#even though that’s also a main part of his character

[miukki960]

I'm gonna make this post before I go in the tag and see ANY God or Diew slander, because for me the conflict this episode not only made sense, but was necessary for their relationship to move forward.

The seed was planted long ago when God first found the picture of Diew and Dr. Asshole, and at first God handled it rationally (as expected of our Green Flag King). But the longer the situation went unresolved, the more doubt and insecurity began to creep in until it all came to a head in this episode, because all God needed was honesty and openness from Diew, but Diew has learned from past conditioning to lock those parts of himself away and only show a surface level of his personality and self.

I found that God's argument with Diew, while definitely escalated by emotion and insecurity, was justified at its core. We've learned throughout this story that God's main love language is Quality Time, and that most often is fulfilled by God genuinely enjoying doing anything and everything with the people he loves, so long as they are having a good time. But his conversation with Dr. Asshole put the idea in his mind that Diew has simply been going with the flow and doing whatever God suggested in order to make him feel good, that he hasn't actually enjoyed their time together. And while we as an audience know that's false, the idea is one of God's worst fears and most devastating nightmares.

But he loves Diew and doesn't want to believe it's true, so he gives him multiple chances to prove him wrong. And when Diew continues to reply with lies and deflection, it unfortunately proves him right. Because while the context is a bit off and there is definitely a misunderstanding at play, at the end of the day Diew isn't being honest and isn't trusting God enough to open up and show him the deeper, more emotional parts of himself. So God comes to the only conclusion he can see, that even if Diew is no longer in love with Dr. Asshole, their love was deeper and more meaningful than what he has with God now.

But don't get me wrong! Even though Diew was choosing the wrong dialog options during his argument with God, he was also justified in choosing to keep his secrets and emotions hidden. What God doesn't know is that Diew HAS opened up before, bared his heart and soul to someone he thought he loved and trusted, and what was he rewarded with? Disinterest, deflection, shame. As someone with major anxieties related to human interaction, you only have to burn him once to teach him to never play with fire again. And Dr. Asshole burned him deeply on multiple occasions.

No amount of kindness and sweetness and love from God was gonna convince him to play with fire again. In fact, it was reaffirming. Much like what we have been seeing with Wan towards Beer, I'm sure Diew sees how good and wonderful God is and is absolutely terrified to fuck it up. But just like Wan, his defense became his biggest downfall.

At the end of the day, rather than focusing on what happened, we should instead focus on why it happened and how the characters are going to grow from it. And we can see that how through the characters actions during the last few minutes of the episode. We see Diew, who's defense is to isolate, actively reaching out to God multiple times in multiple ways, ready to explain and open up and heal. And we see God going through the more nasty, volatile parts of his emotions alone, so he doesn't hurt Diew while he's in the wrong headspace, but also doesn't bottle the bad things to explode later.

I think what gets me the most is that in their very last conversation before the end of the episode, Diew was asking for togetherness and God was asking for space, and they were both upset on many levels, but they were still speaking to each other with love in their tone and words.

[aftgficrec]

My Personal Favorite Fics EVER!! All Neil/Andrew

I hope I am doing this right! I just hit the share button on my bookmarked fics. Idk if any of these have been on here before (I have read a lot of fics and it gets confusing to know which ones I found on here bc there are so many good recommendations, or ones I found on my own. But these are 3 of my favorite fics that I feel like are the most well done!

• Everything's Alright by DarkD: This fic is unfinished but so worth the read!! It is a soulmates au, and in it Neil and Andrew are looking out for eachother since they are 6 and 7 years old. It completely changes their dynamic but manages to keep the characters realistic. I love the direction it was going, I hope the author finishes it, but even if they don’t what they have written so far is worth the read.

• If I Knew You by AceSirenSinger: This fic is soooo amazing!! It was posed pretty recently (starting January 2024 and finishing in May) and It shows a different direction with Aaron and Andrew’s bonding, and different reasons for them having problems with each other. It features writer/author Andrew and Law Student turned police officer Aaron. The writing is so high quality and it is a completely finished fic!! The writing to show the writing of the book Andrew has written alone is impressive enough to get you to read it. I love it so much, it also gives a more realistic approach to Neil’s life and trauma as well as gives you more of a perspective on the problems of Aaron’s life. (Even tho it’s an au and doesn’t show his life during AFTG)

