#fictional paleontologists

[a-dinosaur-a-day]

Have you ever read any books with fictional paleontologists? If you have what's the biggest thing the writer has gotten wrong/pissed you off the most?

well I mean, I've read Jurassic Park, but crichton based it on Jack Horner and unfortunately horner is actually like that. other than that I can't think of a fictional paleontologist off the top of my head...

in general, fictional paleontologists just don't come up enough for me to have major critiques. I think the big thing is that paleontologists are always "Physically Fit" (skinny and muscular) White Cis Masculine Men, which is *not* the bulk of paleontologists in the slightest. there are disabled paleos! so many women paleos! paleontologists of color! fat paleos (not just me)! trans paleos! the list goes on! paleontology is just as diverse as the real world, which is diverse! so!

[lilibetbombshell]

[tlbodine]

Trans Horror Authors

My January reading challenge is to read a book by a trans author. Luckily, there are many out there to choose from! Here are some who write in the horror genre, because that's my area of expertise. If you know of others, whether in horror or other genres, reply with your recommendations!

In no particular order...

Caitlin R. Kiernan

A genderfluid Irish-American paleontologist who also writes spectacular cosmic horror, what's not to love? They've been repping queerness since the 80s and have a robust library to choose from, so you're bound to find something you'll like!

Poppy Z. Brite

Billy Martin, whose work is published under the name Poppy Z. Brite, was a big name in the Gothic horror scene of the 1990s and continues to be a frequently-recommended author, although he doesn't publish as much horror these days.

Julya Oui

A Malaysian trans woman and prolific short story author. She has several collections out that you can browse, if short stories are your speed! Maybe start with Taiping Tales of Terror, which draws heavily on her native folklore and influences.

Rivers Solomon

A nonbinary, intersex Black author now living in the U.K., Solomon has three books out and they all look spectacular. Their books lean more toward sci-fi/fantasy, but their newest title Sorrowland looks to be pretty solidly Gothic as well.

Gretchen Felker-Martin

Trans woman, film critic, and unapologetically outspoken. Her best-known book is Manhunt, a post-apocalyptic horror tale that doesn't pull any punches. She's got another new release slated for 2024 to keep an eye on.

Hailey Piper

One of the most prolific authors I can name off the top of my head, Hailey also has several novellas out in the world + a few novels. If the intersection of queer fiction, body horror, and cosmic horror sounds like your thing, you can find something in her backlist. Also she's here on tumblr, go learn more at @haileypiperfights

Eve Harms

A bit of a new player on the field, but well worth checking out. Eve is a Jewish trans woman. Her debut novel, Transmuted, is a breathless body horror romp. She also makes a bunch of handmade zines, which I just think are neat :)

Natalie Ironside

One of Tumblr's very own better-known names, Natalie is queer, disabled, trans, hilarious, and author to at least three novels I can think of plus some other stuff too - go scope her out on @natalieironside for the details.

.....I know I'm missing a ton of people but these were the first ones that came to mind. I have to get back to writing, but I hope this inspires y'all to pick up a book you haven't read yet, and to add to my list down in the notes.

Happy reading, y'all :)

[jayietheriverwarrior]

This is an idea I've had in my head for a while now, but now I finally made something out of it. Behold my new headcanon - that the mythological Clans in the nursery tales (LionClan, TigerClan, LeopardClan) are actually big cat species from ice age europe!

Basically, I've been watching a lot of paleontology-related videos lately about prehistoric wildlife, and it got me thinking about how there actually were big cats in England once like in the stories about the ancient Clans, but they weren't the lions, tigers, and leopards we know today. That gave me the idea that maybe the stories the Clans tell about those ancient Clans now are just heavily distorted versions of true events from England's ice age era and the real big cats that roamed the land at that time, twisted through many generations of retelling. Here, we see Squirrelflight telling her brood of three (more on why I chose these particular cats in a bit) the tales of the ancient Clans, while the true ancient cats are visible to the audience above her head, and the deeds from the nursery tales about them are painted on the cave walls.

As for the big cats themselves, there were (coincidentally enough) three big cat species in the UK during the ice age to choose from. I've chosen cave lions to represent LionClan, European ice age leopards to represent LeopardClan, and scimitar-toothed cats to represent TigerClan. Scimitar-toothed cats aren't as closely linked to tigers as cave lions are to African lions or ice age leopards are to today's leopards, but they were the only ones left to choose, and dangit they look cool so who cares? :P They didn't live in real Clans as the Clans imagine them in stories, they roamed either as solitary hunters or in loose groups (or in tighter groups like prides possibly, not totally sure what the consensus is for how these big cats lived, but there's a bit of wiggle room here considering these are fictional intelligent group-forming versions of these cats).

It was interesting trying to draw these three extinct species with no living photo refs. I used photos of lions and leopards for the cave lions and ice age leopards, but made some changes like adding more fluff for the leopard and giving the cave lion the shorter and broader muzzle and thick dense fur (but no sexually dimorphic mane) they were known to have. For the scimitar-toothed cat, there's really no living analog with quite the same facial features, so I ended up using this bit of paleoart as a reference. I gave the cave lion pretty simialar coloration and pattern to an african lion, only with a bit of a duller grayer coat. The leopard I made a bit paler than the leopards we know today, and the scimitar-toothed cat I used similar colors and pattern to a lynx, but with more darker stripe-ish markings to justify the "how TigerClan got their stripes" story.

