#fashion sense? also the case…

[wanderingchocolateeclair]

Izumi!!! Here!!

I needed to draw her again, and I also needed to update how she looks, so here have an older Izumi design <3

(@suoperbvorb @genderfluidagendergremlin @kiribread I just thought you guys might wanna see her <3)

[iris-drawing-stuff]

I found this picture of me and my sibling that immediately reminded me of Muu and Haruka, so I drew them using the picture as a base, so that's why the pose is a little better than usual. I'd show you guys the image, but I don't want to post my face.

[ssruis]

I personally really could not give less of a fuck about genderswapped ruikasa because first and foremost imo I think people just do it to get yuri warrior points instead of actually caring about female characters/wlw relationships. however I also dgaf because I think people do it in the most boring way possible without thinking about how tsukasa and rui’s personalities would impact how they present themselves as girls.

Tsukasa is so incredibly determined to be seen as a reliable mature older brother figure to the point where he dresses in an incredibly stuffy and boring way & has stripped his room of anything childish (& anything with personality). She would not dress super cute & girly. she would want to be taken seriously (& you should be able to be taken seriously wearing fashion like that but I’m not getting into that rn) & be viewed as anything but childish. She would not dress like Saki she would dress like she worked at a library or something. Her fashion would still be boring. Integral to the character.

I have less to say abt rui because I generally think less about what his fashion choices say about him (beyond hater of tight clothes #sensory issues king) but he is almost never in shorts and dresses in comfy loose fitting clothes he would also not be a hashtag girly girl wearing short skirts and bows either.

‘But I want to draw yuri and I want them in cute clothes’ draw emunene instead. Hope that helps.

[kuromi-hoemie]

thinking about older women

[oh-katsuki]

im going to be so fr.... i hate it when im shopping for something, perusing online or in person for stuff in my size and approximate measurements... and a skinny woman says to me “you should try poshmark instead” 🥺. u should look on there for stuff because it’s second hand 🥺 u should go to good will and thrift stores bc it’s more ethical 🥺 like i really wish u would be quiet bc u know damn well poshmark doesn’t do returns and that goodwill rarely carries good shit in my size. like ma’am, i’m fat and that transforms the ENTIRE way i shop for clothes compared to you. clothes are made for bodies like yours.... i’m expected to make do. 

[tmae3114]

Back when I posted that art of the We Are Full Of Stories To Be Told kids hanging out, I mentioned that I had a full drawing of Tomix that I was going to hang on to for if Part Two ended up taking way longer than expected. Well, Part Two has ended up taking Way Longer Than Expected

So! To celebrate the fact that I finally got the big traineeship application I’ve been stressing about all month done and submitted and therefore I can finally get back to working on Part Two, here’s that drawing!

[victorluvsalice]

The Parade Scene: Ferris Bueller's Day Off (1986) by Film Studies Fundamentals

Well, I did an entire post on Thursday about my "Smiler Alton's Day Off" potential AU and how one of the big inspirations was this scene, sooo -- might as well share it! I mean, it's still a hell of an awesome movie moment, isn't it? :)

[tonaldissonance]

yknow when i first started playing tgaa i was not surprised when i liked the funny stupid prettyboy "If i eated soap i dont i dont eat it bc i did. no i didnt 💖" but the gijinka of the term poor little meow meow "SPAMTON IF HE GOT DICK INSTEAD OF BEING FUCKED OVER BY GOD AND EVERYONE" came as a bit of a surprise. coincidentally i think theyre both gnc which i also did not know. awesome

[darkandstormydolls]

PSA to all historical fiction/fantasy writers:

A SEAMSTRESS, in a historical sense, is someone whose job is sewing. Just sewing. The main skill involved here is going to be putting the needle into an out of the fabric. They’re usually considered unskilled workers, because everyone can sew, right? (Note: yes, just about everyone could sew historically. And I mean everyone.) They’re usually going to be making either clothes that aren’t fitted (like shirts or shifts or petticoats) or things more along the lines of linens (bedsheets, handkerchiefs, napkins, ect.). Now, a decent number of people would make these things at home, especially in more rural areas, since they don’t take a ton of practice, but they’re also often available ready-made so it’s not an uncommon job. Nowadays it just means someone whose job is to sew things in general, but this was not the case historically. Calling a dressmaker a seamstress would be like asking a portrait painter to paint your house

