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#everyone agrees on this not just fans but also the general korean public and news and stuff. anyways after that started a long series of
infizero · 1 year
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THE REST OF LOONA HAVE FINALLY WON THEIR LAWSUITS AGAINST BBC LETS GOOOOOOO YHEYRE FREE THEYRE ALL FINALLY FREEEEEE
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solahsaavan · 2 years
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The more I age, the more my urge to stay away from fandom culture (social media in general to be honest) grows. The news of Song Joong-ki's relationship just once again confirmed my belief that being chronically online makes you a bitter loser. And as I am not entirely immune to internet culture either, I will be participating in this unnecessary conversation as well.
I will start by saying it was lovely to see a Korean celeb (male) not going to the extremes to hide their relationship. Also unexpected considering how publicised his last relationship was. Unsurpsingly, the entire conversation once again head back to his divorce a few years back. I agree with the sentiment that Song Hye-kyo was indeed the victim of misogyny by Sjk's rabid fanbase, the general public and the media during that brief period. I also believe the reaction of k-netz and media would have been much nastier if it was Shk dating a foreigner. What no one seems to be talking about is the thinly-vield misogynist comments thrown at his current girlfriend (because everyone is an active participant in this).
And this vile behavior was not exhibited by the 'culturally conservative' Korean general public but the progressive and enlightened international side of k-drama community(both his fans and non-fans included). I went to see the reaction of stan twitter once the news broke and it was largely negative and deranged to my unsurprise. Everyone kept expressing their disgust because he was dating a 'white woman'. Comments talking about how they wished he had dated a 'poc black/brown queen' or wanting to see 'poc representation' in the dating lives of Korean male celebs. This bizarre pattern of wanting non-black/brown men to date black/brown woman isn't just limited to the k-community. I have noticed white male celebs being put on a pedestal everytime they date a black/brown woman. This reeks of internal insecurity (and racism) that can only be healed if men outside your own race find you attractive. Why do you need Korean oppas to date your race for your existence and beauty to be validated anyway? And this comes all the way back to the 'y/n' part of fandom culture. If Sjk has dated a poc woman, this would have given (wishful)validation to his poc fans that they might have a chance too. And this has manifested in his fangirls by putting themselves against her. The same old misogynist tantrums thrown by fangirls in a parasocial relationship with their oppa: but this time under the more sophisticated banner of 'hating on a white woman'. To his 'GROWN' International female fans: beyond pathetic that you are unconsciously acting as the same whiny Korean 'oppa is mine' fans that start acting like immature teenagers everytime their oppa is spotted next to a woman (and that you so condemn a lot). To the others on stan twitter commenting about how 'Sjk degraded from THE Song Hye-kyo to a white woman': how very feminist of you to defend Shk from misogyny by indulging in more misogny. All of this is a consequence of hive mentality and echo chambers that come with being terminally online. These people are so deluded by the anonymity of social media, it doesn't even occur to them that the words they put on the internet can be a reflection of their deeply-held prejudices.
Might as well share some more random thoughts while I'm at it. His girlfriend is apparently half-Columbian and has more melanin in her skin than all his previous (korean)co-stars combined. This leads me to think some of the bitterness expressed by stan twitter is due to Sjk not dating one of their fave unnies(talking about delusional shippers here). And that woman is a gorgeous one and no less deserving of their oppa than a Korean beauty. Dismissing her appearance as bland and white because she is white doesn't take away from the fact you are still degrading a woman to uphold a man. Some of the commenters talking about this giving hope to middle-aged white Koreaboos need a bit of self-reflection. Having a fetish for Korean men isn't just limited to white women. Non-East Asian are very much Koreaboos. Ask anyone on the street and they might say the one with a social media account dedicated to a Korean male celeb is more appropriate for the term 'Koreaboo'. And not the woman who has no previous history with Korea or Korean men. Might I also add she is only a year older than Sjk so calling her middle-aged implying an older woman /younger man relationship is very weird and ageist.
All of this aside, the entire discourse around the experience of POC women has always seemed shallow and exhausting to me. The blanket term 'POC' itself is very vague and doesn't even remotely come close to describing non-white women. My experience as a South-Asian brown woman would be as alien to a black/East-Asian woman as it would be to a white woman. I have never felt represented by the depiction of black/East-Asian women in global mainstream culture.
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dojae-huh · 2 years
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General K-pop fans need to know 2 things all Koreans have images, it's not just Korean most Asians do.
Most of our parents are invested in what the neighbor's kid doing and how we're worse then them. So Asians have images before they can talk created by their parents.
2. Idols have images coz it's their job, imagine going for it vacation and the airhostess is rude to u and everyone else it will make u feel horrible and that person fired. I teach and I have a image, can u imagine what the parents of the students I have would think if they knew what I'm really like.
As for creativity I agree that big labels are creative and create something new but that same thing is used by everyone and it loses its charm (that can't be helped either as Koreans always follow trends). I can't imagine any other group performing firetruck in the cloths 127 Did, or what not 2018 was...
I'm a muser and believe me western artists have openly talked ABT being forced by labels to go for a sound. They also don't have creative freedom that we think they have. Groups like muse just pack up and leave the label but Coldplay has gotten stuck in the album's being public friendly...
This is why most bands don't hit it big if they want to be true to themselves. As for pop artists most pop artists are worse products then idols of small indie labels like sm or yg. Just read ABT kesha or Brittany spears, if popstars can sing they're limited to their singing and I agree pink and lady gaga are very much invested in their albums but would we really call them pop stars
Agree about the idol image. It is better to have a public image closer to the real character, but it will never be (and shouldn't, actually) be 100% true. I don't think Doyoung swearing on variety shows would do him any good. Knetz attacked an idol for playfully showing a middle finger to his co-member. There is just no way to be authentic in a judgemental society.
Artists quickly get bored from playing the same songs and want to experiment, fans don't like the change of the sound, so labels force to keep to the one that made a group successful in the first place.
Western stars get into scandals and reveal their bad habits, but most of it is also for PR (including dating, orientation even). Authentic Amercian artists are suddenly very interested in befriending k-pop idols.
Lizzo is a good recent example. As most people I got to know her because of "Good as hell" (and NCT). I was surprised to discover her earlier works, she is actually creative. However, to gain recognition she had to do easy catchy pop with non-offensive lyrics, she is a clear pop product. Now fans shame her for loosing weight because she can't be a representative for fat people anymore.
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yn-x-animeboy · 3 years
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Jungkook x y/n (as a famous artist) Pt.5
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pairing: reader x Jungkook
genre: fluff, romance, for entertainment purposes
BTS x Fem Reader
synopsis: You are a popular artist in America, pretty famous, loved and well-known by the general public (actually you were one of the top 10 artists in the world but you are pretty humble and naïve to realize your popularity), one day during one of your fan meets you talk about how much you love BTS, and not only how you wish to meet them and work with them but how Jungkook is one of your celebrity crushes. During the meet you fangirled with other ARMYs in the crowd; video clips of you fangirling and talking about BTS at your meet where posted and reposted all over social media. This obviously broke the internet because you were not only a famous singer but you also were always accepted and loved by ARMY and this made a lot of people happy. Suddenly it felt like everyone wanted you to meet the seven handsome and talented idols and collaborate, but you could only wish, you believed they didn't even know who you were...or so you thought
part 4: here
-----
Part 5- TIME SKIP
(a/n I will do another time skip so it wont turn out to be a 500 part fanfic)
Mini Billboard awards recap:
After the drunken hotel chaotic night you all were late for rehearsals, both your and BTS’s staff looked for you guys’ everywhere in the morning and the last place they thought to look for you all was in Jin’s room. Let's just say it was in general an interesting experience to find eight adults sleeping soundly in uncomfortable random positions. 
You all finally headed to your rehearsals for the performances. They invited you to watch them rehearse when you were taking a break from your own rehearsal. Even though the guys were tired, hungover, and their muscles ached from sleeping all over the place; they did such an amazing job at rehearsal, they were so professional. 
During the live award show your fans and ARMYs lost it everytime you guys would interact during the awards; the fact that you had met them last night and you all seemed to be such good friends now made fans so happy. Once again your name and BTS’s were going viral on social media; a bunch of ‘fancams’ were filmed and posted focusing on you all. 
You and BTS won all the categories you we’re nominated for that night and your performances went great too. That night after the award show ended, instead of going to the Awards After Party, you all decided to not go and instead hung out in Jin’s room again for the night. You ordered room service and champagne (this time everyone was only allowed to have 2 glasses max.).
After being all drained form the long day, you all went to your personal rooms. Jungkook again offered to take you to your room. When you arrived at your door you turned and looked at eachother,  this time sad smiles painted your faces, you had held in the tears when you where in Jin’s room because you felt sad your first real friends in the industry were going back to Korea tomorrow just like that.
Now you were standing in front of Jungkook, the man of your dreams, a literal fantasy that came true all thanks to your fans and supporters; you couldn’t help but tear up at the thought of letting someone like him go. 
You broke eye contact and turned towards the door to hide your tears, a small sniff from behind you made you stop dead in your tracks. Jungkook turned you around and hugged you tightly as he hid his face in the crook of your neck. You also wrapped your arms around him in response.
He loosened his hold and avoided eye contact with you as he was getting more and more emotional, his eyes where red and glossy; he cleared his throat and said “Well I think I should get going, It was so nice hanging out with you y/n- and meeting you, good night” he gave you another tight sad smile and walked off with his head hung low. 
You reached him and held onto the back of his shirt, “Don’t go....” you sniffed and played with the back of his shirt. “Do you want to.. maybe... hang out a little longer? O-only if you want to” you said awkwardly, but he smiled and nodded.
You went to the terrazze you had visited just the day before and sat on the outdoor chairs. You sat there talked all night. You stayed up until you could see the sun slowly rising; you both stood up, taking the sunrise as a sign to go back inside. Before you could even begin to move towards the door, “Y/n, can I hold you one more time?” Jungkook said, he was trying so hard to smile and not make you cry, but his little voice crack as he said it betrayed him. You sobbed and hugged him again, after a while he sat down, sitting you on his lap. You stayed like that until you received a “wake up” phone call from one of your staff members.
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In the morning you all met each other outside the hotel, the boys said goodbye to you one by one hugging you and saving your phone number in theirs.  They even made plans, comparing your schedules and timezones, so that they could all facetime you daily.
While you waited for your assigned cars to pick you up, you all teared up and  huddled together saying goodbye once again. Paparazzi were peeking through the crowd of security and staff members to get an insight to the sad goodbye. 
----- time skip ----
It has been almost a year since the Jimmy Fallon Show. Even though the distance made everything more complicated, the guys have done everything in their power to make time in their busy days to dedicate time for you. After almost a year of daily video call conversations and catch-ups you have become such good friends, they even call you ‘yeodongsaeng’ (little sister) now; (the only one who doesn’t call you that is Jungkook tho, he calls you by your name or by random nicknames).
They have kept their promise after all this time, they facetime you EVERYDAY, they have never missed a day where they don’t call you, sometimes not all the seven members can be there for the call, but even if there is only one BTS member available, you WILL recive a call from them. 
You also have individual calls with the guys from time to time: 
Jin calls you once in a while when you are making dinner to help you/guide you and or just talk to you. 
Suga calls when he is stuck writing lyrics or creating beats for new songs, or just for musical advice. You are always the first to hear new BTS music now.
Jimin calls when he feels like talking, you have become each other's personal psychologists
J-Hope calls you every couple days to have “lunch together” through a screen. 
RM calls you too to chat a lot, you both recommend each other good books and even exchange lyrics from time to time. He also asks you to revise english lyrics to make sure they sound okay.
Taehyung calls you for pretty much everything: for advice, opinions, to catch up, for help, to keep him company etc.  He always knows how to make you laugh, and regularly interrupts your calls with other members.
Jungkook…. He doesn't just call you “sometimes”, he  not only  participates in the ‘daily facetime group call’, but he also calls you everyday before you go to bed, no matter what time it is in Korea or how busy he is, we always calls and to wish you a good night sleep; keeping you company and not hanging up until you fall asleep. Plus you two constantly text back and forth 24/7. 
You loved calling the guys and catching up with them every day, those calls were the highlight of your day; but every time you got a phone/video call, text, mail, snap, ANYTHING that was sent by Jungkook, your heart always skipped a beat; you felt tingles on the tips of your fingers every time you answer back; you smile stupidly at your phone and even now can’t sleep without your nightly virtual tuck in from Jungkook. 
(Deep down you knew your ‘platonic crush’ had become a real crush but you still denied it because in your mind, still, dating him seemed something impossible, but after every conversation you two have had over the course of almost a year left no doubt in your mind, he was the one for you)
-----
One day, you visited your label’s building, you had a scheduled meeting pretty early in the morning, you had never been this early anywhere, it was currently 5:30 am. and you were just arriving.  Once you step into the meeting room you are greeted by the intimidating group of businessmen and businesswomen who are part of your team. Even though they are intimidating and powerful;  they are kind hardworking people; they really respect you and always listen to what you  want or have to propose. 
Walking in, you are greeted respectfully by them; the boss of the company stands up, gives you a side hug, and opens the chair next to his, inviting you to sit there, after you take a seat and your manager takes a seat next to you too. The meeting begins going over normal business stuff you don't really understand, (Sam would probably just translate the info later into simple words for you.) They talked about numbers, statistics and percentages until someone’s assistant said the ‘important person’ they had been waiting for was finally ready.
 You turned to the door as you expected the ‘important guest’  to come in through the door, but instead his video call was answered and projected on the room’s screen from a laptop. 
You recognized him immediately, he was BTS’s PD Bang Si-hyuk, he was the owner of BTS’s label company. You greeted him through the screen in Korean but he actually greeted you back in English before greeting your team.
the meeting’s summary: 
Bang Si-hyuk talked about how much BTS liked you as a person and as an artist; and how the Hybe Corporation also really admired and respected you.
He invited you to Korea next week to meet the Hybe corporation, and overlook some business proposals
He also offered for you to participate in RUN BTS, while you were there and hang out with the boys if you agreed.He hinted you would be seeing them more often, which made you more confused
You agreed to go and to visit the company and OBVIOUSLY to see the guys, but still, you were confused as to why this offer was being made, why now, why you, why?
After you kindly thanked him, you also asked why he was doing it. You were confused why make such a big deal for you to visit, and what he meant by ‘business proposals’ you were to overlook there.
Bang Si-hyuk tried to explain in short and simple words; he explained that:  Hybe and your label company had had meetings before, overlooking the possibility of merging part of your company under your name with Hybe, they were not only  interested in collaborating with you, but actually working with you. This would give you many more opportunities as an artist and for your label’s name. (your company has connections to other music companies in other countries too, but this time it felt more of a big deal to you than the others tbh) 
In conclusion if you agreed, and signed the contract; you could become part of the Hybe company while staying under your Label’s name
By doing this, it meant: 1. you had an extra contact in Korea (just like your company had in other countries) 2. extra work opportunities (thanks to your Korean speaking skills and influence) 3. possible future collaborations with BTS mainly, plus other K-pop artists 4. becoming a producer for other artists under the Hype record label  (something like what Suge does irl; you are now able to produce or work behind the scenes making music for you, BTS, and others. a.k.a your dream come true) 5. SO ON AND SO ON. 
You asked for the papers and after revising them with your lawyer and team you signed it, satisfied and excited tho what's to come.
You worked hard and finished all of your weekly tasks and even worked on things you had scheduled for next weeks. Before you knew it you were on your way to Korea…
You traveled on your  private plane;  you used it mainly to travel and avoid creating crowds in airports. (this was safer for you, your team and fans.)
When you arrived at Seoul, as you were getting off the plane and looked up after watching your feet as you went down the plane’s steps you saw seven boys stand out from the other people. They ran towards you and huddled around you hugging you tightly, they didn't let go of you, even as you all walked towards the assigned cars and again tightly rode the same car together like that one time after meeting on your way to the hotel. Staff members laughed at the Deja vú they felt as they saw a recreation of that chaotic day a year ago
It felt as if you all had never left each other, no weird silence, or awkward interactions, you all picked up where you left off.
When you arrived at the Hyde building, Hybe bilingual staff greeted you and your team, introducing themselves as the people who would be in charge of our care while visiting.
They took you and the few team members from your staff  traveling with you to one of the floors where they gave your team some temporary office cubicles, so they could do their jobs while away from their cubicles back in America.
The Hybe staff also showed you to a private studio/office next to Sugas’s, it was decorated for you, it was spacious, comfy and waay better than your studio/office from back home. They told you they wanted you to have a personal space where you could hang out or work, since it was probable you would now be traveling back and forth from Korea and the US, due to the new business alliance between your companies.
The guys showed you around the building and introduced you to many Hybe staff members. They all made you feel at home.
You visited PD Bang Si-hyuk at his office and met him in person. He was so kind and welcoming, totally opposite from what you were expecting. He told you how excited he was for you to be part of the team and to work with your company. He also asked you if you could record a short video for his nieces who loved you.
Then, after finishing the tour the guys took you to their favorite restaurant in Korea; they taught you how to eat Korean food, how to properly hold chopsticks and about general Korean culture.
They showed you to the nice building of apartments where they currently lived and where you would also be staying when you came here.
You all toured you apartment and hung out the rest of the afternoon, enjoying each other's company. 
After having dinner and chatting for hours the boys waved you off as they left your temporary home; they wanted to stay up and drink (again Jimin’s and Jin’s idea) with you but they knew you were super jet lagged from the time difference, fighting off sleep as you tried to enjoy your time with the guys.
They lived in the same apartment complex, but a different building, (a lot of famous Korean celebrities stay here too due to the security and convenience)The apartment complex was almost like a hotel resort or a private villa/island, it was huge, it had everything, form tennis courts, gyms, cafés, etc. It was also close to all the major ‘artist’ studios, sets, buildings. 
So once the guys left, all they had to do to get home was ride the elevator down to your building’s the main floor, walk a bit, enter their building, get on an elevator, go up a couple floors, walk a little more and then into their shared million dollar apartment that was a literal castle compared to your apartment. (your apartment was big and luxurious too, but theirs was a multimillion dollar apartment)
You just arrived and felt so at home, everyone was so nice and promised to take good care of you. Nobody looked down at you or your team for being foreign or for being the ‘new guys’. Everything felt again like a dream. One day you are talking about BTS to your fans, the next you meet them, the next you are making contracts with the company they work for, the next you will be working with them; What’s next?
For now you are in Korea for two weeks max. The plan was to introduce you to the company, talk about future plans, projects, etc., and once that is done, go back to America and every couple of months or weeks depending on the schedules, travel back to Korea, etc, etc.
----
You brushed your teeth as an uncontrollable smile painted your face. Once you got ready for bed and finished texting your staff members making sure they were comfortable and well taken care of  after a long day, you heard a knock at the door. You cringed at the noise, you felt as if you were hung over almost, in reality really you were just super Jet lagged (the day before coming here you binged watched a TV show in one night, packed just hours before leaving to the airport and ditched sleep all together before and during the plane ride...stOpid) You stumbled around the unknown apartment with the lights off towards the door; it was not that late at night but who would be looking for you right now.
When you looked through the peephole you recognized them immediately; their hair was now a little longer from the last time you saw them, they had different earrings decorating their ears, they seemed different, still super attractive, but that smile did not change at all, it was still that adorable bunny smile that seemed melt your heart every time. 
You quickly typed the alarm code, unlocked the multiple locks on the door and swung it open, revealing a nervous Jungkook, you had hung out with him and the guys less than an hour ago, but now he was nervous… (he was scared you changed your mind about him after almost a year from meeting and seeing each other in person, he was scared that he was not you celebrity crush anymore, he was scared that the real feelings he had developed form all your daily video calls, texts, random phone calls were not corresponded, he was scared that you had forgotten about those night at the terrazze, he was scared you had changed after a year).
As he stood frozen you couldn’t wait or control yourself any longer and you flung yourself towards him; you hugged him as tight as your body could (during all the time you hung out today you never once had a moment just the two of you alone) but as you leaped and wrapped your hands around him you started thinking about him and how he could be feeling right now and couldn't help but feel a little insecure, (what if he had come all the way back here to tell you whatever happened a year ago in New York at that terrazze was a mistake, that all the calls and texts were just friendly exchanges, what if he came to tell you you were better off as friends or worse.. better of as colleagues…)
It took Jungkook a split second to respond to your hug, you loosened your grip as those thoughts had sworn in your head, and after realizing Jungkook was not hugging you back, so you prepared yourself to get your heart broken… but that all went away as Jungkook wrapped his arms around you, he lifted you a little off the ground as you rewrapped your arms around him, hiding your your face in the crook of his neck. You inhaled his scent as he held you even tighter against him. He rocked your bodies lightly as you held each other in front of your door. 
After, you loosened the hold on each other, but didn’t let go, you looked into those beautiful dark brown eyes you had missed and had prayed to see in person one more time after all this time; He lifted his hands from around you and cupped your face, lightly stroking your cheeks back and forth with his thumbs. “hi” you said, just like that one time in that New York terrazze, “hi” he responded with an adoring smile as his eyes traveled through your face, looking at your every detail, he didn’t want to miss anything, h was so glad to finally see your face in person instead of on a 2-D cellphone screen.
 As you two stood outside looking at each other you suddenly  shivered a little from a cold air breeze that swooped by, it was pretty chilly outside compared to your comfy apartment’s room temperature, it was almost winter; you gently took your arms from his neck and wrapped them around you to warm you up. You had answered the door barefoot, in your pajama shorts and oversized flowy t-shirt without thinking twice. But you then realized Jungkook was wearing a short sleeve oversized shirt too, it was pretty chilly outside and he came all the back to your apartment not wearing a hoodie or jacket. 
“Omg Jungkook it's cold outside why wouldn’t you wear a jacket, jeez” you said as you pulled on his arm leading him inside the apartment to keep him from the cold. “Actually I came back here to get my hoodie back,” Jungkook said. A small “Oh…” escaped your lips as you switched on the light illuminating the once dark room “I see” you again said, almost whispering, avoiding his look as you walked deeper into the room to look for the missing hoodie. You felt disappointed almost, ‘he came back for his hoodie duh, why would he have bothered coming back to ONLY see you’ you though as you looked in the living room, you  didn't see the hoodie there so you then went to the small dining room next to the kitchen to see if it could be there, ‘maybe he took it off before we all sat and ate the take out dinner for dinner’. You spotted the black fabric neatly sung over the seats’s back where JK sat earlier.
Jungkook took off his shoes and tried to catch up with you before you could take the hoodie off the seat and after seeing your reaction to what he had just said; yes he actually did leave his hoodie by accident, but that wasn’t the reason why he came all the way back, so when he saw how your face dropped and heard that reply of yours, it gave him the courage to say why he came back. 
He took a deep breath and cleared his throat before saying “Um, y/n, actually, ‘me forgetting my hoodie’ was just an excuse to come back here and see you again” he swallowed and looked down at his feet. “I don’t really care about the hoodie, I wanted to come here and see what would happen; if you would be excited to see me alone, if you would be glad or happy it was me at the door, you have no idea how bad I wanted to be the first and only one to hold you as you got of the plane, how badly I wanted to run towards you, picking you up and not let go, how bad I wanted to spend the day just the two of us and just- um *clears throat again*”  he fiddled with his fingers, he was so nervous to admit that outlawed he didn't even notice you turning back to look at him as he  confessed. You found his actions to be so adorable and cute.
You giggled and stood in front of him, once you were closer you carefully took his fiddling hands in your left hand and used your right hand to lift his face up to look at you. “Thank you, you made me really happy by coming here to see me, I missed you so much too and couldn’t wait to hang out with you again, I only wished for an opportunity where only the two of us could hang out, but you took the courage to come all the way back here, thank you” you responded to him and his actions with a warm and loving smile that made Jungkook’s legs feel like giving out and heart feel as it could explode. 
He again  observed your face now under a brighter light, he couldn’t believe how your face could look so, or more, beautiful then you face with the light makeup you wore just hours ago. You broke eye contact and spoke, “So um do you have to leave anytime soon?” as you looked anywhere but his face. Your tired eyes and shy tone warmed his heart even more “No, I don’t….. why?” he lowered his face, closing a big gap of space in front of you, forcing you to stop avoiding eye contact and look at him again.
“Well um I was thinking we could hang out again tonight. I could make some…. *you yawn* popcorn and watch a movie, or I could make some coffee and we could talk, or…..” you wanted to keep going but you felt another yawn coming so you stopped talking to fight it off. Jungkook chuckled at your adorable yawns. He  took the hoodie he had forgotten in the first place form the chair behind you and put it over your head. 
“Y/n you are tired, I think it’s best if you rest and tomorrow we could find a way to hang out again just the two of us…” he said as he fixed the hoodie around you, but you cut him off, “Please don’t leave, I haven’t seen you in a year Jeon Jungkook.” you realized how needy and clingy you sounded, but you actually did want to hang out with him. 
You rubbed your tired eye, fixed the hair around your face (your hair was inside the hoodie but some baby hairs tickled your face) and looked back at him, his eyes were wide and surprised at your reaction to him leaving,  “I’m sorry, it’s okay, I get it. I don’t want to make you do anything you don’t feel like doing, it’s okay...guess i will see you tomorrow then” you said as you tried to hide the sad look off your face and smile at him. 
He was moved, the fact that you didn’t want him to leave meant so  much to him, he took you face in his hands and kissed your forehead softly, he then kissed the end your your nose he then kissed the space next to your lips, he didn’t want to kiss you and make you feel uncomfortable or taken advantage of; but you being you, immediately spoke as he kissed the side of your lips ``aye that is not my lips...what a tease” in a sleepy tone. He chuckled as he opened his eyes and looked at you. You had your eyes closed, head slightly looking upwards and a smart smile, as you found your own reaction funny. 
He chuckled and blurted out: “cute..”. You opened your eyes to clap back, but before you could even open your mouth and say something back he leaned in again, shuting you up real quick…. but he leaned slowly…..very slowly…..v eee r y slowly…...SUPER SLOWLY, he was taking his dear time, he now discovered he liked teasing you like this. You got impatient and just closed the space between you for him, giving him a short peck before pulling away. This was the first kiss you have had after a year; you walked around him to tease him back for teasing you in the first place. He stopped you by placing his arm around your waist, “Are you expecting me to accept ‘that’ as our first kiss after being apart for a year…” he said. 
“Oh, so I’m not a good kisser? Was that not good enough.. okay… I guess I-'' you played the victim but were quickly cut short by Jungkook pulling the hoodie on you towards him and stealing a kiss from you.
You smiled against his lips at his neediness, but kissed him back as you placed your hands on the back of his head, sliding your fingers through his hair. He slid his hands under your hoodie and placed them on your bare waist, and pulling you even closer. You kissed each other slowly, taking in every detail about the kiss, not wanting to miss a thing; as things heated up you picked up the pace, the sweet kiss turning hungry and deeper. He moved his hands from your waist downwards and your once delicate fingers playing through his hair suddenly pulled softly making him groan against your lips; he squeezed his hands behind you making you whimper against his lips, he used this as an opportunity to deepen the kiss even more; he had lifted his hands and placed back on your sides as he softly caressed your skin under the hoodie, you wanted to to that too; so you slid your hands from the back of his head, down to his chest and too, under his shirt, you could feel his abs tense as your cold fingers lightly brushed against his skin, continuing to slide your hands around his torso, and gently running your fingers on his skin. That action made his breath hitch at his throat and his heart skip a beat. 
The two of you kissed passionately taking the other deeper, not wanting to let go. After a while you both slowly pulled away, breathlessly and numb from the kiss, you both wanted to go further but knew it was not time yet. You rested your foreheads together as you catched your breaths, looking adoringly to the other person, swollen lips, rosy cheeks and curious eyes. 
He spoke first, as he used his finger to soothe the skin under your eyes, “You need to rest y/n, come on”, pulling your arm and leading you. You thought that meant he was leaving, but this time you didn't fight him back; but instead of leading you towards the door he lead you to the big fancy couch in the living room, he turned on the TV to a random Korean variety show and lowered the volume to the point were if there isn’t absolute silence you couldn’t hear a thing the TV was playing. 
You both sat on the deep couch, he lent you his arm behind your head as a pillow as you sat closely next to him, the silent TV and warmness coming from the handsome man next to you quickly started to drowse off. Jungkook planned to keep you company until you fell asleep and then leave you to rest comfortably. 
JK watched the screen as he waited for you to fall asleep. Once he could feel your breathing rhythm became deeper indicating you officially had given in to sleep, he looked down to you and smiled at how adorable you looked, he stared at you for a little longer as he reflected on how lucky he was his once celebrity crush now actual crush was so close to him; he was so glad to have such an amazing person in his life and prayed he never had to be without you in his life ever again; he badly wished he could have you as his and only his but he understood the circumstances, he was happy he could athletes share precious moments like this with you. 
Jungkook shifted in his seat as he was about to stand up to leave you the full couch to rest, but you turned towards him, and wrapped your arms around him. “Don’t…” you whispered against his shirt, you were asleep but your sleepy conscience managed to say that. Jungkook couldn’t resist, he planted a soft kiss on the top of your hair, he then pulled you back with him from a sitting position to a horizontal one as he laid his back on the couch taking you with him without waking you up. He too quickly gave in to sleep as he held each other. 
---------
a/n: I'M SO SORRY for taking so long to update, I had writer’s block and had no idea how to pick up the story, but last night I got inspired hahaha. I re-wrote this part and started writing part 6&7 so wait for those too.
THANK YOU FOR BEING PATIENT, ILY :3 Xx
PART 6 ------> here
> NEXT PARTS WILL BE BETTER I SWEAR <3
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nightswithkookmin · 3 years
Note
G I R L
I just saw y the HYBE x Ithaca Holdings video and it really hit me with some realisations. HYBE partnering with them is bound to change some things in a huge way. Collabs and economics notwithstanding, Ithaca is home to NUMEROUS big name artists. I want to focus on the fact that: (1) Beiber is a heavily tattooed dude, I wonder if this fact will give some leeway for Kook to be a bit more free with his existing tatts or allow him to continue getting more. (2) Demi is an openly queer woman. This, along with how open Ithaca’s artists are with their support for the LGBTQ+ community, makes me wonder how it will influence HYBE artists who might be queer themselves (looking at Jikook 👀). I fully know that culturally Korea is its own thing and HYBE its own entity, but I think this might open up some doors for our boys both musically speaking as well as regarding their own selves. Dearest Goldy of mine, what do you think?
Hmmmmmmm
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That's an interesting question.
I do agree that this provides a huge economic opportunity for BTS as a group and as investors in Hybe and for frankly anyone within Hybe labels- there's a lot of talents who would kill to be part of this company now. I just know it.
Hell I wanna be part of Hybe and I can't even sang. Lmho.
Cute, if you think I can dance. 🤣🤣🤣🤣
BigHit just got cooler you know.
But I think you are basically asking if this new acquisition will in effect impact the lifestyle of BTS, specifically Jikook as queer people in any way?
I'd say no- especially on the issue of tattoos. But I might be wrong. I just think it takes more than a business merger to undo a person's lifestlye and or socialization or even influence it.
Unless of course, this merger guarantees them certain universal rights and protections outside their culture and political system I don't see how it's to profit them as queer people in any major way.
Whatever impact I'd say is rather intangible.
If you know what I mean.
I've said a few times now how BTS by virtue of their presence in the international community, in my opinion, are socialized and are expected to be socialized a tad differently from the average regular conservative or even liberal S. Korean person with no external influences whatsoever on their socializations.
Your socialization informs your lifestyle.
Justin, Troye, RM and other artists have undoubtedly had and perhaps continue to have an influence on Jk musically and lifestyle wise, to some extent, but he has his own unique values and beliefs and morals that has been acquired and instilled in him through the years independent of these influences.
He is his own person afterall.
Plus did you see the arm sleeve on the director of the MV for Home? He is surrounded at the work place with people that are tatted too. It can't be just Justin B.
He saw a girl with tattoos and said that was something he'd love to have one day when he got of age and he got it- in spite of Suga's objection. He's always expressed interests in tattoos and wanting to become a tattoo artist.
He got these tattoos in spite of the inconveniences they pose to his expressions of self within his career and society- as tattoos are still pretty much stigmatized in S.K and aren't legally allowed on certain broadcasts within S. Korea. And he continues to add on them, draw over them etc way before this merger came into existence.
If he decides that's what he wants he will get them but it wouldn't be because Justin Bieber is heavily tatted or because his company expanded.
I'm not sure what you mean by leeway, but in a recent Run episode (the one with the famous chef) we saw his full arm out and I think that was the first time we had seen his tats on full display on run.
Contrastingly, he had his whole arm bandaged in the Let's BTS interview on KBS.
He covers his tattoos most times because of broadcast rules that prohibits (regulates) not just tattoos but alcohol consumption, cussing, nudity etc on public television that require specific ratings.
Merger or not he will still have to adhere to the laws of South Korea, including entertainment and media broadcasting laws and hide his tattoos as and where.
On the topic of queerness, I think now more than ever BTS would have to become socially, racially and culturally conscious and aware the instant this deal is concluded in May.
Ithaca has one of the most diversified group of artists under its belt- from Quavo who is black to Demi who is queer like you pointed out.
Now more than ever they are at the center of the global conversations we are having in our generation- from racism, to LBGTQ plus marginalizations, to all oppressions of minorities and minority groups.
And with that proximity comes a need to keep themselves in check now more so than ever- which include a check on the cultural appropriation bit, the queer baiting, drawing on queer aesthetics in their 'fan service' culture and other problematic issues that is characteristic of KPop.
What they do now matters more than ever- socially speaking of course.
When Jin started eating a lollipop JM gave him provocatively, JM asked him not to do that on camera but to reserve things like that for the group off camera.
If 'gay' is not gay but their 'culture' I think they know better to keep it to themselves off camera and act 'right' on camera- especially now.
I'm not about to stan a group that capitalizes on the trauma and oppression of me and my people in the name of entertainment. That's just tacky.
On the plus, I think it's great that they be surrounded by other queer folks in the business and be part of a community that welcomes and support queerness so they don't feel like they are the only ones.
That's not to say they aren't surrounded by queer people in their dialy lives.
I mean they have a large staff and I know damn well some of those staffers are queer as well- why wouldn't they be. Lol.
They've always had that 'supportive' environment to foster their relationship- well except for that one time a manager tried to bitch slap JK. Lol. Sorry.
It's not funny at all. Serious face.
They've always been free and loose in places outside Korea- Japan for one, to be themselves in certain 'controlled" areas of their lives.
I think if anything there's gonna be a focus on creating conducive and inclusive work environments and ethics for everyone not just queer people within the company at large.
I think Jikook can relate more, have certain essential conversations in the group, be exposed to and be part of the 'community' in a way that just felt so distant to them prior to the acquisition- in my opinion.
There is strength in numbers after all. Other than that those two companies might operate like night and day with a few eclipses in between.
The bigger question for me is how SK is going to react to Hybe as an international company from now on. No elite Korean company has openly admitted queer artists within their label. Such revelations presumably is bound to impact their social and economic standing...
Seems in acquiring Ithaca though Hybe have circumvented the conservative problem within Kpop and their culture as they have acquired openly queer artists.
