was his fault. And it did seem like the end for him.

Plot twist: Three snapped him (or I guess slapped him) out of it and stayed alongside Four so he could help finish the video. It was because of Three that Four was finally freed from the cursed keyboard and it was because of Three admitting that they are friends that Four made his final decision. If Three wasn’t there, Four would’ve become a monster like Peach did or Four would have to sacrifice Three because he was traumatized to the point that he needs the video.

Perhaps it didn’t go how Mr Puzzles intended it to be but hey, it was entertainment, so he had let it slide for now.

FAIREST FIGHT 2024

Back to the story, Mario proposes that Witch!4 and Princess!3 should have a contest to see who really is the fairest. And so began the Fairest Fight 2024, consisting of three (3) challenges for three (3) judges to see who earns the title of the “fairest of them all”. Let’s begin with the first challenge:

ATTRACTING NOBLE HEROES CHALLENGE

Princess!3 was able to convince one hero with the weak promise of friendship while Witch!4 offering a lifetime sub to his OF, beating Princess!3 this round.

It parallels how it was in the outside world where Three, still trying his best, makes attempts to be popular while Four, already being incredibly popular, can easily attract his audience with his memes. But it also shows how Four is willing to dedicate a lot of his time and effort to making people happy while Three is still cautious about how open he should be to other people.

KISSING A FROG CHALLENGE

Okay, obviously, it's supposed to be a ‘princess and the frog’ reference. Just a bit, but it could mean something more. First off, to get this out of the way, I find it interesting that when Witch!4 tried to kiss a frog, the frog turned into Kermit and practically made him lose the challenge (Three didn’t either btw). It mirrored how in IGBP, Four kept using Kermit clips to make this perfect video, refusing to use any other material which eventually caused him to go insane.

With that out of the way, let’s get to the deep analysis part of this challenge:

As IGBP has taught us, relationships are complicated and complex. It takes time and dedication to stay but it also needs balance. As emotions are involved, it can be hard for others to completely understand the situation but, as Three has done, it’s possible to try.

We already made a connection of this episode being a twist of IGBP, so this could be applied here, how Four and Three approach a supposed relationship, in two ways:

(1) The frogs represent the new people that will enter each of their lives

When Four gets involved romantically and/or platonically with someone new who we call Person A, he can be a bit forward towards this person, but he is willing to commit to it. Person A however would either (1) end the relationship or (2) die. This leaves Four shocked.

When Three gets involved romantically and/or platonically with someone new (Person B), he is willing to risk it all. Usually, he is cautious about what he does but Person B somehow convinced him that they are the exception. Person B, like the poisonous frog, would either (1) use emotional manipulation to hurt 3 to a certain end or (2) be the cause of his death.

(2) The frogs represent each other — the Axol X Melony Theory(???)

That’s right, SMG34 shippers, it’s our time now. While SMG34 ship has been incredibly well-known in the fandom and the people behind the SMG4 show, we know it’s not going to become canon, mostly due to homophobia from certain fans, and the ship isn't meant to be treated seriously. But there are also too many moments that allude to the idea that they can be canon. Even reactors are starting to notice, a few lowkey “ship” them (which is honestly insane). In ‘SMG4: Plane Trip’ episode, Swag and Four had a bit of a bonding moment. Swag mentioned Sonic, his wife, as family. Four mentions how he feels the same (about being in a romantic relationship) and “having someone back home [himself]”, there he is presented with a locket. Again, this could all be a joke with well-known crack ships (memes, Dasani, computer, etc). Strangely though, the punchline never came.

They didn’t have time to put it in.

No, because all it takes is a few seconds to shift to Four’s POV and show THE DAMN PHOTO. BUT THEY DIDN’T!

*proceeds to scream into a pillow*

…Uh, anyway, some reactors suspected the person in the locket was Three. If reactors had the mere thought about Three and Four being together, then you know something really is up between those two. Sure, fandom talk. But like, if someone who you didn’t expect at all says that they might be gay, then the signals they give off must be really loud.

