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caligvlasaqvarivm · 4 months

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How do you analyze so good I'm really impressed and honestly wonder if I can learn from you

It's a skill, so the good news is, you can practice and get better at it!

Read A Lot/Gain Context

Analysis often means making comparisons or drawing from external context - one of the best things you can do if you want to be better at analysis is to try to cram your head with as much knowledge as possible. The time period, culture of origin, and where the author slots into those are usually major influences on a work (in Homestuck's case, much of it is a direct commentary on the internet culture it emerged from, and missing that part of it can drastically influence how the story reads).

Also important are the works the author themselves are inspired by. You've likely heard some variation of "nothing is original." We're actually really lucky with Homestuck in that regard, as the work is highly referential, and you can glean a lot by looking at what it references (for example, if you watch Serendipity, one of Karkat's favorite movies, which is titledropped during the troll romance explanation, you will understand Karkat so much better). This applies to things like mythological allusions - you'll hardly know why it matters that Karkat is a Christ figure if you don't know what the general outline of the Christ story is, nor will you pick up on the Rapture elements of Gamzee's religion or the fact that Doc Scratch is The Devil, etc. The key to picking up a lot of symbolism is being aware that the symbols exist.

And last, it helps to read a lot of media and media analysis so you can get a better understanding of how media "works" - how tropes are used, what effect language has, what other entries into the genre/works with similar themes/etc. have already done to explore the same things as the piece being analyzed is doing - and what other people have already gleaned and interpreted. I've mentioned before that many people seem to find Homestuck's storytelling bizarre and unique when it's actually quite standard for postmodernism, the genre it belongs to. But you're not going to know that if you've never read anything postmodern, y'know? I also often prepare for long character essays by reading other peoples' character essays - sometimes people pick up on things I miss, and sometimes people have interpretations I vehemently disagree with; both of these help me to refine my take on the matter.

Try to Discard Biases/Meet the Work Where It Is

Many will carry into reading media an expectation of what they want to get out of it. For example, one generally goes into a standard hetero romance book expecting a female lead, a male love interest, romance (of course), and a happy ending for the happy couple. If the book fails to deliver these things, a reader will often walk away thinking it was a bad book, even if the story told instead is objectively good and interesting. We actually see this a lot with Wuthering Heights, which receives very polarizing reviews because people go into it expecting a gothic romance, when it's really more like a gossip Youtube video spilling the tea on some shitty rich people (and it's really good at being that).

There's nothing necessarily wrong with this when reading for pleasure and personal enjoyment, but it presents a problem when attempting to analyze something. There's a concept called the "Procrustean bed," named after a mythological bandit who used to stretch people or cut off their limbs to fit them to a bed, that describes "an arbitrary standard to which exact conformity is forced." Going into a media reading with expectations and biases often results in a very Procrustean reading - I'm sure we've all seen posts complaining about how fanfic often forces canon characters to fit certain archetypes while discarding their actual character traits, etc.

Therefore, when reading for analysis, it's generally a good idea to try and discard as much bias and expectation as possible (obviously, we are never fully free of bias, but the effort counts) - or, perhaps even better, to compartmentalize those biases for comparison while reading. For example, Hussie talks at length about what they INTENDED Homestuck to be, and, while reading, I like to keep Hussie's words to the side while I try to experience the comic fresh, seeing what choices were made in accordance with Hussie's intentions, or where I think Hussie may have fumbled the messaging. At the same time, I try to let the work stand on its own, set in its proper context.

I'd say this is the number-one problem in fandom analysis. For example, people hear from the fandom that Eridan is an incel or a nice guy, so they interpret everything he says and does to fit that belief, or ignore any contradictory evidence. Or they fall for the character's façade that's meant to be dismantled by the viewer. Some works are fairly shallow and accessible, wearing all their meaning on their sleeve (or are Not That Deep, if you prefer meme-talk), and problems arise when a work is, in fact, That Deep, because someone biased towards the former will discard evidence that a work is the latter. This isn't exclusive to HS - it's happened in basically all of my fandoms - which is a statement to how easy it is to fall into this way of thinking.

Even without knowing that Hussie had coming-of-age themes in mind, for example, characters will talk about being kids and growing up. Knowing that Hussie has explicitly said that that's one of HS's themes serves as extra evidence for that interpretation, but the work itself tells you what it's about - if you're willing to listen to it.

Even If the Curtains are Just Blue, That Still Means Something

This is the next biggest fandom stumbling block - thr insinuation that when things in a work are put into the work without more explicit symbolism, that that means they're a discardable detail. This one is more about making a mindset shift - details aren't discardable, even if they don't appear to have been made with the explicit intention to mean something. Everything kind of means something.

First of all, whether or not the curtains are Just Blue is often highly dependent on the work. For example, in something made in large quantities with little time, staff, and budget - say, for example, one of the entries into the MCU's TV shows - there likely isn't too much meaning behind a choice of blue curtains in a shot (although you'd be surprised how often choices in these constrained environments are still very deliberately made). In a work like Homestuck, however, so terribly dense with symbolism and allegory, chances are, the blue curtains DO hold some special meaning, even if it's not readily apparent.

However, even in cases where a choice is made arbitrarily, it still usually ends up revealing something about the work's creative process. Going back to our MCU example, perhaps the blue curtains were chosen because the shot is cool-toned and they fit the color grading. Perhaps they were chosen because the director really likes blue. Perhaps the shot was filmed at an actual location and the blue curtains were already there. Or, even, perhaps the blue curtains were just what they had on hand, and the show was made too quickly and cheaply to bother sourcing something that would fit the tone or lend extra meaning. These all, to varying degrees, say something about the work - maybe not anything so significant that it would come up in an analysis, but they still contribute to a greater understanding of what the work is, what it's trying to say, and how successful it is at saying it.

And this applies to things with much higher stakes. For example, Hussie being a white US citizen likely had an effect on the B1 kids being mostly US citizens, and there was discourse surrounding how, even though they were ostensibly aracial, references were made to Dave's pale skin. Do I think these were deliberate choices made to push some sort of US superiority; no, obviously not. But they still end up revealing things about the creation of the work - that Hussie had certain biases as a result of being who they were.

Your Brain is Designed to Recognize Patterns, So Put That to Use

So with "establish context" and "discard expectations" out of the way, we can start getting into the nitty-gritty of what should be jumping out at you when attempting to understand a work. One of the most prominent things that you should be looking for is PATTERNS.

Writing is a highly conscious effort, which draws from highly unconscious places. Naturally, whether these patterns are intentional or unintentional is dependent on the author (see again why reading up on a work's context is so important), but you can generally bet that anything that IS a pattern is something that holds significance.

For example, Karkat consistently shows that he's very distraught when any of his friends get hurt, that he misses his friends, even the murderous assholes, that he's willing to sit them down and intervene on their behalf, despite all his grandstanding to the contrary. We are supposed to notice that Karkat actually loves his friends, and that he's lying when he says he doesn't care about them.

Homestuck is very carefully and deliberately crafted; if something comes up more than once, it's a safe bet to assume that you're supposed to notice, or at least feel, it. Don't take my word for it:

Basically, [reusing elements is] about building an extremely dense interior vocabulary to tell a story with, and continue to build and expand that vocabulary by revisiting its components often, combining them, extending them and so on. A vocabulary can be (and usually is) simple, consisting of single words, but in this case it extends to entire sentences and paragraph structures and visual forms and even entire scenes like the one linked above. Sometimes the purpose for reiteration is clear, and sometimes there really is no purpose other than to hit a familiar note, and for me that's all that needs to happen for it to be worthwhile. Triggering recognition is a powerful tool for a storyteller to use. Recognition is a powerful experience for a reader. It promotes alertness, at the very least. And in a lot of cases here, I think it promotes levity (humor! this is mostly a work of comedy, remember.) Controlling a reader's recognition faculty is one way to manipulate the reader's reactions as desired to advance the creative agenda.

But this applies to less deliberately-crafted work, too; for example, if an author consistently writes women as shallow, cruel, and manipulative, then we can glean that the author probably has some sort of issue with women. Villains often being queer-coded suggests that the culture they come from has problems with the gays. Etc. etc.

This is how I reached my conclusion that Pale EriKar is heavily foreshadowed - the two are CONSTANTLY kind to each other, sharing secrets, providing emotional support, etc. etc. It's why that part of my Eridan essay is structured the way that it is - by showing you first how consistently the two interact in suspiciously pale-coded ways, the fact that a crab is shown in both Eridan's first appearance AND his appearance on the moirallegiance "hatched for each other" page becomes the cincher of a PATTERN of the two being set up to shoosh-pap each other.

A work will tell you about itself if you listen. If it tells you something over and over, then it's basically begging you to pay attention.

Contrast is Important, Too

Patterns are also significant when they're broken. For example, say a villain is constantly beating up the protagonist. Here's our pattern: the hero is physically weaker than the villain. In a straight fight, the hero will always lose.

And then, at the mid-season two-parter, the hero WINS. Since we've set up this long pattern of the hero always losing to this villain, the fact that this pattern was disrupted means that this moment is extremely important for the work. Let's say the hero wins using guile - in this case, we walk away with the message that the work is saying that insurmountable obstacles may have workarounds, and adaptability and flexibility are good, heroic traits. Now let's say the hero won using physical strength, after a whole season of training and practicing - in this case, we say that the work says hard work and effort are heroic, and will pay off in the end.

In Homestuck, as an example, we set up a long pattern of Vriska being an awful, manipulative bitch, and a fairly remorseless killer. And then, after killing Tavros, she talks to John and admits that she's freaking out because she feels really bad about it. This vulnerability is hinted at by some of her earlier actions/dialogue, which is itself a pattern to notice, but it's not really explicit until it's set up to be in direct contrast to the ultimate spider8itch move of killing Tavros. This contrast is intended to draw our attention, to point out something significant - hey, Vriska feels bad! She's a product of her terrible society and awful lusus! While it's shitty that she killed Tavros, she's also meant to be tragic and sympathetic herself!

Hussie even talks about how patterns and surprises are used in tandem:

Prior to Eridan's entrance into the room, and even during, the deaths were completely unguessable. After Feferi's death, Kanaya's becomes considerably more so, but still quite uncertain. After her death, all bets are off. Not only do all deaths thereafter become guessable, but in some cases, "predictable". That's because it was the line between a series of shocking events, and the establishment of an actual story pattern. The new pattern serves a purpose, as a sort of announcement that the story is shifting gears, that we're drifting into these mock-survival horror, mock-crime drama segments, driven by suspense more than usual. The suspense has more authority because of all the collateral of unpredictability built up over time, as well as all the typical stuff that helps like long term characterization. But now that the pattern is out in the open, following through with more deaths no longer qualifies as unpredictability. Just the opposite, it would now be playing into expectations, which as I said, can be important too. This gear we've switched to is the new normal, and any unpredictability to arise thereafter will necessarily be a departure from whatever current patterns would indicate.

Patterns are important because they tell you what baselines the work is setting - what's normal, what's standard, what this or that generally "means." Contrast is important because it means something has changed, or some significant point is being made. They work in tandem to provide the reader with points of focus in the story, things to keep in mind as they read, consciously or unconsciously.

Theme

I'm talking about this stuff in pretty broad and open terms because stories are so malleable, and so myriad, and can say so many things. There are stories where horrible cruelties are painted as good things - propoganda is the big one, but consider all the discourse around romance books that paint abusive/toxic relationships as ideal. There are stories where the protagonist is actually the villain, and their actions are not aspirational, and works where everyone sucks and nobody is aspirational, and works where everybody is essentially a good person, if sometimes misguided.

This is, again, why outside context is so important, and biases need to be left at the door. For example, generally speaking, one can assume that the protagonist of a children's cartoon is going to be an aspirational hero, or at least a conflicted character who must learn to do the right thing. However, there are even exceptions to this! Invader Zim, for example, features an outright villain protagonist - a proud servant of a fascist empire - and for a lower-stakes example, the Eds of Ed, Edd, n' Eddy are the neighborhood scammers, constantly causing problems for the other characters with their schemes.

Thus, how do we determine what any particular narrative's stance on a given topic is? It's a difficult question to answer because every narrative is different. If I say something like, "the things that bring the protagonists success in their goals are what the narrative says are good," then we run into the issue of villain/gray morality protagonists. To use moral terms like "hero" and "villain" instead runs into the problem of defining morality within a narrative in the first place. But you have to draw the line somewhere.

So that brings us to themes.

Now, as with a lot of artistic terms, "theme" isn't necessarily well-defined (this isn't helped by the way the word is used colloquially to mean things like aesthetic, moral of the story, or symbolism). Wikipedia says: "In contemporary literary studies, a theme is a central topic, subject, or message within a narrative," but this is still very broad and hard to work with, so I'll give it a shot.

A theme is what a work says, beyond the literal series of events. Sometimes a theme is obvious - the theme of Boy Who Cried Wolf is that if you become famous for lying, you won't be believed when you tell the truth. Sometimes a theme is one of many - for example, Disney's Cinderalla says that kindness and virtue will eventually be recognized and rewarded, and that cruelty is interlinked with ugliness. Sometimes a theme is unintentional - for example, how Disney's body of work tends to villainize queer-coded characters. Sometimes context and the passage of time changes the theme - for example, Snow White originally held a message of hope for wartime families that domestic normalcy would one day return, but is now seen as anti-feminist as it appears to insinuate that a woman's place is in the kitchen, and her happiness is in marriage to a man. And sometimes a theme is not something you agree with.

In any case, a theme is a meaning to be gleaned from the text, more broad and universally applicable than the text itself. After all, we humans have traditionally always used story to impart meaning; our oldest epic, The Epic of Gilgamesh, contains within it several themes, most famously that of accepting one's mortality. It's startling, really, how applicable the story is to this day, even if specific details have become obtuse or unsavory to a modern reader.

This is, again, why it's so important to engage with a text on its own terms, in its own context, with as little bias as possible. A story's themes are not necessarily apparent, and commonly implied rather than stated outright, and approaching the story with expectations can easily lead to a Procrustean twisting of the facts to fit those expectations. A theme should emerge to the analyzer out of the reading, not the other way around.

Identifying theme gets easier with practice, and largely comes down to identifying patterns within the narrative (alongside looking at context and symbolism, of course). What does the narrative consistently touch base on? Are there any references; is there any symbolism? What does the story deem "normal," "good," or "bad"? How are ideas developed, and why? Why did these events happen, and are those motivations echoed anywhere else?

Homestuck is very complex and tackles many topics at once, and explaining why it's a coming-of-age would basically require a whole second essay, so I'll use a simpler and more popular example (like I've been trying to do) - let's say, Shrek.

The most obvious theme of Shrek is that beauty does not equate goodness, that one mustn't judge a book by its cover. The opening sequence is LITERALLY Shrek ripping out pages of a fairy tale book to use as toilet paper, and the movie ends with Fiona finding that her happiest, truest self IS as an ugly ogre. Shrek's main character conflict is that people immediately judge him as cruel and evil because he's ugly, and the characters' lowest points occur because Fiona is similarly insecure about her ogre half, considering it unlovable.

But there's other stuff in there, too. For example, if you know that Dreamworks and Shrek were founded after a falling out with Disney, then the beautiful, sanitized city of Dulac, with its switchback queue and singing animatronics add to this theme of a direct refutation of traditional Disney fairytale values, mocking them as manufactured, inhuman, and even cruel in the way that they marginalize those who don't fit an ideal of beauty. Again we see the opening sequence - defacing a fairytale - as support for this, but also the way that Dulac is displacing fairytale creatures. There's a moment where Gepetto literally sells Pinocchio, which can easily be read as a commentary on the crass commercialization and exploitation of fairy tales Disney likes to do.

