#feel free to ask more questions tho!!

[cero-sleep]

I am so feral about the Sun and Moon in Eclipse's henchmen uniforms piece like did they previously work for him? but then one day broke away and became independent heroes? The Lore I Crave It - @clxckwork-sun-n-moon

:3< Indeed, Sun and Moon used to work under Eclipse!

They did for a while until they managed to get away and decided to become heroes! So they know from their own experience how it is to work for him

[starrysharks]

early design for my sister and i's comic project "bites n' bribes" - a comedy about a group of gangsters starting a restaurant as a money laundering front

[superfallingstars]

Personally I think jily is supposed to be idealized (like how James and lily were idealized) to Harry. James gets knocked of his pedestal in swm and so does jily by Harry questioning if his father forced his mother into marriage. Later when talking to lupin and Sirius James and Jily get a slight defense and Harry is back to feeling alright but with the knowledge that things weren’t perfect.

I personally don’t read Jily as abusive (even though I read James as being abusive to snape at school, but I don’t think that violent, physical behavior was extended to Lily) but I definitely don’t read them as a “good” couple (whatever that means). I think you can read it in many different ways given there is so little of them and I think an interpretation that their relationship wasn’t the healthiest is perfectly plausible with the scant information we’re given.

Yeahhhh that’s probably what JKR intended. James and Lily are the fridged parents who are dearly mourned and missed, and as a result, their flaws are completely smoothed over in everyone’s memories. But in Snape’s Worst Memory, Harry learns the hard lesson that things aren’t always what they seem, and that nobody is perfect, not even his dead father. Hurrah.

My problem with this is that I think it’s very boring, LOL. Like it really is probably exactly what JKR intended (given her middle-of-the-road takes on every moral and political question that happens in these books), but man, it feels like such a cop out. James basically ruins Snape’s life for no reason, and the conclusion we’re meant to draw from this is just, well, people are complicated! NO!!!! Bad answer!!! Like, Snape also did some terrible things, but at least he spends a ton of pages actively suffering/atoning for his sins. But James, on the other hand, is only somewhat implied to have changed maybe slightly a little bit somewhere off-page, and we just have to take #1 James Potter fanboy Sirius Black and serial understater Remus Lupin at their word. So if James was supposed to be “redeemed” – or even just excused – wow, it really doesn't work for me. You can't go as dark as "protagonist questions if his father forced his mother into marriage" and then just brush it off like no big deal, Joanne! And it’s so frustrating, because all it would've taken to fix this would've been to show James being a good person instead of just telling the reader that he was one (proof: trust me?). Ugh.

So because of all that, I agree that from what we’re given, it’s quite difficult to read Jily as “good.” We rarely see them interact, and when we do, James’s behavior is wayyyy too similar to the trope of “terrible guy eventually gets the girl even though she seems to hate him with every fiber of her being because his persistence and not taking no for an answer is just toooo romantic to resist.” Which sucks, lol. It feels like JKR is basically being like, “eh, James was young and dumb, whatever” and giving him a huge out for all the grief he caused Snape (and Lily, for that matter) – and she expects that the reader will agree that that is a legitimate excuse for his behavior, and by extension think that it's reasonable for Lily to forgive and eventually marry him. And man, I am just not sure if that is enough to convince me. (And evidently, I'm not alone, considering the “Jily is abusive” meta post that likely sparked this ask!)

With that said, I agree that it’s a stretch to say that James was abusive (or even implied to be abusive) toward Lily. It’s not a completely unfounded take – it could probably be written well in a fic, and even be canon compliant – but you would really have to extrapolate that dynamic from the little information we’re given (as you pointed out). And more importantly (at least, re: that meta), I don't think JKR intended that interpretation at all.

Personally, I just don’t think it makes sense for the narrative for James and Lily to have been in an abusive relationship. And by the narrative, I mean Harry. If Jily is an abusive (or even just bad) relationship, that would have massive ramifications for the way Harry sees his parents. Ideally he would have to come to terms with that at some point – I don’t think it makes sense for James’s and Lily’s relationship to have been this way and not have significantly affected Harry – but imo JKR clearly does not want to deal with that. Like you said, the point of SWM – aside from foreshadowing Lily and Snape’s relationship – was to knock James off his pedestal and basically go, See, nobody’s perfect. <3 And the story is not interested in engaging with James’s behavior on a level any deeper than that lol. Which ok, I don’t love it, but if we’re not going to spend time dealing with morally gray James, then it doesn’t make sense for him to be even more morally gray (or rather, have him fall face first over the line into becoming a downright despicable person) by making him abusive toward Lily.