If the slightest chance this ship is ever going to be canon, then the Frog Challenge would be the slickest foreshadowing they had ever done, and yet brings up a whole lot of dread for the SMG34 shippers. At the end of WOTFI 2023, Three drew himself and Four enjoying a cup of coffee together, which seems oddly similar to Melony’s drawing of her and Axol (and vice-versa with Axol’s Confession Page).

If the theory is going to come true and the Kissing A Frog Challenge is going to allude to something, then it could mean two things:

(1) Either Four or Three would be with someone else, leaving the other heartbroken and therefore, their crush on them “died”

(2) Four or Three would confess to the other their feelings, but it would be too late and the other would be destined to die

Oh boy, ok. Let’s take a moment here to take a breather off the screen and pray for the shippers that the Axol X Melony Theory would not come true, regardless if the ship is ever going to be canon.

TRY NOT TO GET KIDNAPPED CHALLENGE

Stepping away from the Kissing Frog Challenge, we hop into this challenge, where the two avoid getting themselves kidnapped by Shrek. Princess!3 came up with the idea to use Witch!4 as a sort of trade, pointing out Witch!4’s features as selling points (with Princess!3 puking at the end there). According to Witch!4, they were "the worst selling points" he ever heard and it still worked. Princess!3 beat the challenge and placed the two of them in a complete tie.

Say it with me now: it’s just a bit.

And yet again I say: hear me out…

It shows that Three accepts Four’s flaws. Sure, there might be things that Three might find annoying about Four but he doesn’t hate Four. Especially, after IGBP, they connected more than ever. When they are in desperate need, they find each other. When one feels down or upset, the other notices. It makes sense, considering that they’re cosmically linked. But somehow, thanks to IGBP, they became close and already saw parts of each other's worst side. Four already accepts that Three is a former villain but Three of all people also accepts Four for who he is.

THE WINNER

The points have been tallied and judges make their decision, declaring Princess!3 as the official winner. Along with the title of being the “fairest”, he gets a wish. Twist of the episode: Three breaks the fourth wall and wishes to escape Mr Puzzles’ control. Then, Godmother Puzzles swoops in and restores the natural order of his script. Again, it’s plain and simple: Three is begging the audience to help them find an escape from this nightmare.

…well…

Notice how the one who broke the tie between the two was Mr Luigi, giving the last point to Princess!3, just as how Mr Yeast preferred to collab with Three instead of Four.

Remember how I said being the fairest is the equivalent of being perfect from that line told by Witch!4? This scene isn’t telling us that Three is perfect, but rather Four is imperfect. For the audience, we know that no one is perfect and that is okay. To quote from the animated show, Arcane:

"In the pursuit of great, we failed to do good."

[Arcane, S1 EP9]

From Mr Puzzles’ perspective and his ideology of being perfect, imperfection sounds like a bad thing.

The part where Princess!3 won was the same way how Three “won” in IGBP. Princess!3 won by getting what he wanted since the beginning of the story: money. Three, being the protagonist of IGBP, the 'good guy', won by beating the demonic keyboard and saving his partner.

.・-: ✧ :--: ✧ :-・.

And that is “Once Upon An SMG4”, a twisted version of “It’s Gotta Be Perfect”. One that Mr Puzzles would have preferred. But it’s not over yet, my dear fellows, as every story has a sequel.

“And SMG4, who knew you could play an antagonist so well! High marks from me.”

[SMG4: Puzzlevision Movie]

A new arc is approaching leading up to WOTFI 2024 and if the 'SMG4: Inside Out' episode has anything to go by, IGBP really affected Four. Perhaps we don't get to see it through his behavior but he still remembers it. (hmm, how curious that Once Upon an SMG4 gets an appearance here...🤔) According to Inside Out 2 movie, orange symbolizes anxiety, meaning that Four is terrified that he might cause another IGBP incident. Naturally, problems can't easily be resolved and at times, they relapse.

In the actual plot of the episode, Four drank that carton of "special brain juice" with Mr Puzzles' face plastered on it. This is a major problem:

(1) Because of Anger taking control of Four's emotions, Four destroyed the carton, getting rid of the only evidence there was for anyone else to make the connection that Mr Puzzles is up to something.