And then, of course, there are lesser, supplementary themes. Love being a powerful positive force is one - Donkey is able to rally Shrek after he truly reciprocates Dragon's love for him (which echoes the theme of not equating goodness with beauty, as Dragon is still big and scary), and it's true love's kiss that grants Fiona her happy ending.

And then there's stuff that's unintentional. There's all this work done about how beauty =/= goodness, but then they made the villain incredibly short, which is a traditionally unattractive physical feature. So, does that mean that ugly things can be beautiful unless that ugliness is specifically height?

Sometimes, authorial intent does not match up with result - but in those instances, I think the most is revealed about the author. Modern Disney products tend to be very cowardly about going anti-corporation and pro-weirdness, despite their usual feel-good tones and uplifting themes - and that says a lot about Disney, doesn't it. That's why I think it's still important to keep authorial intent in mind, if possible, even if they fumble what they say they've set out to do.

Obviously, Lord Fuckwad being short doesn't REALLY detract from the overall message - but it's still a weird hitch in the themes, which I think is interesting to talk about, so you can see where personal judgement and biases DO have to be applied. There are two options here, more or less - either one believes that Shrek is making an exception for short people, who are of the Devil, or one believes that the filmmakers did a bit of an oopsie. Barring an outright statement from the filmmakers, there's no way to know for sure.

We can say a work has very complex themes when it intentionally explores multiple ideas very deeply. We can say a work has shallow themes when it doesn't have much intentional meaning, and/or that meaning is explored very lightly. The labyrinthine storytelling of Homestuck, with its forays into mortality, morality, and growing up, chock full of symbolism and pastiche and allusions, is a work with complex themes - especially as compared to the average newspaper comic strip, although they ostensibly share a genre.

We can say a work has very unified themes when these themes serve to compliment each other - the refutation of Disney-esque values, and love as a positive driving force, compliment the main theme in Shrek of not judging books by their covers, of beauty not equating to goodness. Ugly things are worthy of love, and those who push standards of beauty are evil and suck.

Similarly, we can say a work has unfocused or messy themes when the themes it includes - intentionally or not - contradict, distract, and/or detract from each other. Beauty has no correlation to goodness... unless you're short, in which case, you are closer to Hell and therefore of evil blood. To get a little controversial, this is actually why I didn't like Last Wish very much - there are approximately three separate storylines, with three separate thematic arcs, going on in the same movie, none of which particularly compliment each other - so the experience was very messy to me, story-wise, even though it was pretty and the wolf was hot. This is why we feel weird about Disney pushing anti-corporate messages, when they're a big corporate machine, or why it's easy to assume Homestuck was written poorly if you don't like Hussie - we want themes to be coherent, we want context to be unified with output.

Tone

Tone is somehow even harder to define than theme. It's like, the "vibe" of a work. For example, you generally don't expect something lighthearted to deal with the realistic, brutal tragedies of war. Maybe it'll touch on them in light, optimistic ways, but it isn't about to go All Quiet on the Western Front on the reader. By the same token, you don't expect fully happy endings out of the melodrama of opera, or frivolous slice of life from something grimdark.

Tone, too, is something people often wind up Procrusteanizing, which makes discussion difficult if two people disagree. If I read Homestuck as unwaveringly optimistic, with its downer ending the result of an author fumble, I'm pretty much going to irreconcileably disagree with somebody who reads Homestuck as though it's always been a kind of tragedy where things don't work out for the characters. Since it's even more difficult to define than theme, I'm not even really going to bother; I just felt like I had to bring it up because, despite its nebulosity, it's vital to how one reads and interprets a text. Sometimes I don't have a better answer for why I dislike a certain interpretation other than that it doesn't suit the work's tone. I generally try to avoid saying that, though, because it winds up smacking of subjective preference.

In summary... analysis is about keeping everything in mind all the time! But i swear, it gets easier the more you do it. Happy reading!

#homestuck #literary analysis #critical thinking

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13thdoctorposts · 8 months

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I hate that RTD and Tennant and crew can't leave the show alone, that not only does RTD act like his formula is the only/best and not only is Tennant incapable of fucking stepping back from the role even after a grossly egotistical first run in the 00s, but a generation of fans only recognise/like Who when its in that image. And that hurts the show massively, it hurts other actors both in the sense that they aren't allowed from out of his fucking shadow and in that literal workplace abuse and media smear campaigns are excused when it happens around them.

Yeah, considering the most questionable things seem to happen under RTDs watch but the media never has anything to say negative about him compared to the level of shit levered at Moff but then even more so at Chibs, especially when Chibs seems like the most humble of the 3 is crazy.

I've read a lot of comments that Chibs wasnt good enough to Showrun as big a show as Doctor Who he didnt have the skills for it, but lucky RTD is back because he has the skills to do it, the cope from people is crazy!

Especially considering the shit show that seems to exist now, leaks, upon leaks, upon leaks, Ncuti's announcement almost instantly being over shadowed by Tennant's announcement, and the fact that Ncuti's happened on a red carpet... they would have known it was about to be leaked and couldn't have come up with something a bit better even if it was on a short deadline? Didn't really matter I guess Tennent coming back and being announced the following week seemed more important to them. The Bi-regeneration, which within the show lore I don't care about, do canon braking things, but of course that left the 14th Doctor out there doing his own thing with his own TARDIS completely overshadowing Ncuti, the number of comments I've seen about 15th not being the 'real' Doctor or being a clone Doctor etc. and for what to keep Tennent around off camera? So that people would question 15th legitimacy? To make sure Ncuti couldn't have his time alone to shine? Then we have the recent articles saying Millie was dropped/axed... with no evidence spread across the internet and front pages of papers across the UK saying she was dropped/axe for inappropriate behaviour with no elaboration, just trying to ruin a 19 year olds career with nothing to corroborate or evidence given and neither Bad Wolf or The BBC bothered to come out and clarify anything even though these stories also unofficially announced a new companion... one that even Mandip Gill said she has kindly messaged and Radio Times has spoken about, but Bad Wolf and The BBC haven't even announced her and given her that moment. And a side note to that is the new white companion got introduced with the TARDIS by the New Doctor as an official announcement the woman of colour companion got announced in a bunch of papers bad mouthing the former companion, guess like Ncuti not everyone gets to have the same treatment. So Chibs wasnt good enough to Showrun?! No one knew Jodies casting announcement that didnt get leaked, even Dan got his own video announcement as a new companion, nothing to do with his writing but Showrunning the show with the limited BBC budget he had even though he was able to keep his house in order for over 5 years while RTD, with his big BBC/Disney budget doesnt seem to keep anything in order, and Chibs is the one who supposedly doesnt have the skills to Showrun.

I think we really did need a brand new show runner and Tennent should have only returned for the 60th if it was a multi Doctor story, Multi, not as in just with 15 in the last ep but with previous Docs. All the 60th did was give the 10th Doctor a happy ending that was seriously weird for all the Doctors who came after him, so narratively was just a WTF, like you just told a companion you had feelings for them and couldn't settle down and 3 days later settle down with a friend from 1000 years ago (in the doctors time) talk about jarring to watch, the episodes were not celebratory in anyway, wasn't written any better then 13 era despite what we were told we would get and left 14 there so people could make countless videos and write countless blog posts about how 15 isnt legitimate. what a celebration!

I think we needed a brand new show runner, no having 10 and 14 to make Tennent even more special by putting him in every Doctor line up from now on twice and had Ncuti come in. I understand He couldn't film for the 60th, but they managed to put a Christmas Ep out with him 3 weeks later maybe instead of the 60th and Christmas ep it could have been a movie length ep with Ncuti so filming could have started later.

Thats a pretty long rant sorry. But in conclusion we should have just moved forwards instead of bothering to look back, and given the new actors the lime light in the way they deserved.

