#even if i don't like her as a person i could respect her as a character

[tame-the-lion-writes]

tomboy reader x 141 - shopping

(Light warning for reader being self-conscious and insecure about her femininity.)

For the longest time, the boys of 141 don't see their tomboy teammate as a "girl." Not maliciously, of course, but it simply doesn't cross their mind.

It's not that you aren't pretty, but they're so conditioned to see you as "another one of the guys" that they don't spare a passing glance. You don't exactly dress up, either, and they haven't seen you in a skirt or dress. Nor do you have the most feminine interests--at least not that they know of--because their time with you is spent shooting at enemies, covered in blood, and kicking up dust. In short, the usual masculine tendency to see women as precious or dainty doesn't kick in. Because you're anything but.

Because you're a soldier.

In a way, you've grown to love it and hate it. The feminist side of you craves that respect and treatment as an equal. The other side of you, however, whatever the label may be, craves the idea of being wanted. You want to dress up nice and be small and cute. You want to wear heels and fluttery skirts and bows. You want to feel so sweet and sugary, that you could curl up in the palm of someone's hand--not afraid to be vulnerable and adoring and soft. Because you'd trust that person to still love and care for you, no matter how weak you allow yourself to be.

You never bring it up, though. At least not until Price asks if you have anything to wear to some fancy event, where you're stuck with a good old dress code.

"Yeaah... about that," you say with a sheepish smile. "Might have to get time off base to find something, sir. Don't think the pantsuit from my friend's wedding is gonna cut it."

"You don't got a dress? Not even one?"

"Was never the most comfortable in 'em, sir. Besides, I'm saving up for a house," you shrug. "I'm not out to buy some thousand dollar getup or jewelry." (And therein, beneath, lay the denial that if you didn't try to look feminine, you wouldn't look ridiculous doing so--imitating something you could never be.)

"Ooh, we should go shopping," Soap suggests with grin, leaning forward from his seat on the couch. "Think ol' Ghost here needs a bigger suit, anyway. Put on a few pounds--"

"Soap--"

"--of muscle! What--you think I was shaming ya?"

You roll your eyes, an anxious heat burning in your cheeks. "I can handle shopping myself, guys." And you didn't want them to be judging you for anything you put on.

"Oh, please, Gaz an' I are used to tagging along with our sisters," Soap continues, wrapping an arm around his fellow sergeant. Surprisingly, Gaz agrees with a nod.

"Not saying that you have to take us with you," Gaz starts, "but waiting outside a dressing room a couple hours is nothing."

"Long as we get food, of course," Soap adds.

"Well," Price notes, clearing his throat, "I'm in need of a new tie, too, so seems like it's settled. Ghost--and you?"

The masked man lets out a grunt, arms crossed on his recliner.

"... New suit."

Cue a little, "Ha! I knew it," from Soap. As well as Price filing for a one day vacation from the base.

** * **

You can practically feel the eyes trailing after you and the boys while you walk through the mall. Soap is loud enough as is, and combined with Gaz, both make for a pretty face. Then there's Ghost who just towers over everyone and looks like a cryptid with his mask, and Price who follows with the charm of an older gentleman. A posse of bachelors, that is.

You pick at the hem of your sleeve as you walk ahead--the default leader for today, seen as despite the boys' side quests, the main quest was you. Dressing you up in an elegant dress. Finding you matching heels and accessories. Making you look pretty and presentable.

So now you're here, standing in the dressing room of a fancy first-class boutique you could otherwise never afford--if it weren't for Price's insistence that, as your captain, it was his responsibility to make sure you looked "dapper." You smooth out the off-white creme of the skirt, staring in the mirror; you think you look pretty enough, and the pearl earrings add a certain charm to your otherwise plain features. (Though really, you're stressed that you'll seem more like a child playing dress-up--riddled with the self-consciousness of a girl trying imitate her mother, looking back at the gaudy mascara and smudged lipstick across her cheek.)

But there's no stalling. No more taking forever. The clock is ticking, and you either be judged for how you look, or judged for wasting time, or breaking down in refusal. (You know they'd never judge you--they're good men, you know--but still. You'd pick at your sleeve again if it was there--)

"Ready," you call from behind the curtain, taking a deep breath before stepping out into the light.

And all your fears melt away when they stop their banter to look at you, and their eyes widen--then soften--at the sight.

[rainbowolfe]

Why Aym and Baal?

They were, according to Shamura, supposed to be Narinder's replacement family/companions. Narinder never really got that memo, but like, what did Shamura expect? Relationships don't work that way. You can't just throw two strangers at someone and have them fill the void of a millennia-long relationship.

But the question of the hour is, why Aym and Baal? I don't think it's because they're cats.

It's implied Narinder had his own family (made up of cats or whatever he is) and chose the Bishops, a goofy assortment of non-mammals over those blood relations. So he's not exactly inclined towards members of his own species. So that doesn't feel like the reason why Shamura chose them. And it doesn't feel like the reason Narinder kept them.

I noticed that this photo from Jalala's journal had to have been of pre-servitude Aym and Baal, cause they're much younger. Baal's hair is shorter, they're both just wearing basic tunics instead of their signature robes, and Forneus isn't wearing her hat. So Aym's always looked a bit scuffed, and it wasn't the result of his time spent with TOWW in the Realm Beyond.

Which means Shamura saw him and went "wow that's literally Kallamar". Scar over one eye? Check. Messed up ears? Check. It would also loosely confirm that the boys were sent after they sealed Narinder, since Kallamar's ears wouldn't be scuffed before then.

It would be really funny if what Aym's looking at is Shamura, and this picture was taken 5 seconds before disaster.

Now, my first instinct was that Baal would be Narinder, and what Shamura hoped to recreate was Narinder's relationship with them and Kallamar. But that doesn't quite make sense. The new "family unit" already has a Narinder, so why would Shamura give him another?