A DRESSMAKER (or mantua maker before the early 1800s) makes clothing though the skill of draping (which is when you don’t use as many patterns and more drape the fabric over the person’s body to fit it and pin from there (although they did start using more patterns in the early 19th century). They’re usually going to work exclusively for women, since menswear is rarely made through this method (could be different in a fantasy world though). Sometimes you also see them called “gown makers”, especially if they were men (like tailors advertising that that could do both. Mantua-maker was a very feminized term, like seamstress. You wouldn’t really call a man that historically). This is a pretty new trade; it only really sprung up in the later 1600s, when the mantua dress came into fashion (hence the name).

TAILORS make clothing by using the method of patterning: they take measurements and use those measurements to draw out a 2D pattern that is then sewed up into the 3D item of clothing (unlike the dressmakers, who drape the item as a 3D piece of clothing originally). They usually did menswear, but also plenty of pieces of womenswear, especially things made similarly to menswear: riding habits, overcoats, the like. Before the dressmaking trade split off (for very interesting reason I suggest looking into. Basically new fashion required new methods that tailors thought were beneath them), tailors made everyone’s clothes. And also it was not uncommon for them to alter clothes (dressmakers did this too). Staymakers are a sort of subsect of tailors that made corsets or stays (which are made with tailoring methods but most of the time in urban areas a staymaker could find enough work so just do stays, although most tailors could and would make them).

Tailors and dressmakers are both skilled workers. Those aren’t skills that most people could do at home. Fitted things like dresses and jackets and things would probably be made professionally and for the wearer even by the working class (with some exceptions of course). Making all clothes at home didn’t really become a thing until the mid Victorian era.

And then of course there are other trades that involve the skill of sewing, such as millinery (not just hats, historically they did all kinds of women’s accessories), trimming for hatmaking (putting on the hat and and binding and things), glovemaking (self explanatory) and such.

TLDR: seamstress, dressmaker, and tailor are three very different jobs with different skills and levels of prestige. Don’t use them interchangeably and for the love of all that is holy please don’t call someone a seamstress when they’re a dressmaker

[mikurulucky]

I am VERY normal about this absolute cutie pie, I swear! XD

[inkoutsidethelines]

Thinking about how I would write an adult Scooby-Doo series, because I think it can be done.

The first thing I’d do is make the characters actually be adults.  Still young, but adults, in the mid to late 20s range.  Mystery Inc. is a private detective type business that they run together.  In this universe, the supernatural/ghosts/etc are real, but not necessarily common, so when they take on a case, the culprit might be a person disguised as a monster, or it might actually be a real ghost.  The stakes can be higher; sometimes a bad guy is legitimately trying to kill them.  Sometimes the mystery they’re trying to solve is a murder.  Sometimes they actually get hurt on their cases.

Fred: the core of Fred’s character should be that he’s incredibly kind.  Like, give a stranger the shirt off his back kind.  The “Fred can’t talk to potential clients because he might take a case for free and we need to eat” kind.  He’s an honest and good person and sometimes gets himself into trouble because he assumes other people are too.  While he’s not very good at reading people or noticing ulterior motives, he’s brilliant when it comes to mechanical or engineering type stuff, so he’s the one who keeps the mystery machine running, builds their gadgets, and of course, designs the traps.

Daphne: she comes from old money, and her parents absolutely despise her life choices, to the point where they haven’t officially disowned her, but they have basically cut her off, so she doesn’t actually have access to any family money.  Growing up wealthy has granted her a variety of skills, including speaking multiple languages, horseback riding, and fencing.  She’s very into fashion and jewelry (even if she can’t afford it anymore) and has extensive knowledge of both that can occasionally provide a vital clue in a case. And even though her parents have cut her off, Daphne still has a wide network of contacts she can ask for favors sometimes, because she’s personable, and people tend to like her.  Daphne is also very emotionally intelligent, and is usually the one who can spot when someone is lying to them.

