#emilie hart

[phenphoenix]

LUTE AND EMILY-

The gals, look at them go.

Lore tiiime

Alright, so Lute! Still fiercely loyal and a bit much- just not as sadistic anymore. Now, here's the fun part, she's still kinda an exorcist. Just now, instead of being under Adam, she's under Sera and Emily. And is in charge of keeping Adam distracted as well as the rest of hevan.

Decided to kinda mess around with the whole exorcist army and split them into like two halves. One half stays up in hevan, creating this image of the exterminations as though they were just going down into hell to try and "save souls." The half that Emily leads, and Lute helps command. The other half is what we see in the show. The half vaggie took part of and Sera leads. Adam knows about this, and is even suspicious about the whole "saving souls" deal. But keeps a blind eye because he trusts Lute so much.

Emily! Still sickly sweet, but give that missing sadistic nature from Swap!Lute to her. She's not as intense as Cannon!Lute but still enjoys going down to kill sinners once a year. All the while looking cute and innocent the whole time. However, she doesn't fully know that she's just further damming them. Sera is the only one who really knows what they are doing. So, while Emily is still killing them, she's thinking that their souls are being set free to get reincarnated or something like that. (Which can also lead to her disbelief is redemption, and the whole "hell is forever")

Of course, this is all based on headcannons. I'm going off of an apparent post made in the past, where they said that "when a sinner is killed, they become a mindless part of hell. That's why there are so many eyes in the walls and why hell seems "alive."" Or sonthing along those lines. Idk if that is still cannon. Or if reincarnation is even a thing in this version of the afterlife. But for the sake of this AU, I say all of it is.

So, in a way, all 4 of the angels are kinda swapped and meshed together. But hey, this is my AU, and it's all for fun and games, so whatever, lmao.

MASTERPOST

[jaynaneeya]

Raise a glass (or spoon) to Sarah Grace Hart!

Happy Birthday Sarah!!! Thank you for all the joy you have spread over the years. Here's to an upcoming year full of exciting opportunities and adventures!

[destinyisall-tlk]

(insp)

[mttztrading]

For all we know we don't have long, so fill 'em up, let's live it up tonight!

Operation Mincemeat, Act 1 - West End (2024)

[heatherfield]

I just wanted to have a nice dinner. Gathering the most brilliant minds in literature? Ha, ha, ha! Something was bound to happen.

Edgar Allan Poe’s Murder Mystery Dinner Party (2016) [x]

Bonus:

[thecreativemillennial]

Yellow and pink power ranger duos

[hartofdaily]

Oh, and I would also like to ask candidates to please keep the discourse civil.

[legacyofpower]

Legacy of Power by hearden on AO3 art by pkmn_trnr_alex on Twitter

it may have been six years since i last updated, but i still miss my kids so i got art of them

[commanderlexaofthegrounders]

alyciajasmin Are you happy to be in paris? ✨🇫🇷

[lgbtqreads]

Spotlight on: 2024 Lammy Finalists for Best Anthology

Today on the site we’re shining the spotlight on the 2024 finalists for the Lambda Literary Award for Best Anthology! Anthologies are pretty near and dear to my heart, having edited five of them, and I’m thrilled to help showcase these editors, contributors, and volumes before the Lammy Awards take place on June 11th! 2 Trans 2 Furious: An Extremely Serious Journal of Transgender Street Racing…

[phenphoenix]

The Hart Hotel Comic with the writing done by @welcometothedarkseid

(Decided to get back into this au cause I missed the babs)

Part 1 - next

[disneytva]

Variety Interviews Ayo Davis, Meredith Roberts And Emily Hart On Disney Television Animation's 40th Anniversary And What To Expect On From The Past, Present And Future

40 years ago, Disney TVA was founded on the heels of challenging outcomes with features “The Fox and the Hound” and “The Black Cauldron.”