So that's my Doylist analysis: no way in hell did JKR intend Jily to be an abusive relationship, but she also didn't do a good enough job defending and/or redeeming James after SWM, so we're just left to speculate about how much he really changed. Still, I don't think "JKR is a bad writer" is a very satisfying answer. After all, the only reason that I'm engaging with this text in the first place is because I'm a fan of it, so I think it's also worth looking at it from a Watsonian perspective – or at least, to accept the events of the book as they're written and try to fill in the blanks. (Imo so much of the fun of fandom is trying to fill in those blanks in a satisfying way, to expand upon a character and try to reach a more interesting conclusion than the author did... And I would be remiss not to mention that, because it undoubtedly influences the way that I (and probably also you, if you're on this side of tumblr) engage with the text.)

So for me, as a Marauders era fan, I’m faced with: ok, I don’t really like the idea of these two characters together, but they canonically got together, and I think the story is better because they got together, and it’s better if they genuinely like each other, and it all had to happen somehow – so how can I explain it in a way that both makes sense with the story and is satisfying to me? And my answer to that is twofold.

First, I imagine that James was not always quite such an awful guy (as in, not always as showy, combative, and cruel as he was in SWM). After all, there is a glimmer of goodness in him when he chooses to save Snape’s life during the Prank, revealing that somewhere deep down, he does in fact have a moral compass. And second, I think that he has to have changed. And I mean a genuine change – one that might not have resulted in completely different behavior (after all, he was still hexing Snape through his seventh year) – but regardless, something that makes him seriously reflect on his actions and reconsider his motivations. His behavior in SWM is just too inexcusable for him to get with Lily – partly because Lily is generally framed as a Very Good Person, and partly because regardless of how she is framed, James was still awful to her – without any self-reflection or growth. Of course, the problem then becomes explaining this in a satisfying way!

And I have some ideas in mind – but they’re definitely more speculation than fact, and omg this post is long enough already. Luckily, I received another ask on this topic, so I will save my self-indulgent headcanons for that.

There is one last thing I want to mention, which is (part of) my reasoning for why James may not have been such a bully all the time and why I think he has the capacity for change, and it's been nagging at me ever since I read that meta post (which again, presumably started this whole thing). I think one thing that bothers a lot of people (including me!) about James is that it seems like he chooses to pick on Snape in SWM because of Lily’s presence. He wants to show off to her, so he keeps looking over to the girls by the water, he ruffles his hair, he deepens his voice, and he tries to get her attention by targeting Snape. Following this logic, we can presume that James wouldn’t have done any of this if Lily hadn’t been there – and that’s the part that got me thinking. I have to wonder if Lily was perhaps not the only person who James wanted to impress in that scene… in fact, I think it’s incredibly likely that James would have acted differently if the Marauders hadn’t been there! (Harry has "the distinct impression that Sirius was the only one for whom James would have stopped showing off," and Sirius saying that he's bored is the inciting incident for James spotting Snape...!) Yes it’s going to be a James masculinity analysis because this is what happens every time I talk about these fucking characters apparently. So idk, stick around if you’re into that.

And of course, thank you for the ask!

[lilliancdoodles]

Today was rough. Have some FitPac Mermaid/Pirate AU.

[pyrosomatic-metamorphosis]

apocalypse au. cannibalism. corpses. Offscreen loss of loved ones

-

“Some leather armour,” Bad notes, tugging curiously at the straps of the corpse’s armour. “Euagh, almost broken, though.” The armour gets tossed to the side. “A granola bar? Okay, we’ll take that.”

Cellbit twitches at that. He wants to ask, “Do we have to?” but there’s several reasons why he doesn’t. Protesting a backup food supply is never a good idea, for one. It’s not worth it to risk starvation just because he’s worried that the backup food supply will become their primary. He tightens his hold on the bloody sword and insists again. It’s not worth it. Instead, he says, voice rasping, “There’s too many. It’s all going to rot.”

