#does she know she has this power?? i hope she does

[mysteriousauthor448]

What if Class of 09 Flipside was made by a Woman?

I liked Class of 09. I liked it's snappy dialogue, I liked it's social commentary of high school and women's experiences with creepy men and adulthood, I liked how it gave such a compelling main character where you know she's awful yet acknowledge that she has her reasons without justification. I like Class of 09, both the original and re-up. What I don't like though, is Class of 09: The Flipside.

Setting my personal disgust with the feet routes and the 'Palestinian slave trade' comment aside, the writing in Flipside just is completely different from the last 2. Instead of focusing on the biting social commentary of the woman experience, it instead prioritizes shock value with only some form of substance (e.g, jecka seeing nicole's suicide, jeffrey's death, the ending messages apart from the creator) And you know what else sucks? We never actually got to explore Jecka properly of who she is as a character, her relationships with her family, friends, former friends...Sure, we get doses of her life like her dad which does do what the game promised: Change how we saw the Class of 09 story before. We now understand why Jecka was terrified of the cop's yelling, not only because an powerful authority abusing his power but also experienced it before. See, this was the stuff I expected from Flipside. This was what the game should've prioritised in. Instead, it seemed like the creator would rather showcase his fetishes and spite people that don't like him or the game. From that there on, I keep thinking to myself: 'you know, this game would've been better had a woman wrote this.' But can they?

I'm a woman experienced high school before, even tried to fit the class of 09 writing style on my characters in my own personal time. Given how a lot of class of 09 fans are disappointed with the new game and I want to get into writing publically, I figure that I be the one to rewrite Class of 09 The Flipside in hopes of re-capturing the essence of the first two games alongside the game's intentions itself. Even though it's still in development, I've already outlined the routes/endings so far for you all to get a peek:

Route 1/Ending 1 - Invasion of MySpace: The foot route will be replaced by Jecka taking and making videos/pictures in order to make money after being fired from her job. Think of it like a late 2000s or early 2010s version of OnlyFans. This would help remain the social commentaries of men’s creepy behaviour to women alongside how their safety is affected. There’ll be an option of whether to go to the creepy man’s house or go home. If she goes home, she finds Nicole giving her dad a handjob with a dead expression. It ends with Jecka killing herself and implies that Nicole followed her too (not half naked though, just in regular clothes cuz I'm not a freak unlike someone)

Ending 2 - MurderSpace: If Jecka chose to go to the creepy man’s home, she gets murdered and placed like a doll in the man’s basement. 

Route 2/Ending 6 - Breaking the Wounded Heart: Jecka finds herself to work with Karen and Ari at Dominos. Overtime, they start to form a bond and Jecka herself starts to mature and finds Nicole to be unbearable. Jecka finally breaks off her friendship with Nicole and cuts forward to the future where Jecka currently lives a peaceful yet boring life, reflecting on the past with Nicole, wondering if she’s really better off without Nicole because while she’s now in a stable life without the chaos, it's the chaos that entertained her: Nicole entertained her. And now it’s all gone. But in the end, it suggests that things are much better with Nicole gone as it cuts to a phone beeping and Jecka looking down at it with a smile while Ari is by her side. Yes, this is the route where Jeckari is canon. I know this sounds too sweet for Class of 09 but I want it to still match the vibe with it being less shocking but more real in a way. Something too realistically depressing but still mundane. This is what I planned to be the saddest but best outcome of the game. The most real I should say. 

Ending 5 - Was it all worth it?: If Jecka chooses Nicole over her new friends, it ends with her and Nicole being homeless smoking drugs in an abandoned forest with Jecka reflecting on whether or not she made a good choice with Nicole before commenting on needing a Xanax to distract her from the regret and pain. 

Route 3/Ending 3 - Fuck Men!: Jecka gets into a relationship with a presumably kind-hearted gentleman. Nicole tries to warn her but Jecka won’t listen. She then is coerced by the man into doing sexual favours for his economic gain, making her become a sex trafficked victim.

Route 4/Ending 4 - Drunk Drive Delivery: Same route where Ari dies but instead the ending changed to Jecka being arrested for 6 months where the ending monologue would showcase her conflicted in anger and regret. Plus, it plays more to the idea of Jecka ‘dying at 21’ logic with being forced to work: adult party culture: that kind of thing. 

I'd be happy to hear any feedback or/and ideas for this rewrite.

[gay-dorito-dust]

Hello ! Just so Agatha all along and I have a request if it's ok 😊

How Agatha will convince witch!reader who has a crush on her to join her in the witch road 👉👈

Gn reader if possible

Thank you ! 😁

Agatha would probably be aware of your feelings in all honesty, and she couldn’t blame you! She’s amazing!

However she’s probably use this infatuation with her to her advantage when her and ‘teen’ come over to your home, following the trail of magic that drew them there. It was noticeable, stronger the other witches she’s recruited but still there was room for growth and new powers.

‘What tricks are we going to have to use to recruit this witch/wiccan?’ Teen asked Agatha as they stood on your doorstep.

‘No tricks, this one’s got a little thing for me, it’s adorable but it means that most of the work in convincing them has been cut out for us.’ Agatha replied as she went to knock on the door, only for it to open on its own to reveal you on the other side.

‘How did?’ Teen questioned.

‘I could sense you the moment you drove into the driveway, your magic is far more potent than others.’ You answered as you stepped to one side with a welcoming smile. ‘Want to step inside and continue this conversation because I don’t think the neighbours will want to hear about the sales pitch you’re bound to give me into joining your cult.’ You add.

‘It’s not a cult it’s a coven.’ Teen interrupts but you weren’t listening when Agatha moved past you, making sure to brush her hand against the back of yours as she does, and immediately you felt your resolve to stand your ground crumble like a deck of cards. It must’ve been obvious as teen only looked at you knowingly as he past into your house and once they were both inside, you shut the door harder then you should’ve but at this point you wanted this to be over with.

‘Go on then, convince me to join you on your journey to the witches’ road.’ You crossed your arms over your chest.

‘I’m assuming you’re more than aware of the fact that if you were to make it to the end of the road, any wish your heart desires can be granted.’ Agatha started.

‘I do know this factoid, yes.’ You said and Agatha crept closer to you until you were a hair’s width away from one another as she now spoke lowly. ‘Then I’m also lead to assume that you know that extends to crushes, infatuations, all that important stuff also.’

‘Yes but I’d much rather the feeling to be mutual without the usage of magic, as ironic as that sounds.’ You replied as you stared deeply into her beautiful eyes.

‘And it can be,’ Agatha whispered as she grasped your hands with her own, intertwining your fingers, ‘I really need you by my side y/n as my moral support, my confidant and my strength during the most difficult situations that we’ll face.’ Agatha could see that you were buying her sales pitch into getting you on the witches road, but knew she couldn’t stop there and decided to make this visit short and sweet she adds.

‘I wouldn’t want anyone else to join me on the witches’ road other then you my dear, you have the potential to be the most powerful witch/wiccan in our coven. All those other witches can barely hold a candle to your fire. I need you.’ She finishes and teen had to give it to Agatha, she was certainly an actress when she needed to be as he watched you both as though he was watching his favourite drama.

You were at war with yourself. You swore that you wouldn’t resort to magic for even the most simplest things, never less the witches’s road, you knew the stories of how dangerous it was but your infatuation with Agatha tended to lead you into doing something stupid; even agreeing to going on the Witches’ road with nothing but the hope that Agatha might actually see you for once.

However before you could reason with yourself, your mouth moved faster then your brain could intervene with logic and common sense. ‘Fine, I’ll join.’

‘Yes!’ Agatha and teen cried as Agatha brought you into her arms, holding you tight so that you didn’t see the smirk across her face, that wasn’t so hard if anything it was barely even took her five minutes to get you to say yes; she didn’t understand why she didn’t come to you first just to get it over and done with, every other witch before you was a tougher nut to crack then the last. You were merely the reward for a hard days work.

‘You won’t regret this darling, that I promise you along with power, love and so much more.’ Agatha tells you as she rubs your back.

You poor, idiotic fool, let’s pray you do survive the road and not die with a broken heart when you realise the truth…

[hotvintagepoll]

Jean Arthur (The Talk of the Town, Too Many Husbands)—It's Jean Arthur! She supposedly named herself after King Arthur and Joan of Arc so she's got that weird gender swag and her voice is often described as frog-like! She's kinda small yet always has the energy she could beat up any of the guys around her. In fact, in The Talk of the Town she attacks some cops with a wrench. Hot! Her vibes are so weird and I'm in love with her. Hope that helps.

Jack Lemmon (The Great Race, The Apartment, Some Like It Hot)—He's the everyman, he's clumsy, he's strange, in nearly every movie he finds himself in the oddest of circumstances because he's taken advantage of or because of... bad luck? You empathize with him, he's really a little guy. And yet... Why is he so hot? Why does he have this charm, this hidden fire, this weird kind of... elegance? You can't help but sense this magnetism he radiates. There is power in his charming eccentricity and clumsiness. He just really draws you in and you want to explore what it is that makes him so scrungly and so attractive at once.

This is round 1 of the contest. All other polls in this bracket can be found here. If you're confused on what a scrungle is, or any of the rules of the contest, click here.

