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woomycritiques543 · 2 years

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(Based on another post.)

Ok... I was looking at the designs and-

Has anyone realized how weird the racial implications of Hazbin Hotel (and Helluva Boss with the main characters) are?

I know someone else has already talked about this-

But Charlie Morningstar is clearly white coded. The “corrupt souls” she has to “save” are clearly poc coded or are directly poc. The “villains” of the show are MOSTLY poc with Velvet being confirmed as poc indirectly by Vivziepop not long ago and Valentino was confirmed to be hispanic too. It gets off “white savior” vibes along with the fact that 1. Theres a creole character who practices voodoo who’s stereotyped as a cann^bal 2. There being a hispanic poc (Valentino) who’s also shown to be highly aggressive, to a character thats Italian: a ethnicity thats considered as “white” in many places. Hell! Niffy is even Japanese, and she was drawn as yellow 100% of the time until just recently.

They also have this thing where theres something i’d like to call “Greywashing”: Where Vivziepop deliberately avoids using the color brown, and instead makes all of her poc (No, “Coco” doesnt count shes from another artist. This is only about the main designer.) a lighter shade of grey, giving the illusion of brown skin without actually making them brown. While Vivziepop gave Charlie a peach-like skin tone. So its clearly not because they're demons but something else entirely.

(Light Grey.)

(Grey, with a brownish tint mixed in.)

(LIGHT grey.)

(Not counting Valentino since he seems to be more moth based than Vaggie and isnt intended to be as humanoid unlike those that are on this list.)

While Charlie, our “main heroine” is drawn as a blonde looking girl with snow-white skin. I know some people will make the “they're demons!” excuse, but these characters in particular are clearly meant to be the closest to human looking. Especially Charlie, who’s design is just a generic looking white girl with some Halloween makeup slapped on, an eye infection, and neko teeth.

So her being the main protagonist, half of the made to be “worst” characters such as Valentino and Alastor directly being poc. Plus the fact that the show is demonizing a closed religion that was created by African slaves as a way of coping with their situation while Hazbin is showing it as “evil” or “dark magic”. Plus in Helluva Boss, the “succubitches” are all shown to be sluts who are written in a negative light, who also happen to be poc in their human forms.

... who are also shamed by the police as “degenerates.”

They also have a poc background character named “Rat”, a animal that tends to be stereotyped in cartoons as “dirty” or “disease filled.” and yet they decided to name the second darkest character (who is also from a different artist) this.

This combined with the other implications can only make me say:

What is Vivziepop’s deal with us?! Why is she outright refusing to draw us without making our skin somewhat grey- a light grey for that matter! The people at the wiki call Alastor “beige.” But I remember there being a time where they called him khaki, and earlier “grey.” Even beige is described as a “greyish tan” and is considered “the most pale” type of brown. So even the “browns” are very pale and arent the shade most of us are- aka pure, dark, brown! Even most light skin people are not grey- but brown!

This isnt about the morality of the characters and them being demons, this is about the stereotyping from the creator. I dont give a shit if the show is meant to be “edgy”- you either choose to be borderline racist, ableist, and narcissitic with how you write your characters, or actually “progressive.” Choosing both just makes you look like most of the hypocrites over at Twitter who think that representation is a “two way” street that can be morphed into whatever benefits someone’s bias of a specific discriminated group. But back to Hazbin-

The implications with the poc are off-putting, and it makes me all the more nervous for how theyre going to present poc in the next show. Yikes!

#helluva critical #hazbin critical #hazbin hotel criticism #im poc and autistic myself so whats been shown so far is #really weird asf implications #what the hell is going on with the representation honestly wtf

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leagueoflegendsna · 3 years

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Sentinel Karma by 大黑柱 (this artist usually draws karma with lighter skin, guess it’s a reference to her lighter complexion when she was pre-rework?)

(Reference: Old Sakura Karma & Sun Goddess Karma Chinese Splashes)

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petewentzisblack1312 · 3 years

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okay so since you know more than sarah could u give more info?? because i love learning about pete and his blackness as its literally never talked about ANYWHERE else. like thank god for tumblr tbh. sarah is genuinely the only reason ive ever known anything about him in that way but its always been limited so thats why i sent her the ask. i didnt even know ur blog. sorry for sending to her instead of you!!!

oh its fine!! im pretty new on the scene technically. while sarah and i were in the fob fandom at the same time in 2015 ish, i actually left tumblr completely and recently came back!! but anyway, lets talk about petes melanin (my beloved <3)

theres a pretty pervasive narrative, not just around pete but around any black and especially biracial celebrities that theyre ashamed of their blackness or arent "really" black. theres like. a looooooooooong conversation to be had within the black community about this, but to tldr it, the assumption is if you dont look black, you arent black, which for a lot of reasons isnt exactly the case. with him in particular theres a lot of stuff that contributes to this.

most people do not associate the alternative scene and emo especially with black people, so its easy to overlook a lot if someone isnt SUPER obviously black. pete has other ethnic features, like his nose, and is recognizable visually as black except for his skin color. except thats because hes been artificially lightened in photoshoots due to editing and (ALLEGEDLY AND POSSIBLY) lighter foundations. further, he relaxed his hair, which takes away another ethnic feature of his.

there is another aspect to this, which is that black people tan, noticeably and by several shades. you will not notice it if youre like seeing them continuously throughout the year, but as someone who lives in the caribbean and has spent some time in the states, the difference is stark enough to be noticeable. a lightskinned black person may look MUCH paler in the winter compared to in the summer.

