#don’t really have any ships I dislike

[djungleskogs]

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[kayzero]

ohhhh, i only ship them with the protagonist because i have an issue separating myself from the perspective character. i don’t like them together necessarily, i just like Her and i think i’m Them. i gotcha.

[aroace-poly-show]

i think i’m finally experiencing having a ship i actively dislike and also its THE MOST POPULAR ONE

[hypaalicious]

My very first tier list: twst version

[artsy-dreamer]

…gonna answer that anon ask in the tags of this post

[onthecrescentofthehill]

it’s funny when ppl talk about the harpy omelet scene and say things like “why did he do all of that? he didn’t need to. JUST doing that for laios???” (seen these nearly verbatim on posts i’ve made.)

i don’t really get how you can hear his backstory & not understand that every decision he makes within the dungeon is fueled by a profound trauma borne out of horrific, structural negligence. of course he would do fucking anything to enact his plan? if he computes “getting in laios’s favor = proxy control of the dungeon” and he has very limited time to do so, he will jump at the chance. he’s already DIED for this.

kabru has maybe the clearest possible motivation that a character can have. he has a Protagonists Motivation, and it guides him forward in a very coherent way in the beginning of the story. things get more complicated in later acts that directly address how that motivation manifests itself/gets contradicted, bc ryoko kui is great at exploring this, but it’s still extremely present.

and as a labru fan i strongly dislike the implication i see from some ppl that his interest in laios is mostly personal or romantic (posts that range from pure joke to actual ship meta.) even when taking the “confession” at face value, where i think he was telling the truth, there’s still a lot more to it than that. i think at first kabru does see laios as a means to an end in a way that’s impersonal, partly because he tends to keep everyone in his life at arms length. but that “end” (preventing history from repeating itself) is something foundational to his psyche, and we should consider that potential sense of safety getting mixed in with his warring fascination/apprehension towards laios. he’s drawn to him for visceral reasons, and his stated motivations are so intertwined with his sense of self that untangling this push-pull is much more interesting than boilerplate Yearning, to me.

it’s just confusing when any meta or basic discussion of kabru diminishes the weight utaya has on his inner world and i’m really surprised every time i see it? like i understand that different types of meta will put other lenses on things intentionally, and in most cases i think it’s an interesting tool to work with. but it’s a massive disservice to his character to put the most foundational experience of his life on the back burner ESPECIALLY when it’s in favor of shipping. dissecting character relationships, romantic or otherwise, is at its best when you have their full personhood in mind!!

[river-of-wine]

I know I’ve mentioned this plenty of times before but I’m still kind of annoyed by how the fanbase just kind of completely declawed the four lords and placed the entirety of the responsibility for their wrongdoings on Mother Miranda.

The Baker family are great, I love them, they’re an incredible unit of antagonists who are intended to be very sympathetic, at least for the most part. Jack and Marguerite in particular have lost all control over their minds and their bodies, turning into extremely violent murderers and cannibals who threaten and attack their own family, kill anyone unfortunate enough to come across them and, especially in Marguerite’s case, lose complete autonomy over their own bodies. Marguerite turns into a walking bug hive who’s only purpose is to feed her family and birth her new children. Jack is an unstoppable murderous force of patriarchal violence who has so much fun chasing down and harming his victims, which in the Daughters DLC includes even his own daughter. The exception to this is obviously Lucas, who has been cured of his infection and his acting of his own free will. All of this is caused by Eveline, everything Jack and Marguerite do controlled by her, and yet Eveline is just as sympathetic as the rest of them. She’s a ten year old girl. Even Jack, who has watched his family and their victims suffer because of her infection, doesn’t seem to hold any of it against her. She just wants a family of her own, after all. It’s a complex and tragic situation.

The four lords, while I suppose being similar in structure, are not the Baker family. Not in dynamic, not in character, not in the kind of tragedy that they embody. I could talk for a while about just how completely different they are, but I don’t know if I really need to.

The Baker family are so tragic because they were just innocent bystanders trying to help a woman and a little girl they found in a shipwreck out in a storm. That’s the only reason they ended up in the situation that they were in. While the lords have similar origins, being victims of Mother Miranda’s experiments to bring her daughter Eva back, an important distinction between them is that in the case of the lords, all four of them are still acting of their own free will. Yes, Mother Miranda has undeniable power over them. She leads the cult they are part of, she has control over the village, she is their superior. However, I really dislike when every negative action by the lords is pushed onto her, as if the lords are not all grown adults who are for the most part acting independently of her.

With Alcina, she is the head of her own extremely brutal crimes. I think a lot of people have forgotten quite how horrifying the situations of the maidens are, possibly due to the prevalence shipping between Alcina and the maidens, and though we have minimal information what we do know is very frightening. Alcina uses her work force like livestock, draining them for their blood in a cellar full of horrific torture devices, and leaves their corpses to shamble around, armed and ready to attack any unwanted guests that have slipped out of the daughter’s clutches so that Alcina still doesn’t have to do her own dirty work, given how highly above everyone but Mother Miranda she appears to view herself as. While yes, Alcina does need human blood to survive, her methods are brutal, and none of this has been enforced upon her by Mother Miranda. Similarly to Jack on occasion, she takes a great deal of pleasure in hurting and attacking Ethan as he runs from her. Additionally, everything she does to Ethan is against Mother Miranda’s request. While yes, it is retaliation after he killed Bela, the part I often see people leave out is that Alcina is equally as upset that he entered her property and was attempting to steal from her, and she isn’t just after him to kill him.

Alcina has also been an active participant in aiding Mother Miranda with at least one experiment, considering that I’d how she got her daughters. While I’m sure her strong admiration for Mother Miranda and Mother Miranda’s power over her has absolutely had an affect in this, that’s not something I’ll deny, Alcina is still a grown woman and in her written entries about this shows no qualms about her participation in this. Her general attitude towards others, using young women as a good source and turning men into scarecrows, also leads me to believe that she does not exactly care who gets hurt or taken advantage of when it comes to her and Mother Miranda’s personal endeavours.

Donna and Moreau are the two more sympathetic people within the four lords, but they are not innocent. To start with Moreau, he’s desperate for Mother Miranda’s approval, as well as the other lords. He’s insecure and lonely, and he’s doing what he has been instructed by Mother Miranda when it comes to protecting the flask. However, he does also take quite a bit of joy in trapping Ethan in the reservoir and swimming after him with the intention to eat and kill him. Moreau though, given his conditions and circumstances, is the one I think is the least to blame for what he does.

Donna is hard to discuss because we know so little about her. Her parents are dead, as well as whoever Claudia was to her, she communicates through Angie and she can cause those who enter her house to hallucinate. According to Mother Miranda, Donna is severely mentally ill and that is what has made her an unfit vessel. I think a lot of people took this to mean that Donna is unaware of what she is doing, that the hallucinations she is showing Ethan are frightening, but after having been a fan of this game for years I just can’t agree with that anymore. Donna intentionally lures Ethan into her house with visions of his supposedly dead wife. Donna is going after fears she likely knows Ethan has, making him relive Mia’s death, take apart a mannequin of her, listen to her voice panic over something being horribly wrong with Rose, all building towards the horrifying baby that chases him through the house. There is no way Donna doesn’t understand how what she is showing Ethan is distressing, especially when you consider that, given how she can make herself appear and disappear at will within Ethan’s vision and that Angie is sitting in the hallways stationary and unspeaking, Donna was likely close by Ethan at all times and could see and hear his frightened reactions to what she was intentionally showing him.

Donna’s death is upsetting, but Ethan was not just chasing her down and killing her. Donna was attacking him, or at least she was controlling her dolls to do so. It’s still a hallucination, but Ethan doesn’t know that. When faced with a threat that is keeping you trapped and trying to end your life, you will likely try to get away or try to fight back, as Donna is doing to Ethan after he starts to attack her and Ethan is doing to Donna when he thinks his life is still in danger. I would also like to remind everybody that Donna communicates through Angie. What Angie is saying, that’s Donna. Angie doesn’t talk or move once she’s dead, it is Donna who controls her.

