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entwinedmoon · 1 month

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This month is the 40th anniversary of John Torrington’s exhumation and autopsy. I’ve been doing real-time daily updates over on this post to show just how long and drawn out the process was. It took over a week, starting from when Beattie arrived on Beechey to when they first started digging to when they finally got the coffin open. Right now, those updates are in a bit of a lull because, after they dug down to the coffin, they had to wait for permits to move onto the next part, so there won’t be another Daily Torrington Dig update until August 17.

While we’re waiting for Beattie to get his permits to crack open a cold one (Torrington’s coffin) with the boys (his scientific research team), you can check out my Torrington blog posts to keep the spirit of the season going. The posts Sacred to the Memory of and A Star Is Born would be especially applicable right now as they explore Torrington’s death, exhumation, autopsy, and the media’s response to the photographs of his well-preserved body.

But there’s something else I wanted to share here, another type of media response that I’ve known about (and had a copy of) for a while. I shared it years ago on Twitter, thinking it would get a laugh there, but that was, er, not the reaction I received, so I’d held off on sharing it anywhere else because I thought most people would find it inappropriate. However, I was reminded recently by a friend (don’t know if they want to be tagged here or not, so I’ll go with not) about the existence of this particular piece, and I realized that this might be something that would be more appreciated here on Tumblr, where we like to photoshop Torrington’s corpse into memes, ship him with the guy he’s buried next to, and want to see what he would think of Takis and flavored vapes.

The article I’m referring to is the story about Torrington that appeared in the Weekly World News.

If you’re not familiar with the Weekly World News, it was a notorious tabloid that made up absurd stories and pretended it was real news. Some news stories were actually true—so it wasn’t completely like today’s The Onion—but there were also plenty of clearly fictional articles, featuring bizarre, often supernatural stories, such as Elvis sightings, a double-decker bus mysteriously found at the South Pole (“scientists” claimed aliens did it), or Bat Boy, a boy who was part bat, part boy.

Torrington’s level of fame within the cultural consciousness of the time meant that he, too, got to experience the tabloid treatment.

(CW: pictures of Torrington’s mummified body beneath the cut)

Published on March 3, 1992, was this front-page story:

Man buried in 1845 brought back to life!

Sailor’s coffin frozen in arctic ice 147 years!

Hush-hush new drug revives corpse, say doctors!

Yes, according to the Weekly World News, John Torrington was brought back to life in 1992. There’s even a full article all about how it happened.

MAN FROZEN SINCE 1845 BROUGHT BACK TO LIFE!

Scientists revive seaman trapped in ice 147 years!

Sailor back from the dead still thinks James K. Polk is President of the U.S.!

By Cal Sanders, Special Correspondent

The perfectly preserved corpse of a British sailor who was buried in an icy grave after he died on an Arctic expedition in 1845 has been revived by scientists—147 years later!

And while Petty Officer John Torrington’s health is fragile at best, the team of doctors who illegally plucked him from his grave and brought him back to life say he is aware of his surroundings, walking with help and might very well be able to lead a normal life “if this man has the psychological strength to adapt to the 20th century.”

“It’s hard to believe but this man thinks James K. Polk is President of the United States and insists that horses and sailing ships are the best and fastest ways to travel,” Dr. Hermann Richter said in his report on the experiment that brought Torrington back to life.

“Electric lights literally scare the hell out of him and to be perfectly frank about it, he hasn’t quite decided if he’s dead or alive. About the best we can do at this point is take his recovery one day at a time.

“If Torrington survives we will have produced a living piece of history. If he dies, at least we’ll be able to say that we tried to do something that might ultimately have benefited all mankind.”

The decision to steal Torrington’s corpse from its grave in northern Canada couldn’t have come easy for the Richter team, which issued its report to selected European newspapers “from an undisclosed clinic in Germany.”

For starters, the young man’s grave has stood as an unofficial monument to the courage and determination of 128 adventurers led by British explorer Sir John Franklin—adventurers who gave up their lives to chart the last 300-mile-leg of the treacherous Northwest Passage between 1845 and 1848. Torrington’s body was exhumed once before, in 1983, but it was carefully reburied after scientists took a small tissue sample to determine the cause of death. As it turned out, Torrington died from lead poisoning after eating provisions out of tins that were sealed with the dangerous and often lethal metal. Needless to say, news that Richter and his associates secretly exhumed the body a second time, smuggled it into Germany and succeeded in bringing it back to life have infuriated many experts, some of whom consider the theft of the body criminal. Richter himself insisted that Torrington is in good hands and will be free to go when he is strong enough.

The doctor went on the say that he understands why the experiment might sound extreme to some people but he believes that the revival of Torrington “furthered the best interests of medicine and science.” Richter’s report did not include any of the techniques that were used to revive Torrington but it did mention “an exciting new drug” that might one day make such revivals routine.

Because he died of lead poisoning, it is also believed that Richter and his team somehow cleansed Torrington’s tissue of the deadly metal before bringing him back to life. For the record, Torrington was a man of 20 when he died. Now he looks like a man of 80, photos supplied by Richter show.

“A century and a half of death is enough to age anyone,” said Richter.

There’s a lot to unpack here—the morally dubious German doctor with a mysterious, Frankenstein-esque resurrection method; the burial and exhumation dates both being off by one year for some reason; the short, skinny guy in the obvious bald cap that they thought would pass as Torrington; and so much more. Interestingly, a lot of the article seems to focus more on how scandalous it is that Dr. Richter stole Torrington’s body, as if the writer thought that the revival of a long-dead corpse wasn’t enough of a scoop. Also, I’m not sure if Torrington would even have been aware that Polk was president in 1845—was he the sort of guy who paid attention to international politics? Wouldn’t it have made more sense for him to think Victoria was still queen?

Many people might be offended by such an article, but the Weekly World News never cared about who they offended. Unsurprisingly, one of those who did take umbrage with the story was Dr. Owen Beattie.

In a short article in the Times-Colonist Metro about a week after the Weekly World News story ran, we got to hear Owen Beattie’s reaction.

HEE-(T)HAW . . . It was standard checkout rag fare. “Man Buried in 1845 brought back to life” shouted a recent front page of Weekly World News. “Hush-Hush New Drug Revives Corpse,” it continued.

