#fucking PROPS to the writers

[celluzu]

It's been like an hour and I'm still so.

The way Cellbit stared at the key card before he grabbed it. The way he hovered his mouse over it as if to stare at it AGAIN once it was in his hand.

He was so confident he was working against the federation that he didn't even think twice about Cucurucho mentioning his "missions." No one even blinked at the QSMP news stating he was a Federation worker. He thought he was above it, past it. And everyone else believed he was too.

And the way the Federation led him on. Intentionally made him feel like he was in charge, like he was getting exactly what he wanted. Insane.

[anotherdarkiboi]

List of Astarion's Terms of Endearment

This is for the fanfic writers haha. Tell me if I'm missing any so can add it in!

Darling (his most used)

My love, love

My sweet

“You sweet, generous thing”, “you sweet little thing”

Lover

My dear, a dear, dear

Beautiful

Cheeky little pup

My little treat ("-with their cheeks all flushed")

Sweetie

Pet

You wicked little thing (affectionate)

"You're a sweetheart", "you sweetheart"

Delectable little pet (not directed towards Tav but it easily could be)

My friend (yay, we're his friend)

My favorite traveling companion (not a pet name but it's nice to be his favorite)

My leaking blood-bag (technically you refer to yourself as that first and he calls you his one after, but it counts)

You little scoundrel

Edit: Thank you everyone in the comments for adding the Dark Urge ones!

Bhaal-babe (I'm dead, this silly pun I swear)

My sweet, bloodthirsty friend

My precious little Bhaal-babe

My conflicted villain

My dagger-happy friend

Bonus: Ascended Yandere Astarion

My pet, pet

Little love

Precious thing

My treasure

My consort, My Dark Consort

My favorite spawn

Insolent little- (the Dev's notes say that the full line is "you insolent little brat" which, um...)

Insolent little pup (the line was in EA, although I’m not entirely sure if it’s Ascended Astarion. Full line: “you are an insolent little pup, aren’t you?”)

"You ingrate" (When you try to break up with him. It's not really a pet name, but-)

"Property I cherish, but still my property" (his thoughts)

[ianthedebonair]

In true FHR fashion, you get to decide what Damien would say, leading to two different 🌶️spicy🌶️ scenes ( iykyk 👀👉🏽👈🏽). Choices/links below the cut:

Let Ricardo take charge

"I want to try something out..."

Disclaimer: Links above lead to gratuitous, self-indulgent smut. Definitely not safe for work. You've been warned.

(Also, reblogs are disabled on the linked posts. So, if you're planning to, reblog this one instead and give the gift of choice to your (adult) followers this Christmas 😊)

[littiaye]

just a couple scenes from a fic I've been rough drafting for a whiiiiiiiile

[wingsofhcpe]

yeah now I see why everyone's saying Netflix ruined the Witcher story in s3 and why Henry Cavill hightailed it the fuck out of there.

They ruined Dijkstra by making him a coward and a drunken fool by the end. They ruined Philippa by making her a "sexy dominatrix" cardboard cutout instead of the calm and collected mastermind powerhouse she's in the books AND it seems they'll give her secret magic meetings orchestrator role to Yennefer because fuck any female character who isn't her or Ciri, I guess. They changed Cahir's story for.... God knows why, actually. They FUCKED UP Fringilla and Fransesca and the emergence of the Dol Blathana kingdom, seriously I don't even know where to begin when it comes to these two.

And worst of all, the one thing I will absolutely never forgive them for: Tissaia.

My brave, strong, arrogant Tissaia, brought so low for a man. Making mistakes not because of her arrogance or her immense power and her belief that she was protecting what she treasured, but for a fucking love interest. Oh, but he turned her soft, she finally trusted, she was finally happy, she's better for it per Yen's literal words. And she gambled and lost not because of her unwavering beliefs, but because she was shagging Vilgefortz and he manipulated her.

The lightning scene and her hair turning white? Yeah, that was fucking badass. But since they went through all that trouble to keep her around longer/have her do more things, I don't understand why they had to kill her in the same way as the books in the end. With the path they chose for her, she should have died during the lightning spell. That would have been okay. But no, they had to do that part like the books, I imagine for shock value. And somehow, that made everything even worse.

CW for self-harm and suicide under the cut.

In the books, Tissaia taking her own life was not a dramatic, prolonged scene. It wasn't an emotional decision she took by smoking drugs and writing farewell letters. She made a mistake because of her own arrogance: not because of men or love but because she truly believed herself to be powerful and infallible and trusted herself to protect Aretuza. And so when she gambled and lost, taking her own life felt like her acknowledging her colossal mistake and not cowering at the face of consequences, but instead delivering those consequences herself, which only strengthened her image as a powerful, self-sufficient mage; she didn't even need someone else to point out her failures and deliver punishment, she did it herself. And to be clear here, I am not glorifying her act; suicide is no "proper punishment", nor should it be regarded as something admirable. All I'm saying is that it was very much in line with Tissaia's character and thematically fitting. This is fiction, not reality. Let us not confuse the two.