(2) He was alone when he did this. Remember: Three placed a hidden camera in Four's room when he decorated it. It has been confirmed in the actual merch with Three stating in his notebook that "it was a mistake" putting it there. We don't exactly know why he did it, but it can be assumed that he just wanted to keep tabs on Four to make sure another IGBP incident doesn't happen. If he couldn't use the camera, he would stop by to check up on him, making fake excuses on why he came. Except when Four took the carton, it was in the kitchen and Three wasn't able to come over to the castle.

At the end of the episode, we can assume that Mr Puzzles has taken control of Four's mind and used him to his advantage. With WOTFI 2024 coming up and new arcs beyond that, it will be up to the crew to rescue Four once again and stop Mr Puzzles from taking creative control of their real lives...

That is another post for me to work on but in the meantime, that’s just a theory…

AN SMG4 THEORY

🎶Thanks for dropping by🎶

#smg4 #smg4 theory #smg4 smg3 #smg3 #smg3 x smg4 #smg34 #< implied #once upon a perfect smg4 #smg4 puzzlevision #puzzlevision arc #smg4 its gotta be perfect #wotfi 2023

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relativelydimensional · 1 month

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bestie what are some of your merthur fic recs

Omg who me? stooppp <3

Okay so I used to read a LOT of merthur fics back around 2011-2013 and have only recently hopped back on the bandwagon so this will be a mix of some oldies i've revisited and some newer fics that have made me insane :))))

0. this one goes without saying but The Student Prince is seriously one of the best fics in any fandom i've ever read to this day. I relisten to the podfic every single year and it SLAPS every time. If you haven't listened/read recently this is obviously my #1 rec hahahha

Okay onto some actual recs

1. Tired by spqr

King Arthur gets enchanted and keeps having dreams about his court sorcerer merlin :))))) He obviously doesn't say this to Merlin, but Merlin notices he's not been sleeping and Arthur comes clean about having 'nightmares.' When Merlin tries to figure out a counterspell, he accidentally casts it on himself and ohh nooo they're both having sexy dreams about each other but also have to act normal in real life ITS SO YUM. This fic was surprisingly soft, like yes they are having some full on dreams but also the bits that made me extra insane were just the little soft moments between non-dream merthur 🥺

This was a school holidays read and i remember reading this in the staff room of the elementary school i was working at trying so hard not to SCREAM. At one point i had to go on a spirited walk around the building just to get my energy out because it was JUICY.

If you like: canon era fics, court sorcerer merlin, the intimacy of domesticity, arthur with a beard and merthur being so in love but also fucking clueless about it this the fic for you <3

2. But It's a Good Refrain by lady_ragnell

Merlin runs a relationship advice/matchmaking service radio show and Arthur's ex calls in and rips into him on air. Arthur calls in to defend himself and he and Merlin butt heads. An oldie but such a goodie. I love this one because the characterisation feels very natural. Plus i loooove arthur POV fics. Merthur are so sweet in this one and i love love love the dynamic of their respective friendship groups merging. It also features the fandom favourite m/f crack ship that is elena and gwaine which im always here for.

If you like: silly modern AU friend group nonsense, Arthur POV fics, snarky Morgana, and a fic writer who understands the sheer power merlin emrys' 🥺 face would have over not only Arthur but literally ANYONE who looks at him, this is the fic for you.

3. Second Chances by DragonDucks

This is a canondivergence/fix-it fic set immediately after Arthur dies in 5x13. In this version Arthur tells Merlin he loves him with his dying breath and Merlin's magic sort of implodes sending him back in time to 1x1. So it's like sad s5 Merlin getting a second chance to save Arthur in the body of tiny baby s1 merlin.

I'm gonna be honest i'm still reading this one but it has me kicking and screaming!!!! Most of the dialogue is repurposed from the show which makes it extra juicy to me and its just delicious i love it so much. The POV switches between S5 mourning merlin and S1 gay panic arthur and its soooooo good i'm loving it so far. Some of the side characterisation is a little weird but Merthur are PERFECT. It NAILS that yummy introverted Arthur and fond Merlin characterisation.

