#episode 41 part 6

[zoe-oneesama]

Geez, Bustier, learn to control your negative emotions /s

Episode 41 Part 6

First < Previous > Next

Season 1, Season 2, Season 3, Season 4, Season 5

Ep 42, Ep 43, Ep 44, Ep 45, Ep 46, Ep 47

Ko-fi | Patreon

[philzasjuicyass]

I don't think the Seven Deadly Sins are Fallen Angels.

Not only do they not look like the two canonical fallen angels we've seen (Lucifer&Vaggie), but Asmodeus also says that "I've known that guy [Mammon] since the start of hell". If they were both fallen angels, I think they'd have known each other before they fell.

And there's also no inclination at any point that anyone other than Lilith and Lucifer fell, (supported by him later telling Charlie that "Heaven never listens! They didn't listen to me, they won't listen to you!" in episode 5 of Hazbin Hotel?)

So, what are they then? Well, I think we've already got the answer in the show. Asmodeus is the embodiment of lust. He's not just an especially lustful demon or fallen angel or sinner; he is the literal sin of Lust given form and mind.

Of course, this leads the question of why Lucifer is a Sin when he's not an actual literal embodiment of Pride, for which I've got some ideas but nothing really backed up with evidence so I won't put them here.

[yourfavoritehouseplant]

I watched James Somerton's final video, and all I got was this 6 page document

As soon as I learned his final unreleased video was on Revolutionary Girl Utena, I knew I had to hate watch it. I didn't know that I'd spend the following 4 hours making a comprehensive doc on everything I hated about it. But here we are.

The TLDR (is this too long to be a TLDR?)

The intro section, as well as Part 2, are directly plagiarized from wikipedia. The rest is unclear.

He makes a “haha this show is so weird right guys” joke 10 different times

He reads Anthy as so emotionally stunted she literally has to be taught how to think for herself, and believes that being the rose bride makes her feel good

He says that his reading is ‘vastly different” from the rest of the community, before boldly stating that this is because he sees it as a “deeply allegorical and symbolic story”

He sees the sexual abuse as “not to be taken literally”

Insists that the show be separated into parts that are strictly literal and strictly allegorical for the entirety of parts 3 and 4, before making the contradictory move of analyzing characters as allegories during part 5

The only characters that get dedicated sections are Akio and Dios, who he doesn’t believe are the same person. 

He says Dios gets his powers by “deflowering women”

He calls Akio, known child predator, a chaotic bisexual

Uses 14 year old SA survivor Anthy’s passive personality to make a joke about her being a bottom

His final point is that Utena was the real prince all along

There are no citations

Anyway, full version for people who hate themselves under the cut. With time codes, because I cite my sources.

Part 1: Intro

This entire section is almost exclusively quoted from the Wikipedia article for Revolutionary Girl Utena. Words have been changed, but the order at which certain topics come up is not. Highlights include:

0:56 In his introduction of Be-Papas, lists the founding members in literally the exact same order as Wikipedia.

1:40-2:00 His list of Be-Papas previous works is lifted entirely from wikipedia, only with the words changed. This leads to a strange moment at 1:52 where he claims Be-papas ‘lent their talents to’ Neon Genesis Evangelion, a show which started production at least a year before Be-papas was founded. On the wikipedia article for Utena, this is instead referring to the previous work of Shinya Hasegawa and Yōji Enokido

4:23 he uses a quote by Yūichirō Oguro describing the production as a “tug of war”. He seems to have lifted this in its entirety from Wikipedia, as he does not cite the actual source it is from (the box set companion book, btw)

As for James Somerton originals, at 0:44 he claims that out of all magical girl series,”none to my knowledge have been more discussed and dissected than the 1997 series Revolutionary Girl Utena” He will go back on this at 5:05, where he states that “Sailor Moon takes the lion’s share of discussion” in regard to influential magical girl anime

Part 2: Part 1

(At least I know I’m not funny, unlike James Somerton)

Speaking of which. Here is every single time he makes a “wow this show is sooooo weird you guys” joke: 6:00, 8:50, 10:40, 10:58, 13:46, 17:07, 24:16, 30:34, 41:19, 48:01

Here’s every time the punchline to the joke is the existence of Nanami, a character who he otherwise completely disregards: 10:56, 12:05, 16:22, 42:40

6:16 Claims that the “Apocalypse saga” and “Akio Ohtori saga’ are two names for the same several episodes, depending on the release. This is untrue. Instead, different releases either only have the Apocalypse saga, or split the episodes into an Akio Ohtori saga and then the Apocalypse saga. 

7:58 Claims Utena intervening on Anthy’s behalf begins the first duel. While this happens in the movie, Touga intervenes in the scene he uses clips from (like literally right after the shot he uses in the video). Utena only gets drawn into the duels when Wakaba’s love note to Saionji is posted. Youtuber Noralities’ Utena video also gets this wrong, which makes me wonder if this was copied.

9:09 Claims Akio’s “End of the World” moniker is actually more closely translated to “Apocalypse”. In reality, the translation moves away from a more apocalyptic reading, with 世界の果て (Sekai no hate) apparently translating closer to “the furthest reach of a known world” or “edge of the world”. (Love the implications of this translation, but I digress)

9:10 As can be assumed from the previous point, this means I can’t find any sources that point to them not using the title “apocalypse” for religious reasons

10:10 Uses Anthy’s extreme passivity under her Rose bride persona to make a top/bottom joke. I’m gonna repeat this in case you’re just skimming. He uses a trait that likely stems from years of abuse, (possibly exaggerated by the persona Anthy uses to manipulate people), and uses it to call her a bottom. 

He also just doesn’t seem to understand how the whole point of Utena constantly telling Anthy that she's just a normal girl who should make more friends is framed as Utena imposing her will on Anthy, just as much as the previous Engaged have done. 

11:54 Apologies in advance for my most “um, actually!” point yet, but technically his statement that Anthy stops being host to the Sword of Dios is wrong. Akio literally pulls a sword out of her chest in the final duel. It's a more evil-looking sword of Dios, granted.

13:02 !!! CANTARELLA SCENE ALERT !!! He interprets it as them fighting over Akio?? Which like. I will allow people to have their own interpretations of vague and symbolic scenes. I will. I swear. This is not technically incorrect. It just makes me want to eat my own intestines.

14:44 Bad Anthy take #1: He states Anthy “is emotionally stunted to the point where she needs people to make decisions for her because she does not know how to think for herself” This ignores several moments of Anthy clearly making her own choices throughout the show, including the suicide attempt Somerton mentions about a minute prior. This also strips Anthy of what little agency she has throughout the story, usually exerted through messing with Utena or Nanami. (The fact that she repeatedly makes choices that contribute to her own abuse is, in my opinion, one of the most interesting parts of her character, and it's a shame that Summerton’s ‘reading’ of the story completely disregards that)

Additionally, he once again reads Utena ‘urging Anthy to think for herself” in the first arc as an unambiguously good move, and not as something critiqued in the show.

14:52 Summerton reads the Swords of hatred as symbolizing men’s hatred specifically. Again, I’m trying not to completely disregard differing interpretations to a show like Utena, but this feels very simplistic, especially considering the harm we see aimed towards Anthy by other women

16:42 Here he claims that his reading of the story seems to be “vastly different” from the bulk of Utena discourse. What is this reading? That the show shouldn’t be read literally. Or, in his words, “[we can interpret] Revolutionary Girl Utena as a deeply allegorical and symbolic story about the struggles of coming of age amidst widespread institutional corruption in a high school and which describes a passive culture of inaction in regard to brazen instances of domestic exploitation in which there is not only a question about the caporeality of the events transpiring but also which events can be taken for granted and which events are meant to signify abstract sociological institutions.” The idea that he believes this is in any way a new reading of the material honestly baffles me.

Part 3: Part 2

17:48 through 18:50 differently quotes the Wikipedia article for postmodernism. He even makes a joke at 17:55 about Wikipedia. Please kill me. 

The first three themes he lists at 19:11 are just the three main themes listed on the Revolutionary Girl Utena Wikipedia page. What was that about a “vastly different” reading, James?

You’re gonna have to take my word for it, but this section is so short because it's just him talking about the various ways the story can’t be taken literally. He does, ironically, call this a hot take.

Part 4: Part 3

Here’s where the reading falls apart folks

At 23:15, he states that some things in Utena are allegorically coded, while others are to be taken literally. This is true. However, he seems to take this to mean that some parts of the show are Strictly Literal, while others are Strictly Allegorical for things going on in the Literal World. 

This is apparently why he prefers the Anime to the Movie, where there basically is no separation between the Literal and Allegorical

This take is bizarre to me for several reasons, but here is my favorite. At several points, he mentions how Revolutionary Girl Utena is a work of Magical Realism. Magical Realism is literally defined by its blending of the “literal” and “allegorical”, the mix of fantastical elements in a mundane, realistic setting. This idea of the impossibility of a blurred line, that Utena must either have lore where the magic is all real and means nothing, or dedicated allegory segments quarantined from the rest of the story, is contrary to the very idea of Magical Realism.

I can’t help but wonder if Somerton took his mentions of Magical realism from a previous work, due to how little it is consistent with his final argument. Either way, this section suggests a great lack of creativity in his analysis, a shame for such a creative work.

24:36: Shiori slander, for those who care

After this he gets really worked up about people assuming symbolism in everything, even when the author ‘doesn’t make it clear something is symbolic’. He shuts down a reading of a shot in the Lord of the Rings. Miley Cyrus is there? Very The Curtains Were Blue of him. 

28:22 Claims that Wakaba is the key to telling where the Strictly Literal segments end and the Strictly Allegorical segments begin. He states that, under this lens, deeply personal moments of character suffering such as all of the sexual abuse and Anthy’s suicide attempt (which he literally cites) should be read as symbolic and be “approached with uncertainty rather than confusion”. (28:24-29:13)

This also somewhat falls apart when you consider Wakaba is the jeep in the movie's car chase

And then he rants about people not liking his Attack on Titan video for a bit. Since its potential symbolism also doesn't follow hard enough rules to be symbolism. Once again, the separation of “fact vs allegory” I haven’t watched AOT, so that's all I’ll say.

Part 5: Part 4

Thank god this part is short. Much like Dios’ on-screen presence.

