not Mobius just silently taking the blunt of Sylvie's anger and frustrations quietly. no fuss, didn't make it other people's problem. didn't ask Loki to defend him against Sylvie. he really just stood there taking it, accepting that she's angry, and then got some hot cocoa and carried on with the mission like it was nothing, but he internalized it and it will probably contribute to his later actions (whether he wants to see his sacred timeline life or not).
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There was a post I saw about someone who mutually ghosted a guy after a date and kept matching with him and they're not interested but it's the longest "relationship" the person had been in at that point and I'm like. Karen would mutually ghost someone.
She doesn't really tell Brent/Right/Evelyn/Chris his name (he has a double first name, Patrick is not his last name) and just refers to him as "My Guy". Like "Ah damn, My Guy matched again. End my suffering." And when she tries to explain it to Right who does NOT understand how it's different, her logical answer is "it's my God given right to ghost a polite man!"
Also I just imagine her confiding in Paul about Rick and he's like "is his name Patrick" and she's like "kinda". And after that, Paul calls him "Pattycakes" cause he's never even seen the guy so why not give him a funny little nickname. He's allowed to do so at this point probably.
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Me: It's going to take a while to get used to their new masks...
Also Me: *Literally can't visualize them in their old masks anymore.* Well, that was easy.
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Is there any Essek scene in particular you鈥檙e hoping is included in the show?
Oh man oh god oh fuck. This list could go on SO long.
To be fair, the thing with Essek is that there are a lot of very small and fun but not narratively load-bearing scenes, and then a few major scenes that have a decent amount of narrative weight to them. For instance, the first study scene (the second is important but could be combined into it if that the pace required it), the Scourger incident, the dinner, and most of episode 97 have a lot of narrative impact, either for Caleb's arc or for the plot as a whole. I've already suggested I need to see the ninth floor tower conversation animated like a fish needs water to breathe, and I'd love both the times Essek physically pulls Caleb out of danger, of course.
There's also a lot of wiggle room in how you pace the Nein and break up their arcs (which I think was more rigid translating campaign 1 to LoVM鈥攅ven when arcs are shifted around, the sequences of events are kept somewhat orderly) which means that speculation is pretty hard, particularly when it comes to Essek, who meets the Nein so far into the campaign. Basically, any of these things might not be as narratively necessary by then, depending on what they choose to cut or focus in on. I could speculate on that, and I'm sure I will extensively, but at a certain point I might as well just write a series worth of scripts as a fun side project.
That being said, I do really hope the Scourger scene remains, because it is so cinematically interesting, and I do consider it a major turning point between the wizards, regardless of either of them realizing it at the time or not.
And I also really want to watch him have a panic attack over whiskey cocoa. It is in no way load-bearing, but nonetheless, I would like to see it, and I think I deserve it.
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