#did u have any ship names

[welcometoouranarchyhole]

nah but thinking abt it my self shipping phasee was crazy i have SOOO many memories-

[anominous-user]

Double Indemnity, Veritas Ratio and Aventurine

This was originally a part of my compilation post as a short analysis on the Double Indemnity references, linking to this great thread by Manya on Twitter. However, I've recently watched the movie and found that the parallels run much deeper than just the mission name and the light cone itself, plus as the short synopsis I've read online. Since there isn't really an in-depth attempt at an analysis on the film in relation to the way Aventurine and Ratio present themselves throughout Penacony, I thought I'd take a stab at doing just that. I will also be bringing up things from Manya's thread as well as another thread that has some extra points.

Disclaimer that I... don't do analyses very often. Or write, in general — I'm someone who likes to illustrate their thoughts (in the artistic sense) more than write. There's just something about these two that makes me want to rip into them so badly, so here we are. If there's anything you'd like to add or correct me on, feel free to let me know in the replies or reblogs, or asks. This ended up being a rather extensive deep dive into the movie and its influences on the pairing, so please keep that in mind when pressing Read More.

There are two distinct layers on display in Ratio and Aventurine's relationship throughout Penacony, which are references to the two most important relationships in the movie — where they act like they hate/don’t know each other, and where they trust each other.

SPOILER WARNING for the entire movie, by the way. You can watch the film for free here on archive.org, as well as follow along with the screenplay here. I will also be taking dialogue and such from the screenplay, and cite quotes from the original novel in its own dedicated section. SPOILER WARNING for the Cat Among Pigeons Trailblaze mission, as well.

CONTENT WARNING FOR MENTIONS OF SUICIDE. YOU HAVE BEEN WARNED.

To start, Double Indemnity (1944) is a film noir by Billy Wilder (and co-written by Raymond Chandler) based on the novel of the same name by James M. Cain (1927). There are stark differences between the movie adaptation and the original novel which I will get into later on in this post, albeit in a smaller section, as this analysis is mainly focused on the movie adaptation. I will talk about the basics (summaries for the movie and the game, specifically the Penacony mission in tandem with Ratio and Aventurine) before diving into the character and scene parallels, among other things.

—

[THE NAME]

The term "double indemnity" is a clause in which if there’s a case of accidental death of a statistically rare variety, the insurance company has to pay out multiple of the original amount. This excludes deaths by murder, suicide, gross negligence, and natural causes.

The part of the mission in Cat Among Pigeons where Ratio and Aventurine meet with Sunday is named after the movie. And before we get further into things, let's get this part out of the way: The Chinese name used in the mission is the CN title of the movie, so there's no liberties taken with the localization — this makes it clear that it’s a nod to the movie and not localization doing its own thing like with the mission name for Heaven Is A Place On Earth (EN) / This Side of Paradise (人间天堂) (CN).

—

[SUMMARY OF THE 1944 MOVIE]

Here I summarised the important parts that will eventually be relevant in the analysis related to the game.

Insurance salesman Walter Neff, wounded from a gunshot, enters his office and confesses his crime on a dictaphone to his boss Barton Keyes, the claims manager. Much earlier, he had met Phyllis Dietrichson, the wife of Mr. Dietrichson and former nurse. Neff had initially wanted to meet Mr. Dietrichson because of car insurance. Phyllis claims her husband is mean to her and that his life insurance goes to his daughter Lola. With Neff seduced by Phyllis, they eventually brew up a scheme to murder Mr. Dietrichson in such a way that they activate the "double indemnity" clause, and the plan goes off almost perfectly. Initially, the death is labeled a suicide by the president of the company, Norton. 

Keyes finds the whole situation suspicious, and starts to suspect Phyllis may have had an accomplice. The label on the death goes from accidental, to suicide, to then murder. When it’s ruled that the husband had no idea of the accidental policy, the company refuses to pay. Neff befriends Phyllis’ stepdaughter Lola, and after finding out Phyllis may have played a part in the death of her father’s previous wife, Neff begins to fear for Lola and himself, as the life insurance would go all towards her, not Phyllis.

After the plan begins to unravel as a witness is found, it comes out that Lola’s boyfriend Nino Zachette has been visiting Phyllis every night after the murder. Neff goes to confront Phyllis, intending to kill her. Phyllis has her own plans, and ends up shooting him, but is unable to fire any more shots once she realises she did love him. Neff kills her in two shots. Soon after telling Zachette not to go inside the house, Neff drives to his office to record the confession. When Keyes arrives, Neff tells him he will go to Mexico, but he collapses before he could get out of the building.

—

[THE PENACONY MISSION TIMELINE]

I won’t be summarising the entirety of Aventurine and Ratio’s endeavours from the beginning of their relationship to their final conversation in Heaven Is A Place On Earth the same way as I summarised the plot of the movie, so I will instead present a timeline. Bolded parts means they are important and have clear parallels, and texts that are in [brackets] and italics stand for the names of either the light cone, or the mission names.

[Final Victor] Their first meeting. Ratio’s ideals are turned on its head as he finally meets his match.

Several missions happen in-between their first encounter and the Penacony project. They come to grow so close and trusting with each other that they can guess, understand each other’s thoughts, way of thinking and minds even in high stakes missions. Enough to pull off the Prisoner’s Dilemma (Aventurine’s E1) and Stag Hunt Game (Aventurine’s E6) and come out on top.

Aventurine turns towards Ratio for assisting him in the Penacony project. Ratio's involvement in the project is implied to be done without the knowledge of Jade, Topaz, and the IPC in general, as he was only sent to Penacony to represent the Intelligentsia Guild, and the two other Stonehearts never mention Ratio.

Aventurine and Ratio cook up the plan to deceive Sunday before ever setting foot on Penacony. Aventurine does not tell Ratio the entirety of his plan.

Aventurine convinces Topaz and Jade to trust him with their Cornerstones. Aventurine also breaks his own Cornerstone and hides it along with the jade within a bag of gift money.

[The Youth Who Chase Dreams] They enter Penacony in the Reverie Hotel. Aventurine is taken to the side by Sunday and has all his valuables taken, which includes the gift money that contains the broken aventurine stone, the jade, and the case containing the topaz.

Aventurine and Ratio speak in a “private” room about how Aventurine messed up the plan. After faking an argument to the all-seeing eyes of Sunday, Ratio leaves in a huff.

Ratio, wearing his alabaster head, is seen around Golden Hour in the (Dusk) Auction House by March 7th.

[Double Indemnity] Ratio meets up with Sunday and “exposes” Aventurine to him. Sunday buys his “betrayal”, and is now in possession of the topaz and jade. Note that this is in truth Ratio betraying Sunday all along.

Ratio meets up with Aventurine again at the bar. Ratio tells Aventurine Sunday wants to see him again.

They go to Dewlight Pavilion and solve a bunch of puzzles to prove their worth to Sunday.

They meet up with Sunday. Sunday forces Aventurine to tell the truth using his Harmony powers. Ratio cannot watch on. It ends with Aventurine taking the gift money with his Cornerstone.

[Heaven Is A Place On Earth] They are in Golden Hour. Ratio tries to pry Aventurine about his plan, but Aventurine reins him in to stop breaking character. Ratio gives him the Mundanite’s Insight before leaving. This is their final conversation before Aventurine’s grandest death.

Now how exactly does the word “double indemnity” relate to their mission in-game? What is their payout? For the IPC, this would be Penacony itself — Aventurine, as the IPC ambassador, handing in the Jade Cornerstone as well as orchestrating a huge show for everybody to witness his death, means the IPC have a reason to reclaim the former prison frontier. As for Ratio, his payout would be information on Penacony’s Stellaron, although whether or not this was actually something he sought out is debatable. And Aventurine? It’s highly implied that he seeks an audience with Diamond, and breaking the Aventurine Cornerstone is a one way trip to getting into hot water with Diamond. With Aventurine’s self-destructive behaviour, however, it would also make sense to say that death would be his potential payout, had he taken that path in the realm of IX.

Compared to the movie, the timeline happens in reverse and opposite in some aspects. I will get into it later. As for the intended parallels, these are pretty clear and cut:

Veritas Ratio - Walter Neff

Aventurine - Phyllis Dietrichson

Sunday - Mr. Dietrichson

There is one other character who I feel also is represented in Ratio, but I won’t bring them up until later down the line.

For the sake of this analysis, I won’t be exploring Sunday’s parallel to Mr. Dietrichson, as there isn’t much on Dietrichson’s character in the first place in both the movie and the novel. He just kind of exists to be a bastard that is killed off at the halfway point. Plus, the analysis is specifically hyper focused on the other two.

—

[SO, WHAT’S THE PLAN?]

To make things less confusing in the long run whenever I mention the words “scheme” and “plan”, I will be going through the details of Phyllis and Neff’s scheme, and Aventurine and Ratio’s plan respectively. Anything that happens after either pair separate from another isn’t going to be included. Written in a way for the plans to have gone perfectly with no outside problems.

Phyllis and Neff —> Mr. Dietrichson

Goal: Activate the double indemnity clause by killing Mr. Dietrichson and making it look like a freak train accident

Payout: Twice or more of the face value of the life insurance ($100,000)

Main Actor: Walter Neff    |    Accomplice: Phyllis Dietrichson

During the entire time until the payout, Phyllis and Neff have to make sure to any outsiders that they look like complete strangers instead of lovers in an affair.

Step-by-step:

Neff convinces Mr. Dietrichson to sign the policy with the clause without him suspecting foul play, preferably with a third party to act as an alibi. This is done discreetly, making Mr. Dietrichson not read the policy closely and being told to just sign.

Neff and Phyllis talk to each other about small details through the phone (specified to be never at Phyllis’ own house and never when Neff was in his office) and in the marketplace only, to make their meetings look accidental. They shouldn’t be seen nor tracked together, after all.

Phyllis asks Mr. Dietrichson to take the train. She will be the one driving him to the train station.

On the night of the murder, after making sure his alibi is airtight, Neff sneaks into their residence and hides in their car in the second row seating, behind the front row passenger seat. He wears the same colour of clothes as Mr. Dietrichson.

Phyllis and Mr. Dietrichson get inside the car — Phyllis in the driver’s seat and Mr. Dietrichson in the passenger seat. Phyllis drives. On the way to the train station, she makes a detour into an alley. She honks the horn three times.

After the third honk, Neff breaks Mr. Dietrichson’s neck. The body is then hidden in the second row seating under a rug.

They drive to the train station. Phyllis helps Neff, now posing as Mr. Dietrichson, onto the train. The train leaves the station.

Neff makes it to the observation platform of the parlour car and drops onto the train tracks when nobody else is there.

Phyllis is at the dump beside the tracks. She makes the car blink twice as a signal.

The two drag Mr. Dietrichson’s corpse onto the tracks.

They leave.

When Phyllis eventually gets questioned by the insurance company, she pretends she has no idea what they are talking about and eventually storms off.

Phyllis and Neff continue to lay low until the insurance company pays out.

Profit!

Actual Result: The actual murder plan goes almost smoothly, with a bonus of Mr. Dietrichson having broken a leg. But with him not filing a claim for the broken leg, a witness at the observation platform, and Zachette visiting Phyllis every night after the murder, Keyes works out the murder scheme on his own, but pins the blame on Phyllis and Zachette, not Neff.

Now for Aventurine and Ratio. You can skip this section if you understand how deep their act goes, but to those who need a refresher, here’s a thorough explanation:

Aventurine and Ratio —> Sunday

Goal: Collect the aventurine stone without Sunday knowing, ruin the dream (and create the grandest death)

Payout: Penacony for the IPC, information on the Stellaron for Ratio, a meeting with Diamond / death for Aventurine

Main Actor: Aventurine    |    Accomplice: Veritas Ratio

From the moment they step onto Penacony, they are under Sunday’s ever present and watchful eyes. “Privacy” is a foreign word to The Family. They have to act like they don’t like each other’s company the entire time and feed Sunday information through indirect means so that the eventual “betrayal” by Ratio seems truthful to Sunday. Despite what it looks like, they are closer than one would ever think, and Ratio would never sell out a person purely for information.

Step-by-step:

After Sunday takes away the bag of gift money and box, Aventurine and Ratio talk in a room in the Reverie Hotel.

Aventurine establishes the Cornerstones’ importance, and how he lost the gift money and the case containing the Cornerstones to Sunday. Ratio turns to leave, saying “some idiot ruined everything”, meaning the Cornerstones were vital to their plan. (Note that Ratio is not wearing his alabaster head while saying it to said “idiot”.)

Aventurine then proceeds to downplay the importance of the Cornerstones, stating they are “nothing more than a few rocks” and “who cares if they are gone”. This lets Sunday know that something suspicious may be going on for him to act like it’s nothing, and the mention of multiple stones, and leaves him to look up what a Cornerstone is to the Ten Stonehearts of the IPC.

Ratio points out his absurd choice of outfit, mentioning the Attini Peacock and their song.

Ratio implies that without the aventurine stone, he is useless to the IPC. He also establishes that Aventurine is from Sigonia(-IV), and points out the mark on his neck. To Sunday, this means that Aventurine is shackled to the IPC, and how Aventurine may possibly go through extreme lengths to get the stone back, because a death sentence always looms above him.

Aventurine claims Ratio had done his homework on his background, which can be taken that this is their very first time working together. (It isn’t, and it only takes one look to know that Aventurine is an Avgin because of his unique eyes, so this comment does not make sense even in a “sincere” way, a running theme for the interaction.)

Ratio mentions how the true goal is to reclaim Penacony for the IPC, establishing their ulterior motive for attending the banquet.

Ratio asks if Aventurine went to pre-school in Sigonia after saying trust was reliant on cooperation. Aventurine mentions how he didn’t go to school and how he doesn’t have any parents. He even brings up how friends are weapons of the Avgins. This tells Sunday that the Avgins supposedly are good at manipulation and potentially sees Ratio possibly betraying Aventurine due to his carelessness with his “friends”. Sunday would also then research about the Avgins in general (and research about Sigonia-IV comes straight from the Intelligentsia Guild.)

Ratio goes to Dewlight Pavilion in Sunday’s Mansion and exposes a part of Aventurine’s “plan”. When being handed the suitcase, Ratio opens it up due to his apparent high status in the IPC. He tells Sunday that the Cornerstone in the suitcase is a topaz, not an aventurine, and that the real aventurine stone is in the bag of gift money. This is a double betrayal — on Aventurine (who knows) and Sunday (who doesn’t). Note that while Ratio is not officially an IPC member in name — the Intelligentsia Guild (which is run by the IPC head of the Technology Department Yabuli) frequently collaborates with the IPC. Either Aventurine had given him access to the box, or Ratio’s status in general is ambiguous enough for Sunday not to question him further. He then explains parts of Aventurine’s gamble to Sunday in order to sell the betrayal. Note that Ratio does not ever mention Aventurine’s race to Sunday.

Ratio brings Aventurine to Sunday. Aventurine offers help in the investigation of Robin's death, requesting the gift money and the box in return.

Sunday objects to the trade offer. Aventurine then asks for just the bag. A classic car insurance sales tactic. Sunday then interrogates Aventurine, and uses everything Ratio and Aventurine brought up in the Reverie Hotel conversation and their interactions in the Mansion, as well as aspects that Ratio had brought up to Sunday himself.

Aventurine feigns defeat and ignorance enough so that Sunday willingly lets him go with the gift bag. After all is said and done, Aventurine leaves with the gift money, where the Aventurine Cornerstone is stored all along.

Ratio and Aventurine continue to pretend they dislike each other until they go their separate ways for their respective goals and plans. Aventurine would go on to orchestrate his own demise at the hands of Acheron, and Ratio… lurks in the shadows like the owl he is.

Profit!

Actual Result: The plan goes perfectly, even with minor hiccups like Ratio coming close to breaking character several times and Aventurine being sentenced to execution by Sunday.

This is how Sunday uses the information he gathered against Aventurine:

• Sunday going on a tirade about the way Aventurine dresses and how he’s not one to take risks — Ratio’s comment about Aventurine’s outfit being peacock-esque and how he’s “short of a feather or two”. • “Do you own a Cornerstone?” — Ratio talked about the aventurine stone. • “Did you hand over the Cornerstone to The Family when you entered Penacony?” — Aventurine mentioned the box containing the Cornerstones. • “Does the Cornerstone you handed over to The Family belong to you?” — Aventurine specifically pluralized the word Cornerstone and “a bunch of rocks” when talking to Ratio. • “Is your Cornerstone in this room right now?” — The box in the room supposedly contained Aventurine’s own cornerstone, when Aventurine mentioned multiple stones. • “Are you an Avgin from Sigonia?” —Aventurine mentioned that he’s an Avgin, and Ratio brought up Sigonia. • “Do the Avgins have any ability to read, control, and manipulate one’s own or another’s minds?” — Aventurine’s comment on how friends are weapons, as well as Sunday’s own research on the Avgins, leading him to find out about the negative stereotypes associated with them. • “Do you love your family more than yourself?” — His lost parents. “All the Avgins were killed in a massacre. Am I right?” — Based on Sunday’s research into his background. • “Are you your clan’s sole survivor?” — Same as the last point. “Do you hate and wish to destroy this world with your own hands?” — Ratio mentioned the IPC’s goal to regain Penacony, and Aventurine’s whole shtick is “all or nothing”. • “Can you swear that at this very moment, the aventurine stone is safe and sound in this box?” — Repeat.