#anti rtd

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theangelshavethephonebox · 2 years

Text

MASTER POST

Doctor Who Resource List. This post will serve as a resource list for as much Doctor Who stuff as I can find! Please send me links to more EU stuff if you have them and are fine with them being shared. Please also note that I don't own anything here, they're just links that have been publically shared/easily found online that I've compiled into a directory for y'all

What this masterpost is/Doctor Who different series etc explained below cut. Note: you have to click on the original post (so, not a reblogged version) of whichever masterpost you're looking at, or else the links won't work!

----

The 2005 (revival/NuWho) show:

The 1963-89 show (Classic Who):

The 1996 Movie:

Scream of the Shalka:

Scream of the Shalka books/texts:

Comics:

Books:

Short stories:

Audios:

Spin-Offs:

Apparently you can only have like ten links per post so I'll need a Master Post Part Two. I apologise for the inconvenience, but will reblog this with Master Post Part Two, which will then go in my pinned post.

If you don’t know, Classic Who (1963-89) had many serials in each episode, with a few episodes per serial. For example, the first episode and first serial, “An Unearthly Child” had four parts (I have linked the first part on dailymotion in the classic who post). After the show was cancelled, there was a movie (1996), and then in 2003 there was an animated series (Scream of the Shalka), which was supposed to be the ‘new Doctor Who’, but then the live action reboot was announced and continued from 2005 until the present.

This made the Shalka series second-level canon (only kind of ‘true’ within the universe of Doctor Who. The fandom considers it an alternate universe basically). There are also many spin-off series, some of which I will link here, as well as official comics, novelisations, books, games, and the increasingly popular audio series with Big Finish (also linked here).

For the links that don’t have the full series in one place, I have linked the first episode, and then you can find the next episodes from there. If you have access to anything else Doctor Who related (like comics not here, for example) then send a link in my DM/as an ask, and I’ll add it in!

Anything that isn’t Classic Who (1963-89), the movie, or NuWho (2005-present) is considered “Extended Universe’ content. I will continue adding to this post and reuploading as I discover more content. If you have questions about spinoffs and related stuff like Iris Whildthyme or Faction Paradox, you can ask me, but you’ll probably fare better by searching it up online.

#dr who #doctor who #the doctor #the master #dw #dw eu #doctor who masterpost #long post

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saffricatrice · 22 days

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What r ur oc stories about?

OMG HIHI I NEVER HAD SOMEONE OUTSIDE OF MY CURRENT FRIENDS ACTUALLY ASK BEFORE UMMMM OKAY SO. i have 3! main oc stories that i Really care about at the moment but im Deeply fixated on mainly 1 of them but im gonna start with the one ive been liek "promoting" the most in a sense!! under read more cuz im gonna try to exlain all three of them bless. sorry if i seem overly passionate oops i was TRYING to summarise im sorry its so long u rlly dont Have to read All of it

Forgotten Man's Symphony

his (louis manoir) character is basically a spin off from a character mentioned in the novel frankensetin exactly (1) time by name in elizabeth's letter and by far he is the most organised oc of mine cuz we do actually have a clean, understandable summary doc (thought it is a tad bit outdated but its okay). shes like the most Normal narrative-wise i suppose so i'm not exactly sure on how to explain the plot of forgotten man's symphony it's just like??? him ruining his life in front of the reader and then #Healing?? i guess?? the story is an epistolary that starts with louis' Suicide Letter. so like. yeah. BUT!! i suppose i would say his story very much concerns the concept of like identity (including gender and such she would be considred either transfemme/bigender by the modern world but also idfk cuz i made her complicated and confusing on purpose) and also the lack thereof + the negative impact that comes with trying so hard to fit into the societal norms and what people Want you to be but you just Can't be, cutting away bits of yourself to fit through some sort of hole representing the perfect version of you until theres nothing left of Who You Are expect a palatable and small version yk?? and the the endless pursuit of wanting to be loved that leads yourself to changing and changing for people who just wont care or love you for realsies + @rosaniruby 's words "making it even like that so its not YOU who is loving and being loved but the dim visage of a version of you that fits the picture of what society loves; that it's not a love between individuals, it's the love for a society that cannot ever love anything because it was made to hate. and who believes that portrayal of love will not find it and forever be stuck. smth like society loves what it deems as perfect and hates the imperfect, since perfect doesn't exist it can only do the second one. and louis wanted to love perfect victor, hated his own imperfect self. but the perfect victor doesnt exists, and neither does any version of louis."

i like her he's great. sorry if that was less telling u WHAT his story is and more like Explaining the "themes" as theyre called of the story but idrk how to describe nromal stuff so TAKE WHAT U CAN GET!!! anyways,

Domus Carnis: The Transmutation of Guinevere Manor

idk if you're aware but i have a hyperfix on architectural horror and i DON'T MEAN SCARY GHOSTS AND SERIAL ILLERS IN AN ABANDONED HOUSE I MEAN HAUNTED HOUSES THAT ARE ALIVE THAT IS A METAPHOR FOR PTSD FROM CHILDHOOD TRAUMA ETC ETC!! this story By making it started my whole obsession with the House it's crazy... scary even.. (i recommend you watch jacob geller's video essay about houses) i really do like domus carnis but it's. Messy to say the least. i do feel as if i ought to change the time period it's set in to avoid talking about the wars going on in the time period i accidentally set it in without realising but im procrastinating on that rn. it was Suppose to be late 1800s to early 1900s..

in a few simple words: flesh-and-bone made lesbian sex house. does that get your attention yet. bless

domus carnis (which literally means flesh house in latin or something) will be written in the POV of a 40ish year old widowed woman by the name of harriet wren's diary entries, occasionally switching to the POV of her 20-something year old godson percival who is like old timey jake paul and hes like either a journalistt or a radio host depending if i choose to change the time period or not. we follow them after harriet's husband dies of whatever and they find out he has a large property in a foreign country of which they had not known of prior

somewhere in germany there is a house of ex-aristocrats that no longer live there that is Alive. the House becomes alive because it is in a sense "possesed" (not haunted) the ghost of kathryna von guinevere who was the last one to die in the house, who, in life, was incredibly obsessed with The House for reasons that i fear are too long to explain without boring you and going into info pre-story?? anyways, when she "posseses" the house, the materials of the house shift to flesh, blood and bone because it Materially becomes her body. now, it would be hard to accurately label what represents what body part, because it's all strangely jumbled up and isn't like really human anatomy either cuz kathryna Can in fact see inside herself?? anyways whatever. now, the house is now both her body AND her mind. i have taken the phrase "haunted by memories/trauma" and turned it literal. the house IS haunted, but most of the ghosts aren't ghosts, theyre mostly all manifestation of Memory from her life because she actively is replaying the speech and actions of other people IN her mind to process the (typically traumatic) events of which she's seen or experienced. the ghosts CANNOT do as they please because they only exist at all Due to kathryna remembering them in these specific scenes. the hauntings include scenes of people, sounds, and shadows. unless the "scene" has a mirror, you cannot see kathy directly because you are witnessin things through HER eyes, which makes memories from wee childhood interesting because im wondering if i should make the "people" seem wayy bigger than the viewer if stuff is replayed from childhood..

i really like the fact that a lot of this is based on memory because it opens a lot of doors to me when it comes to the appearance of hauntings. my friend showed me this video depicting neurons forgetting how a face looks like, and i feel as if i could use that in the story because well, realistically kathy isnt going to have a Pristine memory cuz she Was just a human before, not to mention the fact shes already suppose to have issues on facial recognition/rememberance (my friend with these sisues suggetsed htis). the alteration of the ghosts' bodies could be fucked with even more if i try to make use and research into the way that people (mostly children) can in fact like.... change the image of something traumatic in their brain and make it less scary bc the brain is trying to protect them? yeah. AND ALSO the fact that a lot of people forgets certain aspects of their trauma due to their brain trying to protect them as well but still have this feeling of Unease when it comes o specific things that they cant explain, i could incorporate this feeling in certain areas of the House, the strange uneasiness. i experience that myself so i hope ill portray it right!!

i Think that's it?? at least that should be the bare bones of the story... i have a pin board tho if u want to check it out!!