Baal can't be filling Shamura's role for two reasons. One, as the head of the family, Shamura would be more likely to be Forneus (the role they are now placing Narinder in). If not Forneus, then the unseen father presumably taking this picture. Two, Shamura does not believe that Narinder loves them. That's. Kind of why they're doing all of this. So they wouldn't give him a replacement-Shamura either, unless they were feeling really really egotistical.

Which leaves us with two options.

And the correct one is Leshy. Leshy, whose core item is the red camellia. And whose symbol becomes a black heart when he's cleansed.

While we don't get to hear much from Baal, Heket's core traits are that she's a shit-talker and likes to eat. Leshy's core traits are that he's chaotic, but has an appreciation for/focus on the world around him. Smells, sights (when he could see), and sounds.

Baal is actually the politer of the two and, based on his recruitment dialogue ("So much color... so many creatures") he too is the worldly type. Also, Baal thanks Lamb for helping them. Leshy and Narinder are the only Bishops who thank Lamb in the end.

And, you know, if you take the order Shamura lists the family in into account, Leshy and Kallamar are the first and second sons respectively.

...

Of course, this can be taken one step further in another direction :3c I can't just leave Heket out of this.

Although Shamura only gave him Aym and Baal, theoretically what they saw was a four-person family unit that reflected their own... before Narinder entered the picture. I mentioned before that if Shamura isn't a reflection of Forneus, then they're a reflection of the unnamed father. (Who I suspect to be Paean)

Which means they saw Heket in Forneus.

Do you see the vision??

Cause this is a found family, age order doesn't necessarily matter to the familial hierarchy. Even if Shamura wasn't the eldest, they would still be the head (whether matriarch or patriarch) because their role is as the leader of the other three. Heket would be below Shamura, but above Kallamar and Leshy, because she serves as caretaker. She's even the one who takes charge upon Lamb's return, as the matriarch would do if something were to happen to the patriarch.

((Traditionally, while the father is seen as the protector and provider, his purpose is specifically to rule/lead the family. It is the mother whose sole purpose is to protect. Primarily the children, as their (often only) caretaker. But in traditional circles, it's commonly felt that the mother should sacrifice everything for the father as well.))

It would be particularly fitting because a lot of Heket's side of things revolves around sacrifice. How she's burdened by it, and seemingly how much she tried to do to find a better/different outcome. She's characterized as particularly family-inclined.

...

This would suggest that who Narinder valued the most in the family were Leshy and Kallamar. At least, it would suggest that's how Shamura saw it. But I'm liking this line of thought, so let's say their read is accurate.

Shamura saw that Narinder. Could also be Forneus. And Shamura loved Narinder the most, so...

Narinder and Heket's disdain for each other stems from them competing for the same role in their family: The matriarch. Shamura's second in command, and the boys' caretaker.

Not in a "raise them" type of way, at least not in Kallamar's case. But to guide and influence them. To be the one they trust and rely on. Heket has been that. And, intentionally or not, Narinder intrudes on that.

Narinder's the 'other woman' lmao

As a bonus:

Baal is aligned with his father (you get Tears of the Vengeful Father in exchange for him). Aym is aligned with his mother (ditto for Tears of the Merciful Mother).

If Aym = Kallamar; Baal = Leshy; Forneus = Heket; and The Father = Shamura

Then that dynamic is actually reflected in this Tarot Card. It pairs Kallamar with Heket, and Leshy with Shamura. :3

[shxxxbi]

EVERYTHING THAT WASN'T INCLUDED IN LOVE SEA THE SERIES 🌊

Episode 4 (Chapters: 12 - 14)

<-prev

Breaking a promise

Rak felt like shit here. He had called Mook to extend his stay but his secretary had refused sternly; so after Mut spent two nights pleading for him to stay, Rak tried to find an excuse to keep his promise. He considered telling his secretary that the manuscript wasn't finished, that he needed more time, even considered telling her all the boats had sunk and it was impossible for him to go back to the mainland. But in the end, he had no choice but to admit defeat. He felt terrible for breaking his promise to Mut, meanwhile the younger boy appeared almost unfazed. His face was "just the usual, totally normal one, with the usual smile and the same look. Not a hint of regret."

"If he didn't care, then why would I?"

So Rak picked up his phone and transfered Mut the money for "his services". Now more than ever, Tongrak was convinced that all that had happened between them was just sex. Mut sold his service and Rak had bought it. Nothing he hadn't already done before with other people...

...yet, Rak had "never felt this hollow"

How much would it cost for you to go to Bangkok with me?

That hollow feeling in Rak's chest kept expanding. Memories of the time spent together with Mut flashed through his mind until a sudden warmth urged him to move. Tongrak was confident in his decision, in asking Mut to go with him. However, he still insisted that what he was feeling was not love. That it was just personal pleasure. And if he could afford it, what was the problem?

"The guy sold his service anyway. Right?"

WHAT!!!??

She didn't like this man at all. That's what Mook kept telling herself when she saw the man her boss had brought back with him. He made her feel "as tiny as an ant". Mook had screamed so loud upon hearing what Rak had done, that the airport staff almost came over to ask what was wrong.

"Brought back, as in purchasing?! Are people buying and selling men now?!"

I don't trust you

Mook wanted to back down the moment she met eyes with Mut. She wasn't familiar with men at all, the only men she was close with were her family members and Rak. Mut intimidated her, with his big body and his dark and scary face, so much so it made her want to cry. But no one could be trusted this days, what if this man assaulted Rak? What if he stabbed her boss with a knife in his sleep?

"She had to protect Rak!"

Mut, on the other hand, found her amusing. She was so small, he could "probably blow her away with a puff". But he was never one to bully someone weaker, so he turned to Rak.

"What should i do? If I show respect, she won't back down. But if you tell me to handle her, this little lady won't stand a chance."

Little Trivia: Rak's house

Contrary to the show, Rak's house is on the 27th floor of a very luxurious condo complex in the heart of Bangkok. It has 3 bedrooms, with the main one featuring a large wall window that offered a wonderful view of the bustling streets below. As for the other two bedrooms, one is a guest bedroom and the other one a study crammed with books. As for the kitchen, it is entirely made of Italian marble and has, basically, never been used.