Lastly, Heisenberg. I think Heisenberg is the one of the four most entrenched in headcanons. Headcanons are fine, I am never in this post trying to suggest they aren’t, but my issue comes in when people use them to try and change the canon of the game. For example, it’s fine to believe that Heisenberg was experimented on by Mother Miranda as a child, but that isn’t canon. It’s fine to believe that Heisenberg mourned the deaths of his siblings, but that isn’t canon. The opposite is, with Heisenberg not viewing the cult as an actual family and being very openly mean to all three other lords, even Donna and Moreau who seemingly haven’t done anything to slight him. While his goal of killing another Miranda is a very understandable and sympathetic one given what she has done to him, using a six month old baby as a weapon and trying to bring her father into the mix only to try to get him killed when he denies him is not. I cannot overstate quite how little Heisenberg actually cared for Ethan and Rose’s safety when it came to his goal, and given that we are playing as Ethan, Rose is the priority.

Heisenberg has built an army of corpses he has presumably stolen and desecrated. This is kind of fucked up actually, and done completely independently of Mother Miranda. He also puts Ethan through a very dangerous lycan gauntlet before he even reaches the factory, which makes it even stranger to me that people seem to interpret Heisenberg’s deal as something that would have benefitted both him and Ethan and as if he ever had Ethan’s safety in mind.

All four of the lords have tragic aspects to them and there are definitely reasons to sympathise with all four. They’re victims of Mother Miranda, who knows they will all be killed. She wants them to be, giving her less to deal with by the time she has Eva back. They never meant anything to her. Not Alcina or Moreau, who were desperate for her attention. Not Donna, suffering from her unspecified but apparently severe mental illness. Not Heisenberg, who was seemingly her favourite creation. However, all of them are grown adults who do their own bad things independently of her.

And it’s fine to still like them. It’s fine for them to be your favourite character. It’s fine to have happy or nice headcanons about them or want to kiss them or be their friend or to want them to have survived. It’s fine to like characters who do shitty things. It’s to be expected in a game series like Resident Evil. It’s a horror game series. People are going to do bad things.

I just find it so boring when people take away all their bite. What makes a character like Lady Dimitrescu so fun it’s that she’s completely over the top. She’s campy and ridiculous, her castle layout makes no sense, she’s got three kids made of swarms of flies dressed like a set of goth triplets, she’s a lesbian who’s castle is full of naked statues of women, she turns into a big dragon and laughs maniacally while flying around and trying to eat you. She’s evil and it’s fun. It’s the same with Heisenberg. He’s a campy show off with a fun voice and a massive hammer he never actually uses. He can control metal. He looks like a cowboy. He pronounced Miranda in a funny way. He talks to you over an intercom while trying to get you killed. They’re fun and evil and they fight over who gets to kill Ethan like they’re two little kids. It’s absurd.

What makes a character like Donna so scary is that she’s silently working in the shadows, unassuming at a first glance and unseen for most of the time in her house. She is the least threatening of the four upon first glance, and yet she has undeniably the most frightening part of the game. Pretending as if Donna is completely unaware of what she is doing and babying her like she is an incapable child waters her down completely and takes away from the effectiveness of her character.

Villain characters are great! They’re very often the highlight of the story they are in, and they aren’t real! The four lords especially are often so completely exaggerated in what they do as well. It’s fine to like villains! It doesn’t make you bad! Characters can be bad people and you can still like them!

It’s just frustrating seeing a group of very fun and exciting villains, all designed with different aspects of horror, all over the top and campy and stupid and fun, all doing their own set of fucked up things, watered down to a set of poor innocent victims who have never done any wrong ever. If you want Jack and Marguerite, take Jack and Marguerite. Lady Dimitrescu loves killing and eating women and Karl Heisenberg turns corpses into soldiers. They’re bad people and they do comically exaggerated bad things. If you can’t stomach liking a character like that, horror is probably not the genre for you. Unless it’s Resident Evil 7, I suppose, but apparently tall women aren’t hot when it’s Marguerite Baker crawling on the walls.

[shy-writer-999]

hey friend! can i request a capital F FILTHY zoro x f!reader where they two of them are rivals/borderline enemies who fight all the time but after they both get a lil tipsy they end up hate fucking in the roughest most desperate way possible…

Ohhhh yes yes yes. YOUR WISH IS MY COMMAND, ANON. anything filthy and with zoro i’m down. brace yourself because this is nasty. you told me capital F FILTHY and i gave you FILTHIER. this turned into a ~2.9k word monstrosity. i read it through like twice so plz excuse any overused words or typos...

everyone say it with me, now: "hate sex! hate sex! hate sex!!!!"

---

You and Zoro butted heads since the day you got on the ship. Zoro thought his tiffs with Sanji were super fucking annoying—but Sanji had nothing on you. Not only did you have an annoying quip in response to everything he said, but he heard you actively shit talking him in front of his face multiple times. He despised you—everything about you. He hated how you mocked him, hated how cocky you were around him, hated the way you fought, your morals, the way you spoke to everyone BUT him; he couldn’t stand you.

The pair of you had almost gotten to blows multiple times, but he just couldn’t bring himself to hit you. He’d threaten you with his sword but never use it, even though he thought about it more than he would like to admit.

Your asinine remarks would replay in his head sometimes. “Zoro, the amount of effort you put into working out and being stoic is fucking pathetic. Lighten up for once. You’re fucking draining to be around.” Your tone was vile and pitiful. He saw red any time you said stuff like that.

“Zoro, another bottle of sake? Like you haven’t had enough to drink for a whole year? Fucking alcoholic.” You would smirk and condescend, and he’d try to send it back your way but he felt like the couldn’t twist the dagger the same way that you could.

“Shut up,” he would respond, agitated and cold. “Mind your fucking business and go nag someone else, woman. You’re insufferable.”

What was the most agitating thing about you being an asshole to him was that you did it while looking so good. He hated that. He would actively mull the fact over—you were gorgeous, but you had such a rotten personality, it couldn’t be helped. You fought like shit, treated him like a child, mocked him, derided him… And he did the same to you. But he felt his cock twinge any time you got close and nasty with him.

“Yeah, Zoro? Going to go sneak back to your hideout and drown yourself with sake before swinging your swords around? Fucking weirdo.”

Sometimes he would get really intense about it. He’d seethe with hatred and respond with such loathing that it was a wonder he didn’t do anything about it. “If you don’t leave me alone, I swear I’ll slit your throat.”

“Yeah, jackass? I’m sure you like to dream about that, but you’ll never be able to do it because you’re 1: a pussy and 2: I’m your crewmate, idiot.” Sometimes you’d tease him for having the hots for you (which you thought was false), and he’d get so flushed and angry that you thought he would light on fire.

One night, a group of the crew was drinking on deck. You, Zoro, Sanji, Nami, Robin, and Usopp. Everyone was a few cups (or bottles) deep, and what started in raucous laughter ended with people splitting up into small groups or going inside for some snacks.

You and Zoro were unfortunately sitting next to each other, much to your mutual dislike. An offhand comment from Zoro (he was speaking to Usopp) vaguely alluded to you being bad at wielding a sword. It set you off. Your head whipped in his direction. He must have been sitting a few feet away.

“What the fuck did you just say, Zoro?”

He rolled his eyes and waved his hand. “What’s it to you? Can’t you mind your own damn business?”

You bit your lip and shoved the crude and despicable rebuttal back in your throat—it wasn’t worth fighting with him again. You already had a spat earlier that day, which left you both livid. Sometimes you’d goad him into it for fun and games. The added benefit was that he would get even hotter when he was angry. Sure, his personality was shit, but when he sneered and snarled at you he looked damn good. You were in denial about how much his scowls turned you on, but you ignored it because you couldn’t stand the man. He was just an atrocious person all around, and you let him know that every second that you could.

After you heard the comment, you huffed, snatched your bottle up and stormed inside. You were about to smack the shit out of him. When you stood up, the alcohol hit you—you were definitely tipsy, perhaps that was contributing to how enraged you were.

You went into the galley and you were about to grab another bottle when the door opened. Those familiar, maddeningly heavy, swaggering footsteps padded towards you. Presumably, Zoro was coming to grab another bottle of sake. Like he fucking needs one, you scoffed to yourself.

“Oh, great.” He was scornful and sarcastic. “You gettin’ more? Can’t wait to see how annoying you get after this bottle.”

“Zoro, you’re on my last fucking nerve.” You turned around and he was a couple feet away, arms crossed. Something in his eyes looked different.

“Is that so? When am I not on your last nerve? You’re so fuckin’ sensitive, get a grip.”