[additional submitted propaganda + scrungly videos under the cut]

Jean Arthur:

wait wait wait come back i can justify this i promise!! yes. i know she is heaven on earth. her voice sings to the angels and croaks with the frogs. i am also aware she is a luminous blonde. however h a v e you considered the gospel that a fruity screwball blonde dame can, in fact, scrungle? in her own bizarre fashion? i present her entire filmography but also this clip as evidence. look at her little twinkle as she sics her two husbands against each other and loves every second of it.

in this one she starts disassociating because she's going to buy a dog.

Jack Lemmon:

his chemistry with judy holliday in their two movies together is ZOINKS!!!!!!!!!!!!!!!!! but i couldn't find any clips of that so watch him have mad chemistry with peter falk instead in my favorite campiest film of all time instead

His character in Glengary Glen Ross is literally the archetype Pathetic Guy. Even if you haven't seen this film I PROMISE you have seen iterations of Jack Lemmon's character from it. His character in Days of Wine and Roses will break your heart and show what an amazing range he has. [editor's note: I haven't seen either of these films so don't consider them recs from me. Also please keep your propaganda within the 1910-1970 range. tw for alcoholism in the clip below.]

[magicalmanhattanproject]

okay i have to talk about my obscure blorbo fíriel ondoheriel. literally no one cares about her except me. not even tolkien cares about her. she has Zero canon traits. no personality, no physical appearance, not even a death date. here's what we know about her

in 1940 TA, Arvedui, then-prince of Arthedain* marries Fíriel, daughter of King Ondoher of Gondor, uniting the two realms after a long estrangement

[loads up Tolkien Gateway to cross check dates] HOLY SHIT YOU GUYS

in 1938 TA, Aranarth, eldest son of Arvedui is born. Now, if we're being real with ourselves, Jirt made an oopsie here and no one caught it. But, no one caught it and the only numbers we have are Aranarth, son of Arvedui, is born in 1938 and Arvedui marries Fíriel in 1940.

So, like, what's up there? Did Arvedui and Fíriel meet before their wedding and elope? Was Aranarth born in Gondor and hidden to protect Fíriel's reputation? Or did Fíriel have to make an excuse to stay in Arthedain and hide her pregnancy and then abandon her child until a proper marriage could be arranged? Was Arvedui married to someone else first and a widower? Was Fíriel a second wife and a stepmother to the real heir? Was Aranarth a bastard and Fíriel brought in to produce the real heir? Had Fíriel ever left home before? Did she have any feelings about being sent away from her whole family to be a queen for a man who already had an heir? Did she have a child she had to travel with? That she was desperate to reunite with? That she wanted nothing to do with? Did she love travel? Hate it? How did she feel about Gondor? Arthedain? We don't know. Tolkien doesn't care.

Anyway, back to what I already knew about.

in 1944 TA, Ondoher and both his sons are killed in the invasion of the Wainriders.

How does Fíriel feel about this? What's her relationship with her father like? Her brothers? Presumably she has a mother in there somewhere too? We don't know. Tolkien doesn't care.

Now, the doozy.

later in 1944 TA, Arvedui sends messages to Gondor claiming the throne both as a descendant of Isildur and as the husband of Fíriel, who would have been ruling queen according to Númenorean law.**

How does Fíriel feel about that? How does Fíriel feel about claiming the throne of her father and her brothers and her homeland through her blood for himself? We don't know. Tolkien doesn't care.

This is the last mention of Fíriel in the text. We don't know what happens to her after this. Maybe she trips and falls down the stairs the very next day. Maybe she lives a long life and dies of old age in her sleep. We don't know. We know what happens to her family though and it's not pretty.

Arvedui ascends to the throne of Arthedain in 1964 with the realm already struggling under invasion from Angmar. In 1974, the Witch-King invades and captures the capital of Fornost. Arvedui escapes to the Ice Bay of Forochel where he is aided by the locals over the bitter winter. Aranarth, a young man at this point, gets word to Círdan that his father is stranded there and Círdan sends a ship to bring them aid. When the ship arrives, Arvedui wants to leave immediately, but the locals warn him against leaving, saying that the Witch-King's power wanes in the summer and the bay is too dangerous.

Let's backtrack a moment. The name Arvedui means "last-king" and was given to him at his birth by Malbeth the Seer. Though, the seer said, "a choice well come to the Dúnedain, and if they take the one that seems less hopeful, then your son will change his name and become ruler of a great realm."

Arvedui does not. He takes the ship Círdan sent, which is sunk in an ice storm. Arthedain falls. Aranarth becomes the first Chieftain of the Rangers.

There's one last piece to all this. Name meanings. Tolkien likes them. I was looking through canon name meanings for OC names and I decided to check Fíriel out and I got fucking flashbanged.

See, something you gotta remember about the descendants of Elros is that a lot of them resent his choice. It's said that the line of Gondor failed because the kings were too busy contemplating immortality and their ancestors to look to the future and have heirs of their own. That's maybe not fair to the kings whose lines failed, but it's certainly a trait they all share.

So, what does Fíriel mean?

Mortal Maid

Look at everything else about her and everything that happened to everyone she loved and realize that she was born to the name She Will Die

How did she feel about that? We don't know. But I want to.

*The northern kingdom of Arnor had long ago split into three kingdoms. Arthedain is the one from which the eldest and true line of descent from Elendil continued. The other two had already fallen by this point.

**For the record, Ondoher was the 31st king of Gondor and somehow the issue of a ruling queen has not been litigated before now. Not a single time in the past 30 generations has a daughter been the eldest child or only available heir. That... stretches plausibility. This is easily explained by Tolkien forgetting that women exist until they become immediately plot relevant, but it certainly gestures in the direction of things about Gondorian kings that are rather unflattering.

[diminuel]

psssss long time not bothering u xD

today i bring questions about ace. more specifically, your au where ace wants to be a girl sometimes!! and i know that unless im remembering it wrong its from tje same universe where luffy was raised by his dads, but luffy being luffy i assume he wouldn't tell his crewmates about his family just like in canon. so like, when they get in alabasta, im not sure the whole croco arc would still happen, but the point i want to focus on is the crew meeting ace!! and to me genderfluid ace would be chill being called by both brother and sister and luffy just switches on it randomly and wanna know what ur think the crew's reaction would be. i know they wouldn't mind ace genders and sexuality, i just mean their reaction to luffy general mess with mentioning family members and explaining anything. in my head ace would have to pull them aside for the info bit that "oh yeah i dont mind any pronouns and im sometimes a boy and sometimes a girl" bc luffy would leave them all confused

sorry if this ask is a mess i hope it makes some sense

Hello hello!

The issue with the silly universe where we get girl Ace sometimes is that nothing would quite happen like in canon most likely because the stakes are drastically lowered. How exactly I don't know *lol* But it doesn't really matter for the question at hand.

A part of me believes that Ace wouldn't feel the need to explain anything that wasn't important. So the only question that would be relevant to him in particular might be "why does Luffy keep calling you his big brother" with the implication being that to them it's obvious that Ace is a girl.

He would probably explain that their Auntie Iva has devil fruit powers and can change people's gender. Ace has been Luffy's big bro for over 10 years before he first asked Iva, so it stuck. He changes based on what he feels like (and if he can get to Iva, because it's a bit of a journey).

As to reactions of the crew. I think Zoro would probably just take note of it without comment (though me being me I think we should send Zoro to Iva too *lol*), Nami and Usop would be quite amazed, Chopper would be very excited about what Iva can do and how to combine medicine and devil fruit powers to help people. Sanji's probably heard that Iva is the Queen of a kingdom of maidens and passed out with a nosebleed.

Vivi might know Ace already if this was an AU where the Monkey kids sometimes hang out in Alabasta. (They might even be (sworn) siblings. So maybe she could fill them in if they want more information.)

[peachyfnaf]

I'm sorry but "MY BEAUTIFUL PRINCESS WITH A DISORDER<3" really made my day and I needed you to know

🤣🤣🤣

I can't believe Nexus is bullying peepaw war criminal.

Do you think Nexus is going to be stopped by big bro Sun or do you think the lil guy is going beyond the point of no return?

(Please talk about baby cringe Lord Nexus, I want to hear about your blorbo 🙏)

That's because Nexus IS my beautiful princess with a disorder, I'll have you know <3 they're diseased but it's okay I can give them their tetanus and flu shots and it'll all be better I GOT THIS

But. ahem, okay, blorbo yapping time. I'm not even gonna say "I'll try to keep this short" because I know it wont end up that way HAHAHAHAHA

"Do you think Nexus is going to be stopped by big bro Sun or do you think the lil guy is going beyond the point of no return?"

I... have absolutely no idea!!!1! (and also it took me an embarrassingly long amount of time to realize peepaw war criminal was Ruin KJDFHSDF)

The most frustrating thing about canon Nexus is how his morals, motivations, and goals seem to see-saw back and forth all the time. at first, he became how he is now due to Solar's death. he spiraled in his grief, identity-issues, and abandonment. but... now his motivation is to become an all powerful god??? while it's most likely that NSP is at play and affecting his thought process, it's... well, it's really hard to take him seriously as a villain because of it, lol. for an audience to enjoy, and even sympathize in some cases, with a villain, their goals and motivations have to be concrete. they have to be relatable, or at least understandable, but Nexus' whole thing is... not, Imho. and I know I'm not the only person who feels this way!!!