32:55 Makes the extremely bold claim that Dios is not Akio. As in, never even became Akio. because Dios is Strictly Allegorical.

Just to be a pedant, this is pretty explicitly disproven in the show

Confusingly, both earlier and later he will address these two as the same character. 

33:04 he also explains the root of Akio’s name in a tone that suggests this is supplemental information and not like. Literally something he explains out loud in the show?

Part 6: Part 5

This section is nearly entirely about Akio Ohtori. I would like to note that him and Dios are the only characters with dedicated segments.

38:30 The part where he states that Dios gets his powers from deflowering women.

38:46 Claims, once again, that Akio’s abuse of Anthy “may not be literal”. 

38:59 “the instance of exploitation here is used because assault has deep roots as indicating that akio's gender is the source of his imbalance”  THE ASSAULT IS ABOUT AKIO NOW???

39:45 Bad Anthy take #2: “Anthy’s conformity to the Rose bride is based around the fact that she feels good being subservient because this is the only thing in her life that has ever brought her any kind of positive reward”. This is a direct quote. Anyway, I can’t think of any instances in the show where Anthy’s subservience gives her a positive reward, except maybe when she’s intentionally using it to manipulate others. As for her feeling good being the rose bride. She tries to commit suicide. Dude.

Side tangent, but isn’t this exactly what Akio says during the final 2 episodes? That Anthy enjoys being a witch? Is the main villain, who consistently says things during that very episode that are blatantly false, our source of information for this take? I guess so, since this is the dedicated Akio section.

At 40:20 he decides to introduce the concept of Anthy, Akio, and Utena as stand-ins for wider concepts, which is antithetical to his approach in analysis beforehand

Part 7: Part 6

42:40 he finally acknowledges that he’s been spending too much time talking about Akio, and literally no time on characters like Nanami

46:10 states that Utena’s exclusive motivation “is to protect Anthy from the predatorial intentions of the other dualists”, which disregards the fact, which she states herself, that she was largely participating in the duels and protecting Anthy to feel like a prince

48:04 The part where he says that Akio has ‘chaotic Bi vibes’ in regards to him sleeping with Touga, who is 17 and implied to be a long-term victim

Part 8: Part 7

54:01: His concluding point is that Utena was the real prince all along. 

In true Somerton fashion, the video then ends over a scrolling wall of patrons, with not a single citation in sight.

[las-lus]

Aziraphale lied Theory

First of all, this theory is not mine, its from @/doubleskk on Twitter and can be found HERE. Go show them some love! It's in Portuguese, so I'll do my best to translate it - blue texts are my personal additions!

This season, we have something very clear in Aziraphale's development arc: is his relationship with LIE. He lied to protect Job's children, and he lied he had performed a miracle to make Nina and Maggie fall in love. That's not counting other little lies, sprinkled throughout the season here and there.

We keep seeing Crowley say "I'm a demon, I lie", but in the big finale, we have Crowley saying the truth - the big truth, the one he has been avoiding for 6 thousand years.

All of this was to set the stage for the biggest lie of all: the lie he had to tell Crowley to fend him off and protect him.

When Metatron goes to buy the coffee, he asks Nina if people ask for death, as the name of her shop is "Give me a coffee, or give me death". What if that name is an allegory for the actual conversation between Metatron and Aziraphale?

Aziraphale may have been threatened. Either Azira goes back to heaven (coffee), or he and Crowley would have their existence erased from the Book of Life (death). So, to protect Crowley, Aziraphale had to invent a lie to make sure he got away. The Book of Life was namedropped a couple of times in the show, a Chekhov's gun that never went off - Neil is too good of a writer for that.

And Aziraphale knew that Crowley would be pissed if he agreed to go back to Heaven after everything that happened, and he knew that Crowley would never accept being an angel again. "But rescuing me makes him so happy" - Aziraphale had to make sure Crowley wouldn't realize he needed saving.

That's why he knew exactly what to say to mess with Crowley.

At 41:14 of episode 6, when Azira starts telling the (alleged) lie to Crowley, he becomes all flustered, moving his hands from side to side and stammering, SAME PATTERN as when he lies to the angels about having done the Nina and Maggie fall in love, in episode 2.

[This part really works better with 2 videos side by side, which you cannot do on tumblr, so if you want you can check them out here]

The sequence of him talking to Metatron at the table is nothing more than an enactment of his lie. The conversation didn't go like that, Aziraphale made everything up.

And when Crowley declares himself, Aziraphale starts shaking his head in despair: not now, don't tell me that now.

He also looks out the window as soon as the confession starts, as if he knows Metraton was watching him outside.

Then there's the kiss, Aziraphale falters for a moment, but he has to keep up with the lie and he knows he has to hurt Crowley on purpose. And after Crowley leaves, Aziraphale is MUST recover in seconds, because Metatron is coming back. Also notice that when Metatron comes back, he doesn't ask if Crowley agreed to go back to heaven or not. He just sends a "How did he take it?"

That is, there was never any choice, and for Metatron Aziraphale was only going to break the news that he was leaving. And Aziraphale had to invent a lie to the inmates to make sure Crowley stayed away from him.

[ckret2]

✨⚠️ Wasting Away Again in the Goldilocks Zone ⚠️✨

If you're new here, this is one of those "human Bill in the Mystery Shack" redemption fics, you know the drill: Bill illegally escapes death via reincarnation; the Shack crew imprisons him til they can figure out how to kill him; but they won't, because Bill's gonna make friends with them and literally everybody else in town. Whether they like it or not.

Featuring!! The slowest redemption arc you've ever read; "human" Bill that doesn't decide being trapped in an alien body is fine; show-style episodic plot structure; individual plot arcs for characters you've never even cared about; so canon compatible we even include the dang coloring book; and so TBOB-compatible over a year before TBOB came out that I'm considering taking up a position as the Oracle of Delphi just so Apollo stops barraging me with dodgeballs.

New chapter every Friday, 5pm CST! Yes, that includes this Friday!

For art, doodles, upcoming scene excerpts, and posts about characterization & plot plans, see my #bill goldilocks cipher tag. For the fic itself, the first few chapters are on AO3, but tumblr's 60 chapters ahead:

⛓️ 1 Part 1. Bill returns, in a bedsheet toga.

⛓️ 1 Part 2. Bill tries to murder the Stans & Soos (with time travel).

⛓️ 2. Dipper and Mabel save the day (with time travel).

⛓️ 3. A tense evening as the Pines prepare to get rid of Bill.

⛓️ 4. Plot twist: the Pines physically can't get rid of Bill.

⛓️ 5. The gang goes to a diner at 3 a.m. for hostage negotiations.

⛓️ 6. Bill escapes from Theraprism. [NEW!!!]

⛓️ 7. "How'd Bill get here" flashback; plus, entering his new prison.

💇‍♀️ 8. Bill gives himself a haircut and depression.

💇‍♀️ 9. Bill & Ford grudgingly have a sincere conversation; regret it.

📓🔺📓 TBOB BOUNDARY: Everything above this line has been edited for 100% compatibility with The Book Of Bill and posted to AO3! Everything after this line has not been edited... so it's only 98% TBOB compatible. 📓🔺📓

💇‍♀️ 10. The kids decide Bill won't ruin their summer. Also: Pacifica!

🧚 11. Mabel gives Bill the most beautiful makeover ever. (It's not.)

🧚 12. Pacifica advertises Harry's Hairy Fairy Formula. Bill wants it.

🧚 13. Pacifica refuses to share; the twins discover its side effects.

🧚 14. Mabel wins Bill's eternal friendship with arts & crafts.

💭 15. Bill, Ford, and Dipper have nightmares that are Bill's fault.

💎 16. Ford has a fun day with Mabel but everything goes wrong.

💎 17. The day goes right again thanks to healthy communication.

🎥 18. Mabel's Guide To Local Animals, co-starring Bill Cipher.

🧊 19. Wendy snoops into the weird things happening in the shack.

🧊 20. Wendy meets the weird thing (it's Bill).

🎂 21. Stan & Ford's birthday party! Bill gives evil gifts.

💭 22. Bill "helps" Dipper's nightmares; no one knows his motive.

👁️ 23. Bill's ex is back in town and nobody's happy about it.

👁️ 24. Everyone's even less happy to learn Bill has a sex life.

🧿 25. Mabel and Bill make friendship bracelets! :)

🧿 26. The Pines take Bill to the mall. He wears terrible things.

🧿 27. Bill breaks Mabel's heart (and panics to fix it).

🏳️‍🌈 28. Bill talks his way into going with Wendy to Rainbow Club.

🎃 29. Bill contacts the Henchmaniacs on Summerween morning.

🎃 30. Costume making. Mabel pries into Bill's past, with crayons.

🎃 31. The Trickster's pals trick-or-treat; and Bill terrifies Dipper.

🪮 32. Dipper & Mabel make a poppet to control Bill.

🦷 33. Stan takes Bill to the dentist. In handcuffs.

🦷 34. Dentist & tooth fairy attack. Stan & Bill are still handcuffed.

🦷 35. Bill & Stan reach a painful understanding and stop the fairy.

🛁 36. Anime night; and Mabel makes Bill do community service.

🛁 37. Bill plots escape and runs into Wendy. Dipper panics.

🛁 38. Bill has the worst and stupidest day of his afterlife.

🌅 39. A cultist finds Bill; Bill tries to re-recruit Ford.

🚙 40. Gideon broadcasts car commercials; invokes Bill's wrath.

🚙 41. Bill apologizes for bullying Gideon. lol no he blackmails him.

🌕 42. Bill tells Dipper secrets of the universe; predicts an eclipse.

🌖 43. Gravity is disappearing; Ford and Fiddleford investigate.

🌗 44. Ford & Dipper drag Bill hiking; Bill faces his death.

🌘 45. Ford demands answers Bill can't give as totality looms.

🌑 46. Totality. Bill decides whether Ford lives or dies.

🌒 47. Bill feels rotten but finally explains the eclipse.

🌓 48. Bill has a complete mental breakdown.

🌔 49. The gang limps home. (Plus: a second dimensional eclipse.)

💿 50. Bill finally processes that mental breakdown.

💿 51. Dipper and Mabel try to remember the Axolotl's poem.

📖 52. The gang reads Flatworld. Bill isn't thrilled.