Not that they care about an artist's sexuality. Bang have made it perfectly clear he prioritizes a person's talent over their sexual preference and thus hire artists based on their skills regardless of their sexuality.
But that is also not to say that the company wouldn't be met with harsh criticisms and suffer economic loss should they openly admit the sexuality of certain artists they work with.
I mean he did advise Jo Kwan on the risks he would be taking in going in the direction he wanted to go in with his heels schtick. So he is aware of the risks involved in going public with an artist's sexual orientation.
He talked about Korean companies playing it safe and not taking certain risks especially when it comes to deeds that are deemed 'rebellious' against the Korean conservative way.
-Watch and learn people, if you can't hire openly gay talents acquire their company. Problem solved. Lol.
From May, Hybe will technically officially become the first elite Korean company with openly queer artists under its labels that openly touches on and advocates for LGBTQ plus rights.
I'm waiting for Pride month with a cup of tea. Mu haha ha.
BTS has performed with queer artists in the past, dabbled in LGBTQ plus conversations which was mostly met with mixed reactions from the general public- some oblivious to who these artists were much less that they were queer. (Sis laugh with me. Hehe. If you know you know)
BigHit is gradually evolving the status quo.
It's an interesting development I must say, one I'm very much invested in at this point.
BigHit has always aimed beyond the borders of Korean commercial verse often straddling the line of conservatism, literally just became an international company within South Korea governed by both Korean and American laws that in all essence conflict with eachother morally and constitutionally.
Bang has some heavy balls I'll give him that.
Also, since this is an acquisition and not a merger I doubt if much will change in the structures of either company- the family photoshoots would be interesting to watch.
Imagine trying to get Arianna, Justin, BTS, TXT in one large studio for a photoshoot. I'm literally cackling. Lmho.
Scooter Braun will become part of the board of Hybe to manage the company and he is part owner of Hybe along with Justin, Ariana and BTS who also have shares in the company- until they decide to sell their shares that is.
That's about it.
I'm not sure how these Asian haters are gonna respond to an Asian company taking over 'America.' That's something to watch out for.
Then there's this whole issue of 'scandals' and both campanies view on it.
Western companies feed off chaos and drama and scandals, Kpop is the exact opposite.
Most of these Artists under Ithaca have had some pretty bad records and are prone to scandals and stuff like that. In case of an inevitable future scandal, the news would read 'BTS's so so and so.'
They are gonna make it all about BTS.
I mean when BigHit went public with their IPO and it went south it was all about BTS' 'failed IPO' in the news rather than the company it's self.
I have mixed feelings about this acquisition.
It's obvious BigHit is saving Justin Bieber's label. You don't sell unless you are in some huge financial decline blah blah.
Hybe is keeping them in business while building their own portfolio in the industry. BTS may not have a Grammy but Hybe has several artists with Grammys under it's belt now. Smirk.
The success of Justin, Ariana and all these artists are the success of Hybe which together with the powerhouse that is BTS gives Hybe more prestige- it's like watching the game of thrones but this time it's a bunch of nerds with chapsticks and Prada. Lmho.
At least now people will think twice before they peddle the 'they are not gay, it's their culture' nonsense.
Not sure if this answers your question?
I purple you💜💜💜💜💜
Signed,
GOLDY
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theexecutionerssong · 5 years
Text
SKAM FRANCE BTS MASTERPOST
This is a master post of BTS anecdotes told in interviews, at cons, screenings and on social media. Don’t click the read more if you don’t want to lose some of the magic. I know sometimes knowing too much of how a show was shot can ruin it. Also, it’s very obvious that there was more promo starting around season 3 than for the first two seasons, don’t hold it against me. Feel free to message me if you think of something else as I must have forgotten a ton of things.
CASTING, REHEARSALS, BTS IN GENERAL
Skam France had the rights for the 4 seasons first but had to follow the original script almost to a T for the first 2 and if the audience was big enough then they would be allowed to distance themselves from OG
Skam France casted actors that were as close personality wise to their characters as possible, which made it easier for the cast to identify with their characters and made the friendships developping between the characters more believable since it was also developping off screen
They were not allowed to cast underaged actors who would have been closer to the real age of the characters due to the long hours of the shooting conditions
Most of the actors come from theatre and many had no or little previous experience with shooting for a camera before
The cast isn’t allowed to watch the clips before they air.
Most of the clothes they wear in the show are their own.
During rehearsals of the first seasons, Philippine went to the board with everyone’s names on it and wrote something funny next to Zoe’s name and wanted to send it to her but she messed up and published it on her ig stories, leaking the entire cast when it was still supposed to be a secret.
Lula’s first reaction when she got the script and “met” Daphné was “oh no I’m scared. I just want to slap her, she’s insufferable”
Assa almost didn’t audition for two reasons: the casting call didn’t specify they were looking for a woman of color and French casting calls almost always say whether they are specifically looking for a black woman. If it says nothing then they are usually looking for a white person. She thought she had no chance because of that. Second reason, after accepting the casting call, she did some research and found out OG Sana was from the Maghreb and she’s not. But her agent convinced her to go through with it, the only thing the skam france team wouldn’t negotiate was that they wanted a Muslim actress. There was no way they would have casted a non muslim actress/actor for Imane and Sofiane.
Skam France was the first TV show on French TV to have a black muslim  woman wearing a hijab as a main character
Paul, Robin and Axel knew each other before shooting, they’d met in Avignon.
Coline was still in her last year of high school when she shot the first two seasons.
Niels is the one who came up with a raccoon as Eliott’s spirit animal
They shoot about 15 minutes of usable content per day which is impressive (it’s usually 2-3 for movies released in theatres, 5-7 for TV programs)
When France TV told David the first two seasons were a success and they were renewing the show, he gave them a list of things he wanted to change so that he’d agree to come back to direct the next seasons, including a different camera, renewing the writers team (they included Niels), storylines, the ig content, etc. The new camera they got was a SONY Venice which allows them to play a lot with the focus/blur ratio and the cold and warm undertones, which made a major shift in the visual quality of seasons 3 and 4 compared to the previous 2.
David named Eliott after his son.
Having the teaser from Eliott’s POV was David’s idea. It’s the first remake to have a clip from the French Even’s POV
The bus stop from season 3 is fake, it doesn’t exist. It wasn’t even shot in Paris itself but in Saint Ouen.
Maxence didn’t watch OG - besides the towels in the bathroom clip - because he wanted to create his own Eliott without being too influenced, and he didn’t watch s1 and 2 of skam france either because he wanted Eliott to discover the characters without knowing their backgrounds.
Maxence wasn’t supposed to audition. He wanted to be done with his acting school before shooting anything but the head of the casting team came to watch a public class at his school and asked him to audition for Eliott at the end. David and Niels knew right away he was the one. Niels watched the audition tapes and was very impressed with another actor but within the first 3 seconds of watching Maxence, he knew it wouldn’t be anyone else. Maxence met Axel after the 3rd call back and they clicked right away. He’d broken his foot two days earlier so he was in crutches. They watched Even’s manic episode and had to improvise a similar scene but had to do with the crutches. They also went for a drink before shooting and they talked for hours, their connection was instantaneous. 
When he learned Maxence was cast, Axel went on his instagram and saw the model pictures and thought he was way too hot with the abs and everything and he himself would look like a potato during the nude scenes next to him. So he got a coach and for 3 months he trained and got on a very strict diet. He was disappointed that there were no shots where you could actually see his abs properly in Skam. He had also said months before that he had gotten a coach because before they started shooting seasons 3 and 4, he had met up with Marilyn to get advice on how to carry a season and she had told him to get a coach otherwise he wouldn’t be able to keep up with the pace. So what is the truth?
It leaked that Maxence was casted in July 2018 because someone on a Korean website recognized his shoes in an IG story from when he’d been spotted at the airport months earlier but it was kept mostly under wraps. Then his and Lais’s names leaked too a couple of months later but most people hadn’t seen his face before the trailer.
David asked Axel and Maxence to give up their phones and social media during the couple of months they were shooting to be really focused and not get distracted by the outside world and they mostly did. Axel bought an mp3 to still have music, he wrote “LUCAS ♥” on it with a white out pen. He created a playlist for Lucas, including songs like Run Boy Run and I love you by Woodkid, and To Build a Home by the Cinematic Orchestra.
Maxence’s process to get ready for a shot: he does yoga and dances a lot in the morning. he puts music on and paces a room while picturing himself standing on the edge of a cliff and if at some point he feels like falling and loses his balance, it means he’s got it. He asks that all the scripts he gets be printed on the right side of the page and on the left he takes notes about what the character is feeling through 7 different states: love, hate, fear, power, vulnerability, sex and i hate myself for not remembering the last one. To play a scene properly, you have to conjure up 4 states to create one emotion. He loves that David respects his method and is able to adapt to every member of the cast’s method. He also uses his body as a tool, for example if his character has to feel lonely or unsure, he will curl up into a ball for an hour without moving and then he’ll be in the right mindset because his body is telling him he’s isolated. That’s the method he used for Eliott, he created “lost scenes” that weren’t in the script, moments in between scenes with Lucas, to get more into Eliott’s mindset.
Maxence wrote a letter to Eliott, drew a picture of him, and spent hours adding notes to the script about his personality before even trying to get into his mind. 
There was a contest for the drawings in season 3. Maxence participated but didn’t get picked. Jeanne Lelièvre did!
All the social media content for seasons 3 and 4 were shot on the same day in December 2018 which is why you can see heavy winter clothing even when the content was published in May. For season 3, most ideas were Axel’s, and Maxence said no to 90%. 
While shooting for seasons 3 and 4, Axel was also on stage every night for theatre
To prepare for his role in s3, Axel watched CMBYN, Moonlight, and The Office 
They received more feedbacks from international fans than French ones at first. It was even a private joke between Niels and David, there were no comments in French on Youtube. Then the piano clip happened and David’s phone went crazy with notifications. He was in the editing room with Jérémy and the buzzing from his phone was non stop. They banned phones in the editing room after that.
Skam France owes part of its popularity to how accessible the cast and crew are, either on social media or IRL, with 6 entirely free events organized to get the fans and the cast and crew to meet, watch episodes together and have Q&As during seasons 3 and 4.
Skam France shooting locations have become extremely popular for the fans to hang out at and leave little mementos, to the point that the mayor of Paris has asked the team to pick completely untraceable locations, or make sure they are not in Paris itself for the next seasons
Skam France was the first remake to get renewed for 2 (possibly 4?) original seasons
Alexia and Daphné were supposed to have their own seasons they but couldn’t get the green light from Norway. He got the idea for Arthur’s story quite quickly after but they had to rework the scripts for seasons 5 and 6 a lot. Robin talked to David about his addiction to video games and how it could be a potential theme but in the end David chose deafness instead.
SEASONS 1 AND 2
It was Coline’s idea to make Alexia bi. There was a scene when Alexia mentions an ex boyfriend and she asked David “why wouldn’t it be a girl?” and his only reaction was “Ok. What’s her name?” and that’s how bi!Alexia was born.
It was also Coline’s idea to give Alexia’s colorful hair. She later regretted it because she had to bleach her hair twice to get the blue to stay and it fried her hair.
Assa’s worst memory of shooting s1 and 2 is when the girls have to carry Daphné, she kept dropping her and was afraid of hurting her.
Marilyn and Lula ruined the scene when the girls are having breakfast all together when they are on the countryside because they couldn’t stop laughing over carrots and the crunchy noise it was making. It was the last day of shooting and their nerves were all over the place.
SEASON 3
The first scene in the common room didn’t hit them that much, they didn’t realize the impact it would have because the whole shooting was just David yelling at them to look at each other then stop then do it again then stop etc
Nobody realized how big of an impact the “Moi c’est Eliott” line would have and then when they watched the clip, it was obvious.
The check de gang wasn’t scripted, it was Paul’s idea to make it a running gag. David wasn’t sure about it but after doing it just once, he was sold. Basile tripping over the bench was also Paul’s idea but he didn’t warn anyone he was doing it so Xavier started laughing and the camera was shaking so bad that they couldn’t keep it and had to reshoot the scene. They noticed during the editing process that Robin also tripped at the same time in the background during one take so they had to keep that one. 
Lucas playing the piano was Axel’s idea even though he didn’t know how to play properly. He sent a text to David at the end of June with different ideas for songs and David picked the most difficult one. He then practiced anytime he could until they shot the scene in october. It took him two months to learn it completely and then a little more to make it look easy.  (Niels later said it was his idea and that Axel was a cheeky little shit). Maxence had never heard Axel play the song before that moment so Eliott’s reaction is genuine. He didn’t think he’d manage to get in the right state of mind because the apartment was too small for the whole team and they were all very cranky, it was 3 am, but the moment he heard the first notes, he forgot all about it and was completely amazed.
The infiltration party: David asked that Basile pushes Daphné a bit, like shoves her out of the way when they have to run, but they hadn’t had the time to rehearse anything. After a couple of takes, Paul pushed Lula a bit too hard and she fell on her knees quite hard. He felt so bad because he never wanted to hurt her and they all had to take a half an hour break because her knees hurt. David after that was like OKAY NO MORE STUNTS EVER.
Axel got mad at the makeup department because the two lines on his face were not on the same place when they shot the outside scene and then once inside. He got so angry he could have cried that they wouldn’t believe him. So during the shooting he looked straight at the camera and wiped them away with the back of his hand to force them to draw the lines properly.
The first kiss scene: they had been shooting for 12 hours. It was raining intermittently all day so the team had to pack up the cameras often and wait it out when it was too much. They ran 4 hours late. They had a fake rain machine but no change of clothes so they could only shoot once. Below the bridge is not easily accessible, it’s a long path from the gate, so they used ropes to get things up and down from the bridge. They only had one shot. They had already shot kissing scenes but David was always telling them it had to be more passionate and kept yelling at them to use more tongue so for that shot they gave it their everything on the first (and only) take they did. 5 minutes later they were shooting the Remember scene.
They shot all the scenes in the colloc on the first week of shooting. Minute by minute was shot right before Samedi 9h17. They had to restart shooting samedi 9h17 four times because something wasn’t working between Axel and Maxence, they were clumsy and stressed. After taking 5 minutes to themselves with David to remind themselves of how pivotal the scene was, Axel and Maxence said they were ready and they shot the opening scene that made the cut.
The Phase de latence clip : Axel and Maxence felt like terrible actors because they had already shot all the big very emotional scenes and this was a bit tamer since Eliott doesn’t show much emotions. They felt that way about all the scenes shot in the school.
The Fête de trop clip: They shot the fight with the guys 8 times but it wasn’t enough for David until Robin slapped Axel on the 9th. After that they shot Chloé yelling at Lucas. Axel was still out of it due to the slap he’d gotten earlier that he hadn’t expected. At 3am, they finished with Lucas injuring his hands. Axel cracked the metacarpus in his hand and only told David two days later.
Leo has talked about the coming out bench scene and said Yann took it a bit too far and was too dramatic, he was like “i don’t know if i can say that… but c’mon… I mean. C’mon… that’s your best friend… who cares if he didn’t tell you right away, he had bigger problems on his mind, right?”He would have done it differently.
The “viens on n’en parle pas” scene was shot in 50 minutes in the middle of the night on the second day of shooting. Marilyn and Axel’s emotions were briming under the surface so it was one of the easiest scene to shoot.
The hardest scene to shoot for David in s3 was the intervention clip. It was the second day of shooting, the 4th clip of the day. Axel’s first take was not good enough and David was scared it would set the tone for the season. He had a stern talk with Axel. Thankfully, they shot a second time and it was the right one, everyone on set was crying and Axel was completely drained.  
The scene where they go get the couch from the creepy place is the one they shot last for season 3.
The paint scene: they only had one try. Axel and Maxence hadn’t shot together for a week, David had done it on purpose and they’d missed each other. It was shot on a Friday at the exact time it was supposed to happen IRL. The whole thing lasts 14 minutes long. David took their pants off because they were slipping too much. Xavier almost stopped filming he was like “is he serious? did he just take their pants off??”. They shot a part when one of them slips on the ground and the other follows but that didn’t make the cut. There were 25 people on set, everyone in a suit to protect from the paint, but Axel and Maxence forgot everyone and just got lost in their characters. When David yelled cut, Axel and Maxence didn’t hear him and kept making out. David had to separate them. Then they all were so happy that they yelled their joy but then saw all the people who were behind the camera, and everyone was crying, like they had witnessed something too intimate. They showered for an hour, emptied 2 bottles of soap and even then it wasn’t enough, Axel still had paint running down his neck at a party that evening. The music used on set was Dreamer, the Khlar remix. Maxence was upset it wasn’t the one they ended up using in the clip, it felt like a betrayal because it “wasn’t the song they had made love to”.
Maxence fought with the costume department over the briefs he was wearing in the paint scene, because they had shot the PONI scene first and he could remember which ones he was wearing for the PONI scene and he wanted to wear the same ones. He was sure people would notice.
The first scene Maxence ever shot was the PONI scene. 
The boat scene was quite special. It was a big moment for Maxence, he was extremely nervous, so David reduced the team on set as much as he could. Maxence got upset at Axel for being too present during the scene. Being used to a theatre stage, Axel is always a bit over the top, eating his ham with a flourish, stuff like that, but this was supposed to be Eliott’s big scene. Maxence asked for a break and told David that if Axel didn’t tone it down, he’d kill him. That also got resolved quickly. 
The Remember Me scene: the priest is Lula’s dad. Lula and Niels both make a cameo in the church. They forgot to warn Axel that a car was coming when he’s running so his reaction is genuine. He was running so fast, the minivan with the camera couldn’t keep up so they shot it twice. They shot Lucas finding Eliott under the bridge just after shooting the first kiss. Maxence only had 4 minutes to get into the right state of mind which was extremely challenging and during that time he had to change his clothes, dry his hair and redo his makeup. Axel wasn’t feeling very well, he was exhausted after having shot 4 clips that day, but David told him he could do it so he ran on the path to the bridge harder than ever (David thought he was going to hurt his sinews) and when he fell to his knees, he was close to passing out, you can actually hear when he says the first “t’es pas tout seul” that he’s about to throw up / can’t breathe properly. They only shot that part once and after it was done David told them they should hug each other because what they had just done with Lucas and Eliott was precious and a moment to remember.  
There was supposed to be a scene after the Remember scene but it was cut. Eliott is sleeping, Lucas brings him food and starts reading his book and then Eliott wakes up. They say hi, Eliott is confused about the time it is, it’s already late afternoon. He says he needs to leave, but Lucas tells him no. He keeps saying he has to go, he has to go to his parents. Lucas tells him it’s fine, they’ve been warned of where he is. But he says he’s got to leave anyway. Lucas asks him why he keeps insisting he needs to leave and Eliott tells him he just doesn’t want Lucas to see him like this. Lucas tells him he doesn’t mind. Then he starts teasing him, saying Eliott just wants to leave because he doesn’t want to own up to the fact that he lied to him. Eliott is confused. Lucas reminds him that he’d said there was no way he would ever be able to sleep next to a guy that hot (on the boat) and yet here they are actually taking naps. So Eliott must have lied to Lucas about finding him hot. Eliott says he’s an idiot and Lucas tells him that at least he’s not a liar at that what matters is that he is his idiot. “Congrats, you’re now the owner of an idiot… more or less hot” Eliott tells him he’s won and asks what they should do now. Lucas answers that they should start by saying hi properly and they kiss, and when they pull back they just look at each other whispering “salut”. Axel said he was upset at David for cutting the scene because it was so soft and intimate, he called him when he watched the episode to ask why he cut it, but it would have been too repetitive with the following Lundi 17h21 clip.
Lundi 17h21 is the second clip Maxence shot. Lucas’s “T’es beau quand tu rigoles” wasn’t scripted, Axel changed the script, he was supposed to say something about liking seeing Eliott smile.
The Je t’aime scene: the first shot they did was the most emotional one, it was one of the hardest scenes emotionally for Axel. He was crying so so much, he had tears and snot everywhere, and Maxence was just wiping it away so tenderly that David thought about keeping that shot but the snot was REALLY disgusting so they didn’t keep it. They shot it a few more times, except that then Maxence had to leave. So the shot of Lucas saying Moi aussi is actually to David. Axel said it didn’t feel weird because he does love David so it felt true.
SEASON 4
Assa sat down with the team before they wrote anything for the season and told them her whole life story. It lasted 4 hours and she cried when reading the script because they had included so many things she had told them, it felt like her and Imane were one.
Making Assa dance was Philippine’s idea. David asked her what she thought about when thinking of Assa, something that was really her and Philippine said “Dada, you should see her dance”
Moussa and Assa knew each other before since they had filmed together 5 years prior, a movie in which they already were siblings. They feel like siblings in real life.
The worst clip to shoot was on Lais’s first day of shooting, it was the bus clip. The shooting conditions were terrible, there was too much noise, and the crew was tired from having shot the 3 bus stop clips from season 3 earlier that day. David was convinced there would be nothing to save and they would have to rent another bus but the team worked their magic in post prod and it turned out amazing.
They shot the scene with Imane, Lucas and Eliott in class the day after Halloween. Maxence was at a party the night before and lost track of time. He had to take a taxi straight from the party to the set at 6am and showed up in full zombie costume and makeup.
Charles come back: it had been cloudy and raining all day but the moment the camera was on the girls’ faces, a ray of sunlight appeared and the wind blew in their hair, making it a real dramatic moment. Too good to pass on, it’s the shot they kept.
The fight between Lucas and Eliott that we vaguely hear in the background was just gibberish. Axel and Maxence hadn’t prepared anything and Axel just ended up shouting at Maxence things like YOU LIED TO ME BEFORE ABOUT LUCILLE YOU MIGHT BE DOING IT AGAIN ABOUT SOMETHING ELSE and Maxence NO I WOULD NEVER - BUT YOU DID - NO I WOULDN’T - YES YOU DID - NO and they kept going in circles so David was like “guys…. please, you might want to start screaming about something else or this is gonna sound very repetitive” but in the end we can barely hear anything so it didn’t matter much
When Alex comes to pick up Emma to go to the cinema, Assa had a break down and couldn’t stop laughing, hiding under a blanket and making all the girls laugh too with her. David had to scold them a bit to get them to stop.
Lais also ruined a clip by laughing for 15 minutes straight, it’s the clip at Imane’s house when they talk about the fair. It was the longest 15 minutes of the crew’s life. 
The oui oui song during Daphné’s birthday party wasn’t planned, the team just lost control of the cast. Axel started it and everyone followed. The cast are actually terrible extras. They are too dramatic and noticeable in the background so party scenes like Daphné’s birthday were a nightmare to shoot. 
Assa and Laïs rehearsed the Unknown dance clip every chance they got between every take, everyone kept tripping on them in the corridors.
The last sequences they filmed were actually the last clips at Imane’s house for the Eïd. Axel isn’t in the last shot because he had to leave for his play. He actually ruined the very last clip of season 4 by shouting his goodbyes to David from across the corner.
SEASON 5
The auditions for season 5 and 6 were held in June. Lucas was spotted through his youtube channel and asked to audition. 
Coline learned sign language by herself after an initiation class with the whole team. She started signing in July and has been practicing ever since. Robin took a one week class in September and then kept practicing by himself and with the D/deaf people on set. David and the rest of the team also took an initiation class.
Robin doesn’t like water and was anxious about the scenes in the pool. David got in the water with Xavier, Robin and Winona to reassure him and direct them better. They limited the number of extras around the pool because of that.
The place where Eliott works is where David used to work when he was younger.
Coline wrote a song for the season
They couldn’t leave the mural in the high school so they took it off the wall (it wasn’t actually painted on the wall itself) and cut it into pieces. There are a few pieces framed on the walls of Lucas and Eliott’s flat.
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d6official · 4 years
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DAY6: ‘We’ve Always Wanted to Go to India’
The South Korean rock band open about their songwriting process, their aspirations for future records, the definition of authenticity in a world that often dismisses artistry in K-pop and India
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I caught up with DAY6 a few months ago via Skype–I’m told the quintet are in the middle of shooting new content for their fans and are dressed in their looks for a video, so it has to be an audio call. I can’t see them and they can’t see me, so of course there’s a lot of giggling, whispering, and moments of ominous silence that then have us all breaking into laughter together. It’s awkward, hilarious and everything you’d imagine a call with DAY6 to be. 
It’s towards the end of the year so there’s a lot going on in the band’s schedule, but they’re an unstoppable force, flying across the globe to complete performances in the U.S. and in Australia. It’s a pretty rare thing to have all five members be able to join in on a single call, so I’m happy to hear all their voices greet me. “We’ve just been on tour and we’re having a good tour so far,” says vocalist and guitarist Jae. “Everyone’s been really welcoming in their countries and really just turning up for us, so we’re happy.” 
DAY6 debuted in September 2015 with leader and guitarist Sungjin, bassist Young K, guitarist Jae, keyboardist Wonpil and drummer Dowoon. All members are trained vocalists, with Young K also doubling as main rapper, and every member contributes to songwriting and production. (The group did have a sixth member, a keyboardist named Junhyeok, but he left in 2016.) Young K also leads the songwriting process, with lyrical contribution in every single track on most of DAY6’s albums. 
The beauty of DAY6’s artistry lies in how versatile they are able to make each track within a single album–in one moment you’re listening to a stadium anthem that’s reminiscent of a young U2, and in the next there’s a segue into Killers-esque post-punk revival. If you’ve been a long-time fan, you probably already know this thanks to their genius ‘Every DAY6’ project through 2017, which saw the band release two songs on the sixth day of almost every month. The result? An expansive, experimentative discography which built two powerful albums– Sunrise and Moonrise–with B-sides that shine just as much as a lead single. Jae explains that there usually isn’t a set idea when they begin an album–a lot of the music is born through songwriting sessions with various producers, where each member gets to go explore any genre they want on their own. It’s a power they’re exercising more and more, especially all through the Book of Us series. “We didn’t really discuss a direction when we started,” Jae says. “Everyone just kind of did what we wanted, which is why the album is a jumble of this and that from everywhere.” In fact songs have a tendency to switch genres in between verses–a great example of this is DAY6’s 2017 single “I Wait.”
The group also credit the genius of JYP Entertainment producer Hong Jisang as a key factor in their creative process. “I think definitely one of our main influences is probably gonna be one of our main producers and that’s Hong Jisang,” says Jae when I ask the band about their musical influences. “He’s a writer that works with us very frequently. For most of our title tracks–actually all of them I think so far. But yeah, he’s definitely one of the main influences because he’s always been kind of our mentor since the beginning of our debut dates… even before that. So he’s been teaching us about songwriting, you know, tracking or melody writing. We have a little bit of a flow just because we’ve grown so close to him as a group.”
“Just one of the reasons why we try any kind of genre or any music is because people do have different tastes in music,” explains Young K. “So if they like at least one of them, then it’s a success for us. Another reason is because we do get to play almost all of them, almost all [their songs] at the concert. So, we do have a chance to show it to the MyDays and the crowd and you get a chance to have fun with it. And I guess it’s just what we aim for as a group.” They’ve stood strong and stuck to their guns when it comes to this process of songwriting and it’s the fuel that expands their creative process, ensuring they don’t stick to one particular sound or vibe.  
I remember back in 2016 when DAY6 began to get more popular, a lot of the attention around them was built of curiosity. As the first band under JYP Entertainment and the one of the first in the third generation of K-pop, both fans and industry professionals were curious to see where the Hallyu Wave would take them. The idea of an ‘idol rock band’ was new to the thousands of fans who had discovered K-pop after the 2016 boom of the genre, and DAY6 didn’t fit any existing stereotype–idol or band. They still don’t, and it’s a powerful statement.
This particular artistic evolution that we’ve seen with DAY6 isn’t easy to achieve in the K-pop idol-sphere of it all; our discussion about artistry in the glittering world of idol culture brings us to the topic of what it’s like to exist as what people believe to be a ‘traditional’ band in the middle of the ‘boy band narrative.’ I ask because it’s something I see often even in India–there’s this idea of authenticity always being tied to the more ‘conventional’ format of a band: artists with their instruments are deemed more ‘legit’ than pop acts. There is an unfortunate tendency among the general public to dismiss artistry created by pop stars and K-pop idols. DAY6 walk the line between the two worlds, and their path to finding that balance often demands a seesaw from one side to another. Have they ever faced a dismissal of their artistry because they’re idols who are also a band? 
“That’s a very deep question,” says Sungjin. There’s a long pause as he gathers his words and then continues, “I personally haven’t seen that big of a difference. We, as a team that emphasizes on writing songs and writing music to appeal to other people, feel that everyone who writes songs or does music has the same objective and goal, therefore [artistry] is the same thing [for every musician.] So we’re not trying to focus on those kinds of factors but just try to focus instead on our music and our creation process so that we could become more authentic artists that appeal to more people.” 
And what is DAY6’s definition of authenticity? 
“When the person who’s creating the music legitimately feels like it’s good music,” says Sungjin firmly.
Right now the authenticity in their songwriting comes from the ordinary. Lead lyricist Young K explains the members draw from everyday experiences and conversations to write songs that are relatable, raw and honest. “Lyrics wise, I could say, we got very cleaned up and very neat. During the times of Every DAY6 project, we were out of time all the time throughout the year,” he says with a laugh. “So, it gave me the lesson of like, always being prepared to write lyrics so that I could pick out a way to find motivation or inspiration. I don’t wait for that inspiration, I gotta always go look for it. For example during everyday conversation, if there’s something or if there’s a word if there’s a phrase that I like, I write it down on my phone.” He pauses for a moment and then sheepishly admits, “To be really honest, I haven’t been doing that for months now. I need to get back on it.” He also says rather than listening to new music, skimming through lyrics is always his go-to move when it comes to evolving his style of storytelling. “So I guess it’s just continuous experiences that helped me to grow and, like you said, evolve.”
I ask the band which of their songs they would recommend to a new listener to help them understand DAY6’s artistry, and there’s a collective hum as they contemplate. “That’s a really difficult question,” says Wonpil. “Maybe ‘You Were Beautiful?’” The rest of the band agree wholeheartedly, and feel the 2017 rock ballad does a great job of summing up who DAY6 are. It’s certainly a fantastic example of the band’s powerful songwriting and their uncanny ability to to delve into topics that are at times a little too real, a little too familiar. 
DAY6’s complex Book of Us series of albums have dealt mainly with the various levels of human interactions, emotions and relationships, each volume diving deeper into the complexities of what makes us who we are. The ‘Us’ in the titles can refer to DAY6 themselves, the relationship between them and their fandom MyDay as well as various other relationships the members might have in their lives. It’s also a general reference to the relationships we as human beings cultivate in our lives. The first album in the series The Book of Us: Gravity was one of their brightest releases, exploring youth and young love. The Book of Us: Entropy was a little heavier, a little more mature, exploring the beginning and end of relationships and how it changes a person. 
The band’s upcoming release of The Book of Us: The Demon is perhaps their most anticipated release yet. Set to drop tomorrow, May 11th, the eight-track EP already hints at a slightly darker route than its predecessors with its title, promising a deeper look into the core meaning of the series. The teaser for the lead single “Zombie” which dropped on May 8th shows the band wandering dazed through crowds while the track itself seems to build on angsty alt rock. DAY6 also dropped an album sampler that hints The Demon cruises through pop rock (“Day and Night”), blues (“Tick Tock”), post-punk revival (“Stop”), acoustic pop (“Afraid”) and more.
In true DAY6 style however, the tracks can change direction in-between, crossing genres from one verse to another. It’s all a surprise right up until we hear the record, which is one of the best things about listening to a new release from this band. While I’m not told any specifics, I’m assured that DAY6 plan to go bigger than ever before when it comes to future releases.  “We want to go to space!” exclaims Dowoon and the band agree enthusiastically. How does space translate sonically? “We want to go for a larger scale of music,” he explains. It’s about dreaming bigger and looking at ways to elevate DAY6’s musicianship. Jae adds, “Yeah, maybe going from just one acoustic guitar to like a full brass band or something.” We discuss possibilities of DAY6 working with an orchestra someday and it’s a pretty fantastic vision. 
Speaking of future plans, I decide to put them on the spot and ask about when we’re getting an India tour. “Whenever you guys call us, we are definitely there!” Jae assures me immediately. Young K and Wonpil explain they are familiar with Bollywood and eager to learn more about it. “I am aware it’s huge there. And recently Katy Perry did something with Bollywood?” asks Young K. We realize he’s referring to the pop diva’s massive November concert in Mumbai with Dua Lipa and he shares that it’s one of the reasons DAY6 are more eager to check out India’s concert scene. “Yeah, I actually heard it from my friend. They were telling me, ‘Yo, you should go to India’ and like wherever it is, we always want to go. If there are people who are willing to listen to us and enjoy with us at the concert, we want to go.” Jae adds, “You guys have a lot of people and for us it’s a new culture and we are always interested in going to different places and seeing new things, trying different foods… naturally the food! So yes, we’ve always wanted to go to India, so call us!” 
We spend the rest of our allotted time together talking planning a show in India for 2020 and although COVID-19 has postponed these plans for now, it’s something the band believe needs to happen. “We definitely wanna see you guys,” says Young K. “It’s always great to go to new places. Until the time that we meet, we want you guys to stay healthy and happy.”
By Riddhi Chakraborty
©️Rolling Stone India
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orbit-intl · 4 years
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210130 KStyle Vol. 2 ― ORβIT, a strong wish for 2021. “We’d like to see fans at a live event… we have so many things we want to do (laughs)”
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Vol. 2 ― ORβIT, a strong wish for 2021. “We’d like to see fans at a live event… we have so many things we want to do (laughs)”
ORβIT is a Japanese-Korean group composed of 7 unique members. They released their long-awaited debut album in November last year, to which many fans responded with enthusiastic support. 
It has almost been a year since ORβIT was formed and announced on February 9, 2020. We asked them about the steps that led to the decision of forming the group and questions about the reason for their career choices as an artist. 
ENG TRANSLATION BY ORBIT_INTL   Source: KStyle News DO NOT RE-USE, REUPLOAD OR RE-TRANSLATE WITHOUT PERMISSION
― How have you been spending this time since the announcement on February 9th last year?
HEECHO: Now that I think of it, it went by so quickly, but a big part of 2020 was the fact that we couldn’t see each other. We could communicate via phone calls or video calls, but I’m sure it was hard for the members and the staff were also worried for the members. We did receive the songs to practice at home and think of the choreography, but there wasn’t much I could do on my own. I just kept thinking “if only I could be with them (the members)”. And Shunya was always crying. 
SHUNYA: I wasn’t always crying (laughs)! But, not being able to see each other was hard. With the ongoing pandemic, there was nobody you could blame for the hardships we went through, so I’d sometimes get annoyed on my own. That’s when the other members would talk to me and that was very helpful. I think we got even closer because we had the chance to speak so much more in this situation. 
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JUNE: Yes, because we were able to talk a lot when things were hard. We’d discuss what we should do from now on when things were getting hard, have heart-to-heart conversations at the dorm, and spend time together. I think that’s why we’re so close now. 
SHUNYA: The video calls helped so much. Even though we were separated in Japan and Korea, we were able to speak while seeing each other’s faces, so it was good.