If you like: canon era fix it fics, time travel, Arthur pendragon falling in love with merlin bit by bit and actually having space and time to grow as a person, and merlin emrys being like no everyone shut up about my destiny i just wanna have a good time with my boyfriend, this is the fic for you.

4. All is Semblative by Whitefox

I just fucking love crossdressing fics okay 😇. This is cinderella meets Merthur. Uther is throwing a ball to find Arthur a bride and servants aren't allowed. Out of spite (and, lets be real, also jealousy) Merlin tries to disguise himself to sneak in and ends up accidentally turning himself into a princess. Arthur hits it off with a weird but beautiful mystery princess who turns out to be his manservant he's been in love with this whole time. Simples.

If you like: Prince Arthur knowing about merlin's magic and being cool with it, fairytale AUs, accidental genderbending (but still canonically mlm merthur), and arthur pendragon singlehandedly embodying demisexual panic this is the fic for you.

5/6. As Long As We Have We AND No Matter How Far Away You Roam by lady_ragnell

Lady Ragnell again because I looove the way they do modern day Arthur. and i've been going through their stuff. These are both super cute christmas fics (I know its a little early but I couldn't help myself). In the first one, Uther has just died (rip uther you will not be missed) and Arthur accidentally collects lonely friends to spend christmas with him in the empty house. At the same time he befriends Merlin, the owner of his local bookstore, and merlin brings his own group of strays to Arthur's christmas...and obviously everyone gets along super well and merthur fall in love. The second one is a fake dating. T get his parents off his back, Arthur lies to Uther and Igraine that he and merlin have been together for years and Merlin (plus his mum and his sister Freya) has to play along one christmas..and obviously everyone gets along....and obviously everyone gets along super well and merthur fall in love.

If you like: found family, cute christmas fics and fluffy merthur these fics are the ones for you!

Also pls if anyone has any canon era secret dating merthur fics i beg of you please send them my way 🥺

#merthur #merlin fic fecs #merthur fic recs #asks #bbc merlin

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scentedpepper · 3 months

Text

Cinderellas Slipper

BILLY HARGROVE X MALE READER

Summary: Billy tries to apologize but loses his slipper instead.

Content Warnings: "Queer" used in a derogatory manner. Brief mention of Billy and Reader having sexual relations. Established Relationships/Lore

Other Pairing(s): Steve Harrington x Male Reader, Jonathan Byers x Male Reader, Will Byers x Male Reader, Nancy Wheeler x Billy Hargrove (implied not said)

AUTHOR NOTE(S):

Writing specific scenes that pop into my head is much easier than committing to an entire fanfic :p

Feeling kinda meh abt this one guys idddkkkk

Uhhhhh Billy is gay bc I say so

No but that headcanon really gets my writer loins spinnin

The depth

Anyway

Billy's a wee bit jealous

👍

_________________________________________

Billy's not sure what lead him to this point.

But the moment he steps out of his Camaro he has to pause, place his hands on his hips, and pace. Once. Twice. Three times for good measure before his attention is redirected to his destination.

Depot Central.

"Hawkins for the Family" Or so the sign outside had stated.

It's 4:30 in the afternoon, you've only been on shift for 30 minutes.

Three and a half hours to go.

Billy has memorized your schedule like the back of his hand.

The depot wasn't small by any means, but most of its stores closed at the latest of six due to its small town status. The depot itself mainly used the second story to hoard it's products, what couldn't fit through the windows displayed itself like an open antique shop on the 1st floor, the remaining area that couldn't be utilized by the display lay store merchandise.

This was the third time in a row he'd come back to the depot.

The first time he'd be stepping inside.

If the place had more customers he would've stalled a little longer, maybe considered another 3 rounds of pacing the parking lot but there was no one in front of him when he stood off to the side, peering through the windows.

His hands find his hips again, pressing agaisnt the brown leather belt adorning his dark blue jeans. It was new. He'd went out and bought it a few days ago. Even went as far as hiding between the aisles of the women's section trying to scope out style.

He didn't buy the pink or purple belt, regardless of how "nice" you said those colors were on him. Instead, by a random struck of luck that felt unwarranted, he'd found one even more perfect. One in which the gems were arranged in a way that made it look like the night sky.

Fucking space because you were into that shit or whatever.