• Deep blue ( but you painted me golden ) by Jeaneil_22: This fic is not finished but completely captivated my attention when I saw it. I was surprised I had not read it before (because I am obsessed with Raven Neil fics, and this is one of them) but then I realized it was posted within the last year or so. It’s completely underrated. It does have a lot of hits but the kudos count not being in the thousands is a crime against humanity. The realistic take on. Neil’s trauma and different things going on as he is still connected very heavily to the Moriyama’s is sooo interesting. And if you are looking for a fic where Neil is a victim of SA/Rape this fic is also a good one for you. (Though it does have a lot of trauma so mind the tags) I know a lot of people are looking for fics like that tho and it’s hard to find bc there is so much SA trauma in AFTG 😔

Thanks for the recs and for sharing your thoughts on the fics! Readers, all of these stories lean toward the darkest themes of AFTG. -A

Everything's Alright by DarkD [Rated E, 182901 Words, Incomplete, Updated June 2023]

Previously recced here

Souls weren't meant to be left alone, so they split, always looking for their other half. No matter how long it took, the moment a soul existed, it sought the one that would complete it. The main indication is, when one of the halves of the soul turns seven years old, an identical mark appears on both parts. Along with that comes a set of unique abilities that soulmates can only use with each other—for protection, for finding each other. Soulmates would never be alone.

tw: graphic depictions of violence, tw: child abuse, tw: torture, tw: blood, tw: gun violence, tw: homophobia, tw: implied/referenced rape/noncon, tw: implied/referenced csa, tw: murder, tw: canonical character death

If I Knew You by AceSirenSinger [Rated T, 43145 Words, Complete, 2024]

Previously featured in this long andreil + aaron angst ask, our staff recs writers post, and as a random rec

Neil is imprisoned at sixteen years old for being the Butcher of Baltimore. Andrew obsesses, and Aaron obsesses because Andrew does, and everything goes wrong and raw and painful. Feat. the twinyards breaking each other’s hearts, and a decent amount of shade on the American justice system.

tw: implied/referenced murder, tw: recreational drug use, tw: implied/referenced violence, tw: implied/referenced torture

​​Deep blue ( but you painted me golden ) by Jeaneil_22 [Rated M, 163298 Words, Incomplete, Updated Sept 2024]

After the horrific incident that happened in the nest and the sound of Kevin crying, Nathaneil made the hard call and bargained with his life to get Jean and Kevin out, having no slight idea about the storm that was heading his way And after being missing for two years, Jean and Kevin swallowed the hard truth that Nathaneil might be dead somewhere To their surprise one day he appears out of the blue looking so much like their brother but nothing like Nathaneil at all Or Nathniel went on the run with his mother when he was 9 years old but three years later Nathan caught up to them and threw Nathaneil in the nest So we can say some things went a bit different .

NB: playlist for this fic

tw: dark, tw: gang rape, tw: dubcon, tw: human trafficking, tw: graphic depictions of violence, tw: suicidal thoughts, tw: assault, tw: flashbacks, tw: panic attacks, tw: implied/referenced child abuse, tw: abuse and torture, tw: implied/referenced csa, tw: medication addiction and withdrawal, tw: recreational drug use, tw: nonconsensual drug use, tw: vomit, tw: homophobia, tw: canonical character death

[raayllum]

Callum is so right about Rayla never doing anything for herself. You could say freeing Runaan was for herself but she also treats it as her "sacred promise" and chose him for Ethari too (shows how great her heart is). You think sparing Callum will finally count as her doing something for herself? Choosing her future and her love for him over the "greater good". She couldn't get her og parents back‚ this girl keeps losing and suffering she seriously deserves more wins

God, I could write an entire meta about that line - maybe one day when I'm feeling self indulgent. In regards to your actual prompt, re: saving Callum will count as something for herself -- a big yes, absolutely, I think! Though I think freeing her parents is something she deeply wanted for herself, too ("I miss you so much" / "so I wanted to do something for yourself for you") even if it was something she was continually putting off till the Aaravos situation, as far as she knew, was resolved

Prior to S6 I went back and forth on whether the show would frame Rayla's end of the possession plot line / trying to get Callum back as either "It doesn't matter what happens to me (again) I just want to save him" (which is what leaving in TTM and other moments was about) OR whether it'd be framed as "I refuse to sacrifice him / something I want (again)" and therefore be character development. I leaned towards the latter for reasons outlined here since the two have the chance to be even more thematically codependent than they already are in terms of their senses of identity:

As long as Callum is Callum (not possessed, or she has reason to believe he’s still in there), Rayla likely won’t be able to bring herself to kill him. This is from an emotional / characterization standpoint, of course, but from a thematic standpoint, we can see where it stems from Callum and Rayla continually being each other’s main connection to their sense of identity. As long as Callum is Callum (“you’re the destiny is a book you write yourself guy”), he’s worth saving. As long as Callum is Callum, she can be Rayla (“Rayla’s brave. She saves people” / “Rayla. My name is Rayla, and I’m going home”). As long as she’s Rayla, he can be Callum. Because if Callum isn’t Callum, then he’s dead, and if he’s dead, she can kill him. And if Rayla kills him, if Callum is dead, then she won’t be Rayla anymore. Because to literally kill Callum would be to simultaneously symbolically/emotionally kill herself.