TOMO: Yeah. There are some of us who’d like some words of encouragement when things get hard or some of us who’d rather be left alone for a while, so we respect that and we spend time together, it was great.
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JUNE: At the end, we were all like “there’s no use to overthink everything, so let’s just do what we can do!” and that’s how we got here. 
SHUNYA: Even for our music work, we’ve been helped a lot by the internet. We weren’t able to meet the people who bought our CDs to thank them, so we kept thinking what we could do instead. We were able to hold an online signing event, so I hope we were able to convey some of the feelings of gratitude we have.
HEECHO: But because the date of release got pushed back, we were able to spend more time on the production process of the album. There are some parts that we were able to be more particular about, especially because of the current situation.
The 7 of them with each their own different turning points in life
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― You started off as an artist with the album “00”, but what were the turning points in your artist life?
HEECHO: I like dancing and I wanted to be a dancer, but my mother wouldn’t agree with it and she suggested that I become a singer instead. But I’m not good at singing, I can’t rap either, so I continued although I wasn’t sure of where I was headed to. When I was in highschool, I got sick and the doctor told me “you might not be able to dance and sing anymore” and I was very shocked. I realized that I must really like the job if I was that shocked. Then, I started taking it more seriously from there on.
JUNE: It was popular at the time and I would listen to Eminem at first because I happened to buy a CD, but I wasn’t planning on starting rapping at the time. Later on, K-POP came in from Korea and I felt a different charm from Japanese music that I had been listening to until then. I like music that mixes up different genres and rap and I found different groups from there. My impression on idols changed and it broadened my horizons. My brother joined a performing arts school and I joined as well. I think that was a turning point as well.
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SHUNYA: I’ve always liked dancing ever since I was small, but I disliked singing and I wasn’t great at it. When I saw K-Pop artists in university, I thought I wanted to become someone who would be looked up to as well, so I got very interested in dance and music. Still, I was looking for a regular job like everyone else too. When I went to an interview for a promotion company for artists, I was told “When I hear about your experience and what you like and want to do, it seems like you are more suited to become someone who expresses themselves through art.” It made me realize again that I wanted to become an artist in the music industry.
YUGO: I liked K-Pop artists, so I’d copy them dancing. I usually get very easily bored out of things, but the one thing I’ve been able to continue is dancing. When I became a university student and started considering career paths, I decided to challenge what I want to do. Actually, I couldn’t get into any of my ideal universities and I went to the one where I can get in by recommendation. But if I had been accepted to the one of the universities I wanted to go initially, I would’ve continued studying and I wouldn’t have gone into the entertainment university. That’s why I think that failing entrance exams was a hard experience, but it was a turning point now that I look back to it.
YOUNGHOON: I got into university and I wanted to be part of a band as a keyboardist, but I was asked “do you want to become a vocalist?”. Then, I told them “Huh? Vocalist? I can’t.” and I gave up. After that, I tried getting into the tennis club but the seniors looked scary, and so I gave up (laughs). Then, I found a dancer I liked… Wait, where am I at in the story? Anyways, to summarize, I got into university and I wanted to be part of a band… (He keeps circling around the same story.)
Everyone except YOUNGHOON: It’s ok!!! We get it!! (Laughter)
YOUNGHOON: The seniors at the dance school were all very nice. I didn’t really have hobbies before, but I started having bigger dreams after starting to dance.
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YOONDONG: Until I was 20, I never thought I would do a job where I had to appear in public, but my feelings of admiration grew gradually. My parents told me I couldn’t become a singer if I didn’t go to university, so I chose to study acting in university. After that, I attended for 2 months, but I realized I wanted to be a singer after all so I went ahead and got into the industry. That’s my turning point.
TOMO: Me too, just like Shunya, I never liked singing and I hated going to karaoke, but I became very passionate about it after I got into high school. I started to think that I’d be very happy if I could do a job where I could sing, so I attended many auditions after graduating high school, but never made it. Every time I’d go to an audition, I kept telling myself “If I don’t make it for this one, it’s going to be the last one”. After that. I decided I’d start working on myself and started a ship job to save up money for two years. Even then, I knew I still wanted to be an artist, but I couldn’t say it to my parents. I didn’t want to worry them about the tuition fees or the instability of the job. Still, I couldn’t give up in the end and I gave up my job completely to go back to doing auditions. My grandparents both came from musician families, so I was hoping I had some of their DNA flowing in me too.
HEECHO: Tomo definitely has some of it! (the DNA)
TOMO: It’d be great if I really did.
The 7 are now together as ORβIT - “We’d like to meet fans at a live event in 2021.”
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― You came together as a group and you are now ORβIT, but could you please tell us about how and why you got together?
HEECHO: I had been listening to everyone’s concerns for a while, but “what we should do from now on” became a topic one day. That’s why I suggested we all work together with these members and that I’d take responsibility for it. Then, I started talking to people, looking for people who could help, and it became like this,
YUGO: When we became a group, I was mostly very happy to be able to do this with the people I like and I was hoping we can do what we want to do.
TOMO: When the talk about doing something with the 7 of us came up, all the other options I had previously were gone for me. Heecheon-san took the lead to do things like setting up an agency, but we try not to put all the weight on the leader. We each have our responsibilities which we established altogether.
― You started your activities in 2020 and 2021 will definitely be an even busier year for you. I’m sure EαRTHs are excited as well.
HEECHO: First and foremost, I hope everyone in the world can have a healthy year this year. As ORβIT, we have the general outline of the year set, so it would be great if we can follow those plans.
SHUNYA: I hope we can spend more time altogether compared to 2020. The time we are spending together right now makes me so happy, I keep wishing everyday that if only this time could continue forever.
JUNE: When we look back at 2020, the fact that we are together right now feels like a dream.
YOUNGHOON: I hope the virus will be gone in 2021.
TOMO: Yes, and I really want to do live events too.
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― You haven’t been able to hold live events yet. I bet your feelings of wanting to be on stage must be blowing up?
Everyone: Yes, that’s true.
SHUNYA: We definitely have a lot of ideas (laughs).
HEECHO: It’s part of a singer’s job to sing at live events, so I’d like to work soon. It’s really just that.
TOMO: We haven’t been able to perform in front of EαRTHs yet, so it’d be great if we could soon.
― Is there anything you want to do at a live event?
SHUNYA: I want to throw signed balls! (Throwing pose)
YOUNGHOON: I want to jump into the audience! (Everyone: No you can’t do that~!)
JUNE: I want to throw water to the audience! Like in summer festivals! It’d be great to do our own event, or to be part of an outdoor event too, I hope we can be part of one.
YOUNGHOON: I want to do an outdoor concert during daytime.
YOONDONG: I want to do a night time concert outdoors. The lights will be very pretty. I can’t wait to be able to do concerts.
(Younghoon and Yoondong discuss whether day time or night time is better, while the other members laugh.)
Everyone: So it’s 24 hours! We want to do it all the time (laughs)!!
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― We’re very excited for you to hold a live event as well! We also heard you are preparing for a mini album in April. Can you tell us about the theme and the songs?
HEECHO: I think there are many songs with mature themes. The release date is in spring, so there might be many sad songs. I hope we can show a mature side with the performance, including dance. “00” was a very complete album, so there is a little bit of pressure that pushes us to make something even better. Outside of that, considering what we want to express, we’d like to show a mature side as we are getting older. 
JUNE: Even as we are preparing the songs, we do feel like we all matured.
SHUNYA: There are also plants because it’s April… It isn’t set in stone yet, but I’ll keep the hint hanging (laughs).
TOMO: It’s still in preparation, but we’d like to practice a lot and bring up the overall quality since we have the chance to see each other like this.
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ENG TRANSLATION BY ORBIT_INTL Source: KStyle News DO NOT RE-USE, REUPLOAD OR RE-TRANSLATE WITHOUT PERMISSION
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fyexo · 4 years
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200331 EXO's Suho Paints an Intimate 'Self-Portrait' With His New Solo EP
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For much of the decade, Kim Jun-myeon has been better known by his stage name Suho. A member and the leader of K-pop boy band EXO, the singer -- whose stage name means "guardian" -- spent his twenties performing across the globe, releasing multiple hits in South Korea and selling millions of copies of albums worldwide since the band's start in 2012.
Now, he’s ready to share more of himself on his first-ever solo album, Self-Portrait.
Out Monday (March 30), the singer turns away from the dance and R&B-oriented sounds typically associated with EXO’s releases, and shows a new side to himself through six original rock-oriented songs in his new EP. Though the album embraces Suho's identity within the group, it also expands upon it, introducing new sonic elements. The 28-year-old, who writes lyrics under his pen name SH20, also shares his world view via the soft and indie rock-imbued sound, leading with the single “Let’s Love.”
With its title inspired by EXO’s catchphrase, the breezy, sweet tune is passionate, as Suho sings about a love he is racing toward but has not quite reached yet. The song is both a romantic pop-rock ballad and a message aimed at EXO’s global fan club, EXO-L.
Prior to its release, Suho spoke with Billboard to discuss what Self-Portrait means to him.
How are you feeling ahead of the release of Self-Portrait?
I’m so nervous [for the release date]. Because it’s my first solo album, and I’m doing it without the members of EXO, I’m somewhat nervous and also very excited -- somewhat like a new start. I hope that this album and the songs are things that many people will like. Not only for Korean fans, but all of my fans globally. I hope that they enjoy it.
The album is very intimate, as it’s called Self-Portrait. What inspired you to put forth this narrative for your first solo EP?
The inspiration was drawn from Vincent van Gogh’s "Self-Portrait." I first saw it in Switzerland and Paris, and for van Gogh, it probably meant a lot to him as a person. Since I’m not a painter, I wanted to paint something in my album as a self-portrait, per se, similar to how it was for van Gogh to share his own view of himself.
Van Gogh painted different self-portraits to reflect different sides to himself and changes to how he saw himself. Do you feel this album similarly does that for you as an artist?
Yeah, that’s right. I think so. Through this album, I’ve been able to explore and show different sides of me, not only what is perceived from the outside, but also what is inside of myself.
I saw the covers were based around four different variants. Do you feel there are four distinct sides to you? Or is it not as specific as that?
To be completely honest, I believe that there are probably more than four sides to me; there are many facets of my personality. With all these various sides that I have, I tried to condense it to an essence where it can be portrayed in four different self-portraits.
Do those four specific facets have any meaning to you?
When I first asked to use this concept, I didn’t have too much significance to show regarding myself, but I wanted to visually depict four different seasons, the four seasons of Suho.
Do you have a favorite season?
Spring.
Along with the four images featured on the album, you made a self-portrait of yourself featuring bunny ears, and that’s become your Twitter emoji. How do you feel about sharing that side of yourself as an extension of Self-Portrait’s promotional concept?
That, a rabbit or bunny, is my nickname from EXO-L, so that’s why it has significance to me. Whenever I’m communicating with fans, talking to EXO-L directly, that’s when the nickname pops up, but for the album, it’s not included because I want this album not only to be meant for the fans, but also for many other people who will listen to this album. So for the bunny ears drawing and emoji, it was more a signal that can be recognized by fans and EXO members.
So the album isn’t solely aimed at fans, but these sort of social media interactions are. So it sounds like it's important to you that the general public will be able to enjoy listening to Self-Portrait, beyond your already loyal EXO-L.
Yes, the songs on this album are composed of band sounds. [Editor's note: In Korean, it is common to say “band” rather than “rock music" when referring to rock-affiliated genres.] That’s a genre that international audiences are very used to, and they really enjoy. I feel like this album is one that the general public will be able to pick up and just listen to comfortably because it doesn’t have the strong beats and basses of the dance music that EXO albums usually have.
You mentioned that this is music you think the general public likes, but is it also the type of music you particularly like?
Of course. I really like Coldplay. Their music has had a big impact on me.
Regarding the single “Let’s Love,” why did you decide to make this the single for Self-Portrait?
This is my favorite song of this album. And the meaning of the title recalls the cheer EXO does before we go on stage: “Let’s Love!” Just generally, we use it as a cheer. It’s also a message I want to tell people, “Let’s love.”
In regards to that, is there a message you would like people to take away when listening to the six tracks of Self-Portrait?
To be honest, there’s not a single message on this album. But the theme that connects all these songs is the idea that everyone has scars, everyone has been hurt. But even so, shouldn’t we still love? So this is an open question I want to ask to the people who are listening to my music.
You were involved in the songwriting process, and are credited as a lyricist. Are there any verses you want people to pay particular attention to?
Track six, “For You Now.” When you live life, there are many times you just miss the opportunity to properly thank someone whenever you feel thankful for them. Sometimes you look back and always regret not being able to say, “Thank you.” So in order to express my thankfulness, even though it’s late, I want to tell them, “Thank you.” And I want people to feel the same way; even if it’s late, it’s never too late to say “Thank you.”
Do you feel you have a lot of those regrets?
Yes, there are many. Many. [Nods thoughtfully.] Sometimes a person just misses the opportunity to thank their parents as well, and so I do have these sorts of regrets.
You worked with Younha on “For You Now.” What brought about that collaboration?
I am not a personal friend of Younha, but I’ve respected and admired her work for a long time. That’s why I reached out to her and asked her if she could collaborate with me. As for the song itself, she is such a great singer. She went above my expectations in regards to how she was able to express the song, musically, lyrically, and through her expressive vocals.
There’s a song “Self-Portrait,” but it’s not the single even though it’s the album’s name. Why did you decide to go with “Let’s Love” versus “Self-Portrait” for the single?
Although it’s the album’s name, when people listened to “Let’s Love,” that’s what people enjoyed the most. The phrase is also meaningful, so I wanted to emphasize that.
Was it important for you to make it clear, through picking this song title for the single, to blend your identity as Suho the soloist and Suho the EXO member on this solo album?
I didn’t try to emphasize my identity as a member of EXO particularly while creating this album, but when I started drawing a self-portrait, EXO has been an important part of me over the past 10 years as a person. So it was very natural for this part of my identity to seep into the lyrics and the album itself.  
In general, what was your creative process like when approaching this album and its introspective nature?
For the past three months, I’ve only been listening to [rock] music, whether it’s by Korean artists or international ones, and did not listen to any dance music or R&B and jazz music to get into the mood for this album. I paid a lot of attention not only to the music, but also the way they approached their lyrics.
Also, I spent a lot of time talking to my friends to discuss what sort of story I want to express, what message I want to send across. I found areas where me and my friends would agree upon, or have the same empathetic connection. So all of these combined together went into making this album what it is.
It’s almost like method acting.
[Laughs] Yes.
You said you spoke to your friends to get their opinions on the message, but the album is called Self-Portrait, which as an artistic form doesn't typically take into account outsiders’ point of views. Was there any particular importance for you to discuss your ideas with them?
The reason why I spent time talking to my friends is because you can say that my friends know the side of me that I’m not even aware of myself. And even though it’s a self-portrait and my story, if my friends -- or just people in general -- cannot feel any connection to it, it might feel that it doesn’t have enough impact or significance. So that’s why I spent time talking to friends and others about this project.
You’ve had a lengthy career already. Why did you decide that now is the time to share this side of you with the world?
My career as a member of EXO has been almost 10 years, and I will soon be going into my thirties, so I thought it would be a great time to talk about my life in my twenties.
Earlier, you mentioned that you’re nervous about the album’s release. Is there apprehension specifically in showing these new elements of yourself?
People know me from within EXO, and people remember me and my overall image as a member of EXO. But for this album that I’m releasing, both the fans and the general public might be a little shocked to see a different side to me, a different musical genre. I really like this style of music, and I have confidence in this album’s style, but I hope my fans and the general public take some time to listen to the lyrics on the tracks -- one through six -- and I’m pretty sure that after they listen to them, they will love the songs.
You’ve released solo music before, and other members of EXO have gone on their own to release solo albums. So do you really think that this will be truly shocking to listeners to hear a new side, a new story from you?
When it comes to EXO members, usually our solo projects have revolved around balladry, R&B, or hip-hop. At our concerts, many of the solo stages are primarily those sort of performances. A lot of the members have spoken about how these are their favorite styles of music.
But I never publicly, necessarily, showed that I really like [rock] music. Since I never really shared this side of me, that’s the reason I say I’m nervous. I’ve also done musical theater and released songs exploring other genres of music, but this is the first time I’m sharing this so … I think I’m the first one, among our members, to really show something new like this, so that’s why I think fans and the general public might be shocked.
What would be your ideal reaction to this album?
Even if people don’t know Suho from EXO, I hope that people will like my song and become a fan just by listening to this album. I also would love, whether professional or amateur, bands also would enjoy this album. That would be great.
The album is coming out at the end of March, so imagining the rest of the year, what would you like 2020 to bring your way?
Oh, this is hard. I would like to communicate and connect with everyone, whether it’s my members or EXO-L or the general public. I hope it’s a 2020 where we can have many empathetic connections.  
This interview was conducted in English and Korean, and edited for clarity
source: billboard
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obsessivedilettante · 5 years
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20 in 10: A Drama Retrospective
Since I’ve been all quiet on the drama front this year because of life reasons, I thought it would be fun to go back and pick out 20 of the most memorable dramas of the last decade. Maybe not necessarily the best dramas or even my favorites (although some are!), but two dramas each year that were somehow notable moments in my drama-watching timeline.
2009: Gateway Drugs
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Boys over Flowers (KBS)
This is not, by any stretch of the imagination, a good drama. It is not one I think I can ever really rewatch (although I will happily revisit the 2005 Japanese version, and I had a hellava fun time watching the latest Chinese version). But! It was the first kdrama I remember watching, and the first step on the slippery slope of eventually becoming a Drama Addict. I mostly remember it being crazy popular on places like mysoju (RIP), and so I checked it out due to curiosity, and the rest, as they say, is history. Or, should I say, almost paaaaradise!