Initially, Disney TVA was restricted from using established Disney legacy characters, but nevertheless had huge successes with new shows like “The Wuzzles” and “Adventures of the Gummi Bears,” both of which became popular in syndication. As time went on, DTVA was able to use its limited rights to create shows like “DuckTales” and “TaleSpin,” which featured Disney characters. Today, the slate has evolved to include shows that travel across Disney’s streaming, linear and digital platforms, including Disney+, Disney Channel, Disney Junior and the Disney Parks

Over the 40 years of the studio has collaborated with Walt Disney Imagineering to bring beloved Disney Afternoon characters to the parks as well Mickey And Minnie's Runaway Railway and AquaMouse for the Disney Wish and Disney Treasure cruises from the Disney Cruise & Ships Line as well collaborating with Disney Yellow Two Shoes Team to redesing some heritage characters for the WDW Passholder Magnets.

Disney TVA characters also have gone to the realm of live action. In 2019 Disney Channel brought Kim Possible to the live action world as a Disney Channel Original Movie in 2019. In Spring 2022, Walt Disney Studios brought Chip 'n Dale: Rescue Rangers to a new generation of fans trought a meta-driven live action/animated hybrid film which won an Primetime Emmy Award for Best Feature Film.

In April 2024, it was announced that Kiara from The Lion King II: Simba's Pride created at Disney TVA will make her live action debut on the motion capture/computer animated film "Mufasa The Lion King" with the character being voiced by Blue Ivy Carter. In Fall 2023, it was announced that Blumhouse Television and Atomic Monster where developing a live action reboot of Gargoyles for Disney+.

The future of the studio looks bright as the studio is slated to debut it's 100th show overall "StuGo" in 2025, as well new interations of beloved classics like The Proud Family, Phineas And Ferb, Sofia The First and Darkwing Duck trought revivals,reboots and spin-offs in the coming years with early talks of new interations of TaleSpin, Kim Possible and Recess since Early 2023.

“We have a wildly diverse development slate because we don’t have a house style,” says Meredith Roberts, executive vice president, television animation, Disney Branded Television and CEO of Disney Television Animation “Our styles are creator-driven, so that allows for real support of the artist or creator to fulfill his or her vision. Anything is possible, whether it's CGI. (“Monsters at Work”), hand-drawn 2D (“Big City Greens”,"Primos","Hailey's On It!"), rig-based 2D (“Moon Girl and Devil Dinosaur”,"Kiff") and stop-motion (“Mickey Saves Christmas”,"Rhona Who Lives By The River".). Roberts continues, “We really try and solve all the problems and develop it. We look at the scripts and the story arcs. Every project has to have a strategy behind it that will complement the slate and separate it from other things. Each project has a distinct swim lane to attract an audience. And we’ve learned to meet the kids where they are, in terms of streaming and YouTube.”

Co-viewing, the viewership that happens when adults sit down to watch a DTVA show with the kids in their lives, is part of the studio’s secret sauce and long-term strategy. Many of the shows are written with jokes and plot points for both audiences so both groups will return.

“We double down on the kids and family space,” says Roberts. “We’re not just dipping a toe in the water. We’re diving in. I think we’ve seen a lot of churn with the competition, who just don’t have the patience to develop and are for this audience, which is a very specialized kid audience and co-view audience.” ("The Witchverse", "Rhona Who Lives By The River","InterCats","Fantasy Sports") Roberts reflects: “I think one of the things I’m most proud of is how stable Disney TVA has been for the last 40 years despite a lot of outside churn of the animation industry. Many of our crews feel that Disney is their forever home. I think the excitement they have to illustrate and create with this brand has been terrific because it’s harder to be funny and clean. And nowhere are we tearing down people to get that laugh. I think that’s the beauty of a Disney animated show.”

DTVA also sought to meet kids where they are by making their audience — which is made up of the most diverse generation in history — feel seen, with series such as “Elena of Avalor,” which featured Disney’s first Latina princess, and “The Proud Family,” franchise focused on the life of a teenage Black girl.

“We do have an amazing insights team that are constantly in the field, giving us general information about how kids are watching content, what they’re into,” Emily Hart (VP of Current and Development - Disney Junior) says. “Some of those things are evolving, as we know the ways kids consume content is changing. But there are some universal truths about kids, and it’s great to have that reinforced. Kids still like a lot of the same things that we like. So, there’s a combination that we’re always tracking with every new idea, and we do pilot testing. We get to sit down and talk about the content, and we invite our creators in so they can see the kids talking about it because they’re the audience and they’re the truest test of if the story is going to work.”