You bit your tongue, trying to not say something foul. You failed.

“Zoro, I’m so sick of you. Your presence is literally unbearable. I can’t stand you, seriously, not right now. And oh, by the way, you’re a shit swordsman.”

You knew that last part would infuriate him. You wanted to get him riled up. It was a sick form of entertainment for you. And anytime you told him he was a shit swordsman he went ballistic.

“Do you ever shut your damn mouth!?” He stepped forward, his voice angry. He was uncomfortably close. You were leaning back on the counter, trying to create any distance you could between your face and his, but he had you caged in. He put a hand on the counter behind you.

“Always looking to start a fight, huh?” His tone was contemptuous and belittling. “You’re about to bite off more than you can chew.”

The closer he got, the hotter he looked. You hated him, but fuck, he was a sight for sore eyes. When he was up this close, you felt even more intoxicated than you already were.

“And what would that mean?” You stared into his eyes, deadpan and annoyed. You placed it now, you could see what about his eyes looked different—his eyes were ravenous. He looked like he was starving for something. More liquor? You hoped he was hungry for something else.

“You’ve got such a big mouth and you never stop running it.” He was practically growling.

Your heartbeat grew faster, and heat started to bloom between your legs. He was so hot when he was angry. That was part of the fun. Especially when his voice got like that.

“And what are you going to do about it?” You raised an eyebrow at him, and your eyes were deadly.

“Might have to shut you up somehow. Maybe you’ll shut the fuck up if my cock is shoved down your throat.”

You actually laughed. “Oh, what is it? Like three inches?”

He drew his face closer to yours. The hand that wasn’t bracing himself on the counter came to squeeze one of your hips so hard that it hurt.

“I’m about to fuck you so hard I break you. You’d like that, wouldn’t you? Fucking slut.” He murmured, his voice deep and hushed.

Your eyes were locked, eye contact blistering. He was staring into you so hard you thought he’d leave a burn mark on your irises.

“You’re an idiot, Zoro. Are you being serious? You’d cum all over yourself before you even got close to fucking me.”

“Mmmm, we’ll see about that.” He purred. You were speechless, your brain trying and failing to come up with something to throw back at him. It was short circuiting because he just said he wanted to fuck you.

In the moment that you were searching for an answer, his lips crashed into yours. His grip on your hip tightened; it was going to leave a bruise. As your bodies pressed together, you noticed his hard on rutting into you slowly.

The kisses were haphazard and sloppy, teeth knocking. He bit your lip so hard you almost yelped. A hand snuck up to grab a fistful of your hair and he pulled it so tight it’s a wonder he didn’t rip out a huge clump of it.

“You’re fucking useless.” He pulled away from you, murmuring in a husky tone centimeters away from your lips. “You talk all that shit but I know you want me to fuck you. Probably wanted it the whole time.”

“Shut up, Zoro.” You would have enjoyed every second of this if he just shut his trap.

He pushed you up so you were sitting on the counter. Sucking harshly on your neck, he bit it so hard you thought it would bleed. You let out a muffled whine in surprise.

“Are you already getting worked up and I’ve barely touched you?” His voice was poisonous.

“Holy shit, shut up, Zoro.”

“Say that one more time and I’ll put my cock in you.”

You doubled down. You hoped he was serious. “I said, shut the fuck up, Zoro.”

He let go of your hair and hips and proceeded to rip your pants and panties off in one go. He almost shredded the seams. He took in the sight for a moment.

Your eyes were bathed in lust, your breaths shallow and quick already. Your shirt rode up and your nipples were hard.

His fingers wandered to your now bare cunt and he let out a chuckle.

“You’re so fucking wet already. I know you’re going to take it all for me because you’re fucking desperate. Is that right?”

Your mouth went dry and you did the most miniscule of nods. You didn’t want him to know how badly you needed him.

He slid two thick fingers into your entrance then started to finger fuck you. Your walls tightened and pulsed around him, getting adjusted. Pushing them apart, his fingers roamed and prodded. It felt so good that you had to bite your lip to keep the moans back. You didn’t want to give him the satisfaction.

“You’ve been craving my cock this whole time like a depraved, touch-starved slut, haven’t you?”

His other hand grabbed a painful fist of your ass and then crept up to squeeze your throat. You let out a barely audible whimper and he felt his cock twitch.

You tried to squeak out words and you were barely successful. “You’re—the one—who’s hard—right now, Zoro.”

It was a lame comeback, but it drove him crazy. “Use your fucking mouth one more time and I’m going to stuff you so full you can’t talk.”

His fingers found your g-spot and pressed on it forcefully. You choked out a breathy “fuck you, Zoro,” and he went still.

“What was that?” His hand around your throat tightened. “Did you not hear what I just said, or are you fucking stupid?”

His fingers started to move twice as fast, and you squirmed. When he could tell you were about to orgasm, he pulled them out.  

He freed his cock from his pants and fisted it lazily for a moment before lining it up with your entrance. “You want this, don’t you? You ran your fat mouth too much, now I’m going to fuck the attitude out of you. Say I’m a shit swordsman one more time and I’ll choke the air out of you until you see stars, then I’ll stuff you full of my cock. But you’d probably like that. Fucking slut.”

“You’re—a fucking—shit—swordsman” you tried to get the words out as his fist squeezed your throat. You couldn’t breathe and you were so aroused that it was hard to focus.

He pushed his cock into your folds and through your slit, entering you inches at a time. You started seeing stars, as promised, and you could only focus on his vice grip around your throat and the sensation of his huge girthy cock stretching you out. He let go of your throat for a moment before bottoming out, and when his tip kissed your cervix he groaned.

“Just look at you. Drooling for my cock, you’re worthless.”

He leaned in so your foreheads touched and pulled out of you agonizingly slow.

“You want more? You want me to fuck you?”

You just looked at him, pouting. You didn’t want to admit it. But you wanted it, and you wanted it BAD. You nodded again and he plunged back into you forcefully. A wet squelching noise sounded into the room when he bottomed out again.

Zoro grinded his hips just enough so he could fuck you deep inside.

“What, the back talk stops the second I put my cock in you?”

You hissed air in through your teeth. “Fuck you, Zoro.”

His jaw dropped for a second and he lost composure, but he kept moving his hips all the same. “What was that?”

“I said fuck you.” You were glaring up at him petulantly.

He pulled his cock out completely and you gasped at the feeling of emptiness.

“Okay, if you hate me so much then I’ll just stop. Is that what you want?”

You could only shit talk for so long before the pleasure started to take over your mind in a haze. All that you knew now was that Zoro was saying dirty things to you and he just took his cock out. That was unacceptable, at this point.

“Zoro.” You whined. “Put it back.”

“Awh, you want me to put it back in?” He feigned pity while you nodded eagerly, throwing all dignity out of the window.

“If you want it that bad, then you need to beg for it like the pathetic little slut you are.”

Your cheeks smarted with blush. You couldn’t believe that you were about to beg for his dick, but you needed it so fucking bad you couldn’t hold back.

“Fuck. Please Zoro. Please keep fucking me.”

Now that he was getting carried away, he wanted to be cruel. You did have a habit of running your mouth, and he wanted to punish you for it.

“Hmm. That’s not quite good enough. If you really want it, say my name. Say my name and I’ll fuck you.”

“Zoro.” You pleaded, your voice strained. He snuck a hand back in your hair and pulled your hair so hard it hurt.

“No. I said, say my name.”

“Roronoa Zoro. Please. I need it.”

“Louder.”

“Roronoa Zoro. P-please.”

“That’s what I thought.”

He pressed his cock into you again with a groan. One hand was gripping your hip, and he moved the other down to rub circles over your clit. Your hips bucked.

You started to let out moans with reckless abandon—you needed it harder, faster, deeper, anything that he could possibly do with his cock, you needed it. The noises melted in his ear, but he was worried that someone would hear, so he kissed you. It actually felt tender at times—if you weren’t lost in pleasure, you’d have been able to feel his thumb rubbing a circle on your cheek. What was up with that?

Between his kisses, he said something filthier with each thrust. “Tell me how good it feels.”

“Fuck, Zoro. Feels so good. Your cock—feels so fucking good.”

His shaft and tip dragged over your g-spot countless times. Each time your moans got louder and the mess you were making on Zoro’s cock got juicier.