I would like to stress here that I am not a paleoartist, I am not a paleontologist or a biology expert of any kind, I am simply a humble English major and website editor who likes to watch paleontology videos in my spare time. If there are any glaring inaccuracies in this in regards to how I depicted these species, I do apologize, I tried my best, but as I stressed I am in no way an expert or even a novice in this field.

The cave paintings above each cat's head represents the story told about their "Clan" in "Secrets of the Clans". For the scimitar-toothed cat, it's the moon shining its light down to create the shadows that will carve the dark stripes into their pelts - obviously just completely made up to explain the dark stripes these cats developed, which can be far more easily be explained as a form of camouflage in tall grass. For LeopardClan, it's the tale of Fleetfoot fighting the boars to claim the river, and for LionClan, it's Sunpelt's standoff against the giant snake Mouthclaw.

But here we have another twist. These cave paintings actually depict events, and creatures, far older than even these ancient Clans, stories passed down from their own ancient ancestors, or else surmzied through finding remainds of the ancient creatures and creating a story around them. The giant snake Mouthclaw is a titanoboa (they didn’t live anywhere near the UK, but oh well - maybe just one managed to find their way over there :P) and the "boars” Fleetfoot supposedly faced are actually the terrifying “hell pig” (actually more closely related to hippos, far more terrifying than boars in my opinion), the enteledont! I based the painting of Sunpelt on a real cave painting thought to be a cave lion, the one of Fleetfoot loosely on a real painting thought to be an ice age leopard, and the enteledont loosely on a real cave painting of a running boar. I couldn’t find any really old cave paintings of snakes in that same style, so I had to kind of wing that one. Not sure it totally fits the art style of the others, but oh well, best I could do.

Now for the last bit - why I chose Squirrel and her first litter to be the ones telling/hearing the tale. Mostly because of an interesting AU I thought of - what if the Three (not counting Hollyleaf, but oh well, I couldn’t exactly stick Dovekit in here when she wasn’t born yet) weren’t reincarnations of ancient Tribe cats, but of ancient big cats? Lionblaze would be a cave lion, of course, then maybe an ice age leopard for Dovewing and a scimitar-tooth for Jayfeather? Dunno, but it could make for a really fun AU. :D

Anyway, this was a lot of fun to draw and I’m super happy with how it turned out: :D

[batmanisagatewaydrug]

hey do you guys remember how I said that I was going to use patreon to write up content that would be WILDLY too long for tumblr? yeah. this is uuuuuh a little less than 6000 words about a bad Animal Planet series from 2008 that no one watched but me and my sister.

and here's part of the introduction under the cut for freebies, in case you want a little sample:

If you weren’t a painfully introverted animal fact kid in the early 2000s it’s almost impossible to explain the degree of sway that Animal Planet and its shows held over me as a child. Meerkat Manor, Animal Cops, The Most Extreme, The Little Zoo That Could, Prehistoric Planet, River Monsters, all of Steve Irwin’s work, and truly any and all non-serialized programming about any animal imaginable. I ate it all up, even the terribly boring half-hour programs like Backyard Habitat and Petfinder that they only played in the weird wee hours of the morning. 

Crucially, this programming is mostly of a nonfiction bent. Prehistoric Planet uses a framing device involving the use of time travel to bring extinct animals into the present to live in a zoo, but ultimately they’re trying to teach you some facts about some beasts, and while Meerkat Manor was definitely anthropomorphizing and editorializing the drama those meerkats experienced, it was at least rooted in the very real Kalahari Meerkat Project, which has been intensively documenting the behavior of meerkat mobs for many meerkat generations.

But then we get into the oddballs. In 2004 Animal Planet aired Dragons: A Fantasy Made Real, a British “docufiction” produced for Channel Four that sought to contextualize the nearly-global mythology of dragons in real history and biology, complete with CGI recreations of dragons in their “natural habitats.” That’s all fine and good; there’s nothing wrong with using a fake thing to teach people about real animals’ evolution and anatomy. The Loch Ness Monster episode of River Monsters is excellent for this, as you can tell that host Jeremy Wade (angler, freshwater detective, and criminally fuckable old man) doesn’t expect to find a monster literally at all and is just taking the opportunity to introduce his audience to animals they might not otherwise know about, including the noble Greenland shark. He pulls the same trick again in a later episode where he’s sent to discover the “truth” behind sea serpents and winds up diving in search of the elusive oarfish.

Dragons is… not doing that. Instead it offers up a framing device following a completely fictional paleontologists who “suggests the theory that a carbonized Tyrannosaurus rex skeleton on display was killed by a prehistoric dragon” (thanks, Wikipedia) and then has to go on a quest to save his career by proving that dragons totally existed and he’s not crazy. And he’s not! The piece ends with him discovering straight up for-real dragon bones in the Carpathian Mountains. If you were, say, an impressionably soft-brained 8 year old watching this, well holy shit. Congrats! It turns out dragons are real and nobody knows but you. 