Ayo Davis, president of the Disney Branded Television and VP of Current and Development at Disney Television Animation says the division is a “driving force” for memorable kids and family entertainment.

“All of us at Disney Branded Television are so proud of the studio’s 40-year legacy as it continues to entertain future generations with shows like ‘Kiff,’ ‘Big City Greens’ and ‘Mickey Mouse Clubhouse 2.0" --- Davis says.

Those creators who come to DTVA often stay for a long time, partnering with the studio on a variety of different projects or expanding on a hit and reimagining it for the next generation of viewers. “The Proud Family” was a standout in 2001 on Disney Channel. Creator and executive producer Bruce W. Smith is now working on the Emmy-winning “The Proud Family: Louder and Prouder,” which is based on the original series. The show follows Penny Proud as she navigates family life and her own childhood.

“Being at Disney TVA has allowed me to realize all my artistic dreams,” says Bruce W. Smith. “As a kid, you always have hopes, thoughts, dreams, ideas and characters that can help lay out those ideas in your head. Disney has allowed me to really tap into my creative instinct, at the end of the day, you have to learn how to trust yourself. Meredith Roberts has been a true shepherd for me in all of this, allowing me to stretch my wings. Because of her belief in me and my ideas, she’s really allowed me to blossom as an artist. All that happened at DTVA.”

“They really seem to be a place that welcomes your ideas,” Dan Povenmire says of Disney TVA. “They want to find people with real strong ideas of the stories they want to tell, and then they let them tell those stories for the most part. They seem to put storytelling and characters over anything. With [‘Phineas and Ferb’], we would write jokes for the kids and the adults in the room because we knew the adults would be there too. We were just careful not to do any double entendres.”

[snug-as-bugalugs-in-rugalugs]

I only included options that I thought had some chance of winning, regardless of the frequency of their appearance on the show. Obviously there are plenty of good not-included candidates though, so if you have other opinions, that's what the other option/reblogs are for :)

[bittersweetresilience]

*Clears throat*

*Pulls up notes*

AU in which Emilie starts healing from the Peacock curse. It’s a miracle, but not unheard of: Tomoe is alive, after all, sight gone but breathing and heartbeat intact. She’s fragile still, cheeks hollowed and skin pale, but she’s doing OK, doing better at least. She will live, as long as she never uses magic again — and what could she possibly want, since she has Adrien right here, perfect and sweet and holding her hand as she slowly builds her strength back?

Then Felix’s ring breaks, and can only be fixed thanks to the brooch.

NIIIIIIINAAAAAAAAAAAAAAAAAAAAA!!!!!!!!!!!!! YUM!!!!!!!!!!!!!! i do not know if you are suggesting émilie fixes him and he has to live with the guilt of killing her or that she does NOT and he stays down but i am sinking my teeth into either idea like a dog with a hunk of raw cartilage right now. we could fit so many complicated emotions into this.

update we did fit so many complicated emotions in this. and i also got massively derailed into felinette zone. again.

émilie could also manipulate colt into fixing him, which is the reason he died sooner

she could lend the brooch to amélie or amélie could steal the brooch (@ninadove)

amélie would have thought to fix him herself but she cannot die and leave him

adrien could overhear the conversation and steal the brooch (@ninadove)

colt or émilie could force félix to fix himself, which is how he realizes he is not just inhuman but also the brooch specifically is important to him

sick félix au where he wants to create a perfect world for adrien before he follows in his dead father’s footsteps

fix it where the ladybug cures him which gives him complicated feelings about later betraying ladybug

BARK BARK BARK BARK BARK BARK BARK (@heartfulselkie)

[mttztrading]

Soldiers die if we don't lie, so act as if you do when you don't!

Operation Mincemeat, Act 2 - West End (2024)

[heatherfield]

For hope is the thing with feathers—and sometimes that just poops all over your soul, and your family just gangs up on you and they start asking you questions, like, "Why don't you want to come downstairs?"

Emily Dickinson's Guide to Spending the Holidays Alone (2013) [x]

Bonus: