I hope we get a scene of Alicent with Aegon's body. If her son is damned to die, if she is damned to spiral into insanity, if she is to lose her life too the grief, let me see her with his body.
let her hold her baby in her arms one more time. let her wipe the blood that poured from his mouth and nose as he died. let her run her fingers over the viscous burns that adorn his skin. let her fix his hair. let her bathe him with a cloth as she had when he was a babe. let her kiss his cheek, his forehead, his hair, his hands. let her lay her head against him, hugging him like she had failed to do for years.
he was her firstborn and yet, her heart was still beating and his was not, she was not yet cold in her grave, no, no her son was cold, her flesh was warm, too warm. he was her baby, her son, the boy she tried so hard to protect, who had loved even when it hurt, who she had stood in front of a dragon for. she loved him, the very bones of him, and now he was dead.
let her lose her mind right there, in that room, still clinging to her body, one that's too cold, too still, too quiet. let her scream out to the gods, damning them, cursing them for taking her eldest son, amongst everything else in her life.
I want her to drive away anyone who tries to take him from her, forcing the silent sisters or whoever would be left to deal with his body at that point. let her curse and spit and claw at anyone who comes too close.
she would stay there for hours, reflecting on her memories of him. maybe she talks to him or hums a lullaby until she finally loses her battle with what remains of her consciousness and sanity, falling still against the table.
she dreams of Aegon, she dreams of the life she wish she could have provided, the life she had tried so hard to give him. a life where he was safe, a life where she had been a better mother, a life where she didn't need to live in and impose fear up on her children. maybe if she had tried hard enough he would still be alive, she'll think as she floats in the space between consciousness and unconsciousness.
she'll wake in plain chambers she only partly recognizes, she'll learn of her sons lackluster and sparsly accompanied burning, she'll learn her son was gone and she was alone. there won't be much of her left to care. she just continues dreaming, dreaming of her dead children and spiraling to madness until her broken heart finally gives out.
[my previous post inspired this, cause all I can think about now is Alicent mourning her son and its gonna put me in an early grave]
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Who is your crush?
I'm not tagging them or saying their name because I don't want to annoy them or bother them or make them uncomfortable. Especially because it's me who has the crush. I don't wanna embarrass them. I'll just make everything awkward and uncomfortable like I always do.
I want to tell them, but I'm scared of being made fun of just for expressing how I feel because that's happened too many times in past. I just know they don't feel the same way about me and I'll be rejected.
It sounds so stupid and I get not everyone will understand, but I actually feel guilty and like I've done something wrong just for liking them and that I have to say sorry. Which is due to how I've been treated in past with people.
This isn't some random, out of the blue crush. I've liked them since I met them on here, so like 2-3 years.
When I have a crush it means I've fallen for them, that there's feelings involved, I feel that we have chemistry and a connection, we like similar stuff etc.
I'm not gonna get in the way of their happiness. I care about them and respect them too much to ruin their life and their happiness. No matter how I feel about them. Besides, there's so many pretty girls out there for them to like.
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People are soooooooooo quick to shit on people who deal with emotional disregulation it makes me fucking sick. When you express your stress through tears you're a crybaby. When you're quick to frustration, you're either overly dramatic or you're violent and scary. When you have the gall to get too happy, you're childish or straight up crazy.
Living with emotional disregulation comes with having to grow thick skin because people will call you every fucking name under the sun because you have the audacity to express emotions that are constantly ramped up to an eleven no matter which one you're feeling. You're loud, you're sensitive, you're overemotional, you're weak, you're soft, you're childish, you're naive, you're too much you're too much you're too much you're too much you're too much you're a burden because people now have to handle you.
Where do people think they have a right to judge others for feeling? I may be quick to express my emotions, but you're quick to judge and condemn and on a societal level that should be worse.
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episode 5 has left me considering the different - and similar - ways taeyoung and kwonsook think about themselves, and how they respond to pain/violence.
kwonsook calls herself a monster, someone who goes crazy in the boxing ring. that monster, she says, was created by her father, and her father used abuse, violence, and emotional manipulation to create that monster. he didn’t treat her like human, so it’s no surprise that the way she talks about herself when she boxes is as if she’s discussing an animal: she gets cornered, gets scared for her life, and lashes out to kill. she calls herself a monster with resignation; it’s not what she wanted to be, but she knows it’s what she was. she ran away to escape that monstrosity, to live as a human, doing good things, but that part of her never really died.
taeyoung, too, calls himself a monster. he’s a SOB, he does thing no one with an ounce of humanity would do. he seemingly has no qualms about what he does, perhaps because he can always justify it to himself, always has an exit prepared for when things really get bad (until, i’m sure, he doesn’t). like kwonsook, taeyoung accepts the label of monster, accepts his own inhumanity, even if they are inhuman in very different ways. whereas kwonsook wants to break away from that monstrous part of her - she’s only returned so she can free herself from that part of herself permanently (and if she finds a way to box without a monster, then...) - taeyoung embraces it. it’s through being a monster that he’s found success, how he secures futures for his athletes, and how he’s able to ‘solve’ their (and his) issues. monstrosity was not imposed on taeyoung, but (due to what we know so far) is something he chose for himself (although the factors surrounding this part of his past are decidedly murky).