Why did Animal Planet air this? God only knows, but it wouldn’t be the last time they dabbled in this shit. 2012 saw another piece by the same creator, Charlie Foley, called Mermaids: The Body Found which posited that various governments are holding merpeople captive and also relied on the infamously eugenicist aquatic ape theory to justify how merpeople could exist. The CGI on that one creeped me the fuck out, although I was at least old enough by then to recognize it wasn’t real.

Between those two docufictional farces, Animal Planet got a little freaky and rolled out some fake factual content of their own: three season of the TV show Lost Tapes (2008-2010, RIP), which purportedly showed “found footage” from incidents of humans having terrifying encounters with cryptids and fighting to escape with their lives. Interspersed with the fully fictional stories were segments of experts talking about folkloric history and speculating as to how creatures like Sasquatch and sea serpents could be real, which was an admirable effort to make it educational but often fell pretty short. There’s a werewolf episode where their expert weakly offers up that there are tons of transformations in nature, like caterpillars turning into butterflies. Notably that has absolutely nothing in common with a human turning rapidly into a wolfbeast and then shifting back, but they tried! They stopped trying as hard by season three, by which point they were throwing any and every beastie they could think of at the wall: there are episodes dedicated to zombies, a poltergeist, two different types of vampires, and the Aztec god Quetzalcoatl. 

Also straining belief was the dedication that some POV characters had to keeping their cameras rolling. I don’t blame the writers for that; it’s hard coming up with a fresh gimmick for “found footage” in every episode. Some of them, like characters wearing body cameras, are pretty smart; others, like a teenage girl continuing to film on her phone while being hunted by the Jersey devil, are not. They’re very much running on horror movie rules; the characters are as dumb as they need to be to make the plot go. To the show’s credit the dumdums are frequently punished, and it’s not uncommon for every single named character to end up dead at the hands (or claws, fangs, whatever) of the monster of the week. 

Needless to say, as a 12 year old I thought this was extremely edgy and cool. I was old enough to recognize that the so-called found footage was fake and that the acting was mostly very bad, but I liked cryptids and some of the show’s better episodes could still creep me right out. I think geeky 12 year olds who like to get a little freaked out on purpose are probably the ideal target demographic for this show, followed by nostalgic 20-somethings who have seen every episode several times.

(Hi, editor’s note: having completed this list it turns out there are WAY more episodes than I thought and I fully Do Not Recall some of them, so egg on my face.)

[luxudus]

Dragons in a Trail of Cryptids

I don't care if this technically was posted in march i uploaded it to deviant art in time this is a february art post lmfao. This was meant to be a birthday gift for @jennywolfgal and her other project Trail of Cryptids. Enjoy!!!

   The world of Trail of Cryptids explores an evolutionary history for life on earth. One in which the beasts of our folklore are more fact than fiction. Cryptids and mythological creatures exist and evolved naturally through both expected and unexpected origins. 

One such group of organisms are the legendary dragons of countless tales of our world. Here they only recently diversified, but their ancestry dates all the way back to the beginning of the triassic.

    Their earliest ancestor was a third offshoot of the Avemetatarslians, the same group of archosaurs that gave rise to the dinosaurs and pterosaurs. Ancient Silesaur-like Paradrakoans lived under their brothers’ shadows for the entire mesozoic period. Only scraping by through the smallest niches and farthest corners of the world like the equally unfortunate mammals.

    Once the asteroid hit the earth 66 million years ago and wiped out the dinosaurs and pterosaurs. Only 2 representatives of this once great clade remained. Birds, and a single paradrakoan. A small burrower classified as Fodermasaurus superstes, cheekily named by paleontologists as the spug. 

     It took a long time for the Drakoans to grow their wings and spread it. At first climbing trees and making burrows, then gliding to ease the falls from the canopy. Then longer webbing on the hands to change direction. And finally learned to flap them to gain height. Countless now dead lineages, finally producing the first Drakoan over 40 million years ago during earth’s late eocene.

    Nowadays the Drakoans are a fairly small group. They only consist of roughly 1,116 species. A far cry from their far more successful avian cousins. But nonetheless a monumental achievement relative to their entire evolutionary history.

    Some common traits that distinguish the Drakoans from other vertebrates are developed egg-teeth that some species retain well into adulthood. Large auricles or external ears, Keratin horns. And most notably powered flight, evolving independently from their avian cousins. 

    We’ll start out with the order Avidrakoa. An order of Drakoans unique for possessing fully developed beaks derived from their egg teeth. And a unique wing structure made more out of fur bristles than a tough skin membrane. The Avidrakoans first split the moment the class as a whole first evolved powered flight. Allowing their wings to be this derived

    They are not too common, numbering in 148 species in total. Most of which are split between basal bipeds such as thunderbirds and the more derived quadrupeds which include griffins.

    The species here is an actual griffin. Gryphon tropicus to be exact. They are apex predators of the rainforests of indonesia. Their deep warm coloration and disruptive stripe conceal them in the forest scenery to ambush prey. And their powered flight lets them hop across islands, making them not only a formidable predator, but a widespread one too.

    The most famous members of the Drakoan class are the Eudrakoans, the true dragons. They are characterized by their strong parenting mentalities and a natural ability to breathe fire. Through 4 orifices in the corners of their mouth they spew out a liquid biofuel into the path of a similarly regurgitated and highly reactive gas, igniting the fuel into a stream of flaming liquid. 