These startling revelations bore some significance for both the wax museum’s Ken Lane and University of Alberta anthropologist Owen Beattie. The man purportedly thawed like last night’s dinner was John Torrington, one of three sailors from the Franklin expedition buried on Beechy [sic] Island. The Franklin expedition—and John Torrington—feature large in the wax museum’s arresting Frozen in Time expedition. Torrington’s body was exhumed from its Arctic grave in ’84 by Dr. Beattie, who determined death was from lead poisoning.

Neither Ken nor the anthropologist felt their respective professional worlds crumbled with the News article. (It ran with a photo of an emaciated looking chap being assisted by doctors and reports that Torrington is terrified of electric lights, still believes Polk is the U.S. president, and horses are the only way to go.) Ken shrugged it off with a what-can-you-expect-from-a-checkout-rag laugh. The anthropologist wasn’t quite so forgiving.

He refused to comment on it at all, insisting that his research speaks for itself. Apparently John Torrington was quite dead when he was exhumed and equally so when buried after the autopsy. But then that’s not the sort of stuff that sells check-out rags.

While it’s perfectly understandable that Beattie would not appreciate something like the Weekly World News’ fake story, what I find most interesting about this snippet is that there was a wax museum with a Franklin Expedition exhibit that included Torrington??? Does that mean there was a Torrington wax figure???? Where is it now????? Can I buy it?????????

These very important questions aside, it’s fascinating to see that Torrington was well known enough to make it into a “checkout rag.” Maybe it’s not the legacy he would have wanted, but at least it’s worth a good laugh.

#john torrington #franklin expedition

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silverfoxstole · 8 months

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Recording Shada in 2002.

From DWM 330, May 2003:

PAUL MCGANN

INTERVIEW BY GARY GILLATT

We first spoke in Vancouver in 1996…

[sings] Ah yes, I remember it well…

…And here we are in Bristol, years later, with James Fox and Andrew Sachs. Would you ever have thought it?

Well, when my agent was telling me about it, I thought we had a bad line. She said, ‘James Fox is in it, and Andrew Sachs, and so-and-so and such-and-such’ and I assumed I was mishearing. I mean, how could it be?

Were you familiar with the work of Douglas Adams?

Not really, only Hitchhiker’s Guide. I’m not a sci-fi reader at all, that’s not my thing. I didn’t really know a great deal about Adams – I certainly didn’t realise he was this amazing polymath. But Lalla speaks so eloquently and passionately about him, and I’ve come to understand why he was so well-loved and respected, and, of course, the quality of the script speaks for itself.

Are you enjoying playing the script?

Well, compared to last year’s plays, and the year before, you can definitely tell it’s from a different source. It has a different tack, and a whole different kind of wit. If you were at a blind tasting, and shown just a page or two of every script we’ve done, you’d easily spot that this one came from somewhere else, from a very fertile mind. It’s great stuff.

Everyone seems to have treated the script with great respect. Almost every line seems to be debated as you all try to get the best of out it.

Comedy is a very serious business. If it was a so-called straight drama, you probably wouldn’t find that much discussion.

So it’s exacting work?

Oh yes, very much so. If a thing is meant to be funny, you’ve got to make sure it’s funny, so you’ve got to get it right. In drama, your main directions are ‘quicker’, ‘slower’, ‘louder’, ‘quieter’. But on something like this you have to watch how you spin every word. It’s not something you can be lazy about.

I hear you’re missing India Fisher…

I sure am. Every time the studio door opens, I think she’s going to walk through. It’s the association with this place, where we do all these plays, and this is the first one we’ve done without her, so it seems very strange. She’ll be back next year, though, won’t she?

I certainly hope so. Will you?

Well, yes, that’s in the planning stages. Apparently, as was revealed to me yesterday, 2003 is the 40th anniversary of Doctor Who, and they’re planning something of a special with me and Davison and Sylv and Colin Baker. I think they’re going to have us as some sort of barbershop quartet or something.

So you’re still finding it fun, being the Doctor?

You sound very sure of yourself when you ask that… You’ve phrased the question to get the answer you want, I think!

Well, I guess as a fan, I’d like to think that Doctor Who likes being Doctor Who…

Well, I’ll put your mind at rest, then, because I am still enjoying it. I like working on audios more than on screen. Day in, day out, it’s just more of a laugh. Doing the visual work, on TV or in pictures, you never get to hang around with the rest of the cast. Here we can swap stories in the green room, or go off in a gang to the pub for lunch. When you’re working on pictures it’s not like that. You go in, do your little bit, and then you’re shunted off to a trailer out of the way. This is much more fun. It’s what being an actor is all about, and I have Doctor Who to thank for that opportunity.

Extracts from the recording of Shada:

The Doctor decides it’s time to get to the point. “What have you done with the Professor’s mind?” he asks.

“It will be put to a more useful purpose,” replies Skagra, haughtily.

“I would argue that it was serving a very useful purpose where it was.” ”Not to me.”

“You realise he died?” says the Doctor.

“Only his mind was of use to me,” says Skagra. “Not his life.”

“You take a very proprietorial attitude to people’s brains,” responds the Doctor, calmly.

“It seems to me,” says Skagra, his voice rising slightly, “that the Time Lords take a very proprietorial view of the Universe.”

There is a pause.

“Hold on,” says Lalla Ward, looking across the room to Nick, the director. “Surely the Doctor would be more accurate about his reference there. Skagra hasn’t stolen the Professor’s brain, only his mind.”

“That’s right,” agrees Andrew Sachs, dropping his thin, high Skagra voice. “The actual brains stay in their heads, don’t they?”

“It’s a good point,” replies Nick. “I imagine that Douglas was trying to avoid repetition of the word ‘mind’.”

“Well Douglas should have known better,” says Lalla, firmly. “And it’s a bit silly to worry about repetition of the word ‘mind’ now. It’s all ‘I want your mind, I want his mind’ for the next 60 pages.”

“So would you like me to change ‘brain’ to ‘mind’ on that line?” queries Paul McGann. “Because, y’know, I think the Doctor would be far more accurate about his reference there.”