I see a lot of people calling Nexus "cringe", and the thing is, when it comes to canon Nexus, they're not really... wrong??? The worst thing Nexus has done so far is make Old Moon see his past victims, which is fucked up of him to do, but.. so far, that's kind of it??? other than that, his "villainy" consists of saying empty threats and cheesy evil one-liners. hell, he was supposed to kidnap Sun yesterday but instead spent the whole episode yapping and venting to him, chasing Sun around in the worlds darkest game of tag before getting some lead right in the face dkfjhsdfsd

Also, notice how he's only targeted Old Moon when it comes to actual physical violence? not Lunar, Earth, Solar, or Sun, but Old Moon? yeah, I did too. we already know that Nexus does everything because he's lashing out, but as of rn the only target he's gotten his hands on physically being O.M...? well. I think it says a lot. cause' yeah, he sure as shit scared the life out of the other Celestials, but he's never put his hands on them!! the only other one of them he harmed physically was Earth- and not only was he not aiming for her, she was just in the way- he felt immediate regret for his actions once in space, and has yet to even see Earth ever since that day.

So, I really have no idea if he's going to be "redeemed" or not. one second he's showing signs he might be, and the next he's falling further down the "pretty badly written villain" rabbit-hole. if he does get something akin to a redemption arc, he'll prolly mostly be accepted in the eyes of the viewers, considering a lot of peeps sympathize or at least understand where he's coming from, but I seriously doubt the other Celestials would take him back. the only one's who might see him as family/a close friend again are Sun and Solar, but even then, nothing would ever be the same.

I hope he gets redeemed, or at least freed from the hold Dark Sun has on him and he's able to live his own life, I really do. at his core, Nexus is a good person. a good person who was crushed under the weight of the shadow of the man he was born under. and we know this because he used to be New Moon. sweet, dorky New Moon.

New Moon, who made inventions like sentient knives and whoopee cushions. New Moon, who had matching My Little Pony stickers with his best friend. New Moon, who bought a whole ass island-luxury-house for Sun because he wanted to make him feel better and give him the proper space to heal. and New Moon- the poor freshly-baked A.I who gave his all to make sure he could do everything that Old Moon could, but it just wasn't enough. he tried and tried and tried, but it wasn't enough.

So yeah, idk if he's getting one in canon, but to me, he more than deserves a good ending, for the life he was given. let him be at peace.

[accirax]

hey! i was wondering about eden’s emotional cg scenes with teruko at the end of ep14; if eden does happen to be the culprit, how would it affect her characterisation? personally, i can’t help but see it in a negative light, one which dampens her impact on arei, teruko and others with her ‘rational optimism’ and general kindness. if eden believed arei wanted to be friends with her, and was willing to reciprocate it, would eden really kill her in cold blood?? if her tears at the end of ep14 were genuine, would it go against her ultimately being the blackened?

tl:dr: how would you justify eden’s last moments at the end of ep14, if she were the culprit? it felt truly genuine to me, but i can’t help but notice her suspicious behaviour and inconsistencies in regards to the ch2 murder :(

(sorry, i’ve never done an ask before!! apologies if this is worded poorly.)

Can Eden Still Be the Culprit (Again)?

Haha, it figures that, even if I didn't choose to cover it in my Episode 14 Dissection, I'd still wind up analyzing what was going on in that scene anyways. Glad you're curious to hear my thoughts! (And don't worry, you phrased everything perfectly!)

The truth is, I didn't initially go over it because I wanted to post my thoughts on the day after the episode aired I, too, am somewhat confused as to how Eden could say all of that and still potentially be the blackened. However, as someone who still believes that Eden could be the blackened, it's probably a good idea if I figure out for myself what the hell this scene means in the context of DRDT at large if votes for Eden are close at hand. And potentially preempt some of the backlash that might arise if they are.

Just know that I, too, think that some of my points might be a bit of a stretch sometimes. We cool? Cool. Let's get analyzing.

SPOILERS for DRDT through Chapter 12 Episode 14, as well as Chapter 2 of THH and Chapter 1 of SDR2, and a WARNING that we will (obviously) be discussing Eden!culprit throughout this post.

For Eden's words and actions to make sense under the preconception that she is the killer, I think there are only three major roads you can take.

NUMBER ONE: EDEN IS A LYING, MANIPULATIVE, SCUMBAGGY PIECE OF SHIT

This option... is not great. Everybody agrees that it is not great. I hesitate to use the word "bad," because I think that people are way too hasty to call things "bad writing" (especially before they've even happened), but... I'm not gonna lie, it's pretty bad.

Basically, what it says on the tin. Just like David, Eden has actually been a liar and a manipulator the whole time. She doesn't actually believe anything she said about optimism or the power of friendship, and was 100% using that attitude the whole time to get everybody's guards down. A character like that would have no problem saying whatever the hell she needed to say in order to get others to pity and therefore not vote for her.

I don't like this one because it fully invalidates everything that we've seen from Eden so far. For someone like David-- or, say, Nagito-- even in the midst of their big heel turn, there are parts of their previous characterization that are still salvageable. Teruko caught David being a hater on literally Day 1, and it was easy to read into his outbursts of anger and insane nosiness to expect that his personality wasn't really as bright as his stars. Similarly, even if Hajime got along with Nagito, he was still sort of a creepy and off-putting guy, and everything about his love of hope stayed as strong as ever. For Eden to suddenly turn to the dark side would truly come out of nowhere. Other than... I don't know, liking to bake?, I don't think there are any aspects of Eden's former characterization that would remain. Not that her character would remain in the story for much longer, but, whatever.

I'm going to discount this option because I have faith in DRDTdev's writing, and I don't think he would suddenly want to abandon the Eden character he's been strongly developing over the past two chapters. Again, I refuse to call anything bad writing until the Chapter at least, if not the story as a whole, is wrapped up, but there's a reason why everyone's first instinct is to hate this idea.

NUMBER TWO: EDEN IS THE BLACKENED BUT DOESN'T KNOW IT

Basically, Eden is able to be so genuine because she either forgot or didn't know that she was the one to kill Arei, but we'll still be able to convict her in the end because all of the evidence points to her. How would this work? Well, sorastar6 came up with a theory that Eden might have killed Arei but blocked it out of her memory. It could also be something where, like, someone else put her up to it and she accidentally let go of the rope or whatever to kill Arei without realizing it. (That idea is loosely based off of a-student-out-of-time's theory of David manipulating Hu to kill J-dressed-as-Arei-- hopefully if they read this, they won't mind me using their theory as a logistical basis off of which to accuse Eden 😅)

However, I don't think either of these cases are particularly likely either. The murder method is so complicated and clearly premeditated that it would be really hard to trick someone into operating it without realizing it at all. And, if Eden killing Arei traumatized her so much that she lost multiple hours of memory then you'd think she'd just... not do it. I respect the hard work and creativity of both of these theorists, but I'll be passing on this option as well.

NUMBER THREE: EDEN FEELS REALLY, REALLY GUILTY ABOUT IT

Okay, so I maybe-sorta-lied: there are probably other ways that you could interpret Eden's emotional reactions to talking about Arei's death other than specifically her being guilty. However, given that guilt was already the justification I reached for the first Eden mini-breakdown in my Episode 13 Dissection, it may not come as a surprise that I'm staying on theme.

Before, I summarized that what Eden was saying to Levi was basically what she wanted to say or already said to herself. She knows that killing Arei was "wrong," so even though she thought it was the right thing to do, she wants to always remember Arei and acknowledge her faults as a form of penance. Also importantly, one facet of why Eden might be breaking down now is because (under the theory) she only learned that Arei truly wanted to change and be her friend in the Trial when David told her. It makes her feel extra guilty now knowing that she killed someone who wasn't just her bully, but someone who wanted to be better than that.

We're going to keep that rationale in mind as we now look through everything that Eden has to say at the end of Episode 14. The only thing of note that I will have to concede is that, even if Eden isn't a liar or a manipulator overall, any time she says anything along the lines of "I'm innocent!" or "I didn't kill Arei!", it has to be a boldface lie. Sorry, I don't like it either, but there's no way around it (outside of something like option 2). I otherwise want to claim that Eden is straight-up lying as little as possible, but this was kind of a gimme. But hey, that's why I have my doubts that any of this will turn out to be true as well.

Since this is its own post and not part of the Episode 14 Dissection, it means that I get 30 images to use on just this subject, hooray!

This is certainly a softball to start this defense off on. Eden can just be confused/upset that her efforts to evade being the blackened aren't working all of a sudden.

Similarly, this is just her rephrasing/challenging everyone's thoughts. Perhaps I should have cut out some of these beginning statements, but I'm always one for being thorough.

Don't worry, this is the last of these three. I will note, though, something that I actually only noticed on this watch-through. I was aware that Teruko and David both had shots that only showed their mouths and torsos with their eyes obscured in this episode, but apparently, Eden has one too. Of course, this could go either way: these shots could be reserved for the "major players" of this chapter-- the protagonist, killer, and someone who's clearly getting extra focus-- or, it could be more of a protag/antag/support thing. Or maybe DRDTdev just decided to start using this for highly emotional scenes.

Well, given that I'm trying to throw Eden under the bus in this post, it's clearly the first of the three. Don't listen to any clowns (<- me) who might tell you otherwise. (/j)

"Hold myself together" isn't as innocent-coded as it might seem on the surface. It seems pretty clear to me that Eden feels genuine sadness over Arei's passing no matter her role in Arei's death. However, being the blackened and having to keep a secret throughout the Trial might make coping with those emotions even more difficult. Fully breaking down in grief would be bad enough as an innocent, but as a blackened, it would basically be game over. Arei's death is the cause of her discomposure, which can still be equally true if she was the one to kill Arei.

This is quite possibly the line that I have the hardest time justifying in the context of Eden being guilty. I could obviously just say that she's lying here, but as I said at the start, I want to call what Eden says lies as minimally as possible. So, what are our other options?