As seen here, both duos have convoluted plans that involve the deception of one or more parties while also pretending that the relationship between each other isn’t as close as in reality. Unless you knew both of them personally and their histories, there was no way you could tell that they have something else going on. 

On to the next point: Comparing Aventurine and Ratio with Phyllis and Neff.

—

[NEFF & PHYLLIS — RATIO & AVENTURINE]

With the short summaries of the movie and the mission out of the way, let’s look at Phyllis and Neff as characters and how Aventurine and Ratio are similar or opposite to them.

Starting off with Aventurine and Phyllis. Here is where they are the most similar:

Phyllis is blonde and described as a provocative woman. Aventurine is also a blond and eyes Ratio provocatively in the Final Victor light cone.

Phyllis was put under surveillance after Keyes starts figuring out that the so-called accidental death/suicide may have been a murder after all. Similarly, Aventurine was watched by Sunday the entire time in Penacony.

Phyllis never tells Neff how she's seeing another man on the side to possibly kill him too (as well as how she was responsible for the death of her husband‘s previous wife). Aventurine also didn't tell Ratio the entirety of his plan of his own death.

Phyllis puts on a somewhat helpless act at first but is incredibly capable of making things go her way, having everything seemingly wrapped around her finger. Aventurine — even when putting on a facade that masks his true motives — always comes out at the top.

Now the differences between Aventurine and Phyllis:

Phyllis does not care about her family and has no issue with killing her husband, his previous wife, and possibly her daughter Lola. Opposite of that, Aventurine is a family man… with no family left, as well as feeling an insane level of survivor’s guilt.

Really, Phyllis just… does not care at all about anyone but herself and the money. Aventurine, while he uses every trick in the book to get out on top, does care about the way Jade and Topaz had entrusted him with their Cornerstones, in spite of the stones being worth their lives. 

Phyllis also uses other people to her advantage to get what she wants, often behind other people's backs, with the way she treats Neff and Zachette. Aventurine does as well (what with him making deals with the Trailblazer while also making a deal with Black Swan that involves the Trailblazer). The difference here is Phyllis uses her allure deliberately to seduce men while Aventurine simply uses others as pawns while also allowing others to do the same to himself.

Phyllis makes no attempt at compromising the policy when questioned by Norton. Aventurine ends up compromising by only taking the gift money (which is exactly what he needs).

The wig that Barbara Stanwyck (the actress of Phyllis) wore was chosen to make her look as “sleazy” as possible, make her look insincere and a fraud, a manipulator. A sort of cheapness. Aventurine’s flashy peacock-esque outfit can be sort of seen as something similar, except the outfit isn’t cheap.

Moving on to Ratio’s similarities to Neff… There isn’t much to extrapolate here as Ratio is more of a side character in the grand scheme of Penacony, however this is what I’ve figured out.

Neff has dark hair. Ratio has dark purple hair.

Neff almost never refers to Phyllis by her name when speaking with her, only as “baby”. The few times he refers to her as Phyllis or Mrs. Dietrichson is during their first conversations and when he has to act like he doesn’t know her. Ratio never calls Aventurine by his name when he’s around him — only as “gambler”, sometimes “damned” or “dear” (EN-only) gambler. Only in the Aventurine's Keeping Up With Star Rail episode does Ratio repeatedly say his name, and yet he still calls him by monikers like “gambler” or, bafflingly, a “system of chaos devoid of logic”.

Both Neff and Ratio committed two betrayals: Neff on Mr. Dietrichson and Keyes, and Ratio on Sunday and Aventurine. With the former cases it was to reach the end of the trolley line, and with the latter it was on a man who had put his trust in him.

As for the differences…

Neff is described as someone who’s not smart by his peers. Ratio is someone who is repeatedly idolised and put on a pedestal by other people.

Neff is excellent at pretending to not know nor care for Phyllis whenever he speaks about her with Keyes or when he and she are in a place that could land them in hot water (the office, the mansion when there are witnesses). His acting is on the same level as Phyllis. With Ratio it’s… complicated. While he does pull off the hater act well, he straight up isn’t great at pretending not to care about Aventurine’s wellbeing.

Instead of getting his gunshot wound treated in the hospital like a normal person, Neff makes the absolutely brilliant decision of driving to his office and talking to a dictaphone for hours. Needless to say, this is something a medical doctor like Ratio would never do.

Now here's the thing. Though it's very easy to just look at Phyllis and Neff in the movie and go "okay, Aventurine is Phyllis and Ratio is Neff — end of story" and leave it at that, I find that they both take from the two leads in different ways. Let me explain. Beginning with Aventurine and Neff…

Neff is the one who hatches the plan and encourages Phyllis to go through and claim the double indemnity clause in the first place. He is also the key player of his own risky plan, having to fake being the husband to enter the train as well as fake the death. Aventurine puts himself at great risk just by being in Sunday’s presence, and hoping that Sunday wouldn’t figure out that the green stone he had uncovered wasn’t the aventurine stone.

Adding onto the last point, Neff had fantasised about pulling off the perfect murder for a long time — the catalyst was simply him meeting Phyllis. Aventurine presumably sought out Ratio alone for his plan against Sunday.

Neff makes a roulette wheel analogy and talks about a pile of blue and yellow poker chips (the latter in the script only). I don‘t even have to explain why this is relevant here. (Aventurine’s Ultimate features a roulette wheel and the motif is on his belt, thigh strap, and back, too. And of course, Aventurine is all about his chips.)

Neff has certain ways to hide when he’s nervous, which include hiding his hands in his pockets when they were shaking, putting on glasses so people couldn’t see his eyes. Aventurine hides his left hand behind his back when he’s nervous: Future Aventurine says that "they don't know the other hand is below the table, clutching [his] chips for dear life", and in multiple occasions such as the Final Victor LC, his character trailer, and even in his boss form in the overworld you can see that Aventurine hides his left hand behind his back. And he is also seen with his glasses on sometimes.

Neff says a bunch of stuff to make sure that Phyllis acts her part and does not act out of character (i.e. during their interactions at the market), like how Aventurine repeatedly tries to get Ratio back on track from his subpar acting.

Neff is always one step ahead of the game, and the only reason the plan blows up in his face is due to outside forces that he could not have foreseen (a witness, Keyes figuring out the plan, the broken leg). Aventurine meanwhile plays 5D chess and even with the odds against him, he uses everything he can to come out on the top (i. e. getting Acheron to kill him in the dream).

Even after coming home on the night of the murder, Neff still felt that everything could have gone wrong. Aventurine, with his blessed luck, occasionally wavers and fears everything could go wrong whenever he takes a gamble.

Neff was not put under surveillance by Keyes due to him being extensive with his alibi. After witnessing Robin’s death with eyewitnesses at the scene, the Family had accepted Aventurine’s alibi, though he would be under watch from the Bloodhounds according to Ratio.

Neff talks about the entire murder scheme to the dictaphone. Aventurine during Cat Among Pigeons also retells his plan, albeit in a more convoluted manner, what with his future self and all.

Continuing with Ratio and Phyllis, even with their personalities and motivations being quite different, they do have a few commonalities.

Phyllis was a nurse. Ratio is a medical doctor.

Her name is Greek of origin. Veritas Ratio, though his name is Latin, has Greco-Roman influences throughout his entire character.

The very first scene Phyllis appears in has her wearing a bath towel around her torso. Ratio loves to take baths to clear his mind.

Phyllis was instructed by Neff to be at the market every morning at eleven buying things. Ratio is seen in an auction house with his alabaster head on so no one could recognize him.

Phyllis mostly acts as an accomplice to the scheme, being the one to convince her husband to take the train instead. She is also generally seen only when Neff is involved. Ratio plays the same role as well, only really appearing in the story in relation to Aventurine as well as being the accomplice in Aventurine’s own death. Even him standing in the auction house randomly can be explained by the theory that he and Aventurine had attempted to destabilise Penacony’s economy through a pump and dump scheme.

With these pointers out of the way, let’s take a closer look at select scenes from the film and their relation to the mission and the pair. 

—

[THE PHONE CALL — THE REVERIE HOTEL]

Before the murder, there is a scene with a phone call between Phyllis and Neff discussing the plan while Keyes is in the same room as Neff. Neff has to make sure that Keyes doesn’t think of anything of the phone call, so he acts like he’s calling a “Margie”, and says a bunch of stuff that sounds innocent out of context (“Can’t I call you back, ‘Margie’?” “What color did you pick out?” “Navy blue. I like that fine”), but are actually hinting at the real plan all along (the suit that Mr. Dietrichson wears.)

In a roundabout way, the conversation between Ratio and Aventurine in the Reverie Hotel can be seen as the opposite of that scene — with the two talking about their supposed plan out loud on Penacony ground, a place where the Family (and in turn, Sunday) has eyes everywhere. Despite being in a “private” room, they still act like they hate each other while airing out details that really do not make sense to air out if they really did meet the first time in Penacony (which they didn’t — they’ve been on several missions beforehand). It’s almost like they want a secret third person to know what they were doing, instead of trying to be hushed up about it. The TVs in the room that Sunday can look through based on Inherently Unjust Destiny — A Moment Among The Stars, the Bloodhound statue that disappears upon being inspected, the owl clock on the left which side eyes Ratio and Aventurine, all point to that Sunday is watching their every move, listening to every word.

Rewinding back to before the phone call, in one of the encounters at the marketplace where they “accidentally” run into each other, Phyllis talks about how the trip was off. How her husband wouldn’t get on the train, which was vital for their plan, because of a broken leg. All this, while pretending to be strangers by the passersby. You could say that the part where Ratio almost leaves because Aventurine had “ruined the plan” is the opposite of this, as the husband breaking his leg was something they couldn’t account for, while Aventurine “being short of a few feathers” was entirely part of the plan.

—

[QUESTIONING PHYLLIS — THE INTERROGATION]

This section is going to be a little longer as I will cover two scenes in the movie in a more detailed manner — Mr. Dietrichson signing the policy, and Phyllis being questioned — and how they are represented in the Sunday-Aventurine interrogation and the prior conversation between Ratio and Sunday in multitudes of ways.

Going about their plan, Neff has to make sure that Mr. Dietrichson signs the policy with the double indemnity clause without him knowing the details, all the while having Phyllis (and Lola) in the same room. He and Phyllis have to pretend that they don’t know each other, and that this is just the standard accidental insurance process, instead of signing what would be his downfall. To sell it, he gets Mr. Dietrichson to sign two “copies” of the form, except with Mr. Dietrichson’s second signature, he’s duped into signing the accident insurance policy with the respective clause.

You can tie this to how Ratio goes to Sunday in order to “expose” the lie that the suitcase didn’t actually contain the Aventurine Cornerstone, as well as there being more than one Cornerstone involved in the scheme. Ratio must make sure that Sunday truly believes that he dislikes Aventurine’s company, while also making sure that Sunday doesn’t figure out the actual aventurine stone is broken and hidden in the gift bag. The scheme turns out to be successful, as Sunday retrieves the two Cornerstones, but not the aventurine stone, and truly does think that the green stone he has in his possession is the aventurine.

This whole scene with Sunday is also reminiscent of the interrogation scene in the middle of the movie, where Phyllis was questioned by the boss (Norton) who was deducing that Mr. Dietrichson's death was a suicide, not accidental death. Neff, Phyllis, Keyes and Norton were all in the same room, and Neff and Phyllis had to act like they never knew the other. Phyllis acts like she knows nothing about what Norton insinuates about her husband and eventually, Phyllis explodes in anger and storms out the room, even slamming the door. Her act is very believable to any outsider.

Now back to the Ratio and Sunday conversation. One glaring difference between the movie and here is that his acting isn’t great compared to either Phyllis nor Neff. It never was throughout the Penacony mission. He even comes very close to breaking character several times, and is even defending Aventurine in a somewhat aggressive manner during his one-on-one conversation with Sunday, as in he literally tells Sunday to see a shrink. It’s very different from the way he was acting in Herta Space Station — like Ratio cares about Aventurine too much to keep his hands off.

It's also worth pointing out that Neff doesn't speak a word when Phyllis was being interrogated. Similarly, Ratio is silent throughout the entire scene with Sunday and Aventurine, with his only “line” being a “hm”. When Aventurine calls him a wretch to his face, all he does is look to the side. In fact, he can only look at Aventurine when the other isn’t staring back. Almost like him uttering a single word would give them away. Or his acting is terrible when it has to do with Aventurine, as he has no issue doing the same thing in Crown of the Mundane and Divine (Mundane Troubles).

So, Sunday finds out about the Cornerstones and reveals them to Aventurine, and reasons that he cannot give them back to him because Aventurine had lied. Note that in that same scene, Aventurine attempted to use the two murders that had occurred beforehand against Sunday to retrieve his own cornerstone. Similarly, when it was revealed that Mr. Dietrichson did not know about the accident policy and that the so-called “accidental death” was not, in fact, accidental, the insurance company refused to pay out the money.

Unlike the movie, this was all planned, however. The double-crossing by Ratio, the gift money being the only thing required for Aventurine’s real plan. All of it was an act of betrayal against Sunday, in the same manner as the meticulous planning as Mr. Dietrichson’s murder — To sign the policy, get him to take the train, kill him on the way, and to have Neff pose as the husband on the train until the time is right to get off and lay the body on the tracks. A key difference is that they could not have expected their scheme to be busted wide open due to forces outside of their control, while Ratio and Aventurine went straight down the line for the both of them no matter what.

From here on out, we can conclude that the way Ratio and Aventurine present themselves in Penacony to onlookers is in line with Neff and Phyllis.

—

[“GOODBYE, BABY” — FINAL VICTOR]

And now for the (in)famous light cone, Final Victor. The thing that truly kickstarted the Ratio and Aventurine ship in the fanbase, and the partnership between the two in general. It’s a direct reference to the final confrontation between Neff and Phyllis in the movie.

I’ll fire through all the similarities between the two scenes.

During the respective scenes, Aventurine and Phyllis both outsmart their partner one way or the other: Aventurine with his one-sided game of Russian Roulette, and Phyllis hiding her gun underneath the cushions until Neff turned away.

The guns are owned by Phyllis and Aventurine, not Neff and Ratio.

Phyllis couldn’t bring herself to fire any more shots after she realised she truly did love Neff. Ratio could do nothing but watch as Aventurine did what he did — he couldn’t even pull away if the LC animation is anything to go by him struggling as Aventurine firmly keeps the gun to his chest.

Neff says he doesn’t buy (believe) that Phyllis loved him. She then goes “I’m not asking you to buy […]”. The LC description has Aventurine ask Ratio “You don’t believe me?”, while in the LC animation Ratio straight up says “You expect me to believe you?” and Aventurine answering “Why not, doctor/professor?”

The visual composition of the LC and the scene are nearly identical, from the lighting to the posing to the way Aventurine looks at Ratio — Aventurine and Ratio are even wearing different outfits to fit the scene better. The background in the LC is also like the blinders in the movie, just horizontal.

In the shot where Phyllis’ face is more visible, the way she looks at Neff is strikingly like the way provocatively looks at Ratio. Even their eyes have a visible shine — Phyllis’ eyes brightly shining the moment she realised she really fell in love with Neff, and Aventurine having just a little light return to his eyes in that specific moment.

And now the differences!

Neff holds the gun in his right hand. Aventurine makes Ratio hold his gun in his left.

Neff is the one who takes the gun from Phyllis‘ hand. Aventurine is the one who places the gun in Ratio’s hand and fires it.

Three gunshots are fired. In the movie, Phyllis shoots the first shot and Neff the second and third. Aventurine unloads the gun and leaves only one bullet for this game of Russian Roulette. He pulls the trigger three times, but they all turn out to be blanks.

Phyllis does not break her façade of not smiling until the very last moment where she gets shot. Aventurine is smiling the entire time according to the light cone description, whilst in the animation, it’s only when he guides the gun to his chest that he puts it on.

So, you know how Neff meets Phyllis and it all goes off the rails from there. The way Neff goes from a decent guy to willingly involve himself in a murder scheme, having his morals corrupted by Phyllis. His world having been turned upside down the moment he lays eyes on Phyllis in that first meeting. Doesn’t that sound like something that happened with the Final Victor LC? Ratio, a man all about logic and rationality — a scholar with eight PhDs to his name — all of that is flipped on its head the moment Aventurine pulls out his gun in their first meeting and forces Ratio to play a game of Russian roulette with him. Aventurine casually gambles using his own life like it’s nothing and seemingly without fear (barring his hidden left hand). All or nothing — and yet Aventurine comes out alive after three blanks. Poetic, considering there’s a consumable in the game called “All or Nothing” which features a broken chess piece and a poker chip bound together by a tie. The poker chip obviously represents the gambler, but the chess piece specifically stands for Ratio because he plays chess in his character trailer, his Keeping Up With Star Rail episode and his introduction is centred around him playing chess with himself. Plus, the design of the chess piece has golden accents, similar to his own chess set. In the end, Aventurine will always be the final victor.