—-

The Krag commander growls its greeting to Skagra. “What are your orders, my Lord?”

Andrew Sachs peers over his script. “Cod and chips twice, please. And a carton of mushy peas.”

—-

Paul McGann is recording assorted screams and moans to signify the Doctor’s mistreatment by Skagra’s mind-sucking sphere. “Argh!” he groans, “Aargh…ugh…aaargh!”

“Thanks, Paul,” says Nick. “That’s just brilliant.”

“Three years at RADA for that!” laughs Paul gleefully. “Would you like me to do some more?”

Nick smiles and turns to Andrew Sachs. “Now could we just do your lines as the sphere attacks the Doctor again?” Andrew nods and clears his throat. “This time, Doctor,” sneers the icy voice of Skagra, “This time no one will come to your rescue. I shall have your mind.” It’s chilling stuff.

“Y’know,” says Paul, “I believe you!”

“Poor Skagra,” says Andrew. “I have the feeling he’s a very lonely man. I think he needs a wife and kids. A talking spaceship’s no real substitute for the love of a good woman, is it?”

—-

Skagra has some seriously sexy transport, and the Doctor is stealing it.

“Ship!” shouts the Doctor. “Activate all re-aligned drive circuits.”

“Something very strange is happening,” says the ship, all sultry sibilance.

“Ta-daa!” cheers the Doctor.

Hannah Gordon is in a separate sound booth. “Should I be getting more roused there?” she asks over the loudspeaker.

“I don’t think so,” says Nick. “Just keep it honey-voiced and seductive.”

In the gallery, artist Lee Sullivan crosses his legs. “I don’t think I can take much more,” he says. “I may have to leave the room. I never found myself attracted to a spaceship before!”

In the studio, Sean Biggerstaff is fidgeting with his headphones. “It’s very strange working with a sexy, disembodied voice in your ear,” he says.

“I can’t see any downside to that,” muses Paul.

“Hey, that’s me you’re talking about,” replies Hannah in a sexy, disembodied way.

—-

An invisible spaceship,” smiles Lalla. “Such a brilliant idea from Douglas.”

“And now we have an invisible spaceship on audio,” adds Paul.

“Douglas would have laughed at that. It’s just so marvellously perverse.”

“Shall we go and explore it?”

“Oh, yes, let’s explore…”

#doctor who #eighth doctor #8th doctor #big finish #shada #paul mcgann #lalla ward #john leeson #andrew sachs #james fox #susannah harker #sean biggerstaff #hannah gordon #doctor who magazine #what poor k9 ever did to deserve a kick up the circuits is anyone’s guess #you meanie paul

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adventure-showdown · 10 months

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What is your favourite Doctor Who story?

TOURNAMENT MASTERPOST

synopses and propaganda under the cut

Zagreus

Synopsis

Zagreus sits inside your head

Zagreus lives among the dead

Zagreus sees you in your bed

And eats you when you're sleeping.

Propaganda

ok so, its the 40th annivercery!! its not offical as the show was off the air at the time, but still!!!! every single companion and doctor actor Big Finish managed to get they got!! but do they play their parts? ...actually not really! here we have the end of an arc that two seasons coming, Charley and 8 has been through a lot, and at this point their story comes to a starteling and rather horrid conclusion! (OR IS IT?) Charley, who has been rescued from death by the eight doctor, rescuing her when he was not supposed to, has been through a lot, and even as that got solved last episode, by saving her from becoming a portal of death to galifray (a long and better constracted story XD), the doctor and the tardis has sufferd a huge explosen of an anti time bomb! making the doctor to become infected with an anti time infection! making him concive himself as the childhood time lord rhyme known as Zagreus! so now he must distory the entire univerce hahaha, because apperently Rassilon, ie one of the og creatorss of galifray socity wants to make the doctor into Zagrues so he can use him to distroy his emenies!! by distroying him body and soul!!! but what's this??? his former selfes as random people around the time stream coming in with the steal chair????? all led by a very rightfully annoyed Charley because the doctor refused to kill her as she asked because she loves him???? what the fuck will happen next!! all led delightfuly by Romana and Leela, and K9, and a rather jealous and EVIL tardis played by the Brigadier himself!! in between this 3 HOUR LONG epic and delightful advanture, apart from the absolote chaos of the event, you will get a suprisingly beutifull speaches filled with exploration of the meaning of love, of friendship! of a love so strong that it shall forfit between dimantions and also canon, the doctor explores what it actually means to be in love with a companion! and Charley, explores what it means to love him even more strongly back! what it means to be the doctor!! and the fact that the distruction of the tardis is actuall the thing stopping him from completely losing himself to loss and grief 😭, the absolote hammering in of the fact the coraption of time lord scoaity and Rasilon's bigotry, and finally someone understands that if you corrupt the Doctor, you have the absolotle potancial to distroy the entire univerce!! Paul Mcgann screaming for amazing hours, as he has the best time playing the baddy and people who are not the doctor!! India Fisher as Charley giving it her all and being amazing at it!! (also the fact that this delightful story is the leadthrough to one of the most terrefying stories of doccy who history, Scherzo! as it explores the themes of this story in a much more detailed way! but that's a horrefying story for another day XD) (@geronimomo-spd )

The 30th anniversary special is overly long and complicated but mostly it is INSANE ! Alice in Wonderlands, giant animatronic rabbits, Vampires and an evil doctor who hAMS it up,,,,that and 4 different doctors as well as TONS of companions plus the Briggs who is actually the TARDIS. it makes no sense! Compels me tho. Everyone says it with me : Zagreus sits inside your head Zagreus lives among the dead Zagreus Sees you in your bed And eats you when you're sleeping It's the best anniversary special day of the doctor whomst ? (@gnougnouss )

Scherzo

Synopsis

Once upon a time...

There were two friends, and together they travelled the cosmos. They thwarted tyrants and defeated monsters, they righted wrongs wherever they went. They explored the distant future and the distant past, new worlds and galaxies, places beyond imagining.

But every good story has to come to an end.

With no times or places left to explore, all the two friends have now are each other. But maybe that's one voyage too many. Maybe they'll discover things they'd rather have left undisturbed... hidden away in the suffocating, unfeeling, deafening brightness.

