#disney movies

[holyfuckinshitleto]

TANGLED EVER AFTER 2012 | dir. Byron Howard & Nathan Greno 

[captofthelaney]

Lilo & Stitch (2002)

[prideprejudce]

the fact that reboots used to be like thirty or forty years apart and are now instead like 3-10 years apart is absolutely ridiculous. like are we so trapped in a capitalist hellscape that instead of us naturally cherishing a beloved piece of media like it deserves and looking forward to NEW stories with NEW universes we have to watch the same thing over and over and over again with reboot after reboot after reboot until that media has been so sucked dry that us as an audience are literally sick at the mere mention of it

[lilithism1848]

[warryart]

Asha and Star concept sketch🌟

[angelltheninth]

If the Wish writers kept Concept Art!Star the movie would have been more fun. Look at this cute shapeshifter! Just look at them!

I loved Star in the movie, but if Star was left as they were in the concept people would have gone nuts over them.

[sugardells]

“They are soulmates”

Art by Sugardells

[wendyverboom]

[douglasbradburyverne]

Disney's "Peter Pan", BEHIND THE SCENES (Released on Feb 5th, 1953)

[frozenwolftemplar]

Seeing how 'Wish' is supposed to be a celebration of a century of Disney that's chock full of homages and nods to their past films, no matter what happens in the film, there's really only one suitable end for King Magnifico:

(source Buzzfeed)

I'm just saying....

It's a tradition!

[malerfique]

they start to capitulate on the 2% profit

[holyfuckinshitleto]

TANGLED EVER AFTER 2012 | dir. Byron Howard & Nathan Greno

[hydravns]

MUFASA

THE LION KING (1994)

[aw777]

[laurenillustrated]

Queen Clarion from Tinkerbell ✨

Yellow for day 3 of the color wheel challenge!

[the-irreverend]

Perhaps my biggest issue with Zootopia was that despite focusing on issues of racism and prejudice, I always felt like it only did so in a superficial and barebones way. And this issue became harder to ignore after watching Nimona.

The racism within the world of Zootopia is less of a formidable obstacle and more just a mere hurdle on the track that just quickly jumped over. The biggest example of this problem is with the film's "main antagonist," Mayor Bellwether. Aside from being a crappy twist villain, we never see the effects she has had while she was in power, effects such as policies, laws, or other systemic powers she could've wielded to malign and oppress the predators of Zootopia.

But the way Nimona tackles the subject of prejudice just completely puts Zootopia to shame. For Nimona (the character), the malice she experiences is not some mere bump in the road, it's a suffocating presence that surrounds her on every side, one that she has to endure on a constant basis. Whereas the supremacism in Zootopia was this mere stomachache that fades as soon as it appears, in Nimona, it's this all-consuming cancer that infects every corner of society from government to law enforcement, to goshdarn cereal ads. And not only that but this culture of supremacism is also accepted by almost everyone in said society, much of the time without them even asking themselves why they're accepting it.

Many have argued that you shouldn't go too hard on Zootopia's social commentary because "it's only a kid's movie," but after seeing Nimona tackle the same subject with far more depth and nuance, I can't help but ask: "what's Zootopia's excuse?"