“Zoro, ‘m gonna cum.” You were at your wits end.

“That’s it, baby, cum on my cock. Cum for me. Just for me.”

That was all you needed to hear before you started to squirm and writhe with pleasure. Your fingers dug into his shoulders and your eyes rolled back in your head—it was that good. He fucked you through your orgasm and then pulled out to cum on your stomach. He wanted to cum inside, but he figured he’d save that for next time (if you were nice enough to let him).

Moments later, while he got you cleaned up, he admired how flushed you were and how lidded your eyes were with satisfaction.

“Baby, huh?” You giggled.

“What?” Zoro was puzzled.

“You called me baby.”

He turned crimson. “You heard me wrong, blockhead.”

“Mmmhmmm, sure. Now help me put my pants on. There’s no way I can walk after that, baby.”

He was speechless. He knew you were teasing him, but he liked it. Enemies to lovers, much?

You found out later that no one walked into the kitchen while you were fucking because Sanji almost went inside and got quite the eyeful through the mini window on the door. He almost puked at the sight then promptly told everyone “no one go in the galley because the two boneheads are doing something disgusting.”

[starcurtain]

I wish everyone collectively understood aventurine’s character like you…things would be so much easier! I genuinely don’t understand how people keep getting his motivations wrong??? Could it be because some of the most popular Aven fanfics were written prior to his release? That could have contributed to some of the takes we tend to see about him…thoughts?

I struggled all day to come up with a concise way to answer this and couldn't think of one, so here, have a long-winded ramble:

I don't think early fic writers have much impact in the situation with Aventurine's character now, since most people can look at when a story was posted and go "Oh, this was before we had ____ information."

I think that Aventurine's problem is being a male character in a gacha game. Gacha game characters are designed to sell. Hoyo can sell female characters very, very easily. Give her huge tits and a visible underwear strap and you're good to go. I love all my guy friends, but I'm not gonna sugarcoat it: straight men are not the hardest audience to please. Hit a particular fetish (feet, spandex, dommy mommy), and you're gucci.

Nah, we all know why Jade's trailer is Like That.™

Male characters in gacha are harder to sell because women as consumers are a little harder to predict. Does every woman want a tall, ripped hunk? Shit, no, small cute boyish models like Aventurine are selling better now? Why?! Would a bad boy be more popular than a nice guy??? It's harder to account for women's tastes, especially because they are often (a little) less visually-oriented.

Hoyo is good at what they do though, and they've figured out that male characters sell very well when they possess at least one of two specific traits:

Endearing vulnerability/helplessness

Gay ship tease

Give a character both, like Aventurine? They might as well be printing money.

That sound you hear is Hoyo's stock prices rising.

So, from the very beginning, Hoyo is incentivized to create a character that appeals to people, a character people will want to crack their wallets open for. And they achieved this, first and foremost, by giving Aventurine traits that female players (in particular, but men too), find especially appealing: emotional and physical vulnerability.

We see Aventurine's pain. We sympathize with his grief. We identify with his struggle to make meaning of his difficult life. He's our woobie, blorbo, babygirl, whatever the hell they're calling it now.

He can't hide his suffering anymore. He's on the very edge. He's a dude in distress. He's surrounded by enemies! He misses his mama! He's been betrayed! No one understands him like you do, dear player!

The ultimate feeling evoked is: He needs to be saved.

When people talk about male power fantasies, I think they forget that women can experience them too, and "Emotionally vulnerable man that only I (or my favorite character) can fix" is actually a female power fantasy.

And from there it's really easy, right: the people who shell out cash to buy warps for their harmed-husbando feel like they've saved him; the people who are into mlm ships look for the nearest hot dude to be the savior Ratio was waiting for his time lol.

Morally and intellectually, this type of deep-down-golden-hearted, emotionally-wounded male character is very easy to digest. There is nothing to dislike about this type of character or role in the story: this character is a good guy who has just gone through so many terrible situations, whose victim status makes him endearing, and whose lack of agency means that any of the questionable or downright bad things he does are always the result of someone else forcing his hand, and never something he would have chosen himself.

His motivations are always clear and consistent: get free, heal, and live happily ever after.

Insert the Wreck-It Ralph meme: "Do people assume all your problems got solved when a big strong man showed up?" But to be fair, a big strong man did kind of solve Aventurine's problem, so--

Anyway, it's simple. It's straightforward. Morally, it's pretty cut and dry, black and white: Aventurine is our hero, which means everyone dictating the course of his miserable life is evil.

Hoyo is not remotely discouraging people from literally buying into this emotional appeal.

And trust me, I get it. I'll be the first to admit that hurt-comfort is its own entire genre in fandom because it is so appealing. People eat up Aventurine's tragic backstory like candy! The idea of watching a character go through hell at the hands of bad guys just to finally find a happy end is like the definition of everyone's favorite story.

In fact... people love Aventurine's suffering so much, they have invented whole new ways for him to suffer that aren't even in the game.

This is where we get all the headcanons that Aventurine was a sex slave, every single person he meets hates him because of his race, the Stonehearts are executioners holding knives to his throat, Jade enslaved him to the IPC with a lifelong contract, his material possessions belong to the company, the IPC is forcing him to take only the most dangerous missions where he is being required by his evil jailers to continually put his life on the line... You name it and I promise you, I can find a fanfic where Aventurine suffers from it. 😂

Bro can't even sleep in on his day off; life is so hard for this man.

Being serious: if the game is telling us that Aventurine is a victim... Why not make him the perfect victim?

Why not envision an Aventurine with no freedom, who bears no responsibility for any of the horrible situations he is in or any of the dubious things he does?

It's so natural to like that version of Aventurine, so appealing to see a totally powerless underdog use his own wits and charms to claw his way up to freedom. Or, if you're the kind who really relishes angst: It's even appealing to see Aventurine lose more. To delight in fics where he loses his wealth, where the IPC punishes him for past crimes while he's powerless to stop them... (I assure you, this is many people's cup of tea and the fanfics prove it!)

Ultimately, there's nothing wrong with liking characters who are exactly this straightforward! It's completely fine to embrace characters that are intentionally written to be morally above-board, whose primary role in the story is to generate angst by being a good person who suffers, or those characters who never show unlikable traits, bad decisions, or contradictory actions.

The problem is that that's just not who the game is telling us Aventurine is.

Hoyo may be capitalizing off people who love to envision poor Aventurine still living his life as a slave... But the game also needs to tell a complicated enough story overall to appeal to people who don't care about this specific husbando--Aventurine's role in the actual game's plot has to be interesting enough for almost everyone to appreciate it, not just Aventurine's simp squad. (Don't get mad, I'm in the simp squad with you.)

So his character doesn't stop at just being a pure-hearted victim who is still waiting to be saved.

Aventurine is not that easy to label, and I think the biggest struggle in this character's fandom right now is between people who prefer the even-more-angsty, still-a-slave Aventurine versus people who want a morally grey, self-destructive character instead.

To me personally, while I greatly understand the appeal of fanon!Aventurine and the joy of a really juicy angst fic where characters lose it all, I think that missing out on the depth that canon is suggesting would be a real loss on the fandom's part.

The character motivations that Aventurine shows in the game are complicated. They cancel each other out. They're basically self-harm! He makes almost every situation he's in worse for himself--on purpose.

He is a good person, but also a person who has done unspeakable things. He does have morals, but he's not above allowing those who don't have them to use him to their advantage.

He's both the victim and the victor. He's his own worst enemy. He's a lost little boy who's been making terrible decisions for himself since he was like eight years old, and a grown ass man who is barely managing to fake his way through an existence that destiny is not letting him quit.

This kind of character is a lot harder to embrace. He's done things that most people would find appalling--like willingly joining up with the organization that let his entire race be massacred. He's invented a whole new peacock persona to frivolously flaunt riches he doesn't even care about (Poison Dart Frog Self-Defense 101). He actively plays into racist stereotypes about his people to manipulate others through their preconceived expectations. He's made a mockery of his mother's and sister's hopes and dreams by endlessly trying to throw his own life away.

He has flaws! He bet everything he had on a ploy without doing his homework to find out if the people he was risking his life for were even still around. (Maybe he already knew, and couldn't bear to admit it, even to himself.) He's intentionally off-putting and obnoxious to everyone he meets (Poison Dart Frog Self-Defense 102). He terrifies everyone who gets close to him by (seemingly) carelessly throwing himself into the jaws of death without the slightest provocation.