Once upon a time. Far, far away.

Propaganda

It’s a great and fucked up dissection of the Doctor and Charley’s relationship, with a healthy dose of body horror (anonymous)

you will never look at the handshake emoji the same way again (october)

Really creative concept. Puts 8 and Charley into a situation where they have to confront their relationship and what they mean to each other while dealing with an incredibly engaging creature. I can't name an audio that suits the medium better and Ive been consuming Big Finish at an alarming rate. Also noises™️ (anonymous)

Absolutely INSANE episode back when big finish was allowed to get WEIRD weird it has everything: heartfelt discussion about the doctor/companion relationship, love, cannibalism, body horror, the exploration of a very alien world. All of this while making full use of the audio medium in a story that could simply never have been done anywhere else. It's a must listen for everyone. (@gnougnouss )

#round 6

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diamondisunmemeable · 10 months

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#doctor who #poll

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being-of-rain · 8 months

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Jac Rayner is the only Big Finish producer who knows what the people (by which I mean me specifically) want. I'm so looking forward to the Sixth Doctor 40th anniversary set; Rayner and Chris Chapman and Robert Valentine are exactly who I'd pick for a dream Sixth Doctor writing team. And adding multiple companions and multiple Sixies is perfect for the event.

(I also happen to be very glad that there's a different cover artist on this release, I really dislike the one who'd been doing the series the last few years. But all those Colin Bakers lined up in various coats look glorious.)

#my posts #big finish #six #return of Flip! I'm glad her actress is feeling better #and I'm almost wondering if older Peri will be in it? Since there's two Peri stories? Not very likely probably.

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whoreviewswho · 5 months

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You're Serious? - The Time Warrior, 1973

A fact that is becoming somewhat lost to time is that Jon Pertwee's time on Doctor Who was very popular. This is not to say that the Pertwee era is largely disregarded in 2024 but it does seem readily apparent, as time marches on, that the prevalence of Pertwee as a definitive, monolithic icon for the general public has naturally dwindled. Or, perhaps, dwindled is the wrong word – Pertwee's Doctor has truly been eclipsed by even mightier, entirely totemic icons that came in his wake. David Tennant is THE Doctor and the only other challenger remains the indomitable Tom Baker.

But back when I was a kid, circa 2004/2005, Jon Pertwee's era was definitive. My mum, who grew up in regional Australia, recalled fond memories of watching Pertwee and Katy Manning pal around with the Brigadier. A formative step in my journey as a fan was a visit to Hobbyco in Sydney and begging my mum for the Corgi Doctor Who 40th Anniversary Gift Set of die cast models. Like any number of similar curios that shape fan memories, this particular set cemented what were, to my mind, the most iconic building blocks of the series – the Doctor (a S18 Tom Baker, presumably for painting reasons), the TARDIS (not to scale with the rest of the models), K-9 (with lettering in both sides), the Daleks (a Chase model), Davros (no notes), the Cybermen (Earthshock model that I apparently either never got or immediately lost since I have not memories of owning one) and Bessie (also not to scale), driven by Tom Baker. I vividly recall purchasing the set and the guy at the counter being excited to strike up a conversation. He was obviously a fan and talked fondly about the highlights of the series. What I realised in the years that have flowed on since is that, despite speaking highly of the Fourth Doctor and Sarah Jane, the most vivid of those rosy fan memories, the ones he and many other adults always relayed to me pre-revival, were of UNIT and the Master and the Sea Devils and Bessie* and the Axons and the Sontarans.

Put into perspective, this makes a great deal of sense. Leaving aside my home country's personal context (mid-'70s DW was infamously repeated on the ABC, a fact that was immortalised in DWM #104 when Tasmanian Jamie Hillard complained of the tedium of seasons eleven to fourteen being repeated twice a year, every year for the past five years. He was suitably rinsed by the UK fandom), Jon Pertwee's era was the most popular Doctor Who had ever been. While the show chugged along just fine during Troughton's tenure, it was in dire straits when producer Barry Letts inherited it partway through production of season seven, Pertwee's first, in 1970. It was only off the strength of what made it to screen that the programme was renewed at all. Throughout the four years that followed, Letts and script-editor Terrance Dicks retooled Doctor Who from Derrick Sherwin's vision of a hard-edged, political sci-fi thriller into the more accessible glam-infused comic-book show that raked in as many as ten million viewers a week for the first time since 1965.

But a good thing only lasts so long and, by the time of late 1973, just as Doctor Who was kicking off its eleventh season, it felt like a natural end was coming to what had been an incredibly successful five years. Pertwee’s Doctor Who had became an institution in its own right. Not to get too ahead of myself but there is a strong case to be made that Tom Baker and the Philip Hinchcliffe's era ascent to being the most popular the show ever was in its original run owes as much, if not more, of its success to the goodwill and steadily rising audience of the Pertwee years than it does to its actual quality (and it is of a very high quality). This is entirely hyperbolic but I strongly believe that had anybody else been cast as Pertwee's successor, anything less than the perfect storm we got, the Letts/Dicks/Pertwee run of the show would send out as the cultural peak even today. Bessie and the Brig would be wheeled out by the norms instead of the long scarf and K-9, that you can believe,

As everybody reading this article would know, the earthbound stories of Pertwee's time were notable for a distinct 'family feel', so to speak. Unlike previous eras, and any until 2005, the Third Doctor had an ongoing, regular supporting cast of UNIT personnel and assistants as well as the recurring threat of Roger Delgado's Master. There is a familiarity and comfort to the Third Doctor's run. Over the course of the previous year’s season ten, however, Letts and Dicks decided that the format had well and truly run its course and the Doctor was propelled into space and time full-time once again, leaving behind the UNIT regulars as merely recurring characters. It was during this production cycle that Katy Manning had decided that it was time for her to move on from the show, departing at the end of The Green Death, the last story broadcast that season. The final serial of season ten's production block, however, was actually the first story of season eleven – The Time Warrior.

