#dv art

[beanskoala]

contest entry for dappervolk lol

may or may not be cringe

[puns-dv]

CRYING in the club rn

[elk-scribe]

popsicel

[froggy-nebula]

rose lalonde, age four

[lacking-hydration]

swagever

[meatballsu]

doodles

[sinningtamer]

taming the monster hunter 🦊🩸🔮

this tooootally wasn't an idea i had back around halloween and only found motivation to draw now... what gave you that idea?

[japyjazzz]

Now i can see the whole world through my fingers… And the world smiles at me

[hyliagirl42-art]

I am obsessed with every adult Wind from every au I see, so here's a couple of them taking a selfie pictograph!!

From left to right we've got Boreas by @walmart-brand-vampire , Pirate from my own dreamverse au, Wind from @limited-hero au, and Wake from @bonus-links au!!

I have no idea how to draw pictographs so just dont look too closely at that lol

[robsheridan]

recombinance (2004). Early works with DV data corruption, 20 years ago. As I mentioned in a recent post about NIN’s 2002 And All That Could Have Been DVD, I became during the creation of that film fascinated with the aesthetics of Y2K-era consumer digital video. I was drawn to the uniquely chunky corruption blocks that occurred on lightly-damaged DV tapes, how they were sparse and sometimes gentle in nature.

I filmed some soft gradients, some out-of-focus landscapes and other smooth organic surfaces, and then damaged the tapes (wrinkling the tape, applying magnets/heat, just enough to disrupt the data but still let the tape pass through), seeking the right balance where the harsh digital corruption disrupted and contradicted the soft backdrop while also at times trying to become part of it.

It’s how things felt in the post-millennium migration to all-things-digital, like our old organic analog world was fading out of focus as more of it became rapidly mass-digitized, encoded, and compressed down into tiny efficient grids that more or less replicated what we were at the expense of all the complicated gradients of humanity in between.

Harsh DV data glitches and video interlacing against soft organic textures would form much of the inspiration and methodology of my NIN With Teeth album art in the latter part of 2004 and early 2005.

You can read more about my digital glitch art processes for With Teeth, and download a full tutorial, on my Patreon.

[beanskoala]

art for my dappervolk profile

[weirdmefrom13]

bonus panels:

[storytellering]

Happy Valentines 🖤

[froggy-nebula]

i think on the meteor dave is very against the idea of eating bugs because he thinks its gross and that alternian food looks like its from a horror movie, and rose constantly mocks him for it and how not open-minded he is and constantly says she would of course try it and acts so very mature about it until they actually do sit down to try some one day and it goes like this

[lacking-hydration]

I'm obsessed with her and her crimes against humanity

[meatballsu]

ez life when i find core & fresh can interact