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You’re Beautiful (SBS)
This one I also watched because it became crazy-popular online, and curiosity got the better of me. I really didn’t know much about k-pop prior to dramas, so I had no idea until after this drama that k-pop was more about pretty people in crazy fashion, dancing in syncopation in bizarrely lit rooms, rather than playing instruments. Because it was thanks to this drama that I got my crash-course on k-pop as a phenomenon -- both the fandom side, and the crazy things that artists have to go through to claw their way into the public’s view (nevar 4get the glorious ramen dance). Since Angel was a group that played instruments, and Hongki and Yonghwa were also from groups that played instruments, I assumed that all kpop were groups that played instruments. Oh, sweet summer child...
But it did get me started on my k-pop journey, first falling in love with FT Island and CNBLUE, before falling into the rabbit hole of the other prominent groups of the day. (SNSD! The Wonder Girls! Super Junior! DBSK! SS501! Kara! 2PM! 2AM! Shinee! BEG! Epik High! U-KISS! All the debut groups, like 2NE1, MBLAQ, B2ST, 4Minute, f(x), T-ara, After School... basically 2009 was a magical year in k-pop.)
If I had just watched Boys Over Flowers, I don’t know that I would have become a Drama Addict. But You’re Beautiful pushed me closer to the edge, with the zany humor of the Hong Sisters (and the desire for a pig-bunny of my own!). It would really be Coffee Prince that would push me over the edge, but that aired in 2007 so it doesn’t count for this list. But I had to mention it anyway, because, well, it’s Coffee Prince and where my love for Handsome Oppa began.
2010: More Than Candy
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The Woman Who Wants To Marry (MBC)
A lot of the dramas I watched at first had that typical “Candy” character, the poor-but-scrappy girl who would somehow be saved by the guy and become the Cinderella she never knew she wanted to be. So it was a delight when I encountered women who were not only older than high-school-age or early twenties, but in their thirties, with rich full lives! Plus, this was one of my earliest introductions to the concept of the “noona romance” (a concept that I’ve since heartily embraced, of course). I started it primarily because Kim Bum was my favorite of the Flower Boys, but I stuck with it because I fell in love with the women (and I still have a girl-crush on Bu-ki).
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Harvest Villa (tvn)
This show is insane. But in the good way, the way that the writer intended, and not in the “are a bunch of monkeys typing this script?” train-wreck way. There was basically no buzz about this show, and I feel like I somehow accidentally stumbled over it, but it was love at first sight. I’ve never forgotten the late hours binging it, being so sucked into the story that I absolutely had to finish it as soon as I could, disappointed that there wasn’t more of it to enjoy when I finally finished, bleary-eyed and sleep-deprived, but satisfied.
I then later gobbled down this writer’s next drama, and her next drama, and the next, until everyone else finally realized thanks to Signal that Kim Eun-hee was as amazing a writer as I kept insisting to anyone who would listen (aka no one).
2011: To Binge or Not To Binge?
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White Christmas (KBS)
I did not watch White Christmas in 2011. I actually watched it in 2013. I was always a steadfast binger, preferring to wait until the buzz about a show would sway me into spending my precious free-time watching something that would be worth my while (not that my drama choices were always good, but at least I tried to avoid the duds). I still prefer to binge, since waiting weeks for new episodes is vaguely frustrating when I want to know what happens next, right now! Plus, I’m very good at forgetting that I’m watching a show in the week-long wait for new episodes, and then just... never picking it back up again.
Despite watching White Christmas a couple years after it aired, it remains one of my favorites, and one I love to rewatch, even though I’ve already experienced  whodunnit cliff-hangers and psychological rollercoasters. It became a tradition of sorts here on tumblr for a bunch of us to rewatch it over the holiday season -- alas, I haven’t joined in that tradition for the past couple of years, but I hope that somewhere in this blue hell hole that there are a loyal few keeping the tradition alive.
At least we have this drama to thank for bringing us all the model-actors that were new and clueless in White Christmas, but would later go on to be leading men in their own right. Of course, some of them haven’t exactly made the best drama choices (*cough*SungJoon*cough*), but then there are others (*cough*SooHyuk*cough*) that I’m impatiently waiting for to pick up a new drama so I can see those post-army abs.
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Tree With Deep Roots (SBS)
This is the first drama that I recall live-watching. I vaguely remember regretting it at the time, since it was agony waiting for new episodes, but it was also fun to have a week to speculate and ponder the show. And what a beautiful show to ponder! This was also one of the few sageuks I actually watched, being generally intimidated by anything longer than 16-20 episodes, and my historical knowledge was a little shaky (before embracing my inner nerd and diving into mundane historical stuff just so I could better understand whatever drama I was watching at the time).
I don’t think I intended to continue live-watching shows, preferring the ease of binging at my own pace and schedule. But that was when I was still a casual, innocent addict, and not someone who would eventually make dramas a huge part of her life.
2012: The Joy of Overthinking
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Gaksital (KBS)
Having had a taste of live-watching, I started to live-watch enough dramas to the point where I began to make notes about the premiere weeks. It was only a couple at a time, and binging was still my preferred way to watch, but now I was delighting in being part of the fandom, sharing in speculation each week, posting my thoughts on dramas and analyzing them to my heart’s content -- even though I knew no one except me would read my ridiculous essays.
But I started to feel more comfortable sharing my opinion with the world, interacting with fandom and not merely content to be a consumer, but gradually becoming a producer as well.
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Reply 1997 (tvN)
This is it. This is when I went full-on Drama Addict. This is the tipping point from casual fan who quietly kept to herself, to becoming someone who stood on the mountain top yelling about ALL THE DRAMAS ALL THE TIME. I began to interact with other fans! To swap theories and share squee-worthy moments! I even watched episodes RAW just because of how desperate I was to know what happened, and even though the Busan accent stumped me more than once, it made me realize that my casual study of Korean was something to take seriously since I understood more than I gave myself credit for.
It was also the first time any post I made got more than a handful of notes, since I’d mostly hovered in the “less than 10 notes per post” category at the time. I was so proud of myself back then!
(This drama also notably marks the start of my Hoya obsession, which continues to this day.)
2013: Tumblr Friends (and Foes)
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Flower Boy Next Door (tvN)
Having made myself comfortable on tumblr as a Drama Addict, I then discovered some other dedicated fans -- many of which I still follow to this day and who are now just a permanent part of my dash, no matter what their current interests may be -- in the FBND squad.
But I also discovered Kim Seul-gi as the Webtoon Editor (who I still love and adore and continue to use as my avatar), and her adorable romance with Dong-hoon remains one of my forever OTPs. As much as I enjoyed the drama romances, I’d never fallen so deeply for one to be so obsessed by it as I was Webtoon Editor and Dong-hoon. And tbh I still am. They’re just so adorable and pragmatic and she buys him a bag. Ugh. I love her so much, you guys.
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Heirs (SBS)
Ah, yes. This hot mess.
I don’t know what possessed me to live-blog each episode. But I did. With snarky commentary and terrible screencaps. And suddenly I went from maybe 200 followers to over a 1000. That was a total shock! I met a lot of people because of that (and made some friends, as well as a few enemies who didn’t appreciate my opinion of certain characters), and ensconced myself as part of the drama-blogging crew.
It was from this that someone suggested I apply to be a minion at Dramabeans. Back then, I had a lot more free time than I do now, and I was watching a lot of dramas that Dramabeans didn’t cover, and wished they did so I could read more opinions about those shows. So I thought, “Eh, why not? It can’t hurt to submit something because the worst that would happen is I’d waste their time making them read my take on episode 10 of Let’s Eat.”
I fully expected them to turn me down. No one was more surprised than I was when I found myself agreeing to dive into the world of recapping.
2014: It Was the Best of Times, It Was the Worst of Times
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Trot Lovers (KBS)
Recapping. It seems so easy when you’re reading the recaps. But actually creating them is a bitch. Hours out of my life were spent on this disaster of a trope-laden show with no plot. This was the third show I worked on for Dramabeans, and I hated it to the point where I seriously considered handing in my notice. (Immediately following up this show with the mediocre My Secret Hotel certainly didn’t help matters!)
However, it turns out that what I actually hated was being forced to watch a terrible rom-com and pretend to come up with insightful-or-at-least-neutral thoughts about it (since we were still new and couldn’t go full-on snark yet).
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Misaeng (tvN)
This is what saved me. Being given the chance to immerse myself in such a unique, ponderous, thoughtful show restored my faith in dramas and the drama community. I loved spending hours on this show, soaking up all the little details, and then sharing that love with the world.
Misaeng made dramas magical again.
2015: Fight Me
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Valid Love (tvN)
Realizing that I only seemed to enjoy rom-coms at arm-length, I discovered that my tastes often ran counter to the general drama-viewing public. Not all the drama-viewing public -- I’m not a “not like other fans” kind of fan -- but enough that I began to realize the whether a drama was popular or had good buzz was not necessarily the primary reason to watch it.
I began to have more faith in my own taste, based on past experiences with various writers and directors. Even if the premise (or first couple of episodes) seemed kind of weird and out-there, I at least wanted to give these artists the benefit of the doubt that I would enjoy their work, like I had previously.
So many people seemed to hate Valid Love, but I adored it. Still do (and still desperately wish Kim Do-woo would come out with a new drama -- it has been too long, writer-nim!). There were a lot of opinions about this show, even among people who seemed to enjoy it, but I vividly recall having to repeatedly insist that it wasn’t about the romance and argue that  the knee-jerk infidelity-is-BAD opinions should make space for something more nuanced.
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Ho-gu’s Love (tvN)
DramaFever was a pretty great site. It brought together so many drama fans and gave them a place where they could legally (and without fear of downloading random viruses) watch dramas to their heart’s content. Yes, there may have been some lingering resentment that they were the primary reason that so many amazing other sites were shut down (RIP mysoju and daebaeksubs), but dramas were more accessible than ever!
Eventually, DramaFever started to sub shows themselves and upload them weekly (instead of just using fansubs and uploading older dramas), and while they weren’t the best translations, they were at least better than machine translations from the Chinese subs. As I became more and more familiar with Korean, I found myself more likely to migrate to Viki since I liked the extra detailed translations. I could get the gist of a show without any help -- I wanted to instead delve into the nitty-gritty of the language.
But I never really hated DramaFever or felt they were particularly awful. Until they mistranslated something so terribly that it changed the entire meaning of a scene and ruined people’s perception of a drama, forcing me to continually defend the true translation.
That was the molehill I died on that day, and never again did I touch DramaFever. I feel bad that it eventually got unceremoniously shuttered. But I don’t think I’ll ever forgive them for the “condom” incident.
2016: Free Solo
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Dear My Friends (tvN)
For two years I’d been happily working on one episode a week, sharing a show with someone else, until I was asked if I’d like to tackle a show by myself. I wasn’t sure how I could handle it, but I had the time in my schedule so I said, “Sure, why not?”
I was originally going to recap Another Oh Hae-young, but there was a last-minute switcheroo, and I’m so incredibly glad because this is perhaps my favorite recapping experience of all time, even more so than Misaeng. There was something so special about the luxury of having an entire show to myself, especially one with such a fantastic cast of characters and thoughtful themes. I didn’t have to try and figure out if I agreed with another person’s take -- it could all be my opinion.
Is that arrogant? Perhaps. But it was also therapeutic, as it reminded me once again how incredible and amazing dramas could be, and the privilege I had to share such an exquisite and thought-provoking drama with the rest of the world.
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The Good Wife (tvN)
Surprisingly, this was what I had really wanted to recap that year, and the true reason I got Dear My Friends, since it aired just prior in the same time-slot as The Good Wife. I was desperate to have this show, willing to do anything to get it because I needed to see Jeon Do-yeon back on the small screen, to see Yoo Ji-tae smolder, to know how Korea would adapt such an ambitious show.
And I wasn’t disappointed! This is, perhaps, my favorite adaption of another work of art that I’ve seen in dramaland. It remained true to Korean sensibilities, but it also properly felt like The Good Wife. The cast was phenomenal. The costumes were exquisite. I wished I could spend more time in that world.
But I was also thankful, because without The Good Wife, I would have never have had Dear My Friends. 
2017: Serial-Killers Are Cool
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Voice (OCN)
I can’t remember how I got assigned to this. Maybe it was a scheduling thing. I do know that I really, really wanted it, since it would be Handsome Oppa’s first drama appearance in three years.
But it started me down a road of recapping a lot of serious and serial-killer-centric shows. Except for the times when I’d beg for a break and tackle something lighter, I was generally assigned the darker mystery shows with meaty plots, since apparently I had a knack for condensing complicated shows into something that made sense. (Also literally darker, and I eventually learned to automatically brighten every screencap I posted. You’re welcome.)
Not only did I love working on something with Handsome Oppa, I also had fun recapping the start of what would eventually become OCN’s stock-in-trade -- creepy serial killers. At the time, Voice shattered OCN’s viewer ratings (which would then be shattered again and again as more people would tune in to OCN shows). But Voice really helped put OCN on the viewership map -- as well as catapult Handsome Oppa into the public eye and lead him to a path of getting to choose whatever script he wanted to work on.
(Okay, maybe I made that last bit up, but he did begin to garner a larger following and remind everyone that just because he was gone from dramaland for so long, he hadn’t lost his acting chops -- or charisma -- or cheekbones.)
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Black (OCN)
Oh, this show. It was basically my whole life while it was airing (well, the non-day-job part of my life). Each episode was over an hour long and jam-packed full of details that were pertinent to the story, and I had to somehow condense that all into 3000 words or less (I was not always, ah, successful...). It felt like I was back in recapping bootcamp, but the dial had been turned up to 11.
I’m weirdly proud of what I produced (although you’ll never get me to reread my old work). It was one of the most challenging shows to work on, but in the good way, not the Trot Lovers way.
Until the ending, that is. Sigh. That ending will live in infamy. I still, to this day, will get a few comments on the finale from people who watched it on Netflix, went searching online for an explanation of the end, and then discovered that they were not alone in being confused by the utter wtf-ery of the last twenty minutes.
2018: Fighting For My Love
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Misty (JTBC)
So, Dramabeans kind of disappeared for a few months. Well, the site was still live. There were a handful of recaps. But... it basically just... stopped. 
Those of us on the other side know about as you do as to why that happened. Minions are kept in the dark just as much as anybody, it seems. All we knew is that we weren’t being assigned anything and we seriously wondered if the site was going under, since adsense has become worthless these days.
But Mary and I kept talking about how much we adored Misty and were sad that we couldn’t talk about it with the world (and convince them to watch it with us), so we pleaded and begged and got the go-ahead to do a kind of chatty “open thread” which has apparently been a spring-board format for other shows. We didn’t get paid for this, and we were totally fine with that. We just wanted to provide some kind of content (while swooning over Kim Nam-joo’s pantsuits!).
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Let’s Eat 3 (tvN)
This was my first real assignment after the dead period, and I once again got to do full recaps (with pay!). I started watching, thinking I’d merely tolerate the show (since I loved the first season vastly more than the second season), but it turned out to be my favorite of the three. Plus it felt fortuitous that the series I had submitted my application would be a series I’d work on four years later.
Sometimes it’s nice to spend time with a character you met years ago, to see them grow, to see how they became what they became. Drama trends (and love interests) will come and go, but Goo Dae-young’s love of food (and love of explaining the proper way to eat food) will never change. It was a really comforting drama for me to spend my summer on, and I’ll remember it fondly, even if I’m forever sad that it had to suddenly wrap-up two episodes early.
2019: Ten Years Later
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Item (MBC)
This was the Trot Lovers of 2019. It was a nonsensical disaster.
I also had the added chaos of my real-life job -- one very different from the one I had when I was working on Trot Lovers -- as it began to increase exponentially in responsibilities and in stress. I reached a breaking point where I began to hate opening my computer where I’d have to spend hours attempting to explain a show that I wanted nothing to do with. I was miserable and depressed and couldn’t do it anymore. I never before asked to be taken off a show because I hated it so much, but there’s a first for everything.
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Her Private Life (tvN)
I actually haven’t finished this show -- I’ve yet to watch the last two episodes. But I’m including it because, well, I didn’t finish any other show in 2019 except for Item.
As some of you may know, this has been a difficult year. It started with the unexpected stress of my job, when we suddenly lost one of our directors who passed away, and another director was let go (in a complicated situation that is ongoing, but the important thing is that it was during our busiest time when we really couldn’t afford to lose anyone), and another director left for a different job and I was basically the one to pick up all the pieces she left behind. It was exhausting and we were all past the breaking point but somehow miraculously holding it together.
I was looking forward to finally getting a much-needed vacation in September, and then, well, you all know how that went: the first night, on our layover in New Zealand before what was supposed to be three weeks in Australia, my father was taken to the hospital, and then, two days later, he passed away. Life has gotten even more chaotic and stressful and bizarre since then.
So no, I haven’t finished this drama, but it was one of the most wonderful moments of the year for me, watching this fizzy rom-com with my favorite actor, where he got to be charming and handsome and charismatic and finally kiss the girl he loves and have her love him back (and not die or be dumped, as he had been in so many dramas that had gone before). Lion Oppa was everything my heart could desire, and living in his world helped me endure the insanity that I wish I’d known would seem so much more tolerable than what would eventually befall.
Her Private Life reminded me of when I first fell in love with dramas ten years ago, when I would giggle and be delighted by the charming nonsense on screen -- of beautiful people falling in love and fighting against the obstacles between them (some more ridiculous than others, perhaps, but there are always obstacles), and ending up happily ever after. Pure escapism, of the frothiest kind.
A Drama-filled Decade
So, after ten years of dramas, what is the takeaway? What have I learned?
