Shoutout to Rogue for being a D&D nerd with no improv skills. The representation we need. 🫡
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Esmer’s a very pretty name
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ESMER ARE YOU SINGLE??
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I’M SO SORRY GERMANY YOU DESERVED BETTER.
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I don’t know what I was expecting from the Man Wakes Up With Demon In His Brain Podcast, but it wasn’t for the demon to talk the man out of killing an innocent bystander in episode 1. It took Arthur about 15 minutes to adjust to his circumstances and advocate for violence that even the threatening voice in his head thinks is extreme.
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Listening to Malevolent for the first time like:
Season 1: what a fun horror story! The plot’s rather predictable but it’s got a cool premise and I’m intrigued.
Season 2: Oh god oh fuck.
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I got to the episode where Jon’s asexuality first comes up and I am giddy with happiness. He’s the first canonically asexual character I’ve encountered and the representation means SO MUCH to me. I knew in advance, of course, it’s part of why I started TMA, but actually hearing it said in the podcast? I did not expect the feeling of finally seeing myself in media to hit so hard.
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Okay Hamlet boy give us your little fencing introduction.
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Oh my god he’s at the club!
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SNW writers, repeat after me: romantic love is not inherently more meaningful than platonic love.
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I’d like to see some more appreciation for Portugal’s act. Don’t think I’ve heard Mimicat miss a single note, and that’s while dancing in high heels.
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Okay, Portugal’s jury is a little bit sexy. Only decent taste thus far. Finally, Croatia’s got some points!
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Fuming.
Okay, liveblog over.
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Splash pad time???
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Since I’m deeply obsessed with Shakespeare including some of his more niche works, I figured I should finally address the massive gap in my knowledge and watch The Tempest. I’m going to do very low key liveblogging as I watch, so followers, please feel free to block the “esmer liveblogs” tag.
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Why do the juries have such bland taste?
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