#edge collection

[itsrnvalves]

Nothing makes a human happy than seeing that their bathroom is all light up and giving all the luxurious feel. The Edge center hole basin mixer tap is that one. The plus point is it has 2 handles that could provide you hot and cold water.

[weaponizedducks]

what the fuck did stoick tell the gangs families in rtte. oh sorry your reckless teenage children have taken their dragons and fucked off to a remote island hundreds of miles from here to fight people. they might die lol.

[vildo]

Imma start collecting these like pokemon

[mizgnomer]

David Tennant standing on the edges of his feet

[princeparadiso]

no childhood should be like this

[dragonnnfly]

[melodysbookhaven]

onceuponafaerietale_ on Instagram

[ikiprian]

wip wednesday: damian inherits bruce’s adoption issues au! (wip: one-shot) (1k/3k)

“Damian,” Bruce starts, gently. “How many cats do you have?”

Damian sniffs. Captain Alfred shifts unhappily in his arms, so he readjusts his one-armed hold. “Don’t be foolish, Father. Alfred is known to be the only cat here.”

Behind his back, he used his free hand to signal Return to Base to Silly Alfred. Unfortunately, direct scrutiny limits Damian’s movement and confuses the hand sign. Double unfortunately, Silly Alfred is a master of charisma, not obedience. He continues to bat at the coiled door stopper as if he’s not about to compromise his entire squad.

“That’s a sentence with one too many clauses,” Jason pokes.

“This concerns you, how, Todd?” Damian snaps. “You don’t even live here!”

“Ooh, and there’s a sentence with a few too many claws-es!” Jason’s smirk stretches wide, almost into a proper smile. Clearly, he is enjoying the idea of Damian getting caught. Does he not understand what is at stake?

“Bruce?” comes a tired voice. Tim, the fool, stumbles into the room, apparently done with his weekend-long casework bender. “The computer’s running some numbers— can you make sure nobody touches the program ‘til I wake up?”

In his arms is Friendly Alfred. Hungry Alfred trots after his heels.

Bruce, for all his mastery of deceit and the fine-tuned control of expression that entails, freezes.

[virtue3vice]

“There is no knife that cuts so sharply and with such poisoned blade as treachery.”

— Ouida 🗡️

[favvn]

Putting under a read more because I keep making too long of posts about Star Trek TOS. But Amok Time has me reflecting on the idea of belonging/a place to be for Kirk and Spock. (Also, this is a mess. I need to edit this better into a more coherent and concise point.)

In The City on the Edge of Forever, Edith Keeler confronts Kirk and Spock and tells them, "You know as well as I do how out of place you two are around here." It's straight observation: Spock isn't human, and they both have knowledge that is impossible for them to have in the 1930s.

In Amok Time, T'Pau tells Kirk, "Do not interfere, Kirk. Keep thy place." Kirk was voicing his concern about Spock fighting another champion and dying as a result of an uneven match against someone who doesn't care for Spock's life (mistakenly believing that Spock's fever correlates to physical weakness as happens in humans). While he has been told twice at this point that the choice to stay and fight is his to make, T'Pau still indirectly urges him to reject taking part in the ceremony, even if it is only to aid Spock's safety and well-being. In doing so, she recalls Kirk's outsider status. This is not his place as a human, even if such concerns are to be expected of Kirk as a human. If it wasn't for Spock pledging on his behalf and naming him friend, Kirk would've been back on the Enterprise had T'Pau and Vulcan tradition had their say. But Spock's insistence on the right to have his friends at the ceremony and his explicit designation of Kirk and McCoy as his friends puts Kirk in a grey area between Vulcan tradition and established relationship.

Back to The City on the Edge of Forever, Spock, of course, asks the question, "Where would you estimate we belong, Miss Keeler?"

Edith responds, "You? At his side as if you've always been there and always will."

This dialogue is entirely directed at Spock despite his phrasing of "we" rather than "I." And given Joan Collins delivery (is it the dialect she uses? Is it just me? I feel like it's just me), the line sounds vaguely dismissive, making Edith seem as if she is annoyed at Spock for always lurking around Kirk like his shadow, or it's as if she is implying that Spock will never be more than at Kirk's side, as Kirk's Number Two. (In static images you can read whatever infliction into the words, and I will admit, the first time I heard them spoken in-scene, it didn't sound as I had anticipated. Maybe I'm off-base here, but it reminds me of Margaret Sullavan's delivery of the "instead of a heart, a handbag" speech in Shop Around the Corner, a "blend of poetry and meanness," as the film itself calls it.) Regardless, it's telling that a stranger immediately tells Spock that he belongs at the Kirk's side, despite knowing nothing of their relationship as friends and as Captain and First Officer.

