#direction to perfection

[sophie-baybey]

Tumblr is going to become far worse over the next couple years leaning further into targeted ads, gathering user information, and generally no longer doing the Only Things This Site Does Right, and I would like to firmly predict that all of the blame will be put on the influx of twitter refugees, instead of the plain truth that tumblr has been shifting its goals for a long time now (banner ads, leaning into and owning the "hellsite" reputation, selling merch of old tumblr memes, experimenting with ads that cover a quarter of your screen while you scroll (although those are thankfully gone now)).

The tumblr staff have shown they finally understand their community, and as the website's reputation heals, shareholders and suits are going to push for more and more money to be squeezed out of this place. This path was set in motion long ago, and I'm going to be real grumpy when the blame all gets pushed aside to just point fingers at the twitter people.

[pretty--in--purple]

let's be real, being guillermo's friend/partner irl would suck ass. he's a manipulative serial killing embezzler who is having an emotional affair, plus he's constantly busy with his kid/creature that crawled out of the chest cavity of his dead friend + his undead three stooges.

HOWEVER

being his cousin would slap so fuckin hard man. every few weeks: "cousin memo's here and he's brought the five most attractive people you've ever met, an autistic child, and 50 grand cash." he barely comes to any family events but when he does you get to share gay judgemental looks w/ him. he keeps making you garlic bread and he bought you nunchucks. his trunk has a corpse in it.

[stuckinapril]

The whole “be responsible not for other people’s feelings but to them” distinction is so so true… at some point you need to realize that other people’s insecurities really are their responsibility & dimming or contorting yourself to make them feel better helps neither you nor them. Firstly, bc they need to realize what they’re doing and grow up. And secondly, bc you’re not just compromising on a one-time thing. You’re comprising on who you are as a person. I don’t want to look back when I’m older and stay stuck wishing I held my ground despite people’s projections or asserted my presence more or didn’t apologize so much for who I am. I really just want to own everything (the good and bad) & continue doing what makes me happy

[echofades]

STATION 19 | 7.04: Trouble Man

[canon-gabriel-quotes]

Gabriel trying to entertain an iPad baby as his confidence rapidly declines - A Compilation

Not going to transcribe these as its just songs being "sung" if you can call it that.

Anyway.

Chug Jug With You Audio Source

Happy Birthday Audio Source

Under the Sea Audio Source

Chug Jug (again) Audio Source

[nafohcnis]

Oh what a day !!!

[tyttetardis]

Macbeth Q&A 18th Jan 2024 Part 1

Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️

The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.

The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.

Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if haven't seen it yet but is going to!

To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).

David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".

First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!

Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.

David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.

He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.

Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.

When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!

Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.

Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.

Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".

It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.

David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.

He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.

Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.

David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.

Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.

David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".

Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.

The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.

Part 2

[thissisatitle]

It was so unnecessary but i'm glad he did this

[yrsonpurpose]

Oh, we were somewhere else.

[atlantis-area]

TAEMIN - WANT (2019) 5th anniversary

[afterthelambs]

Tsukishima is one of my favorite haikyuu characters because he is a professional hater. He turns bitchiness into an art form

[zeravmeta]

as part of my new years resolution im forcefully picking up the sketchbook to Git Gud at arting so anyways rough pencil sketch of the first idea that occurred to me, which was boa hancock devouring luffy

[scatterbrainedbot]

here have a wip of a rat sons comic that i keep tearing up about while writing

(feat. tortoise papa splinter and his rat baby leonardo)

[adhd-merlin]

the time skip between S4 & S5 robbed us of many things but one I would've loved to see is merlin going fully into anxious-event-planner mode for arthur and gwen's wedding

[hikaru-hoshina]

OMG THE CG LOOKS SO GOOD?? It's been years since we last had this quality!!!

[deerspherestudios]

i know you changed mychael's height from 5'8" to 6'2" (i think) but i had a thought after playing through day two and noticing the dialogue, how we noticed he seemed taller than the day before. what if mychael can manipulate his own height at any time?

Hahaha not really! His height essentially has been retconned. That line was meant to be an inside joke for the players who were around for this poll.

While we're at it, expect some retcons here and there as I keep developing the game and essentially Mychael. I have a solid idea on what to do with him, but he's still an ever-growing character at the moment, especially with the game still a work in progress <3 So please forgive some blunders if I retract some statements here and there to fit the story better.