Nico said earlier this episode that attempting to kill Ace was "the worst choice that [they'd] made in [their] life," so it could be fitting for both of our killers this chapter to feel the same way. After seeing what it was like to kill Arei and have everyone suspect you, Eden decides that whatever her motive for killing was wasn't worth it in the end. However, now that she's in this situation, she still has to stick with her initial plan (unless she wants to just die on the spot) because she can't go back, no matter how hard she tries--

For DRDT to enter its third chapter with the cast at their most hostile and downtrodden but also only having one killer who did so accidentally and two killers who deeply regretted it would be very interesting indeed.

Alternatively (or perhaps in combination), this could also be Eden being somewhat of a pessimist. If you're a blackened, you're generally hoping/expecting that everyone other than you will die. However, only one person's death is actually guaranteed-- your victim's. (Or two people's deaths if you kill two people, but that's not important to this case.) In theory, Eden choosing to kill Arei in particular doesn't really matter, because if she won the Class Trial, Arei would die anyways. However, now that Teruko has accused Eden, reality might be setting in for Eden as her dreams of being the one to escape flit away. In that case, she may be regretting her choice to victimize Arei-- if she's going to die for her attempt, she might at least wish that Arei got to live over some others.

I think the first option is probably the best from a thematic perspective, although both options certainly have their counterarguments.

Eden's (stellar) read on the "Why?" line definitely implies that she's frustrated, which could go either way. It's equally possible that she could be mad that people are suspecting her when she's innocent, or that she's upset that everyone is suddenly hounding her when she thought she was putting up a good front.

As for her leading question, if Eden is the killer, we've already seen her subtly mine for information at least once before. The conclusion of her last breakdown was her trying to ask David what really happened between him and Arei in the Relaxation Room. Now, asking this question might be intended to either shore up arguments she hopes to defend herself against, or force other people to "concede" that there are no reasons why Eden would have killed Arei. A bit of a dangerous gambit, but it's arguably more dangerous to have to come up with justifications about unknown arguments on the spot, especially when emotionally struggling.

Not gonna lie, though, the fact that she immediately followed up "why do you think I killed her" with "I cared about her!" also slants towards an innocent read. If you really were the culprit, I feel like you would start trying to argue against some of the solid evidence that people just presented (such as Levi bringing up the information required to write that note) with evidence of your own. Instead, Eden shoots straight for the emotional defense, even though no one was arguing that Eden never cared about Arei leading into this speech. (Arturo brings up her connection to Arei, but he never directly says it was because she didn't care.) It could speak to the fact that she was fully unprepared to be accused (because she didn't do it and had no idea about the tape).

However, Eden has always been a very emotional person, and it's possible that a big part of her intended defense was to say that she cared about Arei. Another interpretation is that Eden brought this up now because it's something she's insecure about. It sort of goes back to my idea that Eden is still desperately trying to cling to the idea that she's a "good person" despite her choice to kill. If that's true, the way that Eden is perceived as the killer might be very important to her. Like, obviously surviving the Trial itself is the most important thing, but Eden doesn't want anyone to misinterpret her as a monster on her path to the finish line.

I already explained why this line was sus as hell to me:

This distinction-- between "Arei was my friend" and "Arei could have been my friend"-- could be very telling down the line. Eden pauses mid-tear-filled rant to distinguish that Arei is not her friend, not because she's dead, but because they hadn't reached that point yet. Arei is not Eden's friend in death. What can that possibly mean other than that Eden killed Arei?

This is one of the lines that makes me most think that she is the blackened in this monologue. Because, seriously, why would she not have just said "Arei was my friend!" if there wasn't any doubt in her mind?

Alright, I think that about now is a good time for me to drop the thesis I've developed whilst reflecting on Eden's behavior and how to put all of the pieces together. Should I have said it earlier? Maybe, but where's the drama in that?

Basically, for starters, I don't think that Eden fully believed that Arei genuinely wanted to be her friend. As I've said before, Arei saving Eden from Arturo happened mere hours after Arei denounced her entire personality. It's super believable that Eden might think that Arei was just using her usual manipulative tricks to make Eden look like the fool again. However, despite all that, I don't think that Eden hated Arei, either. They were just in the exact same state that they were in before-- Arei as the bully and Eden as her target-- which Eden had never hated Arei for before. Eden wanted to help her and wanted to be friends with her, as she says in this screenshot, but that doesn't mean it could actually happen. Tragically, Eden determined that Arei wouldn't be able to change while being trapped in this killing game.

After that, Eden decides that she needs to kill to escape the school. The exact motives of which have puzzled Eden!culprit theorists for months, with current speculations still being that it may either have to do with her secret, the girl she kissed, or her family, who she told Levi she couldn't imagine living without. We've got time to cook on that in the post-Trial, if Eden is the killer. However, I also don't think that we should discount how scary the killing game has become.

Let's run through the events of Day 6 again, because it's a truly terrible day for Eden:

Eden wakes up in the morning and goes to rouse Teruko, who she has to blackmail in order to even get her to consider attending breakfast with the others. She tries to convince Teruko about the value of optimism, but Teruko only tells her that her worldview makes Teruko even less inclined to be her friend. Speaking of lack of friendship, Eden's chances at a peaceful breakfast-- which she had been hoping to use to bring everyone together-- are dashed when there are three separate shouting matches going on in the Dining Hall. Eden tries to assign her associates to break up the fights, but it goes terribly-- all she does is get Arturo and J mad at her, while Veronika only makes the situation between Ace and Nico worse.

After David's plan causes Charles (who has been making some of the most progress so far) to recall his traumatic past, Eden tries to invite Teruko and Arei to a fun event to brighten everyone's moods and right her wrongs of the past. Except that, when she does, Arei rejects her offer outright and brings up some of her biggest insecurities, causing Eden to run out of the room crying. Neither Teruko, who Eden has been trying super hard to befriend, nor David, who has (theoretically) been acting in the name of harmony and cooperation, run after her to offer her any comfort.

Despite David's lack of support, though, she still decides to support him by following his idea to let Arturo know about his secret. Trying to do so nearly costs her her life. She's just one unarmed 5'2" clockmaker against a clearly agitated 6'3" surgeon with a scalpel, and she's only saved by the bully who just said that Eden "utterly disgust[ed] her in every way." Arei now claims that she'd do anything for Eden, but is that just another setup through which Arei can make fun of her trusting nature in the future...? Eden wants to hope, but it's hard to do so when the person who just saved you was the one who told you you shouldn't.

Anyways, even despite a long afternoon of Nico being outed and a long night of being stalked by probably-Arturo, Eden is still trying to help Teruko pick up her clothes when she runs into Teruko in the Dress-Up Room. But since nothing can go right for Eden today, it's then when she and Teruko hear a loud noise, and they stumble upon Ace's body in the Gym-- the second murder attempt Eden has seen today. Nico is standing over Ace, really making it look like they killed him. Gosh, if only someone had been able to talk to the two of them this morning in a productive way, instead of making things worse. Thankfully, Ace is still alive, but less thankfully, he's now a convert to killing and wants to eliminate Nico. The day ends with Ace saying that this place is worse than death and Levi-- who Eden had just been praising for being kind and reliable-- giving up on his former friend.

Are you starting to see why Eden started planning murder and picked up the tape when she did?

Looking at it through that perspective, I don't even know if Eden needs a reason outside of the killing game to want to be the blackened and escape. If we can accept that Ace's motive would be to escape the situation in which he almost died, it feels like we should be able to acknowledge that Eden could be motivated by the exact same thing.

Obviously, it's harder to believe that Eden would kill than Ace, because Eden generally cares about everybody and Ace (other than Levi, once) didn't really like anyone. However, I, at least, don't think it would be totally narratively unsatisfying for Eden's reason for killing to be that her bandwidth for caring for others was overloaded, and with no one supporting her (and at least one party actively attacking her), her fears of the killing game got the better of her, if only just for a moment.

Getting back on track, Eden's terrible awful no good very bad day has inspired her to kill, but who does she take down as her victim? Well, as we've established before, if Eden wins, everyone will die anyways, so it's not like she's really "sparing anyone's life" by not killing them here. She's already made her peace with everyone as she knows them dying. And after that, despite the care she still has for Arei, she chooses Arei as her victim because of what Arei told her after Arturo attacked Eden. But, I'll reiterate, Eden doesn't hate Arei. Instead, Eden chooses Arei because she thinks Arei is the victim that will make her look the least suspicious.

Just because Eden doesn't believe that Arei really wanted to be her friend doesn't mean that other people won't. In fact, I think that Arturo would definitely believe that the two of them had turned over a new leaf. In this situation, Eden is aware that her best path to innocence is to play up her kindhearted personality in order to lead people to believe that she would never hurt a fly. Therefore, she decides to leave the note behind so that people will hear about the story of Arturo attacking her. In my Episode 14 dissection, I was spinning my wheels trying to figure out why Eden would possibly want anyone to find that note. However, this option would create a reason why Eden would want others to read the note. The mere fact that Arei decided to come to the Playground would serve as evidence that Arei really did care about Eden, and therefore make Eden seem more innocent. Maybe she overstepped a bit on revealing so much about Arturo's secret in the note, but given that everyone seems to believe that the killer overhearing the conversation was possible anyways, it's not a huge deal.

However, there is a contradiction here that you may have picked up on. Why would Eden count on using a note to draw Arei out to the Playground if she didn't believe that Arei would actually listen to her? I raise you a new idea: who says that note was actually real?