Throughout the 1973-74 season, a slow (and conscious) dismantling of the Pertwee era begun taking place as well as a distinct sense of a lap of honour for the previous four seasons. In real life, this begins with Manning's departure in 1973 which, while her own instigated decision, was encouraged by Letts for fear his two stars would jump ship at the same time. Letts and Dicks had themselves decided to move on by the time season eleven proper began production which ultimately left Pertwee, self-conscious of his self-proclaimed team breaking up, finally deciding to give up the reigns after the tragic death of Roger Delgado. Onscreen, of course, this plays out somewhat quietly masterful. Malcolm Hulke's Invasion of the Dinosaurs is a conspiracy laden, political thriller such as those of season seven (detractors would call it parody) and saw the departure of now disgraced UNIT captain Mike Yates. Death to the Daleks (the hardest to square this circle, tbf)called back to the season ten’s epic return of the ‘60s Dalek adventure and offered the last gasp of the traditional, Hartnell style adventure serial that still permeated across Pertwee's time. The Monster of Peladon offered a direct sequel to the fan-favourite from season nine with some nice, deliberate telegraphing of the Doctor's oncoming death. And then there's the grand finale, Planet of the Spiders, where the Third Doctor departs the show with his remaining UNIT family under a series of self-referential and, frankly, indulgent circumstances set off by his own cavalier behaviour. Season eleven is a twenty-six episode finale for the Pertwee era that retreads all of the highs and exposes its limitations quite deliberately. With all of this in mind, The Time Warrior, the series opener, is entirely lacking in this sort of farewell mentality stands out as something of a different beast for the year.

For each of their seasons on the job, Letts and Dicks made a conscious effort to open each year with a big event and season eleven was no exception. After an absence of eight years (no, The Time Monster doesn't count), the duo thought that it was time for the return of the historical story. Somebody who disagreed, however, was Robert Holmes. Holmes had been a frequent contributor over Dicks' tenure as script-editor and was less than enthused that his proposal, The Automata, was rejected for him to be reassigned an historical. Dicks suggested an adventure be set in and around a medieval castle (it was filmed between Peckforton Castle and Wessex Castle to stunning results) and Holmes agreed only on the proviso that no famous historical figures were to be featured and that strong science-fiction elements were to still be included. The story that made it to screen has become one of the most renowned and celebrated in the history of the show. Frequently, I see it touted up alongside the all-time greats in the franchise as one of the very best and a real highlight of Jon Pertwee’s time in the show. While I think that The Time Warrior is very good, and there is a lot that I really like about it, this level of high praise has never sat entirely well with me. I don't even really have a lot to say on it. I like it a lot, it is the highlight of season eleven and one of many high points of Pertwee's run, but I have never found it to be an unshakable classic.

Let's not get too in the weeds too soon, though because Robert Holmes was a magnificent writer. Despite his personal disinterest, the man took his brief seriously clearly put in a lot of thought into getting the most out of this particular assignment. There is almost an overabundance of wit and charm and character to The Time Warrior's ensemble. As with most sharply intelligent people, Holmes was also obviously quite cynical and Instead of leaning into something fantastically Arthurian or romantically noble, he opted for a medieval world of pure grime and nastiness. This could be taken as Holmes leaning fully into the historical story's roots as an educational programme, insisting upon the most realistic depiction of the middle ages he could on a BBC budget for a family audience. I find this hard to believe. No, what Holmes was far more likely to do, and did, was recognise that this approach would have worked perfectly well and then take the next step which is basically to take the piss out of it. The Time Warrior is not just a witty script, it is hilariously absurd and over-the-top in every aspect of its conception. Irongron and Bloodaxe are laughably incompetent and self-absorbed but the pair it is in how gleefully squalid and brutal they are that Holmes relishes in. Yes, there is a realism to The Time Warrior in that it is not the Shakespearean or mythic depiction one might have expected from the Hartnell days how but the over-exaggeration of the repulsiveness and savagery of medieval life is what I truly adore. Mind you, this is largely just what's on the surface. Holmes is obviously doing here is writing an exaggerated depiction of middle-aged England that is functionally indistinguishable from England as it was in 1973. Holmes basically invented Blackadder. As great as this is, though, it doesn't always work in its favour. We'll get to Sarah Jane shortly.

A different aspect of this serial that has made it so iconic is its main villain. Determining that a small-scale threat would be easier both for him and for the production team, Holmes’ plot revolves around a single alien menace attempting to find his way home. Allegedly inspired by his recent reading of the On War treatise, Holmes was compelled to create an entirely militaristic villain and what he created was the character of Commander Linx, as performed by Kevin Lindsay. However well Linx is realised in the story, as much praise as anyone needs to be directed to make-up designer Sandra Exelby and costume designer James Acheson for their realisation of him. Linx, and by extension the Sontarans themselves, is a grotesque creature with a troll-like quality. It has not escaped notice for many that the species design is built around an extended gag – that part one cliffhanger. Still, fans continuously fail to appreciate just how goddamn funny Linx is. The characterisation is brilliant and nobody behind the scenes, until Steven Moffat, seems to realise that this is why he works.

Holmes, in no genuinely dramatic way, utilises Linx as a threat. What he is instead, besides a visual joke, is a scathing satire of militaristic ideals. That avenue also lends itself perfectly to the exaggerated depiction of the middle-ages. In his first scene, Linx emerges before the primitive natives, in strange armour with advanced weaponry, and claims that this new land now belongs to the Sontaran Empire as he plants a flag and assumes dominance over the people. It doesn't require much analysis to decipher what's happening here. Throughout the story, Linx, whose lines almost entirely consist of spouting rhetoric, offers to make weapons for the humans he's met, all the while condescending them and caring little for their lives and livelihoods. It's a simple but fantastically clever move; Holmes has taken the opportunity to depict the English, typically at one of their most mythic and noble periods, as a cowardly and cruel race to be easily oppressed and mocked.

The Time Warrior also sees the debut of another mainstay in Doctor Who lore in Sarah Jane Smith. Created by Barry Letts in direct contrast to her predecessor, Sarah Jane was pitched to directly address accusations of sexism that the series had garnered by being an obviously capable, career-driven, feisty and adventure-seeking investigative journalist. Incredibly, the role was cast before Elisabeth Sladen had even auditioned and, if to weren't for an uproar made by Pertwee due to his not being consulted, the part would have gone to April Walker show was paid out of the part when Letts cast Sladen (after he'd arranged for her to meet Pertwee, of course). For perhaps the wrong reasons, Pertwee was entirely correct though. From her first appearance, it is impossible not to be enamoured by Elisabeth Sladen. She just has a natural charm in this role and a captivating quality that makes her so very easy to watch.