Gemstones on top of silver. And Billy felt like a star on the belt, big and prominent.

Maybe that was wishful thinking. He couldn't really reject the feeling of suffocating when the gems shined in the sunlight through the window panes beside him.

Girly.

Feminine.

Queer.

Billy tries to ignore them and in the process, he considers ditching his clothing choices for today and giving in to his original idea. But even so, with all he's been through, Billy isn't really aware that the things he's learned from you have stuck this long.

He'd scrubbed himself raw in the bathroom just 30 minutes ago. And he made sure to perfectly place the top portion of his maroon button up that was peeled open. And he dabbed cologne on every inch of his body, just in case the amount he had initially put on wasn't enough. And while he was driving he made sure to keep the cigarettes in his dash because he knew the smell, reminiscent of your father, was the sole reason you had never picked them up throughout your teenager years. Not even to just try.

So once more, everything right down to his clean socks were an item of scrutiny. He even had spare deodorant in his car if he started to sweat.

And for what? He didn't fucking know.

The urge to repeat his pacing however came and he knew very well what that meant.

He was thinking about turning around.

But to make sure his body isn't going the opposite direction, he checks his front pockets where two cards were securely nestled in.

Dare Billy say he was almost scared.

He feels sweat starting to prick on the back of his neck, underneath his perfectly defined curls –he didn't even want to think about the measures he went to learn how to make them look so pretty– and he ducks back into his car, deciding he should just put the deodorant everywhere.

As he fumbles for the anti perspirant in his dash, feet sticking out of the car and body pressing against the middle console awkwardly, he realizes that he's almost forgotten the singular rose that he specifically taped to head of his passenger seat so he wouldn't forget it.

Quickly, Billy retrieves the rose and proceeds to rub himself down with the light spray of deodorant.

And despite his previous antsy nature, when he finally goes to walk to the entrance of the store, his face is the perfect mix between cool and ready. But his eyebrows are furrowed, a giveaway to the turmoil going on in his head.

Once the doors slide open, the chimes on top barely audible in the distance, Billy's face twitches ever so slightly when he realizes who is bent over the checkout counter, chatting you up, eliciting deep, rumbling laughter from your wide chest.

Steve.

Billy makes sure the displeasure is gone from his face with a blink of the eyes before he's approaching the two with nonchalant grace. He makes sure his gait is perfect and makes no noise against the flooring of the store, this way he can spy on your conversation from behind the taller shelves of canned food.

He listens close enough to pick up the murmurings of some new ice cream recipe you had apparently tried over the weekend with Will and Jonathan. Sounded absolutely disgusting to Billy. There was pecan and raspberry involved, as well as a hint of honey which would be fine if it wasn't inside frozen food.

But Billy found himself not really paying attention to the words being exchanged, moreso the tone.

Or, more importantly– how Steve said them. Emphasized certain vowels that he wouldn't unless he was in the presence of someone really close.

Just the thought tightens his grip on the small rose clasped tightly in between his fingers and he decides to finally make himself known by making a detour into the candy aisle beside the front desk, going over to get a pack of black liquorish and throwing the item down at the counter for you to ring up.

Your eyes fling up in startle, as though you hadn't noticed Billy at all until the very moment he slammed the unsavory candy on the counter, the plastic brushing a strand of Steve's hair on the way down.

Maybe it was a little bit of an overreaction, but he couldn't help it.

There were instances in which Billy acted purely upon instinct or impulse. Moments in which he let those feelings go to his head and not only let it manifest into words, sometimes that energy even moved his entire body without asking.

You had paused mid-sentence to take in the scene before you. How could you not?

Steve was dumbfounded. Not because the candy was an offense to his palate but because the intensity with which Billy pushed the packaged item towards you was a big one.

Steve moved away from the man looming over his shoulder, offended for his friend across the counter.

The first time Steve had walked in on you two, Billy wanted to kill him –almost killed him. Whatever he was about to retort would most likely have the same outcome.

Because it didn't matter how nicely Billy dressed or spoke to you, Steve could still see the shadow of Billy in his mind, a storm all his own lurking underneath flesh.

