#forever relevant

[uruwashi-no-nightingale]

update was literally devastating

[poorly-drawn-mdzs]

Lan Wangji Goes To Lotus Pier AU: Part 5: Flip Slip.

(Part 1, Part 2, Part 3, Part 4, Part 4.5)

[bacchuschucklefuck]

prayer of the day:

[egophiliac]

I love the idea of teenage Malleus hating his new baby brother Silver but slowly falling for him

words cannot express how much I adore that Mal's reaction to seeing a human baby for the first time was "the fuck is this. why does it look like that. gross." (then he immediately got stuck on babysitting duty and the rest is history)

I am SUCH a sucker for that trope of "non-humans being fascinated by normal human behavior", so between that and all the delicious angst going on I was eating VERY well. >:) Malleus being so impressed that two-year-old Silver can walk, because it took him twenty years to stand on two legs! Lilia barging in on the Zigvolts at 2 AM being like "he won't stop crying what do I do"! Lilia trying to feed Silver rats and Malleus being like "...please just stick with what the books say to feed it"! it is all so. chef's kiss.

[eldritch-ambrosia]

It’s a good thing that Merlin doesn’t ever push Arthur when he’s showing affection because Arthur would implode immediately if he had to think too long about it. Could you imagine the (deleted!!) sigil scene if:

Arthur: Just… take it. Merlin: Why are you giving me this?

Arthur: *sweating* Arthur: It’s… a bird. And you’re a bird. Merlin: …what?

Arthur: You know because… a merlin.

[reunitedinterlude]

nosy <3 (1, 2)

[ash-and-starlight]

FOR WHOM THE BELL TOLLS

Blue Eye Samurai || 1x06 - All Evil Dreams and Angry Words

[royalarchivist]

Fit: I don't he– If I'm with us, I don't think [Pac] will attack us. But if we're like, destroying their base though, he might. I don't know.

Forever: No, I don't want to destroy their base, just steal a lot of stuff.

Fit: Okay.

Forever: But I think he might attack us. He probably will.

[...]

Fit: If you– I'm not gonna try and kill Pac. What you do is up to you. I- you know, it's–

Forever: Aw Fit, please! Please man! Your team, your family was destroyed yesterday. Are you like, pity on Pac?

Fit: I just– If we can steal stuff without killing him– 'cus I–

Forever: Fit, you have to be brave, man. This is your family you're talking about. They are counting on you! I'm shtty at PVP, I don't even have diamond gear, I'm all iron! Man, I'm counting on you, Fit. I know that you and Pac have like, have a big history, you two are like- are really goes well together. You go along really well. But this is not the QSMP server anymore, Fit. This is Hell. We need to fight, man. The guys just destroyed our last base, remember? Do you remember what they did to our last base?

Fit: Yeah, I do.

[...]

Tubbo: [Sounding deranged] GLORIOUS DAY IN PURGATORY! Have a great day, and remember to go fck yourself!

Fit: And uh, tell Pac I said "hey". All right, let's move.

Tubbo: Yeah, I know you guys are shagging and sht.

Fit: NO, WE'RE ROOMMATES! WE'RE FCKING ROOMMATES!

[crystallizsch]

eepy eepy

[coddda]

Hiiiiiii. Episode 25/26 lawlight analysis rant thingy here. I don't know how to write an intro for this so let's just get to it LOL

I think one of the reasons that the rain/foot scenes stick out so much (the. Sheer insanity of a Foot Massage Scene in an anime revolving around two guys trying to kill each other aside 💀) is the fact that the anime specifically suffers a bit in terms of adapting a few of the "emotional" moments in death note.

And I don't mean "emotionally impactful" exactly. For example I think the adaptations of scenes like Raye and Naomi's deaths were very impactful and the atmospheres of their final scenes were great, but I mean more from a characterization standpoint (if that makes sense). Being more focused on mind and logic games, Death Note as a whole isn't as invested in individual characters' deeper feelings as it is in its action (which isn't necessarily a criticism per say, it's simply part of the nature of a mystery thriller series). But just because they're fewer and farther between doesn't mean there are none at all. In the manga we do get to see, for example, how much Light actually cared for his family and especially Sayu, and how he actually felt more conflicted and suffered lack of sleep/appetite when he first used the Death Note.