This goes both ways of course - Callum can't/won't sacrifice Rayla because to do so would be to sacrifice a fundamental part of himself (namely his deep and Pure devotion to others which means he'll never go entirely down the negative side of Viren's path, and keep to the positive - leaving Aaravos, breaking free, etc). This was subtext prior to S6, but now it's actual text (she's his light/truth/hope of salvation, etc) so it goes double going forward. This is true for Rayla too — Callum is her guiding light and her star, he's one of the people who's taught her the most about how to love and the person she wants to be.

With all that in mind, yeah, I do think that Rayla will choose to not sacrifice Callum for the right reasons. Part of this is scaffolded under witnessing Callum not sacrificing her No Matter What prior to her won choice, and realizing "what [she] most deeply desires" isn't just Callum's survival even, but specifically the life they can have together, which she needs to stick around for and thereby not sacrifice herself. Runaan is also explicitly remorseful over the actions he took towards her where he choose duty over love, so Rayla realizing she should choose love over duty ties into them growing together as well in a positive way. We also see her realize some of this I think in choosing to let Lain and Tiadrin stay together rather than separate them specifically because of the Moonphoenix bracelet Callum gave her as well.

"I risked losing the best thing I ever had" because of her own duty turned revenge vs "I refuse to lose either of us like this" and finally fully accepting an assassin was never who she was and never who she Should be, in sacrificing others' lives or her own included. Them both Choosing each other above everything else was exactly what I was hoping for as soon as the "I need you to kill me" plot line started / wrote in my first CHET fic pre-S4 years ago:

She has two options as she pulls away. She can make a grab for her swords and go out, swords blazing. Kill Viren or Aaravos if she can as the sky splits open, purple and thrumming with magic; die with a sword in her hand in all likelihood. The release spell has already started. Or she can help Callum up, and they can live to fight another day—together. Rayla grips the back of his jacket. Presses her forehead to his neck for a second, tears building her eyes. “I’m sorry,” she says. His arm tightens around her, like he’s braced for her to go. “Rayla—” “I’m so sorry,” she repeats, sobbing. This is all her fault, but she can’t do that to him. “We have to get out of here.” [...]

Callum is staring at her when she pulls back and she swallows hard. She doesn’t know what to say. It’s both a blessing and a curse when he speaks first. “You chose me,” he says, not quite softly; she can tell there’s a lump in his throat. An edge of anger that not doing so was even an option. “Yeah, well. It was about time,” she says quietly. “I—”

So uh, here's hoping!

[the-way-astray]

What's your favorite cannon thing you truly like about Keefe Sencen

I DARE you 😈

i've been dared . . .

definitely my favorite thing is the fact that in flashback/legacy he was 100% not only supportive of sophie and fitz's relationship despite having a crush on sophie, but also actively tries to keep sophie from doing something that could even be interpreted as implicative. there was a poll a while ago about whether people thought sophie and keefe were (even unintentionally) emotionally cheating on fitz, and i answered a hard no. and the main reason for that was because of keefe. he does so much to try to keep sophitz together during that time, including telling sophie to confide in fitz, telling her to tell him about the matchmaking thing, shutting ro down (or at least doing his best to), and generally speaking, he did not have to do all that. like, yeah, any decent person would be supportive and not actively try to break their two friends in a relationship up, but keefe goes way beyond that and actively tells sophie exactly what to do in order to keep her relationship with fitz intact. every time fitz "catches" him with sophie it's lowkey painful to think about what keefe must be feeling because he spends so much time trying to prevent that exact thing from happening. there's even a line in legacy where sophie admits this herself. one of the only times he uses his empathy not dubiously is at the end of legacy, where sophie "tells" him (i use the term loosely) that she and fitz broke up. and he immediately says "i'm sorry", expressing out loud his sympathy for their relationship's end.