For those who believe that Eden isn't the killer, the thought that someone falsified writing that note isn't anything revolutionary. However, if other culprits could plant that note as a fake, who's to say that Eden didn't do the same?

I believe it was demodraws606 who recently raised the question of why Eden would even bother writing a note to Arei when she could have just gone up and knocked on her door. (Apologies, I tried to find the post in which they said that but I couldn't track it down 😔) That excellent question set off the domino chain that made me think... well, maybe she did.

Eden works through the night (14 hour shifts, baby) setting up the pieces of her murder contraption in the Playground and writing a fake note that she "sent" to Arei. However, instead of sending that note to Arei, she goes to Arei's room herself and knocks on her door at, like, 7 AM or something. Eden doesn't necessarily believe that Arei will answer, but, if she doesn't-- that's not the worst thing in the world, right? It's not like she's particularly pressed about the secrets deadline, and she left herself with enough time to put away her murder scheme if necessary. Unfortunate, but assuming that she lives another day, she can try again some other time. However, instead, Arei opens the door (because, unbeknownst to Arei, she really did want to be friends with Eden), sealing her fate.

This also opens the opportunity for the scene of knocking Arei out to be in the doorway of Arei's room, instead of in the Playground. I always wondered how the scuffs on the floor would be so contained to one area near the entrance to the Playground. Like, the whole rope setup must have been at least somewhat set up by the time Arei entered the Playground, right? If Arei saw that, why wouldn't she start running away? And, in the case of Eden as the culprit specifically, would she really be able to subdue Arei in such a small area? If Arei was knocked out in her room, we wouldn't be able to see any evidence of that happening, because no one searched her room. That also leaves open the opportunity for Eden to have tossed any items she used to knock out Arei into Arei's room, where no one would be able to find them. And, hell, let's rope the glove into this, too! If Arei was never even intending to get dressed up to the level of leaving her room, maybe she hadn't yet put on her glove when Eden taped her wrists! It's weak reasoning, but it's a reasoning, at least!

(Also, if you're wondering how the scuffs on the ground could have gotten there if Arei wasn't subdued in the Playground, sorastar6 also recently made a theory that the ground was actually scuffed up after the jugs broke and the turf became wet, and it was the killer walking through a puddle that messed up the ground.)

After that, yada yada, ropes and carousel, Arei dies, investigation, Class Trial.

Eden is trying her best to just lay low and survive the Class Trial, but a wrench is thrown her way when David reveals to her that, after she left the Playground, Arei confessed to David and Teruko that she actually wanted to change. This goes against everything that Eden thought. Part of her reason for murder was that no one was willing to work with her, and now she learns that she just killed the one person who actually was? That's terrible! It can't be! David, please tell me the rest of that story!!!

At this point, you might wonder why, if Eden feels horribly guilty about killing Arei and unsure of her former conviction that the best thing she could do would be to get out of here alive, she wouldn't just confess to the crime already. Beyond her desire to survive herself, I think it could be because she wants Arei's death to have meaning.

If Eden gives up, it means that she killed Arei for no reason. She made the huge, irreversible decision to kill Arei, and then decided to throw it away when things got tough. But she won't let herself brush away the deaths she caused just because it was inconvenient for her.

She won't let her emotions take precedence over the harm that she caused.

She has to acknowledge that Arei's death was her fault.

Which means that, just like Min did, she has to fight like a proper blackened would if she wants to prove that she cared about enough Arei to believe that her life had meaning.

And that's why Eden is so insistent that she didn't kill Arei because she hated her. She isn't someone who believed that Arei was fully incapable of change, and she still cared about Arei a lot. And so, she'll honor Arei's legacy by taking to heart what Arei said to her.

Those are my general thoughts on how to justify Eden's breakdown at the end of the episode-- although, obviously, we still have more to go. That awkward middle placement strikes again, huh? But, I do think it has its benefits, which is why I'm keeping it here. We get to balance some buildup before the point with the lens of seeing some of the dialogue after the point. Let's wrap up the rest of this a bit quicker, shall we?

Since we're a while from the start, let me just issue a refresher that this post is assuming that every time Eden says "I didn't kill Arei" she is just lying. Yes, it assumes that Eden is willing to lie in a Class Trial, but I think that any 18 year old would be capable of pulling that off if their life was at stake, no matter how sweet they may seem.

This could also be another instance of Eden assessing the situation via asking a question.

This line would be tying back to the assumption that Eden's main plan for getting away with the crime (other than possibly framing Nico with the murder method) was to pull the emotional defense that others wouldn't believe that she killed. The tears could still absolutely be borne of genuine fear, but the choice to reach for help from Teruko could be her planned fallback if things got dicey. If she is the killer, then the evidence should stack against her, meaning that "belief" is her best way out of receiving votes. This is her hail mary.

"This trial has been cruel to me" is 100% right if she is the blackened who got jumpscared by knowing that Arei cared. After she initially acted against her instincts to kill for the sake of her life, she then has to face consequences that she didn't even think were possible, all while keeping a straight face. For whoever the killer is, can you imagine how stressful it must have been to have David extend the Trial for so much longer with his nonsense? (Mondo with Byakuya vibes in Ch2, honestly. The THH parallels never rest.)

Again, we're saying "I didn't kill her" is a lie, while "I just wanted to help her" was the truth. Something more along the lines of "I just wanted to help Arei, but she seemingly rejected my every effort, so I killed her but without the knowledge that my help was actually getting through to her" is what we're aiming for here.

I decided to combine these two together because I didn't have much to say about the first one on its own. One interesting thing to note here is what thebadjoe pointed out: Eden says that friends are supposed to help each other out, yet in Chapter 2 Episode 3, she was the one telling Teruko that relationships aren't transactional. What changed between now and then?

Well, this is much more in keeping with Arei's "that's what friends do" philosophy, which could either be a further indication that she was taking Arei's words to heart (for better or for worse) or that she's just desperate enough that she needs to count on Teruko in this moment if she wants to survive (again, whether genuinely innocent or guilty). It could mean nothing, but it could also be an indication of Eden's more manipulative side, if she's making an emotional argument that goes against her own philosophy just because she knows it'll strike a chord with Teruko.

(Of course, you can basically counterbalance this "inconsistency" with the one that one post (yet ANOTHER post I cannot fucking re-find) pointed out with Ace saying "I would never commit a murder of my own" with him previously saying that he was "about to commit a murder of his own" on Nico. They can't both be the killer unless something really weird is going on, so at least one of these "inconsistencies" has to mean nothing.)

Also, while I wouldn't go so far as to say that Eden is faking her tears over Arei (because that's clearly not true) there's also room for Eden to be crying here because she feels bad about manipulating Teruko, but as established before, still feels like she has to go through with it. Her acting doesn't have to be impeccable if the crying is covering up the crying she would already be doing.

'Cause sometimes, the breaks you take in between sniffles can conceal the breaks you would be taking as you struggle to lie to Teruko's face! Hypothetically.

"Please trust me, Teruko. You're my only hope."

In this hypothetical, I think we have to assume that Eden is just genuinely surprised that the super-smart Teruko wasn't able to see through her act. It might come as a shock that the same Teruko who said that Eden's kindness made her want to stay farther away would now see Eden's pleading as a sign to protect her. (Another judgment of character that Eden made incorrectly.)

And now, for the other hardest part to justify...

With the combination of the soft music (the same music that plays during the "kindness isn't weakness" scene, mind you) and the bokeh lights and the line deliveries and everything, this does feel like pretty convincing evidence that Eden is not the killer. But, if we're talking about the world in which she is, I do think that she still feels genuinely relieved here. The hug isn't directly manipulative, it's just thanking Teruko for giving her another shot at life.

Furthermore, it's a confirmation that, in Teruko's eyes, Eden still isn't a "bad person"-- at least not yet. Eden needs to continue believing that she's a good person with good ideas if she wants to have any hopes of fighting back against the cold and cruel world she was telling Teruko about. If she's become just as cold and cruel as the rest of them, then there's no way for her to be optimistic or kind, and therefore, no way to escape the grief that's haunting her. Eden has yet to learn that a good person is not gold, so that's the only world that she sees.

And, that's Eden's last line of the episode! Before we wrap up, though, I do want to talk about how Eden being the culprit would affect the story as a whole, as you touched upon that in your ask. Mainly, I want to talk about the big problem that many people have with Eden being the killer: what would happen to Teruko if it's proven that one of her closest allies is the killer again? We don't want a repeat of Chapter 1, but how do you avoid that after that hug?

As is my M.O., I'm here to argue that there are two ways you can make the situation different: by making it better or making it worse. In terms of making it better, I think that thefandomenchantress argued for it well in this post. If Eden's gotten her most desperate moment out of the way now, she might have room to be a bit more accepting in her final moments, and be able to reassure Teruko that just because she killed doesn't mean nobody is worthy of trust. In fact, Eden is so sad now because she didn't have enough trust in Arei, and look where that landed her! We could end Eden off on at least being happy that she and Arei were both able to change in the ways that the other wanted for them (Arei becoming more helpful and Eden becoming more responsible) and her being happy that at least the other students get to live.