I suppose I’ve learned to trust my instincts and put more faith in writers and directors than actors. That analyzing dramas is fun, and it’s even more fun sharing it with others, and sometimes even more fun if you get paid to do it -- but everyone eventually reaches a breaking point. That I’m too earnest and optimistic to embrace a life of snark. That I want every drama to be good but most of them aren’t, except sometimes they are. That I’m not even sure which genres are my favorite; I just know what I don’t like.
That dramas are best as escapism, and not as work.
I don’t know how many dramas I’ll watch in 2020. I haven’t paid any attention to what’s airing, and I’m okay with that. Perhaps I’m entering a new phase in my life, or perhaps I just don’t have the capacity to escape right now.
But I am pleased to have had dramas in my life, and to have eventually made them my hobby. I’ve met a lot of amazing people and made some genuine friends through a shared love of dramas (or, at times, a shared hatred). I’m honored that all of you are still here and following me, even during this period of fandom silence.
May 2020 treat us all better, and may Kim Do-woo finally write another script.
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dailyexo · 4 years
Text
[NEWS] Suho - 200331 Billboard: “EXO's Suho Paints an Intimate 'Self-Portrait' With His New Solo EP”
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"For much of the decade, Kim Jun-myeon has been better known by his stage name Suho. A member and the leader of K-pop boy band EXO, the singer -- whose stage name means "guardian" -- spent his twenties performing across the globe, releasing multiple hits in South Korea and selling millions of copies of albums worldwide since the band's start in 2012.
Now, he’s ready to share more of himself on his first-ever solo album, Self-Portrait.
Out Monday (March 30), the singer turns away from the dance and R&B-oriented sounds typically associated with EXO’s releases, and shows a new side to himself through six original rock-oriented songs in his new EP. Though the album embraces Suho's identity within the group, it also expands upon it, introducing new sonic elements. The 28-year-old, who writes lyrics under his pen name SH20, also shares his world view via the soft and indie rock-imbued sound, leading with the single 'Let’s Love.'
With its title inspired by EXO’s catchphrase, the breezy, sweet tune is passionate, as Suho sings about a love he is racing toward but has not quite reached yet. The song is both a romantic pop-rock ballad and a message aimed at EXO’s global fan club, EXO-L.
Prior to its release, Suho spoke with Billboard to discuss what Self-Portrait means to him.
How are you feeling ahead of the release of Self-Portrait?
I’m so nervous [for the release date]. Because it’s my first solo album, and I’m doing it without the members of EXO, I’m somewhat nervous and also very excited -- somewhat like a new start. I hope that this album and the songs are things that many people will like. Not only for Korean fans, but all of my fans globally. I hope that they enjoy it.
The album is very intimate, as it’s called Self-Portrait. What inspired you to put forth this narrative for your first solo EP?
The inspiration was drawn from Vincent van Gogh’s 'Self-Portrait.' I first saw it in Switzerland and Paris, and for van Gogh, it probably meant a lot to him as a person. Since I’m not a painter, I wanted to paint something in my album as a self-portrait, per se, similar to how it was for van Gogh to share his own view of himself.
Van Gogh painted different self-portraits to reflect different sides to himself and changes to how he saw himself. Do you feel this album similarly does that for you as an artist?
Yeah, that’s right. I think so. Through this album, I’ve been able to explore and show different sides of me, not only what is perceived from the outside, but also what is inside of myself.
I saw the covers were based around four different variants. Do you feel there are four distinct sides to you? Or is it not as specific as that?
To be completely honest, I believe that there are probably more than four sides to me; there are many facets of my personality. With all these various sides that I have, I tried to condense it to an essence where it can be portrayed in four different self-portraits.
Do those four specific facets have any meaning to you?
When I first asked to use this concept, I didn’t have too much significance to show regarding myself, but I wanted to visually depict four different seasons, the four seasons of Suho.
Do you have a favorite season?
Spring.
Along with the four images featured on the album, you made a self-portrait of yourself featuring bunny ears, and that’s become your Twitter emoji. How do you feel about sharing that side of yourself as an extension of Self-Portrait’s promotional concept?
That, a rabbit or bunny, is my nickname from EXO-L, so that’s why it has significance to me. Whenever I’m communicating with fans, talking to EXO-L directly, that’s when the nickname pops up, but for the album, it’s not included because I want this album not only to be meant for the fans, but also for many other people who will listen to this album. So for the bunny ears drawing and emoji, it was more a signal that can be recognized by fans and EXO members.
So the album isn’t solely aimed at fans, but these sort of social media interactions are. So it sounds like it's important to you that the general public will be able to enjoy listening to Self-Portrait, beyond your already loyal EXO-L.
Yes, the songs on this album are composed of band sounds. [Editor's note: In Korean, it is common to say 'band' rather than 'rock music' when referring to rock-affiliated genres.] That’s a genre that international audiences are very used to, and they really enjoy. I feel like this album is one that the general public will be able to pick up and just listen to comfortably because it doesn’t have the strong beats and basses of the dance music that EXO albums usually have.
You mentioned that this is music you think the general public likes, but is it also the type of music you particularly like?
Of course. I really like Coldplay. Their music has had a big impact on me.
Regarding the single 'Let’s Love,' why did you decide to make this the single for Self-Portrait?
This is my favorite song of this album. And the meaning of the title recalls the cheer EXO does before we go on stage: 'Let’s Love!' Just generally, we use it as a cheer. It’s also a message I want to tell people, 'Let’s love.'
In regards to that, is there a message you would like people to take away when listening to the six tracks of Self-Portrait?
To be honest, there’s not a single message on this album. But the theme that connects all these songs is the idea that everyone has scars, everyone has been hurt. But even so, shouldn’t we still love? So this is an open question I want to ask to the people who are listening to my music.
You were involved in the songwriting process, and are credited as a lyricist. Are there any verses you want people to pay particular attention to?
Track six, 'For You Now.' When you live life, there are many times you just miss the opportunity to properly thank someone whenever you feel thankful for them. Sometimes you look back and always regret not being able to say, 'Thank you.' So in order to express my thankfulness, even though it’s late, I want to tell them, 'Thank you.' And I want people to feel the same way; even if it’s late, it’s never too late to say 'Thank you.'
Do you feel you have a lot of those regrets?
Yes, there are many. Many. [Nods thoughtfully.] Sometimes a person just misses the opportunity to thank their parents as well, and so I do have these sorts of regrets.
You worked with Younha on 'For You Now.' What brought about that collaboration?
I am not a personal friend of Younha, but I’ve respected and admired her work for a long time. That’s why I reached out to her and asked her if she could collaborate with me. As for the song itself, she is such a great singer. She went above my expectations in regards to how she was able to express the song, musically, lyrically, and through her expressive vocals.
There’s a song 'Self-Portrait,' but it’s not the single even though it’s the album’s name. Why did you decide to go with 'Let’s Love' versus 'Self-Portrait' for the single?
Although it’s the album’s name, when people listened to 'Let’s Love,' that’s what people enjoyed the most. The phrase is also meaningful, so I wanted to emphasize that.
Was it important for you to make it clear, through picking this song title for the single, to blend your identity as Suho the soloist and Suho the EXO member on this solo album?
I didn’t try to emphasize my identity as a member of EXO particularly while creating this album, but when I started drawing a self-portrait, EXO has been an important part of me over the past 10 years as a person. So it was very natural for this part of my identity to seep into the lyrics and the album itself.
In general, what was your creative process like when approaching this album and its introspective nature?
For the past three months, I’ve only been listening to [rock] music, whether it’s by Korean artists or international ones, and did not listen to any dance music or R&B and jazz music to get into the mood for this album. I paid a lot of attention not only to the music, but also the way they approached their lyrics.
Also, I spent a lot of time talking to my friends to discuss what sort of story I want to express, what message I want to send across. I found areas where me and my friends would agree upon, or have the same empathetic connection. So all of these combined together went into making this album what it is.
It’s almost like method acting.
[Laughs] Yes.
You said you spoke to your friends to get their opinions on the message, but the album is called Self-Portrait, which as an artistic form doesn't typically take into account outsiders’ point of views. Was there any particular importance for you to discuss your ideas with them?
The reason why I spent time talking to my friends is because you can say that my friends know the side of me that I’m not even aware of myself. And even though it’s a self-portrait and my story, if my friends -- or just people in general -- cannot feel any connection to it, it might feel that it doesn’t have enough impact or significance. So that’s why I spent time talking to friends and others about this project.
You’ve had a lengthy career already. Why did you decide that now is the time to share this side of you with the world?
My career as a member of EXO has been almost 10 years, and I will soon be going into my thirties, so I thought it would be a great time to talk about my life in my twenties.
Earlier, you mentioned that you’re nervous about the album’s release. Is there apprehension specifically in showing these new elements of yourself?
People know me from within EXO, and people remember me and my overall image as a member of EXO. But for this album that I’m releasing, both the fans and the general public might be a little shocked to see a different side to me, a different musical genre. I really like this style of music, and I have confidence in this album’s style, but I hope my fans and the general public take some time to listen to the lyrics on the tracks -- one through six -- and I’m pretty sure that after they listen to them, they will love the songs.
You’ve released solo music before, and other members of EXO have gone on their own to release solo albums. So do you really think that this will be truly shocking to listeners to hear a new side, a new story from you?
When it comes to EXO members, usually our solo projects have revolved around balladry, R&B, or hip-hop. At our concerts, many of the solo stages are primarily those sort of performances. A lot of the members have spoken about how these are their favorite styles of music.
But I never publicly, necessarily, showed that I really like [rock] music. Since I never really shared this side of me, that’s the reason I say I’m nervous. I’ve also done musical theater and released songs exploring other genres of music, but this is the first time I’m sharing this so … I think I’m the first one, among our members, to really show something new like this, so that’s why I think fans and the general public might be shocked.
What would be your ideal reaction to this album?
Even if people don’t know Suho from EXO, I hope that people will like my song and become a fan just by listening to this album. I also would love, whether professional or amateur, bands also would enjoy this album. That would be great.
The album is coming out at the end of March, so imagining the rest of the year, what would you like 2020 to bring your way?
Oh, this is hard. I would like to communicate and connect with everyone, whether it’s my members or EXO-L or the general public. I hope it’s a 2020 where we can have many empathetic connections."
Photo links: 1
Credit: Billboard.
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faakeid · 5 years
Note
There this vid of an ex sasaeng telling how she stopped after finding out the idol she stalked was dating a gg member. Everyone says it was Ji's sasaeng, based on the clues she gave. Either kxk or jxk it doesn't matter, but does that mean Ji was really in a relationship with the girl? For real? She says she had a reality check because of this and quitted, so she must have had valid info, right? What do you think???The vid is [INTERVIEW] Ex Sasaeng Fan Tells You Why She Started and How It Ended
Hey anon! Interesting question you brought here. Thank you beforehand for giving the video, so I can attach here (and could watch as well). Just want to say that what will be said here are my own interpretations and explanations, not facts.
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For this analysis, I’ll go with two approaches that could be possible:
The story told in this video is not real;
The story in the video is real, but the idol in question is not JI.
For the first one, people can say I’m crazy or stupid for thinking about this possibility, but am I really? How many videos on Youtube are scripted those days? Or how many are not? Unfortunately, Youtube became somehow like TV shows, where  people pretend to prank their partners for views and likes. The difference is that you can choose what to watch, but other than that, the edit and scriptwriting procedures are pretty similar.
When you look at the OP’s channel, you see the channel doesn’t have that much of subscribers (less than 100.000). Probably had less than that in the period the video was posted. According to him, he was the one who intervewed the claimed sasaeng. But, unless he knew her as a friend or something, why would she agree to talk about her life in a channel with not that many subscribers? If they didn’t know each other beforehand, the chances of her finding his channel and wanting to talk about it are just slim to none. And it’s not an interview he simply took from another source. He did it himself and, in between, he does cuts on the footage to give his inputs not really adding new information (except for a point that I’ll maybe talk later). But why would he do that in an interview he did himself? In general, people post the interview first and later makes comments, if necessary. But it can be only his style, who knows. In the end, that was the first and only video he did in this style until now.
If this hypothesis is true, what could have happened? He called this person he perhaps knew before and asked her to portrait a sasaeng for the video. Both of them know Korean although both of them could perfectly speak in English too (she studied in America and all) probably for credibility. And for an idol, they could have thought about JI considering his dating history and how “recent” it was from the video release (that happened in July 2019 while the dating scandal happened in January 2019. It could make him memorable in case anyone would try to guess). Or they simply made up an idol with a few details and people just thought it was JI because his scandal was fresh in people’s minds. 
Besides, the video title is “Ex Sasaeng Fan Tells You Why She Started and How It Ended” when in the actual footage, the OP mentions she “claims” she was a sasaeng, like he wants to give some doubts/is unsure. 
But anyway, the second point is the one I’ll expand myself more. Let’s suppose everything about her narrative is true and get some key points to focus (especially about the idol she stalked)
In the video, the lady explains her life was pretty normal, that she didn’t know kpop and thought normal fans were crazy for liking a celebrity this way... until she saw a random dance practice of a specific group and she liked one specific guy she wanted to know everything about. And then was the time she became a sasaeng (yeah, we know this story is weird, but it’s all true).
But yeah, she mentions she came across the group (when it happens there’s a loud beep to avoid identification but the name seems too big to be exo ngl) and she mentions the idol she liked had “beautiful dancing lines and he was handsome”. A vague description. Ofc JI is well known for his dance moves but is he the only one? Really? This and this list don’t think so. You can even watch this video analyzing “The Eve” and see other “beautiful dancing lines and handsome men”.
There was also another detail that caught my attention: she found out the idol name because he had a nametag (meaning she didn’t need to read the video comments or ask around, the name was just there). We know that in some EXO dance practice videos they had nametags on their shirts, but they’re not the only group in kpop industry who does that. BTS, GOT7 and others did so it could be easier to identify the members. 
And another point: for the story told, if it was JI, the most probably period of time she became a sasaeng was in 2014. That’s because she admits she spent one year and half being one until the time she found out the guy had a girlfriend. And, knowing he had a previous public girlfriend before, what are the chances of someone just delude herself so hard to think he won’t date again and be surprised when he does so? With another girl group member??? And around the time, if we consider this timeline as real, the video she was one of those: Overdose (really bad quality) Mama or Wolf (there’s Growl, but it’s a video with no tag name in it). 
And even at that time, look at the video quality. How can you suppose the idol is handsome with a quality like this?? 
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720p
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1080p
The difference with a REAL HQ video
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In the last video, I can see pretty well their beauty and moves. On the top ones, I can’t do it pretty well tbh.
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This sentence confirms what the OP said at the beginning of the video, about this happening a few years ago (imo, she was in HS or something).
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She spent 1.5 year being a sasaeng. Probably didn’t pass much the born baby level (until she found out about her idol dating ofc). She admited it herself.
Later she explains that most of the information she got was because of “top seeds”. The definition of this term is:
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In other words: or this person is a long term sasaeng from groups like DBSK and still continue to pursue this “career” with young groups or they’re fansites. There was a discussion here before about how fansites and sasaengs are somehow alike with their methods, having ties with companies (which could explain, for example, why 9493 room and other kd fansites stopped posting pictures of them).
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“... in exchage from information”. An example that in this circle, information is NOT for free. So, if you see someone being a sasaeng or friend of a friend of one, think about those words.
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“of course there were rumors going around that the two have something going on between each other”, continues next.
That’s the only detail she gives about the idol, another one that makes people think it’s JI because of his recent dating news.
But didn’t people think that maybe, just maybe, it’s related with someone that is still dating in secret from the major public? Because, when you see her reaction, she continuously taps her fingers on the table, like the event still gives her distress. Again, I believe she would hardly react like this if it was an idol that had a previous public relationship. Even if she loved him and genuinely believed she could be his girlfriend, it’s like his type, so why act so surprised with someone when the pattern just repeats itself?
So, being this story real or not, there’s a high chance this celebrity is not him. After all, idols have sometimes those stereotypes more than one person can fit in.
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dojae-huh · 3 years
Note
Beards are very common in hollywood and other countries too, pretty women either who are up and coming or who are popular before hand are pushed as gfriends and even as wives of actors. Image is very important in entertainment industry, and u cant be something alot of ppl have issues with.
"just friends" is also a very good way of keeping the relationship between two actors very neutral in public eye coz most ppl believe them and just go with the follow. Look at lee pace and Richard Armitage, they were so secretive abt their "friendship" and richard has had a beard for a long while.
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For younger fans richard madden and froylan gutierrez are an example.
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Do you think the entertainment ppl believe that these both are friends but companies start pr campaign to make it seem like the ones who ever point out logical stuff are mad.
And general fans follow the pr news and dont look up for evidences.
Sso I do agree with u that pr teams make things happen, be it have believable dating news or post a rumour post so the idol is considered straight even if that gets him hate.
An anon wanted to know how to notice if someone is interested in someone, I can tell u that looking for physical affection would be stupid as koreans love to touch their same sex friends alot.
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This is onew with all of shinee, he loves to back hug ppl when he is shy, or when is happy. These all moments are used by all his ships but he is like that with everyone. The same with haechan ppl think hes gay just coz hes physically affectionate. He hugs everyone hes close to, and tries to share his love physically
Now look at doyoung and jaehyun...
Both are very strict abt their boundaries even with the jeno or jaemin and haechan who are sometimes very tough to handle but are usually trying their best to subtly be very near or almost in eachothers personal space.
Jaehyun loves tae and yuta in the hyungs as they were his with him the longest but he limits them. Same with doyoung, taeyong I dont think is allowed to be in his space unless doyoung allows it.
We had two famous singers fronting as a national couple, with "you are my honey, I'm your bee" type of songs, appearences on all programmes and magazine covers, news about going on vacations together and what not. The woman is with a younger "lover" now, and the man got himself a kid from a surrogate mother. The rivalry and acceptence of each other of the woman's two "lovers" was very public as well. The second man is like 25 y.o. younger, but the conservative public preferred this to anything gay.