(one thing i've heard people misinterpret a lot in anti keefe things is the "blond hottie" line, which they say is an inappropriate thing to say about someone in a relationship. that was not said by keefe. that was said by ro. she says that when she's trying to convince sophie that bronte can't be her bio dad, to which keefe then says "unless she gets that from her mom". that's all he says. sophie then wonders whether that meant he agreed with the blond hottie assessment, but that doesn't come from anything he actually says.)

it surprises me that i haven't seen keefe lovers talk more about the fact that fitz literally commissioned him to draw him and sophie in a very romantic pose in a very romantic spot and keefe did it. so i'm going to talk about it. once again, this is not just baseline "my crush is in a relationship, oh well, guess i won't interfere" stuff. this is going above and beyond to keep sophie and fitz together. again, keefe has a crush on sophie. i'm not an artist, but obviously art doesn't just pop up out of thin air. he spent some time making that drawing. and all that time is yet another reminder that his crush is in a relationship. he could've told fitz no, made up some excuse as to why he couldn't do it, and that would've been well within his right. but he didn't. so that's a thing worth mentioning. (i'm going to just say i don't like the argument that fitz knew what he was doing when he asked keefe for the drawing, though. i think fitz just thought "sophie likes keefe's drawings! let me get her one of those" which is sweet in and of itself.)

in unlocked, keefe thinks something like "he definitely should not be happy that two people close to him were going through a rough patch. but, if he was being honest, he wasn't really sad" or something to that effect. and i like that. he has a crush on sophie, so of course part of him will be happy she's now single again. it's realistic. i've definitely talked about this before, but jealousy isn't a character flaw to me. it's only the actions that a character does because of their jealousy that defines whether or not it's a bad thing. but the thing with keefe is that he never allows the fact that he likes sophie to outwardly affect sophie and fitz's relationship in any negative way when they're tentatively dating. sophie and fitz fell apart for a lot of reasons, but the reasons were entirely on sophie and fitz, and had nothing to do with keefe himself. in fact, you could argue they only lasted as long as they did because of keefe.

i complained a lot about how much he doesn't shut up about his hair in my rant. but that was mostly at his humor style and the fact that he literally talks about it at the weirdest times (in his registry file . . . ) more so than the fact itself. and truthfully, he doesn't even talk about it that much. but i think it makes a lot of sense that he takes pride in it. it's the physical manifestation of rebellion against his parents who have controlled every other aspect of his life. he's also an artist, and i think it's a pretty neat thing that that extends to the way he styles his hair. also it looks good. i will die on this hill. just don't look at the laura art. jason chan is my king and keefe's hair is very cool and- *gunshot*

there's also a handful of moments where keefe uses his humor appropriately, to ease tension. best example i can think of is the one katie brought up in this post which is the moment in flashback right before the celestial festival (climax). magnate leto gives them all these sparkler things to light if they're in danger, and keefe sets off a couple prematurely "just to make sure they work" *wink wink nudge nudge* and sophie specifically says the "bit of levity" helped tame the "monster" she's been battling the whole book. when he's able to use his humor appropriately, and not at weird times about weird things, he can be a valuable source of comfort. these moments are unfortunately few and far between, but they do exist.

keefe is also good at calming sophie down when she's panicking, when he's not using his empathy to force her to tell him her feelings. i personally like it more when he's comforting her using his words than his emotional breezes, because that speaks more to his personality than it does to his ability to use his emotional breezes to calm her down. another example katie discusses in the post above is when he's talking to her about the bronte-is-her-bio-dad theory. sophie was panicking because she was thinking about the implications of it (prentice, him acting horrible to her, etc.) and keefe brings her back down to earth with his reassurances that this doesn't change anything about her. when she says bronte can't know she knows, he immediately gets her to reconsider in a gentle way, because like. that's the entire point of her search for her bio parents. he does all this using his words (actually i just checked and he does use his emotional breezes a couple of times but his words do have an impact on their own so we're disregarding that), which does prove that he's very good at knowing what to say to keep her calm.

(also the fact that he was even helping her search for her bio parents is another example of him going above and beyond to keep her relationship to fitz intact. he didn't have to do that at all.)

and lastly, i think i mentioned this in my rant and maybe a couple other places, but i think keefe's jealousy when it comes to family is written very realistically. in neverseen, he's jealous of fitz, biana, sophie, and dex when they hug their parents, and there's a line where he specifically says "i hate watching it. them and della" (them referring to fitz and biana). in unlocked, he's again jealous of dex's family and wishes he'd been born into a family like his. and i think that's written really well. it's pretty subtle and not really shoved in your face, too. i'm pretty sure there's a total of three times it gets brought up: the "them and della" line, one line at the end of neverseen where sophie and dex are hugging edaline and kesler, and then the line in unlocked. very blink and you miss it but i like that. it's one of the few things the narrative doesn't dump a truckload of pity on keefe for, and it makes the few times it is brought up even sadder.

oh, and also i think he's handsome. sue me.