On the other hand, you could make it worse. Venus-is-thinking and I have discussed together before how different Min and Eden's situations are, because while Min only really tried getting close to Teruko after her crime was already committed, Eden has been trying to become Teruko's friend for ages, before the idea to murder even crossed her mind. This death would be even more personal, as it can more so be argued that Teruko's lack of trust is part of what drove Eden to kill, whereas with Min, it was just that Teruko initially trusting Min opened her more up to hurt. You might argue that this would just cause Teruko to pull away even more harshly (which is still bad), but that's not necessarily the case. Maybe her breakdown this time drives her to get in people's faces so that they'll die even faster and she can rip the bandage off. Along those lines, maybe she'd even try to get closer to those she least trusts right now (like David) because clearly, her curse will cause those who she spends the most time with to die. The circumstances around Teruko have changed, which means that we can't expect the same sort of pressure to necessarily yield the same result.

As for your concerns about Eden's impact on Arei and genuine-seeming emotions, hopefully my main dissertation answers how I'd explain that ^_^

If you're wondering how I feel... well, despite everything that I wrote, I'm honestly kinda thinking that it's Ace at this point. Don't get me wrong, I think that the Eden read is still out there, but given how seemingly little time we have until the culprit is revealed, there may not be enough time to unpack anything close to this before the gavel comes down. Everyone keeps posting their polls about who people think is the killer, and I keep flip-flopping on whether I choose Eden or Ace as my answer. I wouldn't be surprised if either of them did it, except that--

Well, let's be honest. At this point, I'm going to be flabbergasted by whoever the culprit is, just because it's them.

Thank you for the ask, and see you on Friday!

[shmorp-mcdurgen]

An Analysis of Gman in Half Life: Alyx

HL:A Gman is by far the most interesting version of Gman I've seen and I've noticed so many details in his one interaction with Alyx, to the point I needed to make a full post about all the bullet points. (Note that this is MY personal interpretation, so it could be different from what was intended or what other people believe)

Starting from the very beginning, when Alyx asks whether Gman is Gordon Freeman or not, he responds in a kind of. Condescending way.

It's almost like he's amused by the fact he was mistaken for Gordon. not to mention the use of "Imprison" in the statement, almost as if he's not only making a snide remark towards Gordon, but also implying that even he sees Gordon's employment as "imprisonment". Not to mention the implication that it really does not take that much to hold Gordon captive in one way or another. Could also be literal, meaning Gordon isn't near powerful enough to require a full Vault be built around him.

A: "So. Who are you?"

Alyx asks a very simple question cause. why wouldn't she be confused? She expected a super-weapon; she expected Gordon Freeman, so when she found nothing but a man in a suit who straight up scoffs at the misunderstanding, of COURSE she'd want to ask questions. However, Gman only responds with:

Gman deflects the question, but rather than completely ignoring it, he simply leads it into a new question: "What can I offer you?"

He guides the conversation to a different topic, luring Alyx away from questioning who, or what, he is, whether it's because he doesn't want to (or can't) give an answer, or if it's because he simply wants the conversation to move forward rather than being caught on the nature of Gman himself.

G: "Some believe the fate of our world is Inflexible. My Employers disagree."

This statement is funny in an ironic way. he states that fate is flexible and can be changed, yet. When was the last time Gman didn't have full say on what can and will happen? By making everything go a very specific way, you CREATE fate.

G: "They authorize me to… nudge things in a particular direction from time to time. What would YOU want nudged, Ms. Vance?"

The use of word "Nudge" is an interesting way to describe changing things within the timeline. though something else that's interesting is his facial expressions during this moment.

He looks almost. Kind. but in a forced sort of way. It feels like he's expecting a certain answer from Alyx, and is just waiting for her to say it.

However, when she says she wants the combine off earth, his expression changes.

The change in expression implies that Alyx's answer was not the one he wanted or hoped for. Thus, he once again ignores what Alyx said and gives his own reasons for it.

G: "Ahhh. That would be a considerably large nudge. Too large, given the interests of my employers."

Rather than giving Alyx a second chance at a more reasonable request however, he instead says:

G: "What if I could offer you something you don't know you want?"

It finally clicks together why Gman's there: To make a deal. Whatever Alyx said before this moment was completely irrelevant. No matter what Alyx requested to have "Nudged", he would have brought up his own offer. He had already mapped out how the conversation was going to end even before Alyx had even begun speaking to him. It was just a matter of getting there.

Gman showing Alyx her fathers death was an intentional and targeted choice. Alyx is a little more naïve here than she is in HL2, not to mention her close relationship to Eli. Eli is one of the only people she has left at this point in her life, so. Why wouldn't she want to save him? This is exactly the reason Gman chose this event in particular above anything else, because he knew it was an offer Alyx would NEVER say no to. He knows Alyx more than she knows herself, and had already predicted the outcome of the situation. So, understandably, Alyx kills the Advisor in place of her father's life.

This line. This line is so interesting to me in particular. Rather than describing Eli as a "person" or "human", and describing the dead Advisor as something "alien", he refers to both as "entities." almost as if he sees both of them on the same wavelength of sorts. It implies Gman sees no difference between a human and an animal, or alien of some kind. Sees them all as simply that. Entities.

Yet another example of Gman deflecting the questions given to him, guiding the conversation instead towards Alyx herself.

G: "A previous hire has been unable — or unwilling — to perform the tasks laid before him. We have struggled to find a suitable replacement. Until now."

Him referring to Gordon in this way is interesting to me. Was the sudden wish to drop Gordon from employment due to the Vortigaunt intervention in HL2 Episode 1? Was it because Gordon was truly incapable of fulfilling certain "tasks"? Or maybe it was because Gordon was not as vulnerable to Gman's influence? It's unclear, and it's also not clear whether this means Gordon is fully free of Gman's control or not.

At this point it's made crystal clear that Alyx killing the advisor in place of her father was a contract she was signing, one she didn't even know she held the pen to. This was always going to be the outcome of the interaction, since the beginning. Everything Alyx had done up to that point was to help Gman and his "Employers" get further in their goals now that Gordon was deemed "Incapable". Nothing that Alyx could have done would've mattered; her "fate" was decided from the beginning.

Overall what I gather from this ending is a lot about Gman as a character. He never truly lies, yet he purposefully leaves out important details, such as the fact that reversing Eli's death wasn't without a price. He manipulates the conversation to fit his wants and needs, ignoring direct questions he sees as unimportant to his goals. And the thing is, he does it in a way that Alyx doesn't even seem to notice. He has played this game so many times that he knows exactly what moves to play. He knows the people he talks to more than they know themselves. He uses their worst fears against them to make them go to him for safety.

Judging by the things Gordon survived in Black Mesa, you can gauge he had a strong will to survive. So what better to do to seal a deal than to threaten that life he cares so much about? To tell him that the only other option was to go under Gman's employment else he face death itself? Alyx had such a strong connection to her father, so what better to do than to tell her that Eli will die if she doesn't do anything, luring her in to sign a contract without even knowing what she was signing?

Gman is a master manipulator, no better words for it. And he always manages to do it in such a way that you can barely even notice it happening. He never raises his voice. he never shows irritation or hostility aside from only one instance. Because why should he be frustrated? He's won even before the game started. And honestly that is frightening to me, cause it shows that he's done this many times before and knows just how to get what he and his "Employers" want, regardless of how it effects other people.

[allwormdiet]

Buzz 7.8

Nazi capes fuck off, like fucking for real

Honestly even if Kaiser deigned to tell his people that the Undersiders weren't responsible, somehow I doubt any Empire member would be inclined to treat them with much respect.

Yeah, see, this isn't about the leaks for Hookwolf. This is about the fucking beef over the dog fights.

Not a genius move from the driver, honestly. If you really want to put bullets in the villains that have good defensive capabilities, the last thing you want to do is give up the element of surprise. Stormtiger may not have been able to deflect those shots if he didn't have enough time to react.

Also, does Cricket wield kama? Like, the fucking Japanese farming tool? Are you allowed to join the Empire if you're a blatant weeaboo?

This is a really bad matchup honestly, it's tense to see how close they get to death with these fuckers

Disturbingly evocative and sadistic, but what else is to be expected from fucking Nazis, right

Clever guy

Fuck yeah, environmental takedown

Grue is fucking hardcore. Two shots to Stormtiger's legs and not even bothering to acknowledge Cricket's hostage. Dude does not fuck around when it comes to Empire, the only restraint here is that he's not killing them outright but honestly I wouldn't feel bad if he did. Just dump their bodies into the water, bing bang boom.

Well, okay, I guess Hookwolf would still be a problem, wouldn't he

This Cricket gal is bullshit honestly

So, yeah, now that we've gotten all three of the Empire capes to show their powers, I'll go ahead and say that this fight was stacked against Skitter and Grue from the jump. Hookwolf can't be fought hand-to-hand without being shredded to pieces and insects can't do much about metal flesh. Stormtiger can get bugs off himself no problem and can blast away Grue's darkness. Cricket, meanwhile, has some kinda sonic blast that lets her navigate Grue's darkness and also incapacitate Skitter's bugs.

The fact that they get out of this fight alive is a testament to remarkable intelligence and grit on their part.

This is a brutal slugfest honestly, although the fucking Nazi deserves every second of pain she's getting from it.

It's a little funny that they're having this conversation in front of Cricket. Like "oh yeah it looks bad but she's too busy being a sadist to do any real damage," "oh that sucks ass of her but I'm glad you're not too hurt" and she's laying there with a chunk of thigh missing. She should be embarrassed enough to leave town forever.

Yeah Cricket's busted, but good news is she's taken care of

It's a little funny that they're both stuck stitching each other back up after Brian cut off any romantic options. Like I've seen a lot of works where patching up someone's wounds and putting them back together would have a kind of bloodsoaked intimacy to it, but not here lmao

Also yeah you'd better appreciate Tattletale

These little punks. Love em to bits.

