#drake and josh icons

[nosensedit]

⊹ ִ࣪ এ credits on twitter ִ࣪ ⌁ like or reblog if you save! ♡ ¸. • *

[livelovecaliforniadreams]

Miranda + Josh + Most Requested Lines They've Been Asked To Say

[nickmaghighlights]

Nick Mag Highlights - #114 September 2005

Welcome to another edition of Nick Mag Highlights! Today, we’ll be taking a look at Issue #114 from September, 2005!

Now, I understand you might be slightly surprised we went from Issue #1 to Issue #114, but I say take the whiplash in stride! Variety is the spice of life after all, and this cover exudes variety. We went from a roster of just one measly Nicktoon to a whole overload of shows spilling out from the top of the page!

But of course, front and center we have Drake & Josh, which was entering its third season at the time after facing massive success. Unsurprising too, since it really had everything going for it. Boys wanted to be Drake, girls wanted to be near Drake, and Josh was there to carry the show. How times change… now Drake Bell doesn’t even want to be Drake Bell.

But I digress, let’s dive into Issue #114! You can read it on the Internet Archive here.

Is a franchise really a “thing” if it doesn’t have a fast food toy line? Think about it. 

I remember that online game they’re advertising on the left, I’m pretty sure you never get to see your created ghost stand back-to-back with Danny Phantom himself, pretty disappointing if that was the prize you were after. 

Okay, after looking at some footage, it seems like you never get to see your created ghost even move! Explains why my memories of this game are pretty vapid.

There’s nothing else to incite fear into the heart of a child quite like the phrase “Back to School”. Except for maybe dentist’s appointments, needles, large bugs, and the Easter Bunny.

To tie into this most horrifying occasion, the overarching theme of this issue is stupidity. Let’s keep reading and find out if that was a dumb idea.

At this point Nick Magazine had dropped Ooze News, instead opting to advertise the biggest Nickelodeon headlines (Oooh, Tak 3!) near the beginning, with a special section later on for showcasing any upcoming episodes of their regulars. Stay tuned for that!

I’m not a Barbie expert. Are these based on outfits the doll wore at some point? ‘Cause otherwise these are just regular clothes that say “Barbie” on them.

First speech bubble from Zelda in the blog’s history!

Anyway, did you know Frankie Muniz (Malcolm in The Middle) is a NASCAR driver now? Crazy.

Lovely illustration work from Roger Langridge, who still posts comics on Twitter! Check him out after you’ve finished reading this post, liked it, reblogged, left a comment, followed, and bookmarked my blog.

I know what some of you may be wondering, just what exactly was the hot-ticket item kids were asking for Christmas in a pre-iPhone world? Well, I guess a Firefly might be a possible answer? I don’t recall ever seeing one of these back in the day, and apparently they don’t even make them anymore. 

What this ad conveniently doesn’t tell you is the amount of parental controls stuffed into one of these things, which makes them a fantastic safety tool, but maybe not that cool of a toy. 

Take note, this was back when having “animations” was a selling point.

Here we can the see the aftermath of Nickelodeon teaming up with Baby Bottle Pop for a bit of cross-promotion, which culminated with the crowning of the first (and probably only) “Baby Bottle Popstar”.

Indeed, kids across America were urged to send in their own rendition of the iconic “Baby Bottle Pop jingle” (which no doubt most of you are humming right now). Those performances were left to the mercy of the online populace, voted upon with the utmost scrutiny. Few died, but many were injured, and a young Alyssa of California was crowned Baby Bottle champion.

So it says in the history books, anyway. If you’d like to see the Baby Bottle ballad that shook the world, I recorded a video of the Nick.com link included in this ad, courtesy of the Internet Archive.

Sorry, got a little intense back there. Anyway this is a fun section! And anything reminding me about Jack Black and School of Rock is a positive in my book. Little odd lumping in The Dukes of Hazzard next to Finding Nemo and Spongebob, but I guess they might have wanted to throw a bone to the preteens in the audience.

Pretty cool full page spread advertisement for a Nicktoon, and for Catscratch no less!

Ah Catscratch, one of Nick’s oft-neglected 2000’s ‘toons, right next to The X’s and Making Fiends. Obviously I’m biased a bit, being a 2000’s kid, but it really sucks these shows fail to even get a passing reference nowadays. Oh well, if My Life as a Teenage Robot can escape Nick’s 2000’s dungeon, maybe there’s hope for the others.