[lovemyromance]

your posts are literally the elriel bible, I don't think i've disagreed with a single one.

In general, elriels agree on a lot of things which is why it's so odd to find EL/GAs fighting with themselves over "elriels say elains gonna be a warrior" and "elriels say elain's gonna save illyria" because I have never EVER seen a single elriel say such a thing. I saw a long post from some elucien about how elriels self-insert and then they listed a long list of things about what canon elain is - except i don't think elriels would even disagree with what they were saying?

It got kind of muddy when they started trying to claim that "canonically azriel only lusts after elain" but whatever - you get the point. Why are they putting words in our mouths?

Thank you :) I know I always excessively post about elriel (because I'm pretty sure I have the attention span of a squirrel), but some days these petty arguments really make my eye twitch.

Idk why antis seem to think Elriels want Elain to be some warrior, savior of Illyria, High Queen type character. I thought we've all been pretty vocal in wanting to keep her femininity and her kindness and finding strength in her compassion.

If it's because the fanarts....well I think we've all established that nobody is really claiming fanarts to be canon. I think that goes without saying when we have fanart of an Elriel family with Illyrian offspring - or when Eluciens have fanart of Elain looking happy around Lucien lmao. Both are not canon. Who cares - it's fanart? It's not like we really going to pretend that all their fanart is canon either?

Because canonically - Elain can't stand Lucien. Canonically, Azriel has literally never touched Gwyn.

There are basic traits to these characters that nobody can deny. But the antis always have a way of adding additional, personal bias into things. They say Elain's not a warrior - cool, that's true, that's canon – but then they take it a step too far and try to claim its canon that she abhors all violence and she would never touch a dagger and she would hate Azriel because he's a warrior.

Canonically, Elain killed the fucking King of Hybern. She might not crave violence (oh- also what an odd thing to claim - that ANY character loves violence, btw), but she has already proven to be violent when needed.

Canonically, Elain does use a dagger. Not just any dagger - Truthteller.

Nobody's saying she out here training as a Valkyrie at the HOW - but she's not just sitting here in frolicking in a meadow while the rest of her friends and family go to war. She was literally taken AWAY from the main battle in ACOWAR and she still showed back up to pull the most badass move in the books, saving everyone.

Idk what about that is so hard to understand. No Elriel has said she's gonna save Illyria (lol), no one has claimed she's going to be Enalius the Second, nobody is out here waiting for her to take part in the BR and also become a Carthyian.

Elriels like Elain as she is. And even though she's not a warrior, even though she doesn't enjoy violence, even though she isn't a Cartyhian – Azriel still adores her. Azriel still wants her enough to question his religion. That's literally in the books. I can give you the exact page number and quote. I don't need to do any "extra analysis"

You want to talk about canon? Let's talk about how Elain is so perfect that she has even the most brooding warrior falling for her. Let's talk about how Azriel was willing to fight in a blood duel for her. Let's talk about how she was so ready to have a tryst with the Spymaster under everyone's watchful eyes.

We don't need to change anything about Elain, certainly not to have her end up with Azriel. Elriel having feelings for each other is already canon. Elriels did not have to change a single thing about them for them to find each other. That was SJM, so take it up with her.

I mean - she kind of ate when she summed up their relationship in ACOWAR with that scene in the garden...they might not make sense on paper but there's something poetic about them

[greenconverses]

I’m big time upset about annabeth’s characterization in these new books. She looked for Percy for a year or something, did everything she did in HOO, she’s so amazing that she caught up on all of her school work (in fact she’s back on track to go to an ivy if she wants after everything that happened to her), she has all this extra time for Percy (having a boyfriend is time consuming enough without his quests), and then she’s so good at socializing with mortals and so popular…. Just to go to New Rome University (wtf is new rome university) and live in new rome. It makes me sad for her because I feel like RR won’t let her be bad at anything or awkward anymore and she just has to be this hyper competent angel gf all the time…

Oh also the way Percy is contrasted against annabeth in this new series makes me nauseous. I feel in some ways she only exists as this hyper-competent angel gf so that percy has something to "aspire to"… as though he hasn't proven himself a million times and deserves to constantly measure himself up against annabeth. It really just robs them both of their depth and motivation and mutual respect for each other that was so painstakingly built up in the original books.