Okay so real quick, noticing Taylor's description of how Regent is talking, and I wonder how grounded Alec is as a baseline. Like I have to imagine that the Heartbreaker Experience doesn't do a whole lot of wonders for learning how to connect to the world around you. Is it an affectation like I've been speculating, or is that just the best he's got for engaging with reality?

I wish going straight for Purity meant killing her, but even without reading the rest of this arc I know the Undersiders don't have that kind of firepower. I can dream, though.

Teehee, parallels

Current Thoughts

I wish Grue managed to kill all three of the Empire capes but I get why he couldn't. I'll just have to hope they all die later.

Awesome that they managed to get the win over those bastards in the first place though, I don't think this is my favorite fight in terms of the beat-by-beat action but in terms of how they have to overcome the disadvantage of enemy powers it feels the best.

[yvesolace]

CULT LEADER - MOTHER MIRANDA

this one was a request and also my very first request! so im very excited about this :3 hope you enjoy @badwriter-official <3 word count: 704. content warnings dom!miranda, sub!reader, mommy kink, praise kink, degradation kink, some choking, religious/cult themes, blasphemy, leash and collar, pet names, vaginal fingering, cunnilingus, dirty talk, miranda has a god complex, miranda pretty much uses the reader to get herself off, dumbfication? maybe, begging, church sex (mainly alter sex)

you don't know how you got here or how you got involved with the cult of eva but honestly? you're so fucking glad you did. you eat, sleep, live, and breathe her.. mother miranda- all knowing, the goddess sent from the heavens, your savior, the one you worship every waking day. you would do absolutely anything for her and she knows it. that is why you're on your knees licking your saviors beautifully puffy clit as she grips the leash she attached to your collar that reads 'little bird'. "mm.. that's right you're just mommy's little plaything, come on make mommy feel good." miranda hums to you, you've been on your knees for a bit and they're starting to bruise but anything for mother.. you keep giving her soft licks while you suck on her clit making her shiver above you. "mommy's close kitty... fuck." she whispers lowly while gripping your leash harder making you choke a bit, and with that you start to speed up, licking with more purpose like you're trying to finish a race while also being cautious. miranda starts grinding against your face until her sweet nectar comes out of her puffy cunt. you lap up her juices eagerly not wanting to waste a single drop of her honey.

she pulls you away wiping your bottom lip with her thumb and licks it, she hums at the taste of herself. you look up in awe humping the air, licking your goddess out always gets you so so excited, miranda notices this "is my little bird needy for mommy?" you nod so fast you felt like your head was going to fall off,, "yes mommy please! i need you so bad..." you say pathetically- "tell mommy what you want baby doll." she says smiling that gorgeous pearly white smile of hers with those sweet laugh lines you want to kiss oh so much. you start to blush "i.. i want your fingers are inside me.." you mumble but she heard you and oh it made her chest feel with pride knowing she has this affect on you- on everyone really but the thing is she doesn't care for you, she uses you to get herself off and you let her because you're blinded by her- by her power, her authority.

"come here." she demands pulling your collar and making you stand up, she leads you to the alter where she bends you over it, see how your dripping aching cunt clenches around nothing waiting for her to enter you. miranda slides her finger through your slit picking up your wetness and she slowly pushes her finger into your hole making you gasp at the feeling of her finally being inside of you. "m-more please mommy" she slides in another finger without saying anything. she just watches you move slightly under her touch, pushing your ass backwards trying to get her to move but she doesn't she stands there watching you fucking yourself on her fingers like the slut you are.

you moan when you feel her add two more fingers now with 4 fingers in you stretching you deliciously well you start pushing back harder trying to get more friction and miranda actually does start thrusting into you albeit at a slow pace but hard- curling her fingers at just the right spot, tickling your sponge cervix making you whimper and moan at finally getting what you wanted. "mmph.. fuc-fuck mommy. yes harder please." she does go harder as well as faster making your pussy stretch in just the right way, you start feeling lightheaded as your mouth hangs open drool pooling out of your mouth. "look at you, fucking drooling all over yourself like a dumb slut. that's what you are though isn't it? hm? you're mommy's little dumb slut?" you whine nodding, "y-yes i'm all yours mommy, all yours mother." she hums at your response, you start feeling your stomach tighten, you manage to mumble " 'm cl-close.." miranda picks up her speed slightly and once she starts lapping at your clit your hips buckle and you cum all over her fingers and down her forearm. you slump over drooling onto the alter "..good girl." she says sliding her fingers out of you and forcing them into your mouth making you taste yourself. you hum, "thank you mommy." she doesn't respond, she's already walking away out of the church, leaving you there in your own mess.

[hedgiwithapen]

Hakoka learns how Zuko got his scar (am I having feels about yet another parallel in this show? why yes I am)

Somehow, the house on the edge of the Earth Kingdom that they’ve all hunkered down in for the last week while salvage and transport are arranged is more tense with the war ended. Zuko can’t begin to understand why. Sleeping in real beds--soft ones, with feather mattresses and blankets that don't stink of sweat and smoke-- and having a real kitchen to work with, the looming threat of the end of the world off their shoulders should put everyone more at ease. 

Hakoda sits at the table, his chopsticks gathering up the last of his fish and rice, and smiles at his children who sit opposite him. "I am so proud of you," he says, and Zuko's heart clenches with jealousy he's sworn to never voice. 

It's a scene from the ending of a play, peace and harmony restored in the wider world paralleled in a family unified, Zuko thinks.

Instead of a curtain closing, though, Katara throws her bowl, still half filled, at her father's head and leaves at a run.

Wordlessly, Sokka takes off after her, and Aang looks torn, mumbling something about checking on Appa.

Hakoda looks at Zuko, and winces. Zuko's hand goes for a sword he isn't wearing before he reminds himself that Katara's a powerful bender. She can win. She doesn't need him coming to her defense. Diplomacy's always worth a shot, though.

"She's just exhausted," he says, hoping that from him, it won't seem like a weak excuse. 

Hakoda tilts his head, matching the way Zuko has to tilt his to get a clear view, and the corner of his mouth twitches. "It's nothing I don't deserve," he says. "I'm not exactly winning a father of the year award."

The Prince of the--the Fire Lord Presumptive-- does not gape. So Zuko keeps his mouth closed, teeth gritted hard. "Children should still respect their fathers," he says, the lesson fighting past his façade of calm. "Chief Hakoda, how can you say you deserve that?"

The Chief of the Southern Water Tribe  shakes his head. "I abandoned my children when they needed me," he says. "I left Sokka with an impossible task and I left them, in my pride. Now that they're not terrified I'll die before they see me again, they can get that out of their systems. I understand it." He starts to clean the shards of pottery from the table, wincing as a splinter of ceramic sticks his finger. The bead of blood is bright against his weathered skin. 

"You were doing what was best for your people," Zuko says. 

"My children are as much my people as anyone else," Hakoda counters. "How can someone call themselves a leader if their own children can't count on them for protection?"

"You'd be surprised," Zuko says darkly, touching the rough edge of his scar. 

Hakoda looks confused, and Zuko realizes that he doesn't know. The story didn't reach as far as he'd always thought, but still...

"I spoke against my father's general," he says. "Nearly four years ago. This was the understanding he extended to me for my disrespect."

Hakoda drops the pile of shards he's managed to gather. "That's--"

"I don't need your pity," Zuko interrupts. "You should just know you're... better than you give yourself credit for." It feels like Uncle's words, but he says them anyways.

"I see." Hakoda says, thoughtful. "Well, Zuko. I can't say that I agree with you completely. My children don't owe me anything that I don't earn from them first. But I won't say that their situation and yours are... equal." He sits back a little on his cushion, shaking his head. "Perhaps I am father of the year, and what a sad thing that would be."

"They love you," Zuko says, jutting his chin towards the doorway Katara and Sokka fled through. 

"That's all I need," Hakoda says, gathering the dish again. 

[littlespacereader]

hi id love love love if you could do wanda!caregiver and a reader whos about 9-11 years old. reader has been really stressed due to school and processing trauma, and after a week of not attending, wanda persuades them into being a kiddo with her all day to relieve some stress :3 i have no nicknames i hate, but an absolute FAV is "angel."

I’ve never written for Wanda before!! I was so excited for the opportunity! I really hope you love this story as much as I did writing it! Enjoy!!💞💞

A Little Love From Mama🥣

Caregiver! Wanda Maximoff & GN Little! Reader

Tags- hurt and comfort, hugs, cuddles, forehead kisses, cooking together, drawing, small cameo of Vision at the end

There’s been a pit in Wanda’s stomach for weeks now. Slowly but surely she could see the stress and trauma eating away at her little one.

In and out of the Avengers tower they would go, giving a small quiet goodbye to Wanda and the rest before attending school. Then dragging themselves back home to the tower looking even worse than before.

She knew school had been their biggest stressor. Between the other students, the workload, and the social aspect of it all, it was taking a toll on their mental health.

Wanda didn’t want to push them or make things worse, but her motherly caregiver instincts couldn’t help herself. She made them lunch, giving them a small kiss on the forehead beofre they left and gave them a warm hug when they returned.

But even these small gestures didn’t help the inevitable.

Eventually they started missing classes, then missing days at school. At first Wanda wasn’t too worried, maybe they needed a mental health day just like some take sick days.