He knowingly allows the IPC to exploit his power and talents for profit. Did everyone forget that his role in the Strategic Investment Department is asset liquidation?! Like, his actual day-to-day job is ruining people's lives. Canonically, Aventurine kills people when his deals go bad.

His motivations change off-screen in two lines of story text. We're told in one line that his biggest reason for joining the IPC was to make money to save the Avgin, then in the next line we find out that's impossible. And... then what? What motivations does he even have now? The whole point of his character arc from 2.0-2.1 is that he was on the edge of giving in to utter despair and nihilism because he couldn't even perceive a single reason to stay alive. He has no purpose in life before Penacony, and that didn't start with the Stonehearts at all??

People keep saying Aventurine was held in the IPC by golden handcuffs, but how do you tie down someone for whom profit is meaningless? What can you offer to a man whose only desire is to bring back something already lost forever? How do you imprison someone whose only definition of freedom is, canonically, death?

Working for the Stonehearts is obviously not healthy. But that's why Aventurine was doing it--because taking dangerous missions allowed him to put himself at risk. The job that he originally pursued hoping to save his people became a direct means to self-harm, and the IPC's only real role in that was just happily profiting off the results.

The journal entries for Aventurine's quests are there deliberately to tell the player what is on his mind, and none of it has to do with escaping from his job:

Like... Work is the least of this man's problems.

At really the risk of rambling on too long now, he's also just a massive walking contradiction:

Aventurine is among the most explicitly religious characters in the game, yet he's one of the only people in the entire game that we have ever seen actively question his people's aeon.

You might be tempted to think Aventurine's risky gambles with his life as an adult are a result of giving up after finding out about the Avgin massacre... Butttt no, Hoyo makes sure to tell us that even at knee-high in the Sigonian desert, Kakavasha was already willing to risk himself in a fight to the death against monsters because even back then he found his own life to have less value than a single memento.

He's the "chosen one" who will lead his people to prosperity... except they're all dead.

He's explicitly suicidal... andddd also a pathstrider of Preservation.

He wants to die... He doesn't want to die. He wants to make it end, yet goes to staggering lengths to continually survive. (Every plan risks his life on purpose--but every plan's win condition is also to live.) He life is the chip tossed down, but his hand is trembling beneath the table. When faced with an otherwise unsurvivable situation, Aventurine literally became a winner of the Hunger Games. He beat other innocent people to death with his own chain-bound hands just to come out alive.

He knows the IPC failed the Avgin and left them to die... and he still willingly sought out a position of power in their organization. Maybe he really is after revenge... but maybe not.

He starts his journey in the IPC with a truly noble goal in mind: to help his people using his newfound wealth and power. He's a good guy who did genuinely want to save the Avgin and repay all those who helped him. But once it became clear he was too late, once it was obvious he would have no use at all for that monetary wealth and power he risked his life to get... What did he do with it? Unlike Jade, we don't see him over here donating to orphanages. (I'm not that heartless; I'm sure he does actually do a lot of good things with his money on the side, but the point is that the game does not show us that--it shows us, over and over again, Aventurine putting on a wasteful, over-indulgent persona toward wealth. We've supposed to feel how meaningless money is to him, how meaningless everything is becoming to him.)

He outright refuses to use underhanded tactics or to cheat at gambles, which is meant to show us that's he's more morally upright than his coworkers. There's an entire exchange where he says that he'll never stoop to using manipulation the way Opal does. But... he doesn't have any issue fulfilling Opal's exact agenda. He was never remotely morally conflicted about denying the Penaconians their freedom by dragging Penacony back under IPC control.

He's willing to risk his own life, which is one thing--but he's also willing to risk other people's well-being. Topaz accuses him of constantly egging their clients on into dangerous situations; we've actively seen him shove a gun into Ratio's hands and pull the trigger with no care for how Ratio would feel about that on their very first meeting... Dragging the Astral Express crew into the entire Penacony plan in the first place was exceedingly dangerous...

To me, I just think it's vital to understand his character through the lens of these contradictions because they demonstrate the extreme polarity of Aventurine's life: from rags to riches, from powerless to empowered by multiple aeons, from willing to kill to survive to killing himself... He has quite literally lived a life of "all or nothing," and while he is the victim of many terrible situations out of his control, his arc as a character involves facing the truth of himself and the future his own actions are hurtling him toward.

Frankly, the Aventurine that canon is suggesting is a little annoying. You want to grab him by the shoulders, shake him, and say "Why are you like this?!" And he won't even have an answer for you, because he doesn't even know why he's still alive.

In the end, to me, this is so, so much more interesting. I can read an endless supply of hurt-comfort fics where Aventurine escapes the evil IPC and Ratio is there to fill the void in his life with the power of love and catcakes and be a perfectly happy clam online, but I want canon to continue to serve us this incredible mess of a man who constantly takes one step forward and two steps back.

Who is fully aware of his role as a cog in the grotesque profit-wheel of cosmic capitalism and still manages to say he never changed from the rags-wearing desert rat of the Sigonian wastes.

Who over and over again flirts with nihility but, ultimately, even if he has to wrest it from the grip of the gods themselves with bloody, chain-bound hands, chooses life.

[justmediocrewriting]

“You’re not that dumb, are you?” {v.s}

Summary: Sanji seriously can’t figure what it is he had done to offend you or make you dislike him, but he’s sure he had to of done something; you avoid him like the plague, and if Sanji doesn’t figure out why soon, he’s going to spontaneously combust right there in the galley.

Or: the one in which Sanji is completely oblivious to the crush you have on him, until he isn’t.

Genre: fluff

Requested: ❌

Word Count: 2.5k

Pairing: Sanji x fem!reader

Warnings: reader is afab, she/her pronouns, use of (y/n)

A/n: so this cute little idea was tickling in the back of my head because i have this headcanon that even though Sanji is the worlds biggest flirt and a major lover of women, he genuinely can not tell when a woman actually has a crush on him, and thus this was born lol. I hope you all enjoy! And don’t forget to leave a like if you did, and don’t be shy to send in a req if you like the way I write! ❤️

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

It had been occurring for weeks, and if he were being honest, Sanji truly felt as if he were going absolutely crazy.

Sanji was not a perfect human being; he knew this, and he was all too aware of his own flaws — but he didn’t believe he was a bad person. On the contrary, he felt he was more likable than he was dislikable, and the crew for the most part seemed to share his same opinion.

Except for you.

Sanji didn’t know what it was about him that bothered you, but there had to be something there, considering the fact that you went out of your way to ensure you would never end up in a position in which you were to be alone with him, and whenever he was around, you avoided his eyes, and his attempts at conversation were generally ignored — it was quite irksome, and the smug little smirks Zoro sent his way any time it happened definitely didn’t help.

At first, Sanji thought perhaps it wasn’t him, but you. Upon first meeting he noticed the rather shy disposition you possessed, so in the beginning, Sanji just chalked your avoidance of him up to nervousness and the need to settle in. But as time went on, Sanji observed you — Sanji was always observing, mentally clocking the conditions and stability of his crewmates — and his gut twisted when he noticed you growing warmer to every other crewmate except him; you even seemed to be comfortable with Zoro, now.

Sanji tried his best to not let this fact affect him, and he instead tried to compartmentalize and break down the reasons as to why before automatically jumping to any unpleasant conclusions; perhaps you had warmed up to the others faster simply due to exposure. When Sanji had landed on that particular conclusion, he decided the best course of action to take would be to ease into a closer bond with you.

His attempt at that had quickly gone awry; the ship had docked at a small island, one fairly well known for its bountiful fruit and vegetable harvests, and Sanji was set on making a list of the crew’s current food stores, but when he’d entered the galley and noticed you — just you, without Usopp or Nami flanking you as he’d grown accustomed to seeing — his initial task had been swept away to be replaced by another.

You hadn’t yet noticed his presence, as your nose was pointed down and buried in a rather thick looking book, one hand wrapped delicately around a mug resting on the hanging table, and Sanji couldn’t refrain from taking the chance to really look at you.