Furthermore, Neff had deduced that Phyllis wanted to kill her husband and initially wanted no part in it, but in a subsequent visit it was his own idea that they trigger the double indemnity clause for more money. As the movie progresses though, he starts to have his doubts (thanks in part to him befriending Lola) and makes the move to kill Phyllis when everything starts to come to light. It’s strikingly similar to how Ratio initially wanted no part in whatever Aventurine had in mind when they first met, but in the subsequent missions where they were paired up, he willingly goes along with Aventurine's risky plans, and they come to trust each other. Enough so that Aventurine and Ratio can go to Penacony all on their own and put on an act, knowing that nobody in the IPC other than them can enter the Dreamscape. The mutual respect grew over time, instead of burning passionately before quickly fizzling out like in the movie.

Basically, in one scene, three shots (blanks) start a relationship, and in the other, it ends a relationship. In the anan magazine interview with Aventurine, he says himself that “form[ing] an alliance with just one bullet” with Ratio was one of his personal achievements. The moment itself was so impactful for both parties that it was immortalised and turned into a light cone.

—

[THE ENDING — GOLDEN HOUR]

The ending of Double Indemnity that made it into the final cut has Neff continue his confession on the dictaphone until he realised that he wasn’t alone in the room. Keyes had come inside at some point, but none had said a thing, only listening to a dead man speak of his crime. When Neff sees Keyes, they talk for a moment, Neff says he plans on fleeing to Mexico. Keyes does not think he will make it. He tries to leave, only to collapse at the front of the elevator, Keyes following just behind him. Neff attempts to light a cigar but is too weak to do so, so Keyes does it for him.

Parts of the ending can still be attributed to the interrogation scene between Sunday and Aventurine, so I’ll make this quick before moving on to the conversation in Heaven Is A Place On Earth, Ratio and Aventurine’s final conversation together. Once Sunday mentions how quickly Aventurine gave up the suitcase, he inflicts the Harmony’s consecration on him, which forces Aventurine to confess everything that Sunday asks of. In a way, it’s the opposite of what happens in the movie — where Neff willingly tells the truth about the murder to his coworker. Aventurine does not like Sunday, and Neff is close to Keyes. Ratio also does not speak, similarly to how Keyes didn’t speak and stood silently off to the side.

Post-interrogation in Golden Hour, Ratio worriedly prods at Aventurine and asks him about his plan. He then gives him the Mundanite’s Insight with the Doctor’s Advice inside when Aventurine tells him to leave. Throughout Heaven Is A Place On Earth, Aventurine gets weaker and his head starts to buzz, until he falls to the ground before he can hand in the final gems. Similarly, Neff progressively grows weaker as he records his confession. Keyes says he’s going to call a doctor and Neff says he’s planning to go to Mexico. And when Neff collapses near the elevator, they talk one final time and Keyes lights Neff’s cigar as the other was too weak to do so himself.

—

[OPPOSITE TIMELINES AND DEVELOPMENTS]

Remember how I said the way certain events happen in the movie and the game are mostly opposite and reverse of one another? 

The Final Victor LC is the first meeting of Ratio and Aventurine, and Neff killing Phyllis is their final meeting.

Between that first and last meeting between Phyllis and Neff’s whirlwind romance, their relationship becomes strained which ultimately leads to Neff not trusting whatever Phyllis has to say at the end point of the movie. As for Ratio and Aventurine, the exact opposite had happened, to the point where Ratio trusts Aventurine enough to go along with his plans even if they went against his own ideals. The basis of the mission involved Veritas Ratio, whose full name includes the Latin word for “truth”, lying the entire time on Penacony.

Aventurine is sentenced to the gallows by Sunday after his unwilling interrogation. The movie starts and ends with Neff willingly confessing everything to Keyes.

It bears repeating, but I have to make it so clear that the trust between Ratio and Aventurine runs incredibly deep. Being able to predict what your partner says and thinks and plans in a mission as critical as the Penacony project is not something first-time co-workers can pull off flawlessly. All the while having to put on masks that prevent you from speaking sincerely towards one another lest you rat yourselves out. You have no way of contacting outside reinforcements from within Penacony, as the rest of the IPC are barred from entering. To be able to play everybody for fools while said fools believe you yourselves have handed your case on a silver platter requires a lot — trust, knowledge of the other, past experience, and so on. With Phyllis and Neff, the trust they had had been snuffed out when Neff grew closer to Lola and found out what kind of person Phyllis truly was on the inside. Phyllis did not trust nor love Neff enough and was going behind his back to meet with Zachette to possibly take Neff and Lola out. And the whole reason Neff wanted to perpetrate the murder was due to him being initially taken by Phyllis' appearance, which single handedly got the ball rolling on the crime.

Now then, how come trust is one of the defining aspects of Aventurine and Ratio’s relationship, when Phyllis and Neff’s trust eventually lead to both their deaths at the hands of the other? Sure, this can be explained away with the opposite theory, but there’s one other relationship involving Neff which I haven’t brought up in excruciating detail yet. The other side of Ratio and Aventurine’s relationship.

—

[NEFF & KEYES — AVENTURINE & RATIO]

Here is where it gets more interesting — while Phyllis and Neff are at the centre point of the movie, there is another character to whom Neff has a close relationship with — Keyes. It’s also the only relationship with no pretences, at least, until the whole murder thing happened and Neff had to hide his involvement from Keyes. Watching the movie, I couldn't help but feel there was something more to the two than meets the eye. I knew that queer readings of the film existed, but I didn't think too much of them until now. And though Aventurine and Ratio parallel Phyllis and Neff respectively, the fact that they also have traits of their opposite means that it wouldn’t be completely out of the question if parts of their relationship were also influenced by Keyes and Neff on a deeper and personal level. Let me explain.

Keyes and Neff were intimate friends for eleven years and have shown mutual respect and trust towards one another. They understood each other on a level not seen with Phyllis and Neff. Even after hearing Neff confess his crimes through the dictaphone (and eventually standing in the same room while Neff confessed), he still cared for the other man, and stayed with him when Neff collapsed at the front door. The only reason Keyes hadn’t deduced that it was Neff who was behind the murder was because he had his absolute trust in him. Keyes is also Neff’s boss, and they are always seen exchanging playful banter when they are on screen together. Neff even says the words “I love you, too” twice in the movie — first at the beginning and second at the end, as the final line. There’s also the persistent theme of Neff lighting Keyes’ cigarettes (which happens in every scene where they are face-to-face), except in the end where it’s Keyes who lights Neff’s.

Doesn’t that sound familiar? Mutual respect, caring too much about the other person, the immense amount of trust… Ratio says he’s even the manager of the Penacony project (which may or may not be a lie), and despite their banter being laced with them acting as “enemies”, you can tell that in Dewlight Pavilion pre-Sunday confrontation that Aventurine genuinely likes Ratio’s company and believes him to be a reliable person. From the way he acts carefree in his words to the thoughts in his head, as seen in the mission descriptions for Double Indemnity. Their interactions in that specific mission are possibly the closest thing to their normal way of speaking that we get to see on Penacony.

Not to mention, this is the way Neff describes Keyes. He even says (not in the script) “you never fooled me with your song and dance, not for a second.” Apart from the line about the cigar ashes, doesn’t this ring a bell to a certain doctor? “Jerk” with a heart of gold?

After solving the puzzle with the statues, Ratio jokingly offers Aventurine to join the Genius Society. Aventurine then goes "Really? I thought you’ve given up on that already", and then Ratio says it was, in fact, a joke. Solving the puzzle through brute force has Ratio telling Aventurine that the Council of Mundanites (which Ratio himself is a part of) should consider him a member. In the movie, where the scene with the phone call with Neff and Phyllis reiterating details of their plan happens, Keyes actually offered Neff a better job (specifically a desk job, as Keyes’ assistant). The two pairs saw the other as smart, equals, and were invested in each other’s careers one way or another.

Because of all this, the character parallels for this side of the relationship are as follows:

Aventurine - Walter Neff

Veritas Ratio - Barton Keyes

With the way I’ve talked about how Aventurine and Ratio take from both leads in terms, it does fit to say that Aventurine is Neff, and Ratio is Keyes in this layer of their relationship. Since we’re on the topic of Keyes, let me also go through some similarities with him and Ratio specifically.

Keyes says the words “dimwitted amateurs” in his first on-screen conversation with Neff. You can’t have Dr. Ratio without him talking about idiocy in some way.

Keyes almost only appears in the movie in relation to Neff, and barring a single interaction in Neff’s house, is also only seen in the office. Same with Phyllis, Ratio also only ever appears regarding Aventurine.

Keyes genuinely wanted the best for Neff, even offering to celebrate with him when he thought the case truly had been busted wide open by forces when Zachette entered the picture. You could say the same for Ratio, as he hoped that Aventurine wouldn’t dwell on the past according to his response on Aventurine’s Interview, as well as telling him to “stay alive/live on (CN)” and wishing him the best of luck in his Doctor’s Advice note.

Whether or not you believe that there was more going on with Neff and Keyes is up to you, but what matters is that the two were very close. Just like Ratio and Aventurine.

—

[THE ORIGINAL FILM ENDING]

Something that I hadn’t seen brought up is the original ending of Double Indemnity, where Neff is executed in a gas chamber while Keyes watches on, shocked, and afterwards leaves somberly. The ending was taken out because they were worried about the Hays Code, but I felt it was important to bring it up, because in a way, you can kind of see the Sunday interrogation scene as Sunday sending Aventurine to his death in seventeen system hours. And Ratio doesn’t speak at all in that scene, and Keyes doesn’t either according to the script.

Another thing that’s noteworthy is that Wilder himself said “the story was about the two guys” in Conversations with Wilder. The two guys in question are Keyes and Neff.

—

[THE NOVEL]

With the original film ending covered, now it is time to bring up the novel by James M. Cain. I bought the book just to read about the differences between the adaptation and the original source material, and to list a few more similarities and opposites I could gather. For this section alone, due to the changes in the (last) names of certain characters, I will be referring to Walter Huff (Neff in the movie) as Walter, and Mr. Dietrichson as Nirdlinger. The plot is pretty much the same as the movie’s apart from a couple of changes so there isn’t a need to recount everything.

From my two read-throughs of the novel, these are the following passages that stood out to me the most. Starting with Aventurine:

Walter, as a top businessman of the company, knows how to sway a deal and to get what he truly wants with what the other gives him. Aventurine is the same, reliant on his intuition, experience and whatever information he has on the table to claim the win. Him luring out Sparkle in Heaven Is A Place On Earth and his conversation with Acheron in the Nihility is indicative of that.

• "But you sell as many people as I do, you don't go by what they say. You feel it, how the deal is going. And after a while I knew this woman didn't care anything about the Automobile Club. Maybe the husband did, but she didn't. There was something else, and this was nothing but a stall. I figured it would be some kind of a proposition to split the commission, maybe so she could get a ten-spot out of it without the husband knowing. There's plenty of that going on. And I was just wondering what I would say to her." 

Phyllis, like in the movie, had been hiding her true intentions of talking to Walter in their first conversations, always saying things that she didn’t actually mean. In a similar vein, Aventurine consistently says stuff but almost never truly means any of it, which is all part of his façade.

• "And I could feel it again, that she wasn't saying what she meant. It was the same as it was the first afternoon I met her, that there was something else, besides what she was telling me. And I couldn't shake it off, that I had to call it on her."

When discussing the murder plan with Phyllis, Walter makes this comment, kind of like how Aventurine seems to operate in a way where he has a plan, but is ready to improvise and think fast when needed.

• "And then it's one of those things where you've got to watch for your chance, and you can't plan it in advance, and know where you're going to come out to the last decimal point."

Remember the roulette wheel line from the movie? In the novel, the gambling metaphor that Walter makes about the insurance business goes on for two paragraphs, mentioning a gambling wheel, stack of chips, a place with a big casino and the little ivory ball, even about a bet on the table. Walter also talks about how he thinks of tricks at night after being in the business for so long, and how he could game the system. Needless to say, insanely reminiscent of Aventurine.

• "You think I’m nuts? All right, maybe I am. But you spend fifteen years in the business I’m in, and maybe a little better than that, it’s the friend of the widow, the orphan, and the needy in time of trouble? It’s not. It’s the biggest gambling wheel in the world. It don’t look like it, but it is, from the way they figure the percentage on the oo to the look on their face when they cash your chips. You bet that your house will burn down, they bet it won’t, that’s all. What fools you is that you didn’t want your house to burn down when you made the bet, and so you forget it’s a bet. To them, a bet is a bet, and a hedge bet don’t look any different than any other bet. But there comes a time, maybe, when you do want your house to burn down, when the money is worth more than the house. And right there is where the trouble starts." • "Alright, I’m an agent. I’m a croupier in that game. I know all their tricks, I lie awake thinking up tricks, so I’ll be ready for them when they come at me. And then one night I think up a trick, and get to thinking I could crook the wheel myself if I could only put a plant out there to put down my bet." • "I had seen so many houses burned down, so many cars wrecked, so many corpses with blue holes in their temples, so many awful things that people had pulled to crook the wheel, that that stuff didn’t seem real to me anymore. If you don’t understand that, go to Monte Carlo or some other place where there’s a big casino, sit at a table, and watch the face of the man that spins the little ivory ball. After you’ve watched it a while, ask yourself how much he would care if you went out and plugged yourself in the head. His eyes might drop when he heard the shot, but it wouldn’t be from the worry whether you lived or died. It would be to make sure you didn’t leave a bet on the table, that he would have to cash for your estate. No, he wouldn’t care."

Returning home from the murder, Walter attempted to pray, but was unable to do it. Some time passed and after speaking to Phyllis, he prayed. Aventurine presumably hadn’t done the prayer ever since the day of the massacre, and the first time he does it again, he does it with his child self.

• "I went to the dining room and took a drink. I took another drink. I started mumbling to myself, trying to get so I could talk. I had to have something to mumble. I thought of the Lord's Prayer. I mumbled that, a couple of times. I tried to mumble it another time, and couldn't remember how it went." • "That night I did something I hadn’t done in years. I prayed."

Phyllis in the book is much more inclined towards death than her movie version, even thinking of herself as a personification of death. She’s killed ten other people (including infants) prior to the events of the novel. Something to keep in mind as Aventurine had mentioned several times that he attempted to kill himself in the dream, plus his leadup to his “grandest death”. Just like Phyllis, he’s even killed at least a few people before, though the circumstances of that were less on his own volition and more so for the sake of his survival (i.e. the death game in the maze involving the 34 other slaves where he was the winner and another time where he murdered his own master). Instead of Phyllis playing the active role of Death towards everybody else, Aventurine himself dances with Death with every gamble, every time his luck comes into play. Danse Macabre.

• "But there’s something in me, I don’t know what. Maybe I’m crazy. But there’s something in me that loves Death. I think of myself as Death, sometimes." • "Walter, The time has come. For me to meet my bridegroom [Death]. The only one I ever loved."

Moving on to Ratio:

Walter says several times that it’s hard to get along with Keyes, and how he says nice things after getting you all worked up. A hard-headed man to get along with, but damn good at his job. Sound like someone familiar?

• "That would be like Keyes, that even when he wanted to say something nice to you, he had to make you sore first."  • "It makes your head ache to be around him, but he’s the best claim man on the Coast, and he was the one I was afraid of."

Keyes sees Walter as smarter than half the fools in the company. Ratio can only stand the company of Aventurine in regards to the IPC.

• "Walter, I'm not beefing with you. I know you said he ought to be investigated. I've got your memo right here on my desk. That's what I wanted to tell you. If other departments of this company would show half the sense that you show—" • "Oh, he confessed. He's taking a plea tomorrow morning, and that ends it. But my point is, that if you, just by looking at that man, could have your suspicions, why couldn't they—! Oh well, what's the use? I just wanted you to know it."

After going on a rant about the H.S. Nirdlinger case (Phyllis’ husband) and how Norton is doing a horrible job, he ends it by saying that it’s sheer stupidity. “Supreme idiocy”, anybody?

• "You can’t take many body blows like this and last. Holy smoke. Fifty thousand bucks, and all from dumbness. Just sheer, willful, stupidity!"

Phyllis’ former occupation as a nurse is more elaborated on, including her specialization — pulmonary diseases. One of Ratio’s crowning achievements is curing lithogenesis, the “King of Diseases”.

• "She’s one of the best nurses in the city of Los Angeles. […] She’s a nurse, and she specialized in pulmonary diseases. She would know the time of crisis, almost to a minute, as well as any doctor would."