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Text
[!] addressing claims of racism
Hi all. Some of you may have seen a post of ours about BTS blow up recently. From what I’ve read in the comments, it appears that a Twitter user shared the post, which would explain the influx of users who are not familiar with the blog and how we work.
I’m going to get the hard part out of the way and say we will NOT be deleting that post. Both main admins have agreed that the post was not racist - maybe badly worded, but not racist. If you think it is, that’s up to you - I’m not telling you what to think of the opinion. Keep in mind we’re making this decision as Asian Americans ourselves, before you accuse us of being racist. 
If you are new here: none of the opinions you see are the admins’ personal opinions. We make posts of opinions we get sent. I (Jimin) am the one who proofread and approved the post (not the one who made the post, but that doesn’t matter). I really did not think it was racist. My thinking was that OP believes ARMYs are set on this mindset that BTS are so popular in the west that they can appear on many American shows (making the shows seem extremely important and prestigious), but in reality, it’s not difficult to get on a show; OP tries to prove so by saying something as trivial as a meme could get on a show - saying the standard to get on a show is very low and that these shows are not all that prestigious. The gimmick part was about how the general public/America was seeing BTS, not necessarily OP’s own view on BTS. Again, this is just my interpretation of the opinion.
I made this decision as a Korean American myself and as someone who enjoys BTS but is not a hardcore fan. So, before you accuse me of being racist or a “BTS fan,” please think twice about what you’re accusing me of because it makes absolutely no sense. (By the way, I’ve never stated that I am an ARMY - me reblogging BTS posts doesn’t mean I am an ARMY, but at the same time, me making this decision doesn’t mean I hate BTS and ARMYs.)
Katherine has made a post reiterating that we are NOT a social justice blog, and I’m repeating. THIS IS ABOUT K-POP. Yes, they sometimes intertwine, but when the focus of the opinion is not about social injustice, don’t bring it up on this blog - you are derailing the conversation. 
We don’t mind an influx of people commenting on-topic about an opinion while respecting our rules. What we do mind is when people disrespect us by not bothering to read any of our established rules and just saying whatever they want to. This is not Twitter.
I’m also going to reiterate that we’re not telling you what to think. We’re just trying to explain the reasoning behind our decisions and also defending not only ourselves, but the other admins and this blog. You can tell us how wrong we are, but we’re sticking to our decision. We apologize to the followers of this blog for this situation and thank you all for being very patient with us. 
A P.S. from Katherine: I have so many thoughts about all of this, but I’ll hold back because they’re definitely not neutral like I usually am. However, the one thing I will stress is that personal attacks are NOT okay.  It’s not okay to go after other commenters, and it’s not okay to send the admins hateful anonymous asks calling them racist for posting (or approving) a vaguely worded opinion.  The name of this blog might be “Unpopular K-pop Opinions,” but it is first and foremost a community for discussion - NOT for spreading hate. 
To the people coming over from Twitter: if you don’t know our blog or aren’t familiar with our rules, that’s fine. But if you’re just going attack everyone with an “eye for an eye” mentality, there’s nothing for you here. Please remember that there’s a real person behind every profile picture, and that you know nothing about that person in real life.  
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charmywrites · 5 years
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Bitter & Sweet (Pt. 3)
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Summary: Loosely based on the song “Idols can’t go on for 10 years, right?” by Berryz Koubou. The reader is a foreigner who’s grown up in South Korea since early childhood, upon her mother marrying a Korean man. In her adolescent years, she’s scouted by someone working for a big company and encouraged to audition. Deciding to do it for fun, the reader takes a leap and goes through with the audition. She didn’t really plan to actually get in and go on a 10+ year journey.
Part 1. Part 2.
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( 2015, 7 years after debut. )
“We’re going to pick about three or four trainees from the audition.”
The mood was grim as your manager announced those words, standing up while all of Ultra Smart sat at the table within the meeting room. All except Sunhee, who officially left just the day before. No concert or anything in celebration, Nothing but a departing post to Poindexters, the fandom, from the group’s blog.
Ever since the interview, it was announced that she would be leaving due to ‘personal reasons’, which many fans worriedly assumed was some sort of health problem. Nothing was clarified by the company. Eventually, it would come to light that she was getting married.
Nara and Doyeon were the most quiet about the news. Nara was always a quiet girl, who contemplated things in the same mild manner. Her brows were downturned and harsh, eyes unable to look at anything but the cold surface of the table. Doyeon had her head in one hand, fingers gripped in the long, black, strands of her hair. Everything in her position screamed unhappiness and disappointment.
That’s what all of the girls currently felt they were. Disappointments. Even if only a few of them would let it show.
Were they not enough to keep the group going? With Sunhee gone and Yoora leaving, couldn’t Ultra Smart continue as six? Now, they were growing to possibly ten members. Even at debut, the public would ask wasn’t eight too many? They got accused of copying their sunbaes, Girls Generation, for being too close to nine. Six should’ve been satisfactory, but the girls knew it wasn’t truly about numbers.
"The company still wants you as the flagship group, at least.” The manager, Wonbin, tried to console. Replacing the old manager, he had only been looking after Ultra Smart for the last four years. Still, everyone was familiar with him as he’d worked for the company for longer. He was more empathetic than the last manager, trying to make the members as happy as he fairly could from his position. “A lot of groups who lose so many members get left behind, but you still have a large following. So, the company is willing to give you another chance.”
“I’m sorry, everyone.” Yoora felt the need to apologize, playing a part in why the group was going through so many changes.
You shook your head, placing a hand on her shoulder. “Don’t apologize, we understand. Really.” You didn’t want her to go, but the woman was tired -- emotionally and physically. Anyone would be tired of working such a rigorous career after seven years, eight including the trainee days. Seven years was the usual ‘curse’ for girl groups in Kpop, but you would rather only one or two members break off than the whole group. You loved Ultra Smart too much.
“It’s only expected.” Mali tried to console the leader as well, seemingly faring a bit better than everyone else. The smile on her face was weak, but meaningful as it was directed towards Yoora. “If you didn’t leave, I’m sure someone else probably would. We can’t stay together forever.”
You nodded, although everyone left was pretty adamant that they were going to be in the group for a while. At least, hopefully. “We’ll be alright.” You said for both yourself and Yoora, hand leaving her shoulder to clutch together in your lap. “Especially since you and I will attend the auditions, we’ll have a say in who comes into the group. That’s the brightside of all this.”
Yoora just smiled softly, leaning up straighter to place her own hand over yours. “And, you’ll be a great leader. I know it.” She said, no doubt sensing your apprehension.
Jiang Ai, who had been more neutral about the news, clapped her hands together. “Yeah, we have faith in you!” She announced, lifting the somber mood in the room. Everything about the young woman was a vitamin, even when her twin wasn’t catching onto their ‘twin vibes’. In fact, Jiang Yi was in the same boat as Nara and Doyeon; distraught over the group she knew and loved slowly breaking off.
“Yah!” Jiang Ai tried to whip her twin into shape, tapping on her arm. “Cheer up, will you? You heard oppa, we’re not breaking up. We’re getting another chance! This is good!”
In response, Jiang Yi moved from her leaning position in the chair to sitting up straighter. Her expression was still dejected, however. It was an unsaid understanding between all the foreign members that this audition was partly their fault. Like the manager said sometime ago, Ultra Smart couldn’t go on with only two Korean members. Jiang Yi felt a certain type of way about that, but kept her mouth shut on the matter. At least, in front of their manager. “Okay, I get it. Stop hitting me.” The young woman said, crossing her arms.
A tentative look crossed Wonbin’s face, eyes meeting your own uneasy ones. “Perhaps...We’re still trying to gauge the public’s reception of Y/N having leadership over the group. It’s ultimately the CEO’s decision, not mine.” The good vibes that Jiang Ai tried to lift up suddenly popped like a bubble, stone cold silence filling the air once again.
Out of the corner of your eye, you could see Yoora trying to get a feeling of your reaction. As if she thought you were going to take it badly; cry or throw a tantrum like you would’ve in the old days. But, no tears or harsh words came.
“We’ll see.” Was all you said in response, before continuing on.
“Let’s take this one day at a time.”
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( 2007, 6 months before debut )
“I can’t do anything right!”
Tears flowed down your cheeks as you sobbed in the bathroom, Yoora’s small hand rubbing your back. It was just a few minutes after dance practice ended and you ran out of the room, upset that the moves didn’t come as easy to you as everyone else. The dance instructor was hardly understanding, giving backhanded comments here and there about how you weren’t trying hard enough.
“I was trying my best!” You brought a hand to your face, hating to see your own upset face in the mirror. How many times have you cried since beginning training? You couldn’t keep count anymore. Never before had anyone pointed out so many flaws about you before. First, you were too chubby. Second, you couldn’t sing as well as the other trainees. Third, you ate too much. Now, it was this. The instructor always had something to say about your dance skills, putting you in the back with the ‘easiest’ moves even. Your body was stiff, you couldn’t remember the smallest things, everything was picked at until you couldn’t take it anymore.
You almost wanted to quit.
Yoora turned to get a tissue before handing it over, her usually stoic face now sympathetic. “All you can do is keep practicing until you get it right, some people just aren’t natural dancers,” She started. “But, that doesn’t mean you can’t ever become a good dancer. It’s the same with singing.”
You wanted to take her words to heart, you really did. It was good advice. However, the small, green, monster within you was already jealous that everything came ‘naturally’ to her. Yoora was already a decent singer and dancer. She got her fair share of harsh criticism, but also a good portion of praise as well. You were lucky to go a day without anyone ridiculing you.
“Yeah...” You weakly agreed, not truly thinking the same.
“It’s not too late to back out, you know.” Yoora offered. “The company will let you leave before the group is officially announced. If you think this is too much...”
You swiftly cut her off. “No!” Mind immediately going to all of the other girls you’d been paired with, you wanted to stay with them. It wasn’t even that all of you were close yet, because you weren’t. But, you wanted to be. People could call you idealistic all they wanted, but the idea of being in a group -- part of team -- with other people appealed to you.
You wanted to go through this with them, no matter how hard you had to work.
Maybe you were young and dumb to equate a group of co-workers to possible friends, but that’s what you wanted to get out of your time in the company. That’s what was keeping you afloat all this time; talking with Yoora and the other girls and forming some sort of bond. Especially after you lost what little friends you had after moving schools. At least, you couldn’t see your friends as much anymore.
“I'm not going to leave, I just need more time to get better.” You promised, more to yourself than the other girl. Your cheeks were dry now, a hand holding the tissue to your sniffling nose. In your mind, you weren’t thinking about how good Yoora was at everything or how you were at everything. Now, you were just envisioning a close-knit group; a group that you could look forward to being a part of. A group that would make all of this emotional pain and these physical aches worth it.
“Y/N?” A head poked into the bathroom, revealing the curious face of Aina. “Are you okay? Or, uh...” Seeing your puffy face, she realized the answer to her own question and came inside. “The instructor was just trying to push you to be the best you can be, don’t take what they said to heart. It’s okay.” Just a month older than you, that didn’t stop Aina from being the mother hen she was born to be.
Not wanting anymore people to see you upset, you shook your head. “I’m alright now,” You tried to add some cheer to your voice, but the unfazed expression of both girls signaled that it wasn’t working. Or, they saw right through it. You just waved a hand and headed for the door, wanting to leave behind all the negative feelings. “Come on, let’s go get something to eat or be anywhere but this bathroom.” A smile crossed your face, somewhat genuine.
“We’re on a diet though.” Yoora reminded you.
“Who cares?” You laughed off.
The older girl rolled her eyes, following behind you with Aina. “See?? It’s this attitude that gets you in trouble!”
Aina shook her head, joining you in laughter as the three of you walked out together.
Hopefully, You thought to yourself. My tears are worth it in the end.
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Note: Just a brief note here to let everyone know I changed Ultra Smart’s debut date from 2007 to 2008. This is gonna be the last change I make, sorry for the confusion lol
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elaxoe · 5 years
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Bighit is not in the Big 3- RANT (please read)
Okay I seen this almost fucking everywhere that fans (mostly Armys) thinking that Bighit has entered the Big 3 and dethroned either YG or JYP, Or that they entered the “Big 4”.
Before I get killed by Armys let me fucking explain myself as I have something to tell you my new Kpop fans. Let me educate you a little bit about Kpop from someone who was into kpop fan since 2012.
If you think Bighit is in the Big 3 then you clearly have no idea what the big 3 is and what it means to be in it.
Being in the Big 3 isn’t about profit and sales as Bighit has surpassed the Big 3 in profit, but being in the Big 3 is about the legacy they hold and how much of a impact they had on Korean society.
SM, YG and JYP Literally shaped kpop and korean society themselves with their groups. All three of them have a long history starting back from the beginning of Kpop in the 90s with their successful 1st generation groups, to their 2nd generation groups that started the Hallyu movement to now with their 3rd generation groups. They paved the path for many modern groups and kpop wouldn’t be nearly as popular as it is now without the big 3.
SM, JYP, and YG proved over and over again that they can debut really successful groups, and most of these groups created kpop what it is now. No other companies can come close to become in the Big 3 as no other company comes close to what these 3 has achieved. Few years ago, not debuting in the big 3 meant you’re not gonna be successful and will flop and will be in debt so much longer.
Big3 privilege does exist as groups who debut in one of the big 3 have so much resources, support and has a huge advantage to make themselves big and known, compared to a smaller company which groups has to fight and work so much harder to be recognized by the public.
Bighit is an unknown company who almost went bankrupted and made 1 successful group and no girl groups?? (I say 1 successful as txt is still too new to determine).
Bighit MUST have a girl group in order to enter the big 3 but they don’t cause they’re being a sexist lil shit and won’t let go and shut up about GLAM. Why would the Big 3 want a company who can’t even fucking manage a girl group to be in the big 3 with them as all 3 of them have extremely successful girl groups.
What did Bighit do to kpop and Korean society?? literally make 1 Successful group and have fans who think they’re better then everyone else lol.
(I do believe BTS is influencing Korean society and Kpop right now but not in the scale of the Big 3)
Profit doesn’t qualify a company into the big 3. Bighit exceeded the big 3 with profit, but numbers doesn’t matter. Having 1 really successful group doesn’t qualify a company into the big 3 or big 4, as Big hit doesn’t even come close to what the big 3 has achieved, and would never even come close.
This is a list of current and former groups and artists from each company and I am listing the companies as what they rank in 2019:
JYP: Noel, Park Ji yoon, G.o.d, Byul, Rain, Im Jeong hee, San E, Min Joo, G.Soul, JY Park, 3Racha, Somi, Jay park, Sunmi, Yubin, Hyelim, HyunA, Fei, 2pm, 2am, Wonder girls, Miss A, Baek A yeon, Nakjoon, Suzy, 15&, Got7 (Jus2 and JJ project), Twice, Day6, Stray kids, Boy story, and Itzy
Soloists who are part of a group- Jackson Wang, Jang Wooyoung, Jun.K, Lee Junho, Nichkhun, Hwang Chansung, Jimin Park, Baek Yerim, DefSoul (JB), Ars (Youngjae), Park Jinyoung, And Kim Yugyeom
Jyp introduced JYP 2.0 which will revolutionize how kpop companies will market and release music for their groups and artists
SM: H.O.T, SES, Hyun Jin Young, Han Dong Joon, Kim Kwang Jin, Fly to the Sky, Jang Nara, MILK, Sugar, Black beat, Shinvi, Isak N Jiyeom, Chu Ga Yeoul, TVXQ, Shinhwa, TraxX, The Grace, Super junior, Zhang Liyin, SHINee, Girls generation, F(x), Exo, Red Velvet, NCT (127, Dream, U, WayV), Exo CBX, BoA,
Soloists who are part of a group- Taeyeon, Yerim, Taemin, Key, Onew, Yesung, Henry, Ryeokwook, Amber, Luna, Lay, Victoria, And Yuri
SM revolutionized Kpop when they were the ones that created the Idol training system back in the 2000s, which every company followed their lead.
TVXQ and BoA started a new generation of Kpop idols that broke the music genre into the neighbouring Japanese market and continue to popularize Kpop internationally.
YG: Bigbang, 2ne1, Blackpink, Winner, Ikon, Akmu, Psy, Epik high, 1TYM, One, Somi, Lee hi, Dara, Sechs Kies, Seo Taiji and Boys, GD&TOP, MOBB, Keep six, XO, Wheesung, Wanted, Big mama, Lexy, Brave brothers, Stony Skunk, Gummy, Se7en,, Masta Wu, Sung hoon, Kush, Zion.T and OkasianSoloists who are part of a group- Mino, G dragon, TOP, Seungri, Daesung, Jennie, Bobby, Kang Seung yoon, and CL
VS
Bighit: BTS, TXT, GLAM, 2am, 8eight, Lee Hyun, K.Will, Homme and Im Jeonghee
Soloist who are part of a group: literally just fucking BTS
(So smol lmao)
You guys say that BTS are paving the way which I do agree with you guys, but also are other popular groups today. Many popular groups of the Big 3 (For Example: Got7, Exo, Twice and Blackpink) have accomplished so many things that BTS never or would never achieve and you guys are so unaware of it, as you guys are only focused on BTS’ success and accomplishments and not other groups.
Lastly, Don’t believe those articles online that says Bighit is in the Big 3, cause those are a load of Bullshit, false news, biased opinions and kpop fans who have no knowledge about kpop whatsoever. Don’t believe everything you read online.
I love BTS with my whole heart but it gets tiring as a multifandom to see this literally everywhere.
Thank you for coming to my Ted talk
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