    They are the most widespread group of dragons, totalling at 447 different species. Most species are either small sprawling quadrupeds such as the European forest dragon to erect striding quadrupeds like the legendary Eurasian mountain Tsar

    The species representing the True Dragons. Megaloros thereusicthys is a close relative to the Eurasian mountain Tsar. Although unlike their apex cousin this species is a wading piscivore. Using their stilted legs to practically hover over the water and their flexible necks to pluck fish out of the rivers they tread through.

    Next up is the order Wyverna, a group of Drakoans distinguished by the development of poison laced quills found in certain places along the body. All interconnected to a set of poison glands in the upper mandible. These glands oddly enough share the same ancestry as the biofuel tanks in the Eudrakoans. And a stiffer wing structure making them obligate bipeds

    They are the second most common order of dragons. Numbering at 335 documented species. Including the cockatrice surprising many.

    The species pictured here is Ouranodyno chrysokephale. A generalist omnivore with a generalist range across Mexico with a rather extravagant hunting method. They dive-bomb towards their prey and catch them with their mouths. More as showmanship for mates than an actual means to survive. They also have extravagant coloration to warn would-be attackers of their poisonous tail quill that could kill a bison in under a minute

    There is the order Wurmiza, the most derived group of dragons recorded. They are distinguished by a near complete lack of hind legs. Fully internalized ears, a streamlined annelid-from body plan, and aquatic to semi-aquatic lifestyle. They are the 2nd rarest order of dragons. Consisting of only 124 documented species. Consisting of the smaller seafaring Ladons and the larger Oceanic sea Serpents.The species used to represent the Wyrms, Pachaktevenator horribilis. Is a medium sized sea serpent found in the Indian ocean. They are notable for their extreme aggression and their mating season being spent on the beach. Draconian elephant seals if you will.

Lastly, despite only being a family. This last group of dragons is peculiar enough to warrant it's own highlight in this introduction. The Neosaurs are in a way a twisted mirror of the beasts of the past. They are notable for a complete lack of wings, reduced horns and aurica. But are most recognizable for the Theropod-like body plan most Neosaurs display. Which is speculated to be a consequence for their ancestors having stiff wings like their Wyvern cousins.

    They are a very rare order, there are only about 62 species documented. Most of them are found across africa as smaller generalists. But a few can get big enough to recapture what the original dinosaurs had lost

    Representing the Neosaurians, the Kasaii asymneter is a south african desert dwelling relative to the legendary Kasaii rex of the southern congo rainforest. They are both pursuit hunters and act relatively similar. The main difference is the prey selection and differenc coloration.

[cookinguptales]

God, so. This is a story I haven't told in a while, so it'll probably be new to a lot of my followers.

This morning I got my kudos email and saw one for a fic I didn't recognize. I puzzled over this for a few minutes, then clicked on it and immediately remembered everything I'm about to tell you.

"Oh right," I said. "This is what happened the last time I fell down a research rabbit hole while writing original fiction."

The long and short of it is this: I used to do a Halloween fic exchange every year, and one year someone requested "dinosaur ghost." I was immediately like "that sounds fun!" and then, approximately three seconds later, remembered an article I'd read recently.

(This is me, unfortunately.)

A long time ago, there was this kind of mad rush for dinosaur skeletons to put in museums. (The Bone Wars, if you're familiar.) The Carnegie Museum ended up finding an Apatosaurus skeleton, but at that time, no one knew what that skeleton was supposed to look like. The researchers argued quite a bit about it and, despite the fact that they'd actually found the correct skull during the dig, attached the cast of a skull of a Camarasaurus to it instead. This skeleton had the wrong skull for decades until the mistake was realized and eventually switched out for the right skull in the 1970s.

This left me with an appealing, sort of whimsically romantic idea: what would it be like, if dinosaur bones are haunted? And what would it be like if two ghosts were being forced to inhabit the same dinosaur skeleton?

So I decided that I wanted to write this story about this mismatched skeleton and the ghosts that haunted it, but in order to do that properly, I had to find out what happened to that Camarasaurus skull after the Apatosaurus was properly reassembled.

Friends, I fell down the fucking rabbit hole. I looked at the museum's website. I was looking in journals. I was on Google looking at families' vacation photos so I could get a better look at the exhibits in the museum.

I was down bad.

In the end, I gave in and emailed the museum. Like... this is a weird question, but is there anyone who could tell me what happened to the Camarasaurus skull that used to be on display with the Apatosaurus?

I wasn't expecting a reply, really. Maybe an intern would email me back with an apology. If I got really lucky, a docent might actually know what I was talking about.

Imagine my surprise when I get back an email from an actual fucking paleontologist. He is not just happy to tell me what happened -- he is thrilled. He was excited that someone was even asking these questions, and I didn't even almost have the heart to tell him why I'd asked.

Now... I'll take a moment here to say that I am actually interested in museum studies. I'm super interested in the way we teach science, the way we teach science history, and the history of how we've taught that history. I took classes on it in college, in fact. I tried to take paleontology, too. I even took all the preqs and everything. I just couldn't get it into my schedule in the end.

So when a literal fucking paleontologist emails me to talk to me about these things, I sit up in my seat. I want to seem like I am On The Level. I reply to this man with my academic email address.

OH MY GOSH, he says. YOU WENT TO PENN? I WENT TO PENN!