The anime specifically as an adaptation is pretty good at adapting the main mind fuckery and action of Death Note, but its lacking in properly adapting scenes like the ones I mentioned above is a criticism I see somewhat often, and it's pretty fair imo. Compared to all the other adaptations, it certainly seems to fall short on an emotional level: the musical has entire songs going in depth about the characters feelings and relationships, the 2015 jdrama is. Insane and has its emotional moments in spades (because it's a TV drama, which are more focused on portraying emotional conflict and the like), even the 2006 movies has its emotional beats and L Change the WorLd is. Well. Oh Man.

Anime Light to a lot of people is like. Light but he's "already evil" (which I have my own thoughts on but I digress). Light but after using the Death Note for like 2 minutes he's already like "fuck yeah time to kill criminals". Basically the anime doesn't take as much time to delve into his less cynical sides or really delve into his already vague and harder to decipher feelings in general, he is noticeably colder from the get-go here, etc.

But that's part of why I think episode 25 manages to stand out so much tonally (apart from it being, y'know, the episode L literally Dies). I love the episode so much and could probably rant for hours about how much I love the artistic choices made in it but what I'm trying to get at here is that it's one of the very few moments where the show tries to go deeper into specific character's emotions, and one of the very few moments where the show Attempts (emphasis on "attempts" because, well, you'll see in a bit) to get more in-depth into Light's feelings apart from his cynicism/apathy/justice. ness.

L in these two scenes in episode 25 is, well, pretty damn open about how he feels. It's usually interpreted as him knowing that he's going to die, and you can see it. He visibly looks/sounds lost, somber, etc. He never really had much to hide around Light to begin with (since he doesn't really care about hiding himself the same way Light does) but especially not now and it Shows, and I personally thought it was pretty cool to delve into his thoughts/show how he feels this way. The somberness can be felt throughout the entire scene, even people who don't already know the plot of Death Note from the manga could probably tell that he's about to die.

In the manga, once L starts suspecting Misa again and Rem realizes what Light is trying to do, it goes straight to Watari and L's deaths, but the anime instead gives a distinct and unexpected pause in the middle of this where L contemplates his own death. It's fucking great, and the shift from straight action to slower emotional weight makes these scenes stand out a lot, since, like I said, the show usually focuses more on the former. But it's kind of ironic, too.

Not only does the anime open up L's feelings more in these scenes, but it also tries to dig deeper into Light's feelings as well through L. And it's really funny honestly because while, yes, these are the more "emotionally open" scenes of the anime Light still manages to be Incredibly avoidant and contribute almost nothing to the entire ordeal.

L is visibly upset -> "Yeah Ryuzaki, you're not making any sense at all" (Not addressing the obvious conflict from L)

"Tell me, Light. From the moment you were born, has there ever been a point where you've actually told the truth?" -> "[The most stale, over-explained, avoidant answer to a "yes/no" question that you could ever hear + blatant attempts to reframe the question]"

(L's half-smile here kills me) "I had a feeling you'd say something like that" -> [Nothing]

"I'm sorry" -> [Nothing]

"It'll be lonely won't it? You and I will be parting ways soon" -> [Nothing]

^ From this point Light continues to say literally Nothing for the rest of the scene. I'm not even joking, from then on the rest of Light's voicelines are reduced to nothing but vague noises of confusion.

Everytime L calls Light out as a person ("Has there ever been a point where you've actually told the truth?" / "I had a feeling you'd say something like that." / "Won't it be lonely?") he doesn't actually acknowledge anything. Out of those three lines, he only answers verbally to if he's ever told the truth, and even then it's the most blatantly people-pleasing answer ever, as it usually is with Light. And I don't think it's because Light just. Doesn't care about any of what L's saying at all, or that he doesn't know what the hell he's talking about (questioning Light's authenticity as a person, saying it would be lonely when they part), instead he's choosing not to acknowledge any of what this means about himself or him and L at all. He's like a fucking wall.