Your hair was pulled up into a messy bun atop your head, a few stray locks falling from the hold of your hair tie and framing the delicate features of your face, and Sanji’s heart stuttered in his chest at the way your soft lips mouthed the words of the book as you read. Sanji knew you were attractive, had thought so since the first time he’d laid eyes on you, but with your near constant avoidance of him, it was difficult for him to be able to take any time to map your features; and Sanji was feeling eternally grateful that he was given the opportunity, and part of him didn’t want to announce his presence, because he had the sinking feeling that once you noticed him, you’d be flying out of the galley at mach ten.

But that was also another problem that Sanji was dead set on rectifying, so he pushed away any unpleasant feelings and decided to announce his presence in a way that wasn’t overly shocking — but he had underestimated your level of skittishness, and the moment in which he decided to clear his throat was the exact same moment in which you’d decided to take a sip from your mug, with which held steaming liquid within.

The instant the sound left his throat you jumped, your head snapped up and you lost your grip on the mug — leading it to falling into your lap, the contents spilling over your front and your thighs. Sanji’s heart froze inside his chest as a loud hiss escaped your lips and you slammed your knee into the bottom of the table in a frenzied scramble. Your beautiful face contorted into an expression of pain, and before Sanji could even think twice about it his body was moving, propelling him to your side in an instant.

“I’m so sorry, love, are you okay?” Sanji pushed out, hand flashing forward to grab your arm and pull it gently out of the way so he could examine the damage. Sanji winced as he noticed your legs were bare, the skin at the top an ugly shade of irritated red, and worry lanced through his gut. Tugging on your arm gently, Sanji coaxed you out of your seat.

“Come on, let’s get to the sink. We need to cool the skin before it scalds.” Sanji would have been surprised when you quietly let him lead you from the table to the counter if it weren’t for the sheer panic he was feeling. Twisting the cold tap hurriedly Sanji ripped the towel from the cabinet handle just below the sink and shoved it beneath the stream, thoroughly wetting it then ringing it out slightly before moving to place it against the burns —

Sanji nearly winced at the resounding slap that split through the galley when you smacked his hand away. Without much to offer in explanation you ripped the wet towel away from his hand and it suddenly dawned on him — he was about to place his hand in a spot that was highly inappropriate, even if the intentions were caring in nature. Sanji flushed and despite the situation, his eyes roved over your plush thighs in a way that was starkly opposite than checking damage. Feeling utterly disappointed in himself, Sanji parted his lips to apologize, but you beat him to it.

“Ah, I’m sorry.” You said softy, avoiding his eyes. “T-thanks, Sanji, but I’ve got it from here.”

Sanji barely had the time to register your words (he was still frozen from the absolute beauty that was your voice speaking directly to him, saying his name) before you were scurrying away, water dripping a small path from the sink to the door out of the galley.

{{================================}}

Days had passed since the incident in the galley, and you hadn’t uttered a word to Sanji since — you didn’t even really look in his direction, and when he’d come to return your book to you and ask how you were doing, you only gave him one seldom nod and then snatched your book away before slamming the door in his face.

Only this time, Sanji couldn’t really blame you.

Of course, there was no way you could have known of the brief indecency he’d given you, but the fact that he’d startled you enough to cause you to burn yourself was enough of a reason to be angry at him, in his opinion — but his understanding of the situation didn’t make it any less irritating.

Only now, he was irritated for a different reason.

Sanji felt as though hearing his name on your lips was like taking a hit of a strong drug; ever since he had experienced it, he just wanted more. Sanji wanted to hear you speak to him, not just around him; he wanted you to converse with him, to tell him all the things that you’d already told everyone else about yourself, and, selfishly, he wanted you to tell him more — to tell him things that you’d never revealed to anyone, not even Usopp or Nami.

Sanji wanted to look into your eyes and commit them to memory, so that he could see the vibrancy of them even when he closed his own. He wanted to watch the way your lips formed words, and he wanted to hear that delicate laugh bubble from your throat because of him — and that was the crutch of it all.

Sanji wanted all of this for himself.

He wanted all of it because of himself.

And Sanji knew it was selfish, knew it was immature, because he also knew why he wanted all of this; it was because he had been deprived of it for so long.

And wasn’t that such a childish way to look at it?

Sanji couldn’t help but compare himself to a toddler being jealous of another’s toy — any time he watched you swapping words and laughs with someone else, even Nami, Sanji would feel envy bubbling beneath his skin, scratching his brain to try and figure out why you’d felt him undeserving of your time and attention. It sounded truly vain, if he was being honest.

But Sanji just couldn’t help it.

Something about you was drawing him in, making him itch for more, for anything, even the smallest morsel of attention or acknowledgement.

Sanji just needed to talk to you, or something. Get to the bottom of whatever it was — maybe if you could both put it to bed, these annoying desires would fade away.

“That fish personally insult you, or something?”

Sanji’s head snapped up at the sound of Nami’s voice, lips opening but no words slipping past them.

Nami rolled her eyes and gestured to the still intact fish resting on the cutting board. “You’ve just been glaring at it.”

Sanji’s eyes widened and his cheeks felt warm. He hadn’t even realized he had been so distracted that he hadn’t begun his lunch preparations. Recovering, Sanji sent Nami a small smile and quickly grasped the cutting knife to start in on the beheading and skinning. From his periphery he noticed Nami giving him a strange stare, and he was more than prepared for it when she asked him if he was okay.

“I’m fine, love, don’t worry about me.”

Nami scoffed as if she didn’t believe him but to his relief she didn’t pester; instead she thunked her ink pen once on the table before repositioning it to draw on her chart once more — Sanji wasn’t sure how he could explain what was distracting him without it coming off as too accusatory or abrasive.

But hell if he wouldn’t try.

“Say, you’re pretty close with (Y/N).” Sanji started, not looking up from his handiwork. He heard more than saw Nami lean back against the couch, and he could only picture that she had her arms crossed over her ribs.

“I am, I suppose. Why?”

Sanji bit his lip in thought, wondering if he should just drop the whole conversation before he could take it to the point of no return, but he needed to know; he needed to understand what it was he’d done or said to make you hate him. And if you’d told anyone why, he imagined it would be Nami.

“It’s just… does she hate me, or somethin’?”

Now Sanji couldn’t refrain from looking at Nami, bashfulness be damned. He needed to see Nami’s eyes, so that he could know if whatever her response was would be genuine. What he didn’t expect, though, was for Nami’s eyes to widen comically, nor did he expect her to double over with laughter. It took a few seconds for her to catch her breath, and when she did, she gave him the most vibrant, teasing smile he’d ever seen grace her face. Sanji would be stunned by the beauty of it if he wasn’t so confused by her reaction.

“You’re not that dumb, are you?”

Sanji thought himself akin to a fish when all he could do was flap his lips at her wordlessly, brows furrowing to the point he worried they might stick. Sanji didn’t know what to say to that; was Nami being rhetorical or serious?

“Look, Sanji, she doesn’t hate you.” Nami finally recessed, but the mirthful amusement was still evident in her tone. Sanji wet his bottom lip, relief warring with confusion in the pit of his mind.

“But she avoids me. She won’t even look at me.”

“She looks at you a lot. You just don’t see it.”

Sanji was once again rendered speechless — a part of him wondered if Nami was simply pulling his leg, or if she knew something he didn’t; something she clearly thought should be obvious, if the look on her face was anything to go by.

Nami heaved a great sigh and gathered up her chart and pens, along with her other various navigation gear, and tucked it into her rucksack before rising from the couch. Resting her hands against the counter she leaned forward, the tease in her eyes making Sanji do the same, not even noticing when the tip of his tie grazed the slimy flesh of the fish.

“For a ladies man, you sure don’t know much about them. You should remember that there’s more than one reason that a person may avoid another.” Nami whispered, and with barely a glance back she breezed swiftly from the galley, leaving Sanji more confused and fuddled than ever before.

{{================================}}

For the rest of the evening, Sanji continued to toss and turn Nami’s words around in his head; but no matter how much he picked and pulled at them, dissected them and put them back together, he just couldn’t figure it out.

Surely Nami didn’t mean for her words to be as cryptic as they were. Nami wasn’t one to be cryptic; she was blunt and upfront, and unashamed or frightened to speak her mind — it was one of the many traits that Sanji admired in her.