A pretty funny comedy section here, depicting the daily newspaper of the fictional town of Moronia. I’d recommend checking out the full section if you’re not already reading along, it’s pretty funny!

Y’know I really wouldn’t have thought such generic phrases like “Feel Brand New” and “Make it Your Style” would be trademarkable. I would think at most you could get away with holding the rights to “The Lisa Frank Brand is for Every Happy, Cute Girl”. Although since they left that last one open, I bet the trademark is still available if anyone wants to snag it.

Additionally I’d like to give props to this company for being so bold as to have one of their mascot characters thank the Lord himself for their brand’s existence. You hardly see such tenacity nowadays.

Weird short fascination I had as a kid: I really liked the style of these ads that Pop-Tart was running at the time. I’m sure a lot of you remember the commercials in particular. I guess the black-and-white scribbly style just tickled my brain! Weirdest thing was they never actually inspired me to buy Pop-Tarts myself, it was only last year or so I had my first ‘Tart. Suppose that makes me a fake fan.

We’ve made it to The Comic Book, rejoice! 

Initially, I was particularly excited about this being the opportunity to introduce some of the regular comic series featured in this section, since I thought they’d have already started appearing by now, seeing as how we’ve jumped ahead much later into the magazine’s run.

But, uh, no, actually! This issue is completely lacking in strips from any of the notable ongoing comic series from the mag’s lifespan. Not even a Scene But Not Heard, which I guess disproves my memory of each issue having one!

Oh well, we’ll get to them when we get to them, the one-offs were usually just as entertaining. And we do at least have one recurring strip to talk about, Impy & Wormer!

Impy & Wormer was a regularly published strip for this section, created by James Kochalka. The strips were so small, you could find one of them at the bottom of each page of The Comic Book. It’s a pretty cute idea! I often found myself doodling Impy in the margins of my notebooks when the magazine was around. 

Say what you will regarding how Web 2.0 and the modern internet has affected society’s mental health and the overall cultural zeitgeist, but it did lead to this funny one-panel comic :)

Holy moly. Does anyone else remember Postopia? I swear for the last couple years I tried my damned hardest to find out what website it was that I played some weird Flintstones flash games on as a kid. I recently found out that it was indeed Postopia. Man, between this and Pop-Tarts it really seems like I would just buy into whatever weird viral marketing these fast food brands were pumping out as a kid.

I remember these being a fairly common activity in the mag: gag product labels. Cut ‘em out and tape them on to their intended packaging and you’ve got an instant barrel of laughs! Problem is they never seemed to be the right size for the products I tried them on. 

Come to think of it, my parents were really the only ones who got to see them finished, and they didn't really find them that amusing either. Was I really supposed to show my friends some dental floss I had taped a fake label onto?

“Nostalgia” is a term I honestly hate throwing around, what with how common it is, but this page in particular is really inciting some wistful childhood memories. Doesn’t seem like the worst deal in the world either, at least if you’re into membership cards, special edition issues, and stickers.

Sidenote, Step 4 isn’t really a surprise if you tell everyone it’s a Spongebob hat, guys!

Man, these guys hate teachers! I did not know a single kid in school who hated their teachers as much as the Nick Mag writers seemed to. A lot of my teachers were pretty nice, actually.

Yeah, in terms of replacing the Cartoon Calendar section (which we saw an example of in the previous NMH post), this leaves a lot to be desired. Still, I like when the magazine tried to give out fun factoids, it made me feel like my intelligence was being respected. Those puns are Zelda Van Gutters-tier writing though.

Now now, I’m not going to keep going on about Drake Bell. There’s only so many times you can shoot the elephant in the room before you start looking like the weird one. Drake & Josh was such a favorite of mine around the time this magazine came out, and it was really fun getting at least a little insight into what the behind-the-scenes view was like.

Small extra detail I find interesting is that almost every blurb below summarizing the new episodes for each show mentions romance and crushes (baring All That, but that’s a sketch show anyway*). Even the interview brings up that Josh had gotten a new girlfriend in Season 3. Guess Nick was really going all in on the love aspect to keep their preteen audience’s attention in the midst of puberty, which feels kind of manipulative in hindsight? Oh well.