And like, for the truth question in particular, the show makes sure that you know it's not something that Light just. Doesn't care enough about to answer. The hard cuts to silence are a very rare but extremely effective way that the show conveys an extremely important moment (see: Light regaining his memories, Matsuda noticing Light opening the warehouse door before he escapes (not as much of a "direct" cut to silence but still)), and cuts to multiple angles/framings/zooms of the exact same shot are also used for the same purpose (see: Light hugging Misa when she was crying, Matsuda aiming his gun to shoot Light, Light regaining his memories Again). Just like the scene where Light gets his memories back, the moment L's question finishes the show utilizes both. That question cut Deep. There's is a solid Almost 5 seconds of silence before the sound of the rain gradually starts fading back in, and honestly that should be telling enough as is (but of course Light doesn't actually admit that. Or anything at all really, so). Oh also another fun detail! We do not see Light's face At All (except for the shot where you can see his mouth moving but not his eyes), for the Entire time that he's going on his spiel to L. We Will Be Revisiting This Later, by the way. This is not, in fact, the first time you're going to see this detail from Light.

The only sort of reciprocation that we see from Light during Any of these two scenes is when Light dries L's hair while L dries his feet. Biblical meanings/references aside it's interesting because it's the only time he directly does anything "for" L in these scenes, but even then he doesn't try to pass it off as anything meaningful really the same way L does ("You're still soaked", a purely neutral and factual statement. It doesn't Add Anything compared to L's. Sin atonement loneliness grieving stuff. While Light is showing his own reciprocation to this more personal moment he also tries to keep it impersonal enough that it doesn't actually have to mean anything deep). And when L says "I'm sorry" after he once again gets no response from Light. It's also after this that L gets that pained look on his face, like he knows that at this point he's not actually going to get anything meaningful from Light (again, very significant and rare from L in the show. We've seen him in distress (see: when Ukita died, hell, when Watari dies), but even then he mostly manages to keep his usually neutral expression), we never see him "look sad" like he does here):

I just think it's interesting that this is one of the few scenes in this particular adaptation of Death Note where they try to open up the character's thoughts/feeling (especially considering the fact that they. lowkey blunder in adaptations of original scenes from the manga), and L himself is being rather open (not that he ever really tries to hide what he thinks nearly as much as Light), and yet all Light contributes to it in return is like. Actually nothing. Bro fumbled it. There is no resolution to any of this, to any of what L asks at all, to any of the many opportunities for a meaningful conversation, and the only thing even relatively close to an answer that you can get from Light is what you can infer from how he acts in the episode after L dies, where he's just going through the motions, but hardly acting as if he's actually living at all.

(Honestly I think the transition from this scene with the taskforce to the subsequent scene with Misa says enough on its own. Light's expressions and tone says everything:)

(Oh sidenote but. This shit again:

"Light, this is our first date in forever. can't you enjoy yourself a little more?" ('Why don't you seem happy? We can finally be together since L is dead') -> No response, Light instead changing the topic to him wanting to move in with Misa without changing his mannerisms at all

Also there's that one detail again. You pretty much don't see Light's expression when he speaks here at all, except for one shot of his eyes, which is quite literally the exact same shot they used when he "saw" L, just altered for the new setting. You have No idea what he looks like when he's responding to Misa, although it's probably fair to assume that it's the same empty stare he has for the whole Two Shots where you can clearly see his whole expression in the entire scene.

Something something Light Yagami bad at feelings I think you get the point though)

I guess Light's Kind of showing what he's feeling now? He'll admit to himself that it's boring without L, but no more than that. Light never actually admits to anything "significant", and L's dead already anyway, so what would that even do?

And then we get, uh. Basically nothing from Light. For the next 5 Years. Except that he joined the NPA, so, uh, yay? Good job, Light you totally nailed it! Thank you for allowing us as an audience to delve deeper into your inner thoughts and feelings as a character so we can find out more about you as a person! Very helpful! Thank you for not sabotaging one of your few dedicated opportunities to look into yourself as a person and reflect on your relationships with others and being 100% honest with yourself! We stay winning guys.