“You think so?” Bad looks up at him, then runs a critical eye over the little encampment. Ten bodies, some larger, but all fat deposits slimmed by lasting hunger. Bad licks at the blood left on his hand from looting the corpse, considering their haul thoughtfully. “I don’t think things rot that fast, Cellbit.”

He twitches again when Bad says his name. It wasn’t an admonishment- it was barely even an opinion Cellbit should validate, knowing how long it takes Bad to consider something rotten -but there is something yearning and grieving and desperate slinking between the muscle fibers of his heart that squirms to hear that disagreement. He’s shaking. He hasn’t stopped shaking. He wants to bite the edge of his sword hard enough that his teeth will crack into sharpened splinters. He wouldn’t need the sword, then. “I don’t- we should cook it,” he says. “Some.”

Bad snaps his fingers triumphantly, as though he’d remembered something. “Pre-digestion!” he exclaims so loudly that Cellbit flinches. No birds fly away- they’ve already been scared off. “Oh! You want to save some for later? Yeah, sure, we can do that. But we should eat what doesn’t fit in the car.” Cellbit doesn’t know how to explain that he can’t eat as much as much as Bad. Not even cooked. It fills him with- it’s not envy but it isn’t not envy, either. Some dissatisfaction.

Back in the— when he was small Cellbit had always assumed that it was Bad’s size that lead him to take the larger portion of their meals. It made sense, and he always got his fill so he was happy with it. Then, when he was grown, it was frustrating. Bad could eat an entire corpse in one sitting; Cell couldn’t even get through an entire leg. He’d realized then, gnawing at bone and just waiting to be done, that Bad couldn’t have possibly eaten an entire corpse. It was childish dreams made memory, morphed by the horror and the trauma and the things he didn’t think about. And now they’ve met up again, and these are their first corpses but Cellbit knows that despite their looting Bad’s share of the resources are always depleted, even when they come across a feast and- The clever part of him is wondering how much he’s really misremembered after all.

Bad seems oblivious to Cellbit’s thoughts. “We can smoke some of this and it’ll last you a bit longer,” he suggests thoughtfully, starting to dig through the corpse’s clothes again. “It might take us some extra time, but this place is safe enough that they set up camp, and we don’t know when we’ll get the chance again. Good idea. Do you want to carve the meat or set up the smoker?”

The thing in Cellbit’s heart writhes almost giddily at the praise. He thinks that he hates it. He misses when he could fool himself into thinking he deserved it. “The meat,” rasps its way out of his throat, proving him right.

Bad lights up. Cellbit can immediately tell that he’s up to something. “In that case- I have something for you that might make it… a little bit easier.”

“What is it?”

“Close your eyes!” The bleeding part of him wails at the thought of the vulnerability, but this is Bad. He’s only alive because of him. Fitting to die because of him, too. Cellbit closes his eyes and continues to shake. The back of his teeth are dry. There’s the sound of rustling as Bad does whatever, and then a triumphant, “Ta-da~!” Cellbit gratefully takes this as his cue to open his eyes again.

Badboyhalo is holding a knife.

Badboyhalo is holding a kitchen knife. Thumb and fingers pinching either side of the blade, handle out, an offering. It’s clean, except where Bad’s hands have stained it red.

Cellbit had been calm, before, the way you are when you’re doing what you were made for. Then he had been satisfied, and excited, and then jittery and bad and happy and satisfied and dreadful. Longing and hatred and benediction and fulfillment. The sight of the knife fades all of that out. When he grabs it, those feelings turn to static. Still there, still hunting him, but forced to back away in the face of its armed prey. The world smooths out a little and hurts a bit less.

Badboyhalo has given him a knife.

“Bad-“ he says, and doesn’t choke up about it.

Bad smiles at him. Bad beams at him. “I was waiting for a good time to give it to you. I know you’ve got your sword, but I remember you telling me that knives are your favourite. Is that still true?”

Overwhelmed, Cellbit nods a little. “Thank- thank you. Obrigado, Bad.”

“De nada!” Bad chirps, cheerful as anything. He pats Cellbit on the shoulder, gently, as his tone shifts. “The sky is still blue, Cellbit. Remember that.”