"We're still talking. " The brunette finally speaks up, motioning back and forth between himself and you.

Billy snorts and rolls his eyes, trying his hardest not to call the boy across from him something more obscene than asshole because he knows it would lose him any chance of speaking to you.

"You're a worker, right? " Billy plants his forearm on the counter, mocking Steve's pervious position.

"Work. " He spits.

You stare back at him pointedly, hands on your waist before you grab the item and run it across the scanner. A green light graces you skin and a beep fills the empty room.

"52 cents, sir. " You retort simply.

Sir.

"Sir?" Billy reels, face controrting into disgust. The word burned all over, and surely the older boy in front of him knew how much that word would affect him. He must've known that it'd make Billy Hargrove piss his pants.

You did.

But nevertheless, Billy pulls his wallet out and drops a five on the counter, telling you to keep the rest.

The plastic covering of the candy crinkles under your fingers as you lift it from the counter, passing it back to the blonde.

Your fingers brush beneath the packaging and all air seems to whoosh out of Billy's lung in response.

You meets his eyes in the middle.

It's silent for a moment.

–Save for Steve who's munching on the same type of candy just off to the side.

The blonde blinks, once, twice. His brows raising again like they had in his car. Billy can feel it, and he fights the urge to pull his fingers away but he doesn't, both of your hands just dangling there for a minute longer.

"Mm!" Steve chokes suddenly, wincing right after as the liquorish becomes a glob in his mouth and his body jerks backwards in discomfort.

It breaks the moment but Billy has an easier time collecting himself than his competitor.

"Steve. " You exclaim and you make a move towards him, patting your friends back with exaggerated aggression.

"I'm okay. " He rasps. "I'm okay. " He raises his hands up in the air but his words deceive him as he starts another fit of coughing.

After a minute or so of more gagging and choking and violent beatings on the back, Steve finally manages to swallow, with a loud groan of course.

You manage a laugh at the boys struggle, masking the noise the bell atop the door makes when it flies open.

And when you turn back around, half a grin still on your face, you're met with emptiness.

That, and a singular rose haphazardly placed on the counter.

#billy hargrove x reader #billy hargrove x male reader #stranger things #steve harrington x reader #steve harrington x male reader #Jonathan Byers x reader #jonathan byers x male reader #will byers x reader #will byers x male reader #steve harrington #billy hargrove #billy hargrove is gay #jonathan byers #will byers #when i said i liked angst i didnt mean irl

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fairytale-poll · 9 months

Text

ROUND 3D, MATCH 1 OUT OF 4

Propaganda Under the Cut:

Cinders:

She spent decades searching every moon and planet trying to find her wife (Rose), who was kidnapped on their wedding day. Eventually, she found Rose, and they embraced, only for Rose to die in Cinder's arms. And so Cinder killed the king who had kidnapped Rose by punching through his chest and into his heart.

And then Cinder got a somewhat happy ending, in which she met Rose's clone who had Rose's memories.

What if Cinderella was a Sci-Fi lesbian? Well here she is. She has a whole love song about searching the stars for her girlfriend after their wedding was interrupted and she was taken away. She spends years searching only to when she finally finds and embraces her watch her be shot. Cinders is so devastated by this that she plunges her wedding ring into the heart of the man who shot her love killing him.

Lesbian space princess who elopes with the terrifying soldier who was previously conquering her planet and spends decades searching for her when they're separated. Listen to her song https://m.youtube.com/watch?v=6w9V-gMgBF4

I think the way she punches the evil king through the heart as revenge for her wife is pretty neat.

She’s a revolutionary married to a woman, what’s not to love? From Cinders’ Song: “ When I was a little girl, my mother always told me / "Someday your prince will come, my love" / But as I grew, I knew it was a princess who would hold me”.

her girlfriend got cloned and most of said clones were brutally slaughtered in war and she searched for her girlfriend all throughout the galaxy and when they were finally reunited on the battlefield her girlfriend died. and a clone of her girlfriend who due to technical errors retained her memories, so does that count as the same girlfriend? theseus's girlfriend? anyway vote for cinders she's been through hell