in addition, the wealthier you are, the less time you tend to spend in the sun, so ive noticed that black celebrities tend to get lighter as they gain notoriety just because they have like more resources. the reason people from the caribbean tend to become lighter when we go to the states isnt because of less sun, during the summer thats not at all the case, its because the US is more developed so you dont HAVE to spend as much time in the sun.

besides that, hes like genuinely very loud and proud about being black, but all of those attempts are met with backlash. there was the reaction to his natural hair, the reaction to him with cornrows, and the reaction to his very emotional rant about the murder of george floyd. it happens in fobs music too!! ioh for example draws a lot of influence from choral and hymnal arrangements and soul music, not to mention jay-z and babyface working on the album itself, which led to them being labelled sell outs. they also just generally work with rappers more, with lil wayne on tiffany blews and big sean on srar, both of which also led to them being called sell outs. ab/ap as an album draws influence from rap/trap and mixtape culture in the way it was written (thats why its got so many samples), and subsequently got remixed. remember what happened next? mania draws a lot of influence from calypso and dancehall music and features burna boy singing in yoruba patois. that one led to the featured artist getting harassed en masse and multiple (worse) edits of the song without him on it. i dont like it here 💞.

that last point brings me to the fact that while pete definitely loves hardcore and metal, he also has always loved reggae and dancehall. hes half jamaican, spent time in jamaica as a child and listened to his grandparents records, which were. well. reggae and calypso and a little dancehall. if anyone ASKS him about it, hell talk about it willingly and candidly, theres an entire interview from during the hiatus (which i can no longer find rip) where hes asked about and talks about going natural and spending time in jamaica and listening to reggae, which heavily influenced black cards. he visited jamaica during the hiatus! although its unclear if he visited family since literally every news outlet that mentioned it was like "oh tropical getaway <3" unaware that thats where his folks are from

also heres that interview snippet sarah mentioned! i have the full page, its about the early days which is funny bc its just before futct.

theres also some poetry on sarahs blog that she found years ago thats VERY black. i dont like making it easy to find for nonblack people simply because the first time it was unearthed mostly white people were talking about it and the meaning of it went way over everyone elses head so i try to make sure that if people start talking about it they know going in that its about being black and biracial specifically and so that black fans dont feel the way i did when it first surfaced lol

all of this emphatically points to pete genuinely loving his blackness and not trying to hide it and it being something that majorly shaped his life, but genuinely being unable to talk about it bc of public perception.

sorry for talking your ear off!! if you have any specific qs i almost certainly have answers!!

#dils declares #i just kept going.#i just KEPT. GOING.

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mundungs · 3 years

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ϟ. → robert sheehan : genderfluid : he/they/she : dealer of illicit objects and substances : the raven by the alan parsons project ϟ did you see mundungus fletcher ? you know , 31 year old halfblood who was formally in ravenclaw. some say dung can be quite furtive but are known to be unreliable. they are aligned with the order . maybe that’s why they remind me of naming stray cats, flicking a lighter over and over again, falling asleep on the subway. ϟ

some links for food

bio

stats

pins

playlist

history

ciannán o’donnell is a flighty man, one of many relationships and flings and little loyalty, and so his affair with maeve fletcher does not last long. when she tells him she is pregnant, he moves on to a different woman, and maeve has her son alone, with her sister on her side. and thus, mundungus is born (and giving an arguably atrocious name).

he grows up with his mum – a halfblooded witch and by far his favourite person in the world – in limerick, attending muggle school there. he knew who his dad was, but wasn’t quite sure how to feel about — his father is a criminal, a prominent member of the irish mob.

he meets his dad for the first time at age seven, and was nothing but impressed. his dad showered him with gifts, his mum watching with a furious look on her face but biting her tongue. that moment was a switch for mundungus; he felt the need to impress his dad. he stole some sweets from a store on his way home from school a week later, fished some pennies out of the pockets of his classmates a few months later. when he phoned his dad to tell him, his laugh was warm and filled with life. his relationship with his dad got better as his behaviour got worse. the thrill of stealing, of doing stuff he wasn’t supposed to, lit him not only on fire because it was exciting, but also because he knew his dad would adore it.

but ciannan, a flighty man, pushes and pulls. and so mundungus was fed disappointment by his father, liking love off a shiny knife rather than a spoon ( silver or plastic, what the fuck does it matter ). details omitted, long story made short: his dad sucks and his mother tries, but mundungus is pulled towards that what smells of danger.

DRUGS MENT. at hogwarts, dung is sorted into ravenclaw. not at all the booksmart type, he falls more into the chaotic-creativity, random-bursts-of-wanting-to-learn-everything-about-something type of ravenclaw. there’s two worlds, then: the muggle world, where he slowly dips his water further in criminal waters, and the wizarding one, where he’s chaotic and messy but a student. when he grows older, these overlap: dung starts selling some of his dad’s weed at hogwarts, and soon gains a reputation of being able to get people less-than-legal shit.

not getting high off your own supply is not a sentiment he agrees with. not then, not later, not now. dung is fun, always in for a party and willing to supply the goods to throw it. if some rich purebloods lose a few galleons at said party, well, it sure isn’t him! END OF TW

he graduates with two newts, in herbology and potions, failing his dada and charms exams. he’s not an academic.

falling into the family business after graduation is easy. mundungus is attracted by the criminal underworld, both that of muggle ireland and that of the wizarding world. knockturn alley was a place frequented in teenage years, but now becomes more his place. he makes connections, exchanges strange potion recipes for other things. makes an odd wager on a bunch of stolen brass scales and turns a profit.