As for the murder scheme, they talk about it a lot more explicitly in the novel. Specifically, Walter mentions how a single person cannot get away with it and that it requires more people to be involved. How everything is known to the party committing the crime, but not the victim. And most importantly: Audacity.

"Say, this is a beauty, if I do say it myself. I didn't spend all this time in the business for nothing, did I? Listen, he knows all about this policy, and yet he don't know a thing about it. He applies for it, in writing, and yet he don't apply for it. He pays me for it with his own check, and yet he don't pay me. He has an accident happen to him and yet he don't have an accident happen to him. He gets on the train, and yet he don't get on it."

"The first is, help. One person can't get away with it, that is unless they're going to admit it and plead the unwritten law or something. It takes more than one. The second is, the time, the place, the way, all known in advance—to us, but not him. The third is, audacity. That's the one that all amateur murderers forget. They know the first two, sometimes, but that third, only a professional knows. There comes a time in any murder when the only thing that can see you through is audacity, and I can't tell you why."

"And if we want to get away with it, we've got to do it the way they do it, […]" "Be bold?" "Be bold. It's the only way."

"I still don't know—what we're going to do." "You'll know. You'll know in plenty of time."

"We were right up with it, the moment of audacity that has to be be part of any successful murder."

It fits the situation that Aventurine and Ratio find themselves in extremely well: For the first point— Aventurine would not be able to get away with simply airing out details by himself, as that would immediately cast suspicion on him. Having another person accompany him who not only isn’t really a part of the IPC in name (as the IPC and The Family have a strenuous relationship) but would probably be able to get closer to Sunday because of that means they can simply bounce off each other without risking as much suspicion with a one-man army. Which is exactly what Ratio and Aventurine do in the conversations they have on Penacony. Secondly — they knew how Sunday operates: as a control freak, he leaves no stone unturned, which is how he became Head of the Oak Family, so their acting required them to give off the impression that a. they hated each other, b. Ratio would go against Aventurine’s wishes and expose him in return for knowledge, c. there were only the two Cornerstones that were hidden. This would give Sunday the illusion of control, and lead to Sunday to lower his guard long enough for Aventurine to take the gift money in the end. The pair knew this in advance, but not Sunday. And thirdly — the plan hinged on a high-level of risk. From breaking the Aventurine Cornerstone, to hoping that Sunday wouldn’t find it in the gift bag, to not telling Ratio what the true plan is (meaning Ratio had to figure it out on his own later on), to Sunday even buying Ratio’s story, it was practically the only way they could go about it. “Charming audacity”, indeed.

An interesting aspect about the novel is that the ending of the novel is divergent from the movie’s final cut and the original ending: Phyllis and Walter commit suicide during a ferry ride to Mexico. The main reason this was changed for the movie was because of the Hays Code, and they wouldn’t allow a double suicide to be screened without reprecussions for criminals. There’s also a bunch of other aspects that differentiate the novel from the movie (no narration-confession as the confession happens in a hospital, less characterization for Keyes and instead a bigger focus on Lola and her boyfriend, the focus on the murderous aspect of Walter and Phyllis’ relationship instead of actual romance, Walter falling in love with Lola (with an unfortunately large age gap attached), etc.)

As for the ending, this wouldn’t even be the first romance media reference related to Aventurine and Ratio where both the leads die, with the other being The Happy Prince and San Junipero (in relation to the EN-only Heaven Is A Place On Earth reference), which I normally would chalk up as a coincidence, though with the opposite line-of-thought I have going on here (and the fact that it’s three out of four media references where the couple die at the end…), I think it’s reasonable to say that Ratio and Aventurine will get that happy ending. Subverting expectations, hopefully.

—

[THE HAYS CODE — LGBT CENSORSHIP IN CHINA]

I’ve brought up the Hays code twice now in the previous two sections, but I haven’t actually explained what exactly it entails.

The Hays Code (also known as the Motion Picture Production Code) is a set of rules and guidelines imposed on all American films from around 1934 to 1968, intended to make films less scandalous, morally acceptable and more “safe” for the general audiences. Some of the “Don’ts” and “Be Carefuls” include but are not limited to…

(Don’t) Pointed profanity

(Don’t) Inference of sex perversion (which includes homosexuality)

(Don’t) Nudity

(Be Careful) Sympathy for criminals

(Be Careful) Use of firearms

(Be Careful) Man and woman in bed together

What does this have to do with a Chinese gacha game released in 2023? If you know a little bit about miHoYo’s past, you would know that pre-censorship laws being upheld to a much stronger and stricter degree, they had no problem showcasing their gay couples in Guns Girl Z (Honkai Gakuen 2/GGZ) and Honkai Impact 3rd, with the main three being Bronya/Seele, Kiana/Mei (admittedly the latter one is a more recent example, from 2023), and Sakura/Kallen. Ever since the Bronya and Seele kiss, censorship in regards to LGBT content ramped up, causing the kiss to be removed on the CN side, and they had to lay low with the way they present two same-sex characters who are meant to be together. They can’t explicitly say that two female or male characters are romantically involved, but they can lace their dynamics with references for those “in the know” — Subtext. Just enough to imply something more but not too much that they get censored to hell and back.

So what I’m getting at is this: The trouble that Double Indemnity had to go through in order to be made while also keeping the dialogue of Phyllis and Neff as flirtatious as they could under the Hays Code among other things is quite similar to the way Ratio and Aventurine are presented as of now. We never see them interact outside of Penacony (at least up until 2.2, when this post was drafted), so we can only infer those interactions specifically until they actually talk without the fear of being found out by Sunday. But, there’s still some small moments scattered here and there, such as when Aventurine goes near Ratio in the Dewlight Pavilion Sandpit, he exclaims that “the view here is breathtaking” (he can only see Ratio’s chest from that distance) and that Ratio could “easily squash [him] with just a pinch”. Ratio then goes “If that is your wish, I will do so without a moment’s hesitation.” Not to mention the (in)famous “Doctor, you’re huge!” quote.

It’s not a coincidence that Ratio and Aventurine have three explicit references to romance media (Double Indemnity, Spellbound, Oscar Wilde’s The Happy Prince), possibly even four if you take the EN-only Heaven Is A Place On Earth as a reference to Black Mirror’s San Junipero. It’s not a coincidence that the storylines or characters of said references parallel the pairing, from surface-level to deep cuts. It’s not a coincidence that the CN voice actors were asked to “tone it down” by the voice director when it came to their chemistry. It’s not a coincidence that Aventurine has only flirted with (three) men throughout Penacony, even referring to a Bloodhound NPC as a “hunk of a man” inside his thoughts, all the while ignoring Himeko and Robin when it came to their looks — women who are known across the cosmos with a myriad of adoring fans. There are so many other so-called “coincidences” related to the two that you could make an iceberg just based on versions 2.0-2.2 as well as content miHoYo themselves have put out on social media. They absolutely knew what they were doing, and were trying to get their point across through subtle means — the extent they went to with the Double Indemnity reference while also keeping it under wraps from a “surface” level point of view is proof of this — the implications are there if you take the time to look for them, and are simply hard to ignore or deny once you do find them.

—

[CONCLUSION]

This was supposed to be short considering the other analyses I’ve seen were also pretty short in comparison, but I couldn’t get the movie out of my head and ended up getting carried away in the brainrot. I hope you could follow along with my line of thinking, even with the absurd length of this post, and the thirty-image limit. I tried to supplement context with some links to videos and wiki pages among other sources wherever I can to get around it.

I will end it with this though — the love in the movie turned out to be fake and a farce, going off track from what was a passionate romance in the beginning because of the murder scheme. Meanwhile, the whole reason why Ratio and Aventurine can pull off whatever they want is because of their immense trust in one another. What was initially shown to be distrust in the Final Victor LC grew into something more, for Ratio, someone who would have never put faith into mere chance and probability before this, put his trust in Aventurine, of all people.

TL;DR — (I get it, it’s over ten thousand words.)

Not only is the relationship between Neff and Phyllis represented in the deception and acting side of Ratio and Aventurine, but the real and trusting side is shown in Neff and Keyes. They have a fascinating, multi-layered dynamic that is extremely fun to pick apart once you realise what’s going on underneath the bickering and “hatred” they display.

Many thanks to Manya again for making the original thread on the movie. I wouldn’t be here comparing the game and movie myself if it weren’t for that.

By the way, I really do believe that Shaoji totally watched this movie at least once and really wanted that Double Indemnity AU for his OCs. I know exactly how it feels.

—

Other points I'd like to mention that didn't fit anywhere else in the main analysis and/or don’t hold much significance, have nothing to do with the Penacony mission, or may even be considered reaching (...if some of the other points weren’t). Just some potentially interesting side bits.

Phyllis honks three times to signal Neff to go for the kill. That, and the three gunshots in the confrontation. Aventurine is all about the number three.

The height difference Aventurine and Ratio have going on is close to Phyllis and Neff’s.

Phyllis had killed her husband’s previous wife and went on to marry Mr. Dietrichson, pretty much taking the wife’s place. Aventurine killed his previous master, and had taken certain attributes from him like his wristwatch and the rings on his hand and the “all or nothing” mantra.

When calling Ratio a wretch (bastard), Aventurine smiles for a moment. This is exclusive to the EN, KR and JP voiceovers, as in CN, he does not smile at all. (Most definitely a quirk from the AI they use for lip syncing, but the smile is something that’s been pointed out quite a few times so I thought I’d mention it here.)

Sunday specifically says in the CN version that he knew of Aventurine's plans the moment Aventurine left the mansion, meaning that he realized he had been played the fool the moment Ratio and Aventurine talked in Golden Hour

In the description for the "All or Nothing" consumable, teenage Aventurine says this specific line: "Temptation is a virtue for mortals, whereas hesitation proves to be a fatal flaw for gamblers." According to Ratio, this is Aventurine's motto - he says as such in Aventurine's Keeping Up With Star Rail episode. Note that in the anan interview he explicitly says he does not have a motto, and yet Ratio in the video says otherwise. They definitely have to know each other for a while for Ratio to even know this.

A big reason why Neff even pulled off the murder scheme in the first place was because he wanted to see if his good friend Keyes could figure it out, the Mundane Troubles Trailblaze Continuance showcases Ratio attempting to teach the Herta Space Station researches a lesson to not trust the Genius society as much as they did.

In Keyes’ first scene he’s exposing a worker for writing a policy on his truck that he claimed had burnt down on its own, when he was the one who burnt it down. Ratio gets into an Ace Attorney-style argument with the Trailblazer in Mundane Troubles.

Neff talks repeatedly about how it won’t be sloppy. Nothing weak. And how it’ll be perfect to Phyllis, and how she’s going to do it and he’s going to help her. Doing it right — “straight down the line”. Beautifully ironic, considering what happens in the movie, and even more ironic as Ratio and Aventurine’s scheme went exactly the way they wanted to in the end. Straight down the line.

[luck-of-the-drawings]

POOR GABRIEL MONTEZ! YOU NEVER SAW THIS COMING DID YOU? ALL YOU WANTED WAS POWER. SECURITY. SAFETY. & THATS EXACTLY WHAT YOU GOT! JUST IN EXCHANGE FOR YOUR BODY. LETS JUST HOPE NO ONE FUCKS THIS UP. LETS JUST HOPE YOU WONT HAVE TO CLEAN UP THE MESS.

[birdricks]

honestly beth and jerry have maybe my second favourite relationship in the entire show just for how interesting and tragic it is. like its brushed aside a lot in favour of other stuff but they were really both just kids... and the saddest part about them is that they maybe do love each other but its always in some way artificial

[honeydots]

For the ask game- Xanlow 30 and 33

OTP ask game

maybe i should just put all of these under a cut at this point

30: Pet names? Yes or no?

laslow 100% yes. i think he's a man who says darling, lover, my dear. perfect. my love. dearest, even. i can imagine him using babe in a modern context too LMAO and goofier ones i think he could use jokingly at xander just for fun. but i think when laslow starts using them it's very notable to xander. the first time he calls him lover.... agh........ ;A; xander.... okay had you asked me this like half a year ago i probably would've said not really but ive been warning up to it lately. "my love" or "my dear" or POTENTIALLY something like "dove" would be cute. i don't think he uses them nearly as often as laslow does, and i think they're usually reserved for more intimate moments (but not necessarily always?). im always iffy w pet names bc sometimes its hard to make them work. but i think there ARE ways to make them work w these two, it just needs to be like. correct? lol. if u have ever seen me use a pet name in a fic know that i most certainly agonized over it LMAOO

33: What is their wedding day like?

WEDDING DAY SOBS SOBS SOBS okay well.... for one thing i do think laslow is a bit of a wreck. anxious to be in front of all these people, anxious to do well in a culture so unlike his own, anxious for what's to come after marrying a king. i think he'd also have a melancholy about him. his friends aren't all there. even if odin and selena are around, i really think the consequences of staying in nohr will weigh on laslow for like. ever. i don't think he'd be able to shake some of the sadness and loneliness. and on a day like his wedding, i think it'd be on his mind. EVEN STILL!! i think he'd be faced with a lot of joy, too. especially once he's with xander and they're celebrating. laslow probably voiced some of his anxieties leading up to the wedding, so it's not like xander doesn't know that he might have some trouble. and i think he'd do what he can to make him comfortable. xander is probably also very nervous. we know he has a lot more anxiety than he seems to, and a royal wedding isn't going to be without its fair share of stressors. i think his siblings would be trying their damnedest to make sure things run smoothly, and probably have to keep reminding xander that it's *his day* and he doesn't need to be in charge of everything, just this once. he's a little antsy!! i think it goes well, tho. laslow probably does cry and its VERY embarrassing. of course they dance together. i like to think peri helped to make some of the goodies and pastries that're served, too. and afterwards i think that a lot of the stress and sadness melts away, and they're filled with a lot more giddiness and excitement. they're married :) !! and then honeymoon in cyrkensia or something HEHE

[jrueships]

This is lowkey a stupid ass question but is your username jrue ships like different ships involving jrue or is it jrue’s hips 😭😭😭

yes !

[coridallasmultipass]

I am once again begging online shop payment processing companies to allow me to enter a separate name for shipping and separate name for billing!!

It's the same address, I'm just trans and have not legally changed my personal name, but I still prefer to receive mail as my preferred name! Like it's literally my professional name, I do business as my preferred name.

Annoying as fuck, and I don't want to chance my bank rejecting the payment (though I'm sure someone at my bank has put a note to allow it on my account by now, since I've contacted them a couple times before when I realized too late that the billing section didn't let me input another "address/name" section, and they said the payment was fine in those cases.)

Anyway, legal name changes should be free and non-advertised for everyone. Tbh, you should get a free name change every time you file your taxes on time as an incentive for good citizen behaviour. Once I am elected pres-

[airbenderedacted]

deathstar shippers stop going out of ur way to tell me you hate dominator being a lesbian and that you’re homophobic asf challenge (impossible, apparently)

[nereidprinc3ss]

baby names

in which spencer comforts you after you wake from a good dream about becoming a mother

fluff! warnings/tags: fem!reader, reader sort of wants to be a mom sort of doesn't, they discuss having a child in the future, talk of pregnancy stuff, I think that's it! a/n: another short sweet fluff piece that is by no means going to get me a pulitzer but is cute nonetheless!! love u!!! let me know if u enjoyed!!

Spencer wasn’t in the room when you fell asleep into an impromptu nap, induced by the pattering rain, the low light of your bedside lamp, the warmth of your favorite throw blanket—but he is when you wake up. Home from work, sprawled on the bed next to you, long legs crossed and as close as he thought he could get without disturbing your slumber. 

“You came home,” you whisper groggily, curling into his side and letting your sleepy eyes flutter shut again. 

He pulls you closer against him, rubbing your arm. “I always do.” A low, affectionate chuckle that buzzes from his chest and dizzies you. “You tired?”

You hum a distant affirmation. Visions of diaphanous pink, of sweet cooing, of a haloed Spencer doused in warm light and smiling down at a some blanket-bundled creature in his arms, still burn behind your eyelids, fading with every passing second. The gentle classical music you’d been playing earlier now blends with the sound of evening rain tapping ceaselessly against the window. Spencer is warm next to you, scent familiar and comforting and only contributing to your drowsiness—but a lingering sort of sadness still claws at your stomach. Emptiness. It bites like a shock of icy water. It’s just a small thing. You feel silly for being upset, but you are upset, and you want to tell him. 

“I had weird dreams.”

Spencer offers a hum of his own (perhaps a habit you’d picked up from him) and you open your eyes, watching him watch the rain. The stark angle of his jaw, the sweet slope of his nose. Any baby he had a hand in creating would be absolutely cherubic. “You know, Carl Jung said dreams are hidden door in the deepest and most intimate sanctum of the soul.”

You fiddle with the knit of his sweater, and he covers your hand with his own, looking back down at you, deep eyes full of easy contentment. Like as long as you’re together, he can’t imagine a thing to be worried about. 

“Wait—the dreams are the door? Where does the door go?”

His brows pinch slightly as he recalls what is no doubt an exact quotation. 

“Uh—he said they led to a primeval cosmic night, that is soul long before there was conscious ego, and will be soul far beyond what a conscious ego could ever reach.”

You frown, sleepy head aching as you twist your brain into knots trying to decode the ornate language. “Was he the weird incest-y one?”

Spencer chuckles again. “Nope. That was Freud. Jung was essentially saying that there is something primal and instinctual about our dreams. He said they were our way of accessing the unconscious, which can process things the conscious psyche can’t, and our consciousness was a ship on the great sea of unconsciousness.”

“You’re losing me, Dr. Reid.”

The corner of his mouth flickers up. 

“He just meant they offered us an unbiased look at our lives. Our desires, our needs, unburdened by conscious ego.”

Our desires. Our needs. 

You chew your lip. 

“What does dreaming about having a baby mean?”

You say it because Spencer is your closest friend as well as your partner and you trust him completely with every thought in your head—but the way his hand pauses on your arm makes you nervous. 

He takes a moment to dissect your answer, digging for a hidden meaning like a precious gem, and then, once he decides there are no landmines, proceeds cautiously. 

“Well… some people say that a baby in your dream is a representation of you. It could indicate a desire to nurture, or a need to be nurtured.” Again you make a noise of vague acknowledgement. His hand starts back up again on your arm, and he delves gently deeper. “Why? Did you dream about having a baby?”

For a moment, you can only nod. Suddenly you’re choked up, releasing an exhaled, “Yeah,” as tears cloud your vision. He gives you a moment, just holding you as you try to find the words to continue. “It felt really real. I mean—I think I knew it wasn’t, but I was so happy that I didn’t care. I—she—” You laugh tearfully. “I’m being ridiculous, I know, I just… I miss her. Is that crazy?”

“That’s not crazy,” he says quietly. A stretch of silence follows, and the brief deluge of tears fades to trickling stop. Spencer is probably used to you enough so that he’s not surprised when you huff dramatically, trying to dispel your melancholia with a hefty dose of drama. 

“I wanna have a baby!”

Your boyfriend releases a surprised laugh as you bury your head against his chest, but it only takes him half a second to root his hand in your hair and hold you there. 

“Because of your dream?”

“Yes!” You sniffle into his sweater. “She was so perfect, ’nd sweet. I wanna have a baby so much.”

“With who?”

You look up at him tearfully and visibly frustrated. His eyes betray only fondness. “You, Spencer! Who else?”

“No one! No one else.”

You collapse again, satisfied with his answer. 

“You were such a good dad. It was—oh my god, you were so happy. You were holding her, and smiling at her, and—can we please have a baby?”

“Oh, sweet girl,” he coos, half chuckle, voice tinged with pity. His hand sweeps over and over your hair in a soothing pattern. 

You pout, hiding even further away against him. “That’s not an answer.”

“We can’t have a baby right this second, if that’s what you’re asking me.”

“Why not?”

He hums, pretending to consider the question, hand still carding gently through your locks, detangling. 

“You’re not pregnant, for one thing.”

“I might be.”

“I doubt it.”

“I could be.”

He angles your head up, smiling. Those warm brown eyes of his are full to the brim with sparkly affection. “Do you have something to tell me?”

“No, I’m saying, we could have a baby.”

The curve of his mouth lessens though doesn’t entirely dissipate, and the subtle lines next to his eyes soften as he regards you. There are a thousand reasons you shouldn’t have a baby right now, but Spencer knows you know that, and it’s still not what you want to hear right this second. 

“We could.”

He’s not being serious, but your heart flutters anyway. 

“Really?”

“Sure. Sounds like you have it all figured out.”

“Spencer. I’m not joking. You’re not taking me seriously.”

Spencer pulls you closer, and though you’re mildly annoyed, you allow it with a huff. 

“I am taking you seriously. Like the plague.”

“I know you want kids.”

“I do.”

“We can have kids.”

“Angel. We have time. I believe that you want a baby, and I’m overjoyed that you want one with me. And you know we’d need more time to talk about it.”

Of course, you probably will change your mind tomorrow, and again the next day, and Spencer will love you then and every time you change your mind thereafter. 

“Do you love me?” You ask softly, bunching the fabric of his shirt in your hand and not looking at him. Just to make sure. His eyes are liquid adoration on you. 

“More than anything in the whole world.” And maybe, you think, you’re okay with keeping it that way. For just a bit longer, at least. Spencer squeezes your arm. “I do think you’ll get to meet her again one day. I’ll get to meet her.”

You smile to yourself, imagining your little dreamy baby girl back in your arms. “One day.”

He kisses the top of your head. 

“Did we name her in your dream?”

“Elizabeth. But only because in my dream your mom’s name was Elizabeth, for some reason? I don’t… I can’t explain that.”

“Hm... I love my mom, but I don't know if I'd want to name my baby Diana. Feels too prophetic.”

“Hold on, I have like, a hundred baby name ideas. Can you hand me my phone? I’m gonna tell you all of them. First and middle name combinations.”

Spencer reaches for your phone on the side table. “Boy and girl?”

You scoff, settling into the crook of his arm, head on his shoulder, so he can see your phone screen. 

“We’re not having a boy, Spencer.”

“Oh. My mistake.”

You smile and tangle your legs with his, searching through your notes app with your non-dominant hand for your list of ridiculous baby names. 

“I can’t believe you would even suggest that. You're obviously going to be a girl dad.”

“Am I?”

“Yes! Oh my god, I’m so glad I'm not pregnant because you’re clearly not ready. You have a lot to learn. Okay, how does Artemisia Valencia October Reid sound to you?”

You’re lucky he loves you so much.

[visionsofmagic]

day 6: roronoa zoro [cock warming]

࿓ synopsis • you ask to zoro whether he needs any help or not, and in return, he makes you sit on his cock so that it can get warm while he’s sleeping.

―❦ nsfw, opla!zoro, f!reader, reader is being needy & brat, pussy slapping, pet names, teasing, swearing, ‘is all! • 1.2k • a man that takes all my attention to himself in an instant in every type of universe; live action, manga, and anime. I chose to write for la!zoro version ‘cause why not? enjoy, hope I did everything right! [kinktober m.]

“stop moving, you're distracin' me.”

his deep voice cuts your actions of trying to stay still on his lap, adjusting your position so that your numb legs will fix, but, the struggle causes your pussy to clench around his length because of sudden movement which ends up by earning an unsteady thrust. looking at his face, hands gripping the collar of his sleeve, you see his closed eyes, trying to continue the nap he’s taking in the middle of the day.

 “sorry –“ you say, smiling innocently knowing he cannot see, “I didn’t mean to, it’s just –“ you try to find a solid word to describe the situation you’re in now but the weight of lust running through your pussy takes your brain away, wanting to break free, letting yourself go and wasting the last thirty-four minutes waste, waking zoro up, being a greedy brat – only to make him not sleep, instead, fuck you. “so much.”

you can’t bring yourself to say what you’re thinking aloud – just fuck me already! Just move this thick cock and fill me up! – pathetic.

you’re here, sitting down on his cock, warming it, being useful.

the moment of the morning came into your mind; the crew went to bring food and new clothes to the ship, and when they left, only you and zoro were on the ship, you said ‘I wanna be useful for you’ because he’s still healing and you wanted to help – anything, you added, which was a bad idea – maybe, it wasn’t that bad though.

zoro, being a greedy boyfriend even if he tries to hide it, decided to make you a useful one – for his damn cock – to warm it up!

“so much?” he teases you, taking you back to reality, making the sensation on your pussy grow bigger each passing time, moving his hips, acting as if he just adjusts his position like you did minutes ago – only this time, it’s an act – to try you, seeing how much you can handle this. folding his arms, he opens his eyes slowly, an eyebrow is raised, questioning, “what’s so much? I even didn’t begin to fuck you, did I, doll?”

opening your legs wider, challenging him, a whimper leaves your mouth yet zoro doesn’t show any sign of being greedy to fuck you – oh, what self-control!

but you’re not done yet. “it seems you will never do,” you say, shrugging, hands on his shoulder building up to his neck, playing with the hair on his neck – the most breathtaking man you have ever seen – he’s so beautiful that you would beg anytime now but you should try first – to break him into the point in which he will let himself go and move his hips. “I know I am here for the help – to warm your cock,” you point to the sight in front of him – your pussy beautifully covering his thick cock, wetness that comes out of you soaking his veined length. “am I helping?”

opening his arms, he puts them behind his head’s back instead as he leans to the wall of the chair you’re sitting on – eyes travel from your tight pussy to your face, meeting with your innocent smile and sparkling eyes.

“u-huh,” he says, trying to understand where you’re heading with this question, because he knows you well enough to realize you want him to move, yet stubborn and prideful to beg, not until the right moment which zoro waits to arrive. “warming my cock so well that I can feel you dripping into it – hot.”

nodding to him, heat rushes to your face at the sudden compliment, making you gain a confident manner, and continue on with your act; being a fucking brat, using his jealousy to achieve your goal – you would feel bad under other circumstances but not today, not when you want him to devour you – he’s hard to resist, and you’re so greedy to be a good girl.

“anything for my crewmate,” not boyfriend – a crewmate. it takes his attention, eyes on your face, daring you to go on with piercing gazes, jaw getting tight, straight face expression that screams danger. it only turns you on further. “I will make sure to provide my service to the captain as well than because he can need – agggh – zoro –!”

your words are cut by him; raising your body up a little until his tip releases you, and then, without missing a heartbeat, putting it down on his length, thrusting into your dozy pussy, earning a scream out of your mouth.

holding his shoulder tightly, you try to stay in balance while he keeps doing that without any particular rhythm and steadiness so that you get cockdumbed mind right away – all dizzy, just moaning, feeling him shoving his dick into you, balls hitting the ass – finally!

“is this what you wanted, brat?” he asks, hands open your skirt by damaging its buttons, nearly tearing it apart, cupping the breasts through the fabric of your bra before letting them watch how they bounce in sync with your body, raising up and down on his cock with more rapid pace now – devouring you – the things you wanted for a long time. “want me to break that pussy, pretty doll – ohhh – uhmm – y/n – you – you will fuckin’ get it!”

his hands are positioned on your waist, looking down, seeing your clit getting wider with each of his hard and strong thrusts, warming it with all the juices you make – you literally soak now, close to the edge, and zoro smirks at you the moment he hears the crew entering the ship.

his possessive and rough side takes control of his mind – his soul as he picks you up, you already begin to beg for him to put his cock inside, pleases coming out of your parted pink lips that you bite so hard. you let him turning your body, abdomen touching the surface of the bed, cock’s tip resting on the entrance of your pussy, then, he slaps it with his dick, a hand finds your neck, putting your face down onto the pillow – his body hovering behind you as your ass gets higher and higher.

it feels so vulnerable to be in this position as if you’re his own fucktoy to play with, and you can’t deny the fact that even the thought of it can make you cum in an instant.

“zoro – aggh – I –“ you try to say when his dick slaps your clit once again, your body jumps – feeling both shy and shameless at the same time but he cuts you out, cock enters you in one go, jolting your body forward.

“cut it. you don’t want to waste your breath now, you will need it when I make you scream my name enough to make all the crew hear it,” he chuckles – the rings of danger echo inside your head, making you look behind and see him; standing on his knees, eyes on your face, a smirk is visible that gives chill down to your spine at the sight – his glory has one meaning – is that he will not leave this room until others – and your brat brain understands only he can have you like this.

“will make sure everyone knows who’s fuckin’ you day and night, including you, you dumb doll. should’ve learned it sooner, but, I’m always open to teaching you how to be a good fuckin' girl for me.”

❦ tagging: @lilvampirina & @snowprincesa1 & @dookiemeshibear *cuties*

[supershot73199]

Ok I'm back with another dcxdp overprotective Danny fic/prompt. No specific ship for this one.

Though Barbara is there this time.

Barbara couldn't help but smile as she looked at all the little kids in the library doing arts and crafts. She loved seeing all the kids different art projects though if she had to be honest she had a favorite little artist.

"Ms Barbara look look! I drew the Signal he looked so cool on his motorcycle!"

Speak of the devil, the little girl proudly running up to show of her art was named Dawn Nightingale a precious four year old who had mistaken Barbara for her Auntie Jazz the first time they met. (Not that Barbara blamed her she had seen a picture of the girls Aunt and they looked almost identical.)

"That looks wonderful why don't you go pin it to the art wall by the door so everyone can see it?" Barbara said as she looked at the surprisingly well done drawing.

As the four year old ran to do so with a cheer Barbara took a quick look over at the girls father, Danny Nightingale was a single father who from what conversations Barbara had with him had his daughter thrust upon him as a teen and was forced to leave home because of prejudiced parents. Despite this he was a natural father and was doing well to care for her even going so far as to be enrolled in engineering courses at Gotham U even while working full time to support his kid.

The single father was helping some of the younger kids while ignoring the single mothers trying to flirt with him with either practiced grace, or density befitting a black hole.

Before she could go to scare off the more persistent women (for Christs sake some of these women were over a decade older than him) there was a sudden bang as the doors to the library burst open revealed the Joker in all his pasty faced glory.

"Well well what fun! A group art project! It's a good thing I was in the area because now you kiddos get to help with Uncle Jokers art. C'mere brat."

Barbara had hit the panic button on her wheelchair the moment the Joker came through the door but she is not too proud to admit that she froze the moment he reached out and grabbed Dawn who had still been near the door hanging up her picture.

She could see the fear on the child she considered an honorary niece and found it hard to listen to what the demented clown was saying. Not that it mattered as before the Joker finished demanding the library patrons do what he said or else he was suddenly stepping back from the heavy blow that an enraged Danny had dealt.

The Joker having let go of Dawn, who ran to Barbara as soon as she was free, could not even seem to muster a defense as Danny beat him right out the door. Every weapon or gag he tried to pull out was either knocked aside or grabbed and used on him. The last thing Barbara saw before the door swung shut was Danny taking the flag gun the Joker tried to pull out and breaking it on the Jokers face.

With her arms now full of crying toddler Barbara did her best to comfort her and just as soon as she managed to calm her the door opening made her look up only to see Danny walking back in.

"Daddy!" The ballistic missile shaped like a toddler leapt into her fathers arms as he held her close.

"It's OK. It's all good. Daddy won't ever let anyone hurt you OK? There isn't anything in this world or the next that will keep me from you."

Barbara turned from the heartwarming display but only because she heard the door opening again thankfully this time it was Signal walking in Barbara figured he must have already secured the Joker since he didn't seem to be in a rush.

"Hey is everyone OK in here? Any injuries? No ok then I'm going to ask you all to stay in here and stay calm until the GCPD can take statements and get done scraping the Joker off the curb." The nervous undercurrent to Dukes voice should have clued Barbara that something was different but then that last statement hit her. Danny must have knocked the Joker out before coming back inside.

Speaking of Danny he was walking over with a Dawn who had fallen asleep in his arms after crying herself out.

"Hey I wanted to thank you for comforting Dawn. This situation was not something she should have been exposed to and I'm glad that she had someone trustworthy nearby to go to. And I am sorry buy I need to ask you one more favor... do you think you could watch Dawn until my sister gets off work if the cops detain me?"

Barbara couldn't help but double take at that.

"I don't mind but I doubt that will happen." She assured.

"Maybe but I did just stain the street with Jokers brain matter. So it's definitely a non zero chance."

Barbara couldn't help it, she was dumbfounded clearly she was mishearing.

"I'm sorry I must be hearing things, it sounded like you said you killed the Joker."

"Yeah I did. I won't let anyone hurt my family especially not that Steven King reject."

The next couple hours passed in a haze of reassuring parents and answering questions from the police for Barbara.

Thankfully Danny was not detained and was allowed to take Dawn home. Though he did ask Detective Bullock if he needed to be worried about and charges being pressed.

"Haha kid your more likely to get a medal or a holiday for this. Everyone has been hurt by that clown in some way.

Later when she was finally able to get the the clock tower she was unsurprised to find Jason waiting for her there. Clearly he had the same idea that she had, that is using her camera outside the library so that she could see what happened for closure.

The pair watched as this young man beat the Joker back at a different angle than when she saw it earlier that day. But shortly after the door shut she saw it happen so fast a trip over the step with Joker having the wind knocked out of him throwing a loose piece of concrete at the single father who caught it and the proceeded to bash the failed jester until he was unrecognizable.

Jason was the first to break the silence.

"I'm going to need a copy of that video and I suggest you make another one to give to Harley at your next girls night with the sirens."

"Deal but only if you get Alfred to help me cook him thank you meal."

[k9wa]

𑣲 RENEWAL. ft. DAN (F)HENG

⠀ — it is not he that is familiar to you, nor you to him.

⠀ OR

⠀ — time and reincarnation aren’t enough to ever make you truly forget each other.

⚠︎ angst if you squint, fluff, mild hsr spoilers? thank u to the high cloud quintet for having the most heart breaking lore, i listened to memory by toby fox on repeat while writing this.

dan heng wasn’t sure what to feel when his eyes met yours.

familiarity? no, that’s not possible. he’s never met you.

nostalgia? no, that too was not possible. he cannot name one person who your eyes could possibly remind him of.

…what was it? what was it that had left dan heng unable to will his gaze to move somewhere else? surely the intense eye contact was leaving you uncomfortable, even he was beginning to feel squirmy in his own skin as you stared back at him with an equal intensity.

dan heng can feel something in the deepest pit of his mind, leaking down and adding to the tense knot in his gut. 

yet, the feeling isn’t…unwelcome.

it’s warm. it’s akin to a comforting hand on his shoulder, or a small squeeze to his fingers. he could not, no matter how hard he tried, recall a time such a sensation had left him so utterly speechless. 

“dan heng?”

it’s welt’s voice that finally pulled him out of his trance, his eyes blinking rapidly a few times before he turned his head to look at the older man.

“sorry. what was that?”

dan heng shook his head as if to rid himself of the thoughts of you. what was your name again? yukong had just informed him. not that he was really listening, anyway.

the conversation between his crew and the sky-faring commissions helm master continued on, talk of stellarons and something about the cloud knight’s general. dan heng couldn’t seem to focus despite his efforts.

another voice calls out to him just before he can depart alongside caelus and march, however this time it is not the deep and rough voice of his companion, but one that is much sweeter, and seems to strike a chord somewhere within him.

“dan heng?”

he turns around and is once more met with your eyes. dan heng willed himself to blink and nod before he could be entranced by them once more.

“i apologize, but…”

you trailed off before you were able to get the words out of your mouth, and there you found yourself back in the odd silence the two of you had just broken out of.

“…have we met before?”

you asked, and it finally clicked with dan heng where he had seen only snippets and flashes of you before.

my dreams, he thought. the dreams that haunted him night in and night out, but would occasionally grant him just a glance of a peaceful memory.

“no. we haven’t.”

you’re an amicassador of the sky-fairing commission, one brought on board long after he was banned from the ship that you called home. your meeting at any point before now would have been impossible.

yet, his mind drifts to the occasional memory he has only when deep in slumber.

“yingxing gifted me this.”

he looks down at you, head in his lap as you pull a small jade coin out of your pocket, a fine “永” carefully carved into the surface.

“he has too much time on his hands now that jing yuan is growing.”

your chuckle is soothing to his ears, the sound like a balm applied directly to his soul.

your face is unclear, almost as if his eyes are unfocused. yet your voice is unmistakable.

“i don’t disagree.”

is all he responds, fingers idly pushing a few stray hairs behind your ear as he looks down at you. although he can’t see it, he can feel the grass he and you reside on, smell the pollen off the fresh flowers the breeze blows towards him, can feel the sun on his skin.

“you’re sure?” you question again, voice just as calming as he was sure he’d imagined until now.

“you just—“ you chuckle a bit, almost awkwardly. “—seem so familiar, is all.”

you try to approach the topic subtly, but you truly did know him. from your own dreams, the ones you had that woke you in a cold sweat from just how real and jarring they felt, regardless of whether they were mild or sweet in nature. they conjured such emotion in you.

“baiheng was telling me of reincarnation.”

you muse to him, sitting with one hand on the ground just over his crossed legs, leaving you leaning across him.

“do you believe in such a thing?”

“of course.”

he nods, hand naturally finding it’s place on your waist.

“don’t you?”

“i don’t think so.”

you reach your free hand out to play mindlessly with the silver trim of his robes.

“it’s a nice thought, though.”

dan feng can only hum quietly.

“some day,” he began, drawing your attention back up to his face. “after i reach my end, i’ll come back to find you.”

the small tug of his lips could only be described as a smirk, but it felt softer than that.

“to prove it to you.”

you tilt your head teasingly, brow cocked.

“how will you recognize me?” “I would know you blind.”

he can feel his chest warm as you smile at him.

“i’ll hold you to that.”

“sorry.” dan heng bowed his head lightly. 

“but we haven’t met before.”

he was being truthful, you hadn’t. it was your past lives that you two had been acquainted, had formed a bond so strong that it appeared to have transcended death itself.

dan heng did not wish to have dan feng’s deeds or past haunt him any more than they already do. the urge he felt to sit and talk with you, to perhaps hold your hand or touch your face would surely only lead him down a path he’d apparently gone down centuries ago.

“right.”

you nod at him, bowing yourself.

“sorry to keep you, it was nice to meet you.”

dan heng was released and regrouped with his crew, march and caelus bickering about something or the other and walking ahead of him. he decided to stay a bit further behind with welt.

his decision quickly regretted when welt gave him a knowing look, the lines on the older man’s forehead deepening as his eyebrows pushed together.

“you know them.”

“i know who they used to be. that’s all.”

welt can read the room well enough to know to end the topic there. dan heng had never enjoyed or been keen on talking of dan feng, and being back on the xianzhou alone had already left him with an unusual tension in his shoulders.

even as he walked away, moving up to engage in conversation with the sillier two of the quadrant, dan heng couldn’t shake you from his head. your smile, the way you held yourself as yukong introduced you, the small laugh that he had not expected would weave itself so deeply in his chest.

he kept walking on anyway. dan heng was not him.

⠀ 𑣲 MASTERLIST / GOT A REQUEST ?

[aquaquadrant]

Philophobia

Word Count: 5,271 Warnings: Shipping, inappropriate/crude humor, paranormal activity, suspense/mild horror, descriptive kissing, mild language Summary: For architecture major and paranormal skeptic Grian, his friends’ after-hours ghost hunting group was just an excuse to spend time with his crush, Scar, without having to actually ask him out. But one fateful night, he finds there just might be things in this world that are scarier than emotional vulnerability… even if only by a very slim margin.

A/N: Did someone ask for a Phasmophobia-inspired Scarian au? Oh yeah, my friend @lunarcrown did! Inspired by the art she made here.

So this is kind of a modern-day college au (not set within the fictional universe of Minecraft), howEVER there are some fantasy aspects in that non-human species (like mob hybrids/monsters) still exist cuz they’re fun and I’m not giving anyone a normal modern name cuz that’s too weird. This is only Phasmophobia-inspired in that GIGS have a ghost-hunting group that functions the same way, but rarely find any conclusive evidence, and don’t have unlimited lives cuz they aren’t playing a game. With that out of the way, hope y’all enjoy, please reblog/comment if u do! - Aqua

~*~

Philophobia

~*~

“I think this is gonna be the one, guys,” Impulse says, turning their van into the driveway.

The suspension creaks as they roll over gravel, rattling the frame in a way that hums through Grian’s hollow bones. His arm is cold where it presses against the window; it’s almost sunset and Impulse has yet to get the van’s heater fixed despite his promises. Stupid demon blood keeping him warm while Grian shivers in the stupid custom pleather jumpsuit that Scar insisted they had made, for their stupid ‘brand’ as a stupid ghost-hunting group. Great, his stupid zipper’s come down again- he stubbornly zips it back up because unlike Scar, he doesn’t like constantly having his bare chest out on display.

Of course, he hasn’t got as much to show off as Scar, who must be getting up at 3 am every morning to work out in order to maintain all that muscle. No wonder Scar prefers to keep his zipper down to his belly button, and doesn’t seem to have ever met a shirt that fits him properly.

… Not that Grian’s ever paid much attention to that sort of thing. 

Grian gives an exasperated sigh. “You’ve been saying that about every case we’ve had for three years!”

“No, no, I really mean it!” Impulse insists. “I feel it in my bones.”

“Yeah,” Scar agrees, leaning forward so his shoulder brushes against Grian’s, “you know Impulse bones good!”

The earnest nature of his statement- and the unexpected physical contact- makes Grian flush. “Scar!” he shrieks, swatting Scar’s shoulder.

“What?” Scar defends. “What, he- he’s got big and strong bones, wonderful bones…”

He acts as if he’s got no idea he said something that could be taken the wrong way. And if it weren’t for the upturned corners of his mouth and the barely-restrained laugh in his voice, Grian might actually believe him.

“Dude,” Skizz chuckles from the front seat, “shut up, that’s awesome.”

Impulse sighs. “Anyway,” he says pointedly, “the place recently had a change in ownership. Previous owner passed away-”

“From murder?” Scar gasps.

Another sigh. “No, from liver failure.”

Grian snorts. “From all the drinking he did to forget about the ghostly hauntings?” he presses, exchanging a cheeky grin with Scar.

“No,” Impulse says, with the patience of a saint, “just normal old-age organ failure. The guy was ancient, and some kinda recluse. House had been in his family since it was built, but uh, he had no living relatives, no will when he died. So the bank took ownership and it’s been sitting off-market for like, fifteen years, til some hot-shot investor thought he could flip it-”

“Ughh,” Grian groans, tipping his head back against the seat. “Investors are the worst-”

“I know, I know,” Impulse soothes, “but um, he’d barely begun when things started happening. Contractors reported it day one, then the owner experienced an event himself and called us. So it’s basically still untouched.”

They haven’t even reached the end of the driveway yet, passing by seemingly endless rows of tall, gnarled pines. Admittedly, Grian’s curiosity is piqued. When he agreed to join this stupid ghost hunting group three years ago, he didn’t do so in the hopes of actually discovering any real paranormal activity. The whole idea is laughable. Ghost hunting is a pseudoscience, at best. Just a bunch of idiots scaring themselves silly in an empty house- and now they’re the idiots! Even their name is stupid: Ghost Investigation Group Services, or GIGS, embroidered on their ill-fitting pleather jumpsuits.

But despite his outright skepticism and dislike for pulling late nights in his already extremely limited free time, Grian’s got one very good reason for agreeing to join.

And his name is Scar.

Grian spent half a semester pining away at the fellow architecture major from across the lecture halls of their many shared classes. Charismatic and easy on the eyes, it was inevitable that Grian would develop a bit of a crush. But as they spent more time together during class projects and conversations in the hallway, he found out just how kind-hearted and passionate Scar was, and how easy he was to talk to, and how strong his arms looked in long-sleeved shirts…

… Yeah, ‘crush’ perhaps isn’t the right word.

So when Impulse- the engineering major who Grian was partnered with for physics lab- got the brilliant idea to start a ghost-hunting group with his best friend and roommate Skizz, and Scar expressed interest in joining, Grian made a split-second decision in a moment of weakness. He maintained his skepticism, claiming that he wanted to tag along just to prove how silly the whole idea was. Impulse was fine with it, while Scar said Grian had to wear the same uniform as them, and the rest was history.

(To be fair, that was before Grian knew it’d be a pleather jumpsuit.)

So here they are now nearly three years later, rumbling down a long gravel road in the dark and cold, up late on a Saturday night even though he still isn’t finished with his condominium model that’s due at 8 am on Monday and he’s fresh out of popsicle sticks. Moments like these almost make Grian wish he could just ask a guy out like a normal person, so they could spend time together without chasing pretend ghosts around dusty houses all night.

But that’d require him to talk about his feelings. Ugh, he’d rather let the ghosts get him.

“Alright.” Impulse slows the van to a halt. The doors unlock with a heavy clunk. “What do you guys think?”

Grian isn’t expecting much when he glances out the window. But the sight that greets him immediately prompts a hasty exit from the vehicle, scarcely noticing the sudden chill, his jaw dropping open in awe.

It’s a Victorian. Not a house that someone has mistakenly called ‘Victorian’ just because it looks old. A genuine, honest-to-goodness, Queen Anne’s style two-story Victorian manor with an asymmetrical facade and a rounded corner tower and a generous wrap-around porch, silhouetted against the fading light of the evening sky.

Grian reaches for his flashlight. Sweeping over the exterior, his breath catches. Knots of ivy creep up the walls, and there are a few places where the intricate wood trim has been lost to previous repairs and weather damage. A couple of the windows are bricked up. Most of the paint is faded and peeling. But overall? It’s beautiful.

“Oh man,” Grian murmurs, pushing his glasses back up, “look at the shape of it... look at the dormers!”

A second beam of light joins in; Scar’s emerged from the van. “Lots of character,” he says, sounding similarly entranced. “And still in great condition! Oh, it’s beautiful. It’s enough to make a man cry.”

Impulse hops out of the driver’s seat, chuckling. “I knew you two would like it. It’s an ‘85.”

Grian gives an appreciative whistle. “Look, I still don’t think we’re gonna find anythin’,” he says with a sideways look at Scar, “but I gotta tell ya… if- if I were a ghost… I think I’d haunt a proper house like this. Not those builder-grade boxes in the suburbs.”

“Right?” Impulse says, his forked tail flicking through the air. “That’s what I’m sayin’... I uh, I think this place has real potential.”

Skizz, who’s come around the van to stand with them, nods thoughtfully. “Definitely somethin’ special ‘bout it, that’s for true,” he says, exchanging a look with Impulse. Then he claps his hands together. “Alright gentlemen, let’s get movin’!”

Impulse and Skizz turn towards the van, heading to open the back.

Grian stares after them, squinting suspiciously. That wasn’t just any look. That was a Look. A Look that he knows all too well. They had that same Look on their faces at last year’s frat mixer, when they rigged the speakers at the Heta Kappa house to play ‘Margaritaville’ every time someone flushed a toilet.

It means that they’re Up To Something.

… Grian’s sure he’ll find out sooner or later.

“Well, Grian,” Scar says, hands on his hips as he surveys the property, “if it’s any connotation, at least we’ll get to study some real architecture tonight.”

Grian gives him a bemused look. “Consolation?”

Scar blinks. “Cono- what, what’d I say? Con- coronation?”

“Don’t worry ‘bout it, ey,” Grian chuckles, patting him on the shoulder. “Let’s go.”

~*~

“Check it out, dude,” Skizz calls excitedly, “temp’s dropping in here! Five degrees colder than the rest of the house!”

Grian makes a noncommittal noise. “It’s an east-facing room and the sun’s only just set, of course it’s colder than the rest of the house,” he says, idly passing his UV glow stick over an armchair. No prints, of course. “I doubt they’ve updated the insulation anytime within the last two decades.”

“And hey, look,” Impulse chimes in from the corner, “I’ve got EMF 1.3!”

Grian doesn’t even look up. “There’s an exposed outlet in here and I’ll bet the wiring’s older than I am. And in any case, it’s still below the recommended threshold.” Ew, okay, now that’s a suspicious UV stain on the floor, but not of the supernatural kind…

“Oh, it’s definitely not up to code,” Impulse agrees. He waves his EMF reader around a bit, making the pitch warble. “But I dunno, I think this must be the ghost’s favorite room. Might not be here right now, but I’m getting some real vibes…”

Grian rolls his eyes. “Sure…” 

Twenty minutes in, and despite the house’s hauntingly elegant construction, it’s been the same old story. The house is empty and quiet, as abandoned houses tend to be. Quite sparse, as most of the furnishings probably went to auction. The furniture that’s left is covered with tarps and every surface is coated with a fine layer of dust. He can smell mold somewhere in the floorboards and there’s apparent water damage in the ceiling.

The only renovation attempted thus far was the removal of some cheap linoleum tiles that were laid in the kitchen at some point- a renovation Grian can heartily agree with, there’s some absolutely gorgeous hardwood underneath- but they didn’t get far. The removed tiles are still sitting about in a haphazard pile, hammer and chisel abandoned on the floor beside them. Frantic footsteps smeared in the dust and powder paint the scene of a terrified contractor fleeing for their life from the reported ‘ghostly hauntings’. 

In any case, they haven’t heard any activity from the spirit box, nothing unusual has stood out on UV, and the salt Impulse laid out is still undisturbed. Surprise, surprise. Grian’s spent most of his time admiring the elaborate wooden trims lining every wall, scuffed as they are. What he wouldn’t give to properly restore this place…

“Hey, Dipple Dop?” Skizz calls suddenly. “Your radio working okay?”

Impulse gives him a curious look. “Huh? What, is there-” He pauses, glancing down at his radio. “Oh. Oh, yeah. Yeah, actually, mine’s on the fritz, must be overdue a battery change.”

“Oh?” Grian tilts his head innocently. “You don’t think it’s a ghoooost?”

Impulse purses his lips. “I don’t think everything is a ghost,” he says mildly. He clips the radio onto his belt, turning to the door. “I’ve got extras in the van, hang on…”

“I’ll go, too,” Skizz says quickly, slinging an arm and his wing around Impulse’s shoulders. “Buddy system! You know what, I- I’m tellin’ you, you never split up when hunting ghosts. That’s how they get you, dude.”

Oh. Oh, no.

Grian gives them a warning Look.

They give him a cheeky Look back.

“Yup, yeah, that’s true,” Impulse says with obvious feigned sincerity, steering Skizz out of the room. “So uh, you two keep at it, okay, and we’ll be right back…”

“Oh, okay!” Scar says cheerfully, busy setting up the tripod over in the corner and completely oblivious to their scheme. “Have a great time not getting murdered!”