📖 53. Mabel tries to get Bill to talk about his home world.

⚛️ 54. Dipper, Ford, and Fiddleford do paradox physics.

📖 55. Mabel learns college-level geometry.

📖 56. Mabel & Bill have fun; Dipper & Ford prepare for murder.

💀 57. The execution of Bill Cipher.

💀 58. Everything you wondered about how Bill escaped.

💀 59. Everything you didn't wonder about how Bill escaped.

💀 60. Everything you never imagined about how Bill escaped.

📙 62. Soos vacuums the attic (wow exciting)

📙 63. Soos decides how he feels about Bill's treatment.

📙 64. Fixin it with Soos: home redecorating!

⛓️ 6. If you read ch 6 before TBOB, go read it again because I wrote a new ch 6!

🎥 65. The gang makes plans for the night.

🎥 66. Dipper's Guide to the Fremont Nightwigglers

🎥 67. Mabel's Guide to Secret Sleepovers

🎥 68. The aftermath of everybody pulling all-nighters.

🏖️ 69. Beach episode! The Pines fish! Bill tans!

COMING SOON:

🏖️ 70. Bigfoot, Agent Powers, and the cool teen gang.

I SWEAR TO GOD THIS BETTER BE COMING NEXT:

🪐 61. The Axolotl Finds The Second Dimension's Corpse.

This post was last updated September 22, 2024! If you're seeing this post as a reblog and it's been a while since then, check back on the original post to see if more's been added!

[bluebelleisabelle]

Free G3 Monster High Episodes (to be continued)

SEASON 1

1. The Monstering or option 2 (for those who may not have access to the Nick website)

2. Food Fight or option 2 (for those who may not have access to the YouTube channel)

3. Unfinished Brain-ness or option 2 (for those who may not have access to the YouTube channel)

4. Case of the Moondays or option 2

5. Portrait of a Monster or option 2

6. Witch Hitch

7. Part of the Pack

8. That Thing You Deuce or option 2 (preferred option, as it’s through an official medium)

9. Werewolf Weekend or option 2 (same information as #8)

10. Paw-zzle Pieces or option 2 (same information as #8)

11. Nightmare Nightmore or option 2 (same information as #8)

12. Out of Step or option 2 (same information as #8)

13. Pyramid Scheme or option 2 (same information as #8)

14. What’s Up, Watzie?

15. So Familiar

16. Crushed

17. Over Bro-tective

18. Horoscare

19. Flaunt Your Skeleton

20. Creepover Party

21. Creature Clash

22. Monster Movie

23. Earworm

24. Spell the Beans

25. Growing Ghoulia

26. Casketball Jinx (same link as above)

27. Cleo in the Kitchen

28. Case of the Missing Squeak (same link as above)

29. Pet Problems

30. License to Rock (same link as above)

31. Power Heist

32. Monster Midterms

33. Fur-mergency

34. Boogey Nightmare (same link as above)

35. Best Fiends

36: Scareer Day (same link as above)

37. Stone Alone

38. Horsin’ Around (same link as above)

39. Moonlit Fieldtrip

40. A Little Boost (same link as above)

41. Fresh Waters Run Deep

42. Sew Fierce

43. Witchful Thinking

44. Monster Match

45. The Monster Way

SEASON 2

1. Rule School

2. New Witch in Town

3. Play It Again, Clawd (same link as above)

4. Mummy in the Mirror (part of the beginning is missing; the first few minutes can be found in this video)

5. How to Scare a Banshee (same link as above)

6. So Chill

7. Mixed Up Meowlody

8. The Haunted Sand Castle Caper

9. Fangs for the Memories

10. Two-Riffic

11. Monster High-Jinks

12. Vamps Just Wanna Have Fun (same link as above)

13. The Babysitter’s Crypt

14. Humans in Highschool (same link as above)

15. Dawn of the Dread

16. Frankie Patrol (same link as above)

17. The Deuce Date

18. Big Paw, Little Paw (same link as above)

[hihomeghere]

Hihomeghere Masterlist

I have a new masterlist! Check it out here!

Prompt list

The Umbrella Academy

Diego Hargreeves

Nightwing You try to keep Diego Hargreeves off your mind, especially after your break up. But after he breaks into your apartment begging you to patch him up. All the good and bad memories come flooding back.

Five Hargreeves

Wedding at the End of the World A reader insert for the episode Wedding at the End of the World. You and Five reminisce on your wedding/proposal before going to Luther and Sloanes wedding. You both go to the wedding with high hopes of a good evening.

Carousel Club After being dropped into 1963, you find work at the Carousel Club as a dancer. While following a tip where Luther could be, Five sees your routine. Overwhelmed by jealousy he sneaks into your dressing room.

Et tu, Brute? Based off a request, Five gets injured in a mission and you drop everything to make sure he's ok.

Insomniac Five has trouble sleeping and when he does sleep it's anything but peaceful. After a nightmare he craves your touch to remind him you're okay.

Tesoro Universe

Tesoro While working at the commission as a field agent you are assigned a new partner, Number Five.

Meet the Family Five finds a way to return to 2019, you both break your contract with the commission and you meet your in-laws for the first time.

One Bed After a failed mission with the commission, both you and Five find a hotel to rest in. The only problem is, you'll have to share a bed. (Can be read as a one-shot)

Unspoken thing Part 2 of One Bed, after that fateful night in the hotel room. Five has been avoiding you and now you're called into the Handler's office to take responsibility for the delay in exterminating the target.

Routine After the confession, Five and reader head back to a hotel room. Soft dom y/n. (Can be read as one-shot)

The Last of Us

Joel Miller

The Two C's Joel catches you smoking on your porch. Set in Jackson after the events of TLOU. Short and sweet

Red Dead Redemption 2

John Marston

Burning Love Set in the epilogue of RDR2. You stumble upon John in Blackwater after being alone for years. When he invites you to visit Beecher's Hope, will you be able to fight feelings that have been building ever since you were kids?

Gloves John goes crazy over you dressed up for a job, more specifically your white gloves

Arthur Morgan

Fakin' It After a botched robbery, Arthur and you take refuge in a hotel, hiding from the O'Driscolls outside your door. When they do decide to search for you two, how will you throw them off your track?

Fishing in the Dark You and Arthur have a private evening away from camp on the Dakota river.

Dreams Arthur starts having dreams of starting a family with you

My Eyes Only Arthur thinks you look like a work of art

Salt and Pepper Arthur notices his hair is starting to gray

Deserving 6. I won't let anything happen to you, I swear. 34. I think you're showing. 36. You're glowing. 41. The baby loves hearing you sing/speak. 83. Was that a kick?

Blue Ain't Your Color Loosely based on the song, Blue Ain't Your Color

Little Things Arthur returns from a successful job and wants nothing more than to bury himself in you

Charles Smith

Knight in Shining Armor 1. "Kiss me" "What-", 81. "Your heart is racing."

[toreii]

Lost in the Book with Stitch Masterlist [Complete]

Episode 1

Part 1 | Part 2

Episode 2

Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8 | Part 9 | Part 10 | Part 11 | Part 12

Episode 3-1

Part 13 | Part 14

Episode 3-2

Part 15 | Part 16 | Part 17 | Part 18 | Part 19 | Part 20

Episode 3-3

Part 21 | Part 22 | Part 23 | Part 24

Episode 3-4

Part 25 | Part 26 | Part 27 | Part 28

Part 29 | Part 30 | Part 31 | Part 32

Part 33 | Part 34 | Part 35

Episode 3-5

Part 36 | Part 37 | Part 38 | Part 39 | Part 40 | Part 41

Episode 4

Part 42 | Part 43 | Part 44 | Part 45 | Part 46 | Part 47 | Part 48 | Part 49 | Part 50 | Part 51

[body-face-words]

Part 3 Moving onto analyzing Michael and David during season 2 of GO.

@cloud-based-and-rainpilled provided the video!

Part 1 Part 2

The part where David asks Michael what Aziraphale's favorite thing about Crowley is, will be highlighted in red.

Timestamps: 0:16 - 0:48 | 0:56 - 1:18 | 2:04 - 3:05 | 3:25 - 4:00 | 4:33 - 4:51 | 5:52 - 6:27 | 6:57 - 7:20

This will be a long post.

-

-

0:16 - 0:24 1,2

They're sat in a similar way and move at the same/similar way. With their arms resting in the same way, chins up, then leaning forward. They're head is also tilting to in the same direction. A good indication that people get along and great to know if those people are happy in the relationship (whatever kind) at that moment.

When people spend a lot of time together and like one another, they tend to pick up certain mannerisms from the other. Way of sitting, ticks, doing the same motion at the same time, choice of words, etc. This is mirroring. They're also obviously very enthusiastic.

0:25 - 0:48 "Do you have a favourite episode from the new season, or moment/scene?"

DT answers - 3,4,5

David doesn't shy away from initiating and sustaining eye contact. He leans closer to Michael when he starts answering. They're super relaxed. Dropped shoulders, no tension in the face, lighthearted tone. Michael throws his head back, laughing, instead of down like he usually does. David is genuinely smiling (small eyes, corners up, teeth showing, cheek bones out) and looking at Michael a lot more.

MS answers - 6, 7

David waits and listens attentively. Leans his head a bit closer, stares off taking in what Michael is saying, and reacts to the conversation. He smiles when Michael laughs. Michael talks with his hands and smiles a lot, clearly comfortable enough to talk and express what he's saying.

2:04 - 2:40

"What do you think Aziraphale's favourite thing about Crowley is?"

MS answers - To read, David scoots closer to Michael, but Michael doesn't move away. When the question is asked, David crossed his left leg over his right and lays his left arm over it, then puts his right arm behind Michael. All his attention is on Michael and the rest can wait. He's blocking the outside, not out of uneasiness, but because all his focus is on Michael. He scoots up, turns his head to be able to see Michaels face clearly, and completely ignores anything outside of them.

His arm is touching Michael, leg and/or hand is touching Michaels leg, but David leaves space between his torso and Michaels arm, making not so overbearing. David is flirting/teasing Michael. The smile, seeking direct eye contact, crossing his legs to Michael, putting his arm behind Michael, and 'invading' personal space, all indicate flirtatious/teasing intentions.