As introduced in The Time Warrior, Sladen is certainly strong. She is well-defined, well-performed and plays a major role in the events of the plot. She is also at the core of the serial's biggest stumbling block which can come down to Holmes' poorly pitched snark. It is certainly one of Holmes’ regular tricks to lean heavily into sardony and lampshading things that, he at least considers to be, regressive and absurd ways of thinking. Sometimes this can really serve the story the is telling and the characterisation, it does so elsewhere in this one. Here, however, I think he misses the mark drastically and it comes off very poorly. In making the world of The Time Warrior such an exaggerated and vitriolic comment on contemporary Britain, Sarah has little place to assume control in the narrative and is rather brutally victimised by it.

Sure, Sarah Jane is firmly established as a feminist icon and it is a fine idea to drop her into the wretched sexism and reality of how horrible women were treated in the Middle Ages but emphasis is all wrong and it comes off so mean-spirited to me. In a similar vein, so much of the Doctor’s dialogue is designed to tease her about her strong values. The effect of all of this is likely intended to be endearing, and it is certainly to be funny but it comes off so smug and unnecessary. Sarah's beliefs, and the entire concept of feminism by extension, are singled-out as a futile gesture. Women are put down, they have also been put down and they always will be. This is perfectly in line with Holmes' approach to storytelling and his flavour of social commentary. It is also does not work at all.

Even though the Doctor frequently becomes Holmes' mouthpiece, I must stress that Jon Pertwee is not the problem at all. At this point in his run, the actor is so comfortable and confident in his performance that it would be impossible for him to disappear in it. To be honest, this is really the last time he properly turns up during his run since the season eleven filming Despite his oddly sexist jabs, the Third Doctor is wonderfully charismatic and relaxed in this story. There is a lovely development of his character from the rather pig-headed, irrational and moody character from season seven to the more mischievous tutor role he starts to settle into here. It is a similar progression to the First and Twelfth Doctors though rarely garners the same recognition.

The Time Warrior also has a few structural problems in my opinion, especially in episode three. The penultimate quarter of a Doctor Who serial always seems to be the hardest to write without playing for time, the three act structure is so familiar for a reason, and this one is no exception feeling like it does waste quite a lot of time with the Doctor arsing. Getting out of the castle and going back in and all for no really good reason other than to stretch out the runtime. Obviously, all of the antics are fun. This is a good production and Alan Bromley's only true directorial credit but it still has a bit of a sag, in my opinion. Is The Time Warrior a bad story? Far from it. Nothing as fun and as well made as this could possibly be considered wholly bad in my books. It is flawed, certainly but there is so much here to love. In a season of greatest hits, The Time Warrior stands out like a toad-faced git, chuckling with glee at how clever it is.

Later in the year, and despite the reservations of the BBC Head of serials, Holmes would be offered the position of script-editor for season twelve. He took the offer up and, in hindsight, it makes The Time Warrior somewhat of an intriguing curio. On the one hand, this is the last product of the creative fury that was season ten. On the other, it is a tantalising glimpse into what lies ahead around the corner. The Hinchcliffe era doesn't obviously have much in common with The Time Warrior, it is a lot funnier than a lot of those stories would be, but there is a more subtle stylistic shift to be seen here. This is not a comic-book adventure serial. The action is not explosive and the dialogue is not pulpy and punchy in the same way. The Time Warrior is more literary. Not inherently a better or even more intelligent choice but the distinction is palpable. Underneath the sheen of a gritty historical is a silly story about squalid and mean characters whose lives are miserable and ambitions are low. Even with the Doctor, still under UNIT's employ, there is a clear sense of his ready to move on from this status quo. The wheels of the next era are slowly in motion. Even the title sequence has changed, slowly morphing into its next identity but it's not quite there yet. Instead of looking back on the era that is closing up, The Time Warrior sets its sights firmly on the future.

It's not even close to the best Pertwee story though.

*He did, however, question why the Bessie model featured a S18 Tom in the driver's seat saying that it was "mostly Pertwee" who drove the car. Throughout my childhood, I found it easy to reconcile this though thanks to Tom's appearance in the The Five Doctors photoshoot. It's obvious, really.

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bihansthot · 7 months

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I’ve had an awful cough on and off since over a year now and my doctor has tried multiple things to treat it and nothing is helping. The next step is to see a lung specialist, yay more doctor’s appointments, I also have to call the liver specialist back tomorrow since they never got back to me about setting up an appointment. I have so much going on medically right now and ironically none of it is my heart for a change. I do have to see my cardiologist in a month but as far as I can tell my PET scan went fine so hopefully it will be an easy appointment. I need to get bloodwork next week, I’m hoping my levels will be better this time. I’m also supposed to drive down to fucking South Carolina to visit my partner’s family and then down to Florida to see mine because my older brother is so worried about my nephews not spending enough time with me and in his defense I haven’t seen them since they were in diapers and they’re 8 and 10 now but it’s like someone in my family finally realized I have a limited time to life and is wigging out now. I’m also really bitter about it because literally a week after we get back is my 40th birthday, yeah that’s right I’m that old. I really wanted to have a wild and fun birthday maybe go to Las Vegas finally or go see my besties in Atlanta but no, financially we can’t afford two trips so I have to give up my celebration for family time just like I had to give up celebrating my 25th heart transplant anniversary for the same reason. I’m so tired of feeling like I don’t deserve to celebrate anything, I’m so sick for feeling like my milestones aren’t worth anything. 40 is huge for someone who’s doctors have told their Mother to hug their little girl one last time because she isn’t going to survive the night, the week, the operation, to 1, to 5, to 10 to 15 to 20 etc. but I fucking did. I am six weeks from 40, something no one thought I would do and I can’t celebrate how I want. I’m trying not to sound entitled or self centered but I deserve to celebrate my milestones too. I’m so stressed, I’m stressed about my health, about Ani’s health, about my weight, the trip, my birthday ugh I just need a break. I won’t get one though the trip will be stress filled and miserable as I’m the most awkward person around kids ever, I hate the beach, I hate Florida, I hate the way my mother acts. Fat me is never good enough for her and she never lets me forget it and no one ever defends me or sticks up for me. I just get to let her whittle down my self worth while I try not to upset her further. *sigh* I just want a good night’s sleep but that hasn’t happened in a while. Sorry if I seem quiet or distant lately especially on discord, I have a lot on my plate right now and I’m not quite sure how to handle it all.