Grian opens his mouth to protest, but Impulse and Skizz are already gone out the front door. Leaving him and Scar completely alone. Totally by coincidence, surely. Oh, he knew his drunken confession to Impulse at the school’s annual bar crawl fundraiser night would come back to bite him eventually.

It’s almost insulting, in a way. Like they think the only reason Grian hasn’t made a move is because he hasn’t had ample alone time with Scar. Like he needed them to give him an opportunity. But if he’d wanted to confess to Scar, he already would have. He’d have had it well done by now. They could give him a little credit.

See, the thing is, he’s thought about it. Plenty of times, in fact. But the issue he keeps coming back to is that if he tells Scar about his crush on him, then Scar will know about it. There’ll be no going back at that point. And if Scar doesn’t feel the same way- well, Grian can kiss their friendship goodbye. So yeah, no, he doesn’t think he’ll be making any dramatic love confessions tonight, strangely enough.

The risk of an awkward silence developing is astronomical, so Grian clears his throat. “Man… isn’t this place somethin’,” he says, then immediately fights the urge to cringe.

Scar, luckily, gives an emphatic nod. “It is, it truly is amazing.” He straightens up, dusting his hands off as he turns to Grian. “You know who’d really love this place, is Gem?”

“Oh, yeah, for sure,” Grian agrees. He busies himself with the UV, so he’s not just standing around. “We should take some pictures for her.”

“Oh, good idea!” Giving the tripod a final once-over, Scar wanders over to Grian. “So, any fingering goin’ on, yet?”

Grian nearly drops his glow stick. “Sorry- any what?!” he screeches, whirling around on Scar.

“You know, ghost fingers!” Scar says, perfectly innocent. He holds his hands up, wiggling his fingers in demonstration. “On the- on the glowy light?”

Grian takes a deep breath, face burning. “Oh Scar, buddy, you gotta think through your words better before you say them, alright?”

“Whaaat?” Scar pretends like he doesn’t know. “What, I’m just- you’ve got the stick, you know, little glow stick for when the ghost touches, uh-”

“Nevermind,” Grian groans. “Anyways, no, I haven’t found any ghostly handprints and I never will, because ghosts aren’t real.”

Scar folds his arms. “Well, hey, maybe the ghost is just polite! You know, he- maybe he’s just minding his business, not touching anything or- or anyone. Just because we don’t get anything on UV doesn’t mean ghosts aren’t real, I’ll have you know.”

Grian sees the challenge for what it is. “Alright…” He reaches into his pocket and pulls out his spirit box. Holding the transponder to his lips, he belts out, “Where ahhre yewww?” in his best imitation of an over-exaggerated pop-punk accent. If Impulse and Skizz are eavesdropping through their radios, he hopes he gave them a start.

Scar laughs. “Oh man, been a while since I heard that one! You-”

I’m close.

Grian jumps so badly he nearly drops the box, his wings puffing out involuntarily. “What?! Wha- who said that?” he demands, spinning around.

Scar blinks at him. “What? Did you hear something through the box?”

“I- I dunno?” Grian says uncertainly. The box seems to be working as normal; when he holds the receiver down, there’s a faint hiss of static, and the bulb remains white. No further noises come from the speaker.

After a couple seconds of tense listening, Grian feels silly. Way to play it cool. He switches the box off with an exasperated sigh. “No, of course I didn’t hear anything through the box. Like I said, ghosts aren’t real.”

Scar hums noncommittally. “Oh, Grian... you know, there are some things in the world that can’t be explained.” 

Grian snorts. “Oh, yeah? Well, I- I got a few explanations for ya.” He counts on his fingers. “It could’ve been this old house creaking in the wind, or an electrical surge causing feedback through the transponder, or- or, not to mention, Impulse and Skizz pranking us through the radio?”

Scar snickers. “That does sound like something they’d do, I’ll give you that.”

“Yeah.” Grian slips the box back into his pocket. “And y’know, being in a creepy abandoned house, after dark, out in the middle’a nowhere... it’s easy to think you’re hearin’ things.”

Scar rolls his eyes, but his expression is fond. “I know, I know, so you’ve told me. But one of these days, mister, you’re gonna eat your words.”

“Right,” Grian drawls. “I’m so scared…”

The front door slams shut.

That makes Grian pause. They always leave the front door open while out on a job. It saves time when they have to go back and forth from the van, and saves battery life on their radios when they can just shout to each other through the open doorway. Obviously this job is a little different, because Impulse and Skizz have clearly got it in their heads to try and get him and Scar together, but he wouldn’t think they’d go so far as to-

The lights suddenly flicker and go out. But in the split-second before they do, Grian sees a shadowy figure silhouetted against the door.

Pure instinct takes over. Grian spins on his heel, grabs Scar by the arm, and absolutely flies down the stairs to the basement. He knows they’ve disturbed one or two piles of salt but right now, he can’t bring himself to care. His wings are bumping against the walls and he’s certainly never tried carrying someone as big as Scar before but he doesn’t stop, doesn’t even process the ache of it rattling through his body. He bursts into the basement, feathers flying, and careens towards the back of the room, around a tall shelving unit, and into the corner.

There’s a heap of boxes stacked up in this corner; Grian unceremoniously shoves Scar over top of them, dropping him in the narrow space between the boxes and the wall. He’s wedged in as far as he can himself, laying across the boxes, his double pair of wings preventing him from squeezing in beside Scar. He’s still got the UV light clenched in his fist, he realizes belatedly- he braces his forearms against the wall to try and cover it, fanning his wings out behind him to block it out from the rest of the room. Glancing back over his shoulder, he tries to gauge how much light is getting through when a noise makes him freeze.

Footsteps.

They’re soft and light- certainly not the heavy boots of Impulse or Skizz. No, they sound almost barefoot. And as they gently tap down the stairs, the sound of giggling fills the air. It’s a feminine voice. Young, like a child. Like a little ghostie girl is prancing down the stairs to murder them.

Grian thinks he might pass out. Can ghosts actually kill people? How would they do it if they’re incorporeal? He’s never considered the question before, he never thought he’d have to because it’s ridiculous, ghosts aren’t real, of course they can’t kill people-

The footsteps stop. 

Grian isn’t sure if he’s still breathing. He doesn’t dare move. A chill runs up his spine, making every single feather stand on end. He can almost hear the high-pitched violins that would be playing right now if this were a horror movie; the cheesy, overdrawn kind of horror movies that are always playing at the drive-in that the four of them watch while piled into the back of the van in a tangle of limbs and spilled popcorn and oh god he’s spiraling now because he’s about to be killed by a ghost-

Bye-bye!

The chill recedes. Somewhere in his peripheral vision, he sees the faint glow of light from upstairs return.

It’s over.

Grian’s mind is spinning. What was that? What was that? It seems impossible, it doesn’t even feel real to be in this situation right now but he is, there was a ghost, there was a ghost. It feels insane to even think it. But the residual adrenaline coursing through his body reminds him it was very real, he just encountered a ghost.

A ghost! Oh, after three years of very loudly decrying the entire concept as rubbish. He can’t believe it. He really can’t believe it, this is the absolute last thing he expected to happen tonight. Ghosts are real. Ghosts are really, really, real. He doesn’t know what to do, who would ever believe him? Is this how the others have been feeling this whole time? God, he can’t believe this-

“G...?” Scar’s voice pipes up hesitantly. “What... what are we doing?”

Oh, right. Grian glances down at Scar- and his heart jolts. He’d been so focused on getting away from the ghost, he’d acted without thinking, so only now does he realize the... predicament he’s put them in.

Scar’s slumped against the floor beneath him, head tucked just below Grian’s arms. His long legs are still draped over the box that Grian’s laying across, resting on either side of his waist. And due to the odd posture Grian’s in, his chest has been thrust rather close to Scar’s face, lit by the soft purple glow of the UV.

This is probably the closest Grian has ever been to sitting in Scar’s lap.

Grian’s not proud of the yelp that escapes him. “Sorry, sorry!” His wings flail as he struggles to push himself off of the wall, stumbling back onto his feet. It’s clumsy and uncoordinated and he nearly falls backwards, his heart pounding.

Scar manages a laugh, easing himself up off the floor. “No, no, it’s okay, I- I just... what- why’d you bring us down here?” he asks, dusting off his jumpsuit.

Grian catches his breath. “Wait, you... didn’t hear the creepy ghost on its way to kill us?” he asks, frowning.

Scar‘s eyes widen. “What? There was a ghost?”

No way.

“Are you-!” Grian throws his arms up. “Honestly, I- I know avians have better hearing than most but that’s insane. She was laughing! Laughing and skipping down the blumin’ steps! And you didn’t hear any of it?”

“No…?” Scar shrugs helplessly. “I’m sorry, okay! I- I don’t know, I was- a lot was happening, you- you’re grabbin’ me, pulling me down the stairs and into this little corner, I didn’t know what was going on! I didn’t know, I- I was all disconbodulated- disco- bobo, bobumated? I was a little distracted, okay. Jeeze, give a man a break…”

“Distracted?” Grian repeats incredulously. “You’re the one who actually believes in ghosts, here, how could you get distracted? What do you…”

He trails off. Scar is very clearly fighting to avoid looking at Grian, but for the briefest moment, his eyes dart down to Grian’s chest. Suddenly confused, Grian follows his gaze, and-

Oh, for goodness sakes. At some point during his frantic flight, the stupid zipper on his stupid jumpsuit came down again, exposing a frankly scandalous amount of skin. Not Scar-level of scandalous, but pretty close.

Grian immediately feels himself turn red. “Oh. Uh- right,” he hastily pulls the zipper back up, “sorry ‘bout that…”

Wait. Wait just a second. 

Scar was distracted from a literal ghost hunt going on... because Grian’s bare chest was showing? Does that... does that mean he liked it? 

Scar’s avoiding his gaze again. His cheeks are tinted pink.

“Scar...?” Grian ventures carefully. “Were you... lookin’ at my chest?”

Scar’s cheeks darken. “Ah, I- I- don’t- I mean, why would you- I didn’t mean to, it’s just...” He fumbles for the words. “What- what am I- hey, your pecs were basically in my face! I wasn’t trying to look, I- I just-”

“Scar,” Grian says, keeping his voice light and teasing, “did ya… did you like what you saw?”

Scar splutters for a moment. “Well, sure, Grian,” he tries to laugh it off, “I mean, anyone- anyone with eyes can see you’re uh, you know, you’re- you’re pretty attractive. I- I’m secure enough to say it, I don’t care, it’s- sure, of course, you’re very muscular! You’re a- you’re a muscular man, it’s just not always obvious with the sweaters you wear. Or- sorry, you call them jumpers in Britain land, right, they’re jumpers-”

“You been checkin’ me out, Scar?” Grian asks, caught somewhere between playfulness and utter disbelief.

“Uh...” Scar rubs the back of his neck. He exhales slowly, clearly debating with himself. “I... maybe? What... what would you say... if that were the case?”

Grian swallows. His heart is absolutely racing now, and he’s broken into a cold sweat that’s definitely not supernatural in origin. The air between them feels fragile; he’s acutely aware that a single word from him could swiftly plunge them back into the realm of safe familiarity, of casual light-hearted teasing between friends. Scar’s always said things that bordered on the flirtatious, and Grian can hide behind the plausible deniability of teasing. This entire interaction doesn’t have to mean anything. It can be easily moved past and forgotten.

And yet, strangely enough… Grian doesn’t want it to. Maybe it’s the post-haunting adrenaline or the fact that he could’ve died tonight, but all of a sudden, he feels like taking a chance. Like he could finally say what he’s wanted to say for the last three years. He managed to hold his own against a blumin’ ghost, for goodness sakes- he should be able to face his own feelings head on.

He takes a breath. “I’d say that’s a relief… ‘cause I’ve been checkin’ you out since day one of first year.”

Scar stares at him for a long moment. His expression is utterly unreadable. The silence draws on long enough that Grian feels a spike of panic, worried that maybe he’s mishandled the situation-

 “... oh my god,” Scar says finally. “Really?”

It sounds like the good kind of surprise. Grian offers a shy smile. “Yeah, yeah,” he admits. “I- Scar, I know I’m real good at playin’ these things close to the vest, but uh, I- I’ve had a massive crush on you since... basically since the day we met.”

“Huh.” Scar blinks. “You’re serious. You- you’re not pranking me right now?”

That startles a laugh out of Grian. “No! Scar, I don’t- we just survived being hunted by a ghost, I’m not pranking you!”

“Well, that’s- that’s amazing!” A grin spreads across Scar’s face- and man, oh man, does he have just the most wonderful smile. “Oh my gosh, G, I don’t- you don’t even know how long I’ve been waiting for this.”

The relief is almost overwhelming. “Yeah, me too!” Grian laughs, half-dazed and half-giddy, running a hand through his hair. “I- I even- look, the whole reason I even joined this group was as an excuse to hang out with you!”

Scar’s mouth falls open. “No way! That’s- that’s the whole reason I joined in the first place, too!”

Now it’s Grian’s turn to gawk. “Are you joking?”

“I’m not!” Scar insists, “I swear, I’m not- Impulse said he wanted to start the group and maybe we’d all join and get to hang out and I thought ‘hey, ghosts are cool and Grian is cool’ so I just-”

“Oh, I can’t believe this…” Grian groans, hiding his burning face in his hands. “We really are idiots, we’ve wasted nearly three years…”

Scar’s hands close around Grian’s wrists, lightly pulling them down from his face. “Well, I guess we’ll just have to make up for lost time,” he says smoothly, leaning in.

Corny, but Grian will allow it. He closes the gap, tilting his head up to meet Scar’s lips.

In that moment, everything else fades away. All the nervousness, all the second-guessing, even the bombshell discovery of the existence of ghosts- there could be one standing in front of them right now and Grian wouldn’t care. The way Scar gathers Grian in his arms, hands gently roving through his feathers- it’s bliss. It’s perfect.

Scar kisses him strong and purposefully, with no trace of carelessness or haste. He doesn’t rush. There’s intent written into every single movement, jaw working to deepen the kiss. Grian curls against him, hands splayed across Scar’s chest. He can feel Scar’s heart pounding through his flushed skin, and it’s wildly exciting- to think Scar is just as breathless as he is. 

Growing bold, Grian dares to slip his tongue into Scar’s mouth, and the noise he makes- part surprise, part delight- sends pure electricity fizzling up his spine. His mind is starting to drift away from him, lost in the sensation of weightlessness, of floating, that almost makes him feel like he’s gone completely incorporeal- like his own spirit has become untethered from the mortal coil.

Then Skizz’s voice comes down the stairs.

“G-Sharp! Scarface! You down here? We just saw a freaking ghost on the cams, and- oh my god!”

Grian breaks away from Scar, but not quick enough. He turns to see Skizz and Impulse standing at the bottom of the stairs, expressions shocked. And then, as if they’d rehearsed it, they both break into massive shit-eating grins and spin around to high-five each other.

“Woo!” Impulse cheers. “We got ‘em! Ladies and gentlemen, we finally got them.”

“Yeah, baby!” Skizz pumps his fist in the air. “Oh, I love it!”

“Oh, would you two stop it?” Grian huffs, but he’s not really cross. Hard to be cross when he’s on cloud nine. “The ghost did most of the work, alright?”

“That’s right,” Scar sniffs, winding an arm around Grian’s waist. “You know, I- I’m startin’ to think you all were in cahoots! Cahoots, I say!”

“Dude, if only,” Skizz laughs, walking over to clap them on the shoulders. “Could not have planned it better, that’s amazing. Well done, gentlemen!”

“Yeah, it’s about time!” Impulse adds, crossing his arms. “I was starting to think we’d graduate before either of you fessed up, I- I had to take drastic measures…”

“Impulse,” Grian says warningly, “if you’re about to tell me you started this whole paranormal investigation group just as a way to push me and Scar into confronting our feelings, I swear-”

“No, no,” Impulse assures him, chuckling. “I really do like the ghost-hunting deal, don’t worry. But uh, we did deliberately ditch you guys in the hopes that something would happen.”

Scar waggles his eyebrows. “Oh, things happened, alright.”

“Scar!” Grian swats at him, but he’s laughing and it feels good. It feels right. After all this time spent worrying about worst-case scenarios, about denying his feelings for the sake of maintaining the comfortable mundanity of his comfortable life, it turns out the scariest part was the fear itself.

The irony doesn’t escape his notice. A bit on the nose, if he’s honest.

“But in even bigger news,” Impulse graciously continues, “you saw the ghost? And you believed it? You, Mr. Non-Believer in all things ghostly?”

Grian sighs. “Yeah, yeah, I know…”

“This is incredible!” Skizz claps his hands together. “Okay, okay, we gotta go cleanse the area and I wanna hear everything, got it? Don’t leave a single detail out!”