The Epinicium

THIS is the stupid fucking thnag thats ruining my entire life rn. i love it i hate it whagever man. THIS ONE ill keep short and simple because im too fucking mentally ill about it to explain in depth without being asked questions

so basically its fantasy world but not like. Completely new high fantasy i very loosely based the countries off of like real countries and stuff bc lazy as shite so its like mid fantasy maybe HOWEVER

basically its set in this world where theres a shit ton of religions and gods and shit and theres three categories of religions (the world is veyr uhnm. Categorical idk): earth, science and the arts. basically the arts religions are the majority and the gods of those religions are called the muses so thats what i'll be calling them from now on. the basic plot of epinicium is about the muses of the music religion declaring that humanity doesnt treat music as "holy enough" anymore and taking it away as a whole (songbirds go extinct as well which is importnat) which also fucks up the other arts religionsdue to the fact that artforms are very connected but they still exist yk and centuries later our main cast attempts to bring it back!!! we have this server with a channel that has the "summary" but its not a real summary its just an already outdated infodump but we are Trying to fill this doc but we're failing really hard but friendship is magic idk.

fin.

anyways thats. pretty much it i think im sorry its too long once again 😭😭 feel free to ask question esp on the epinicium!! id love to hear abt ur ocs btw ive yapped so much oops

#ask #story: domus carnis #story: fms #story: epinicium

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mythological-mayhem · 2 months

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Hi!, this is anon who asked you what type of music the 4 tezcatlipocas would listen to. This will be a long question so take your time reading it you don’t need to answer it right away :)

Am here, to ask about how you and your buddies sort y’all’s information about not only Aztec but other pantheons, as well the country/culture that pantheon is from.

Am creating a story about characters getting chosen or trained to be a god's “champion” like they’re here to represent the god and help people by fighting monsters. Some champions aren’t gonna be the same as their god (for example Tezcatlipoca and Quetzalcoatl don’t usually get along with one another, but their champions do. Huitzilopochtli is more stoic and quiet while his champion is more outgoing and fun)

You can send this question to other blogs that tackle mythology too or could send ideas about some character designs they wish people added into a mythology series

You can call me pen anon for now thank you :)

-🖋️anon

Heya pen anon! Side note before I start rambling I really enjoyed your last ask :D

I just want to start by saying that your idea seems awesome, it's a great and creative concept (is it going to be posted anywhere? I'd definitely want to check it out when it's done if thats possible haha)! I also want to say that I'm still learning about Aztec mythology and the countless myths and I'm still learning about a lot of them (same goes for other mythologies!)

As for getting information, all you need to do is a quick google search for different gods and myths. Some sources are more official and go into more depth about different aspects of the mythology, whilst others just give a brief recap. For Aztec mythology, I recommend you to go to mayaincaaztec.com and click on "aztec religion".

Another source of information is Youtube. Specifically, I like the channel "overly sarcastic productions" because they organize different myths into 15-20 min videos and also make it humorous, fun, and enjoyable to watch.

As for organizing information, I'm not very good at it lol I kind of just remember random stuff. But there are going to be myths that are more famous and spoken about such as the Aztec five suns myth or greek heroes like achilles and Hercules, etc etc. And then there are going to be myths that are more obscure myths, like those that entail the creation of a certain plant or animal or such. If you're going to write a story, I recommend making a google docs or just memorizing which of the bigger myths you want to have play a bigger impact on the gods' personalities + their relationships with one another, and which ones will just be cool "oh yeah I did that once" memories for them.

Again im kind of unorganized lol, so this is the best advice I have, sorry. Thanks for the ask!

Tagging my mythology buddies to see if they want to share their methods:

@h0bg0blin-meat

@mythos-soup

@15pantheons

#ask #answer #anon ask #pen anon #aztec mythology #aztec gods #mythology

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someforeignband · 2 months

Text

wiggly worm wednesday 🪱✨

taken from a doc called “tiktok fame au” lololol

the worms have attacked and i’m back editing this piece !! thank you @yours-etc

“Don’t be mad- Steve, we can take it down if you want!” Robin falters, her voice dropping to a near whisper. “And we can totally, totally delete it! It’s- it’s just that… you’ve sort of become a fan favorite?” her voice ticks up at the end like she’s hesitant.

“Yeah,” Nancy breathes, nodding her head quickly in agreement. “Our followers really like you. A lot of people have become quite… attached.”

“Followers?” Steve asks, eyebrows raising, breaking his silence for the first time. “How many followers are we talking…”

“Oh god he’s mad.” Robin whispers, arms wrapping around her middle.

“I’m not mad!” Steve nearly shouts, eyes pinched shut. Great, that was really convincing. “I’m not mad.” He repeats again, his voice steadier, quieter, but his brows were still just as furrowed. To be honest, his teeth still sounded gritted, it probably didn’t help.

“I’m just confused, Nance.”

Okay, maybe Steve was a little mad. Some stupid TikTok of him and his teammates was fucking viral and frankly, he’d forgotten they’d even created it in the first place. It was all just very shocking. This video had more than two and a half million views and was the top liked video under the No Hands sound. It was a lot to take in.

An uneasy silence falls between the trio as his eyes dart between Nancy to Robin, who had curled into a ball on their sectional, then back to Nancy who was smiling tightly at him.

“How many followers?” Steve asks again, but this time it sounds more like a demand than a question.

“Nance- don’t.” Robin whimpers, bottom lip tucked between her teeth. “He’s gonna be so mad.”

“Nancy,” Steve grits, eyebrows raised. “How. Many. Followers…?”

Nancy’s eyes flick down to the phone in her hands, “Eighty-Eight…”

“Hundred?!”

“Thousand-” Robin squeaks, burying her face in her knees, arms folding over her head.

“Eighty-eight thousand followers?!” Steve screeches, hands coming up to rest on the top of his head, fingers interlocking overtop of the headband that held back his hair. He was still a little sweaty from the weightroom. He had to shower and get ready to go watch tape from last season with the rest of the guys.

This was his senior year. His last season playing for Hawkins University, and after all of the work he’d put in last season, he couldn’t let that be the end. He wanted at least a Sweet Sixteen finish in the tournament this season.

“Uh.” Nancy laughs, “Actually we just hit eighty-nine thousand.”

“Oh my god,” Steve smooths his hands down over his face. “Let me see. I just- let’s just rip the fucking bandaid off. Just- show me all of them. Catch me up to speed.”

“You will not!” Robin bolts up and out of her balled-up position on the couch. “If he couldn’t handle that one, do you think he’s gonna be able to handle the other one, Nance?” her voice drops, her teeth clenched together, eyebrows raised, staring straight at Nancy.

“He’s gonna see it at some point.” Nancy whispers, scrolling on her phone, pulling up a video and handing the phone back to Steve. “Might as well get this over with.”

“Well! It’s all Nancy’s media photos of the team, so be mad at her, not me!” Robin rushes out, stomping out of the living room to take solace in her room.

The TikTok in question was an edit to The Weeknd’s Party Monster, in which the text on screen read ‘our boys’ media day photos tho<33’, accompanied by a caption which read, ‘im a wildcat girlie or im nothing. #mensbasketball #fyp #HawkinsUniversity #hawkinswildcats.

anyway if you’re doing anything wiggly, i wanna see it!!!!!!! @sageclipse @yours-etc @kaspurrcat @pearynice @hotluncheddie and ANYONE ELSE IF YOURE SEEING THIS PLEASE SHOW ME YOUR WORMS

#wiggly worm wednesday #steve harrington #eddie munson #stranger things #ej writes !!#ej speaks !!#robin buckley #nancy wheeler #tiktok fame au

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dino-boyo-agere · 2 years

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Hai 🦈

I'm Nathan, but u can call me Nate or Dino 💖

I'm a 25 year old trans guy from Germany and this is my age regression blog. 🏳️‍⚧️💞 My little age mainly moves between 3 to 6. Lately I feel like I'm permanently slipping or at around age 10 or 12 mentally.