*They were still making All That in 2005?

TurboNick, huh? I… think I remember this? Barely. Looking it up on Google gives me a faint sense of remembrance. Although I don’t remember Pick Boy. Sorry, Pick Boy. 

I guess the idea was you could check out clips from all your favorite Nick shows and eventually be graced with a full-on episode thanks to Pick Boy, and given his name I’m sure voting was involved to decide the full episode that was released. Not the worst idea! I certainly don’t remember Cartoon Network posting full episodes online. They probably didn’t even have their own Pick Boy.

I’m willing to give credit where credit is due. In the last NMH post I accused a lot of kids’ for being very fart-centric. I’m still sure in the Gnarly 90’s that was true, given all the stuff Ren & Stimpy were getting up to on prime-time television. But here in the Techno 2000’s we reference Spock and take Grandma to prom. A much more sophisticated fare.

Man, this must have been so cool for any Sly Cooper fans picking up this book. It’s a triple threat: questions, concept art, and a quick-look at Sly 3! I may not be a fan myself, but I can always appreciate some concept art and creative insight for a largely beloved character and series.

And rounding us off it's... Hey, it’s Bill Trinen! He was a sort of meme for a while, wasn't he? Back when they let him be in Nintendo Directs, anyway. Well, I say meme, but I guess he was more like an oyster stuck on the underside of a much larger meme named Reggie Fils-Aimé.

Yeah, definitely more like an oyster… What were we talking about? Oh yeah, NintenDogs! Never played it. Apparently they poop! Cool, I guess!

Well, well! That wraps up another addition of Nick Mag Highlights! I think getting the 2000's side of the timeline after the first issue was good for giving a bit more context on how the magazine looked and grew throughout its time on the market. I’m excited to see what’s next, and I hope you enjoyed it too. There’s tons more content and memories to read through. 

Also, one last thing. While looking up that one Danny Phantom flash game from the start of the issue I found that there’s apparently a new Danny Phantom graphic novel coming out this Summer? I’m surprised I haven’t heard anything about this! The art looks really pretty. If this seems like your thing, keep an eye on it!

That’s all for now! Until next time, keep reading!

[dudemaster34444-blog]

The greatest book besides Gravity Falls: Journal 3! The Enchiridion & Marcy’s Super-Secret Scrapbook!! By Martin and Olivia Olson was an absolute treasure! I was overjoyed reading the book. I would rate it 5/5 stars. It was amazing seeing the Enchiridion filled with heroic teachings, Wizard secrets and margins from AT characters. The only thing that bugged me is that the icons for Marceline and Hunson’s margins were from the Nightosphere two-parter. I hate that episode so much!! But still the Enchiridion part was so amazing!!

So was Marcy’s Super-Secret Scrapbook. Olivia Olson did an outstanding job with the writing of the book. She really connected to Marceline and Simon. She also reminded me why Hunson Abadeer is one of the characters I hate so much. Not for being “evil” but being a combination of an Idiot and a Jerk! The backstory was beyond tragic and surreal. The songs and poems she wrote were a work of art. This is one of the many reasons why Marceline is my favorite character ever!!! The illustrations were outstanding by Tony Millionaire, Dan Povenmire, Renée French and Celeste Moreno

This book is a wonderful combination of Martin Olson’s Encyclopædia of Hell with Drake & Josh, Buffy the Vampire Slayer and the mind of an angsty Vampire-Demon Girl.

I recommend this to any Adventure Time fan!

[unitedstatesofworld]

Dan Schneider Net Worth: The Man Behind Nickelodeon’s Golden Era

Dan Schneider, the creative genius behind some of Nickelodeon's most iconic shows, is no stranger to success. With a career that spans decades, his work has left an indelible mark on children’s television. So, it's no wonder people are curious about Dan Schneider’s net worth. Just how much has this prolific producer and writer amassed over the years? Let’s dive into his journey, exploring his creative empire, career highlights, and of course, his impressive financial standing!

Dan Schneider: The Beginning of a Creative Powerhouse

Before Dan Schneider’s net worth skyrocketed, he was just a kid from Memphis, Tennessee, dreaming of big things. He didn't begin in the entertainment industry, though. Believe it or not, Dan started his journey by fixing computers—yes, fixing computers! But soon enough, Hollywood came calling, and Schneider transitioned into acting in the 1980s. After dabbling in minor acting roles, his creative juices took him in a different direction. He quickly found his niche as a writer and producer, setting the stage for his massive success.