a career is not something that interests him; he is more interested in bending rules and making quick money. thievery, selling illegal shit, heists, fraud, fuck-all. mundungus is not limited by one descriptor, one kind of criminality. he just does what he wants and hopes to make a good penny.

but then he almost gets sent to azkaban over some, in his frank opinion, bullshit. it’s dumbledore who talks the wizengamot out of it, saddling dung up with some community service and persuading him towards the order. he’s twenty three. the war is still fresh. he has no interest in it, but he owes the old man. fine.

mundungus does vehemently oppose blood purity and any kind of discriminatory ideals, an anarchist in his very bones, but he is also cowardly. to side with self-proclaimed rebels is not in his blood and yet it’s where he ends up, bringing shady ties to the underworld to the table and a sheer ability to sneak around and fuck the law. and maybe, amidst the ranks of the order, dung finds something he’s not very familiar with: a large family. and dung? well, he’s the stoner, gay, super-fucking-chaotic cousin.

personality

if jesper fahey and kaz brekker had a child, it would be dung.

other character parallels: fezco ( euphoria ), boris ( the goldfinch ), doug judy ( b99 ), jason mendoza ( the good place ), chris miles ( skins ), nick miller ( new girl ), creed bratton ( the office ), scott lang ( marvel ), lillian ( unbreakable kimmy schmidt )

technically he’s homeless. he’s got a bedroom at his ma’s place, has a ton of squatter connects in the muggle scene and couch surfes aplenty, but dung doesn’t rent a place. why? landlords are evil. he could afford a place, just doesn’t see the point. life’s better with some adventure.

appears very neutral in public as it’s beneficial to his role in the order???

.... tortured artist. writes poetry and loves to draw and paint.

tattooed the fuck up. some are his own designs.

can usually be spotted wearing The Coat, a rly expensive, vintage long coat that he once stole of a pureblood. he’s enlarged the pockets with some handy spellwork and pretty much carries everything he owes in there, like his produce and his money and his second pair of shoes and his art supplies and probably some random trash.

loves animals. he loves stray cats especially <3 they are his kin.

an anarchist. a bit of a punk. a deep idealist with a cowardly heart so constantly betraying himself (and sometimes others?)

queer! enby! genderfluid! i used he/him pronouns throughout this intro but dung truly doesn’t give a damn what u use. loves to dress up in feminine clothes.

has a ton of aliases, lol, the most important one being marigold fincher.

cusses too fuckin much to be healthy :/

oh no he is a big sad insecure kid deep inside :/ dont tell anyone how embarrassing!!!! shhhh!! it’s a secret.

quick connection ideas

victim. wow please. if your character is rich. let me steal from u. pick ur pockets. break into ur house. get some of ur stuff and drop it on the black market.

customer. dung sells. whatever u need. drugs. weird magical things. ask and ye shall receive. his prices are whack but he does deliver <3

pal. party friends! order friends! random encounter friends! dung has a trashmouth and loves to talk pls let him chat u up and u will never be rid of him <3

couch. he couch surfs. a lot. if ur character trusts dung enough to let him into their home (which they shouldnt) then pls let him sleep over for a night. he will leave a strangely expensive necklace on ur kitchen table as a thank u. or wilted flowers. no in between.

skeptic. ur char is in the order and thinks dung is a liability and maybe they have a point. a point mundungus would rather not face :)

dmle bitches. dung hates anyone authoritative but esp the coppers at the ministry (hit wix & aurors) (yea he calls them coppers sorry he doesnt respect them enough to call them aurors <3). give me that doug judy/jake peralta dynamic. or just someone in the dmle who is like ... sigh this guy again???

fwb/one night stand/fling/etc. he’s a bit slutty <333 give him some ppl he’s hooked up with / will hook up with.

#muddywaters.intro #intro.#this one <3 this one has so much dumb energy in one body <3

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hazelenergy · 4 years

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How I Digitally Paint like a Scenic Artist/Designer

Aka: how I did this and put my degree to good use.

LONG POST WARNING

Step 1: Research.

First off, get to your image search. If you are going to be using Google, you may want to type “-pinterest” in the search to eliminate the countless boards.

I had to figure out clothing that is vaguely late 1800s. I found a multitude of reference images that were fancier clothes- but I wanted to find images of clothing for kindred across all social classes. Photographs from the era and paintings are your friend. They will more accurately showcase what was worn.

After Fashion research comes location research. The 1890s in America is known for the rapid industrialization. Factories were getting bigger and work days were getting longer. But, I wanted the moonlight to be cascading into the place, illuminating the scene. This means I needed to find a structure that had skylights or let sunlight in. And the best images I found? Slaughterhouses. Fitting, huh?

The same rule for fashion still stands- if you can find photographs or paintings from the era- they’re better. There are tons of places still standing today from the 1800s. But today, they look WAY different. Ya know, Abandoned! So just be sure to take this into consideration if you search “abandoned slaughterhouses” or go trespassing like I did.

Lastly, pose research. Finding the poses for a fight scene can be tedious. So, I enlisted some help from a few fight choreographers and stunt men. You can record their fights and play them back at quarter or half speed. You can also get a mirror and flop on the floor a bunch. I did both. This lets you see the action/motion lines you are going to replicate in the drawing. Heres how we initially did fina’s pose:

And sometimes you have to go back and get a clean shot. I ended up using this pose for the axe.

Step 2: Set up and Background!