Oh no. Oh no. I am in too deep. I am in way too deep. This kind, charmingly enthusiastic paleontologist cannot know that I am writing a quasi-homoerotic dinosaur ghost love story. He can't.

So I talk to him about my own field of study because I desperately want to sound like a real scholar and not like this is research for my AO3 account. (Even though it is.) We have a very nice conversation. He tells me everything I need to know and then some.

Apparently, I was right when I'd suspected that I'd seen a Camarasaurus skull in some of the photos of the exhibit. He was pleased I'd noticed. But it wasn't the same one that was on display with the Apatosaurus skeleton.

The real Apatosaurus skull was too fragile to be put on display, so they made a cast of it instead and mounted that on the skeleton in the exhibit. The real skull is being kept in the Big Bone Room, which is what they call their fossil storage. The cast of the Camarasaurus skull? Even though it was just a cast, it was still kept for posterity. It is also being stored in the BBR along with the skull of the Apatosaurus. And the real Camarasaurus skull that the cast was based on is now displayed near the Apatosaurus skeleton in the exhibit.

So both parts of the skeleton are now with a new version of their old friend, and they'll never be alone again. I don't think I could have designed a more romantic, bittersweet ending if I'd tried.

I write my fic. It's lovely, in my opinion, and exactly what I wanted it to be. It's about love and friendship and the sort of wistful affection you feel for friends who have gone and those you have just met.

I do not speak to the paleontologist again.

To this day, I am deeply relieved that he never found out what I was up to, but also sort of curious to know if he would've liked it if he'd read it. I took some extreme scientific liberties while writing my quasi-f/f dinosaur ghost fic (shocking, I know) so probably not. lmao

You never know, though! Some academics are into some super weird shit! Like me!

So I guess I always feel kind of wistful about the fic, too.

Anyway... Here's the Carnegie Museum's page about the Apatosaurus/Camarasaurus skeleton.

And here's the story I wrote about them:

Something Borrowed 💜🦕

[just-antithings]

The funniest "fiction affect reality" is how paleontologists named the spiky tips of the Stegasaurus thagomizers

It's literally inspired by one of Gary Larson's "Far Side" cartoons: a caveman points to a slide of a Stegosaurus tail and names the nasty-looking structure in honor of "the late Thag Simmons."

lmao

[holycatsandrabbits]

Paranormal Romance #2: The Living and the Undead

Welcome! This is the second article in a series on my blog about paranormal romance. Today we’re looking at a modern romance classic: vampires and humans. So let’s light some blood-red candles and get started.

Paranormal Romance #1: The Living and the Dead: Ghosts and Humans

What’s your (blood) type?

Your standard vampire comes with a few stock traits: ageless immortality, a need for blood, heightened strength and speed, an aversion to sunlight and religious items, and of course, otherworldly beauty. But you can modify these tropes however you like. In the real world, lovers come in all shapes and sizes. Perhaps instead of increased speed, your vampires have mojo for music. Maybe they get moonburns instead of sunburns, and feed on something other than blood—maybe you have a vampire who’s even allergic to blood! And it’s up to you how alien you want your vampire to be. Do they blend in well with humans or do they give everybody a sudden urge fill their pockets with garlic? Do they try to blend in well with humans or do they turn into a mist to escape social situations? And remember, you don’t even have to have the standard origin story: your vampire doesn’t even have to be undead.

(Check out some unusual vampires that might make good characters.)

A dark, brooding presence

Vampires also tend to have a stock personality, which can be summed up as angst. It must surely be difficult to be immortal and watch your friends die of old age and to be ostracized by society for feeding on humans (even consensually). But really, vampires could be anybody, including those with naturally sunny, upbeat personalities. A vampire could be a travel blogger, using their immortality to see the world. Maybe they’re a paleontologist because it makes them feel young to work with creatures far older than themselves. Maybe they just want to develop a super-strong sunscreen so they can go surfing when all the hot chicks (gender neutral) are at the beach, or discover a blood substitute so they can be an astronaut who doesn’t need to snack on their space station buddies.

Source of life

Now onto the other side of the relationship: standard character tropes for humans in a vampire romance include beautiful and naive virgins, vampire hunters (naturally), and a personal favorite of mine, reincarnated former lovers. Historians are another common choice, as in my gay vampire romance Tollense. But again, anybody could presumably fall in love with a vampire, from a theoretical physicist to a theme park tour guide. Your human character could believe vampires are fictional, or have been raised with forbidden occult knowledge of the undead. Because this is a romance, your human will eventually choose to be in a relationship with a vampire, but it might take them a while to get there. And even if they discover they have an unexpected creepy creature kink, their family or society in general might be against it. And there’s also that pesky immortality thing. (More on that below.)