The Nickelodeon Era: Where Dan Schneider Shined

When people think of Dan Schneider, they think of shows like iCarly, Drake & Josh, and Zoey 101. These series are not just household names—they defined an entire generation of young viewers. Schneider was known for his quirky, fun, and relatable characters, who often faced the hilariously awkward moments of adolescence.

But what really set Schneider apart? It was his unique ability to tap into the pulse of teenage culture. This talent translated into massive viewership, ratings, and, of course, a growing financial empire. It’s no wonder that Dan Schneider’s net worth reflects his monumental impact on the industry.

How Did Dan Schneider Build His Wealth?

So, how did Schneider build his fortune? Primarily, it boils down to royalties, production deals, and syndication of his hit shows. When your content is as popular as his, it continues to generate revenue long after it first airs. From licensing deals with networks to selling DVDs and streaming rights, Schneider's shows have had impressive staying power.

Royalties: His shows continue to generate income through reruns and syndication.

Production Deals: Schneider signed lucrative deals with Nickelodeon over the years, securing him a significant slice of the financial pie.

Merchandise: Many of the shows he produced also had associated merchandise, further contributing to his wealth.

The Dan Schneider Empire: Beyond TV Shows

While Nickelodeon might be his most famous stomping ground, Schneider’s influence goes beyond just kids' television. He has also worked on a variety of other projects in both film and TV, further padding Dan Schneider’s net worth. His production company, Schneider's Bakery, became a launchpad for many of his creations, making it a lucrative endeavor all on its own.

Why Did Schneider Leave Nickelodeon?

In 2018, Dan Schneider parted ways with Nickelodeon. Many fans were left asking, "What happened?" Schneider had produced hit after hit, so why the sudden exit? The exact details have been somewhat murky, but Nickelodeon released a statement saying the decision was mutual. While some speculated controversies, Schneider hasn’t been entirely silent since. He’s been working on new projects, though nothing has matched the scale of his Nickelodeon days. But even after leaving, Dan Schneider’s net worth remains impressive.

What's Next for Dan Schneider?

Though Schneider has taken a backseat from the public eye, there’s little doubt that his creative mind is still ticking. Could he make a return to television? What if he’s cooking up something completely different? Only time will tell, but if his track record is anything to go by, the future is bound to hold more success—and perhaps even a boost in Dan Schneider’s net worth!

How Much is Dan Schneider’s Net Worth?

Alright, let’s get down to the big question: What is Dan Schneider’s net worth today? Estimates suggest that Schneider is worth a whopping $40 million. Not too shabby for a guy who started out fixing computers, huh? While his departure from Nickelodeon might have slowed down his career trajectory, his wealth remains largely intact, thanks to the continued popularity of his past work.

Factors Contributing to Dan Schneider’s Net Worth

Television royalties from shows like iCarly and Drake & Josh.

Streaming services picking up his iconic shows, further expanding his revenue.

Licensing and merchandising, which continue to make Schneider a household name.

Conclusion

Dan Schneider has undoubtedly left a significant mark on the entertainment world. From launching timeless TV shows to securing long-lasting royalties, Dan Schneider’s net worth is a testament to his creativity and business savvy. Whether you’re a fan of his work or just curious about how he amassed his fortune, one thing is for sure—Schneider's empire isn’t going anywhere soon!

[johnny-2000s]

