#exactly what he deserved

[bornetoblood]

Laurence’s corpse being desicrated and eaten by Bugs my beloved... His blood being so infected it turn a parasite that wormed its way inside him into this fucking thing:

[pokeberry5]

girl experiences gender euphoria and is immediately slammed by grief

for @litttlittt <3. this was supposed to be a portrait of caroline hill, but litta mentioned tim looking like janet when dressed as caroline and identity issues and angst and things spiraled

something about tim not knowing if he's his mother's child or bruce's or neither's.

figuring out the looks:

i wanted janet to have that poofy 70s hair

[ohrackham]

what was the point of lila thinking home was a feeling she didn't deserve and could never earn until she found diego. what was the point of them finding deep, meaningful love in each other. what was the point of lila opening her heart and confessing that all she really wanted was a family with him.

what was the point of developing diego and lila over two seasons, creating such a beautiful, chaotic bond, just to destroy it for no reason.

[clearcutcasualty]

Has this been done yet

[priceofreedom]

#Elmyra approving of Zack makes me so happy 😭 FF7 Rebirth 20 / ?

[janesurlife]

I LOVE them cause the way they summarizes everything I want to say to the people constantly calling carlos "selfish, greedy and careless".

[yrsonpurpose]

Happy Christmas, Henry

[sebdoeswords]

HGSN images that evoke some visceral, raw emotion deep within me

[anghraine]

It's interesting (if often frustrating) to see the renewed Orc Discourse after the last few episodes of ROP. I've seen arguments that orcs have to be personifications of evil rather than people as such or else the ethics of our heroes' approach to them becomes much more fraught. Tolkien's work, as written, seems an odd choice to me for not wrangling with difficult questions, and of course, more diehard fans are going to immediately bring up Shagrat and Gorbag.

If you haven't read LOTR recently, Shagrat and Gorbag are two orcs who briefly have a conversation about how they're being screwed over by Sauron but have no other real options, about their opinions of mistakes that have been made, that they think Sauron himself has made one, but it's not safe to discuss because Sauron has spies in their own ranks. They reminisce about better times when they had more freedom and fantasize about a future when they can go elsewhere and set up a small-scale banditry operation rather than being involved in this huge-scale war. Eventually, however, they end up turning on each other.

Basically any time that someone brings up the "humanity" of this conversation, someone else will point out that they're still bad people. They're not at all guilty about what they're part of. They just resent the dangers to themselves, the pressure from above, failures of competence, the surveillance they're under, and their lack of realistic alternative options. The dream of another life mentioned in the conversation is still one of preying on innocent people, just on a much smaller and more immediate scale, etc.

I think this misses the reason it keeps getting brought up, though. The point is not that Shagrat and Gorbag are good people. The point is that they are people.

There's something very normal and recognizable about their resentment of their superiors, their fears of reprisal and betrayal that ultimately are realized, their dislike of this kind of industrial war machine that erases their individual work and contributions, the tinge of wistfulness in their hope of escape into a different kind of life. Their dialect is deliberately "common"—and there's a lot more to say about that and the fact that it's another commoner, Sam, who outwits them—but one of the main effects is to make them sound familiar and ordinary. And it's interesting that one of the points they specifically raise is that they're not going to get better treatment from "the good guys" so they can't defect, either.

This is self-interested, yes, but it's not the self-interest of some mystical being or spirit or whatnot, but of people.

Tolkien's later remarks tend to back this up. He said that female orcs do exist, but are rarely seen in the story because the characters only interact with the all-male warrior class of orcs. Whatever female orcs "do," it isn't going to war. Maybe they do a lot of the agricultural work that is apparently happening in distant parts of Mordor, maybe they are chiefly responsible for young orcs, maybe both and/or something else, we don't know. But we know they're out there and we know that they reproduce sexually and we know that they're not part of the orcish warrior class.

Regardless of all the problems with this, the idea that orcs have a gender-restricted warrior class at all and we're just not seeing any of their other classes because of where the story is set doesn't sound like automatons of evil. It sounds like an actual culture of people that we only see along the fringes.

And this whole matter of "but if they're people, we have to think about ethics, so they can't be people" is a weird circular argument that cannot account for what's in LOTR or for much of what Tolkien said afterwards. Yes, he struggled with The Problem of Orcs and how to reconcile it with his world building and his ethical system, but "maybe they're not people" is ultimately not a workable solution as far as LOTR goes and can't even account for much of the later evolution of his ideas, including explicit statements in his letters.

And in the end, the real response that comes to mind to that circular argument is "maybe you should think about ethics more."

[tardxsblues]

Doctor Who | 8.11 Dark Water

[wikiangela]

fuck it friday 💗💜💙(7x04 coda?)

tagged by @tizniz 💖

hi! how are we feeling after 7x04 bc I feel like I'm dreaming and I've been crying the whole day today, my bi heart is sooooo happy😭😭 I wasn't gonna start new wips until i finish the cheating fic, but I opened a new doc and things happened lol - idk what this is, where I'm going with this, or if I'm even gonna continue, I just wanted to peek into Buck's head for a moment haha

___

Oh. Oh. Oooh. So that’s- that’s what it was. Huh.