Lesbian!! Has to search for her lost love Rose with her glass wedding ring that changes color when its near its partner!! Gets to embrace Rose once again for one final moment before the villain kills Rose right in front of her!! So Cinders kills him in return!! And she's left as (almost) the only surviving main character from her own album but!! She is eventually reunited with a clone of Rose, and while they cannot have a truly 'happy ever after' together they are the ones graced with the closest thing to it

SPACE LESBIANS (she's in love with Rose Red, who gets kidnapped on their wedding day and Cinders searches the galaxy to find her, waiting for her white ring to turn crimson, indicating that its twin was near) She took her name from the ashes of her burning planet <3 She also killed Old King Cole >:)

shes a tragic lesbian and killed a violent dictator shes literally the best

shes gay shes traumatized she dates both rose red and sleeping beauty. badass space wanderer looking for her wife

Her wife Rose gets kidnapped on their wedding day and Cinders spend the next thirty years looking for her. She finds her (:D) and then Rose dies (D:) and then Cinders kills the guy who killed Rose (girlboss).

shes a lesbian. she lost her wife, Rose (yes, as in sleeping beauty) the day they got married bc she was kidnapped. she spent 20 YEARS looking for her. as soon as she found her wife, Rose DIED IN HER ARMS. Cinders has gone through Too Much to lose this poll

(Her info from the wiki) the Princess of a planet burnt by King Cole's army, after it is ceded by her stepmother. She is imprisoned, meets Rose and plans to marry her. She is released by her godmother for the wedding, then flees when the attack happens, spending thirty years looking for Rose. Her half of the wedding ring will light up when she finds Rose.

"When I was a little girl, my mother always told me 'Someday your prince will come, my love' But as I grew, I knew it was a princess who would hold me I looked to the stars for you, my love" She's lesbian Cinderella IN SPACE. She fell in love with her wife in prison and they ran away to have a secret marriage but the empire kidnapped Rose on their wedding night and Cinders had to leave her behind. She searches for Rose for decades with the glass ring that guides her to its twin on her wife's finger. She finally reunites with her love after Rose rips three supersoldiers to pieces with her bare hands (hot) but then then the evil king kills Rose so Cinders fucking punches through his heart. And then a clone of Rose (who is also lesbian Sleeping Beauty IN SPACE) finds her cradling her wife's body and they have a happy reunion(?) and maybe they didn't have a happy ending BUT WHAT IF THEY HAD EACH OTHER? HUH? AAAAAH

she’s everything. she’s a princess from a long since conquered planet. she was imprisoned to make a statement of the brutal reign of old king cole. she met her wife while she was in prison, a beautiful brutal soldier covered in scars from battles. cinders and rose fell in love, so cinders’ godmother in white broke her out of jail so rose and cinders could be together. they were going to be married, except that OLD KING COLE intervened and kidnapped rose to make her the genetic base of his unholy army. so cinders spends THIRTY YEARS searching the galaxies for her love (and sings a really cool song about it called “Cinders’ Song”) until finally she arrives during the final battle just in time to see old king cole SHOOT ROSE DEAD. so cinders punches the king so hard (with her wedding ring) that he just Crumples Into Dust. the end! (no we do not talk about the fiction.)

lesbian, for one, and for two i don't really care i just think it'd be cool if she got in/if she made it past the first round

no one seems to have linked cinder’s song yet, so here [Link]

better yet, listen to the whole album too, for context and also what comes after. it slaps and also tragedy it's such a good album suhc a good band too

Someone already sent the song as propaganda, so I will provide SPOILER propaganda. [Click link to see spoilers.]

Cinderella:

The embodiment of "Aren't you tired of being nice? Don't you just want to go apeshit?" but then she eventually decides that even if she's tired of being nice it's still worthwhile to try, and that doesn't mean she had to let people walk all over her