Bro, are you crazy?!

This phone call actually happens after Rak and Mook have already set off to work. Mook had been waiting outside the door to Rak's house as soon as the sun was up, too terrified to enter on her own and find the two men fucking in the living room, so she waited for Mut to let her in. After the secretary and her boss had left, Mut gets a call from Palm. The younger boy kept shouting and calling him crazy, but Mut knew very well what he was doing. Many people would describe him as very mature for his age, but Mut knew he still tended to act childish at times. Just like he had done now. Following a man to the mainland with no plan whatsoever, simply because he was unwilling to let him go. Mahasamut knew that their paths would most likely never cross again, this was the only opportunity he had to keep Tongrak close. And he would not let it go.

Little Trivia pt.2: Mahasamut's age

Mut's age is never explicitly confirmed in the novel, however thanks to Khom we can figure it out. In "Love Sand", the story of Khom and Connor meeting and falling in love takes place when Khom is 19 years old. Many characters of Love Sea appear as side characters, including Palm and Mut. Palm is described as a boy around 17 years old, while Mut is "a few years older than him and around Khom's age". Fast forward to Love Sea (that chronologically takes place a while after the events of Love Sand), Mut describes Khom as his "younger close friend and brother". Also, in the prologue of Love Sea, Tongrak tells us that Khom is a decade younger than him. Since Rak is about to turn 31 and the two boys are around the same age, with Mut being apparently slightly older, Mahasamut should be around 21-22 years old, making the age gap between Mutrak around 9 or 10 years!

DISCLAIMER🚨: I have not read Love Sand, all the infos I have written come from people I know that have read it. Therefore, I apologize if something is incorrect🙇🏽‍♀️

Can you read the report and understand it?

Fortunately for Mook, Mahasamut had decided to go to the hospital alone and not drag her along. Said report was currently being examined by Tongrak and poor Mook couldn't help but wonder why her boss was smiling like that. How could a report make him so happy? She didn't understand anything of what was written, she didn't know a thing about STDs. How could she, she had never even had sex with anyone. Her confusion faded when Mahasamut explained he was clean, only to be quickly replaced by embarrassment at his next words.

"Maybe next time we can skip the rubber. I promise I'll pull out"

Yet, nothing could prepare her for Rak's answer

"Who said you have to?"

Mut kept teasing Mook for a while after that, while Rak observed them in the distance

"They get along very well. This is nice. The room isn't quiet anymore."

What if I say I won't agree to it?

Mut read the contents of the contract: Tongrak would provide him sixty thousand bahts monthly as compensation and cover all of his living expenses, including housing, food and even education, if he wished to pursue it. However, Mut had obligations as well: not disturbing Rak during working hours, not doing anything Tongrak disliked and, most of all, their relationship would end immediately at the writer's discretion. There was no love, nor commitment included. Mahasamut had to supress a growl in his throat. He disliked what Rak was doing, disliked how he was treating their relationship as if there was nothing but sex between them, nothing but money. But he knew this was the only opportunity he had to get close to Tongrak and he couldn't let it slip away, even if he wouldn't have much time. So, all he could do was clench his fists and hide his thoughts with a perfectly fine smile.

So, you're saying you can love me, Khun Tongrak?

Being very fair-skinned, when all his blood rushed to his face, Rak easily turned a bright red that let everyone know he was blushing. And Mut's words had him blushing hard. Tongrak had experienced every kind of flirtation imaginable from both men and women, but just a few words from Mut were enough to leave him speechless. Had the younger boy not read the contract? Had he not realized there was no emotional attachment between them, only money? How could he be so brazen in asking for love? But, most of all, why the hell did Rak's heart skip a beat?!

Vivi was very impressed by the island boy. She knew there must have been something special between them if Rak had brought him home; just as she knew how much her friend deeply craved for someone's love, even if he refused to admit it.

"You can just call me Vi, no prefix needed. And if Rak ever dumps you, just come to Big Sis. I like you."

"That might be difficult," Mut declined, "I won't let myself get dumped so easily"

And Mahasamut had never been more serious. He wouldn't let Tongrak drift away from him.

"I didn't say you could come in" "But you didn't say I couldn't come in either"

Here Mut actually enters Rak's room and sits on his bed, while the older man is busy playing on his phone. Unable to ignore Mut's gaze any longer, Rak put his phone down and looked up at him.

"That's better. Didn't anyone tell you that when you talk, you should make eye contact with the person you're talking to?"

Finally they talk about the contract, about their conversation downstairs and about how Rak doesn't believe in love, and this all but puts a sad smile on Mut's face. So, the younger boy reaches out to hold Rak's hand and intertwine their fingers.

"I know you don't believe in love, but I never said that I don't [...], you can't stop me from loving you."

Tongrak was at a loss for words. Confusion was written all over his face. He had never dealt with a situation like this before. He had never met anyone who said they'd love him.

👨🏻‍❤️‍💋‍👨🏻

THIS. THIS IS THE MOMENT I HAD BEEN WAITING FOR.

In the novel, this does NOT happen. Or, better said, it is not a kiss on the lips. It's a kiss on Rak's temple. Now, why am i putting so much emphasis on this, you might be asking. I think this is another masterpiece of improv by our ship captain Khun Thitipong. In the novel, there is A LOT of emphasis on the fact that Mut desperately wanted to kiss Rak's lips but, since he had just made a very important speech about pursuing Rak and making him change his mind about love, Mahasamut decided that he couldn't give in to his desire. He wanted the words he had just said to embed themselves in Rak's heart. To make Rak think about him, about them, as more than just what happens in bed, and that is something that would take time. So kissing his lips had to wait. Now, after making this such a big thing, I don't think Mame would just suddenly change her mind for the show. Therefore, if 1+1 is 2 and the shit-eating grin on Fort's face and Peat's eyes are anything to go by, I assume Thitiwhipped decided to take matters into his own hands. Also, it seems Peat hinted at this himself in the reaction video for episode 4: after watching the kiss scene, Peat himself asks Fort if the kiss was scripted or just his improvisation.

Thank you for coming to my ted talk 🫳🏽🎤

[imaginechb]

Heyyy! I'm so sorry if u don't take request for her or don't want to write this buuut could I request some Clarisse La Rue hcs of her dating a year-rounder child of apollo whos been at camp since they were like, a year old?? Like, their mortal parent noped out *the* moment it clicked how difficult ut would be to raise a demigod?

Hi there, of course I write for Clarisse! Coming right up 🫶

Nobody expects the two of you to get together. A sunny child of Apollo with the trophy daughter of Ares?

Everyone thinks you'd annoy Clarisse but you don't. You couldn't even if you tried. She actually adores you!!

She also has major respect for you, you've been here training since you were really young, so you're one of the few campers she respects.

She knows how rough it can be for you, so she's always there when you want to talk about it

She stays year round with you and makes sure you're not alone for things like holidays and birthdays and important things!

Don't expect her to sing campfire songs with you, but she'll watch you with heart eyes whenever you do

She gets violent when people make fun of her for being down bad for you, so people really don't do it anymore

Except the Stolls, they don't seem to care how many times she threatens them.

She's super protective of you, even if she knows damn well you can hold your own. She's not overbearing or controlling, and she'll let you fight for yourself, but just know the second you need her she's rushing to your side.

Gods forbid anyone is mean to you ever. Clarisse will actually beat them to a bloody pulp. You probably don't even know it's happening, she'll make sure to do it when you're not around to hold her back.

You do hold her back from a lot of fights, sometimes physically holding her back but other times just discouraging her from starting anything

She changes a bit for you, become a tad less aggressive and confrontational, and you probably learn to stand up for yourself and defend yourself because of her 🫶

You always patch her up after a fight or battle. You are her personal doctor !!!!

Sometimes she'll go to the infirmary just to see you, making up some lame excuse about something being wrong.

You, of course, know she's lying. Apollo is, after all, god of truth.

[terukotime]

thinking about Ace and Eden again and how i really don't want either of them to be the culprit lol. i just feel like either one being the blackened would be a waste of their potential. i know in Danganronpa that's bound to happen with some characters, but Ace and Eden both have traits and arcs that could run through the whole series, or at the very least, to the next chapter. while a big part of any killing game story is losing characters quickly and having their arcs and growth cut short (we've already seen as much with Arei, rest in peace queen), Eden and Ace have a lot of prominence in the Trust vs. Distrust theme of drdt, on either side respectively. and they both have a lot of potential for their views to change. i can totally see Eden's optimism finally starting to crack, and she begins to lose hope in trusting others and thinking they're good-intentioned, especially since she was put in virtually the same place that Teruko was in in the last trial, with everyone distrusting her and thinking she's the culprit. though Ace hasn't had much of a catalyst to alter his beliefs yet, there's still hope for his views to change. he's a lot like how Teruko began to behave after the first trial, thinking he can't trust or rely on anybody and pushing everyone away as much as possible.

[giant-ass analysis under the cut. i didn't expect myself to go on such a huge rant, but i realized i have quite a lot of thoughts on the matter lmao. there are probably a lot of hot takes in here and i know there will be people who won't agree with me, so take this all with a grain of salt, pls & thx]

while Ace's role in the trials is mostly confined to causing conflict and being a comedic relief, he's expressed being committed to investigating the scene of Arei's death. while sure, if Ace is the culprit, his desire to investigate could very well be a ruse. but for the sake of his potential, it'd be far more interesting if him being innocent results in him going on to investigate more thoroughly and contribute substantially to the trials. Arei did have potential for a full redemption arc, but her death doesn't feel narratively unfulfilled. its tragedy not only allows the audience to further sympathize with Arei and see just how nuanced she was, but it's also meaningful to the members of the cast, and will serve as a point of motivation for them, whether that be to maintain hope in escaping or giving into despair.

at least, that's how it's set up to be. i feel that if either Eden or Ace are the culprit, Arei's death loses a good deal of its weight and meaning. especially if the culprit is Eden; even if she had "well-intentioned" motivations for killing her (as well-intentioned as murder motivations can be, anyway), Arei's breakdown, desire to change, and tragically short path to redemption is rendered pointless. her want to be a good person will have affected virtually no one. her death will have only held significance to David, as most of the cast didn't care for Arei or hated her, much like Ace.

while Culprit Ace won't render Arei's death *as* meaningless as Culprit Eden, it sure would make Ace's own death feel pretty meaningless. he'd be dying in a trial where he fully believes everyone is cruel, everyone hates him, and no one cares about him at all. his shift in his belief can't really be considered much of an arc or even a regression; he just descends further into his hatred and paranoia until he dies doing exactly what the killing game expects of him. Ace, a character who has prioritized his self-preservation all throughout the series, will have thrown that away for...what? revenge against Nico? would he really place his hatred for them over his fear and will to live? Ace is impulsive and narrow-minded, but he's not without *some* sense. if Ace were to be the culprit of this chapter, what would he have contributed to the story? what would his existence have meant? what would he have provided that the story can't progress without? he'd have zero growth, zero stakes, and zero relevance to the ongoing plot, aside from unrevealed backstory (most of which will likely go unsaid in the main story if he were to die now). do i think Ace is going to play a significant role in the overarching story? no. not as much as characters like Xander and David, anyway. but he still has so much to offer as either a survivor or later victim/culprit, as we'll have spent more time with him, gotten a better understanding of him, and possibly be able to sympathize with him, like we do with Arei.

and here's another thing i've been thinking about, too: all the deceased so far have a point of significance to the story. Xander has a connection to the larger-scale mystery surrounding the killing game and a complex relationship with David. he continues to be relevant in the story even after his death and will likely always be.