Throughout your time with the crew, Sanji noticed that you were similar to Nami in that respect — you weren’t afraid to put in your own input on certain situations or decisions, and most of the time, your input was quite enlightening and helpful. You also weren’t scared to fight for your own beliefs, even if it meant engaging in a verbal altercation with one of your friends. Outspoken and vibrant with pretty much everyone on the crew, you were, and it was something Sanji found very attractive and annoying at the same time — because you weren’t nearly that strong around him, had never gotten in an altercation with him, choosing instead to avoid him.

Nami said you didn’t hate him — but why else would you avoid him, avoid eye contact, refuse to be alone with him? Why else would your face flush any time you met his eyes accidentally? Why else would you stare at him in secret instead of approaching him?

Sanji promptly dropped the whisk into the bowl of pancake batter, because oh —

Oh.

There’s more than one reason that a person may avoid another.

Oh. Shit.

The blushing, the avoiding, the staring in secret… it wasn’t because you hated him — it was because you liked him.

A smile broke on Sanji’s lips and he pulled the whisk out delicately with the tips of his fingers, a warm, fluttery feeling erupting in his chest.

Sanji would have to thank Nami later.

[tommykinard6]

Buddie fans, my loves, come have a seat for a moment.

I want to have a chat, from a long time Buddie lover to you, whether you’re new or have been here a long time.

It’s okay.

I’ve been in the trenches with you. I’ve been pulling for Buck and Eddie to get together for years. I haven’t given up, even as I’ve seen other fans leave because they lost hope. I don’t blame them. The Buddie section of the fandom has been powerful and beautiful and all consuming. We’ve gone seven seasons and up until this point, not one of the two men in question was even confirmed to be queer.

But we all need to take a moment and breathe. That’s it. Stop doom scrolling for a moment and breathe in.

Good. Now hold for a moment.

And breathe out.

I’m going to get real here, alright? And you might not like everything I say and that’s ok.

We need to stop being a problem. Stay with me. I’m not saying we need to stop shipping Eddie and Buck. Far from it. I will love that ship forever. I’m not saying we need to stop our fanfics or fanart or our love for these two. Our feelings are valid. Many of us have been in love with these two for a long time. The Buckley-Diaz family is a strong unit.

Our feelings are valid and we feel what we feel. But our reactions are utterly and entirely our own responsibility.

We need to stop the bullying.

Let’s face it, many Buddie fans have also been long time bullies in the fandom. Particularly in regard to the actresses who have played the female love interests in the past. Don’t get me wrong, aside from maybe Ali, I have disliked every love interest introduced. But have we not yet learned to separate actress from character? If we are going to dislike an actress, let’s do it for a valid reason. Marisol’s actress for example is problematic. But many fans have rained hell down upon any woman introduced.

I’ve noticed this issue for a long time. But now we’re dealing with the issue being even more widespread because of Buck/Tommy. Now fans are bullying each other. The fandom is divided, even in what is probably one of the better seasons we’ve gotten (in my opinion). I need you guys to stay with me here.

Buck is bi.

Let’s say that again. Evan Buckley is bisexual. A major character on a major show on a major network, previously a womanizer and still a very masculine figure, is queer.

This is monumental. This is amazing.

But so many of you are letting your feelings about Buddie get in the way of appreciating the progress we’ve made. Especially with the reintroduction of Tommy Kinard, Buck’s love interest.

Let’s clear up a couple of things, shall we? Tommy Kinard is not Sal DeLuca. He is not Captain Gerrard. While he was part of the old 118 and definitely was in the old boys club, not only is he not the major problem, but in most cases that he’s an asshole, it can be traced back to his own secret. It’s not great, sure. But let’s look at the facts. Chimney is friends and still keeps in touch with him. Hen appears to hold no animosity and was clearly comfortable with him. In Bobby Begins, they all are friends. And clearly, Tommy has undergone a massive self-growth period. You cannot try to back up your point with inaccurate facts.

People can change. People can also be forgiven. It’s the prerogative of those involved. Enough said.

“But TK6,” you may say, “Buck should be with Eddie! Tommy is a plot device!”

Let’s set aside instant gratification culture really quick and talk about storytelling. You cannot get everything you want when you want it. You also cannot have your cake and eat it too. Buck and Eddie, if both queer, were never going to come out at the same time. Do we really want that?! Because identity is messy. Self discovery is messy. Eddie has Catholic guilt. Buck has self esteem/worth issues. Life isn’t a fanfiction. The real possibility of their relationship surviving such a transition isn’t all that high. IF Eddie is canonically queer, he’s going to have a rougher path than Buck has had.

Also, everyone is a plot device. Let’s get real. If a character doesn’t move a plot along, what’s the point? YES, Tommy is there for a storyline. That doesn’t in anyway invalidate his existence or his presence in Buck’s life.

If you want an instant Buddie storyline, visit ao3! There are amazing stories on there.

Now let’s talk about Buck/Tommy, or TEvan.

I am a long time Buddie lover. I also proudly ship TEvan. Yes, those can coexist. I don’t often multiship, but it’s a beautiful thing. I want Buddie to be endgame, sure! But I’m also okay if TEvan lasts. If they end up being endgame, will I be disappointed about Buddie? Of course. I will also be thrilled because Buck and Tommy are a sweet couple and I’m here for it.

As a queer woman, I’m happy that Buck is bi. Multisexual representation is still sorely lacking. Male sexuality that lets a man keep his masculinity while being queer? Even more so. Just take a look at the ao3 tag. Buck is emasculated in many fics. That’s why I stopped reading a lot.

We have a ship here that includes two very masculine men, who are emotionally vulnerable and exploring something new. I understand ship disappointment. But the negativity is wild. We need to stop the bullying. We need to stop the cheating storylines. We need to stop making Tommy into an ab*s*r only because we apparently can’t handle a love interest being a good person.

At the end of the day, these are fictional characters. It’s a fictional show. But these are real people. All of us are sitting here behind our screens with real feelings. We need to stop.

Buddie may one day happen. And maybe they won’t. TEvan might be endgame. They might not be. Tis the way of 9-1-1. It’s exciting, isn’t it? Waiting for something new and exciting. It was starting to get a little stagnant.

As a queer person, I’m not trying to gatekeep anyone. However, we cannot sit here and say “stop queerbaiting us!!!!” (They weren’t, we’ve always had queer representation on 9-1-1) “give us more representation” and then when they give it to us say, “NO! Not that way!”

If it was about the representation, it being Eddie or Tommy would matter a lot less.

So if you are someone using representation to shield yourself, kindly just be honest with yourself and everyone else.

In the words of our Lady and Savior Taylor Swift, “You need to calm down”.

Now, back off into the world of scrolling you go, my lovelies. Remember, keep an open mind and breathe. At the end of the day, it’s a show. But I for one will happily wait for every episode because I’m loving this.

[musings-of-a-maladaptive-dream]

The way Alastor is portrayed and explained as being Aro-Ace really made me more aware of my Aro-Ace feelings and how I go about my life.

Allow me to explain that I’m Aro-Ace myself and I can have several similarities with how Alastor is portrayed and explained by Viv.

For starters I very much dislike being touched at all unless I initiate the contact, I feel in control, or it’s someone I trust, or a situation where I can expect unwanted contact to occur even though I know I’ll hate it and likely get angry.

Second of all I have thought that maybe haven’t met the right person yet and maybe I might find someone but at the same time I feel sure that won’t happen because I tried to have all of one romantic relationship and I hated it, I wasn’t able to really be romantic? I guess and I didn’t really feel anything. And I hated everything to do with any possible kind of intimacy, absolutely despised kissing of any kind and the thought of trying anything else almost made me feel sick. And I didn’t like romantic gestures of affection or anything.

So I really feel connected to Alastors AroAce cannon portrayal. And I don’t care if anyone wants to ship him with whoever or whatever they please. He’s a fictional character.

[the-witchhunter]

DP x DC: Dash

I just realized I haven’t seen a lot of things that actually utilize Dash as a character

Like, there’s things that have a character named Dash who is in it to some degree, but I don’t think I’ve seen something that uses the character

What do I mean by that?