Anyway, this got way too long for a scene that's over a decade old, and I've probably just said everything that everyone else has already said in this fandom before. But unfortunately this has been living in my head for way too long and I must scream. I just think this episode's neat is all :)

tl;dr Part of the reason why the rain/foot scene (tbh episode 25 in General) stands out so much is because the Death Note anime specifically was a bit robbed in terms of its more emotional character moments compared to the other medias, which makes more somber/introspective scenes like the ones in episode 25 stand out a Lot in comparison. But it's also incredibly ironic because it's one of the few moments where the show (or specifically L) tries to look deeper into Light's character, but because he is so avoidant for the entire duration of these two scenes he adds basically nothing at all. It's almost funny. Mostly sad. It's also very gay. Aand post

Okay actually nevermind one more thing I talked about how the jdrama is supposed to be more emotionally in-depth because it is a TV Drama and just for the record, same thing happens there! I could probably do an entire analysis of the Blue Scene in this context like I did with episode 25 but I'd literally be here forever, so uh, just take this iconic line as my main example:

Same Thing. L's statement "I wish we could have met some other way" is personal. It's his own wish, his own regret that he is expressing to Light. While Light's reply obviously has that same regret implied it's also phrased in a specifically impersonal way. It's closed off. "This is the only way we could have met" it closes off the topic and simply renders L's wish as ultimately futile. Light does not say that he Also wishes he could have met L a different way even if it was likely impossible, instead it's a cold statement of cynical fact.

Idk just. Something something L being able and Willing to be more openly sentimental/emotionally open towards Light/about Light vs. Light's inability to be honest with anyone including himself and his own nature preventing any form of meaningful reciprocation. Something something self-sabotage, y'know the drill. God don't even get me Started on how sincere L's tone is when he says "It'll be lonely won't it?"(at least in the eng dub) in the anime I could talk about his tone in that scene for ages. Also yes all of this relates to L Change the WorLd too by the way. Don't ask how it just does okay.

I do think that scenes like these (rain/foot scene, The Blue Scene. Uh. L Change the WorLd The Novel Adaptation) show, at least in those adaptations, that L does genuinely care for Light, and show that he values him as a friend not just in the mindgame-equal sense but also just like, a more sincere sense you know. Idk if that made any sense and that's a whole other topic for another day but you guys just have to believe me on this one alright please please believe me buries head in hands. Okay post over finally thanks for coming to my tedtalk hope you enjoyed my very-unnecessarily long analysis of the week

[resistancecommittee]

please im begging this is incredibly urgent. the people that have allowed us to stay for the last two nights put my wife through an incredibly traumatic experience and she’s scared to leave the room without me to get food or even go to the bathroom and we have to keep the door locked at all times. we really need help right now, we have a plan but nothing that can happen for another week. please anything to help us get by we have no money and are trapped.

c4$happ: goldenratio1123 or melancholicore

p4ypal: iwannadaisuki or poppybun

v3nmo: iwannadaisuki

im so sorry to ask for help again but this is an extremely volatile environment and its incredibly important we find a way out of here and survive until we can make that happen as our lives have been threatened multiple times.

[burjoujou]

Hatsune Miku joins the QSMP

[napping-sapphic]

Breaking news!! Tomorrow’s forecast indicates that it would be a GREAT day for us to hold hands 👉👈

[rainyinautumn]

Scar does not lay down and die. He’s fought too hard to go out like that.

It’s a strange feeling, to know that he’s in full control of when he dies. No one chasing him down, no ticking clock, no curses. Sure, he doesn’t have regen, but he has a full row of hearts—a whole life ahead of him that he can spend in Sunflower Valley.

He doesn’t remember until he arrives that there’s nothing for him there. It’s about fifty percent craters. Some of them are blackened by the wither, and others by gunpowder. Despite it all, though, there are still sunflowers. Not many, but they’re facing his way when arrives, as if trying to be the welcoming party he never had. Scar sits down at the edge of one of the craters and swings his feet back and forth over the drop. It’s not deep enough to kill him, hardly even deep enough to take a heart off of him. The ash settled at the bottom is picked up by the wind, blowing into Scar’s boots and hair. He doesn’t wipe it out. It’s his only reminder that he wasn’t always alone in this world.

Across the crater, the air shimmers purple. Before Scar can figure out what it is, the color coalesces into a ghostly figure with a faint halo that shines just like the sun. Grian smiles at him wanly and holds out a bouquet of poppies and lilacs.

“You’ve won, Scar,” he says. “It’s time to go.”

“But I’m not ready yet,” he objects.

“He didn’t get me any flowers,” Scott mutters as he sits down beside him, transparent and crowned with a dozen tiny stars. “Trust me, you’re ready. You’ve won. There’s nothing left.”

“Well, I never had much anyway,” Scar says coolly. “Can’t say this feels too different.”