Min is not only a cautionary tale to the rest of the cast, but her story follows a very cohesive path:

she's a girl committed to her academics and has been led to believe it's the only thing about her that matters ->

while not a social butterfly, she still enjoys spending time with others and making the most of the situation she's in ->

she forms a bond with Teruko, someone who has shown to value both her intelligence and her personality ->

she finds Teruko being murdered by Xander, and instead of being a bystander, she takes action to save her friend ->

she realizes that what she did has jeopardized her own life, a life that she does not center around herself. her family depends on her having a successful future, a future she has been groomed to achieve since she was little and has made several sacrifices for ->

though Teruko is her friend, Min prioritizes her self-preservation. there are too many things that are objectively more important to her than the life of a girl she's known for a couple days ->

still, she cannot shake her guilt and chooses to remain at Teruko's side throughout the investigation ->

she's desperate to maintain her lie, even if it means framing the friend she tried to save and getting everyone else killed. she fights and fights until she can no longer ->

she loses everything. her life, her future, the trust of her friends, the trust and bond she had with Teruko. Min always had good intentions. but even good-intentioned people can do terrible things.

Min's story throughout Chapter 1 alone is very digestible and easy to follow. even without knowing the greater contexts of her life, like her family's financial situation or her groomed future of being a Hope's Peak student, her motives and actions make complete sense. you don't come away from it feeling like she acted out of character or that her death was hasty or sloppily written. her death has a lot of meaning and impact on the other characters.

and that alone makes Culprit Eden or Culprit Ace unsatisfying. Culprit Eden would not only undermine Arei's death and potentially lead her into character derailment, it'd also just be Min's story regurgitated in a much less compelling manner. Teruko has already had her trust broken, and while it seems like she's slowly starting to see the value in relying on others again in the Chapter 2 trial, what good would Eden's death do for her? even if it causes Teruko to regress, what will change? wouldn't Teruko go back to being the way she was acting at the start of the chapter, undoing whatever growth was already beginning to happen? will she be unaffected by Eden's death, or at least act like it? will it somehow strengthen her desire to trust and rely on others again? (it won't.) Eden's role as the chapter 2 culprit really won't do much good for the story, regardless of what her reasons are. everything we've learned about Eden and Arei, both together and individually, will be irrelevant. the significance of Arei wanting to be Eden's friend unconditionally, something that we learn is so significant for her because of her secret, will turn out to actually be pointless because Eden will have killed the one person who expressed they'd be her friend her regardless of who she is.

Ace simply hasn't done enough in the story to establish his deeper character. with Xander, Min, and Arei, we already got glimpses into their core beliefs, their true selves, their moral standings. if those aspects of a character are only revealed after they're confirmed to be the culprit, then honestly...that's just bad writing. i don't like saying that, but i firmly believe it. not only do we hardly know anything about Ace's backstory, we just don't know a whole lot about him other than surface-level things the show outright tells us: he's fearful and paranoid, he doesn't like being a jockey, he's hotheaded and unsociable, he developed an eating disorder due to the strict requirements of his talent, he's hardly ever had any friends, he doesn't think anyone cares about him. and while a lot of inferences can be made from that information, it's still very speculative, and even a bonus episode after his execution wouldn't be able to cover enough of his backstory and personal life for it to feel justified narratively. you simply can't kill him off without letting us see another side of his character and have it better the story.

if either of them do, unfortunately, turn out to be the true culprit of the case...i will be very disappointed. i won't drop drdt or criticize drdtdev for their decisions, but i will still personally believe it to be a bad choice. nevertheless, it's not my story, and i will continue to support and enjoy the show regardless. i have a lot of faith in drdtdev's skills as a storyteller, but no story can be completely perfect. Ace or Eden being the true culprit won't destroy the show as a whole, and i'm not trying to imply that it's a fundamentally bad choice, i just think it'd be very difficult to pull off and have it feel natural, organic, and satisfying for the ongoing story. i will neither be optimistic nor pessimistic about what happens in the next coming episodes, i will simply wait and see. i just wanted to get all my thoughts out here, and hopefully i didn’t come across as aggressive or snobbish or anything. this is a free to watch series, after all, and i enjoy and appreciate all the hard work that has gone into it and made it possible.

[darkfictionjude]

I definitely think there's sexism at play with Nia (although not quite as overt it was with Carmen), people are less forgiving towards female characters across all types of media. Especially ones who aren't humble/modest, morally good, supportive of or even subordinate to male characters (especially if the protagonist is male), conventionally attractive (I know Nia is, but just making the point generally), etc.

But in this specific instance, I think it's also because Nia is the only one with a prior positive relationship with the MC. I could see the MC feeling more strongly about Nia's actions than Lorcan's (who they never had a positive relationship with) and Imre (who they didn't even interact with or care about lol). With Nia, the MC has actually lost something, one of the few positive relationships they had. Maybe the only one if you consider Sally's to be “positive” but unhealthy.

Generally readers tend to feel protective over MCs against characters who hurt them. Sometimes to the extent that isn't viewing the situation fairly/logically, or giving the same grace to other characters as you do for the MC. I've seen authors receive hate over that for characters that are gender selectable too (e.g. Infamous). And this MC is an unreliable narrator and we haven't gotten an explanation from Nia yet or seen what she's seen firsthand, we didn't get a full conversation with her until recently. I think these factors make it harder to judge the situation and easier to view Nia negatively, because as the reader we're missing important pieces of the puzzle right now.

It also could be that what Nia did (distancing herself, ending their friendship, not seeming to care about them anymore (before the end of this chapter)) is something that's more relatable to real life and might even be something people have personally experienced. I see people hate bully characters more than outright murdering villains, because the latter doesn't feel real to most people, whereas there are a lot of people online who have experienced bullying at school. And whilst I understand that Nia doesn't actually like or respect any of that popular group apart from Imre, she's still willingly associating herself with people who are bullying Crown, someone they were friends with for most of their lives.

(I'm saying all this as someone who's looking forward to my MC and Nia rekindling their friendship. But I can understand why some people feel sour towards her, even if her actions are understandable and justified from her perspective. I would probably do the same thing as her tbh, probably even earlier on when she first witnessed a violent outburst. But even if you're being reasonable, your actions/words can still hurt someone else, and I don't think it's unreasonable for that person to feel negatively towards you as a result.)