Side note - I ship Fred and Daphne, so I think I would start them off as an established couple for this universe.  Dating, engaged, married, I don’t care.  They are stupidly in love, ride or die for each other.  There’s no will they, won’t they, no worries about cheating.  They are in a healthy, happy, loving relationship, and no one (not even Daphne’s disapproving parents) are going to mess that up for them.

Velma: she is the forensics nerd who sometimes gets super excited about the wrong thing at the wrong time (”He was mummified in seconds? That’s so cool!” “Velma!  His wife is standing right there!” “Oh.  Sorry.”).  She’s not purposely insensitive, she just gets laser focused on her work and forgets to filter herself sometimes.  She’s also the one who can get so fixated on solving whatever mystery they’re working on, she’s willing to bend or maybe break laws.  Is breaking and entering really so bad?  Not if it gets them answers.

Shaggy: he is still the comic relief, but he’s the comic relief by being the only person in the group that actually has common sense.  He manages the business’s finances, he’s the only one who knows how to cook, and the others tease him for being a coward sometimes, but Shaggy maintains that if a ghost with an axe is coming for you, running is the only sensible option.  He should also have a range of random knowledge that sounds useless, but sometimes saves the day (ex ventriloquism, origami, the history of spoons, etc).

Scooby: as this is a universe where supernatural creatures exist, Scooby is an ancient eldritch type being that took a shine to Shaggy when he was a kid, and took the form of a talking dog to befriend and hang out with him.  Aside from the talking dog bit and not aging, he never uses his powers in a way that anyone notices.  The audience is not told upfront that Scooby is an ancient eldritch being; it should slowly be hinted at throughout the series so the audience put it together, but the characters never realize it.  Scooby genuinely considers Shaggy to be his best friend, and cares about the rest of the gang too.

[orchideae]

Tag drop (1/2): General.

[mcmansionhell]

the motel room, or: on datedness

I.

Often I find myself nostalgic for things that haven't disappeared yet. This feeling is enhanced by the strange conviction that once I stop looking at these things, I will never see them again, that I am living in the last moment of looking. This is sense is strongest for me in the interiors of buildings perhaps because, like items of clothing, they are of a fashionable nature, in other words, more impermanent than they probably should be.

As I get older, to stumble on something truly dated, once a drag, is now a gift. After over a decade of real estate aggregation and the havoc it's wreaked on how we as a society perceive and decorate houses, if you're going to Zillow to search for the dated (which used to be like shooting fish in a barrel), you'll be searching aimlessly, for hours, to increasingly no avail, even with all the filters engaged. (The only way to get around this is locational knowledge of datedness gleaned from the real world.) If you try to find images of the dated elsewhere on the internet, you will find that the search is not intuitive. In this day and age, you cannot simply Google "80s hotel room" anymore, what with the disintegration of the search engine ecosystem and the AI generated nonsense and the algorithmic preference for something popular (the same specific images collected over and over again on social media), recent, and usually a derivative of the original search query (in this case, finding material along the lines of r/nostalgia or the Backrooms.)

To find what one is looking for online, one must game the search engine with filters that only show content predating 2021, or, even better, use existing resources (or those previously discovered) both online and in print. In the physical world of interiors, to find what one is looking for one must also now lurk around obscure places, and often outside the realm of the domestic which is so beholden to and cursed by the churn of fashion and the logic of speculation. Our open world is rapidly closing, while, paradoxically, remaining ostensibly open. It's true, I can open Zillow. I can still search. In the curated, aggregated realm, it is becoming harder and harder to find, and ultimately, to look.

But what if, despite all these changes, datedness was never really searchable? This is a strange symmetry, one could say an obscurity, between interiors and online. It is perhaps unintentional, and it lurks in the places where searching doesn't work, one because no one is searching there, or two, because an aesthetic, for all our cataloguing, curation, aggregation, hoarding, is not inherently indexable and even if it was, there are vasts swaths of the internet and the world that are not categorized via certain - or any - parameters. The internet curator's job is to find them and aggregate them, but it becomes harder and harder to do. They can only be stumbled upon or known in an outside, offline, historical or situational way. If to index, to aggregate, is, or at least was for the last 30 years, to profit (whether monetarily or in likes), then to be dated, in many respects, is the aesthetic manifestation of barely breaking even. Of not starting, preserving, or reinventing but just doing a job.