When you open a new file, set it to the dimensions and resolution you want. I was working at 600. Usually, I’m working at 300-350. You can always reduce resolution. Its hard to prevent fuzzy lines if you increase it later.

I cannot stress the following enough:

You work background to foreground. Big Shapes and areas to little shapes. Work your way forward. What this means is you need to fill in as much space as possible first. Then build your details. I prefer working as follows: Big Solid tones, Soft shadows, Dark Shadows, Highlights, then final blend. Once you finish this, put an overlay on top. This knocks everything back and helps create the illusion of depth. See this at work with the video below or here

Step 3: Figure Drawings + Composition

Utilize that research and images you collected to pose your characters. I create subfolders for each set of figures. Organization is important here. This will help keep you on the right layer and prevent the eternal digital artist struggle of “Fuck that was on the wrong layer!”

Even after you move on to lineart and shading, Keep the sketch layer as a reference. You may need to see what youre original notes/ figures looked like as you do the lineart and shade. Don’t be afraid to move them around and alter the composition rn. You want to be able to make changes. Make notes! Detail light sources!

I’m about to through out some art jargon:

You want to think about asymmetric balance. The easiest way to achieve this in an eye-pleasing manner is to use the Fibonacci spiral. Yeah. This boi:

Place your figures and actions in a similar sequence to the spiral and the viewer’s eye tends to naturally follow it. This is sometimes called the Golden Ratio in the art world.

Doesn’t need to be perfectly on the spiral. You can break it- but its an excellent tool to plan how things move in the piece.

Step 4: Lineart

Once you got things sketched- its time to do the lineart. I’m using clip studio paint’s standard brushes. Nothing fancy. I often switch between the G-pen and the For Effect Liner. Mapping and Turnip are for thicker lines.

Usually I set these pens to a specific thickness depending on where I’m drawing.

My background figures are lined at 0.05 thickness, the midground is .1 to .2, Fina is .3 and the foreground is .4. I set my stabilization high to help keep my lines smooth. Stabilization 100 means there’s a significant delay between where the pen is and the cursor. I like the stabilization to be at 20 for freehanding and at 50 ish for outlining. Dont become completely reliant on the stabilization though. Good and smooth lineart is drawn from the arm not the wrist. Your range of motion is severely limited if you only move your wrist. Practice moving from your elbow and you’ll be surprised how much smoother your lines get.

Once I finish lining the figures, I usually go around it with an outline. This does three things:

1. Solidifies the figure and cleans lineart for paint bucket tool. More on that in the next step.

2. Its a stylistic choice. Helps give it that comic book feel with a heavy outline.

3. Pushes figures forward or back in the composition. Thicker outline helps denote that a figure is farther forward than another. My background figures have no outline to push them away

Step 5: Digitally coloring

For each figure you are going to select outside the lineart.

Create a new layer under the lineart

Invert the selection. Paint bucket. You should now have a solid shape of the figure under the lineart. Do not deselect.

Create a new layer above the one color. Title it solid colors. Paint in thick, solid tones. I like to use the mapping pen and turnip pen to color in my solid tones: skin, clothing, hair, etc.

After that, deselect. Create a multiply layer if you can. If your program does not have a multiplier function, Pick a tone you want to use for shadows and lower the opacity (usually 30-40% I like to use lavenders or blue tones). It will not be as vibrant, but you can edit it in post. Select off of the solid colors layer. I like to start with skin tones. Use the airbrush tool to create soft shadows. You don’t want to create harsh lines on this layer.

Then repeat this process with harsh lines.

Then knock it all back with an overlay. If you dont have the ability to create an overlay, you can again drop a solid color and lower the opacity, but you’ll have to mess with the color balance/ brightness/contrast to let all the hard work come through.

You’re going to repeat this for every single figure. Here’s a few color theory tips though.

Your overlay colors should be darker (not more vibrant) in the foreground and lighter (avoid using pure white) in the background. This helps with the depth of the piece. Things closer tend to be darker (not always true, depends on lighting)

You can choose to use color theory to aid your shadows. Instead of choosing black or grey for shadows, choose a complimentary color. I used a lot of green for this piece, I used red for really dark shadows. Its not that black drains color- its just loses some depth if not used carefully.

Keep your colors consistent. Helps unify the piece. You can strategically break the consistency to draw focus. For example, Fina is the only figure with a true blue overlay. This helps her stand out from the other figures who have reds and greens.

Step 6: Touch Ups and Final Renderings

Now comes the most tedious part. If you’re like me, your computer fans have been whirring for the last few hours trying to render this monster of a file. If you havent already, SAVE FOR THE LOVE OF ALL THINGS GOOD

These are the last four layers I have for the entire piece. Here, I am trying to create effective and believable lighting. This kind of work I have only been able to achieve in clip studio or photoshop. You can do it with normal layers, but choose your colors CAREFULLY. Stay away from pure white. Carefully utilize your knowledge of light and shadow to create soft highlights. Harsh lines tend to be a stylistic choice for me. The final layer, subtract, dulls out harsh red tones. I used this as a final overlay to help put everyone and everything in the scene. Without it, things are a little too green and skin tones are a little too blushed for vampires.

The challenge here is I want to tone down the red, but not lose the vibrancy of the blood. So, shift it to a blue. This also helped reinforce the “nighttime” effect. Its only a slight change.

Final thoughts:

Whenever you finish something, its important to reflect.