Like I’ve said many times before I understand the anger over the abandonment, I think it’s extremely valid. My issue is with how the boys are given more grace in everything they do. It just seems hypocritical to be angry at Nia but then coddle the boys as if they’re little babies who don’t understand right and wrong

Imre is friends with those people too, he’s the king of the bully group and even though he doesn’t partake he associates himself with them willingly. Like I really appreciate you writing this all down, and I agree with it it’s just any form of media I’ve always hated how women are held to higher standards than men who are sanctified when all three of them aren’t that great. You want to say “fuck you” to Nia? Good. Deserved from the POV of Crowny. But like there’s no point in twisting the narrative to make it seem that anyone of them is worse than the others when all of them have issues and have not treated Crowny the best

[darcytaylor]

I understand your pain as a fellow non-shipper in this fandom. I don't know where to go anymore myself. I fully understand why you needed to step away. I often wonder if anyone is having any fun here anymore. There are entrenched narratives that are easily debunkable yet people will chop your head off if you dare to even suggest they aren't true. You can either join the entrenched echo chambers or get out, which I find absurd. I for one have been very over it for a while and I hope they don't put you off again because a more balanced space is desperately needed. There are more of us here than you'd think, we've just been beaten back from engaging because you can't reason with some corners of this site. The brainrot is alarming.

Thank you for sharing this with me, and letting me know that there are people who may be more like myself out there! I completely understand where you’re coming from - it really does feel like navigating a minefield at times in fandom spaces, especially when things become so polarized.

I love diving into the complexities of the characters in Bridgerton, but I also enjoy following the actors’ careers and seeing the variety of roles they take on or the work and things they do outside the show.

I still believe that speculating is fun and a natural part of engaging with any fandom. It can help keep the excitement alive between seasons or during gaps in content.

It’s also human nature to be curious about what’s going on behind the scenes with the actors or within their social circles. There’s nothing wrong with wondering what Nicola, Luke, or any of the Bridgerton cast are up to in their personal lives. It becomes tricky, though, when speculation turns into certainty or when people lock themselves into one interpretation of events.

I try to approach it by coming up with multiple possibilities instead of latching onto one theory and running with it. I believe that way, it stays playful and open-ended without diving into a rabbit hole of "this must be true." I also think it can be a healthier way of engaging because you’re acknowledging the unknowns while still allowing space for curiosity.

Nicola could be dating Jake, Luke (N or T), Eamon or the bartender that works down the street from her house. The options are endless! When you come to a conclusion with the little facts that we actually know, it can hinder the balance between curiosity and respect for the actors and their close circles.

I think it’s fun to explore all the possibilities without getting stuck on just one explanation. That way, I can stay open to new information and avoid getting swept up in the frenzy of needing certainty.

I think it should be about enjoying the journey rather than rushing to a definitive answer. Staying open to possibilities keeps the fandom fun while ensuring we respect the boundaries of the actors and their personal lives.

Bring on the possibilities!

[andreal831]

I’m the same person who asked the question about Datherine and I wanted to ask similar one about Stelena: Do you think they could’ve worked out if l Damon weren’t in like, in the picture?

Hi! Welcome back <3

When I used to watch TVDU, I loved Stelena. As I've gotten older, I see how problematic the whole thing is. But they still kind of get me because of nostalgia.

I really do think they would have worked if not for Damon. Elena's attraction to Damon always felt forced to me. She was so caught up in the whirlwind romance of Stefan and then they settled into this very calm, happy place. Even with all of the chaos around them, they found peace in each other. Elena and Stefan were so happy in their relationship, the show had to force them apart physically to wedge Damon in there. They even had to use the sirebond to force Damon in the way more.

The only thing I felt was truly unhealthy in their relationship was the age gap. Even him originally wanting to get to know her to see if she was Katherine didn't totally bother me because of how he felt about Katherine. Damon seeing her and thinking she was Katherine made him think he was seeing his first love. Stefan hated Katherine when he saw Elena. He didn't pursue it out of some lost love. He fell for Elena as her own person.

Now granted, Elena was in high school and those relationships usually don't last, but this is a show about vampires and magical babies, so I think we can suspend reality on that.

I love Steroline, but feel like Caroline didn't necessarily want the same things as Stefan. They just kind of forced motherhood on her. She wanted a career and to travel. She would have loved to go off with Tyler and discover the world. Just like Damon didn't have similar wants to Elena. Wanting the same things in life is very important in a relationship. Compromising will only cause both of them to be unhappy no matter how much they love each other.

An important aspect I really liked about Stelena and felt would make them last is how much respect they had for each other. Stefan would always let Elena make her own choices, even if he didn't agree. And Elena was always there to fight for him. I know some people don't like how he handled the transition, but that's usually from people who just wanted Delena to happen. Elena never wanted to harm anyone and never wanted to be a vampire. Stefan understood that and tried to help her live with what she was. They both just wanted the best for each other.

Stefan helped Elena find joy in life again. Season 1 Stelena was so happy. They would have found this happiness again if Damon and Klaus stopped interfering. The visions they saw from the Travelers felt really organic to me. They both wanted the same things. They wanted family and humanity. Stefan taking the cure made more sense than Damon. Damon loved being a vampire and Stefan hated it, plus had trouble controlling it. I could very easily see them settling in Mystic Falls. Her being a doctor and Stefan going to school to discover what he wanted from his life. They would have had kids and would have created a loving home.

Thanks for the ask!

[hermitw]

I think at this point that Sukuna (and Uraume, and likely all of the other reincarnated sorcerers) were under a pact to protect (or at least not harm) kenjaku.

Sukuna and Uraume were both uncomfortable with Yorozu (all 4 of Sukuna's eyes looked dead inside, dissociating in different directions, like a freeze response), and they both attacked her - during the Heian era when she had a high social status and there could be consequences. They didn't tolerate the disrespect of personal boundaries.