Her story is so fascinating, and she feels more realistic than other depictions of Cinderella. Most ItW characters have some fatal flaw- hers is her indecisiveness. After she goes to the ball, it isn’t a spell ending at midnight causing her to leave- it’s her fear of being discovered as a peasant. But the Prince loves her, so should she stay? But what would he do if she finds out she’s poor? But what if he wants that in a wife? But she wouldn’t fit in. But how would she know if she fits in if she doesn’t know who she is? This dilemma is what leads to her leaving her shoe on the steps of the palace and seeing if he comes back for her. But we know this story, she gets with the Prince and they live happily ever after… until act 2. The tree marking her mother’s grave has fallen down due to a rampaging giant, and she goes to mourn the loss of it. While she’s there, she learns of heartbreaking news- her husband cheated on her. Now this could lead to another example of her indecisiveness, but by now she’s grown from her last venture into the woods. She knows exactly what she needs to do and how to do it. She meets up with her companions from act 1 and comes up with a plan to kill the giant. But before this, she notices one member of the group, Little Red Riding Hood, is looking gloomy. The girl’s mother and granny had died due to the wrath of the giant, and she’s questioning her morality because she’s about to kill somebody. Cinderella, who knows about losing a mother, comforts her with the heartwrenching No One Is Alone, where she assures Red that there will always be someone looking out for her. She then runs into the Prince, and she confronts him on his infidelity. She is given the option to return to her marriage with him, but she denies and tells him to consider her “a victim of the giant.” After the giant is defeated, she moves in the with other survivors of the attack and helps our main character the Baker raise his newborn baby, as well as take care of Red and Jack. I wouldn’t consider anybody in ItW a good person- grey morality is a major theme in the show, after all- but out of the main cast, Cinderella is easily the most moral. Also she feels super aromantic so we love that for her too.

Into the woods is an incredible deconstruction of fairytales in general, and her arc is my favorite. Her story focuses on being a damsel because she doesn’t know what she wants. She even purposely leaves her shoe so she doesn’t have to choose if the prince finds her. The show ends with her realizing that she has to have agency even if the choices she makes might be bad because that’s just part of being an adult. Also she has great songs.

SHE JUST WANTS A FUN NIGHT OUT, NONE OF THIS SUDDEN QUEENLY RESPONSIBILITY!

in this version she intentionally leaves behind the shoe because she's indecisive over whether she wants to stay at home which is familiar but horrible or go with the prince to the palace which is a whole new world for her she isn't used to at all and doesn't feel like she belongs. by leaving the shoe behind she makes it the prince's choice instead. but after she does marry him she still finds herself rather unhappy especially considering her prince is unfaithful and just all around sucks. by the end she decides to move in with a baker after leaving the prince finally finding the in between she was looking for. it's a really interesting take on her imo.

Okay we all know the movie adaptation is garbage but hear me out: I think that Anna Kendrick does a really good job of portraying her in the movie. She’s not nearly as bad as the Baker who was played by James fucking Cordon. With what she’s given, she does a really good job of portraying this version of Cinderella, who to me feels like a lost child that now as an adult is trying to figure out her place in the world. She’s indecisive but she wasn’t given the same tools in life as others to become that more confident and strong version of herself, which she finally is able to do by the end.

SHES SILLY!!! i had a huge essay but i realize now that i should probably save it for it's own post so here's a shortened version: -A huge part of her character arc revolves around realizing the prince is an asshole and she wasn't actually in love with him, but an idea of him (she's so comphet lesbian coded) -She can talk to birds and they do favors for her, but people think it's weird -She actually sometimes enjoys cleaning, when her step family isn't forcing her to do it. -Has multiple bangers, the first being On The Steps of The Palace where she basically goes "hm i think my life would be much easier and greatly improved if i just let other people decide my future for me" (aka leaving her shoe on the palace steps and letting fate decide if the prince finds her or not). The second is No One Is Alone, where she has what I would argue is one of the best solos in the entire show -Overall I think she's a really layered adaptation of Cinderella that seems like the standard kind no personality princess but is actually a really good study on romance and getting what you want and also shes a huge girlfail and we love her for that <3 ok bye Girlypop's husband cheats on her with the Baker's Wife and is told this by birds. That entire sentence is just batshit and no other Cinderella version has this. Not to mention the keep the step-sisters being blinded by said birds

#cinderpoll #round 3 #round 3d #cinders #once upon a time in space #the mechanisms #cinderella #into the woods #stephen sondheim #musicals #fairytale #poll tournament #poll bracket #character polls #polls

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