1. I am so FUCKING PROUD OF MYSELF. This is easily one of the most complicated pieces I’ve done in a while- and I’ve made 16′ tall faux stained glass. Brag. Let yourself feel awesome cuz you just made something awesome.

2. I timed myself on the piece. I could have easily spent another 7 hours on it. But its important to know when to stop messing with it. Partially for budget reasons but also when you get down to the details you can make yourself go insane. Theres also a ton of detail work I lost cuz of overlays or its just too small to notice. Fina’s face? hard to see cuz its not close enough.

3. I needed to take frequent breaks for this piece. That was good. Resting and stretching was very important. That is one of the reasons why I was able to work so fast.

4. I started doing more digital art in April 2020. I have to say, practice makes perfect. I practice drawing and digital painting for at least 3 hours a day.

That discipline has allowed me to improve so rapidly. So- I don’t wanna hear shit about I can’t possibly get this good! Or I couldn’t even draw a stick figure! BULLSHIT. You can. Get yourself some free software like Krita or Autodesk sketchbook and start playing!

And thats what I got! Thanks for coming with me on this long post!

#digital art #my art #okay to reblog #how to #long post

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mundvngus · 6 years

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“i pour alcohol into the gaping hole inside my chest. it does not heal. not today. maybe tomorrow.”

MUNDUNGUS FLETCHER is 26 years old and works as a THIEF/DRUG DEALER/ALL ROUND CRIMINAL and is loyal to THE OOTP they were an RAVENCLAW and are a HALFBLOODED. HE look like FRANK DILLANE.

CHARACTER PARALLELS: nick miller ( new girl ), creed bratton ( the office ), doug judy ( b99 ), jason mendoza ( the good place ), chris miles ( skins ), jesper fahey ( six of crows ), scott lang ( marvel ), lillian ( unbreakable kimmy schmidt ). AESTHETIC: scuffed knees, flicking a lighter over and over again, flowery shirts, walking in the middle of the street after midnight, a body covered in bruises and tattoos, naming stray cats, falling asleep on the subway, watching smoke curl against a starless, black nightsky, throwing empty beer bottles against a wall. LINKS: stats. pinboard. character tag. HEADS UP: there’s quite a bit of talk about drugs and stuff in here -- as well as shitty parenting. i trigger warned it before every bullet point tho!

history

ciannán o’donnell was a flighty man, one of many relationships and flings and little loyalty, and so his affair with kiyana fletcher did not last long. when she told him he was pregnant, he moved on to a different woman, and kiyana had her son alone, with her sister on her side. dung was born to a lonely and angry woman, who had fallen for the charms and winks of a crooked criminal who spoke empty promises and lied for a living.

he grew up with his mum – a halfblooded witch and by far his favourite person in the world – in cork, attending muggle school there. he knew who his dad was, but wasn’t quite sure how to feel about —- EVERYONE knew who his dad was, a well known muggle criminal and dealer, a name notorious among the older kids at his school, a father to many. he’s like the robert baratheon of ireland, to be honest, planting bastards on every corner. lol. knowing he was one of his many kids was hard; he’d never met any of them, but he knew they were there, from his mother, from his aunt.

he met his dad for the first time at age seven, and was nothing but impressed. his dad showered him with gifts, his mum watching with a furious look on her face but biting her tongue. that moment was a switch for dung; he felt the need to impress his dad. he stole some sweets from a store on his way home from school a week later, fished some pennies out of the pockets of his classmates a few months later. when he phoned his dad to tell him, his laugh was warm and filled with life.

his relationship with his dad got better as his behaviour got worse. the thrill of stealing, of doing stuff he wasn’t supposed to, lit him not only on fire because ti was exciting, but also because he knew his dad would adore it. his mother’s worried questions and look only drove him to his dad, who liked it when he did bad things, who didn’t try and ground him ( looking back, he knows that that was stupid, but back then he was blindsided, obsessed with the mystery that was his dad ).

abuse tw // his father was abusive. period. he’s a wicked man, who has blood on his hands of people who were in his way, and he doesn’t love anything but winning and money and the high of victory. he manipulated mundungus, pushed him towards bad behaviours, showed him his bad sides when he was disappointed. most of the abuse was mental and verbal, but sometimes it turned physical as well. it’s toxic. mundungus hasn’t allowed himself to admit that to himself yet, though. end of tw //

drugs, smoking, alcohol tw // attending hogwarts was good, at first. it forced him to focus on other stuff, for a while, but his summers and winter breaks forced him back into his old behaviours. his world was split; at hogwarts, he was a loud and lively, but still a pretty good student, while at home he fell deeper and deeper in crossing lines and boundaries. he lit his first cigarette at age ten, drank his first beer at age twelve, smoked his first spliff when he turned fourteen, as a present from his dad. end of tws //

hogwarts also meant friends --- the dick squad was founded here, consisting out of dorcas, doc, daisy and dung himself. these three people meant everything to mundungus, to be honest, let him see the ways people could love each other without conditions or out of obligation. they were chaotic and messy and wrecked havoc on the castle but --- damn it, they’re his family, and he’d die for them.

drugs tw // it was in his later years that these two worlds started overlapping. his dad trusted him with a bit of produce, gave him some weed to sell at hogwarts after his christmas break in his fifth year, and it was a success. ever since, dung became pretty well known for selling a little bit of this and that. a lively spirit, he always did so with a bit of a grin, but he was also pretty fond of the stuff he sold, indulging quite a lot when business was a little slow.