We see this online as well. While the old-web Geocities look and later Blingee MySpace-era swag have become aestheticized and fetishized, a kind of naive art for a naive time, a great many old websites have not received the same treatment. These are no less naive but they are harder to repackage or commodify because they are simple and boring. They are not "core" enough.

As with interiors, web datedness can be found in part or as a whole. For example, sites like Imgur or Reddit are not in and of themselves dated but they are full of remnants, of 15-year old posts and their "you, sir, have won the internet" vernacular that certainly are. Other websites are dated because they were made a long time ago by and for a clientele that doesn't have a need or the skill to update (we see this often with Web 2.0 e-commerce sites that figured out how to do a basic mobile page and reckoned it was enough). The next language of datedness, like the all-white landlord-special interior, is the default, clean Squarespace restaurant page, a landing space that's the digital equivalent of a flyer, rarely gleaned unless someone needs a menu, has a food allergy or if information about the place is not available immediately from Google Maps. I say this only to maintain that there is a continuity in practices between the on- and off-line world beyond what we would immediately assume, and that we cannot blame everything on algorithms.

But now you may ask, what is, exactly, datedness? Having spent two days in a distinctly dated hotel room, I've decided to sit in utter boredom with the numinous past and try and pin it down.

II.

I am in an obscure place. I am in Saint-Georges, Quebec, Canada, on assignment. I am staying at a specific motel, the Voyageur. By my estimation the hotel was originally built in the late seventies and I'd be shocked if it was older than 1989. The hotel exterior was remodeled sometime in the 2000s with EIFS cladding and beige paint. Above is a picture of my room, which, forgive me, is in the process of being inhabited. American (and to a lesser extent Canadian) hotel rooms are some of the most churned through, renovated spaces in the world, and it's pretty rare, unless you're staying in either very small towns or are forced by economic necessity to stay at real holes in the wall, to find ones from this era. The last real hitter for me was a 90s Day's Inn in the meme-famous Breezewood, PA during the pandemic.

At first my reaction to seeing the room was cautionary. It was the last room in town, and certainly compared to other options, probably not the world's first choice. However, after staying in real, genuine European shitholes covering professional cycling I've become a class-A connoisseur of bad rooms. This one was definitively three stars. A mutter of "okay time to do a quick look through." But upon further inspection (post-bedbug paranoia) I came to the realization that maybe the always-new brainrot I'd been so critical of had seeped a teeny bit into my own subconscious and here I was snubbing my nose at a blessing in disguise. The room is not a bad room, nor is it unclean. It's just old. It's dated. We are sentimental about interiors like this now because they are disappearing, but they are for my parents what 2005 beige-core is for me and what 2010s greige will become for the generation after. When I'm writing about datedness, I'm writing in general using a previous era's examples because datedness, by its very nature, is a transitional status. Its end state is the mixed emotion of seeing things for what they are yet still appreciating them, expressed here.

Datedness is the period between vintage and contemporary. It is the sentiment between quotidian and subpar. It is uncurated and preserved only by way of inertia, not initiative. It gives us a specific feeling we don't necessarily like, one that is deliberately evoked in the media subcultures surrounding so-called "liminal" spaces: the fuguelike feeling of being spatially trapped in a time while our real time is passing. Datedness in the real world is not a curated experience, it is only what was. It is different from nostalgia because it is not deliberately remembered, yearned for or attached to sweetness. Instead, it is somehow annoying. It is like stumbling into the world of adults as a child, but now you're the adult and the child in you is disappointed. (The real child-you forgot a dull hotel room the moment something more interesting came along.) An image of my father puts his car keys on the table, looks around and says, "It'll do." We have an intolerance for datedness because it is the realization of what sufficed. Sufficiency in many ways implies lack.