#life update #health stuff #health problems #send good vibes #send positive vibes

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cronch-rat · 3 months

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Classic who box sets guide

Ever wondered which stories are exclusive to certain box sets or what limited edition ones exist? Unsurprisingly this is a guide for just that.

This covers region 2 DVDs only. Exclusive to boxset features stories only available in that box set. Special edition exclusives feature special editions exclusive to the box set whilst the regular edition is available separately. Non-exclusives can be bought on their own but may have been released early in the box set or in a limited edition box set. All limited edition boxes contain stories available separately and were released in limited amounts or exclusive to certain places/websites.

Note: Logopolis is only available in the Regeneration box and New Beginnings. Terror of the Zygons features in the 4th doctor time capsule but is the only DVD in that set.

Exclusive to Boxset

The Beginning

An Unearthly child

The Daleks

The Edge of Destruction

The Rescue/The Romans

The Space Museum/The Chase

Earthstory

The Gunfighters

The Awakening

Mannequin Mania

Spearhead from Space (special edition)

Terror of the Autons

Beneath the Surface

Doctor Who and the Silurians

The Sea Devils

Warriors of the Deep

Peladon Tales

The Curse of Peladon

The Monster of Peladon

Myths and Legends

The Time Monster

Underworld

The Horns of Nimon

Dalek War

Frontier in Space

Planet of the Daleks

UNIT Files

Invasion of the Dinosaurs

The Android Invasion

Revenge of the Cybermen/Silver Nemesis

K9 Tales

The Invisible Enemy

K9 and Company

Key to Time

Legacy Box Set

Shada

More Than 30 Years in the Tardis

E-Space Trilogy

Full Circle

State of Decay

Warrior's Gate

New Beginnings

The Keeper of Traken

Logopolis

Castravalva

Mara Tales

Kinda

Snakedance

Time Flight/Arc of Infinity

Black Guardian Triology

Mawdryn Undead

Terminus

Enlightenment

Kamelion Tales

The King's Demons

Planet of Fire

Trial of a Timelord

Ace Adventures

Dragonfire

The Happiness Patrol

Special edition exclusives

Revisitations 1

The Talons of Weng-Chiang (special edition)

The Caves of Androzani (special edition)

The Movie (special edition)

Revisitations 2

The Seeds of Death (special edition)

Carnival of Monsters (special edition)

Resurrection of the Daleks (special edition)

Revisitations 3

Tomb of the Cybermen (special edition)

The Three Doctors (special edition)

The Robots of death (special edition)

Non exclusive

Bred for War

The Time Warrior

The Sontaran Experiment

The Invasion of Time

The Two Doctors

Regeneration

All regeneration stories from The Tenth Planet up to The End of Time part 2

Limited editions

Dalek 40th anniversary set (WHSmith exclusive)

The Dalek Invasion of Earth

Resurrection of the Daleks

Remembrance of the Daleks

Third doctor collection (amazon exclusive)

Spearhead from Space

Inferno

The Claws of Axos

The Three Doctors

Carnival of Monsters

The Green Death

Cybermen collection (amazon exclusive)

Tomb of the Cybermen

The Invasion

Earthshock

Dalek collection (amazon exclusive)

same as 40th plus Genesis of the Daleks

and Revelation of the Daleks

Davros collection

all Dalek stories from Genesis to Remembrance

Key to time special edition

#classic who #classic doctor who #doctor who dvds #doctor who guide #classic who dvds #collecting guide #if anything is off let me know

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blairelythere · 1 year

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Never seen ultraman

What should I watch first to see if I like it or not?

Ultraman is a tokusatsu series with a very large variety of tones and styles. Each season is distinctly different from the last, especially in the New Generation era. Some seasons are very serious and gritty, some are slice-of-life, and some are light plot/heavy action. It's up to you on what you'd prefer!

I want to preface with the three eras (and sub eras) of Ultraman, just so you're aware of these terms when they come up:

Showa (1966 - 1987)

Heisei (1996 - 2012)

-> Heisei Trilogy/Part 1 (1996-1999)

-> Heisei Part 2/Phase 2 (2000 - 2012)

New Generation (2013 - Present)

-> Reiwa (2019 - Present)

That being said, I give you 5 equally valid options to begin:

Option 1:

Ultraman (1966)

Start with where it all began!*

Ultraman (1966) is Japan's take on the Twilight Zone but with a superhero-esqe twist. If you enjoy older sci-fi like the early seasons of Doctor Who or the first Star Trek, you'll greatly appreciate the practical effects, deep but episodic plots, and the unique kaiju/seijin.

From there, watch in order of release and enjoy just how much the show evolves. All the highs and lows.

*(Side note - technically Ultra Q (1966) is the first show but does not feature Ultraman whatsoever. This show serves as a prequel to the idea of kaiju and seijin in the modern world. If you're a completionist, you can start here and be amazed at how there are *still* monsters and plots making reappearances from this show)

Option 2:

Ultraman Tiga (1996)

Ultraman Tiga is the beginning of the Heisei Era and is widely regarded as one of the best series in the entire franchise.

I have lots of love to give to Tiga specifically, and this post of mine explains why that is:

Option 3:

Ultraman Mebius (2006)

Ultraman Mebius is the 40th anniversary of the Ultra series and is a beautiful continuation and love-letter of the Showa Era timeline. It features returning cast members, monsters, and plotlines from Ultraman, Ultraseven, Jack, Ace, Taro, Leo, and 80 (which all take place on the same Earth).

This show is a perfect introductory piece to the series because it exposes you to such a large amount of lore from the past while recontextualizing it with modern effects, richer storytelling, and a more serious tone. Mebius has so much heart, happiness, and hopefulness. It's a very positive and "heroic" type show.