he also stole a lot from rich purebloods, because fuck them

i guess ... this is where the messiness really did ... explode? mundungus liked the taste of drugs. he liked the taste of doing illegal things. he liked the taste of earning money and feeling powerful and he loved it all. he grew more dependent on alcohol and drugs. he wanted to flee, too. the world was a nasty fucking place and he knew that all too well and, fucking hell, don’t blame him for wanting to escape every now and then. end of tw //

he graduated at one point which? is a miracle? i think they just wanted to get rid of him tbh!!! but yeah, dung did Try a little at hogwarts, as he respects the hell out of dumbledore and stuff, but he was still not a good student. after graduation, he kind of joined up with his dad and started doing some illegal stuff in the wizarding world too, because why the hell not? he was good at it.

dung had no plans to join either side of the war, tbh, even though he’ss v much against the de’s cause. he’s a self serving kid!! but then he kind of got in a nasty situation where both alastor and dumbledore got him out of trouble ( that might have sent him to fucking azkaban, what a fucking idiot ) and well, dung might be a shithead, but he felt indebted to them and kind of rolled into the order.

and well --- the order was a newfound family. messy, of course, and full of chaos and distrust, but --- heck, mundungus found a lot of people there that he did end up feeling loyal to. and while that was scary, as mundungus prefers being a lone wolf ( or raccoon ), it was a kind of wonderful, too?

and -- get this -- he was an asset. his ties to the criminal world, with his ability to steal and sneak around like less than a shadow. he was useful, and mundungus fletcher had never been useful in his life before. what a weird feeling that was --- oh boy, but it was good, too. mundungus likes it. he could build on that and improve greatly and he has fucking potential to become a better person. he really wants to, too, because he feels incredibly indebted to alastor and dumbledore akjfsdf.

dont hold your breath, tho, he’s probably not going to improve a lot

mundungus doesn’t technically have a home. his mother’s place is his home, i guess, but he’s not there a lot. he crashes on couches, breaks into muggle homes of people who are on vacation ( always leaving it the way it was, but with a bit of a smell ) or in a squatter’s home, which he thinks is an iconic scene.

drugs tw // besides his work for the order, mundungus does a bit of this and that. he still works for his dad a little, dealing some drugs for him, but he’s mostly focused on making his way through the wizarding world’s underground and making a name for himself there. he sees no reason to try and find another career, finds the things he does now thrilling and exciting and honestly, he doesn’t have much of a way out.

abuse tw // his dad has a hold on him. sure, he can drop his criminal activities in the wizarding world, but when it comes to his dad's business, he’s stuck. his father isn’t going to allow him to walk away – that much should be obvious. he knows too much. and then there’s mundungus’ wish to always please his father, and his father’s endless dissatisfaction. it’s messy and bad and toxic and we all hate mundungus’ dad. end of tws //

addiction tw // what it all boils down to is that mundungus is chaotic. he never stays in one place too long, doesn’t have a consistent job, strays away from commitment and stability. he’s addicted, to drugs, alcohol, cigarettes and adrenaline. he’s self serving, in the end. he’s seeking for validation, deep down, and endlessly scared of all that’s happening around him. he’s alone, dreadfully so, but that’s the way he prefers it. end of tw //

personality & tidbits

mundungus is a lowkey tortured artist. he writes awful poetry and draws a lot and he loves painting if he has time. he’s in love with the beat generation, mostly. he’s very private about this kind of stuff, though. it's his thing, and his alone. some of his tattoos he’s designed himself tho!! and we love and stan!!

his stance in the war is something that’s … pretty unknown, i imagine. mundungus benefits from appearing neutral, has connections in both the pureblood and muggle world. he likes to come across as that shady dude who will do whatever you ask of him for the right price.

is a bit smelly, so give him a shower

most likely to show up at your doorstep at 5am with some flowers and a shit eating grin, saying “can i sleep on yer couch?”

mundungus LOVES animals but doesn’t have any because of his lack of a home. his mother has a dog, though, and he loves that dog. he also feels v connected to stray dogs and cats and can be found petting and feeding them a lot.

hates himself deeply, doesn’t think he’s worth anyone’s time (despite constantly demanding it), has a low opinion of himself. he doesn’t get it if people care about him, to be honest? the only person he can properly accept it of is his mother, but even that’s complicated.

plots!

CUSTOMERS // a simple, easy connection! basically someone who buys drugs (also does like medicinal stuff? but also drugs-drugs) of mundungus or has paid him (good money) to nick something for them. he’s pretty down to do most things as long as it’s for the right price!

PARTY FRIENDS // dung likes getting wasted / high / fucked up and having a good ol’ time with people. sure, he’s done it alone, but he prefers doing it with others. there’s a lot of room for diff options here?

YOU SAVED ME ONCE // ( alcohol tw ) a plot where someone got dung to a hospital when he got alcohol poisoning and basically saved his life?? meaning?? mundungus feels indebted and he hates that but!! he’s gonna pay your char back! he promises!

UNDER PRESSURE // i imagine that dung has some ties to de’s as well bc of his less than legal work so? maybe some death eater could try and put some pressure on him? get him to do some dirty job bc it’d not matter if he died … etc etc

UNDER PRESSURE 2.0 // on the other hand, i bet some order members are like 👀 at dung? this one’d be for order members who’re like … making sure that dung is still loyal and here?? making him feel a bit?? queasy??

ONE NIGHT STANDS // dung isnt rly good at romance but he’s good at no strings attached sex. this’d work in a lot of ways and w a lot of characters so imma keep this p open! dung is bi btw!!