However, for all its datedness, many, if not all, of the things in this room will never be seen again if the room is renovated. They will become unpurchaseable and extinct. Things like the bizarrely-patterned linoleum tile in the shower, the hose connecting to the specific faucet of the once-luxurious (or at least middling) jacuzzi tub whose jets haven't been exercised since the fall of the Berlin Wall. The wide berth of the tank on the toilet. There is nothing, really, worth saving about these things. Even the most sentimental among us wouldn't dare argue that the items and finishes in this room are particularly important from a design or historical standpoint. Not everything old has a patina. They're too cheaply made to salvage. Plastic tile. Bowed plywood. The image-artifacts of these rooms, gussied up for Booking dot com, will also, inevitably disappear, relegated to the dustheap of web caches and comments that say "it was ok kinda expensive but close to twon (sic)." You wouldn't be able to find them anyway unless you were looking for a room.

One does, of course, recognize a little bit of design in what's here. Signifiers of an era. The wood-veneer of the late 70s giving way to the pastel overtones of the 80s. Perhaps even a slow 90s. The all-in-one vanity floating above the floor, a modernist basement bathroom hallmark. White walls as a sign of cleanliness. Gestures, in the curved lines of the nightstands, towards postmodernity. Metallic lamp bases with wide-brimmed shades, a whisper of glamor. A kind of scalloped aura to the club chairs. The color teal mediated through hundreds if not thousands of shoes. Yellowing plastic, including the strips of "molding" that visually tie floor to wall. These are remnants (or are they intuitions?) of so many movements and micromovements, none of them definite enough to point to the influence of a single designer, hell, even of a single decade, just strands of past-ness accumulated into one thread, which is cheapness. Continuity exists in the materials only because everything was purchased as a set from a wholesale catalog.

In some way a hotel is supposed to be placeless. Anonymous. Everything tries to be that way now, even houses. Perhaps because we don't like the way we spy on ourselves and lease our images out to the world so we crave the specificity of hotel anonymity, of someplace we move through on our way to bigger, better or at least different things. The hotel was designed to be frictionless but because it is in a little town, it sees little use and because it sees little use, there are elements that can last far longer than they were intended and which inadvertently cause friction. (The janky door unlocks with a key. The shower hose keeps coming out of the faucet. It's deeply annoying.)

Lack of wear and lack of funds only keep them that way. Not even the paper goods of the eighties have been exhausted yet. Datedness is not a choice but an inevitability. Because it is not a choice, it is not advertised except in a utilitarian sense. It is kept subtle on the hotel websites, out of shame. Because it does not subscribe to an advertiser's economy of the now, of the curated type rather than the "here is my service" type, it disappears into the folds of the earth and cannot be searched for in the way "design" can. It can only be discovered by accident.

When I look at all of these objects and things, I do so knowing I will never see them again, at least not all here together like this, as a cohesive whole assembled for a specific purpose. I don't think I'll ever have reason to come back to this town or this place, which has given me an unexpected experience of being peevish in my father's time. Whenever I end up in a place like this, where all is as it was, I get the sense that it will take a very long time for others to experience this sensation again with the things my generation has made. The machinations of fashion work rapaciously to make sure that nothing is ever old, not people, not rooms, not items, not furniture, not fabrics, not even design, that old matron who loves to wax poetic about futurity and timelessness. The plastic-veneered particleboard used here is now the bedrock of countless landfills. Eventually it will become the chemical-laced soil upon which we build our condos. It is possible that we are standing now at the very last frontier of our prior datedness. The next one has not yet elided. It's a special place. Spend a night. Take pictures.

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[tobiasdrake]

I really do love how much you can tell about Doomguy just from looking around his room.

Like. Yeah, all the stuff you expect to see is there.

He's got his big ol' gun rack.

What appears to be a rock he uses as a punching bag.

Whetstone for sharpening his knives. All the Real Manly Violence Man stuff you'd think would be there.

But also a pair of nunchaku. Doomguy has never used nunchaku in any of his games. Those are just there because apparently he's the kind of dork who likes to play around with nunchaku and pretend he's doing kung fu.