Michaels turns, backs up, and shrugs his left shoulder in order to see David in the eye and show David what he's saying ('I can see myself in your eyes'). Michael is not backing out. They're both smiles and neither of them is uncomfortable with how close they are. When Michael puts his hand down (image 11) the space between his arm and David's torso becomes smaller, but again, neither of them pull back.

Content with the answer, David nods, smiles to the camera, adjusts his suit, and continues smiling as he turns to Michael, leaning into the chair and close to Michael. Adjusting the jacket could mean he really is just adjusting it, but with the smile at the camera and the faltering smile, makes me think he could have been on edge (nervous: 'what did I just do?') and calming himself down by putting a bit of distance. The next image if of him, smiling more proximately at Michael. Michael, is just staring at David with a smile. Just happy and amused at what happened.

2:16 - David goes back to how he was sitting. When Michael is answering, David's gets closer as he listens.

2:41 - 3:05

"What do you think Crowley's favourite things about Aziraphle is?"

David seeks out the eye contact. He's the one looking at Michael. In the previous interviews of season 1, he would stare off or look at the camera/interviewer but now, he tends to answer while staring at Michael. He has no problem with it.

"I like my yang, but I like it better when your yin is next to it." -MS 14,15 Michael looks to see David's reaction and is happy with it. David laughs, raises his eyebrows, and closes his eyes. The comment/image hit him by surprise. He doesn't have an unpleasant look on his face, but closes ones eyes typically means not wanting to see something, surprise, imagining something, or putting distance between yourself and the subject. They're still sitting in a similar way.

3:25 - 3:40 16,17,18

What is your favourite fun fact that you like about your character?"

DT Answers - David now sits slanted towards Michael. Right arm resting on right crossed leg, causing him to slant over to Michael. Michael is also leaning to the right, but he's been like that for most of the interview. Maybe because it's comfortable or to be able to see David better. David gestures with his hands, then repositions his arms. 19

3:40 - 4:00

MS Answers - David listens then goes back to the previous position. Again, he tends to move a lot in general. 20

4:33 - 4:51

4:38 - 4:42 David repositions, turning to Michael. 21

4:43 - 4:51 Michael stays the same. David leans closer. 22

5:21 - 6:27

"What's your favourite behind the scenes moment/blooper?"

David is slanted again. 23

6:00 - 6:27 - The Apology Dance

MS Answers - Michael starts smiles as he tells the story. David starts rubbing his hands when he realizes what Michael is talking about. Rubs hands, pursued lips in a straight line, inflated cheeks. His initial reaction is 'oh it's this…" his eyebrows are relaxed/not furrowed and his eyes are more open than usual. It doesn't piss him off. He's not angry that Michael is bring it up or not angry about what Michael did. It's just a realization. 23,24,25 David then relaxes his face as he looks up, remembering the event, with a smile. It's not an unpleasant memory. 26,27

Michael comments that the dance was hard for David and David furrows his eyebrows and says it wasn't difficult for him. David genuinely disagrees, but Michael got the reaction that he was hoping for. Michael smiles when David disagrees and goes on playfully that David made it look hard. 28,29,30,31,32,33

"I got him to do it one more time with him thinking we were filming (34) another take, but it was (35) just so I could hold up a score (36, 37) card at the end and go SEVEN!" - MS

This is a happy memory for the both of them. Michael is having a blast as he's sharing and David is looking down with a smiling going over the event in his head, with a genuine smile. Fond, reminiscing smile. At the end. David laughs looking down (something he doesn't do often with Michael around). He's embarrassed and/or bashful. 38,39

Michael is just do happy. The memory and David's reaction to it.

6:57 - 7:20

"What did you learn from working with each other?"

There's a cut, then we see David with his arms crossed. Could be he's getting in a comfy position or that for some reason, he's closed off to answering the question. At the end, he never does give a answer. Michael says that being a nice person will cause people to be nice back and David laughs at this looking down. Again, could be embarrassment and not knowing what to do/say or disbelief of what Michael learned ('really? You just learned that?'). David and Michael both laugh and then Michael looks away.

"You're a very nice man." -MS

"Oh so are you! Putting yourself down." -DT 44

David is bugged by Michaels comment and insinuation that Michael doesn't see himself as a nice person.

-

-

There's an obvious huge difference between now and then.

Michael is not bothered at all with their proximity. Neither one of them move away or are stiff in order to not invade personal space. Michael, more than David, is more mindful of not going over the line, but he's still moving his hands around and turning to David to see him more directly. He continues to stare at David (when David is busy talking) and following David's movements with his head/eyes.

David doesn't avoid Michael anymore. He seeks out Michaels face, is somehow always leaning or moving closer to Michael he talks a lot more relaxed and has more tone in his voice. He also stares now, unlike before where he would stare off into nothing or at the camera/interviewer. He's more receptive to Michaels comments more often.

They're both relaxed with each other. Sitting close was probably not a choice. We see Nina and Maggie sitting just as close, but more upright and stiff, but with Michael and David, they're moving towards the other or in the same direction. They both make more eye contact and are playful, genuinely smile, add on, moving their hands when talking. There's familiarity now. Enough for them to be relaxed and take everything the other says playfully and expecting/hoping for a specific reaction.

[wen-kexing-apologist]

Dead Friend Forever: Squicks and Triggers

Hello friends, I am here to sing my praises for Dead Friend Forever and implore as many people as possible to watch it. I know that it is in the horror/slasher genre and there are some pretty heavy things going on in it, so in case you want to jump aboard the incredible writing, story-boarding, editing train that is DFF but are worried about the content, here are as many of the possible squicks and triggers I could find. Color coded time stamps are where something plot relevant happens. If you are not able to watch that scene you are welcome to reach out to me via DM or ask for a summary of what occurs: 

Episode 1

00:31- A bloody altar with offerings that include intestines

00:43-00:51- creepy masked figure wielding an ax followed by significant blood splatter

01:00-01:19- intro sequence includes creepy masked figure, gun, bloody handprints, knife

1:35-1:55- blood and intestines, mentions of ritual animal sacrifice, close up on intestines crawling with maggots. Reference to mass suicide (These are all only on screen for less than a second at a time, and interspersed among the primary visual of the main characters sitting in the back of a truck)

02:52-03:00- Vomiting      

16:17-16:30- two audio cue semi-jumpscares, no visuals and nothing happens 

18:40-18:41- Jumpscare 

19:16- 19:28- random disembodied hand painted completely black appears from nowhere and slides across a character’s crotch

20:10-20:14-  jump scare of creepy masked figure and under scoring 

20:33-20:48- Blood on ground 

25:12-25:23- sounds of screaming 

25:50 - blood trail on the ground 

26:01- masked figure appears 

26:12- character run straight in to a sharp branch and is impaled 

29:41-29:45- blood

30:16-30:19- blood, including blood pouring out of a mouth 

30:34-30:38- blood, including blood pouring out of a mouth 

36:38-36:40- jumpscare

37:37- Blood, catatonic person impaled by branch visible throughout the scene

39:28-39:29- jumpscare

39:33- 39:35- creepy masked figure

40:10-40:12- jumpscare 

40:12-42:27- scene is interspersed with visual of unconscious, impaled character

Please note 42:27 is the end of the episode, next episode preview occurs after that, there is potentially triggering stuff in the preview. For space saving reasons I am not going to do the previews, just skip them. 

Episode 2

General Content Warning: At many different points in the show you will see a character catatonic and impaled laying on the couch. He will (for the most part) remain this way throughout Episode 2-4. From this point forward I am only going to add squicks and triggers around that character unless some sort of change or special attention is called to the character. 

Episode 2 begins at 00:40

004:47-05:09- intro sequence

05:26-5:45- knocking, lights flickering, objects falling and breaking

06:04-7:00- horror movie shit, door unlocks, smoke appears, creepy masked figure enters with heavy breathing, close up on mask with blood, cut after a swipe with an ax

10:48-10:52- flashback to the creepy shit that happened in the bathroom [6:04-7:00]

1:47-12:49- close up of bloody impalement 

15:14-15:26- a raised and bumpy rash akin to boils 

15:26-15:28- creepy masked figure seen in mirror

23:18-23:25- creepy sound

24:30-24:32- close up of the impalement wound with squelch sound effect 

26:38: jumpscare

26:59-27:02- egregious amounts of blood pouring out of every visible orifice 

27:04-27:12- visual of blood dripping down a character’s face from the eye sockets and the mouth 

27:13-27:55- character being strangled to unconsciousness, appearance of creepy masked figure in background

28:00-28:04- disembodied, agonized screaming 

28:32-28:35- bloody rag and knife 

36:52-36:53- man drives straight through a garotte stretched across the road 

37:06- 37:11- decapitated body spurting blood

38:02-38:04- close up of decapitated head

38:49-38:58- gagging sounds 

39:09-39:11- decapitated head 

39:53- jumpscare of creepy masked figure

43:17-43:20- decapitated head

43:33-43:40- decapitated head, decapitated body, something starts moving underneath the decapitated body’s t-shirt

Episode 3

Recap is 00:00-03:09 and contains potentially triggering content (as listed above) 

03:10-03:16- decapitated body and then decapitated head depicted on screen

06:50-07:17- Show intro- same deal

10:36-10:38- dead body 

12:27-12:47- close up of decapitated head, followed by pooling blood and the sound of flies, squelching and something moving underneath the shirt of the decapitated corpse

12:58-13:00- something moving underneath the shirt of the decapitated corpse with squelching

13:11-13:28- something moving underneath the shirt of the decapitated corpse with squelching, close up of decapitated head, dog sniffing at the decapitated corpse

15:25-15:27- jumpscare, creepy masked figure throws an ax 

22:04- character grabs at the impaled object, squelching sound

25:18-25:21: blood

26:12-26:18-  significant blood smear 

26:49-27:09- bloody tapestries, bloody altar, bloody statues

27:23-27:33- bloody tapestries, bloody altar, blood splatter

28:37-28:46- bloody figurines, intestines and other organs covered in blood and maggots underscored with creepy piano music 

30:22-30:28- bloody altar, bloody statuettes 

30:29-31:40- attempted ax murder by creepy masked figure, it approaches from behind, its mask is covered in blood, there is a grapple but no one is maimed