Today, we’re breaking down the best and worst DVD collections from some of the biggest networks in TV history. Whether you’re a fan of Nickelodeon, Cartoon Network, or Disney Channel, you’ve probably seen the ups and downs of physical media releases for your favorite shows. On the best side, we’ll be talking about collections that nailed it—whether it’s an iconic sponge, some legendary benders, or a group of quirky heroes, these series set the standard for what a great DVD release should look like. With complete box sets, collector’s editions, and carefully crafted releases, they represent the gold standard in owning physical media. But not every network got it right. Some major shows suffered from scattered releases, incomplete seasons, and poor distribution strategies. Whether it’s a teen sitcom with tons of missing episodes or an animated series with random compilations instead of full collections, these releases leave fans frustrated and hunting for better options. We’ll also give a shoutout to a few honorable mentions—shows that could have been among the best but fell short due to inconsistent releases or missing content. So, join me as we dive into the highs and lows of DVD releases from networks like Nickelodeon, Cartoon Network, and Disney Channel. Whether it’s a classic cartoon or a teen comedy, you’ll see which shows nailed their physical media releases and which ones completely dropped the ball. SpongeBob SquarePants (Nickelodeon) Adventure Time (Cartoon Network) Avatar: The Last Airbender/Korra (Nickelodeon) Ben 10 (Cartoon Network) The Fairly OddParents (Nickelodeon) Worst DVD Collections Keywords: Drake and Josh (Nickelodeon) The Fairly OddParents (Nickelodeon) Hannah Montana (Disney Channel) Phineas and Ferb (Disney Channel) Foster’s Home for Imaginary Friends (Cartoon Network)

[iconsrainbow]

Drake Bell or Drake and Josh headers?

only icons…

[ailogomakerr]

Beyond The Slime: A Logo Analysis of Some of Nickelodeon’s Bizzare Logos

You can’t simply think of a kid’s TV channel without immediately thinking of Nickelodeon! It’s every kids’ staple along with Cartoon Network and Disney Channel. All of which has captivated audiences, young adults and even young adults with their iconic shows and series!

But apart from their quirky cartoons and shows that are joint to the hip with fun, there’s much more interesting things about Nickelodeon and that’s how their logo practically is shapeshifter! It is indeed a wonder to look into this symbol strategy and learning about their logo history and symbol success can help you kickstart your logo-making journey. Make sure to check out Ai Logo Generator for a convenient, and fast logo-making journey!

Source: The Guardian

Some of Nickelodeon’s many forms of logo stood out among the pool of slime-themed logos and in this blog, we are going to dive right into the inspiration behind these logo designs and the extent of creativity it took to make them that made Nickelodeon a success. Whether you’re looking to learn for a logo do-over or you’re starting out from scratch, tune in!

The Slime, A TV Icon

Creativity and Fluidity at Its Peak

The Splat went under a bajillion iterations as there’s really no definite number as to what shape liquid would form into and this genius reason represents Nickelodeon’s fluid and ever-evolving nature. It effectively echoed the infinite possibilities and limitlessness of fun, it perfectly reflects a kid’s ideal of what fun means, there’s no set form to it and everything is possible!

A Emblem of Infinite Possibilities

Reinvention is what Nickelodeon’s splat represents: the ability to adapt and reinvent itself, mirroring the limitless imagination of its audience. It acknowledges that children’s interests are varied and ever-changing, and so too must be the network that seeks to entertain them. This logo embodies the spirit of innovation that drives Nickelodeon, reflecting its commitment to being a dynamic and responsive entertainment platform.

The Turkey Logo

Spirit of The Season

This certain season Nickelodeon logo was specifically made for a very special holiday, and you’ve guessed it, Christmas! Kidding aside, this logo really showcased the Thanksgiving spirit and how the channel brings families together even just by gathering them around their TV screens at home. This logo is a perfect mix of celebratory and comedic branding.

Why a Holiday Logo?

The turkey is not just a Thanksgiving cliche, it is strategically adopted to reflect the channel’s awareness and respect for cultural significance of holidays and how important these events are for their viewers. By temporarily changing their logo to that of a turkey, they are showcasing that even if they are a large name in the industry, they can still intimately celebrate familial holidays right inside everyones’ home so long as they have their televisions on.

Five Fingers to the Face (When You Know, You Know)

A Personal Touch

This might not come as a shock to everyone but Nickelodeon’s hand logo is not just something silly that they slapped on (pun intended) and got over with. It actually represents the channel’s hands-on approach to everything they produce and their undying dedication to create television content that can touch their audience’s lives. Even if it’s through a comedic show from Drake & Josh or from a funny banter between Sam and Cat, Nickelodeon knows how to touch people’s lives (not literally we hope). This kind of logo personalization shows creativity and expression within the network.

Significance of the Handprint

Everybody else knows that a hand print is a sign of one’s individuality and uniqueness and Nickelodeon took that to their advantage using a handprint to signify how their channel just stands out among the crowd. It is also evident that this logo symbolizes how their viewers are unique as well, with a different set of interests, tastes and take on things. That can be seen on the shows their produce, this logo only proves that the network fosters individuality among their viewers.