Also a jump rope. Gotta keep his cardio up for all that running and jumping he has to do.

He reads Guns & Bullets magazine, but he also reads Science Monthly. Which makes sense that he'd be a bit of a techie since....

...he seems to have made his new Praetor Suit by disassembling the old one and rebuilding it to be higher-quality. You can see from the guts of the suit that it's powered armor, and he just... knows how to work that.

He's mad. Not stupid.

He also reads cooking magazines, of course. His only friend is Doom J.A.R.V.I.S.; He's gotta be self-sufficient. Though how he got those pizzas delivered is certainly beyond me.

And, of course, he has a collection of regular books that he likes to read as well. Though his taste in literature reveals a certain trend.

Also, he reads comics.

So many comics.

So, so many comics that he's left discarded comics lying around on his munitions cases. This man is a nerd.

And if you doubt his nerd cred, remember that he even keeps collectible toy displays. Doomguy is explicitly the kind of person who will go out of his way in a firefight with the forces of Hell itself to go snatch up a new toy for his collection.

He even has collectible toy figures hanging out on his computer desk. He put a little hard hat on one of them.

On the other side of his desk, he's got some leftover pizza from the inexplicable delivery service, plus takoyaki flavor chips and some candy. It seems Doomguy is a fruity candy kind of guy, not a chocolate guy. Man after my own heart.

Oh, you know he has shredded every single surface of the Fortress of Doom at some point. How do you think he learned to react so quickly in combat?

That is, of course....

When he's not ROCKING OUT with one of his three separate guitars. I bet the middle one's his favorite. It has a place of honor under the giant demon skull.

Some people might say that a record player and casette tapes are old-fashioned but cut him some slack; He's a Gen X-er.

Of course, there's one thing that any walk through Doomguy's room reveals more than anything else. The one thing that matters more than the world to him. The thing that drives him in his every waking moment.

He loved his bunny rabbit. My favorite thing about the portrait - Well, my favorite thing about it is that it's a piece of fanart that got officially canonized, but aside from that - is that he's wearing his Praetor Suit in it.

That's not something he brought from home. He commissioned an artist to paint that after becoming a Night Sentinel. He still loves his poor, late bunny rabbit.

And he keeps her close to him when he's home.

[nightingale-prompts]

The Nightingale Family-DC x DP prompt

(Shameless Addams family inspired prompt)

News travels fast in Gotham, especially in affluent circles. A new family has arrived in the city, old money at that. They had taken up residents in the old mansion overlooking the Historic Gotham Graveyard.

The Nightingales had a way of letting their presence be known. They were rarely seen in public. The eldest Jasmine Nightingale however had made waves working at the Gotham Asylum as a psychologist. She was often escorted by her younger brother Dan Nightingale. The public really started talking when Jazz was seen talking with Harley Quinn.

There were two children that lived in the Nightingale manor. They were elusive to say the least as the family didn't attend the parties of Gotham.

It wasn't until Damian Wayne got an invite from his classmate Danielle to visit their manor that someone saw the lives of Nightingales. This invite had been received after Damian carefully befriended the youngest Nightingale to investigate their connections.

That's how the Waynes ended up at a dinner party.

The manor was bleak to say the least and that's saying something in Gotham. The buildingbwas made from black stones and gargoyles perched on the roof. The garden was wilted and full of thrones that crept up the walls.

Bruce felt a sense of Deja vu as he approached the door and rang the bell. Tower bells rang out as the face of Jasmine Nightingale appeared. She was dressed in black dress pants and blazer. Her lips were painted to match. Her red hair had a striking white streak through it which had become a fashion trend since the family's arrival to girls wanting to seem mysterious.

"Good Evening. It is so nice to meet the infamous Waynes." She shook Bruce's hand. Behind her, the sounds of clanking metal was heard. "That is just my younger siblings playing. You don't you boys join while I talk to your father.

Despite only being a fresh-faced 20 year old Jazz carried herself like a confident adult. A certified genius in psychology who graduated early she also handled the inmates at the Asylum well enough that escapes are at an all time low.

"She's got it all" was what Harley said.