I was telling @perseannabeth last night that while Annabeth had a lot of pagetime in Wrath, she felt like an utter non-presence other than the last couple of action scenes. And yes, it's because he keeps writing Percy as the only one with all the problems and Annabeth is the perfectest, smartest angel who is always right and can do no wrong, unlike stupid idiot Percy. Ha. Ha.

I do think a lot of the character issues in these books come from him avoiding or only introducing easily resolvable conflict with the main trio. Part of what makes Percy and Annabeth, well, Percy and Annabeth is that they have conflict. Conflict doesn't mean they have to be mean to each other or something terrible has to happen to them, but having them at odds with each other over something (anything) allows for interesting character development and growth.

Grover and Annabeth each get moments of "aw I kinda fucked up" in Wrath that are resolved with basically no effort because Percy shrugs it off or blames himself for their actions. I couldn't even begin to tell you how Annabeth's hubris played a part in the third act ghost fight, but apparently it did, so that's a thing he can brush off because teamwork is all that matters in the end, kids!

And the thing is, Rick is actually setting up a really good conflict with Percy constantly bottling up his rage and messy feelings, but he's too much of a coward to pull the trigger on it. Grover destroying the house and releasing the animals was the perfect spot to actually pursue that conflict and give everyone something to do other than mini quests. Percy could've yelled at Grover and Annabeth for failing to do what they had promised him, and then everyone could deal with the consequences (both of the initial mistake and the fallout of his anger) and make amends in a meaningful way. Instead, Percy has to grit his teeth and fucking apologize to Grover instead. (I'm gonna do a separate post about this because boy howdy do I have THOUGHTS on that.)

By making Annabeth the perfectest, smartest girlfriend ever for dumb dumb Percy, RR is basically removing the conflict that makes them interesting together. There's also the matter of conflict being one of Annabeth's main drivers. Conflict happens to Percy ("I didn't want to be a half-blood."); Annabeth looks for it. And now she's just along for the ride... as long as it doesn't mess up her studying schedule! Her job is school now. Don't get your hopes up.

Also, super controversial opinion ahead, but I think the show casting has contributed to how he's writing Annabeth now. He's deliberately avoided describing her in these books. It's all very vague impressions of her, to the point of Percy describing her having a "human face, human hair" when she turns back after the animal transfiguration in Wrath. No blonde hair. No gray eyes. It's weird.

(Note: I'm not saying the TV cast is wrong or weird, I'm saying it's fucking insane that this man is trying to retcon 15 books worth of character descriptions so his dumbass "actually we never SAID annabeth was white, you just perceived her as it!!!!" defense holds some water.)

[love-and-deepspace-wiki]

Surrounding Characters: Caleb

Age: Unknown

Birthday: Unknown

Occupation: Fighter pilot

Workplace: Deepspace Aviation Administration (DAA)

Family: Though not related by blood, he was also raised by Grandma Josephine and has a sibling relationship with the protagonist

Spoiler warning: If you have not finished Chapter 4 of the main story, this post contains major spoilers.

Details:

Caleb is the protagonist's childhood friend, a friend so integral to her life that she considers him family. Grandma Josephine also took him in when protaganist was 7 years old. The protaganist sees him as both reliable and trustworthy.

He attended Aerospace Academy in Skyhaven and now works as a fighter pilot for the Deepspace Aviation Administration (DAA). Once he started studies at the Aerospace Academy, he didn't see the protaganist much anymore. But he comes home to spend holidays with Grandma Josephine and protaganist.

Appearance:

He is always shown wearing a black hoodie underneath a DAA jacket, dark cargo pants with "DAA" on the left leg, and calf-high boots. He's even wearing this DAA outfit when leaving home for the Aerospace Academy. The jacket has "DAA" and "C6" embroidered on it, along with various symbols/logos. But I'm we've yet to learn what "C6" signifies.

On his left wrist, he wears a bracelet with one of the DAA symbols on it. And around his neck, he wears a necklace the protagonist gave him when he left for school.

Visiting Grandma Josephine:

When they both visit Grandma Josephine and have dinner, the TV news channel says there have been many recent explosions throughout Linkon City which the Hunter's Association has attributed to Wanderers.

"So far, 22 have been wounded with no casualties. We advise all citizens to be careful when outside...".

Caleb reacts by saying "Explosions, huh?" Before asking the protagonist if there have been many Wanderer activity recently.