The Feet Logo

This Aged Like Milk

Before the whole Fiasco with Schneider’s alleged demeanor in and out of the Nick show’s set, the feet logo used to be a profound representation of the channel’s fun and quirky spirit. “Go wherever your feet take you!” Is a saying that’s quite inspiring for children that are fans of the channel and the shows it aired at the time and the feet logo is a smart marketing strategy to uphold their ambition to have children explore and engage with the world. It’s also a genius call to action to have viewers kick off their shoes and get comfortable just as how their show aimed to.

Why Feet?

Opting for a foot logo made Nickelodeon stand out among its competitors that are giants in the kids’ TV industry. Although the foot looks like a suspicious option to pull that off with all the choices the channel has for the central visual element. But suffice to say, it worked! Then, that is. Humor and joy was the network’s mission and the logo seemed to have appealed to children, just how Schneider wanted to (just a rough guess.)

To Wrap Up

These logos that represented Nickelodeon are only a few of the ones that the channel made and utilized for certain occasions or events. Talk about dedication for staying current! When it comes to knowing and standing on business on what’s in, Nickelodeon never came to play! This unique yet effective symbol strategy is deeply intertwined with the channel’s personality.

Apart from being quite a hit on the marketing side of things, these logos also represent how the channel really knows their audience and cares about viewer’s preferences. With these bizarre logos, Nick had the edge to stand out and be one of the best TV for kid’s entertainment out there.

What do you think about this versatile type of branding? It’s quite tedious and takes a lot of brainstorming but totally do-able and worth it! So would you dare to incorporate it into your symbol? Let us know!This blog is from Ailogomakerr.com

[steelflexbell]

Yeaa still havent got past episode 12

By the way, i was NOT expecting them making drake and the other cast members wear dresses for episode 9's intro skit

That's one of the most iconic cold opens from that show! I know I reblogged some kind of photo set or gifset of it back in middle school... Time flies!

It was a pretty common trope in Nickelodeon comedies at the time. All That had a fair amount of it and so does Drake and Josh.

[itianexpert-blog]

Where Vintage Grunge Meets High-Fashion Rebellion

In the ever-evolving landscape of streetwear, few brands manage to straddle the line between edgy rebellion and luxury quite like Gallery Dept. Born from the creative synergy of Los Angeles artists Josh Fine and Maurice Malone, Gallery Dept Clothing is more than just a clothing label - it's a cultural phenomenon that reimagines vintage aesthetics through a contemporary lens, injecting high-fashion sensibilities into the world of skate and punk.

Their story begins in a sun-drenched Californian skatepark, where Fine and Malone, seasoned veterans of the art scene, found their creative paths converging. They bonded over a shared appreciation for all things vintage, particularly the raw energy and rebellious spirit of 70s punk and 90s grunge. This common ground laid the foundation for Gallery Dept., a brand that would weave nostalgia with contemporary artistry, transforming worn-out garments into canvases for their subversive vision.

Their approach is anything but conventional. Instead of pristine production lines and meticulously sourced fabrics, Gallery Dept. thrives on upcycling and reimagination. Vintage band tees, distressed denim jackets, and faded sweatshirts are breathed new life through hand-painted graphics, bold bleaching techniques, and unexpected juxtapositions of materials. Every piece tells a story, bearing the scars and imperfections of its past life, imbued with a unique character that speaks to the brand's core values of authenticity and individuality.

This dedication to rawness and individuality extends beyond the garments themselves. Gallery Dept. shuns traditional runway shows and celebrity endorsements, preferring instead to cultivate a community of artists, musicians, and skaters who embody their rebellious spirit. Their campaigns are less about polished perfection and more about capturing the raw energy of underground music venues and graffiti-laden backstreets. It's about showcasing the clothes on individuals who live and breathe the brand's ethos, not faceless models on a sterile catwalk.

This unconventional approach has garnered them a cult-like following among fashion's forward-thinking set. Celebrities like Kanye West, Travis Scott, and Drake have been spotted sporting their distinctive denim jackets and bleached tees, further solidifying the brand's position at the intersection of streetwear and high fashion. But Gallery Dept.'s appeal extends beyond celebrity endorsement. It's the authenticity, the rebellious spirit, and the sheer artistry that resonates with a generation yearning for something beyond mass-produced trends.