Look at the character of Dash in Danny Phantom, he’s an archetypal popular high school quarterback bully type. He’s the Flash Thompson to Danny’s Spider-Man. His purpose in the show is as a minor antagonistic force, not really an antagonist on his own, he sets up Danny as an underdog “unpopular” kid, and a source of comedy

But he also has a tiny dog named Pookie and fanboys hard over Phantom despite bullying Fenton, and he really likes football, has his best friend Kwan, he struggles with his grades, and dislikes feeling small and weak, something he explicitly says in an episode. There are some genuinely interesting character traits a person can use in a story

And I think that any of the few times I’ve seen him used in this crossover, besides 1 or 2 fics, you could have covered up his name and I would not have been able to tell who the character is because none of his actual character traits were used

Which I think is a shame because there is utility to having him as a character. There’s personal conflict and growth regarding him bullying/having been a bully to Danny

Plus the classic “is a bully because of internalized homophobia and has feelings for the one he bullies” it’s the entire dynamic of “swagger bishie” Dash and Danny’s ship. You could just as easily transpose that to another character

Or even just “makes things more complicated by being involved in a situation where Danny has to protect him” Imagine how tempting it would be to just let something happen to him? The conflict, the desire to just not save this one person

And of course

“Jason Todd breaking into Dash’s room and threatening to end his football career by shooting him in the kneecap, all because Dash bullied Danny”

There’s utility in using Dash’s actual character traits and I think we really undersell him as an interesting character that can add a little something to a story

[firelightmlpoc]

Hey, just wanted to say good on you for standing up against the completely batshit accusations that have been thrown around the fandom lately. I cannot fathom how anyone believed those screenshots for even a second. I doubt you’ll get an answer, since the harassers are stuck in an echo chamber of validating their actions and will likely just stick their heads in the sand and pretend they can’t hear you. It sucks ass, but seeing that there are at least some people who will publicly question this bullshit is refreshing.

Of course. There’s a reason ‘innocent until proven guilty’ is something that’s supposed to be a baseline for an accusation of actions that have caused harm. After all, if someone makes a false accusation that then is treated as true, then another innocent person gets harmed, & then the waters get muddied for any other accusations thereafter.

After all, if someone lied about harm done & then makes another accusation, who’s to say that accusation isn’t just another lie? Something-something, ‘boy who cried wolf’. Then it also makes any other accusations in the nearby vicinity seem lest trustworthy because people don’t want to be wrong again.

Some people solely jumped on this hate-train specifically because it was against Pansear Doodles, & wouldn’t have interacted with this accusation at all if it didn’t center around someone they didn’t already dislike.

You want proof? Easy.

Look at the accounts saying ‘I always knew that Pansear was bad! Good to get proven right…’ and then look at their accounts. Almost always, they’ve been bashing Pansear (and other artists who do shipping of Slugcats & other similar art) because they just didn’t like the topic. And, instead of just acknowledging that they don’t like that content & moving on, they internalize that dislike & then try to find a reason to attach said dislike to the author. Then, they look for anything the author did wrong (be it true or not) & suddenly cry out:

‘I was right all along for hating this person!!!’

There’s an account that replied to my earlier post which REALLY clearly shows this in action.

@hourglass-meadow .

This reply is what they said.

An ask they responded to directly about Pansear. (Long-winded, yadayada.)

Their response:

And their first response to seeing Pansear gone.

Now, you know how many posts they made about Pansear potentially being a problem? None, except for the ArtiHunter comic, which has nothing actually ’problematic’ within. What about an ‘I hope the victim can find peace…’? Nonexistent.

These people don’t care if these allegations are true or not.

They don’t care who else gets hurt in this mess, as long as it isn’t someone in their circle.

They just want to see a ‘bad guy’ who is someone they don’t like get punished.

They want to claim their righteousness for all the world to see, as they cast judgement; a lynching in the court of public opinion.

And all of this targeting, IF this is fake, is more-or-less because people didn’t like seeing Pansear & others making /shipping/ art.

Because they saw someone else making something that THEY deemed ‘weird.’

There’s something to be said about the current political climate here, be it the Puritanical aspect of eliminating anything ’other’, ‘weird’, or ‘disgusting’ from sight no matter how innocuous/harmless it is;

the ‘Guilty until Proven Innocent’ mindset going around that makes actual victims more liable to not out their abuser out of concern for what will happen to their abuser (As, statistically speaking, abusers tend to be someone close to the abused, before abuse starts.)

Or even just the fact that people are simply emboldened to be as shitty as possible while they believe they’re anonymous online, because they’re of the mindset that they’re immune to consequences because they aren’t being directly known by these internet people in-person.

Don’t believe me? Look at every account celebrating Pansear’s self-eviction from the Rainworld community. Look at their actions & words from before this accusation. And then check what I said again. Cross reference this shit. See that the majority don’t care if there was a victim, much less if the potential victim is ok now or not; they just wanted someone they didn’t like, for one arbitrary reason or another, gone.

Cruelty was the point of many people’s actions against Pansear here, & by jove did they get what they wanted.

Remember folks! Remember this well:

No matter how much you align with leopards-that-eat-people’s-faces, the leopards won’t think twice about your face being next on their dinner plate.

That’s enough words from me for the time being, however.

[just-a-toast]

Okay I have a question for the gravity falls fandom:

How do we feel on Bill x The Axolotl??

Here’s my vision: Bill seriously needs someone that he doesn’t have power over, someone who wouldn’t be tricked by him in any way, but also sympathize with him and give him the attention and affection he DESPERATELY needs.

The Axolotl is a powerful god that truly understands Bill, and wouldn’t run away from him. The Axolotl could give Bill unconditional love and understanding and would wait for Bill for as long as it takes. They would help Bill become a better person.

It WILL be messy in the beginning, Bill would reject any and all attempts of affection, but after some time Bill could realize that the Axolotl would wait till the end of time for him. He would have very high emotional walls but I think the Axolotl would be able to break down these walls without crossing boundaries that would make Bill worse.

I truly think this could be a really interesting ship because of how expendable it is and using what we know to shape how their relationship would work.

And just remember that this is a “what if” and a “what’s your opinion” question, if you don’t agree or dislike it, perfectly okay! I just thought of it one day and wanted to see how other people would view it. I like hearing other people’s opinions and interpretations so please do share if you have an idea! (Respectful ones of course)

[the-simple-creature]

Nuzi, Envy, and Vizzy. The big three of MD ships.

A big post about comparing these great ships and the reasons why people love them.

Reason #1: colors

N and Uzi are on nigh polar opposite ends of the color wheel, very obviously fitting their nigh polar opposite personalities.

V and Lizzy, while still very different from each other, aren’t quite as opposite as N and Uzi. Their colors more… accentuate each other rather than fully contrast. Again, very fitting.

N x V is very different from the prior two. Their colors don’t show how different they are but instead how similar they are… at least at first. At first it showed that they were cut from the same cloth, it felt like they were meant to be together. Now, in yellow, it feels like a reminder of how far they’ve grown apart.

Reason #2: dynamics

This one is probably a lot less complicated to explain.

Nuzi is two very common but very loved tropes combined: The “Two loveable dumbasses get up to shenanigans” trope and the all too familiar “opposites attract” trope. Somehow resulting in the queerest straight couple known to man, and we love it.

The Vizzy Dynamic is both really hard and really easy to explain because it has multiple different parts and interpretations and is not cannon (yet). The interpretation that most people in the Vizzy Nation have is Lizzy simply not fearing V and V being very confused but not necessarily disliking it. Also, two “tsundere” -type characters put together really can’t go wrong.

Envy, oh Envy. I’m so sorry, Envy and Envy enjoyers, but I honestly much prefer it in the past tense than the present tense. The “dynamic” of Envy to me is that it was so simple and so perfect, but it was just never meant to be. It is a very tragic and realistic story. I like Envy, not as a ship per se, but as a story.

I was wrong.

Reason #3: IDK bonus canonicity/legacy round

This is almost like a bonus reason because any sane shipper (oxymoron) doesn’t really care if their ship is canon, but it is a nice cherry on top!

Envy is, in a way, the ship of the past. Not in any negative way but rather a sort off… nostalgic way. A nice thing to look back on. Envy was canon, and it’s a good thing that it was.

Nuzi is the ship of “now”, as in episodes 2-8. The age where glitch is consistently supporting the show and the fandom is always awaiting the next episode. Nuzi is canon and always will be.

Vizzy, I predict, will be the ship of the future. When the only thing supporting the fandom is a bit of merch every once in a while, a few glitch inn shorts, and the fandom itself. Vizzy could be canon and nobody would complain but it will be more popular in the future.

It’s 1:30 as I’m writing this and oh god I need to go to bed.

(Feel free to add whatever you want to this!)