But that day turned to days that turned to a week. She knew she had to step in, she couldn’t hold back another minute.

The Avengers went on a mission abroad, leaving her the perfect opportunity for her to take care of Y/N alone.

A small soft knock to their door, “Y/N? Can I come in?”

Silence, then “I…*sniffle*…I thought you were on the mission?”

“I decided I didn’t want to go. Can I come in Angel?”

Angel, a nickname reserved for Y/N when they’re regressed. It holds a special meaning between the two of them.

It already seems to have taken its effect onto Y/N as they softly yet with a broken sob say, “Yes Mama.”

Wanda immediately enters the room to find, Y/N sitting on their bed, knees up to their chest, crying.

“Awww Angel come here,” she takes a seat on the bed and opens her arms to Y/N who gladly reciprocates.

Wanda wraps them in a tight hug, one arm holding them close and tightly against her, the other rubbing their back. All while Y/N cries in their arms.

“I know sweetheart I know, it’s been a lot recently hasn’t it?” She asks getting a small nod.

“You don’t need to worry about a thing right now. It’s time for Mama to take care of her sweet little Angel. Okay? Does that sound good to you?”

Y/N break apart but only slightly to look into Wanda’s eyes. There she can see the change immediately, now she’s got a Little in her arms. They nod their head, looking so desperately in need of some love and affection.

“There’s my sweet Angel.” She smiles, leaning forwards to places a soft kiss to their head.

“Let’s get you changed into some clean comfy clothes and then we’ll see what we’re going to do for the rest of the evening okay?”

Another small nod but this time accompanied with a smile. It’s been a long time since Wanda’s seen them smile.

Without even moving, using her powers she opened their closet and grabbed their favorite pair of pajamas, bringing it over to the two of them. She then helped them change. While she knew their headspace was older, she figured the extra comfort would be welcomed.

And welcomed it was. She ended it by brushing their hair and placing another kiss to their forehead for good measure. “There we are. All fresh and comfy.” She smiled back to them.

She stood from the bed and took their hand in hers, “Now how shall we spending our evening together?” She asks as they walking from Y/N’s room into the tower.

“We could play legos, we could play make believe, we could watch a movie and snuggle up together.” Wanda began listing options to help her little one.

“C-Could we…” Y/N started to say.

“What is it Angel?” She stopped and turned to them, carding a hand through their hair.

“Could we cook together?” Y/N suggested shyly.

Wanda’s face brighten up with the suggestion. “Of course we can Angel. I’d love to.”

They walking into the small kitchen together. Y/N took a seat and the barstool as Wanda rounded the counter, standing across from them.

“Now what dish would you like to cook chef?” She winked.

Y/N smiled, “Can we cook one of your family recipes?”

“Of course we can.” With the flick of her wrist pots and pans started flying out from the cabinets. Then the ingredients started to fly from the fridge.

“We’re going to make a Sokovian dish called Chicken Paprikash. So first I’m going to need you to help Mama cut the vegetables.”

A small cutting board and a plastic knife floated over to where Y/N was sitting on the barstool. “Now, I want you to be extra careful with the knife okay? It’s not that sharp but it could hurt my little Angel.”

“I promise I’ll be careful.” Y/N said, so happy to be helping out.

A green bell paper floats over to Y/N, landing on their cutting board. “Could you cut that up for Mama? I’ll get started on the chicken while you do.”

Y/N eagerly nodded and began working on cutting their bell pepper up. They worked in comfortable silence. Wanda humming a small song while Y/N focused on their work.

“Mama?”

“Yes?” Wanda lifted her head.

“Where’s Papa tonight?” Y/N asked about Vision.

“Papa went on the mission tonight. But I’m sure he will be back later to see his little Angel again. And won’t he be so surprised to learn that you made dinner!”

Y/N gasp and looks back at Wanda beyond excited. “We gotta save him a bowl!!”

“We definitely will. We can’t leave Papa out.” She smiles. Even though Vision couldn’t taste anything nor did he eat, it didn’t mean he wouldn’t appreciate the gesture.

Y/N helps put all the cut vegetables into the soup. Wanda floats over the lid, covering the soup and letting it simmer and cook.

“Now we have to let it cook on its own for a while. But, in the meantime, maybe we could play together or draw?”

“Draw!! Let’s draw something!” Y/N jumped from their seat.

“Go ahead and get your markers while I clean up. I’ll meet you there Angel.” Wanda explained as more things started to float.

After a couple of minutes, Wanda join Y/N at the table, coloring a picture together. Wanda praised every picture, promising to put it on the fridge.

Both of their head lifted to the sound of the timer going off. “The soup!” Y/N smiled.

“It’s all ready,” Wanda smiled back, “Clean off the table while I grab us a bowl.”

Y/N nodded, starting to put their markers and papers away. After they were all cleaned up, Wanda had returned with two bowls.

Together they sat at the table enjoying the meal they made together. With the first spoon full Wanda gasp, “Y/N, I think this is the best chicken Paprikash I’ve ever had!”

Y/N’s whole face lit up. “Really?!”

“Definitely! I couldn’t have made it any better myself. You’re truly a talented cook! You truly are a Maximoff.” She smiles back, seeing the Little beaming under the praise.

They enjoyed their meal together, sitting right beside one another, talking and laughing together. The worries and stresses of school long forgotten.

~~~

Vision returned back to the tower late at night. Quietly arriving off the elevator at his shared floor with Wanda and Y/N. The light were off so he assumed they had gone to bed.

That was…until he saw the television still playing in the living room.

He made his way over, to find Wanda and Y/N sound asleep cuddled on the couch together. The tv plays Y/N’s favorite cartoon, and mixed with the low lighting must’ve lulled the two to sleep.

Vision smiled at the sight, happy that Wanda was able to help Y/N. He grabbed their bowls of snacks and their drinks, bringing it back to the kitchen to help clean up while they slept.

He walked over to the fridge, seeing the outside now decorated with new drawings. He opened the door and inside sat a bowl of soup with a note:

Dear Papa,

I made this bowl of soup with Mama today! I saved this bowl especially for you!

Made with love,

- Y/N xoxoxo

[roaringroa]

just saw the most beautiful girl i’ve ever seen in my life like 10 minutes ago i am literally still shaking and i didn’t even interact with her

[star--nymph]

Vivienne's fear being 'becoming irrelevant' isn't something that's linked explicitly to her pride, no matter what Solas says about her (and the irony of Mr.Pride himself saying that should not be lost on you), it reveals what and who Vivienne truly is.

She's a survivalist.

Because we don't spend as much time in the Free Marches or Orlesian circles, we don't get to experience what being a mage is in these cultures. In Ferelden and Kirkwall, a mage is a lesser being without freedom no matter what they do--but in the Free Marches and Orlais specifically, mages are commodities that are given freedom so long as they play an entertaining enough role. They can explore the world if they have a noble patron, if they catch the right person's eye. They are, in a way, two sides of the same coin--refusing mages agency and forcing them to relay on higher powers. Vivienne lucked out, as sad as it is, when Bastion fell in love with her; she found someone who was contrarian enough to recognize her as a full person and also someone with power that could help her rise through the ranks. This is not to say that Vivienne on her own wasn't an exceedingly talented and intelligent individual--by nineteen she was already the youngest full fledged mage in Circle history and she was skilled enough to make herself an enchanter. But, I can not emphasize this enough, none of that matters if she didn't also play the Game and impress enough people.

Vivienne could have been the most brilliant mage in the history of Thedas and it means nothing if she was overlooked by nobility.

So when Bastion made her his mistress, she gained not just a lover but also a means to an end. Now she can use her magic to protect herself. Now she can roam where she wants and not be question for it because she's Madame Vivienne. Now, she can walk into the Orlasian court and belong there.

And what happens? Celene notices her and makes her the Court Enchanter, a position that has always been the equivalent of a jester. Vivienne took that title, ignored that it was essentially a glorified insult to who she is, and made it a position of power. She made the Court Enchanter into an advisor, a political rank. She had done the impossible and made mages an actual political entity in the Orlasian Court, something that wasn't seen outside of Tervinter (not counting what players can do under very specific conditions if they made mages in DAO and DA2).

All that, however, only continues as long as the court recognizes her as something worth their attention. Vivienne needs to maintain her act as Madame De Fer, The Lady of Iron, the Court Enchanter, The Jewel of the High Court, because the second she just becomes Vivienne, it's over for her. The assassins coming raining in, her name gets devoured by rumors and gossip, and she'll be found dead at bottom of the stair case with a dagger in her back if she's lucky.

So of course when the Circles fall apart during the Rebellion, she clings to that Loyalist Mages to maintain that structure--of course she moves her pieces to the Inquisition, knowing that if the Circle DOES fall, she at least as another place for herself and mages latch onto--of course when she hears that Celene replaced her with a new Court Enchanter that appeared out of no where, she grows to resent Morrigan.

Like, Morrigan literally pops up out of thin air, makes herself invaluable to Celene, and then plants herself in the place Vivienne had to claw her way up to and create so she could survive. Would you not be resentful when your life's work is usurped by some random witch of the wilds because she happened to charm the Empress? Everything Vivienne strived for all whisked away because the court find a gem who glimmers ever so slightly more than Vivienne.

So yes, Vivienne fears becoming irrelevant because the world has made it so that irrelevance for an Orlesian mage means death.

[bacchuschucklefuck]

the never stop blowing up vhs is where cute twinks go to get harmed

[moeblob]

Windy at my house + power flickering = no comm work = quick laptop doodle