Their pieces, though meticulously crafted, maintain an aura of DIY rebellion. Bleached denim looks like it was ripped straight from a vintage store, graphic tees bear hand-painted skulls and scrawled slogans, and oversized flannels appear straight out of a grunge music video. It's a deliberate rejection of the polished, mass-produced aesthetic that dominates much of the fashion landscape. Instead, Gallery Dept. celebrates individuality, imperfection, and the raw energy of street culture.

But it's not just about nostalgia and rebellion. Gallery Dept. also injects a healthy dose of high-fashion sensibility into their creations. Collaborations with iconic luxury brands like Louis Vuitton and Adidas elevate their garments beyond the realm of streetwear, while still retaining their distinct aesthetic. They manage to walk the tightrope between street grit and high-end luxury, creating pieces that are both covetable and accessible.

This is perhaps the greatest strength of Gallery Dept. They haven't forgotten their roots. They haven't succumbed to the temptations of mass production and designer collaborations that often strip the soul from independent brands. They remain true to their core values, their love for vintage, their appreciation for street culture, and their unwavering commitment to individuality. In a world of fleeting trends and manufactured hype, Gallery Dept Hoodie stands as a beacon of authenticity, a testament to the enduring power of raw creativity and rebellious spirit.

So, the next time you see someone sporting a faded Gallery Dept. tee with a hand-painted skull, don't just see a piece of clothing. See a testament to a brand rewriting fashion rules, one distressed denim jacket, and bleached t-shirt at a time. See a community of artists and rebels reclaiming vintage aesthetics and injecting them with a contemporary edge. See a brand that simply refuses to be confined to the boxes.

[beardedhandstoadshark]

What is the strangest Ads have you ever seen?

Oh boy, let me tell you of a little ad campaign that gave tiny me actual nightmares :)

So, as a kid, I watched a lot of Nickelodeon; be it Drake & Josh, Fairly Odd Parents, iCarly, you name it- but the show I watched most of all was SpongeBob. No joke, I LOVED this funky sponge lad and his friends, to the point you could give me a description of a single scene and I‘d know what episode you were talking about. Part of that was probably because of the schedule- airing both right after I always came home and as the last show before the movies at 20:15, so I was able to catch pretty much every episode.

Only one evening, when the pre-movie episode started airing, the portrait guy did his iconic "OHHHH“, and the camera went underwater to kick off the song with everyone’s favorite sponge slamming the door open to greet a new day-

He wasn’t there.

The scene froze.

Silence.

Only broken when a single message finally flashed across the screen:

"SPONGEBOB IS GONE.“

Cut to the…studio? And a guy reports that SpongeBob is missing from Nickelodeon, they’re searching for him and need help, a website was launched for viewers to send clues and sightings in because no one knows what happened, where is he, who did this, what’s going on- and then the usual program continued without change.

Except there was change, because SpongeBob was gone. Everywhere. Wherever SpongeBob would normally be in those in-between commercial breaks, the program previews, even the icons on the Nick website, everywhere he‘s ever been- he was blackened out. Only an empty silhouette remained. Because SpongeBob wasn’t there.

SpongeBob was gone.

So when the time finally came for his episodes to air, they didn’t. Instead, It‘d cut back to the studio, and the guy would say that he was still missing, but people sent in clues from the website (that was actually real btw) and they’d show it over the course of the weeks. I watched that program exactly once, and they showed three things. A letter asking SpongeBob to please come back because everyone misses him, a photoshopped image of the sponges’ silhouette jumping up in front of a sunset beach. But do you wanna know what the last thing they showed was?

A minute long video of someone desperately running for their life through thick foliage blocking all their view with the only sounds audible being the rustling branches, their labored panting, and an ominous distorted laughter howling with the wind.

And then the dude went like "wow thank you for the clues :D could that really be SpongeBob? We don’t know and he’s still missing! See ya tomorrow!“ and I had to go to sleep. I could not go to sleep. Like. Sir. SIR. Is SpongeBob getting hunted? IS HE HUNTING SOMEONE!? HELLO!??? WHATS GOING ON!??

Yea. So this went on for a while, every day SpongeBob was still missing and they played that program showing off a bunch of the things that were sent in.