THE ONE THAT GOT AWAY // your average angsty exes plot? mundungus is flighty, and while he does feel feelings for people, he’s not … good with commitment. this’d be a relationship that he broke off bc he got scared or ?? something else??

COUCHES // i need some couches that mundungus can crash on adkjfhsdf he needs a place ... to sleep. he will pay you back with drugs or ... stolen goods? money? something that he didnt acquire lawfully

#maraudrs:intro

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dmsilvisart · 6 years

Text

When commissioning an artist...

A rant by me....

DON’T ASK THE ARTIST TAKE AWAY WHAT MAKES YOUR LOVED ONES SPECIAL!!

The rest of this rant is under the cut....

It’s the holiday season, which means I get an above average amount of portrait requests that people intend to be gifts. Most of these are of children, or grandchildren (the other one is pets but that’s not this rant)

Of course there are always requests, “can you put them in a plain shirt instead of that pattern”, “can they be sitting like this instead of standing” things that are fine for the artist to change, no big deal

I’m also use to requests like “eyes not so squinty” because they gave me a reference photo that was taken outside in the sun! or darker hair, again because it was taken outside in full sun... I can deal with those if you have better pictures that I can pull an eye shape or hair color from.

HOWEVER

Dont request things be taken away that make your loved one unique...please. You’re asking the artist to create a likeness of your child or grandchild, just because you find something unappealing doesn’t mean it doesn’t make them who they are.

I say all of this because this year I have had to bite my tongue more than normal when speaking with people about commissions. I don’t want to lose the commission but I want to draw their personality...and I always ask why people want or don’t want something put in the picture. I’ve NEVER gotten an answer with substance, it’s always be a superficial thing “it’s ugly” “not very attractive” etc.

Why am I ranting? Because i’m looking back over this years commissions and all I can think is “oh that’s the person who didn’t want this” “thats the person who wanted this done”

Things I’ve heard JUST this year about beautiful, spirited children who I was commissioned to draw:

“Can you make her skin lighter?” *brain did a record scratch* what? you’re asking me to whitewash your grandchild? NO but if you can provide me photos where her skin is lighter then I can accommodate, but they couldn’t. They decided against getting the commission from me.

“Can you straighten her smile?” but that crooked smile is in every photo and it’s positively lovely, it’s part of her.

“Can you do something with his hair?” yet every photo this kid had messy hair...uhm...I don’t know how it lays naturally, give me a school photo or something

“Make him skinnier please” he’s a CHILD, Kids have “baby fat”, again no photos of this “skinnier” child were given to me and so I didn’t erase any pounds.

“Straighten his teeth please” excuse me? this child had that missing a tooth, some adult teeth were in and others weren’t smile goin on... again...NO

“I don’t want this person in the family photo” ... so i asked who the person was, to which I was told it was their step-mom sort of, they’ve been together about 5 years, but I don’t think it’s serious *wow* She wanted a family photo of her daughter and 3 grandkids but leave out her daughter’s long term girlfriend. Who was there for the kids when their father fucked off to parts unknown and had no contact with them. I didn’t accept this commission because I made the mistake once before of leaving people out of family photos and the people receiving it are never happy and I’m not going to be the cause of that hurt again.

“Can you make her hair less....THAT” what? less gorgeous? less beautiful? this little girl looked like sunshine, and had wild strawberry blonde curly hair.... NO fuck you I’m not taking that away

“Remove her tattoos please and I don’t want that blue hair color either” maybe YOU don’t want it, but your granddaughter did, so how about you suck it up and accept her for who she is. I turned this commission away and lost two other commissions because she told her friends I was “difficult to work with”

“I don’t want her in that shirt” OKAY so i could have accommodated that but THEN she said this “she doesn’t need to be spreading that--that propaganda (it was a bi-pride shirt) so i asked her if her daughter wore that shirt a lot and she rolled her eyes and said “all the damn time, i’d like to burn the thing” and then she chuckled and said “kids don’t know anything at that age” I told her it seemed like something that was part of her daughters personality and important to her, I would rather do the portrait with that shirt. She chose not to work with me

“she’s covered in freckles can you not put so much in?” *sigh* “oh and her hair really is more brown than ginger, i want her hair more brown” REALLY then give me accurate reference photos and I’ll do it, until then her freckles and ginger hair are precious! freaking enjoy it instead of “fixing it’ She changed her commission from a color portrait to a black and white portrait. really?

^^JUST THIS YEAR^^

Don’t remove what you consider flaws! These make their personality shine through and any artist worth anything will put them in a portrait and make what you think are flaw into a thing of beauty! So that your loved one won’t feel self conscious about them, because I fucking guarantee that they don’t get that reassurance from you!!

I apologize but I had to vent somewhere before I explode!

#artist rant #I can't believe people

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childofthenight2035 · 7 years

Text

Portrait Mode

A/N: i dont know where this idea came from tbh

Pairing: Kim Junmyeon x g!Reader

Summary/Prompt: A stranger asks for a portrait, but you didn’t see this coming.

Genre: Fluff

Word Count: 1.1k

Warnings: None

I fanned my face with my paint covered hands, squinting in the bright sunlight. I sat down wearily in the flimsy plastic chair near the stall. Being an art student at the local college, I’d decided to set up a little stall on the streets near the marketplace, where several other artists and craftsmen set up theirs every day. Since I had nothing better to do during summer vacation, I was here and it was a decent way to earn a little money.

It was afternoon and the heat was no less. It had been a rather busy day; I’d gotten several customers. My back really hurt and my wrist felt like knives were being stabbed into it.