That’s the first thing going through his mind as Tommy kisses him. It’s like- it’s like a piece of the puzzle finally sliding into place, after years and years of searching, looking for something to fill that space with, that feeling of something being missing. It’s almost weird, really, how easy it feels, how he’s more relieved than freaked out. Because this- oh, this makes so much sense. He’s into guys. He’s been into guys. And right now, at this moment, he’s into Tommy. 

Holy shit, he’s into Tommy.

Buck’s mind has been a whirlwind of chaos and confusion and frustration for days, but now, when Tommy kisses him, it all silences. Just to start anew as they part, butterflies in his stomach so intense he feels like he might float, as a slow smile spreads across his face when Tommy pulls away. 

This is the part of himself he’s been looking for, he’s been denying himself, he’s been silencing for so long. He doesn’t know why now, why Tommy, what it all means and where it’s leading. But he knows that now he feels almost... complete, feels like himself, feels at ease. Feels like Buck.

He feels giddy when Tommy asks him out, and finds that as soon as the door closes behind him, Buck already can’t wait to see him again. Jesus, he has a crush. He’s a grown man in his thirties, just now finding out he’s into guys, and he has a goddamn crush on a guy, and that’s why he’s been acting like a teenager. It makes so much sense now, and Buck feels- well, he’s embarrassed because of his idiotic behavior, and guilty for maiming his best friend, but most of all he just feels relieved. Because he knows now, knows why he’s been so bent out of shape about this whole situation, and can put a name to those feelings.  It’s like a huge weight has been lifted off his chest, that he didn’t even know was there.

___

no pressure tags: @elvensorceress @gaydiaz @thebravebitch @canonbibuck @shortsighted-owl @eddiebabygirldiaz @watchyourbuck @eowon @loserdiaz @evanbegins @ladydorian05 @wildlife4life @diazpatcher @lover-of-mine @monsterrae1 @thewolvesof1998 @neverevan @weewootruck @loveyouanyway @spagheddiediaz @rainbow-nerdss @epicbuddieficrecs @pirrusstuff @spotsandsocks @alliaskisthepossibilityoflove @nmcggg @rogerzsteven @hippolotamus @giddyupbuck @sunshinediaz @honestlydarkprincess @underwater-ninja-13 @exhuastedpigeon @911-on-abc @jesuisici33 @steadfastsaturnsrings @theotherbuckley @buddieswhvre @dangerpronebuddie @diazsdimples @daffi-990 @bidisasterbuckdiaz @fortheloveofbuddie @hoodie-buck

[cometblaster2070]

i think another reason why i REALLY love the eah shannon hale books (aside from how generally amazing they are) is how shannon hale expands more on the royal and rebel problem.

like in the show, we don't really explore the sides of the royals and rebels beyond the usual stance of whether they go against following their stories and support raven, or whether they want to follow their stories and condemn raven for not signing and starting the entire rebel movement.

but in the books i love how shannon hale expands upon the sheer amount of utter classism present in the eah world, and especially present in this school; perfectly encapsulating how those in power are very, very concerned about keeping this brand of classism ongoing, about keeping that divide between the 'Royals' and the 'Commoners' apparent.

just the little details of the royals and the commoners having different seats in the auditorium, with the royals having comfortable padded seats as opposed to the commoners having more uncomfortable and hard chairs, how they both have different common rooms; just the little details in general which highlight how the entire concept of destinies and signing the book and legacies is a system that is established in order to keep this classism going.

the legacy system honestly just breeds more of this classism; it tells the royals they are above the commoners and it tells them about how they deserve the happy endings and the prince charmings and the glittering gold palaces, and it tells the commoners of their place beneath the royals and firmly shows them the differences between themselves and the royals and how the commoners should be happy and complacent with the endings that they get.

overall, it tells both of these groups to simply accept what is being presented to them; presents the narrative that change is unfamiliar and dangerous and bad, and as such, they should never question their system and should instead just be happy with what they get, because, surely, this system is fair, so it just ends up being what they deserve.

hell, even the fact that before raven basically formed the royal/rebel movement, people were simply separated on the basis of being royals and commoners; it could literally not be made more obvious.

anyways, i just love the way shannon hale's books expand on this and i love how you can very clearly see the ignorance present in the eah world and how everyone's worldview is turned on its head because of raven and her actions 10/10.

[prapais]

don’t you want me? i do.

LOVE IN THE AIR ⋮ EP 11.

[myreia]

— vi. stay | follow

It is an inevitability, she feels, that they are always a little out of step, a little out of sync. One ahead, the other behind, a shadow to the other’s light. Pulled together not by fate nor by destiny, but by a small series of choices that are greater than the sum of its parts. They will always find each other—to the very end.

[brainrotcharacters]

"I'm gonna fight you now."

[crispywizardtale]