Bruce's admiration of the young lady was only matched by his suspicion. The house the Nightingales lived y had once belonged to the Al Ghouls. There was no telling yet if there was a connection.

He took a seat in the living room with Jazz tea already prepared. She poured two cups of black tea. Not black as in the type of tea but the color of the drink. Bruce cautiously sniffed the black liquid, it smelled earthy and acidic. Poison.

"Do you like it? I made it myself. I added the belladonna myself. It has a sweet taste so you don't need sugar. The kids have sweet tooths but we avoid added sugars. They love nightshade." She smiled drinking.

Bruce put the cup down. So they drink poison at a young age. They must be part of The League of Assassins. But why are they here?

"If you don't mind me asking. Why did you move to Gotham? Your parents-" Jazz put a hand up as she finished her cup.

"Mr. Wayne I'm sure you are no stranger to parents leaving before their time nor the concept that not all parents deserve children. Now I can't confirm or deny if that is the case for use but you can understand that it's a private matter." Jazz said sternly.

That wasn't an answer.

Upstairs Danny and Danielle played with Elle's new toys. Swords from Dan's trip to Portugal. He even sharpened them. They were currently tearing through the mansion.

Tim and Damian caught them while Danny had successfully pinned Elle to the ground.

"Dami! Help!" Elle yelled catching Danny off guard as Damian tackled Danny to the ground.

"Alright, alright. You can go next." Danny rolling Damian off him and passing him the sword. "Im taking a break."

Danny loved playing with his little sister but baby games are tiring.

"They let you play with swords," Tim exclaimed. This wasn't something he expected, sure it was normal for Damian but Damian is weird and was raised by assassins. Damian didn't do it for fun, it was training.

Damian and Danielle ran off while fencing.

"You must be one of the Waynes. Elle has been excited to have your brother over." Danny said politely if not a bit dismissive.

"Eh, yeah. Your sister said we should join you." Tim said a bit awkward. " You have another brother right?"

"Oh, yeah. He travels alot but he's relaxing right now. He's probably swimming." Danny shrugged.

Tim had heard of Danny. They went to the same school but Danny was part of a program that allowed him to come to school when he felt like it. The program is for young engineers who want to work for Wayne Industries. He mostly worked on small experimental projects. So far Danny's superconductor tech was revolutionary but impossible to replicate. Danny somehow managed to make a more effective coolant than anything they had created in the lab.

"You have a pool?" Tim knew that the mansion didn't have a pool.

"Of water? No." Danny shrugged but gave no further answer.

"I see, so what do you do?" Tim tried to sound normal like he was talking to his friends and not someone he was trying to probe.

"Anything, everything. I was going to recalibrate my telescope but I have a laser to test." Danny walked off expecting Tim to follow.

Testing was just cut a bunch of things in half. Tim got some great info on making an explosive ice canister and foam bombs. Tim made sure to get his number to hire him to make some gear for him.

The Nightingale kids were absolutely lawless. They destroyed everything in their path.

Elle had dragged Damian to her room to show off her toys. She used to travel with Dan until she started school. She picked up a bunch of items. Cult artifacts, shrunken heads, voodoo dolls, cursed puppets, knives, swords, and the homemade taxidermy Elle made from roadkill. She also had a pet dodo bird named Ernesto who had a bed next to her bed. Ernesto took a liking to Damian and sat on his head. The way he shows his affection

Soon enough Dan came upstairs to check on Elle and Danny.

"You kids, need to get ready for dinner. Sharpen your nails and teeth." He said before going back to the kitchen.

"What does that mean?" Damian asked.

"You don't sharpen your nails. Well good luck at dinner." Elle said bemused.

Dinner was...horrifying. Watching the family chat happily as they ripped apart the moving food as it came to life. Damian was actually excited as he skewered the cheese and broccoli casserole that screamed at him.

"Father, why can't we do this at our home?" He asked.

[hotvintagepoll]

Propaganda

Katharine Hepburn (Bringing Up Baby, The Philadelphia Story, The African Queen)—(I hope someone else submits real propaganda but just in case they don't:) Cries. Screams. Wails. The woman who singlehandedly made me realize I was bi. A real "do i want to look like her. be her. or be with her.' crisis, where the answer was all three. Holy shit please all three.