Kirk, on the other hand, is told he belongs "in another place." Keeler admits she doesn't know where he belongs or how she knows he doesn't belong, just that he doesn't fit his current circumstances. His place, however, is not dependent on Spock, at least according to Keeler (which is a shame given the impact of repetition, bookend phrasing to call attention, etc.). My point being that, according to Edith Keeler's observation, Spock's place is dependent on Kirk but Kirk's place is dependent on no one. It's sadly one-sided when viewed like this but it puts more focus on Kirk's place being more nebulous.

Back to Spock. In a previous episode, This Side of Paradise, Spock falls under the plant spores' influence and finds himself overcome by feelings of happiness, love, and belonging. The spores immediately overcome any resistance he, as an emotion-repressing Vulcan, ought to have had. But Spock is not fully Vulcan. He is also half human, so the implication is that such strong and positive emotions tapped into his human half at the expense of his Vulcan upbringing. And for a character caught between the two opposing extremes--logic versus emotion, other Vulcans call his status into question due to "weak/diluted blood," humans don't accept him because he has chosen to live according to Vulcan principles--there's no wondering why he gives into the spores' influence. (Compared to Kirk, who is too driven by ambition to give in to the spores, despite being ruled by his emotions and having no explicit training to reign in emotional influence. Neat foil there. To say nothing of the security of identity versus uncertainty/shame of identity. Hmm. Wonder what that could also imply.)

It is in this episode that Spock says, "I don't belong anymore," after Kirk breaks the spores' influence on Spock.

Later, Leila realizes Spock is no longer under the spores' influence--"You're no longer with us, are you?"--and tells him, "You can belong again," implying that he only needs the plant spores once more, should he so choose.

Despite having the option to belong again, Spock declines, stating his responsibility to both The Enterprise and to Kirk. He likens it to a self-made purgatory, this adherence to duty at the expense of happiness, much like how his adherence to Vulcan custom is at the expense of his human half. Spock chooses an in-between place--not heaven/paradise or hell itself--a place of work (if not possible suffering), of purification.

Spock's words parallel Kirk's at the end in This Side of Paradise: "Maybe we weren't meant for paradise. Maybe we were meant to fight our way through."

Now, back to Amok Time. Kirk, of course, accepts the challenge. Despite all the times he has been told he can leave. Despite Spock and McCoy both trying to get him out of it. He is not bound to fight much less stay as an outsider to the ceremony and to Vulcan entirely. But he chooses to stay and fight. A man who has no place to turn to beyond where he decides to be, who has shown he doesn't care about Starfleet orders, but will choose to do whatever is necessary for Spock.

[sukugo]

the thought of an unhinged feral satoru where sukuna has to be the one to placate him, and he's so calm and collected as he takes his wide-eyed boy into his arms and runs hands along him and whispers soft words into his thrumming skin until satoru gradually melts into him

[godzilla-reads]

My compliments to the artist on this beautiful copy of Watership Down with the edges painted with… rabbits!

They’re on Etsy as FaevoriteBooks and I’d highly recommend checking out their shop. I’m in love with this copy of Watership Down for my ever growing collection.

👀 Side Note: Did you know Puffin Publishers are releasing a clothbound classic edition of Watership Down in October? You know where I’ll be.

[slouph]

— And they were roommates

Al Haitham x Kaveh zine 

🌟Print out your own zine! 🌟

[magicalgirlmindcrank]

we're having a lot of weird dreams and a lot of trouble getting out of bed. We're either depressed or something weird is going on.

[barbielore]

La Reine de la Nuit was a Barbie released for attendees of the 2013 National Barbie Doll Collectors Convention, designed to embody some of the design characteristics of New Orleans, that year's host city - and inspired in no small part, I believe, by the Queen of the Night from Mozart's The Magic Flute.

Designed by Raphael Estrada and Joseph Kenyon under the brand Edge of 17, the doll came in both a light skinned and AA variant, though it is notable that in addition to having different skin colours, they do also have different facial design.

Being a convention exclusive, these dolls are in extremely short supply, but I personally like them a lot. The knee/thigh high lace stockings are a very nice touch.

[cardboard-crack]