I was considering packing up for the day, when a shadow fell over the blank canvas I’d set up, blocking the sunlight. I looked up into the eyes of one of the most beautiful faces I’d ever seen in my life. I stood up slowly, not taking my eyes off the person.

“Hello,” he said, smiling.

“Oh…hello,” I replied feebly, having forgotten how to speak.

“Would you paint something for me?” he asked, his voice soft and gentle. I took in what was happening. An incredibly handsome man whom I’d never seen before- and that shade of blue looked absolutely wonderful on him, those ripped jeans too- is asking me, of all the artists here, to paint him a picture. I don’t care how tired I am, I thought. I’m going to paint. I sat back down.

“Umm…” I cleared my throat. “Of course. What would you like me to paint?”

“It’s a portrait,” he said slowly. “A girl’s.”

I nodded, taking my pencil and testing its darkness on the canvas. “Could you describe her, please?”

He hesitated. “What do you want to know?”

“Let’s start with the shape of her face.”

“Um, it’s…” he seemed unable to describe it.

“Round? Thin? Pointed? Square?” I prompted.

“Round, I suppose.” He scratched the back of his head.

I sketched on the canvas. “Like this?”

He corrected it. “A little more pointed here, and…yeah.”

“Her hair?”

“It’s wavy, um…about shoulder length.” He made several gestures around his head to convey the image in his mind.

“Is it anything like mine?” I asked, since I also had shoulder length wavy hair. His eyes rested on my hair, pondering.

“Yeah, somewhat. It’s enough.” He informed, nodding.

“So,” I began as I sketched the girl’s hair, “may I know the name of the gentleman I’m painting this for?”

“Kim Junmyeon,” he replied. “But you can call me Suho.”

“Suho.” I tried the name out.

“Could I know yours?” he asked in return. I smiled.

“My name is Y/N.”

“ Y/N. Are these your paintings, Y/N?” I nodded, not removing my gaze from the canvas. “They’re very good.”

“Thank you.” I was done with the outline of her face, hair and neck. “Could you describe her facial features, please?” I listened carefully, lightly drawing as he spoke about the shape of her eyes, nose and lips. The way he spoke made me certain that the girl was his girlfriend- wife, maybe? He didn’t look old enough to be married, but you can never tell. He satisfyingly described the sparkle in her eyes and the amused smile that tugged at her lips, helping me make her look warm and real, not just an inanimate painting.

Painting a portrait is hard work. I pulled up a chair for Suho to sit down while I sketched. I struck up a conversation with him.

“So, Suho,” I said, “is this your girlfriend?”

“Oh, um…” he blushed. “Actually, no, it’s the girl I have a kind of crush on.” He was smiling like an idiot and I grinned too. “I mean, I know having a crush is schoolboy stuff, but I haven’t known her very long and she’s already stolen my heart.”

“Aw, that’s so sweet,” I remarked. “You’re going to give this to her?”

“I want to keep it,” he said, “If things don’t work out…I mean, I don’t know if she’s taken; I’d like to remember her.”

“If you don’t mind me asking, are you in college, Suho?”

He shook his head. “Just got out, actually. I got a job here at SM Enterprises. I’m sharing a rented apartment downtown.”

“So you’re new to town,” I confirmed. “That’s why I haven’t seen you before.”

“What about you, Y/N?” he asked. “You do this for a living?” He gestured to the stall and my canvases.

“I’m an art student,” I told him. “This is a summer job.” I switched to talking about the portrait. “Okay, so I’ve done the sketch. What colour is her skin?”

“She’s tanned,” was his immediate reply.

“Compare it to mine.”

“Um…” he stared at my face. “Maybe just a shade lighter, but more or less similar to yours.”

“Her hair colour?”

“Black.”

Man, she has a lot in common with me, I thought, but said nothing out loud.

I’d finished the base colouring of her face, neck and hair. I was painting the details, outlining her eyes, when a thought struck me. This girl looks an awful lot like me, I said to myself. But then I shook it off. Coincidence, maybe?

However, when I sat back, fingers coated in paint, to examine the portrait I’d done, the similarity hit me hard. It was as if I was looking into a special effects mirror. It was a replica of me, except for one more thing…

“Oh, she has a little birthmark on her left cheek,” Suho added. “Under her eye.”

I froze, glancing towards him, appalled.

I had a birthmark on my left cheek, under my eye! I had no doubt that this was a portrait of me. My mind was full of questions- first of all, why me? Was this some sort of prank? And…how on earth did he know about the birthmark? It was so small, hardly anyone noticed it!

After completing it signing my name at the bottom corner, I finally looked over at Suho, my face flushed. I opened my mouth to tell him something, but he beat me to it.

“Thank you so much,” he said. “How much do I owe you?”

I swallowed the retort I was about to make and named my price. He paid and picked up the canvas, walking away into the light of the setting sun.

I sighed, glancing down at the bills in my hand. My eyes narrowed. I shifted some aside, revealing a piece of paper.

I read aloud: “You’re beautiful and you have amazing talent. I swear, I saw you and was struck dumb…I hope you’re free tomorrow at seven, because…I’m taking you out to dinner?! Call me, please.” A phone number followed.

Half of me wanted to crumple it up, toss it aside and say, “the nerve of boys these days!” and the other half wanted to kiss it and call him right away.

I sighed, a little giddy inside. What was there to lose?

“I’m going to call him.”

#exo #suho #kim junmyeon #fluff #portrait mode #scenario

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