A bloody good romance

Arguably the most important mechanic of a vampire/human romance is blood. The human in this relationship is not just a lover, but a source of food. Which can be really hot and/or really weird. Often in vampire stories, blood-drinking is a highly sexualized experience, and usually emotional as well. There are all sorts of fun ways to get to the blood drinking stage of the story. Common favorites include an incognito injured vampire who needs blood to survive but won’t take it without permission, a vampire who doesn’t often drink human blood but finds their love interest bloody distracting (pun intended), or a smitten vampire who finally gets up the courage to tell their crush the truth about themselves. You could have humans who sell their blood to vampires, whether bottled or from the source, and vampires with favorite blood types. And then there’s vampire blood, which might give humans immortality and/or turn them into vampires. Which brings us to our final topic:

Death is only the beginning

Many vampire romances end with the mortal becoming immortal, either as a vampire or a human somehow protected from age and death (we should be so lucky). A more angsty ending has the human eventually die of old age. If the human does choose vampirism, some stories posit that two vampires can’t feed on each other’s blood, so their relationship has to change. That can be good or bad—maybe they’re both honestly over the lover-as-food thing, or they might just buy a bigger bed and invite a friendly human or two. Human characters who want to become vampires often have a yearning that immortality can satisfy, like travel, study, mastery of a musical instrument, or just an adventurous spirit. The kind of person who can promise forever and really mean it. And if that’s not romantic, what is?

This article was first published on my writing blog

DannyeChase.com ~ AO3 ~ Linktree ~ Weird Wednesday writing prompts blog ~ Resources for Writers 

Image credit

[is-the-owl-video-cute]

Why do people hate the Jurassic Park dinos so much? Like yeah, the movies aren’t accurate, but they were at the time. Mostly.

The first movie was made with as many facts to be as accurate as possible, paleontologists were consulted, were EXCITED.

Yeah, a lot of the inaccuracies we know of NOW, but we didn’t when Jurassic Park first came out. The reboot could have had more accurate dinosaurs, but then cinemasins would be complaining about the universe not bein consistent with itself. They even mention IN THE MOVIES that they AREN’T accurate dinosaurs! The point is that they aren’t accurate dinosaurs! It’s pointed out so many times that they were made to be theme park attractions, big and scary monsters for Hammond’s show, and how different they would be if the rich guys wanted accuracy.

Henry Wu himself says it in Jurassic World. “You didn’t ask for accurate.”

i think people demanding accuracy from fictional movies about splicing dinosaur dna from mosquitos with frog dna to bring back extinct species for a theme park is weird.

It’s a work of fiction about gmo dinosaurs using a type of cloning that doesn’t exist. Who cares if the dinosaurs aren’t always fossil accurate, no one is going into those to learn actual dinosaur physiology.

[to-trek-or-not-to-trek]

Hiya, I love your trek stuff.

Would you mind doing a "Data learns about dragons for the first time" bit ? Thank you for your work, I haven't laughed like I did for a good while.

I hope this works:

Data: In an attempt to better understand the human condition, I am attempting to familiarize myself with and analyze traditional folklore. I am most curious as to when humanity hunted the draconic lineage to extinction. Could you explain?

Picard: ... I'm sorry?

Data: Folklore tells of a species of giant winged reptillians, but there is no record of when they went extinct.

Picard: ... Do you mean... dragons?

Riker begins laughing silently in the background.

Data, earnestly: Yes, does their demise exist in humanity's collective memory?

Picard, fighting off a smile: Erm, Data, are you aware that most folk tales are based primarily in fiction?

Data: And also in fact. Many paleontological studies are indicative that such a species could have evolved following the-

Picard, allowing himself to crack a smile: You know, Data, I'm not entirely sure, but, then again, I am not a paleontologist.

Data, oblivious to the crew laughing silently behind him: Then I must consult our Paleontology Officer. *begins to leave*