My birthday is on August 15th!!

I love Dinosaurs, coloring and crafting! 🦕🖍️

╰→ klick here to find out what my favorite dinos are!!

I'm a primary colors enthusiast!! 💛💙❤️ My favorite colors are green & blue. 💚💙

I have several disabilities & disorders (ADHD, Dyslexia, birth defects, other stuff) ♿🧠

I'm incontinent, so I have to wear diapers. 🚼

I'm in lots of fandoms (Stranger Things, Criminal Minds, Supernatural, etc.) 💫📺

My CG blog: @silly-baba

I have an AgeRe YouTube channel btw!!

I made a Spotify playlist with my favorite songs!! - it is not agere themed tho lol

I only have nine fingers, if you're interested in knowing why, → here ← is the story of how I lost one of them. (!cw! obv. It's a little bloody!)

╰→ someone uploaded my story to YouTube, if you would like to listen to it, instead of reading! <3

DNI: nsfw, ddlg & variants, ABDl & variants, kink of any form... 🚫

Indicator if I'm:

big → 🦖

slipping → ☁️

small → 🧸

I'm a flip, heavily leaning little!

DMs are open, but I hate smalltalk. So, please just get right to the point when u wanna message me for/ about something. (It's completely fine if you just wanna chat, obviously!) Same goes for questions, no need to ask "Can I ask you a question?" Yes, you can! Just go and ask ahead right away!! <3 - Thank you for understanding!!

Also, lil tipp: every time a colored text in my posts has a white underline, it has a link in it. It's a little harder to see now, since Tumblr also ads underlines to each colored text, but it's still visible if you know what ur looking for! They changed it back, yayy!!

I have memory issues, so I'll probably reblogg some things multiple times or forget to answer questions/ do requests. Don't hesitate to remind me, but please be patient & don't pressure me, thank you! <3

If you're interested, → here ← is my cg application doc form, I'd absolutely love to have an online cg!! 💕

I made a list of YouTube channels to watch when regressed, some are themed around regression and some are just fun!!

I also made a little list for people who want to educate themselves about regression, what it is, why people do it ant what it's for!!

.ﾟ.*･｡ﾟ×ﾟ｡･*.ﾟ☆↓ My AgeRe ID ↓☆ ﾟ.*･｡ﾟ×ﾟ｡･*.ﾟ.

If you want to make ur own ID → here ← is a link to imgur!

.ﾟ.*･｡ﾟ×ﾟ｡･.ﾟ»･⁠°✧↓This is me!↓✧°･«ﾟ.･｡ﾟ×ﾟ｡･*.ﾟ.

.ﾟ.* ｡×ﾟ｡･* ﾟ☆↓My Tummy-Puppy↓☆ ﾟ*･｡ﾟ× ｡*.ﾟ.

.ﾟ.*･｡ﾟ×ﾟ｡･*.ﾟ✧↓My doggo, Miles↓✧ﾟ.*･｡ﾟ×ﾟ｡･*.ﾟ.

Rest in peace, little buddy [21.09.2024]

.ﾟ.*･｡ﾟ×ﾟ｡･*.ﾟ☆↓I like crafting!↓☆ ﾟ.*･｡ﾟ×ﾟ｡･*.ﾟ.

･｡ﾟ×ﾟ｡･ﾟ»･⁠°✧↓My little sona, Spots↓✧°･«ﾟ･｡ﾟ×ﾟ｡･

You can learn more about him → here, ← if you want to.

｡. ×ﾟ･.»･⁠°☆↓My AgeRe Sona, Toggy↓☆°･«.･ﾟ× . ｡

You can learn more about them → here, ← if you want to.

･.｡ﾟ×ﾟ｡･ﾟ»･⁠°✧↓My cg sona, Loo↓✧°･«ﾟ･｡ﾟ×ﾟ｡.･

You can learn more about them → here, ← if you want to.

I have a furry blog but it's not super active <3

.*.･｡ﾟ×ﾟ｡･.*.ﾟ☆ ↓My hashtags!↓ ☆ ﾟ.*.･｡ﾟ×ﾟ｡･.*.

Fanfics: #nates fanfictions

Head Canons: #nates headcanons

When I'm in my CG headspace: #baba space

AgeRe OC's: #nates little ocs

Arts & crafts: #nates drawings & #nates crafts

Sewing: #nates sewing

YouTube Videos/ Channel: #nates youtube

Other stuff I created: #nate makes

Banners: #nates banners

AgeRe outfits: #nates outfits

Answers to asks: #nates answers

Asks of mine that got answered: #nates questions

Textposts: #nates babbling

Memes I made: #nates memes

Ranting/ venting: #nates vents & #tw: vent

Anything dinosaur related: #nate loves dinos

Anything Tummy-Puppy related: #tuppy

Recommendations: #nates recommendations

╰→recommendations for YouTube, Music, TV, Movies..

.ﾟ.*･｡ﾟ×ﾟ｡･*.ﾟ✧ ↓ Info & DNI ↓ ✧ ﾟ.*･｡ﾟ×ﾟ｡･*.ﾟ.

I created this blog on November 9th 2022.

#age regression #age regressor #agere #agere boy #agere community #sfw #sfw agere #sfw interaction only

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woomycritiques543 · 1 year

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Going anon here so I don't get harassed by the stans I read through the doc you made and it was really well made and you brought up SO much good shit Viv and her stans have this problem of bringing up unrelated issues to try and make the other party look bad (And most of it ain't even true) "Oh Erin came out and said the workplace was so bad that she never wanted to draw again? B-b-but guys she's a TERF, so don't listen to her!" Like what the hell??? I have the evidence saved in case someone tries to take it down, and you bet I will be sharing this More people need to know about Viv's abusive behavior, not just people on TikTok (Also I send my condolenscences to you. Being misgendered and called a "psychopath" is utterly disgusting, and I hope you're doing okay)

Best wishes to you and here's to the future!

FINALLY!!!!

Sorry for the outburst but- OH MY GOD you have no idea how long it took to find a way to make it so you guys could see those files and documents! Also, thank you for your condolences.

Vivziepop ableism, internalized homophobia, and racism needs to come to an end. Not just with Ayy Lmao, but her and her entire standom. People are allowed to support something without supporting someone's behavior. Even then, giving someone thousands of dollars in hopes that they'll pay their artists properly just for this to happen instead:

(More info on how she pays her workers and how indie artists are underpaid in studios overall based on the fact that the average is less than the average American pay in the full video of "The Vivziepop Archive Extravaganza" linked within the document itself.)

So yeah, the artists being "paid a little bit less than they should" at Spindlehorse is the underestimation of the centurty. The studio gets millions daily, yet there are still people there that have to work at goddamn Starbucks. That's horrible!

So im planning to maybe make a instructional video on how to not give views to creators you enjoy but don't want to support. It's not like it's going to the other artists really in the first place. Only the lead artists who say things like this:

(This was confirmed to be VIvienne's real discord on her own Twitter by the way. Go see for yourself. It's there. She's transphobic.)

The reason why this is wrong speaks for itself.

(HINT: R^pe is something that severely traumatizes and hurts people and making light of the act itself like this is actually sickening.

-and the main creators also like things such as this:

Yeah...

I think now's a good time to speak with our wallets and our views so that those mistreated will finally move on to better studios and that Vivziepop's reign of toxicity upon the internet will finally come to an end.

So if you wan't to buy merch... buy fan merch!

If you wan't to watch a Helluva Boss episode, another hated Youtuber, etc:

1. Right click on a video from a youtuber that you don't like, for example: Onision.

2. (IMPORTANT!) Press "Copy Link Address."

3. Go to a trustworthy Youtube downloader.

4. -and bam! No views given, but you still get to enjoy the past episodes while making it so Spindlehorse can finally get the message that you do not support Vivziepop or her leads's behavior, and Youtube as a whole will finally get the message that the majority of people do not wan't to support toxic creators.