in this episode, taeyoung and kwonsook also demonstrate similar responses to violence and (emotional) pain. when taeyoung upsets kwonsook by working with her father behind her back, he offers her an outlet for her anger by punching him. later on, after ahreum has already slapped kwonsook, instead of lashing out, kwonsook offers to let ahreum hit her again if it will make her feel better. in parallel responses, both ahreum and kwonsook debate taking that opportunity to hurt, but decide not to (kwonsook because she’s taking a chance on taeyoung, or moreso giving him another one, and ahreum because she decides that she doesn’t owe kwonsook that, that kwonsook is beneath her in terms of boxing, no longer on her level).
kwonsook learned to respond to pain at a young age. in boxing, you can’t flinch from the hit - you have to learn how to take the pain, absorb it, and get back up to hit again. outside of the rink, kwonsook absorbs the pain, but she doesn’t hit again. she’s experienced firsthand what her hits can do to people, and that terrified her. after all, she only boxed so that she could protect her mother. so when confronted with violence and pain, she takes the hit, because pain is what she knows and understands. it’s the emotions behind it that are hard for her. pain is easy for kwonsook, because she’s used to living through it, surviving it; beneath it, she’s always empty. she’s never really cared about boxing; it was what she had to do. the lee kwonsook that was a boxing genius was a monster she ran from, after all. but in order to break away from that monster, she has to come to understand the emotional investment of her fellow female boxers. before, they were just her opponents, never her friends, but now she has to face their own feelings about the sport, the passion they have for boxing that she never felt. like ara said, she didn’t feel happiness about winning, and kwonsook has never lost, so she’s never had to live with that humiliation, either. how her feelings will change in relation to boxing will likely be a reckoning for her.
taeyoung, on the other hand, is confronting his fair share of non-boxing sanctioned boxing. even though kwonsook is the boxer, it’s taeyoung who’s been touched by ‘true’ violence in this present timeline. his life is quite literally on the line, which has been shown again and again. he’s been ambushed by her father, threatened, blackmailed, and beaten up by chairman nam’s guys. he lives on the edge, anxious at every shadow, which is chewing him alive. to him, kwonsook’s anger is much easier to deal with. he knows she might hurt him, but his potential to hurt her is so much more (and if he does, in that case he’d find her anger justified, and probably let her beat him to death or something if what we’ve seen of his feelings for her is an indication of anything), and she might hurt him, but she’d never hurt him as much as other people in his life at the moment would (i.e. by killing him, or hurting the people he cares about). taeyoung is used to weathering the storm of other people’s dislike; he’s the scumbag, and he does bad things, deserves other people’s anger when it’s directed at him.
both taeyoung and kwonsook want to resolve things through violence. i think it’s telling that despite being two emotionally aware people, they both consider other people’s feelings to be so easily taken care of. they want the quick, instant pain, and then they want to get it over with. because the violence is what they’re used to, and to a degree it’s what they both think they deserve. however, what lies beneath that, what doesn’t go away with a single hit, is much harder for them to confront and understand.
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ur post about queerbaiting and the dismissal of people in fandom to critical analysis is so incredibly true thank you. i feel like marcille's writing in the anime has been super misogynistic a lot of the time and every time i bring this up all anyone wants to say is "well maybe this isn't for you! and you shouldn't watch the show!" like. i don't think this is about taste lmao, i am analyzing the text in front of me and coming to conclusions about the craft of it.
[This is in reference to this post]
YES!!! THANK YOU!!!!!
It is so so frustrating!!!!
It's like being at a restaurant and being served a bunch of delicious appetizers, but then one of the bread appetizers is literally just a plate of crumbs; and then when you're like, "Hey, uhh, why are we being served literal crumbs?", a bunch of the other folks eating at the restaurant are like,
"WELL HOW ABOUT YOU JUST DON'T EAT HERE THEN??!? YOU MUST NOT BE THAT HUNGRY, SO JUST FIND ANOTHER RESTAURANT AND DON'T EAT WITH US!!"
And maybe they say it politely, but "Aw, sorry, maybe this restaurant just isn't for you 💖" is just trading out an aggressive dismissive tone for a patronizing dismissive tone. It's the same message.
And it's like! I was honestly happy to move on from the crumbs once my complaint was acknowledged because the meal overall is still delicious, but then all these folks got SUPER WEIRD AND DEFENSIVE ABOUT IT, so now I find myself double-checking all the other dishes -- and, actually, you know what those eggs DO look a Iittle misogynistic undercooked!!!!
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