Option 4:

Ultraman Orb (2016)

Ultraman Orb is, even while nestled in the near-middle of the New Gen Era, a fantastic starting piece and my typical recommendation for starters. It's quite fun and light-hearted but has an intense emotional core surrounding lost love and a broken friendship. The action and special effects are top-notch, and the main villain is an ICONIC character who pops up many times in later shows.

This show introduces fusions, which become a frequent New Gen trend (Orb does it the best of all). Great choice if you're looking to get dropped somewhere not too confusing or plot-intensive yet still action-y and engaging.

Option 5:

Ultraman Blazar (2023)

Ultraman Blazar is the newest season of Ultraman and started airing back in July. As of writing this, we are currently at Episode 8.

Blazar is unique and inventive so far in both its plot and aesthetic. It has a semi-serious sci-fi/military feel mixed with amazing new kaiju and.... a really strange Ultra lol. Blazar is unlike most thus far. He's primitive and beastly, kinda like a caveman.

It may not be the most completely accurate representation of the series as a whole, but nothing beats the excitement of watching the newest season as it airs!! The Tsuburaya official YouTube channel simulcasts each new episode as it airs in Japan (with japanese or english audio and subs).

I wish you luck on your multiverse-spanning Ultraman adventures!

Feel free to ask more questions if you have any 💛💛💛

#askdemonium #ultraman #tokusatsu #ultraman blazar #infodump

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cina-full-moon-xanadium · 9 months

Note

The greatest Doctor Who story has finally been with us for four decades today: Happy 40th Anniversary, "Warriors of the Deep"!

HAPPY BIRTHDAY MYRKA MY BELOVED

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gradstudentdrone · 2 months

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What grief has taught me: we are more than work

I returned to work on Friday and was hit with an avalanche of emails. While I was dreading opening my inbox, after awhile, I realized two things: first, that while there are emails that require your attention, they almost always get resolved without you responding and second, there are matters that do require your attention, but aren't as urgent as they appear. This has led me to reach the following epiphanies:

Our importance within institutions (academic or otherwise) is over-stated-- institutions will continue without us, even in the face of death;

"Urgency" in academic contexts is, in many ways, misplaced.

The people at work who I (we all) should hold close are those who step up in ways that matter.

The latter, I think, is what I need to remember. Sincere emails of condolence are kind and much appreciated (more on this below). But you know who truly have your back, those who you should keep close in your inner circle? Your work friends/colleagues (frolleagues?) who make sure that when you get back from leave that they've actually reduced your work load so you won't have to deal with it, people who get how excruciatingly hard it is some days to even wake up and try go on as 'normal' (whatever that means) and tell you, after you check in to ask about a specific task, "we've got this. Don't even think about it." While I've long since understood just how corrosive institutions are, it is people who have your back that make these institutions humane because they know, as well as I do, that when the time comes when they are facing horrific shit, I will also have their backs.

What I also appreciate is sincerity. I can smell from a mile away folks who are emailing to "check in" with me, but are really trying to see whether I'm "okay" now so they can line me up to do tasks for them. Such is the uncaring nature of neoliberal capitalist institutions: people within them have been so used to seeing each other instrumentally that "check ins" are equated not with actual care and compassion, but are a way to surmise whether the person can be tasked with yet one more thing.

All of these epiphanies are making me realize, again and again (and again and again and again) what I've known: that we are more than work. That we have value beyond what we give our employers. That we matter because of who we are, not because of what we can produce.

Having these epiphanies have been monumentally helpful in guiding me to recalibrate my expectations about work and my presence: that, at the end of the day, what matters is who we love and who love us in turn, and that getting caught up again in the academic arms race of publishing, emailing, grant-applying and grant-receiving means prioritizing work over self, work over life.

One regret that I have is that even as I have tried so hard to reorient myself away from the academic arms race - documented in Academic Aunties - I relapse and forget to find an identity outside work. There have been multiple times in my life when I prioritized work over living. The one that still haunts me is opting to finish the academic term and fulfill my teaching commitments in 2013 despite receiving news that my grandma - my lola Pining - was diagnosed at 89 with pancreatic cancer. When I got the news, it was November, and I thought, foolishly in hindsight, that I would finish out the term and head back as soon as December break started, especially since the doctor's prognosis was that my grandma had a "few more months." Yet my grandma died weeks after this diagnosis which meant I wasn't able to see her one last time. Here is a blog post I wrote in her honor.

Another memory that haunts me is my assumption that my dad and I still have a lot of time together. As we prepare for his 40th day death anniversary, which my community celebrates because it signifies the deceased's transition into the afterlife, I am haunted by how much I took my dad's presence for granted. One decision I wish I could undo was in the summer of 2008. Rather than heading back to see my parents in Vancouver, I opted to stay in Toronto so I could keep studying for my PhD comprehensive exams. I had the option of writing the exam in May, which all of the professors teaching the class encouraged us to do. They were telling us not to worry, that we would all very likely pass. But because I was caught up in the academic arms race, I opted to write the exam in August so I could spend an extra two months studying. Our professors pretty much told us that we would pass, but I didn't believe them, and so spent most of the summer in the library rereading Robert Bates and James Scott. Why didn't I just write the exam in May? Why did I have to try to not just know the material but try to master it? Who was I trying to impress?

I wish I knew then how finite life was. I wish I'd decided to spend an entire summer with my dad and mom in Vancouver. I wish we had taken more family trips. I wish I had treasured evenings spent going with my family to the Richmond night market, doing day trip drives to Seattle, hanging out at home and chatting. Even though my family, like many, has had its share of turmoil, my mom, dad, brother and I - pictured above, in my high school graduation - actually like each other's company. We know each other's quirks and tendencies. There's a comfort with knowing that in our family, we can be who we are, because there is unconditional acceptance.

As I enter the academic year, I will endeavour to remember that what I value is my family, my friends, my community. That email doesn't need to be sent. That paper can wait. That meeting can really be an email. Don't waste my fucking time. Because the time we have left is so limited.

#dealing with grief #griefdiaries #dayten #work can wait #more than work

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