32:50- 34:12- creepy masked figure on screen pushing over empty coffins to find where people are hiding 

34:43-35:02- characters trapped in coffin 

36:38-37:49- attempted ax murder #2, two characters being strangled, creepy masked figure on screen 

38:43-39:21- seizure on screen 

40:27-40:52- character threatened with gun

40:57-41:06- creepy masked figure

Episode 4

00:10-00:40 - Show Intro

00:40- - Show recap, includes potentially triggering content from Ep 3

01:47-02:26- seizure on screen

03:20-05:30- character held at gunpoint 

05:32-05:40- close up of a bloody impalement injury followed by choking sounds from seizing character

06:05-07:30- close up of a wound which is then sutured (suturing begins at 06:42)

08:15-09:09- characters trapped in coffin, starting to lose oxygen (they do escape)

11:42-11:56- creepy masked figure 

12:23-12:25- jumpscare

13:07-13:09- silhouetted figure lurking in background with creepy whisper sound effects 

13:35-13:49- figure reappears in background with creepy whisper sound effects, character shown covered in blood 

13:57-13:59- close up of blank faced character covered in blood

19:23-19:27- vomiting

20:19-20:24- vomiting

24:38-24:41-FLASHING LIGHTS

24:43-25:00- creepy masked figure, on screen seizure, lots of rapid camera cuts of someone choking interposed over the seizure

25:01-25:06- blood dripping out of an eye, eye opens red and full of blood

26:52-27:33- unconscious body sits up, turns head slowly, and then looms menacingly over someone while creepy music plays underneath 

27:36-27:49- very creepy smile, impaled object is slowly and painfully starting to be pulled out of someone’s body

28:00-30:24- creepy smile, gaping wound seeping blood, close up of wooden stake dripping blood, threatening character at gunpoint, struggling for a gun.

30:29-32:27 character death, distressed sobbing, CPR  

37:56-39:58- characters being threatened at gunpoint

NOTE REGARDING EPISODES 5-8: One of the main threads of episode 5-8 is pretty severe bullying, there are overtones of romantic feelings between an adult and a minor that does eventually lead to a sexual relationship, lots of mental illness related plot, etc. I am going to mark some of the more explicit scenes when it comes to this, but just want to warn in advance that I will not be able to time stamp everything because these are fundamental to the plot

Episode 5

00:10-00:40- show intro 

00:40-01:10- recap, which includes some potential triggers from ep 4

45:32-46:05- severe psychological distress

46:05-46:17 suicide attempt via drug overdose (interrupted before anything happens)

Episode 6

00:00-00:40- show intro 

15:05-17:26 scene contains hints at attraction between teacher and student

23:08-23:12- jump scare of creepy masked figure 

23:19-24:27- creepy masked figure + jumpscare

33:00-33:23- character being beaten

35:57-37:13- police interrogation that includes flashing camera lights

38:50-39:50- character in emotional distress while parents fight about him in his presence 

42:53-44:06- suicide attempt via drug overdose (interrupted with character being forced to spit pills out)

Episode 7

00:00-00:40- show intro

01:04-01:10- character being forced to spit out pills during suicide attempt (in the recap) 

19:00-19:02- use of the “r” word

24:00-24:23- creepy masked figure, character being strangled

26:10-30:00- clear attraction between teacher/student, including the teacher putting his hand on the student’s knee and holding hands

30:00-31:00- flirting and kissing between teacher and student (kissing begins at 30:34)

40:08-43:33- teacher/student with sex scene (sex with minor beginning at 41:34)

44:02-44:50- teacher/student sex scene 

45:00-45:23- revenge porn posted on social media, video of teacher/student sex visible

49:25- 49:54- psychological distress that includes character hitting himself in the head repeatedly

Episode 8

00:00-00:40- show intro

05:23-05:28- implication that character was hit by car

06:00-06:46- parents arguing about how bad their child is while he watches 

07:44- 08:42- emotional distress

09:20-09:22- child slapped by parent

11:07- 12:04-psychological distress

13:19-13:35- person impaled 

13:40-13:47- creepy masked figure

13:52-14:12- lots of blood coming out of orifices, strangulation, creepy masked figure 

14:12-15:17- Severe emotional and psychological distress

24:30-25:37- creepy masked figure + knife attack 

29:38-30:40- police interrogation

43:42-44:02- creepy masked figure and character being strangled 

[zoe-oneesama]

+1 Adrichat Pep Talk for the finale

Episode 53 Part 6 First < Previous > Next Season 1, Season 2, Season 3, Season 4, Season 5 Ep 41, Ep 42, Ep 43, Ep 44 Ep 45, Ep 46, Ep 47, Ep 48, Intermission, Ep 49, Ep 50, Ep 51, Ep 52

Ko-fi | Patreon

[midnightrings]

Hawk & Tim's scenes in chronological order

Okay, so I made a list with the timestamps of each scene between Hawk and Tim to be able to watch them in chronological order (you know, to make everything even more painful). I already watched through it yesterday and it worked well, so I thought I might share it.

Note that this only includes direct interactions between Hawk and Tim. The only scenes I included where they didn’t interact directly is Mary telling Tim that Hawk betrayed him, the letter Lucy burned, and the final scene at the AIDS quilt.

If you want to watch their entire story, including all the scenes of them talking about each other, I honestly think it’s easier to just watch the episodes in order and skip to the right parts (maybe I’ll also do another one for the entire series).

I hope I didn’t forget anything. Also, I can't gurantee that everything will be 100% accurate - it probably depends on where you watch the show (e.g. if the upload comes without the recap of the previous episode, this will probably be off)

(Below the cut due to length)

1952-54

Episode 1:

4:00 – 6:15 11:11 – 14:10 17:04 – 18:34 20:32 – 30:31 37:20 – 42:13 43:07 – 43:32 45:16 – 49:07 55:00 – 57:56 1:00:08 – 1:00:59

Episode 2:

6:18 – 10:45 36:40 – 37:31 39:37 – 43:49

Episode 3:

9:32 – 11:47 2:02 – 2:23* 13:39 – 15:39 23:08 – 25:33 28:22 – 31:53 34:26 – 38:08 41:50 – 44:07 52:08 – 53:56

Episode 4:

25:42 – 33:20

Episode 5:

6:41 – 8:22 20:07 – 21:49 42:12 – 44:00 51:16 – 55:20

(unspecified year in the 1950s)

Episode 6:

46:58 – 47:44

1957

Episode 8:

10:10 – 13:41 25:08 – 31:42 39:46 – 41:13 47:31 – 49:25 50:34 – 51:58

1968

Episode 6:

6:15 – 7:02 8:33 – 10:18 13:12 – 16:34 28:50 – 31:48 41:15 – 43:38 49:04 – 50:09

1979

Episode 7:

6:06 – 10:33 15:12 – 18:04 20:11 – 24:53 27:37 – 30:06 34:55 – 40:02 45:23 – 47:29 49:32 – 51:40

1986

Episode 1:

57:57 – 59:31

Episode 2:

46:04 – 48:29 56:42 – 57:02

Episode 3:

2:24 – 5:26 25:33 – 27:37 53:57 – 55:43

Episode 4:

3:52 – 7:05 22:30 – 24:50

Episode 5:

2:05 – 3:00 55:20 – 56:10

Episode 6:

2:00 – 2:50

Episode 7:

54:50 – 56:12

Episode 8:

4:43 – 7:43 38:46 – 39:46 41:14 – 43:50 44:38 – 44:52 46:08 – 46:18 51:59 – 58:42 1:04:04 – 1:06:02

[khytal]

ok gamers I rewatched tristamp one more time in order to write a post about the soundtrack, and some of the stuff I found blew my socks off (even though I've seen every episode like 6 times) so buckle up because oh my god. oh my god

this will cover most of both volumes of the OST (which you can find on spotify), with a focus on wolfwood, and a little bit of vash, meryl, and the eye of michael

...and a very thorough breakdown of "drain arm" :)

notes before I get into it: -I won't be analyzing the plant song because I. already wrote an entire separate thing about that haha (a link to that doc will be in the replies section of the notes if you're interested)

-you won't need to know anything about music theory, because I'm just pointing out where certain themes come up (with the exception of "duet", but I'll explain terminology there). timestamps will be included so you can listen for them as you read

-if you're obsessed with the OST like I am, most of this probably won't be anything new x) but I hope it's enjoyable regardless

-my credentials: I was a pianist for 10 years and an oboist for 7.5 years and I only had 1 semester of intermediate music theory but I got to analyze the 1st mvt of tchaik 5 and I think that permanently altered my brain chemistry

-the tracks I recommend being familiar with to have a better grasp on this post are: -> "whistling/blues harp in the wasteland" (vash's leitmotif) -> "reality" -> "childhood memories" -> "duet" -> "human subject" (eye of michael, or EoM, leitmotif) -> "drain arm" (technically optional)

-please don't take any of my interpretations/speculation as fact! you are absolutely free to come to your own conclusions I just have a lot of thoughts about the soundtrack lol 👍

here we go :]

EP1: -you can hear a variation of the plant song in "immigrant space explorer" (0:36-1:00)

-vash's leitmotif is first heard in "no man's land" (0:41-0:48)

-only about half of "mystery man" plays, and his leitmotif (0:38-0:51) is actually cut from the scene so it's not heard at all

EP2: -"escape" has vash's leitmotif from 0:18-0:31. they also took out the lyrics in the episode's version of the track x)

-it's possible that we'll hear "might is right" or a new arrangement of it if we get to see the rest of the nebraska family in future episodes, since there were posters of marilyn. I think people largely associate the song with EG the Mine but due to the track title and the fact that it first played in this episode, I feel like it's more about the nebraskas

-I'll talk about "childhood memories" in ep12 because it's related to rem's themes

EP3: -the plant song can be heard in "compatriots" (1:01-1:11)

-"reality" is first heard here, right before the episode in which wolfwood is introduced. keep this in mind for later :')

EP4: -"undertaker" has a dissonant sax part (0:48-0:54) that's similar to the one found in "irritation" (1:05-1:11), but it's an ascending passage rather than descending. it doesn't show up anywhere else so it might become a motif we'll hear in the future, but there's no way to know until the next part is released