During dinner, the protaganist gets an alert about Wanderers in the neighborhood. When she leaves to investigate, Caleb insists on going with her. She suspected he was trying to tag along with her, but he claimed he was just going the store to "buy some vinegar and whatnot".

After asking him to also get her some snacks and fruit and warning him not to follow her, Caleb finally enters the convenience store. But after the encounter with the mysterious man, Caleb returns notably empty handed. No vinegar, snacks, fruit, or any groceries in sight.

The protaganist keeps the encounter a secret so as not to worry Caleb and Grandma Josephine. When Caleb asks about it and she chalks it up to a false alarm, he's pretty offended that she wouldn't tell him what really happened.

"But why do you have to hide it from me? Don't you trust me now that we're all grown-up?"

"If not me, who else could you possibly turn to for..."

He stops mid-sentence with a small laugh. When asked about it, he says she wouldn't understand even if he told her and to forget it. He seems to let the situation go after this and tells her to hide the blood on her sleeve before coming in.

"Since you're a grown up now, I won't cover for you this time."

Seconds after he goes inside Grandma Josephine's house, the explosion occurs. His necklace somehow ends up outside the burning house next to where the protagonist landed.

Random Facts:

He calls the protaganist "pipsqueak" and Josephine "Gran"

He doesn't like cilantro

He can make braised chicken wings

He jokes(?) that he "talked her into becoming a hunter"

When the protaganist expresses concern for Grandma Josephine's health, Caleb announces that he applied for a long-term care ward for her (without consulting/informing either of them about it)

Zayne's family and the protaganist's family had been friends for years, occasionally getting together for meals. So, Caleb also knows Zayne, but he hasn't seen him in a long time

Written on his necklace are the words "When U come back". It was a parting gift the protaganist gave him before he left for the Aerospace Academy.

When Caleb calls her after her first day, he says things at his job have been peaceful and his current military flight operation had wrapped up nicely. But other than a few basic details, he says the information is top secret. The protaganist then says "everything is a secret with you people in the Deepspace Aviation Administration".

Speculation:

The Passing Car?

When Caleb is confronting the protaganist about lying to him, something kind of strange happens. Just as he's asking "If not me, who else could you possibly...", he trails off as we hear a car passing by. The light reflects off of his hair and face as it does. And it's after the car passes that he has that realization he says she wouldn't understand.

I only point this out because I've never seen that happen in scenes with other characters when they're near a street. Because of that, it felt like an intentional detail to potentially take note of?

The Explosion

I find it too eery of a coincidence that the topic of explosions comes up the same day there's an explosion at Grandma Josephine's house. And Caleb delaying her entry, going inside first, and the explosion happening seconds after he closes the door is kinda... kinda sus

Shadowed Man?

I won't rewrite it all here, but I posted this theory about Caleb and the shadowed man Rafayel meets at the Nest.

[myfairkatiecat]

nightfall was crazy, but I'm also kind of confused??? It went by sooo fast I was like WHAT? WAIT, WHAT? WAIT WAIT WAIT-

Love the fact that they went on with keefes whole "I'm not worth it, but you are, so I'm going to take over decisions we need to make (as a team) and screw them over so that they cause harm to me and not you!" Kinda vibe, honestly thought that after he came back from the neverseen in lodestar they were just going to forget about it, yk??

Only thing I really didn't like is that like...everyone has a slight distrust to keefe (at least in the start, till he apologized ) but Sophie, the person who was (in my opinion) most affected by his 'betrayal' never once had a doubt???? Like, if someone betrayed me, right? Yk they're my friend whatever whatever, ID STILL HAVE SOME KIND OF LIKE ISSUES WITH THEM???

I feel like her distrusting keefe and then slowly learning to trust him would have made the book MUUUCH better!!

Also, I'm still not getting where the Fitz discourse is coming from, like, his sibling just betrayed him, fell unconscious and WOKE UP WITH NO MEMORY OF ANYTHING?? I can see where the anger issues come from

Holy shit this was long, sorry!

-- @localburntoutkid

Had a blast reading this!

You’re so right about Keefe. That definitely doesn’t get dropped after lodestar, or even nightfall—it’s one of his character’s main flaws, and while it does shift and evolve as the series moves on, it’s kind of there, you know? And I’m really hoping it resolves in some way by the end of the series, because his arc is just… so interesting to me. Because it is NOT arc-shaped. At all.