Diahann Carroll (Paris Blues, Carmen Jones, Porgy and Bess)— Face of an angel. She had the range. She brought chemistry with every romance she portrayed. She also had a great fashion sense, and was so pretty Mattel made a doll based off of her.

This is round 6 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Diahann Carroll:

Another groundbreaking black actress, although she might be better remembered for her television roles. She was also an activist and worked with charities to support women in need.

here she is hanging out with shadow prince anthony perkins :3

Katharine Hepburn propaganda:

I'm sure one million people will submit her as an iconic Hollywood star but that iconicness might lead people to forget just how insanely hot she was like she had it ALL she was skilled she was funny she was smart she was beautiful AND she was likely bisexual

The single word I would use to explain Katherine Hepburn's appeal is *range*. In her acting career, that meant covering all the ground between lush period dramas and the comedies she did with Carey Grant and Spencer Tracey. In terms of hotness, it meant an uncanny ability to bring anything from a Dietrich-esque androgyny to some of the best Classic Hollywood Glamour you will ever see.

Katharine hep was so cool. The VIBES, the INDEPENDENCE,,, living life on her own terms.

she just had this.... bearing to her, this power. she could be funny, even silly (like in bringing up baby) but also so regal and elegant. she was nobody's fool and dear GOD that's so hot

Fancam link

She’s not only stunningly gorgeous (those eyes that pierce your soul! a jawline you could cut glass with!) but her delivery and physical presence in roles gives off confidence and authority in such a sexy way (truly the biggest dick energy of Old Hollywood). Her fiery energy in The Philadelphia Story? Unmatched.

God she's. She's so hot y'all. She has the range!!!!! Funny and dramatic and lovely

She IS the transatlantic accent. Classically gorgeous and such a strong personality.

She's literally one of the funniest women to ever live! She goes shot for shot with Cary Grant in Philadelphia Story and we damn well love her for it! She's the most annoying creature to ever live in Bringing Up Baby but she's so insane and funny that we simply cannot help but fall in love with her (and root for her to give Grant an aneurysm!)

i know she's accounted for but i really want to be sure someone has submitted the scene in bringing up baby where she's pretending to be a gangster

She simply stuns onscreen; you cannot do anything but be captivated by her presence. Also a non-gender-conforming icon and mild tumblr celebrity by virtue of that one picture from The Warrior's Husband (stage play).

Katharine Hepburn was out here casually changing the lives of young butch lesbians with her gender swag! She wore pants even when people said she shouldn’t, she refused to marry or have kids, and she wore menswear in at LEAST one movie!

If I start thinking about her face for too long I will cry she is so so hot. Katherine is so charismatic and charming in everything she appears in - watch her adopt a leopard and fall in love with her. Also she has the biggest dick energy ever (she and her pal Lauren Bacall share that accolade). Also had an incredibly long and varied career from screw ball comedies to serious dramas - she’s a queen of the screen and I adore her.

Someone's got to mention it, but she's won the most Oscars out of any performer and is largely considered one of the greatest actresses ever. She's got an incredible voice, an incredible presence, and she absolutely steals every scene she's in. She was private person and deemed standoffish and unapproachable, but she was also profoundly concerned for people's rights and was an outspoken supporter of abortion access. Finally, the Katharine Hepburn slacks look is just iconic. I mean look at her.

This woman. I have been obsessed with her for years. I know the urban legend is a popular one at this point of her walking around set in her underwear when her pants were stolen and she was left with only a skirt, but the pants thing is honestly enough for her to be the hottest in the room in my book. She refused to wear anything else at a time when the public in general and especially the studios did not like that. She was independent, stubborn, and so so very capable. Competency kink anyone? Also, if you want one final way that Katharine's entire life was saying "fuck you" to the establishment, it started young! Her mother took her to suffrage events, and she never got rid of that attitude of justice. I feel like I have barely scratched the surface of all the ways she was such a badass that I'm turning into a rambling mess instead.