On that note, Sukuna wore a mask (Megkuna) in order to face her a thousand years later (I think he preferred that form not just bc he fit into the way everything is built physically, but bc it was like dying your hair to feel like a different person, a reflection less connected to your past memories). It feels intentional that Sukuna had to relive his own trauma in order to repress Megumi - continuing the cycle of abuse.

Kashimo Hajime wanted to fight Sukuna - but never seemed to consider Kenjaku as an opponent. Kashimo only agreed to Kenjaku's plan in order to reach Sukuna, since he was born 600 years too late.

Uro definitely had beef with Kenjaku, but she never sought after him. Like she would have preferred to forget that he exists - but Uro really seems like someone who would attack him if she could.

In ch. 239 (right before takaba vs. Kenjaku), a sorcerer who very much resembles Uro is raging about the way he gave them a second life just to take it away, that's cruel, what does he even want? And he kills them.

Then there's the other guy who wants to attack kenjaku, but was hoping for Gojo to come take his side after defeating Sukuna. And kenjaku is just laying on the ground, unbothered, as he does.

In the month that Kenjaku spent with Sukuna for protection from Gojo - it's clear that they didn't want him around. But they didn't have the power to even kick him out.

And... Yeah this post is bc I was thinking about the time sukuna killed Nanako and Mimiko. That no one else's head exploded like that. It felt personal, despite all their submission and fear.

The common interpretation is that Sukuna didn't like to feel manipulated or told what to do, but over the location of a finger? That's too petty, I think.

I think what really set him off was Kenjaku's manipulation, his chains, that Sukuna wasn't free enough to lash out at the one who put him in the cage in the first place. That hurt - but he also couldn't show that vulnerability. So he had to cover it up with his edgelord "I'm so evil I kill bc I feel like it" narrative.

Then he distracted himself with Jogo, who might have given him more fingers but didn't bow as low... I always thought it was weird that Sukuna offered his service to someone who didn't respect him so much.

But I don't think he was really putting himself in that position - or, like all the binding vows, it was a way to relive his trauma on his own terms. With a curse that could entertain him, but not overpower.

[all-pacas]

comprehensive ranking of all of chase's relationships and how Compelling i find them. this is objectively correct btw.

CHASE + HOUSE

fucked up father-son mentor-mentee employer-employee bullshit. chase's character development of "failing upward, but tragically" cannot be surpassed. he wants house to respect him and accidentally turns into him. house picks on chase constantly but chase is the one he turns to for schemes and problem solving and keeps giving the truth to. absolutely obsessed. their relationship is so unequal but crucially that's how they both like it.

2. CHASE + 13

the venn diagram of them is a perfect circle. they are cynical and sarcastic and traumatized and repressing it and masking with hyper sexuality and risky behavior and feeling dead inside. we make fun of chase for having no empathy or morals but he sees 13 hiding her trauma and falls over himself desperate to be her friend and therapist. of the "i could make them better/i could make them worse" dichotomy they actually can make one another better. the fact that they probably were attracted to one another but never fucked means so much to me actually: local dumb sluts respect their relationship too much to do the easy thing; become friends instead

3. CHASE + CAMERON

half of chase's development is directly because of cameron and that's actually so bleak. nothing and no one besides his parents has shaped him more. he becomes a dumb whore because he doesn't know how to recapture love and intimacy and wants it; cameron made him happy and he fucked it all up and decides it's easier to cope with if she never loved him at all, if it was unrequited from the start, because otherwise he has to blame himself for driving away the one person who has maybe, ever, loved him. i'm insane about this. it was always doomed but she's literally the stacy to his house, you can't have chase without her fingerprints all over his neck. they have such complimentary and opposing traumas. they both went "i bet this relationship will fix me, they'll fix me" and sat around waiting for it to happen. messiest lesbian breakup of all time

(from here down the rankings mean less, it's very much "top three……everyone else")

4. CHASE + PARK

i really don't care for how the show made them into a joke, hahahaha how cringe the weird girl has a crush on the pretty boy. i love how chase wanted nothing to do with park but somehow they turned into friends anyway. how he helps her when she's scared in 'chase,' how he gets to share her grandmother, how in a real way they're both isolated and feel like outsiders. also this:

PARK: It could just mean that we like each other. I'm weird, and you're pretty, but we connect. We feel safe. We trust each other.

how can you not! be obsessed! they trust one another. i don't ship it, but i want chase over for family dinners. he's just another cousin, it's fine. even once he's her boss.

5. CHASE + FOREMAN

this seems like it might be sarcastic but i'm serious: i love how they kind of never really become friends. like. they are friends. but it's a friendship of proximity, they've known one another forever, they drive one another insane and know exactly what buttons to push. neither of them would ever have picked the other as a friend, and in fact they spend the first half of the show openly hating one another (foreman more openly). they're so different, i'm not even sure they respect one another much. but they've been through everything together. it's like that adage - you don't have to like someone to love them. you don't have to like someone to be friends. (also, conflict is fun.)

6. CHASE + MASTERS

speaking of people who don't like one another!! this isn't a very deep relationship, but i do find it very funny how openly chase just couldn't stand her. he sees this baby version of his ex wife and is just like nope! bye! and yet he actually does pull his head out of his ass when it matters. i like him pushing her to leave house while she still can. i love that masters isn't afraid to call him out. her delivery of "you're a dumb whore" is maybe the funniest thing the show ever did. i like to imagine them meeting again maybe 5 years later and just laughing about it all.

7. CHASE + TAUB

they really don't have a deep relationship, but i like them both and i like that they just kind of get along. it's actually funny how easily chase slots in with the new team in s6. foreman was always trying to make sure the new kids knew he was Their Boss and chase is just immediately comfortable with them. i bet he babysits taub's daughters all the time, but he does absolutely charge for it.