-"planet zaji", from 0:55-1:04, has that one part from "time left" (1:02-1:09). it's heard while wolfwood's spinning the punisher around but I think it's just something that sounds cool, and you can't really hear it anyway because of the sound effects/dialogue. if zazie gets any additional themes in the future I might have more to say on this

-vash's leitmotif kicks in in "hungry !" (0:21-0:43) when wolfwood introduces himself at the end of the episode. I really like this track I hope we'll get to hear it again x)

EP5: -I don't think there's any meaning behind "shadow" borrowing from "worms network". I'm pretty sure it was just for mood (and to be fair it is a cool track)

-you can hear vash's leitmotif at the beginning of "boy and vash". this is the part where vash is escorting rollo back to the village

-"cyborg" introduces a new 4-note pattern (0:07-0:14) that I'm calling the eye of michael leitmotif. if hearing this reminds you of episode 6 then you already understand what I mean

-"dud" has vash's leitmotif as well (2:20-2:59), which starts playing when vash is begging rollo to wake up after wolfwood kills him

-only a small part of "human subject" (0:25-0:35) is used for the final scene, right when the windmills start turning. using the EoM leitmotif as a sendoff to the empty village is. really haunting

EP6 (this is a long one I'm sorry): -the EoM leitmotif can be heard in "reborn" (0:09-0:14, but it's easier to hear in 0:26-0:30). this is the opening scene where wolfwood guns down the deserter

-they do reuse "worms network" when livio first opens fire on vash but that's more for mood in my opinion. you could say it hints at zazie monitoring the sand steamer though

-we're probably going to hear "the desert rogue" again when the bad lads gang shows up in a future episode, possibly with a new arrangement for brilliant dynamites neon (this is one of my personal favorite tracks actually. it's a shame they didn't get to use the whole thing because 0:45 to the end is really cool)

-"boyhood" contains the EoM leitmotif and it's very in-your-face in this song (1:15-2:19). in the episode itself the track gets cut at around 2:10, but in the OST the piano motif from "orphanage" can be heard one more time right at the end of the song at 2:18-2:20. which is an evil thing to do. anyway

-"nicholas the punisher" is an arrangement of "reality". let that sit for a second, maybe go listen to those two tracks or something.

okay so we can look at this in a few different ways:

-> the end of episode 3 is of course a reality check, supported by the corresponding track being titled "reality" (even though it's fabricated by nai: to suggest and then prove to the people of no man's land that vash is indeed deserving of the $$6mil bounty; and to tell vash that his presence will pose a threat to humans). you know who else is supposed to be* grounded in reality? the pragmatic nicholas d wolfwood, who's introduced at the start of episode 4 *tristamp wolfwood hasn't quite found his resolve yet, as shown by his hesitation when livio appears

-> in the scene where "nicholas the punisher" is heard, vash is insistent on rescuing livio while wolfwood pushes back and says it's too late for him. he's clearly wishing he wouldn't have to eliminate livio though, and with "reality" as the foundation of this song, it presents wolfwood's inner turmoil in a new way for the audience: vash, who is physically right there trying to persuade him that there's still hope for his brother, vs his role as "nicholas the punisher" in sound, in his mind, and the "reality" that developed along with it (death is/can be a mercy, and sometimes it's necessary to sacrifice one life to save many)

(I also want to add that while legato's dialogue shows he intended for the orphanage to be eliminated through livio's death, it seems wolfwood didn't even realize that killing livio would mean more kids would be taken by the EoM for experimentation. he thought he had to choose between livio or the children, but it was a "test" of loyalty; and legato was attempting to obtain said loyalty by force)

-> outside of the episode, if you were to just listen to this track within the OST it's very representative of his character. contrary to "undertaker", which is fairly laid-back and....honestly kind of playful (and equally reflective of wolfwood's personality, when he's relaxed), "nicholas the punisher" is a more somber and contemplative piece. the fact that it's built on "reality" already suggests that he's someone whose beliefs conflict with vash's; and even without knowing that, both of wolfwood's themes contrast with the energy of "vash the stampede" quite clearly (even if I personally don't consider that track to be vash's official theme, it's still associated with him). I think it's really interesting that vash, the quieter one, has more raucous songs while wolfwood, the one with a sharp tongue, has calmer tracks :)

you might be wondering if "orphanage" is in "nicholas the punisher" and the answer is......yes, but actually, no. but kinda if you're delusional like me. this little pattern from 0:29-0:42 in "orphanage" is found in the low brass from 0:57-1:11 in "nicholas the punisher" (although it's in a different key and has a slight variation in the 2nd half). it's not quite the same, but both phrases start by going down a half step, then down a P5 interval (D->C#->F# for "orphanage", F->E->A for "nicholas the punisher"). lastly the sand steamer's leitmotif (I guess) is also present but that's. obviously because this is happening on the sand steamer lol

-"whom to kill, whom to let live" is just a faster/more tense arrangement of "orphanage" with saxophone over it. starting at 1:07 you can hear the worms leitmotif (1:31-1:34 in "worms network")

I can't say whether or not legato is already represented in the OST because he's currently not associated with any unique tracks, but they might tie the dissonant saxophone passage from "irritation" to him. it's first heard when legato stops wolfwood from escaping the facility, and as far as I can remember it's not played anywhere else. if he plays a bigger role in the next season, which I'm sure he will, I'll be keeping an ear out for this x) (I only mention the sax thing because I don't think he's represented by the sax solo that plays in "whom to kill, whom to let live")

EP7: -a little more of "the desert rogue" is heard when the bad lads make their way onto the sand steamer but it's very hard to make out over the gang yelling in the background lmao

-we're treated to the entirety of "human subject", for the scene where livio briefly returns to himself. if you somehow weren't convinced that those repeated 4 notes had anything to do with the eye of michael, this is the last instance where it's heard: the moment livio's overcome by whatever brainwashing was used on him by the EoM

-I think most people associate "time left" with ep12 but it's first played in this episode and I believe that it was primarily composed with the ion cannon sequence in mind (though a majority of the tracks in the OST only play once for specific scenes, with some songs being cut short and getting different parts played across 2+ episodes. "irritation" and "human subject" are examples of this)

EP8: -this one's a little hard to hear because the 1st note is implied in the C drone but vash's leitmotif starts at around 0:09 in "complicity" and runs all the way to 1:06

-it's also in "home" (1:38-1:57), playing at the moment luida hands vash the red coat :)

EP9: -I've talked about this before but I really like that there's 4(?) measures of polyrhythm (2 or more differing rhythmic lines that are played within the same time signature) when vash joins in, before the brothers come together on the same even rhythm. you can see how vash's quarter-note pattern doesn't line up with nai's quarter-note triplets, and in fact, neither of them ever land or start together:

(for the sake of comprehension I wrote it out with a faster tempo to stretch the polyrhythm part over 8 bars instead of the slow tempo/4 bars. I'm not sure what the official tempo is. I think a sane person would write it at a faster tempo so that the part doesn't look stupidly cluttered but a good musician would be able to play it regardless. anyway-)

it sounds even more stilted because vash is playing on the offbeat. polyrhythm's such a great way to represent the brothers' relationship because it seems so chaotic but both lines are still in time together, following the same beats. they're so different but in the end they're still brothers who (are trying to) understand each other. and I love that vash is playing secondo, a more harmonic/supportive part, while knives has primo, where the melody/ornaments are. it says a lot about their personalities :')

since I don't know what the original sheet music looks like I can't say if this is true but you can hear that the plant song at 1:03 is played in octaves (2 notes that're the same pitch with one higher than the other). because of the nature of a duet, and the fact that this was played by the twins when they were little, the octaves were probably split between the parts. so vash was playing the lower octave of the plant song with his right hand, and nai played the upper octave with his left hand (we don't get to see this because it cuts to nai playing the song alone at that point). also: vash favors his right hand while nai favors his left

-now for something far less interesting: "last run" is a medley combining "ethics and morality", "compatriots", and "millions knives"

EP10: -"a cruel sight" seems to be unused. it was probably intended to lead into "bio-power reactor" in the scene where meryl and roberto meet elendira in the tank (given that it ends the same way "bio-power reactor" starts), but they cut it and just played a version of "bio-power reactor" without the melody

-elendira's themes ("elendira the crimsonnail" and "which is the monster?") seem to have some lyrics that're most audible in the beginning of the tracks but they're almost impossible to make out without some kind of editing software, which I don't have lol. they're already very quiet in the background and they echo, on top of sounding like they were put through autotune

also this is entering speculation territory but it makes me wonder if elendira's theme is going to evolve with her. we've seen some concept art with her having a more teenage appearance, so I think it'd be really cool if the vocals also changed accordingly

additionally she doesn't have the EoM leitmotif anywhere but she DOES have a proper 4-note chromatic pattern that descends from D in "which is the monster?" (1:32-1:35), which is the same note that the EoM leitmotif starts on. if we consider EoM's broken chromatic passage to represent the failed experiments, then elendira, with an actual chromatic passage in her theme, is a success

-"meryl's regrets" is ALSO an arrangement of "reality" :') this is the track that plays during roberto's final moment, which was. you know. the consequence of meryl running off in pursuit of the truth. the "reality" roberto had warned her about several times prior to episode 10. interestingly, while "nicholas the punisher" expands on the original track, "meryl's regrets" is a reduction--it's mostly just the baseline with some notes here and there. she doesn't have a theme yet, but 1:23-1:33 might be something we hear again if/when she gets a track associated with her

EP11: -"nicholas and meryl" is an arrangement of "boy and vash", with erhu echoing vash's leitmotif. I think it's a neat way to show through music that both of them are here because of vash :]

-the tracklist goes slightly out of order at this point for some reason. after "memory retrieval", "memory of geranium" is what plays in the final memory, when nai decapitates rem

EP12: -"memory of rem" is a combination of "childhood memories" and "memory of geranium". "childhood memories" is also found in "knives's piano", which is based on "duet". one fun way of interpreting this is that the "childhood memories" part of the duet is actually from rem, if she was the one who taught the twins how to play piano, which would make "duet" a musical representation of vash and nai's roots (pun intended. sorry). this also suggests nai misses rem, with how often he plays the piano, even if he thinks he hates her.

but "childhood memories" can also simply be seen as a theme that's associated with rem, nai, and vash's brief time together x)

-okay this is the part where I get to rant about "drain arm" because THIS SONG was literally the reason I decided I needed to rewatch stampede. I was listening to "drain arm" a couple weeks after the finale aired and I heard vash's leitmotif near the end and I was like "NO WAY!!!! HOW DID I MISS THAT"

as it turns out, it was cut from episode 12.