Pulaski: *Opens her mouth, presumably to burst Data's bubble*

Riker, grabbing her by the arm: Don't you dare!!

~~~

Later, in the holodeck

Geordi: Well, what do you think, Data?

Data, staring at the dragon in front of him: It is a most magnificent and unusual creature, Geordi. However-

*Data is cut off by a stream of fire from the dragon's mouth, which does not harm him but does leave him covered entirely in soot*

*Data blinks several times*

I now understand why these creatures are best left to fiction. And, perhaps, observed from a distance.

[a-dinosaur-a-day]

Sorry, I'm going to reveal that I'm actually a baby, but Dr. SCott the Paleontologist from Dinosaur Train (he's a real paleontologist who comes on after he episodes and speaks, he's not a fictional character) is a mesozoic paleontologist and he's leading the charge on cenozoic birds are dinosaurs, i think he's why so many of use teens/early twenty-somethings are so hot on the issue.

I know Dr. Scott! we've talked about this frequently :)

there are LOTS of paleontologists who are fully on board with birds being dinosaurs. in fact, it's most of us. which is why the skeleton crew thing is... disturbing

remember, famed Tyrannosaur researcher himself, Dr. Thomas Holtz, said this:

"Penguins are the Pinnacle of DINOSAURIAN evolution"

[danbensen]

Alright, here we go! 

My speculative-evolution serial novel Fellow Tetrapod is finally live on Royal Road.

Go check it out. If it looks like your sort of thing, follow the story. It updates every weekday. 

(if you want to know more...)

Koenraad Robbert Ruis used to be a paleontologist, but now he's a cook at the United Nations embassy to the Convention of Sophonts. His bosses must negotiate with intelligent species from countless alternate earths, and Koen must make them breakfast. It turns out, though, that Koen is rather better at inter-species communication than any other human in this world (all nine of them). Everyone loves to eat (certain autotrophs excepted).

Fellow Tetrapod is an speculative-evolution office comedy about food preparation, diplomacy, and what it’s like to be a talking animal.​

Serialized every weekday on Royal Road (https://www.royalroad.com/fiction/59198/fellow-tetrapod) and (one week earlier) Patreon(https://www.patreon.com/danielmbensen)

​Cover art by @simon-roy. Illustrations by Tim Morris.

[bracketsoffear]

The World Without Us (Alan Weisman) "The World Without Us is a 2007 non-fiction book about what would happen to the natural and built environment if humans suddenly disappeared, written by American journalist Alan Weisman. Written largely as a thought experiment, it outlines, for example, how cities and houses would deteriorate, how long man-made artifacts would last, and how remaining lifeforms would evolve. Weisman concludes that residential neighborhoods would become forests within 500 years, and that radioactive waste, bronze statues, plastics and Mount Rushmore would be among the longest-lasting evidence of human presence on Earth."

All Tomorrows: A Billion Year Chronicle of the Myriad Species and Mixed Fortunes of Man (C. M. Kösemen) "The story begins in the near future, as burgeoning population pressures force humanity to terraform and colonize Mars. After a brief but violent civil war between the two planets, the genetically engineered survivors begin a new wave of colonization, spreading across the galaxy. Everything is looking up for the human race… until the colonies encounter the Qu, technologically advanced aliens on a religious mission to remake the universe. Although humans fight valiantly, the Qu easily overpowered humanity; as punishment, these aliens decide to genetically modify the survivors, turning most of them into mindless, animalistic creatures before departing. Evolution kicks in, with these terraformed post-humans continuing to breed and evolve, some regaining sapience in the process, some do not, and many others simply going extinct.

The book covers roughly a billion years of humanity's future descendants evolving into various new species and going through mass extinction after extinction, before finally revealing that the author is an alien paleontologist writing on humanity's fossil remains, with no idea what finally drove the clade to complete extinction."

[itsyourearthtoo]

The pop-culture urge to resurrect dinosaurs.

First of all, let me clear this, DINOSAURS ARENT EXTINCT. They are right there, maybe pooping around in your lawn or the non-veg meal you recently had. You just aren't aware of it. My previous blog was all about this and you can go check that out :)

So, if dinosaurs aren't extinct, then what's the point of bringing them back to life? More so... why make movies, write stories, draw comics and blah blah blah to actually resurrect them?! And this is what this blog is all about.

Birds, which are dinosaurs don't look like the dinosaurs you actually imagine it to be. Just wonder, what's the first thing that popped up in your mind, when you read the word 'dinosaur' in the very title itself. A giant beast, ferocious eyes, long necks maybe (those sauropods) and so on. No one did think about the chickens we eat, pigeons we shoo away or those beautiful kingfishers and parrots we admire. If you did, then... I think you are already smarter than me.

This is nothing, but the result of a constant impression about dinosaurs that pop-culture has fed to you, that your mind can't imagine anything else. More apt, you just can't think other than the Jurassic Park franchise if you are a 21st century kid like me!

Now hold on, this doesn't mean I am a Jurassic Park hater or this blog got grudges against it. I love that universe as much as you but the thing is, fact is fact. And, science in the end shouldn't be to please people, but to make people aware of the things they aren't aware of.

So... with a bit of reading and literature research, I actually dug into this matter deep enough to find a reason; that actually answers my question - Why pop-culture wants to resurrect dinosaurs?

Richard Owen coined the term dinosaur in the year 1841. Note, the Theory of Evolution and The Origin of Species was published by Darwin in the year of 1859, meaning the world dug out dinosaurs technically unaware of evolution and natural selection (pretty funny to me).

This makes sense as to why it got related to reptiles in the first place. Until 1860s there was pretty much no consensus to the fact that birds are related to dinosaurs. When Archeopteryx was initially discovered somewhen around 1860 it pretty much changed the course of Dinosaur paleobiology. Trust me, society didn't believe this in the first place. It took decades for the Dinosaur Renaissance to actually begin and thanks to Robert Baker's famous book Dinosaur Heresis in the 1970s, that gave dinosaurs the justice it had long due. So its pretty much okay to say that birds are dinosaurs came into the scientific consensus much much later than it was actually discovered (unfortunately this happens with most of the discoveries in Earth Sciences as a whole). Also, I would point to the discovery of more and more feathers in fossil specimens as the point where the relation between birds and dinosaurs were eventually confirmed.