8. CHASE + KUTNER

IN MY HEART THEY ARE NUMBER FIVE OR SIX, but they basically never interact. but god they would have gotten along so well. like you'd think chase would be all cynical and wary like he often gets, but then kutner would let slip 1 (one) superstition or mild conspiracy theory or mention aliens and they'd just be at it for the next eight hours. they'd hang out and play video games and watch soccer and plan weekend hiking trips to search for cryptids. 13 could tag along. we could have had it all. never forget the time that chase blackmailed kutner into 30% of his business profits.

9. CHASE + WILSON

they never!! talked!! this is entirely based on their incredible "let's fuck house over together" dynamic in private lives. the implication that when wilson needs info on house, he turns to chase. the brief glimpse of wilson trying to help recent divorcee chase out. he invited him blind dating. this dynamic had so much potential.

10. CHASE + ADAMS

i really was not convinced by s8's "oho they have sexual tension," especially since it was always told to us, usually by house, and never actually shown. they had occasionally interesting talks about their very different world views, but i don't think that makes for romantic/sexual tension. sorry adams.

11. CHASE + AMBER

we really only see them interact once but it could have been an interesting dynamic to explore! amber thinks he's all cynical and bitter and Out For Revenge, and chase's perception skills kick in on her, and amber isn't wrong but she's reading him as more cynical as he probably actually is. this could have been interesting to explore. i think chase would lowkey hate her but definitely admire her.

12. CHASE + CUDDY

another even rarer dynamic. they had one cute scene in s7. i feel like early seasons chase was constantly trying to kiss her ass. kind of funny how cameron and foreman get lots of scenes with her and wilson and chase is just like la de dah the only person i wanna talk to is house

[carefulfears]

what do you consider the heart of californication? like really carries through the series & makes it compelling

thank you for this question, i really love it. to me, it's a number of things, starting with that the show cares deeply about hank and takes him seriously in a way that the culture doesn't. in a way, yes, he's their dog and pony show with the funny one-liners and the salacious pull. but the arc of the series is unequivocally aligned with him and his desires and his needs and his values.

hank wants to be with his family, wants to be better for them, wants to not let them down- and the show needs him to fail at all of those things. for the dog and pony of it all, for their viewership and for their thesis and for the food in their mouths, but it simultaneously feels bad that he is failing. simultaneously knows that this isn't what he wants, and that it's sad. and it can be as simple as a dream sequence or a look or a quiet final scene, but every single episode is ultimately going to remind you that everything you're laughing at is a loss.

which, like i said at the top, speaks to a level of respect that the show had for the character that is just gone in discussions of the series. they take the time to recognize that he is missing something. he is losing something and he is without everything that means anything to him, this is the cost. equally important, duchovny respects that character and understands the same.

i was listening to an interview last night (trish you heard this) where he was speaking with some podcast dudebros and one of the hosts said that he always wanted to be just like hank moody, and then he made some "bad decisions" and got there, and he doesn't like it. and duchovny said that every time people come up to him saying "i'm just like hank moody," he says "i'm sorry."

men watch and they want to be just like hank moody and women watch and they want to fuck hank moody so bad, and all of you miss what the source comprehends: that it's an irreparable deficit.

other than that, i feel like what roots that show is that it really isn't all that cynical. not in the way that it could be. and the show believes in hank.

there is a lot of kindness and hope (often false hope) that runs underneath most every relationship and interaction and dynamic in the series and i really really appreciate that about it. it's like in the pilot when hank is being mean and he wants marcy to yell at him and she just says "go home, honey. sleep it off. tomorrow's another day."

there's always a little bit of understanding and grace amongst the crazies and i think there's something really special about that

[swinging-stars-from-satellites]

why is everything (showing other people respect. being patient and kind. not flying off the handle about stupid things. emotional regulation and self-control. et cetera.) so easy when I'm not around my parents and so so so so hard when I AM around them?

[beau-rebloga-coisas]

Efficient therapy in teens won't exist until we abolish children as property and I am not fucking kidding

[torchwood-99]

Ok, been sitting on this for a while, been trying to talk myself out of it, but here goes.

The book doesn't sell me on the love Theoden had for Eowyn.

I tried to read it and find something in his actions towards her that tell me he has proper regard, proper respect for her, that gives any weight or meaning to his love for her, but I can't find anything. He dismisses her before the entire court, doesn't consider her an heir or a proper part of his house, and has to have her virtues called out to him by other people, when she has been serving him for years.

Return Of The King sees him spout platitudes and declare her "dearer than daughter", but none of this is backed up by his general actions to her.

He loves Eowyn, fine. But he doesn't love her the way he loves Eomer, or probably loved Theodred. He doesn't love her as a fully realised being. Nor as someone to take pride in and carry on his legacy. He loves her a crutch, a tool, and something between pet and person.

He has affection for Eowyn, but his love feels more like a trivial thing, than something with any real worth or regard to it.

[imminent-danger-came]

Hi I’m also an avid httyd 3 hater I think this video was a pretty good summarization of most of the things that were wrong with it if you wanna check it out

https://youtube.com/watch?v=bcFMEs177i0&feature=shared

"The director wanted an end from a different story". SO FUCKING TRUE. SO REAL.

From the httyd3 art book (which I'm so happy the video references):

"In general, it's more difficult to create a female character than it is to draw a male. For a female, any incorrect line and the shape can go wrong very quickly. We had to control all the shapes while keeping her both powerful and graceful so that she didn't fall to much into the reptilian category, like a lot of dragons. We wanted to explore how the Light Fury would walk and how to make her feel like a female, so we referenced lionesses and big cats."

What misogynistic bullshit am I right.

I'm going to go ahead and also show off the hearts on the light fury's forehead because it's just abysmal (this is a normal picture of the light fury with the saturation increased):

Thanks for sending this video my way anon!

[welcometogrouchland]

"lol they should make Steph spoiler again she's basically not even a Batgirl" look I'm not too jazzed about the current state of Batgirl lore either rn but if I have to suffer through another decade of terrible babsgirl content PLEASE AT LEAST LET ME HAVE BATGIRL STEPH, IF ONLY IN NAME