Grian slips his hand into Scar’s as they follow Impulse and Skizz back up the stairs. “Yeah, alright,” he relents. He supposes he’s due for a lot of ‘I told you so’s’. But really, it’s a small price to pay for the life-altering knowledge that ghosts are real… and for finally finding the courage to believe in something extraordinary.

Scar hums. “Wait, details about the ghost or about the kissing?”

“Scar!”

~*~

[catboygretzky]

Exyblr Dashboard Simulator based on what I personally see on sportsblr:

1/?

👑 girlbossriko follow

how many bro jobs do you think it took before riko moriyama and kevin day realized that uh.....maybe this wasn't just a bro thing

👢exyinaphonebooth follow

how many times do they have to come out and say they're like brothers before you freakos stop shipping them

👑 girlbossriko follow

????? do i know u

#it's a tumblr post about two exy players that you'lll never meet in your life it really isn't that deep

558 notes

💃fox-me-up follow

ngl that newest fox is kinda 👀

#psu lb #exy lb

8 notes

👨🏻‍❤️‍💋‍👨🏻 talk-exy-to-me

The NARRATIVE that kevin day and neil josten have........son of exy! scouting the rookie-est of rookies from fuck knows arizona........no listen you dont GET IT winning is EVERYTHING TO KEVIN and he would risk it on the foxes? And NEIL? who has only played exy for a year! NEIL Gets his attention!!!!! And hes good and he's getting better every game and he keeps bitching about kevin's ex on live tv BUT WAIT!???? NOT QUITE WHAT YOU EXPECT! Bc then neil shows up with a number on his cheek BECAUSE WELL it turns out they've known each other since they were KIDS! how is everyone not insane w me THEY'RE LITERALLY PERFECT

#where r my fellow njkd truthers #how r u all not here with me this isnt even the start #kevneil #210 #psu #njkd

102 notes

☀️ usctrojanny

every smiley blonde striker (jeremy knox) needs a brunette wet cat emotional support backliner (jean moreau)

#jerejean #usc trojans #i'm just saying 🤷‍♀️

58 notes

👸🏻 kevindazed follow

did he just......

👸🏻 kevindazed follow

guys please tell me i'm not insane

👸🏻 kevindazed follow

HE'S NEVER BEEN????? SKIIING???? KEVIN WHAT DOES THAT MEAN ?????? KEVIN PLEASE

#i i'm going insane i will literally die if someone doesn't explain this to me HE'S NEVER BEEN SKIING?!!!!

407 notes

🧚 goalie-stan

oh....i'm feeling so weak......it'd sure be nice to have a big strong goalie (renee walker) hold me up (renee if you're free on tuesday i am also free on tuesday.........on tuesday this tuesday, any tuesday?)

#literally passing out just thinking about her holding me don't call don't text i'm busy

84 notes

🌄 softkevinday follow

do u think if u offered kevin day essential oils to heal his hand he'd beat you to death

#it'd be hard for him bc he only has one hand but he could probably do it #legally this is a joke don't do this

284 notes

🗣️ jeremyknoxes follow

feeling normal

215 notes

📜 realexyblog

actually exy rpf is fine, i asked kayleigh day herself and she told me it was fine

112 notes

🐋 sexyexy

'exy is a stupid name for a sport' have you considered that a) i don't care and b) it's named that solely so i can make sex jokes about it

11 notes

🏳️‍🌈 gay4stickball follow

is he, ya know *mimes jerking off* an ncaa exy player

#i don't believe that straight exy players exist

56 notes

🙈 ittybittyminny follow

Andrew Minyard!!!!!!! 🥰🥰 short king!!!!🤏🤏😋😋 Awwwwwwww the scrunkly!!!!! 🤗🤗🤗 My boinky boy!!!!!🥺🥺 Crinkly doo,,,,shronkle scrimblo......🥺🥺🥺 rb if you'd scrunkle!!!!!!! 🥺🥺🥺🥺🥺🥺🥺

📖 sapphic-exy follow

he literally killed someone

🙈 ittybittyminny follow

And? God forbid women do anything

#also no proof he did that #yeah there's proof his twin bro killed someone but that's not the same bc theyre different people #almost killing someone doesnt count

807 notes

🐦‍⬛ edgarallenexy

got told i'm problematic for liking the ravens? THAT'S LITERALLY MY SCHOOL OH MY GOD

2 notes

🌸 softexy

Kevin Day - A Study

#kevin day #psu foxes #palmetto foxes #exy #web weave #poetry #psu foxes #palmetto #edgar allen

378 notes

[shark0zu]

JJK boys having a crush on u (pt. 2)

(credit to chosolala for the original)

pair: JJK boys x gn! reader  warning: some suggestive content (maybe) and curse words. ft: Sukuna, Shiu, Yuji, Megumi and Ino. content: JJK men being confused tbh

an: this is pt. 2- pt. 1 will be linked below so enjoy 

w/c: 1k

JJK boys having a crush on u (pt. 1)

SUKUNA— » realistically he would never have a crush- let’s be for real- but for the sake of this- he will have one (on you). he does have many concubines, but he’s never had any sort of feelings towards them- like, never. he sees them as non-important aspects in his life, but you seem to be different for some reason. » old man does not know anything about ‘crushing’ or being into someone. just (physically) crushing someone or killing them. there is a difference- he just doesn't know it (not yet at least). » one day he goes up to you and asks, “what is this feeling i have when i see you?” genuinely confused- he was being so deadass, he continued, “my chest hurts sometimes, my stomach does some weird flip things- and i sometimes feel my face get warm.” he finishes and looks at you dead serious while asking. » you end up explaining what he was feeling after you laughed at him a bit for not knowing. once he understood what he was feeling he denied it at first, but then (eventually) came to terms with it.

SHIU— » how did you guys meet? work partners, worked on a job together and since then, you guys got paired up together a lot. gradually both Shiu and you got closer and closer. he definitely is looking for a partner… a loving partner that is. » once he figures that out- (that he likes you/has a crush on you) he begins to make a ‘plan’. ‘how to make them like me back’ was the plan name, he wrote the steps and everything on a lil’ notepad to keep track of the things he's done, this man took that notepad with him everywhere. » one day you find this notepad unattended at his desk and curiosity gets the better of you. looking through the pages you stumble upon his ‘plan’ and you find it endearing to put it simply. you decide to play dumb and act as if you never even saw the notepad at all. » once all the steps to his carefully well done plan were met, he decided to take you out on a date- where you confess to the fact that you knew all along about this ‘plan’ of his. with an embarrassed grin and a chuckle he confesses his feelings, you of course reciprocating them.

YUJI— » he will be forward about his crush- or at least very open about it. won’t exactly say it to your face, but will tell Megumi and Nobara about it, rather loudly, enough for you to hear him (at least he thinks you heard him… he hopes). » he is of course oblivious as well, first not really knowing that he even had a crush on you? he thought you were just really really good friends. it took all the patience out of Nobara to explain it enough to show him the difference between a friendship and a romantic relationship. » once he comes to said conclusion, he decides to wait it out a bit- even though he is very forward with his feelings- he was a bit scared to fuck it up, not really wanting AT ALL to ruin the friendship you had stablished with him already. » but he shook that thought out of his head and after some time he decided to tell you- in his own lil’ way and properly this time (after Megumi told him that just yelling it isn’t a real good idea).

MEGUMI— » much (not) like either of his dads (Toji and Gojo [not as a ship]) at all, he indeed knows how to handle a crush, even if it is a rare sight for him to even have one, let alone said crush being a close friend of his- that being you. » scared of ruining the friendship he has with you already, he decides to play the waiting game. you say you have feelings for him first or he runs out of patience and tells you his feelings or he simply loses them or waits it out (only one has a good outcome). » of course, in the end… his patience ran out and he wanted to tell you straight up. he asked you out in his own way, in private- with no ears or eyes (aka. Yuji, Nobara and Gojo) to hear or watch him get all flustered while confessing. » once he confessed, you confessed as well. he asked why you didn’t say anything beforehand instead of making him embarrassed himself in front of you, to which you replied with the same question, ‘why didn’t you confess earlier?’. safe to say he was happy that you reciprocate his feelings nonetheless.

INO— » everybody knows he has a crush on you, but apparently he has not the slightest clue himself. this poor fellow really is oblivious to his own damn feelings and apparently so are you cuz you dont even notice them either. » he knows he likes you- i mean, he likes spending time with you, likes talking to you, likes going shopping with you, listening to music with you… all the good things in life. he knows all this yet he thinks it's just a ‘friend thing’, he thinks he does that with all his friends but really he only does all that and more with you and only you. » one day Nanami (poor man) goes up to Ino and asks him directly. Ino, not knowing what to say just gets flustered and all the little gears on his head start turning, things start going into place and the connections have all been made. “Ohhhhhh.”, he says, basically face palming his dumbass for well- being a dumbass. » next thing you know he is at your doorstep with some flowers, your favorite sweets and lil note (courtesy of Nanami). You open the door to a very happy Ino ready to spill the beans on how much he likes you and that he is kinda dumb for not noticing his own feelings, later turning it to you for being as oblivious as him.

Masterlist

[joedirtymadre]

Imma need a part 2 of bothersome🫣🥺PLEASEEE

Bothersome - Part 2

LAW X READER!! (PLEASE SEND MORE REQUESTS! PLEASE! 🙏)

You stood at the edge of the ship, watching the sunset slowly set. After Punk Hazard, you all returned back to the ship. Out to Dressrosa, to help Law with whatever he was planning. “So you’re just going to ignore me?” That deep voice called out to you. You continued staring out to the sea, hearing footsteps behind you come closer. You could sense him standing next to you, staring at you.

“What’s wrong with that? You did it to me throughout our relationship,” you said softly.

“I’m sorry, (Y/N). Please forgive me, what I did was wrong and I don’t want this affecting the allia-“ you quickly cut him off. “Why would our past affect the alliance? Did you honestly think I haven’t moved on by now?” You laughed. “I-… No I didn’t think that, but…” he trailed off. “Don’t worry, I’ll happily accept my captain’s orders… even if it means having to be in alliance with you,” you said coldly.

You turned around and headed towards the girl’s quarters. “(Y/N), I wasn’t done speaking!” He said, as he followed me. “Ok, so what else did you have to say?” You asked as you turned back to face him. “U-Uh… well you look… nice. How have you… been?” He asked awkwardly. “You really want to have a quick catch up?” You scoffed. “Well like you said we’re in an alliance now, so we should be able to have civil conversations,” he explained. You raised an eyebrow, “Traffy, weren’t you the one that tried to explain to Luffy that an alliance doesn’t mean we’re friends?” You asked.

“Not you using that dumb name too… a-and I did but-“ you cut him off. “Exactly! Thank you for remembering! Now I’ll be off to my room,” you said as you turned back and quickly entered your room before he could stop you.

You threw yourself on your bed, “Just another example of having the worst luck ever… Now I have to see and help my ex for who knows how long,” you sighed as you stared at the ceiling. “This is all so stupid and awkward!” You said to yourself as you rubbed your head. Out of all people, him?! At this point you would’ve preferred if Kidd showed up or something… And what the hell is up with him trying to have small talk with me? Does he expect me to be buddy buddy with him like nothing happened?

You quickly sat up, and shook your head. “Stop thinking about him. We’re over him, he doesn’t affect us anymore…” you said to yourself as you felt tears fall down your face. “God I’m so stupid!” You yelled.

Suddenly you heard the door open, and you quickly wiped away any tears. “(Y/N)? Are you awake?” You heard Robin call out. “Hi Robin,” you sniffled. “What’s wrong?” She asked as she sat on the edge of your bed. “It’s nothing, just some bad memories…” you said, as you avoided her eyes. “You know you can tell me, I’m your friend (Y/N),” she smiled as she placed her hand on top of mine. “I know, thanks,” you smiled softly. “I came to check on you, because I saw how upset you looked after speaking with Trafalgar,” she replied. “Yeah, I just don’t feel too comfortable around him,” you confessed. “You should tell Luffy, I’m sure he’ll under-“ you quickly cut her off. “No! No…” you repeated. “I can’t let him know! I can’t-“ you shut your mouth, afraid of your voice cracking.

“Let him get to you? I don’t understand,” she said, confused. You sat there in silence, pondering whether to tell her or not. “(Y/N), I’ll always be here for you. Do you and Trafalgar have a past history?” She asked. “Mhmm… I used to be a part of his crew, before I left…” you trailed off. “You left? Why?” She asked. “We were dating… until he shared his true feelings with me. I couldn’t stay there, not after what he said to me… So I left, while he was distracted by some Marines,” you explained, feeling a heavy weight fall off your shoulder. “Oh my,” Robin gasped. “Yep, so now we’re in an alliance with him. It’s weird, and I’ve moved on… but it sucks seeing him,” you said slowly.

“I see,” she said softly. “It’s ok, we’ll show him that you’ve grown. That no matter what he does, he can’t hurt you. Especially when you have friends here that will support you,” she smiled as he wrapped me into a hug. “You’re right!” You grinned. Your beautiful moment was quickly interrupted by your stomach growling. “Ah… I guess all this talk got me hungry,” you said sheepishly. “Let’s go get dinner,” Robin said. You nodded and the both of you quickly headed to the dining table.

You sat in between Robin and Luffy, and across from… Law. “Here you go everyone, dinner’s ready!” Sanji smiled as he sat down to eat. “Thank you,” we all said and quickly began eating. You reached forward for a rice ball, and brushed your hands against Law’s. You immediately flinched, looking up to see him staring your way.

You quickly grabbed a rice ball and pulled your arm away. You began to eat, trying to look anywhere but his direction. “Hey (Y/N)!” Said Luffy, breaking you out of your concentration. “Y-Yes?” You stuttered as you looked next to you. “Are you gonna finish your meat?” He asked, drooling. “Luffy! Leave (Y/N)’s food alone!” Sanji yelled. “It’s fine, you can have it Luffy,” you smiled as you handed him your plate.

“Thanks!” He smiled, but it quickly turned into a frown as he stared at you. “Something wrong?” You asked. “Yeah… one sec,” he said as he moved his hand to your face. Slowly wiping away at your cheek, you felt your cheeks heat up. “Sorry, you had rice on your cheek,” he laughed. “Oh, thanks,” you smiled. “Ow!” Luffy yelled, causing everyone to focus their attention on him. “Someone stepped on me!” He huffed. “Huh?” You questioned.

“You’re just imagining it,” Nami said. “Here Luffy, take my sandwich,” you said as you placed it onto his plate. “Wow!” He said, quickly changing his focus back onto his food. You slowly turned your eyes to the man in front of you. You almost fell out of your seat, once seeing the daggers that this man was staring into you.

“I-I’ll think I’ll call it an early night, night you guys,” you said as you quickly headed out of the dining room.

“Man that was tense,” you sighed as you walked towards your room. You slowly reached for the door knob, before suddenly being turned over and being pushed against the wall. You grunted as your back hit the door, you quickly opened your eyes to see that you were trapped by… Law… “T-Traffy?” You asked nervously. “So I see that you moved on, but I didn’t know you had a thing for captains,” he said coldly. “Woah… Woah… you think I moved from you onto Luffy? You’re crazy,” you laughed.

You noticed a light pink hue on his cheeks, as you continued to laugh. “Well why the blushy face when he reached for your face?” He questioned. “Well… wouldn’t anyone blush if you had food on your face and your friend took it off?” You asked. “I- Uh-“ you quickly cut him off. “Look like someone else needs to move on,” you laughed again, while slowly turning around to open the door. But was quickly turned back around, “Stop messing with me!” He yelled.

“What do you want from me? Do you still wish that I head head over heels for you, well tough shit cause you messed that up!” You yelled. You noticed that he was slightly taken aback by your response. “So what if I end up liking Luffy or whoever! That has nothing to do with you! You’re nothing to me, nothing,” you growled as you pushed him away.

“I’m not the same girl anymore, that would follow your every word. Or kiss the floor where you stepped on,” you glared. “So just leave me alone… haven’t you done enough?” You asked as you were finally able to open the door to the girls’ quarters. You quickly entered the door, ignoring Law’s calls for you. As you went to slam the door, a foot stopped it from slamming.

“Jesus Christ, you just don’t know when to leave a girl alone…” you groaned. “I’m sorry… I just want to say that I’m sorry,” he peeked through. “Ok now mov-“ he cut you off. “I’m sorry… for what I said. When you left, I realized how much I missed you- needed you… We went back to the island, but you were already gone. I don’t know what went over me, I-I missed your laughs, your smile, you interrupting me from my work, calling me honey… I know I screwed up, and seeing you now… Just reminds me of when we were still together… but I guess that’ll never be the case again,” he confessed. You stayed silent. “I’ll leave you alone, or as much as I can… I just wanted to let you know how I felt,” he said softly before removing his foot. Finally allowing you to shut the door.

You let out a deep sigh, and slowly slid down against the door. “Why do I feel like this?” You asked yourself as you clenched your hair. “What do I do now…?” You softly cried into your arms.