He wanders away before Cellbit can bring himself to mutter, “Mas às vezes está nublado.” But it’s just Cellbit now, and his knife, and the bodies, and no one living can hear him.

He’s already dropped the sword, he realizes abruptly, clinging to his knife with both hands. He needs to pick it up and clean it before the blood coagulates. There is meat in front of him, still warm and waiting to be processed. Still, he manages to pick up the sword and wipe it in the vicinity of cleanliness on the body’s clothes, his other hand still clinging to his knife. He cuts the clothes, and drops the sword to the side.

When the knife cuts flesh, he starts to grin again. The world turns into a loving red, and he gets to work.

-

Bad feels bad.

He doesn’t dwell on it. Guilt or grief- they both started with g. It’s probably even better, even, feeling guiltier than griefier! Take away the question of accountability entirely, hold control, do what he has to do. And he has to do this.

The log in Bad’s hands cracks. He giggles at it, then takes several quick breaths as tears rapidly pool in his eyes. He doesn’t wipe them, just carefully lays the log down into his makeshift fireplace.

Bad doesn’t like hurting his friends. It’s like a bad prank that leaves lasting damage; it leaves a bad taste in his mouth. But it’s not really all that bad, all things considered. Bad isn’t hurting him or putting him in more danger. If anything, Cellbit is safer with him. They’ve done this before- anything Cellbit can’t eat, Bad can, and they know Cellbit can eat Bad. It’s better. It’s what needs to be done.

There’s a loud lowing in the distance. Bad stills as he listens to it. Out of the corner of his eye, he notices Cellbit still carving. They found someone else tonight. Bad feels some tension leak from between his shoulderblades. They’ll be fed and full, and slow in the morning. Cellbit and Bad will have more than enough time to get packed up after a rest.

Cellbit has someone left. Bad is giving him a gift, but he can’t give it yet. Bad knew exactly what he would do if it turned out his own loved ones were still around, and he knows what Cellbit would do, too.

If Cellbit knew that Roier was still alive, he’d leave.

[camels-pen]

can't sleep so have vampire Usopp drabble with sanuso~

Just imagine Usopp showing up after exploring some island on his own, bloodied, limping, leaving streaks of blood all over the place

Sanji left on ship watching duty, is cooking in the kitchen, idly checking with Haki every once in a while to make sure no one unfamiliar shows up

He notices Usopp coming but is right in the middle of something- making food for lunch when everyone returns, but also hashing out food supplies he'll need to buy once it's his turn to leave the ship

So when Usopp shows up, Sanji's distracted, maybe looking at his list, and maybe there's something like this:

"San...ji." There was some odd dragging sound. "Blood."

"Blood?" Sanji looked up from his list and nearly jumped out of his skin. "What the hell happened?!" He jumped the railing to land in front of Usopp, hands uselessly fluttering about his bloodied and broken body. He had to be standing just through pure willpower alone.

"Hun...gry."

Food. Right, yes, Sanji could do food. He could take Usopp up to the infirmary and bring him a plate.

Sanji settled on putting his hands on Usopp's shoulders. His skin was freezing through his shirt. "I've already made heaps for lunch, but I need to patch you up first. Just tell me what you want and I'll bring it to the infirmary."

"Wa...nt."

"Yeah,"-Sanji nodded, starting to get more concerned with the slow responses-"anything you want, Usopp."

"Any... thing?"

"Anything."

With a strength and speed Sanji wasn't expecting, Usopp slammed both of Sanji's wrists against the wall.

"Blood."

Before Sanji could say anything, before he could even take another breath, Usopp surged down to his neck and bit him.

Sanji was about ready to kick him away, regardless of Usopp's current state, and fuming about being caught up in some stupid prank, when he felt the first suck.

"H-Hey Usopp, are you..." serious? Conscious? Under some weird devil fruit power? Sanji didnt know what to ask first.

He never got the chance to figure it out either, as a wave of pure, toe-curling pleasure washed through him. In his surprise, he didn't have time to tone down the full blown moan that slipped his lips.

Usopp continued sucking, though his grip on Sanji's wrists had slackened. His own pleased groans were loud as he drank, the noises right next to Sanji's ear and making it burn with a growing heat.

Whatever this was, Sanji needed to stop it. As a man who needed to defend his love of women, and only women, he couldn't get worked up just by some stupid-

Hun... gry. Usopp had said. Blood.