Now dinosaurs came into the pop-culture scene in the 1850s with Charles Dicken's Bleak House. Yeah, a decade before Archeopteryx was dug out and Origin of Species was published. Movies first depicted dinosaurs as pretty lovable creatures. Classic example being the animated, Gertie - The Dinosaur (by Winsor McCay) which released as a silent film in 1914.

Soon after, it didn't take long for the lovable dinosaurs to turn into horrifying beasts. DW Griffith in his 1914's Brute Force silent film depicted Dinosaurs as ferocious monsters who haunted cavemen. Also establishing the early fiction, that early humans and dinosaurs coexisted together. This, a devastating scientific hoax (sugar coated as fiction), remained for quiet some time. You might have seen the famous cartoon series - The Flintstones, yup! if you were a fan of it like me, then you relate to what I am saying.

Steven Spielberg made Jurassic Park much later. Already a lot had been done about dinosaurs in the television and big screens. He legit hired paleontologists as scientific advisors for his films, which is why many things were even scientifically correct in the Jurassic Park film series, but at the end he was a film director to appease people and deliver box-office hits. He already knew what people wanted from dinosaurs. Hardly few will remember that the film actually says that birds came from dinosaurs in the very beginning. Instead, what you remember is just them chasing humans and destroying things. Unfortunate, but that's the reality.

Even today, its hard to imagine any film, story or comic that portrays dinosaurs as birds. They are the modern day dinosaurs! You have it all around. But you aren't satisfied with it and so you need movies that bring the typical dinosaur to life with the help of special effects to satisfy your soul. So yeah, if we as common people accept the fact that birds are dinosaurs then may be resurrection of dinosaurs will reduce to a lot extent in your screens and scientifically accurate stuffs will be fed to you :)

So, this is it for this blog. To be honest, while writing this I realized that I started loving these creatures because of pop-culture only :) no matter how scientifically inaccurate it was. I mean, this does become an irony. At one side of the spectrum it is to be blamed, but on the other it did make these creatures popular isn't it? Maybe I should cover this in my next blog hehe, so stay tuned!

For the love of Earth Science :D Byeee

Oh yes!!! Do check out my previous blog

thank you.

Used Image Souce - Youtube video titled 'The Flintstones | I Dare Ya!'

[rockislandadultreads]

Science Fiction & Fantasy: Sapphic Picks

Our Hideous Progeny by C.E. McGill

It's 1853 London. Ex-medical student Victor Frankenstein has been missing for years now. Frankenstein's great niece Mary Saville and her husband, Henry, are trying to follow in his scientific footsteps and become renowned paleontologists. They have the brains and the ambition; the only thing they lack is the reputation. Mary is a woman with a sharp mind but a fierce tongue and Henry is an unemployed gambling addict: none of this earning appeal with their peers. But after finding clues to her great uncle's disappearance, Mary's luck may just change. She constructs a plan that will force the scientific community to take her and her husband seriously; no one will be able to ignore them after they learn to create life. Once they have successfully constructed their Creature, Henry's ambition soars, but Mary finds herself asking deeper, more important questions than she's ever confronted before. As Henry's desire for fame grows, Mary must decide how far she is willing to go to protect the Creature she has grown to love.

Her Majesty's Royal Coven by Juno Dawson

If you look hard enough at old photographs, we're there in the background: healers in the trenches; Suffragettes; Bletchley Park oracles; land girls and resistance fighters. Why is it we help in times of crisis? We have a gift. We are stronger than Mundanes, plain and simple. At the dawn of their adolescence, on the eve of the summer solstice, four young girls--Helena, Leonie, Niamh and Elle--took the oath to join Her Majesty's Royal Coven, established by Queen Elizabeth I as a covert government department. Now, decades later, the witch community is still reeling from a civil war and Helena is now the reigning High Priestess of the organization. Yet Helena is the only one of her friend group still enmeshed in the stale bureaucracy of HMRC. Elle is trying to pretend she's a normal housewife, and Niamh has become a country vet, using her powers to heal sick animals. In what Helena perceives as the deepest betrayal, Leonie has defected to start her own more inclusive and intersectional coven, Diaspora. And now Helena has a bigger problem. A young warlock of extraordinary capabilities has been captured by authorities and seems to threaten the very existence of HMRC. With conflicting beliefs over the best course of action, the four friends must decide where their loyalties lie: with preserving tradition, or doing what is right. Juno Dawson explores gender and the corrupting nature of power in a delightful and provocative story of magic and matriarchy, friendship and feminism. Dealing with all the aspects of contemporary womanhood, as well as being phenomenally powerful witches, Niamh, Helena, Leonie and Elle may have grown apart but they will always be bound by the sisterhood of the coven.

When Women Were Dragons by Kelly Barnhill

Alex Green is a young girl in a world much like ours, except for its most seminal event: the Mass Dragoning of 1955, when hundreds of thousands of ordinary wives and mothers sprouted wings, scales, and talons; left a trail of fiery destruction in their path; and took to the skies. Was it their choice? What will become of those left behind? Why did Alex’s beloved aunt Marla transform but her mother did not? Alex doesn’t know. It’s taboo to speak of. Forced into silence, Alex nevertheless must face the consequences of this astonishing event: a mother more protective than ever; an absentee father; the upsetting insistence that her aunt never even existed; and watching her beloved cousin Bea become dangerously obsessed with the forbidden. In this timely and timeless speculative novel, award-winning author Kelly Barnhill boldly explores rage, memory, and the tyranny of forced limitations.

Lies We Sing to the Sea by Sarah Underwood

Each spring, Ithaca condemns twelve maidens to the noose. This is the price vengeful Poseidon demands for the lives of Queen Penelope’s twelve maids, hanged and cast into the depths centuries ago. But when that fate comes for Leto, death is not what she thought it would be. Instead, she wakes on a mysterious island and meets a girl with green eyes and the power to command the sea. A girl named Melantho, who says one more death can stop a thousand. The prince of Ithaca must die—or the tides of fate will drown them all. Sarah Underwood weaves an epic tapestry of lies, love, and tragedy, perfect for fans of Madeline Miller, Alexandra Bracken, and Renée Ahdieh.