That is all it takes.

That, or film the video on Bandicam, make it a zip file, and then send it to whoever wants to download the video. -and done! You just DID NOT support Onision! Now try this with any other (big) creator that you have a problem with! Let's make Youtube a better place together. :)

#helluva boss #helluva boss criticism #vivziepop #vivziepop criticism #anti vivziepop #anti onision #anti toxic creators #tw onision mention #tw onision #tw rape mention #tw nsfl

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newlabournewromantics · 6 days

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okay so i'm not british (i'm just a teenage girl hungry for knowledge 😔✊) but i watched one video and as a result i've been consuming an insane amount of new labour media for the past week even though i've never been interested in uk politics besides keeping up with global news LMAO i genuinely wanna know more so where do you think i should start with books films etc 😭

hiii!! excellent question id be more than happy to help! this will be sort of an overview with general recs for newlab beginners (why am I treating this like its a profession omg) so just lmk if you want more specific recs + I've highlighted my favs

books (from the outside)

(by from the outside I mean written by people not directly involved in newlab, so historians/journalists etc)

the two classic newlab texts are servants of the people and the end of the party, both by andrew rawnsley from the observer. provide nice, extensive but not overly fussy histories of newlab from opposition to 2010. good balance of gossip and actual information!

my personal favourite is rivals by james naughtie (bbc reporter), I find the prose in it far more compelling than any other book on this list.

brown's britain (robert peston) is also very good!

you've mentioned that you're not from the UK, so I really really really would recommend reading a book/a few articles on the broader history of the British Labour Party, just so you can understand why newlab was so revolutionary. I quite like keeping the red flag flying

autobiographies/diaries/books from ppl directly involved:

(these will inevitably be more biased)

the new machiavelli by jonathan powell is my absolute favourite self-written newlab book - and you might learn some stuff ant machiavelli whilst ur at it so this is an essential imo

my life our times by gordon brown is another one I really enjoyed, although it's less gossipy than some of the other books on this list. admittedly I do agree with basically everything gordon brown has ever said so this is a very biased review, but I would give it a go!

obviously alastair campbell wrote a load of diaries. I would be careful with which volumes you choose to get - go for the ones published 2010 and onwards bc he made the choice to omit stuff from the first few volumes he published so that it wouldn't' hurt gordon's premiership. also, they're really long and really extensive, so pick which volumes you want to read based on which specific period of newlab you find yourself drawn to!

as a comms/polling fan (boo) I really liked unfinished revolution by philip gould, but this might not be the best book to start with.

damian mcbride's power trip (more diaries) is also interesting

big fan of point of departure by robin cook asw!

I found tony's books excruciating to read but that's bc im crazy and think I know the inside of his mind like its my own so they might be good for you. his new book is FASCINATING but only in the sense of it exposing how big his messiah complex is. don't read any of his books if you're not down to hear about sex and/or technology.

oh a note: mandelson has written books but I don't like him so im not going to recommend them <3

tv/film

tony and gordon aren't really all that into big heartfelt chats about newlab, esp not together, but a few good docs have been made

blair and brown: the new labour revolution (bbc, 2021) - this is a classic, it's where I got my newlab start as a tender sixteen year old politics student u can't beat it! watch this one first

the blair years (bbc 2007)

out of the shadows and we are the treasury (here and here)

blair's thousand days (1 2)

if you're into tbgb, please please please watch the deal. I don't like much of the michael sheen as blair content, but the deal (2003) is so good.

if you want me to rec bits of tv from the newlab years that I think r cool and worth watching then send another ask and ill tell u! but obv theyre not much use if you're just getting into newlab :)

alastair did interviews with tony and ed miliband 6/7 years ago. not all about newlab, but very interesting to watch and observe the dynamics!

podcasts

matt forde of the political party has done interviews with a lot of newlab figures, from tony all the way to the more junior spads. I especially like the joint one he did with ed balls and alastair campbell, and the first tony one. these r less good for actually learning facts about newlab but really like listening to them as a way to sort of get into these ppls heads and observe them in a more casual setting. also a gordon interview asw !

if you can bear listening to george osborne talk (I can but others r more sensible) then political currency is also a good place to get lil tidbits of newlab gossip, bc ed balls is one of the hosts and he's super messy he loves chatting abt gordon.

ideology/boring stuff etc!

ok u can ignore this section if you want but these r some books about the ideology that underpinned newlab - I think it's fascinating!

the third way by giddens (literally the newlab bible and I think the only theory that blair took seriously)

crosland’s the future of socialism!! influenced gb and caused so much internal labour drama so evidently its excellent

if you want a really interesting essay on Iraq I recommend this

podcast on centrism that touches a lot on clinton/newlab/blair etc

oh and just for fun!!!!! here's a playlist of all the songs written canonically actually irl about tony blair.

lmk if you want any other recs!!!!!

#new labour #asks #she speaks #recommendations #(very good ones)

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rdhadastroke · 1 year

Text

So this straw-masked dumbass decided to do a thing and share some personal tips about writing fanfiction/writing someone else's character/writing in general!

Please keep in mind that I am a hobbyist writer, not a professional! These are just suggestions/things that help me that may or may not work for you, please feel free to correct me or add your own anecdotes :)

Tips for getting ready to write:

Make sure that you're in an environment where you can concentrate.

Whether that be in a quiet room, a chatty café, or blasting your eardrums out with music, whatever gets you in the groove is good. Not everybody can focus in the same environment, so your choice of surroundings for when you right aren't going to be the same as everyone else's. I (personally) listen to long video essays, my current favorite song on loop, or a playlist about the story/characters.

Clear a space for where you want to write.

Clear the space of excess clutter and keep only what you need. If what you need to write is a lot, that's fine! Having too much going on at once in your writing space can overwhelm and/or distract you. I know from personal experience.

Have all of your materials at hand.

Character sheets, previous stories, note paper to jot down ideas, rough environment & scene sketches... Whatever references and tools you need, keep them with you! Also, keep a glass of water or some other drink nearby. Hydrate or diedrate, my friends.

Make sure that you won't be interrupted while you're writing.

This may not be an option for those of you living with your parents or a roommate, but it's ideal for your creative flow to go undisturbed, uninterrupted, and unwatched. Is your father really watching you write your fanfic? No, probably not, considering that he's snoring. But it still feels weird to write when he's sitting in his armchair right behind you. No, I am not projecting my experience onto the reader under the cover of an absurd joke, why would you say that?

Now that setup is out of the way, let's go over some actual writing stuff:

Always, always, always block out what you want to write before you actually write it.

By "block out", I mean give a basic summary of the events you want to take place in that chapter or segment. I usually do this event-by-event because I struggle to carry on a story without an outline, but you can do it by chapter or by paragraph if you'd like. Make jokes in your mini-summaries, and phrase things in wacky ways (that convey things to you effectively)! You don't have to be too serious about it. After all, if you're in a lil silly goofy mood, you can get an epic sentence like this:

If you get stuck on a part of a story, move on and save it for later.

If you're anything like me, you understand the screaming, crying, pissing, pants-shittingly frustrating experience of not knowing how to describe something or figure out what should be said next. As angering as it is, it's okay. Just write a mini block-in for what you want to happen, want to describe, or the general tone of what you want to be said. Or use a keyword that you can Ctrl+F for to finish those pesky scenes when you're ready. If your writing software can do it (I have no clue if any one program does this, I only use Google Docs), mark the spot for review to return to it later. If you're one of those frighteningly powerful people who write stories by hand, highlight it and paste what you want to go there over it once you're ready. If you aren't familiar with this infuriating part of writing, you're a lucky bastard and I envy you immensely.

If you have writer's block, there are 8 potential strategies (that I can provide) you can use to alleviate it.

These are NOT surefire fixes for writer's block and are EXTREMELY subjective and results will vary from person to person, but they can potentially help you.