That- there's no way. Sanji was far past not believing in legends and myths, and his old man was never one to pull his leg on that kind of stuff.

But even Sanji had thought, or maybe hoped, that vampires weren't real.

And for it to be Usopp- Usopp of all people. Sanji knocked his head back against the wall, tears falling freely as his lip wobbled.

"Fuck, fuck!"

The sucking stopped.

Usopp pulled away just enough to look up at Sanji. The way his head was angled, Sanji could see horrific looking bite marks all along his neck, shoulders, under his jaw, down his collar, and disappearing under his shirt.

He had to pause a moment, imagining Usopp having stumbled into a coven's territory. Alone. Probably looking for cool bugs or something else inconsequential, unknowing that he would die within moments.

Sanji hoped it was quick, at least. He hoped this coven wasn't like the one in his books; the ones who would draw it out for as long as possible. Usopp had been gone only a few hours and he must've hobbled to the ship on his own, which could've taken a while, and-

And Usopp was still staring at him, silent, eyes blank, and lips stained red with blood. Sanji's blood.

It hadn't been long since breakfast, but being killed and having all of the blood sucked out of him would probably work up a big appetite.

And, well, Sanji would never let a crewmate go hungry.

So, he put one hand to the back of Usopp's hair- his hair, not his hat, free of it's usual ponytail and covered in leaves and dirt and blood- and guided him back to his neck. Usopp made a questioning noise.

Sanji closed his eyes, let a shaky smile show on his face. He brought his other hand up to press Usopp closer.

"I did say anything, didn't I?"

Usopp didn't respond. After a moment, Sanji felt him lick at the bite marks he left behind- pinpricks compared to the wounds littering his own dark skin- and then, carefully, fit his mouth into those same marks. Once again, he began to drink, this time at a much slower pace.

Regardless of the speed or the gentleness, Sanji still had to fight not to give away how much he was truly enjoying this.

(and then the crew shows up lmao)

[seashellcosmos]

Was Makoto actually impersonating kokichi in that one scene or was that just me

If he was that was a spot on impression

He was actually just really really sick and a little delirious and trying to act as strange and uncomfortable as possible to try and stop people from coming after him. He was just sort of desperate and kind of losing his mind lol.

Tbh I was actually trying to base it a little more off Nagito but like… more stilted? If that makes sense? I wanted to make seem like maybe he could be a villain now but still off enough it didn’t seem like he was really evil. Idk if this makes sense at all. Outside of like prose writing I lose all ability to communicate coherently.

[whumble-beeee]

⭐

The very first iterations of the characters that appear in (un)Official Guide were a lot different than they are today. Before they had any sort of story, it was about Stan being a real actual clichéd teen superhero with similar powers to what he has now (telekinesis), and then Lana and Vaughn were these more vigilant type crimefighters that didn't obey the law. But they weren't 'evil' (especially not like they are in their current iterarion), they just did good things outside of the law. Like batman.

And then Declan? Ho boy, Declan was so much worse than he is now. In that original story, Declan was hunting Stan down bc he wanted to torture and kill him. And... noncon him, to not go into too much detail. Not for any particular reason I thought out, just to get him out of the way so Deccy could go about his villainous deeds. I joke sometimes that Declan and Vaughn kinda switched personalities as they developed.

I actually imagined so many of those scenes where Stan and Vaughn and Lana would reluctantly team up bc they had no other choice, they needed to take Declan down. Or that Stan would get hurt and V+L would have to swoop in and save him then get out before the police got there, and ofc Stan was also somewhat trying to capture them bc they're technically criminals. Oh, and ofc that one thing where the hero shows up on the villains doorstep bc "I had no other place to go" and collapses. I did that with them too lmao.

Now how did this all change? Well, there's this one discord server I joined back when I first discovered whump about a year ago called "To Whump a Hero" where I developed all the character immensely. It was genuinely so much fun, and its still semi active. Stan and Declan were the first one I put in, and Stan stayed more or less the same, but Declan immediately lost thr noncon element since it wasn't that type if server, and started to develop his own interests and backstory and personality the more I RPed him. He has a lot of rules for the way he speaks and acts, if you can believe it.