:)

not to worry though, I still have plenty to say about it. even if I'm a little disappointed. just. a little.

-> from 1:13-1:25, you can hear vash's leitmotif in the cello. this DID make it into the scene, and it plays when vash rises through the clouds

-> 2:44-3:10 is where some of the lyrics from vocal version of "millions knives" play: "remember how / we used to be / no turning back / sky's (skies??) falling down". although you can't actually hear the "remember how" in "drain arm" (at least not without blasting the song into your ears, which I don't recommend), it starts right when the image of vash and nai sitting in the geodome appears

-> we finally get the plant song at 3:36, when the condensed energy starts to leak out/charge. and then after it fires, but before nai dives into the beam, we hear "I still care for you" (3:44-3:52). and while it's originally from the vocal version of "millions knives", in the context of the scene I think it's a sentiment from both brothers: vash, who pleads for nai to let go and releases the energy away from him; and then knives, desperately reaching for the cube because he believes the success of his plan will ensure his family's (and especially his brother's) safety, the only ones he's ever cared about

in other words: plant song in cello = vash -> "I still care for you" -> continuation of plant song in low brass = knives. they're connected by this single sentence

-> knives's leitmotif (I didn't talk about it because it's only found in songs that signal his appearance, so it's really obvious, but yes he's got one of those) plays at 4:03 for the "nai is dead. you killed him" exchange

-> it goes back to a variation of the plant song at 4:29 (I LOVE the piano at 4:40-4:49 btw. it's so good. I could cry about it. probably)

if you've read my plant song analysis you might be wondering how to tell when it's being associated with the name millions knives instead of the plant race. since we know that a good chunk of the songs in the OST were written like a film score, the visual context (and/or the song titles themselves) can clue you in. "drain arm"'s use of the plant song is meant to highlight that vash and nai aren't human, so it's the latter

-> now here's the part that was removed, probably due to the runtime: vash's leitmotif in the cello again, from 5:03-5:09. if you revisit the part right before nai lets go of the cube, you'll hear that it skips these 6 seconds and goes straight to knives's theme ("but that's the plant song!" yes. we'll get to that in a sec). this missing bit right here?? fucks me up EVERY time. it's the most mournful his leitmotif has ever sounded, appropriately so, and it's absolutely criminal that it wasn't included. especially because knives's theme, the plant song melody, follows it up on violin as the cello continues to play a line in harmony.

and it's knives's theme because in this moment it's about him dying, not the plants. they spent a whole season tricking us into thinking that the plant song was knives's theme, and then they used it to send him off.

-> and then july city explodes o7

as much as I'd love to hear "drain arm" again for another chance to let the weight of vash's motif come through, I think it's too intertwined with this scene to be recycled. like. maaaaaaaybe they could use it for fifth moon if that's supposed to be the climax of the next part but they kinda?? already did the "fire a really big laser at the sky" thing? anyway yeah I'm totally normal about "drain arm". so normal

Extras: -the punisher and the double fangs have these cool sound effects when they transform and it kinda makes me think that their guns are built from lost tech, if the punisher's laser cannon wasn't evidence enough of this

-there's no equivalent of "sound life" in stampede, and I don't think there's going to be one. however, I do think that it would make a lot of sense if rem taught the boys how to play piano, because we could get something like:

-> rem asks vash about the plant song (the memory in ep12) -> she gives the boys piano lessons -> she helps them compose "duet"

-they didn't use "stampede out" for this season but I really hope we'll hear it in the next part. I know it's just a longer version of "escape" but it's a fun song :]

-this is. obvious but you can hear "gate" in "millions knives". no idea if they'll put "gate" into more songs, especially for vash now that he seems to have some control over it

-there's also something kinda fun with key signatures too: -> "millions knives" is in b minor -> vash's leitmotif is in d dorian (of course this changes depending on the key signature of whatever track it's used in) -> "undertaker" is also in d dorian -> I think songs associated with no man's land/humanity are usually in some dorian scale or specifically the key of a minor but this is solely based on jeneora rock since july city had its own unique theme so I'm not totally sure yet. "duet" is in a minor by the way -> "nicholas the punisher" is in d minor. if "undertaker" is tied to humanity (which is tied to vash) then "nicholas the punisher" is linked to the other side: knives, through the EoM. it adds another interesting layer to the contrast between wolfwood's two themes, but I don't consider this to hold any meaning lol -> I WILL say that b minor is the relative minor of D Major, so having knives and vash's songs be written in those keys was likely deliberate. and what makes it really interesting is that to get d dorian, you take a D Major scale and lower the 3rd and 7th notes by a half step

-I'm not 100% sure but I think plucked piano strings were used to create the low, scratchy string sound effect in some of the songs (one example is literally at the beginning of "irritation"). I think it's really cool that piano is everywhere in the soundtrack, but not necessarily by hitting the keys

-I am unbelievably excited for livio's/razlo's themes because they have the opportunity to do some REALLY COOL things with the music for them. we might not get them in part 2 (though I think we will) but whenever it happens I'll be so ready for it >:)

and that's all!! o(-< thank you for reading! if you actually took the time to go through all of this with the soundtrack pulled up, I'm. impressed. i think. anyway I'm a big fan of OSTs with strong storytelling and tristamp's OST is no exception :]

if you've got questions, feel free to ask ^^ I definitely didn't cover everything I just picked out whatever I thought was worth mentioning. which was uhhhh quite a bit x)

(also again if you're interested in reading the plant song analysis I did it's in the replies section of the notes 👍 I recommend reading it on a computer though)

[cerealforkart]

Dungeons and Daddies the Manga the Masterpost

Welcome to Dungeons and Daddies the Manga! A complete, fan-run yonkoma-style recap of the second season of Dungeons and Daddies (a podcast about four teens kinda from our world trying to save our world after their grandparents messed it up). Use this masterpost to easily navigate yourself to your favourite episodes and remember all the nonsense our favourite daddies have crammed into this wild season.

Order the physical version of the manga, with 24 new exclusive pages over here!

Support me and this project and get a drawing with my ko-fi!

Lesson List:

Lesson 1: Dungeons and D.A.D.D.I.E.S.

Lesson 2: The Game of Life [Any% WR Speedrun]

Lesson 3: The Unbearable Linkness of Peeing

Lesson 4: Barf Bum Movie Men

Lesson 5: Dance Dance Revelations

Lesson 6: Dance Dance Revelations 2ndMix Link Version

Lesson 7: The Gofast Club

Lesson 8: Slumber Party Mayorssacre

Lesson 9: Debate Me, Cowards

Lesson 10: Dad Me To Hell

Lesson 11: That Thing? You, Dude!

Lesson 12: Scary Movie 2

Lesson 13: Children of the Code

Lesson 14: Welcome to Earth

Lesson 15: California Pizza Kombat

Lesson 16: Needlejuice

Lesson 17: OSHA’s Eleven

Lesson 18: Grand Theft Gato

Lesson 19: Pop Punk

Lesson 20: I Brought You My Catbus, You Brought Me Your Love

Lesson 21: Finding Forest Her

Lesson 22: Army of Tree

Lesson 23: Alright

Lesson 24: Spider-Boyz: Homecoming

Lesson 25: Stand and Delivery

Lesson 26: The Staircase

Lesson 27: Ei8ht

Lesson 28: King of the Hell

Lesson 29: S.O.C.C.E.R.: Shadow of Scorenogoal

Lesson 30: Mrs. Swallows-Oak-Garcia’s Home for Peculiar Teenagers

Lesson 31: Halt and Catch Fireball

Lesson 32: Con Mayor

Lesson 33: An Extremely Goofy Episode

Lesson 34: Finding Tori

Lesson 35: Apollo Four Teens

Lesson 36: When Terry Met Terry

Lesson 37: Cut My Life Into Pizzas

Lesson 38: Main Character Syndrome

Lesson 39: Hey, Dude

Lesson 40: The Teenhigh Saga: Break-in Wrong: Part 1

Lesson 41: We Need to Talk About Heaven

Lesson 42: Spirit Hallow Peen

Lesson 43: Attack on Titanic

Lesson 44: Atonyment

Lesson 45: Hell or High Father

Lesson 46: Lincoln in the No Holds Bardo

Lesson 47: Inside the Actor’s Funeral

Lesson 48: Next to Normal

Lesson 49: Halo Reach

Lesson 50: Larry the Capable Guy

Lesson 51: Cool Hand Linc

Lesson 52: Dood Riddance (Time of Your Life)

Lesson 53: Urination (Friends Forever)

Extras

Style Guide: [Part 1] [Part 2] [Part 3]

New Years 2023

Page 69.5

Anniversary

New Years 2024

The Team:

Manga by @cerealforkart​

Transcripts by @confusedfoam​

[smolwritingchick]

Forced To Believe Masterlist

A Dean Ambrose x OC story! The Shield 4th member.

Summary: Taking place during the start of The Shield's debut in 2012, follow Morgan Lopez's career as she becomes a member of The Shield, revamps herself as The Outspoken Diva and makes a name for herself in WWE.

OC Profile of Morgan Lopez

Chapter 1- So, You Wanna Wrestle?

Chapter 2- My WWE Debut

Chapter 3- Fighting Back

Chapter 4- My First Wrestlemania

Chapter 5- Becoming Heel

Chapter 6- Total Divas Season 1 Episode 1

Chapter 7- The Shield's Girl

Chapter 8- Total Divas Season 1 Episode 2

Chapter 9- The Shield Isn't Unstoppable

Chapter 10- Total Divas Season 1 Episode 4

Chapter 11- Justice Continues Being Served

Chapter 12- The Underdog from Philly

Chapter 13- Catching Up Before MITB

Chapter 14- Money In The Bank 2013

Chapter 15- Total Slap!

Chapter 16- Frustration

Chapter 17- Total Divas Season 1 Episode 5

Chapter 18- I Know What I Have To Do

Chapter 19- Do You Know Who I Am!?