Until they randomly announced that he was found and everything turned to normal again from one moment to the next. Turns out was at the frickin Nickland section of Moviepark this entire time. Bruh.

And this whoooole thing, was an ad campaign. Not for said Nickland like I thought back the time, cuz that would’ve at least made somewhat sense.

Nope, it was for one. Single. SpongeBob episode.

All of this.

For the episode where SpongeBob falls off a random cliff gets amnesia and becomes mayor of some random city for a day.

Bruh.

[fredalan]

Chauncey Street creates the Nickelodeon’s Kids’ Choice Awards

The blood was quickly draining from the faces of Gerry Laybourne and Debby Beece.

Chauncey Street Productions –Albie Hecht, Alan, Fred– was describing a scene of hopeful optimism of an annual kids' award show Nickelodeon should produce.

"There'll be the biggest movie stars in the world while 10,000 kids will be screaming at the top of their lungs!"

"But why will any stars come to a Nickelodeon kids' awards show?"

In 1988, Nickelodeon was only three years into its Fred/Alan revival. Even with the network at #1 in the ratings, Nick management was, smartly, still working like the channel was an underdog. It allowed the staff to keep their creative and business edges, striving to be the best.

As much as Nick had grown, the general perception was that The Disney Channel was bigger. It wasn't true, not by a long shot, but Disney clearly had a bigger brand name in the public's –and the media business's– imagination. So the underdog needed to keep up the pressure.

We thought an annual Kids' Choice Awards, executed well, could be Nickelodeon's nail in The Disney Channel coffin. After all, Nick was the most popular kids channel on television, by far. This show would be the proof, like ESPNs ESPYS and MTVs Video Music Awards had done for their channels.

Gerry and Debby became convinced, as did the MTV Networks higher ups, that with cable in 50 million American homes in the late 1980s, and Nick at #1 in the ratings (not to mention the dominance of Nick-at-Nite), in addition to kids, parents –and please, movie stars were parents too!– were more excited about Nickelodeon than anyone realized. And the chance to be in the presence of a live Nick show would draw out the crowds.

Alan: A nice detail is what Gerry told me years and years later. “When you guys told me the idea I thought I was going to throw up. I was so worried celebrities wouldn’t come because we were still new. But I also knew you were right and we had to do it.”

It was still an uphill battle to mount the show. Budget would be an issue for several years, convincing Universal's Hollywood theme park to give us one of their pavilions for free was, to say the least, a triumph of negotiation (we promised that we’d feature the tour in the show!). And those movie star guests? That took a while.

From the very beginning, we were thinking about what the actual physical award would be. Albie was drawn to the blimp version of Nick’s logo that Corey & Co. had designed for Fred/Alan. It was his brainstorm that insisted the dirigible would double as a kaleidoscope.

Dan Schneider, Debbie Gibson, Brian Robbins frightened by King Kong on the Universal Studios Hollywood tour KCA 1988

The first show host was Tony Danza, then flying high on "Who's the Boss," Nickelodeon network ID singers, Eugene Pitt & the Jive Five and pop sensation  Debbie Gibson. And maybe most prophetic of all,  guest presenters included stars of the sitcom "Head of the Class" Dan Schneider and Brian Robbins. "Prophetic" because Dan went on to create Nick's iconic live action comedies like "Drake & Josh," "iCarly" and "Zoey 101." And Brian? Well, after several years of being a hit television producer with partner Michael Tollin ("Smallville," "All That," "One Tree Hill"), in 2018 Brian became the president of Nickelodeon.

Alan: Other details: We couldn’t get Eddie Murphy that first year. We couldn’t even get Judge Reinhold to accept on his behalf. Thank goodness John Ashton did the appearance. (He was the cop sidekick.)

Also if I’m not mistaken Alf won best actor for TV. Hey, they were kids. 

Brian Robbins & Dan Schneider KCA 1988

Albie went on to become the Nickelodeon's president of production where he produced all the Kids' Choice shows until he becamse Spike TV's founding CEO in 2003. Not for nothing, after a steady build, the 1998 10th Annual Kids' Choice Awards was held at UCLA's Pauley Pavilion. The sold out capacity? 10,000 screaming kids.

[snakecultist]

( drake&josh door meme) windows,,,why is there a microsoft edge application icon on my desktop.......

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