“I know.” Pearl’s voice comes from his other side along with the soft glow of the moon, and his heart aches, unwilling to turn toward her. “I know, but the game’s over, Scar. You did well.”

He wants to tell her sorry, but that would be disingenuous. He wouldn’t change a thing about that fight—the only thing he regrets is that it had to be her.

“More than well, I’d say.” Martyn takes shape in the center of the crater, his coral crown glittering the angry red of Mars. “I’m loving the trend of villainous winners we’ve got going here. Who do you think’s gonna be next? Joel? Gem?”

“Maybe we’re due for a more heartfelt finale,” Scott says, sending a sidelong glance Scar’s way. “No offense.”

“Didn’t you win through a battle royale?” he retorts.

“Didn’t we all?” Grian sighs. “It’s just the way of the game. Killing people. It’s a bit hard to get a heroic winner out of that.”

Scar stares at his feet. “I thought I’d feel more relieved,” he admits. “Like I’d- like I’d, y’know, won something. Now that the adrenaline’s gone, it’s all just kinda…”

“Empty?” Grian fills in for him.

“Disappointing?” Scott suggests.

“Sad?” Pearl says.

Martyn kicks a rock. “Fleeting?”

“One of those things,” Scar sighs. “So… now what?”

“I already told you,” Grian huffs, tired but good-natured. “It’s time to go.”

“Die, you mean,” Scar says. “It’s time for me to die.”

Martyn draws an axe that looks far more corporeal than the rest of him. “It’s my turn to take you out,” he tells him. “I was planning on a nice quick beheading, but I’m open to suggestions.”

“Wait, wait, wait,” Scar stammers, scrambling backward. “I don’t get to choose how I go?”

“Well, sort of,” Grian explains. “You’ve won. The only thing that can take you out now is another winner.”

“Pearl zapped me when my time was up,” Martyn says. “Didn’t hurt for more than a second.”

“And what if I don’t let you?” Scar asks.

Scott puts a hand on his shoulder, but it goes right through. “There’s no way around this, Scar.”

“Martyn has to kill you,” Pearl reiterates. “It’s not up to him, or us, or you. No one can move on until you’re gone.”

“Says who?”

Grian gestures broadly at the horizon. “Who do you think?”

The Secretkeeper looms in the distance, a dark sky overhead. It’s watching him. Scar knows it is. It’s waiting, impatient as ever, for its final task to be completed.

Martyn hefts his axe over his shoulder. The move should be threatening, but there’s no malice in it. His hand sits firmly on the handle, white-knuckled and duty-bound, but the rest of him is relaxed. He doesn’t want this to be a fight.

“I guess everyone’s waiting on me, huh?” Scar says. “Let’s get this over with.”

He walks up to Martyn and kneels, removing his hood to expose the back of his neck. He feels the cold edge of the axe blade placed against it and screws his eyes shut.

“Any last words?” Martyn asks.

“I’m taking away all your reputation points for this.”

He laughs, genuine and nostalgic. “Fair enough.”

The axe lifts, and a breeze ruffles Scar’s hair as it comes back down on his neck.

There’s a searing flash of pain, and then nothing. His eyes stay closed, staring at the darkness.

“Scar,” Grian says, his voice closer than before. “Scar, it’s done.”

He blinks warily, taking a moment to process the view he sees. The rest of the world now has the shimmering transparency of the ghosts, while the other winners are now solid and real in front of him. Grian is still holding the bouquet—when he extends it to Scar, it changes shape, twisting into a flower crown.

“Wait,” Pearl says. “One last thing.” She waves her hand and two glowing sunflowers wrap themselves into the wreath, blooming side by side. “There.”

Grian steps forward, right in front of Scar, who’s still kneeling in the center of the crater. “Congratulations, Scar,” he says. “You won.”

The crown is a perfect fit.

[cringefailvox]

am i the only one who lowkey doesn't see alastor as a father figure to charlie? like she already has a dad and also she's older than him. if anything charlie should be AL's father figure tbh. or at least his butch uncle

i'm laughing so hard. HIS BUTCH UNCLE. charlie pulls a "back in my day" once about the 1870s and alastor has to briefly reckon with the full weight of what immortality actually means for hellborn

[zabreus]

original thread

link to the book in question