Vaughn and Lana were the same, the way they turned into whumpers was just bc I wanted more whumpers so I was like 'ig I have these two characters that aren't really whumpers... but that can change :). So they actually developed and changed the most of the 4. Especially Vaughn, pretty much every aspect of him changed, including his original character design. The only thing that really stayed was the color green lol.

Oh, also, like the majority of this story, ESPECIALLY in it's early beginning stages, only developed while I was at work, since the majority of my job is just sitting and watching. So I have lots of time to think.

[autistic-katara]

jsygk i changed a few things up abt my ocs (mildly different dynamics, new name for one of them, a 5th character) and yeah im gonna start being more vague about them until i get bored of that just so i have the freedom to change more if i want to yk 🙏🙏🙏

[liverpool-enjoyer]

i have no idea about anything to do with football and rpf. explain it to me?

oof man ok so. football is a uh. sport. quite a popular one. n if i tried to explain everything abt football we'd be here for ages. i hate to be the guy that says "google it" but uhh yeah you might wanna do that to learn more abt the game. if you have more pacific questions i can help you out tho!!!

mkay so rpf stands for real person fiction. basically we take real people (ie pro soccer players) n write fanfiction abt em. as rpf writers (if i can even call myself a writer) we take a lotta creative liberties cause at the end a the day we dunno these ppls personal lives.

[ny000mdraws]

hey! ur tf au character designs are seriously killer! im totally hooked. so, quick question... i saw the ask about hot rod & dark energon. am i in for some major heartbreak in the next part!? i NEED to know how this post-death tragedy plays out!!! arrrrrrgh, my heart is desperate for content!!! can't wait to see where the angst takes us!!! 😱🔥

EEE Thank for so much for liking the designs!!

Currently trying to get through college so I haven’t been able to work on the next part of the “I’m sorry” comic in months (I’ve also joined a zine and am thinking of submitting stuff for a local painting exhibition). 😭 But the semester ends soon! And I’m very excited to get back into the grove of making TFP AU content! Filled with angst of course. 😈

But yes, there will be heartbreak in the eventual next part. ☺️ Or at least, I hope it’s sad. I had to redo the dialogue of the latter half because it wasn’t hitting the heartstrings the way I wanted it too. And I’m too shy to ask for a beta-reader (I think that’s what they’re called).

[teruthecreator]

you know the hyperfix is bad when writing a 30k behemoth doesnt completely spend your desire to create

[trashmuis]

That moment when u accidentally mess up and paint the birthmark on way too thick, but fuck it we still Chop Top

Official makeup test #1

[edraculation]

so im a system. and i usually call my guys headmates instead of alters because that fits how it works for me more. but three of my guys i consider alters and not headmates. i kinda have two kinds of disassociation?? like i have the normal kind and then the jekyll and hyde ass experience kind

[httpiastri]

jackieee!!! I'm so sorry this is sooooo random. I think you can help me. sometimes i ran out of idea for idk scene? for c.ai. do you have any suggestions?? lowkey sometimes the characters suggestion is also very boring 😭 or maybe you can tell us a bit what you usually do I c.ai jdksnsks thank youu!!!

oh darling!! i have no idea how i do it…. i usually just get a random thought that pops into my head and i think "ah this could work"?? a lot of the time it's just a super small idea, like "i want chris's best friend x pepe" or "hm shaving pepe could be cute", and then i go in and just freestyle. or some other times, for some of my private characters, i have found just random couple pics on pinterest that im like "aw imagine this but pepe" and then i just. use that pic and write something short and pretend it's the driver.

though! one tip that i do actually have is writing something that has an open-ish ending, like having the character ask a question etc. because that's usually easier to work with then as a user? if you get what i mean?

so again i mostly dont really plan it out, stuff just happens 😭 a lot of the time its little fanfic ideas that i have and but that im just too lazy to actually write 🤷‍♀️

[bat-luun]

how do you choose/use your colors?

honestly? no clue. i dont really have any set of rules

i really like using really bright/saturated colors for my art and so i tend to stick to bottom right when picking colors! i also personally try to remember to add some cold highlights/a background to a warm colored piece and vise versa (for some yummy contrast) idk why but weirdly enough i seem to avoid the green/cyan parts of the color wheel? its not really a rule or anything i just never seem to use that part lol