Read a book. Sometimes reading how another author writes (dialogue, scenery, figurative language, etc.) can help you get a better grasp of what you want to write, and how you want to write it. You might even get inspired to make a different story, which bleeds into the next point.

Work on/start a different story. (This isn't always the best way to get out of writer's block, so if you can't get a word down, this probably won't help.) Sometimes changing what you're working on can free up the ink clogged in your pen, for lack of a better phrase, and give you an, "aha!" moment.

Eat and drink something. Brains don't work when they don't have fuel, so feed your machine. Frequent maintenance keeps an engine running smooth, so occasionally get a snack and make sure to keep hydrated.

Take a walk and get some fresh air, and touch some grass for the love of god. Jokes aside, getting your body moving can excite your brain into working and clear some brain fog, since exercise gives your brain a dose of serotonin. As silly as it sounds, sitting in the sun and touching some grass can actually make you feel nice and rejuvenated, it helps me a lot. Even if you don't go outside, moving around is a good way to give your brain a break.

Talk to a friend and get their input. Their ideas can get you through a tough spot and inspire you to get writing again.

Look at pretty pictures and distract yourself from what you're doing. I have pictures of art pieces and doodles I like hanging in front of the desk where I write, and losing myself in pretty stuff helps me work through what I'm struggling with.

Jot down notes by hand on what you're trying to do. Planning things out on pen and paper, despite being tedious, imprints information in your mind and can be useful to your writing needs

If you're writing a fanfiction, look at the source material. Chances are, there's something there that could help you along.

If you don't have the motivation to write anything, don't.

This isn't the best advice for someone who's on a time limit, but works wonders for passion projects and fun stories. Very few do their best work when they force themselves to do it. Besides, there's no point in having a hobby if you don't get joy out of it and overly stress over it.

Writing someone else's character? No problemo, here's some fanfic help:

Always look at the source material, and don't be shy to explore new territory with the character.

It's important to stay true to the personality of a character when you're writing someone else's creation, but don't be afraid to throw in some headcanons and artistic flair. Remember, there's a difference between writing a character unrealistically (pertaining to personality, likes, interests, and universe/world/time period) and changing the circumstances of the original story. Characters are people too, and people react differently to the same thing depending on the world around them. A character may not have [x] trait if [y] event never happened, likewise [y] event never would have happened if this character didn't have [x] trait. Take into consideration the people around the character, as well, as they can also affect what the character does and how they develop. Change up small events in the original source material's story to get a different story and a different reaction out of the character. Experiment, and have fun! It's your story, write it your way!

That's all the advice I have for now, and I hope I was helpful! :)))

#fanfiction tips #writing tips #writing help #writing #fanfiction help #fanfiction #writing advice #fanfiction advice #hobby writer #im not a professional

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lexygabe · 11 months

Text

tora aikawa / twisting tiger headcanons/rewriting/etc.

(march/11/1990)

pisces sun | virgo moon | aquarius rising

INFP - 9w8 - sx/so - 974 - ESI - RLUAI - EFVL - Melancholic-Phlegmatic

general headcanons:

• trans masc, he/him, gayace,

• nobody cares but his sexuality headcanons were made by me when i was mad at wattpad bitches infantalizing him and making him their uwu japanese anime boyfriend,

• also he is little gremlin man before anybody start treating him as omg so cute trans boy hahaha gay baby. nah, he will kick you directly in the balls (even if you don't have them) and he will do this with pleasure,

• as a kid he was creepypasta enjoyer (he tortured miko with them when he was trying to sleep),

• philosophy nerd, not only into "asian philosophy", but philosophy in general. marxism, stoicism, nihilism, epicureanism, etc. everything,

• he reads this big fucking books weighing tons and they are always the craziest shit ever like "the idiot" by fyodor dostoevsky,

• i think he is russian literature fan in general,

• i think he had something that we could describe as depressive episodes, but he was never diagnosed with it til adulthood. and to be honesg tiger himself thought that everyone have felt something like that from time to time,

• probably has light ptsd,

• his friendships with nakama players (besides his and miko bond) aren't that strong like they used to. this is "when both of you start to distancing from each other and you become strangers to each other" situation, (he misses them)

• he self expressing himself very often in form of his new tricks, but also in his writing (he has a lot of notebooks with multiple essays),

• loves cartoons,

• <energy drinks3,

• he has keyhole top surgery type of scars,

• he become strika member after his whole transition journey,

• when doc got his medical results he was a little bit confused bcs birth certificate said that tiger is afab, so he informed coach about it,

• some day after training coach took tiger aside and told him that if anybody's gonna have problem with his identity, he will talk to them and he also asked tiger if he was capable of informing him or doc about his problems/health,

• rasta was first to know, bcs he and tiger went out for a beer together once and tiger started pointing out on his chest and telling a whole story totally drunk. the next day rasta walked up to him and asked in friendly-jokingly way is it safe for him to remove his muscle breasts, to which tiger replied with laugh,

• besides rasta, coach and doc. shakes, klaus and probably whole reserve players bench know about him,

• y'all will eat me (for speaking the truth) but matador, joe and north don't know about the fact that he is trans. bcs north definitely says f/aggot at least once a day, el is this cis lgb+ stereotype in tigers eyes (even tho matador doesn't care about gender identity, if you are hot, then you are hot and you will have to deal with his interest in you) and joe may perceive tiger differently when he would come out (again, this is how tiger feels about him),

• he is very critical of the sigma male trend and whole "sigma" idea in general, he even done a research and watched and read american psycho and fight club (yeah ik this is so random),

• idealist. he is close with his feelings and morality, so he assumes very often that everyone controls their own emotions like him,

• he is both idealist and skeptic,

• texts >>>>>>> voice messages/video calls,

• had religion crisis,

• he develops his trust to people very slowly,

• has mulitple accounts on twitter and makes the best trolling posts out there,

• he has decent knowledge about politics,

• watches kdramas when bored,

• he was wearing brackets in the past,

• has a lot of collections (like gadgets from chips' wrappers, TALISMANS, jewelry, figurines), but he is not obsessed about them,

• has tattoos like this:

• DEFINITELY HAS SOMETHINGG FROM HYPERMOBILITY SPECTRUM. that's why he is so flexible.

throught the series (og tv show, rewriting):

• [—] is waiting to be completed.

relationship with:

• miko: ik a lot of you ships them, but they are platonic to me.

they are like brothers. sometimes they fight for dear life and the other time they send each other funny memes at 3 am. in my head, both of them didn't have a great family dynamic, so they stayed together late at night.

miko was more easy going, so he was always worried about tiger when something happened to him. they aren't ashamed to show their love to each other.

• inyo: when they were kiddos she truly loved him in the most sisterly way you can think of. both of them are very careful when it comes to developing relations so they become very important to each other. it hurt when they had no contact with each other for years and then they become super league enemies (they never even have a talk after this).

• rasta: tiger is welcomed in rasta's house and tiger is always open to do something for rasta in return. buddies.

• cool joe: its complicated. on the one hand they are good friends and joe considers tiger as one of the most normal mates in their team, but they still have that unresolved tension that prevents them from deepening their relationship further.

• others: ?

fashion headcanons:

• smokey eye makeup supremacy,

• TW SCARYASS PRINTED SHIRT. he wears t-shirts with the most obscure shit on them

• his style is something between grunge, gothic and alt,

• he wears platform shoes to look taller than he actually is,

• some examples of his fits:

music headcanons:

• soft rock!! (car seat headrest is his beloved), j-pop, mcr & bôa.

NSFW:

• had a tdick at the time when he was playing for nakama,

• is into t4t relationships, bcs every cis gay guy he had thing for were super weird about him and either have had internalized transphobia or specific fantasies that crossed his boundaries of comfort,

• tldr give this man a trans bf so he could have the most non sexual intercourse.

#supa strikas #headcanon: supa strikas #supa strikas twisting tiger #supablr #text: supa strikas

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