Chapter 20- Total Divas Season 1 Episode 6

Chapter 21- Army of One

Chapter 22- Wiping That Smirk Off Your Face

Chapter 23- You Look Like You've Seen A Ghost

Chapter 24- Total Divas Season 1 Episode 7

Chapter 25- Mommy Knows Best

Chapter 26- Revenge Is Sweet

Chapter 27- Total Divas Season 1 Episode 8

Chapter 28- Is That You Being Serious?

Chapter 29- In Due Time

Chapter 30- Trying To Gain Momentum

Chapter 31- The Slammy Awards

Chapter 32- That Was A Miracle

Chapter 33- The Answer Is No

Chapter 34- Tribute To The Troops

Chapter 35- Morgan's Answer

Chapter 36- Move Thief

Chapter 37- Meeting Hot Rod

Chapter 38- Respect

Chapter 39- I Hate Snakes

Chapter 40- If Only You Knew

Chapter 41- Making A Statement

Chapter 42- Yikes

Chapter 43- Sister Abigail

Chapter 44- I Lost Her

Chapter 45- She Belongs To Us Now

Chapter 46- I See What You Want

Chapter 47- Armageddon

Chapter 48- Armageddon Part 2

Chapter 49- That Supernatural Stuff Don't Work

Chapter 50- What Are You Doing!?

Chapter 51- Things Got Personal

Chapter 52- He Kept His Word

Chapter 53- Harley Mode Was Captivating

Chapter 54- Rosa's Mind Games

Chapter 55- Togetherness

Chapter 56- Public Displays of Affection

Chapter 57- The Shield Against The Authority

Chapter 58- Bad News Dinner

Chapter 59- Getting The Upper Hand

Chapter 60- Annihilated

Chapter 61- Catching Up With Old Friends

Chapter 62- Wrestling's Fun

Chapter 63- Get Back Here!

Chapter 64- War

Chapter 65- Trust Is Dead To Us Now

Chapter 66- Confronting The Sellout

Chapter 67- Going Our Separate Ways

Chapter 68- They Can't Control Me

Chapter 69- Clock Is Ticking Morgan

Chapter 70- Outsmarting The Architect

Chapter 71- Closing The Chapter

Chapter 72- I Win (All Hell Breaks Loose)

[heartdrift]

Every Caryl Scene (S1-11) (1080p/Logoless)

PART 1

PART 2

PART 3

PART 4

PART 5

PART 6

PART 7

Whew. I'm not gonna lie to y'all, this took forever. My goal with this was to recreate my previous Caryl compilation with 1.) all scenes intact, not missing anything and 2.) much better quality. I ran into many issues that I won't bore you with, but in summary - almost everything here is completely lossless from the original files, aside from S10, which I unfortunately had to reencode to fix a few issues I could not solve no matter how much I fiddled with it. However, it is still much better quality than the previous file I had up! These also have 6CH audio, which means that if you make fan videos and use something like Vegas Pro, you will be able to isolate the spoken audio from the music/random background noises and have better, cleaner voiceovers!

All of the seasons add up to about 123 GB, so I'm sorry that these will take up quite a bit more space than before, but the improved quality hopefully makes up for that! These are not perfect, so please forgive any little framerate bugs or very slight (hopefully) issues with video/audio syncing. I'm aware that the audio for S10 is a bit behind, but hopefully not to an extent that ruins anything - that season gave me quite a hard time, and I'm not really sure how to get it just right. It bothers the hell out of me, so I'm sorry, but I did my best. Otherwise, any issues should be pretty minor, but let me know if you run into anything major.

As always -

Credit is not necessary.

You are free to - and encouraged to - use these for anything creative that your heart desires. Just don't claim that you put these together yourself and I'm happy.

If you want me to see something you made with the scenes, tag me! I love seeing new creations in the tag, so don't be shy.

This is my love letter to y'all. It's not much, but I hope it sparks joy!

(Pssttt, psstt. If you would like episode timestamps for each season, click the link below. It's pretty lengthy and they're not precise, I just did my best.)

Season 1

00:00 to 02:52 - Episode 5, Wildfire

02:52 to 04:17 - Episode 6, TS-19

Season 2

00:00 to 14:21 - Episode 1, What Lies Ahead

14:22 to 20:05 - Episode 2, Bloodletting

20:06 to 21:38 - Episode 3, Save the Last One

21:39 to 26:16 - Episode 4, Cherokee Rose

26:17 to 27:18 - Episode 5, Chupacabra

27:19 to 42:17 - Episode 7, Pretty Much Dead Already

42:18 to 45:16 - Episode 8, Nebraska

45:17 to 51:00 - Episode 9, Triggerfinger

51:01 to 55:03 - Episode 11, Judge, Jury, Executioner

55:04 to 57:49 - Episode 12, Better Angels

57:50 to 01:12:48 - Episode 13, Beside the Dying Fire

Season 3

00:00 to 11:34 - Episode 1, Seed

11:35 to 20:08 - Episode 4, Killer Within

20:09 to 26:13 - Episode 5, Say the Word

26:14 to 31:12 - Episode 6, Hounded

31:13 to 33:14 - Episode 7, When the Dead Come Knocking

33:15 to 39:58 - Episode 9, The Suicide King

39:59 to 43:41 - Episode 10, Home

43:42 to 44:45 - Episode 11, I Ain't a Judas

44:46 to 46:18 - Episode 15, This Sorrowful Life

46:19 to 46:37 - Episode 16 - Welcome to the Tombs

Season 4

00:00 to 02:11 - Episode 1, 30 Days Without an Accident

02:12 to 06:11 - Episode 2, Infected

06:12 to 10:03 - Episode 3, Isolation

10:04 to 13:49 - Episode 4, Indifference

13:50 to 14:53 - Episode 5, Internment

14:54 to 16:18 - Episode 8, Too Far Gone

Season 5

00:00 to 20:07 - Episode 1, No Sanctuary

20:08 to 33:23 - Episode 2, Strangers

(^tw for emetophobia at 22:27 to 22:42, I know it might seem silly since this show is full of blood and gore, but I don't want to catch y'all off guard with something unexpected that might really bother you to see.)

33:24 to 34:19 - Episode 3, Four Walls and a Roof

34:20 to 34:52 - Episode 4, Slabtown

34:53 to 01:16:24 - Episode 6, Consumed

(^yes, I included this entire ep, y'all ain't missing a second of it.)

01:16:25 to 01:23:28 - Episode 8, Coda

01:23:29 to 01:27:29 - Episode 10, Them

01:27:30 to 01:28:14 - Episode 11, The Distance

01:28:15 to 01:30:58 - Episode 12, Remember

01:30:59 to 01:33:56 - Episode 13, Forget

Season 6

00:00 to 01:31 - Episode 1, First Time Again

01:32 to 09:26 - Episode 3, Thank You

09:27 to 12:59 - Episode 6, Always Accountable

13:00 to 14:59 - Episode 9, No Way Out

15:00 to 17:18 - Episode 11, Knots Untie

17:19 to 19:40 - Episode 13, The Same Boat

19:41 to 25:28 - Episode 14, Twice as Far

25:29 to 28:38 - Episode 16, Last Day on Earth

Season 7

00:00 to 02:55 - Episode 1, The Day Will Come When You Won't Be

02:56 to 03:55 - Episode 9, Rock in the Road

03:56 to 20:43 - Episode 10, New Best Friends

20:44 to 28:13 - Episode 13, Bury Me Here

Season 8

00:00 to 08:46 - Episode 1, Mercy

08:47 to 13:22 - Episode 4, Some Guy

13:23 to 15:22 - Episode 5, The Big Scary U

15:23 to 17:45 - Episode 11, Dead or Alive Or

17:46 to 20:02 - Episode 13, Do Not Send Us Astray

20:03 to 27:51 - Episode 16, Wrath

Season 9

00:00 to 02:33 - Episode 1, A New Beginning

02:34 to 07:27 - Episode 2, The Bridge

07:28 to 08:28 - Episode 6, Who Are You Now?

08:29 to 23:25 - Episode 7, Stradivarius

23:26 to 28:00 - Episode 10, Omega

28:01 to 29:41 - Episode 13, Chokepoint

29:42 to 31:01 - Episode 14, Scars

31:02 to 58:58 - Episode 15, The Calm Before

58:59 to 01:22:21 - Episode 16, The Storm

Season 10 (Part 1)

00:00 to 09:24 - Episode 1, Lines We Cross

09:25 to 35:48 - Episode 3, Ghosts

35:49 to 38:34 - Episode 4, Silence the Whisperers

38:35 to 39:46 - Episode 5, What It Always Is

39:47 to 53:52 - Episode 6, Bonds

53:53 to 01:06:48 - Episode 7, Open Your Eyes

01:06:49 to 01:19:18 - Episode 8, The World Before

01:19:19 to 01:44:24 - Episode 9, Squeeze

Season 10 (Part 2)

00:00 to 08:41 - Episode 9, Squeeze (continued from the previous part)

08:42 to 16:35 - Episode 11, Morning Star

16:36 to 20:04 - Episode 12, Walk with Us

20:05 to 31:45 - Episode 14, Look at the Flowers

31:46 to 40:01 - Episode 15, The Tower

40:02 to 01:02:20 - Episode 16, A Certain Doom

01:02:21 to 01:07:40 - Episode 17, Home Sweet Home

01:07:41 to 01:33:05 - Episode 18, Find Me

01:33:06 to 02:05:42 - Episode 21, Diverged

02:05:43 to 02:08:40 - Episode 24, Here's Ne/gan

^I don't want this post to show up in that character's tag on mobile, it would just be annoying for those fans since this doesn't have anything to do with him.

Season 11

00:00 to 09:55 - Episode 1, Acheron: Part I

09:56 to 15:29 - Episode 9, No Other Way

15:30 to 18:51 - Episode 10, New Haunts

18:52 to 24:27 - Episode 14, The Rotten Core

24:28 to 27:26 - Episode 17, Lockdown

27:27 to 37:24 - Episode 18, A New Deal

37:25 to 57:18 - Episode 20, What's Been Lost

57:19 to 01:19:32 - Episode 21, Outpost 22

1:19:33 to 01:20:56 - Episode 22, Faith

01:20:57 to 01:32:27 - Episode 23, Family

01:32:28 to 02:00:35 - Episode 24, Rest in Peace