I get what you mean about Sophie being the only one who doesn’t distrust Keefe when he comes back. I really like that too acknowledge that it’s a Sophie-specific thing, though! Too many people forget that this is a third person limited story told by an unreliable narrator, and act like Shannon Messenger herself is telling us Keefe deserves to be fully trusted. Sophie Foster decides, at the end of Neverseen, not to hate him, and Lodestar is where she has her moments of doubt and distrust, but even in Lodestar, she always believes in Keefe’s good intentions. There’s even a scene where she says something like “Yes, Keefe’s plan is horrible and I hate it, but his heart is in the right place. I have to believe that.” The part about keefe’s plan is paraphrased, but she did say she needs to believe his heart was in the right place, in that wording, and it’s fascinating to me. She’s very attatched to Keefe (obviously) and I think it’s mostly for her own sanity that she chooses over and over to believe that there’s something right about what he’s doing, because letting him go sounds excruciating, even by his own fault.

I actually have no issue with this being Sophie’s perspective, and I actually find it interesting especially in the context of sokeefe, but I wish we got to see this portion through another character’s eyes. For example, Fitz. Someone who does distrust him afterwards, and rightfully so.

As far as Fitz discourse goes, that stuff stemmed less from nightfall and more from flashback and legacy. I don’t hate Fitz in either of those books, but you’ll probably notice the moments that made people kind of go nuts about hating him and ran away with his character (personally, I think Fitz is fully understandable in both books, but don’t fully condone the way he acts in a few scenes, particularly in legacy. I’ll explain later after you’ve read it)

Don’t apologize for length, I’m literally Katie, have you met me? Everything I write is longer than I intend

I’m glad you’re having fun with the KOTLC series. Keep me updated!!!

[liliesyonder]

still rotating him in my mind like a kebab. But racetrack’s wardrobe is so everything to me. Once again may routh please let me interview you for an in-depth analysis on costume design for every newsies clothing (yes even swifty’s vest which is Atrocious. It’s So Bad.) Racetrack’s undershirt being two sizes too big for him is so important to me and his gaudy vests that he has to hitch up to his pants? There’s so much bravado that begins and ends with how he presents himself as larger than life in favor of the odds he’s presented through shape. Even the parts we can’t see (ie his suspenders, pocketwatch) are properly coordinated to his outfits which implies he takes care to notice for little details that are incessant to other characters clothing.

[fictionadventurer]

The Heir of Redclyffe is teaching me that what Little Women really needed was for the March sisters to have a clever, witty, sharp-tongued, disabled brother who was BFFs with Laurie.

[sonknuxadow]

they werent lying that knuckles series barely has knuckles in it

[todayisafridaynight]

I’m fairly new to the fandom, but I do have a question if you can answer it! Why do people ship Daigo with Aoki / Masato? I tried looking to see if they’ve interacted before, but couldn’t find anything! Sorry for asking I’m just </3 dumb AND I LOVE YOUR ART OF THEM!!! Nerd looking ahhhhhh

hi ! welcome to the community i hope you're having a lovely time so far and ty for enjoyin my stuff :) no need for apologies it's a very fair question to have :]

i cant speak for everyone (all. ten people into masadai anyway) but Personally To Me i just think the idea of them together is very funny. thats quite literally it im afraid..

[heatmiiiiser]

Ggrrr I wish disenchantment was better. I binged it all because I'm sick somebody talk to me about this.

[dangoulains-devotion]

something I think about a lot when it comes to Vincent's design is that across VII, AC, DoC - the changes in his design are minor, usually shape related, but he keeps the same clothes. the others have multiple outfits, but he stays the same, adding to the fact he is, effectively, motionless in the river of time while others are able to move on or 'progress'... It gets to me ok

[girlscience]

I hate getting into something that has a canon(ish) sapphic couple, but I only end up caring about one of the two women 😭😭😭

[killjoy-prince]

Ray's After Ending is so funny because for a good chunk of it, most of the RFA members are knocked out by V's sleeping gas (Saeran is immune, Saeyoung isn't present bc he was kidnapped by his agency under his father's orders and MC wakes up in like an hour) but the game has a call feature where you can call the characters and it would be a waste if you couldn't use it bc the characters were unavailable so instead they have other people pick up the call (Jumin's driver picks up Jumin's phone, Jumin's father picks up Zen's phone, Yoosung's friends and mom pick up Yoosung's phone and Jaehee's coworkers pick up Jaehee's phone) and we do get to learn about the characters from outsider's point of view but it's so funny to me that these people are visiting their loved ones and suddenly the phone rings and they decide to just. answer it. and start talking to this stranger they've never met