In the show, however? They dragged it out, they had Philippa rubbing her mistakes at her face, humiliating her in front of the other sorcerers. And the last straw for me was her conversation with Yennefer, because it really came off as Tissaia accepting that her living and staying strong and leading them would be the proper way to atone for what she did. It came off as Tissaia accepting responsibility, recognising the truth in Yennefer's words, and actually trusting in them. Then, the moment Yennefer looked away, she got high, made a callback to season 1 for... some reason with the rock and flower trick, and killed herself.

In the books, death felt like her righteous punishment that she accepted for her mistakes. Here, it felt like running away, choosing the easy way out and, ultimately, doing it all because of Vilgefortz.

And I am never, ever forgiving the show writers for that. Tissaia was my favourite character in the books, and they absolutely destroyed and humiliated her, and for what? For shock value and to prop up Yennefer. Because God forbid this show has more than one badass woman character in the lead. If yall wanted to change Tissaia's character you could have done that by keeping her alive, having her stand by Yennefer, maybe having lost her powers after thar spell but still being there to guide the new generation of sorcerers as they rebuilt their home- that would have been what book!Tissaia would have done as an alternative to dying. But no. You just had to make her a pathetic little coward whose actions were mostly because of her relationship to Vilgefortz. Taking away her strength and agency in every possible way.

I'm glad Cavill left this shitty-ass production and I honestly hope s4 flops SO bad you'll have to cancel s5 even if it's already renewed. Fuck this shit.

[ender-cloud]

Jekyll Jekyll Hyde from Arthur has no reason to be as good as it.

Like I can see how it is catchy because it’s a kids show so the song has to be pretty simple but like still? The background music on the Jekyll Jekyll Hyde part is really like what’s surprising to me because it just goes so hard

I mean ok, so, my friend who has never even touched anything Jekyll and Hyde, immediately was like “wait why is this kinda good”

And I mean yeah I know it practically Dosent have much to do with Jekyll and Hyde besides, you know, the transforming and the names. BUT THATS NOT THE POINT! The point is that this song from a PBS kids show and you don’t even have to have an attachment to the thing it’s based off to like it. How did they manage this???

(Also uh, I know PBS kids is like supposed to be educational, I grew up with it, and I don’t know how this is educational? Maybe encouraging people to read? Idk all I care about is that it’s good)

Guys it’s too good I’m not ok, and it’s like also a bit funny too in a way because it’s good and I just don’t understand, please my brain can’t take it and it just plays over and over it won’t leave!

[lupins-hehim-pussy]

I wanna know ur Fontaine msq criticisms 👁️👁️👂I’m all ears

I'm not sure if you wanted me to talk about this secretly or publicly but! Here I go!

The TLDR: Fontaine MSQ aestheticised prison, poverty, child abuse, the justice system/court and didn't properly address any of it.

More:

Focalors/Furina has way too much of a sympathetic angle for a dictator who's lets people drown with her inaction.

Neuvillette feels Bad for sentencing some people to death/prison, but that's it. He's one of the most powerful people in Fontaine. If he felt like there are systemic injustices, I.E sending an abused Child to prison, he should be the first person to DO something about it, not just cry and be sad so the audience can be like aw, that's complex character writing isn't it? No it's not! And guilt doesn't absolve you!!!!!!! (These are stuff we deal with in OTCOJ read my fic now /j)

Meropide has children in it, both Sentenced there (Wriothesley) and BORN THERE (Lanoire), and this is just a quirk of the place. Not only that, Meropide accepts prisoners of all genders and crimes. There are abusers and abuse victims in one place. Do you know how bad that is? How much potential for crimes to happen in a place like that— oh wait, Meropide isn't under Fontaine's jurisdiction. If you are assaulted as an inmate it literally means nothing to the court.

Wriothesley had no qualifications when he took over. Depending on how long he lived on the streets, how old he was when he killed his parents, how old he was when he was first taken in by the orphanage, etc, the man might never have more than 4–5 years of formal education. Sigewinne probably had to teach him how to write reports. And do Meropide's spreadsheets. Edit because I forgot to elaborate on this one: This isn't a point brought up anywhere, which is bad, because when poverty and incarceration robs you of a proper education (and the rights to vote in many places too, too, by the way), it reduces your prospects for jobs, reduces many people's ability to get a home etc etc. Wriothesley was just, narratively, Given his position.

Meropide is an industrialized prison, and they portray this as a good thing. Prisoners are paid in coupons for their labour, and this is also portrayed as a good thing.

The One-Meal-A-Day reform was something Paimon gushed about being so great of a perk, that people might want to go to jail for food (could be interesting and reflective of systemic poverty if MHY had brains, but they don't, so I was just Pissed because essentially all Paimon wanted to say was "Prison isn't so bad, but still don't go to prison guys! Prison labour is really hard!"). By the way, in most real-world prisons they are obligated to feed you three meals a day. Because that's how much food a human needs. MHY went with one meal just so they can say "if you want to eat more, you have to work." And then the welfare meal is a goddamn gacha. So imagine you're a starving child who's too weak to work in the fucking robot assembly line, and you wander up for your first meal in 24 hours, only to luck in with a shit one. I'd kill myself.

They wrote Wriothesley, who's a victim of the system, into a guy who's say shit like "I'm the Duke I can do whatever I want" for a cool moment where he choke-slams an inmate (I know he was a bad guy. But also, in copaganda when cops are violent/disregarding protocols, they are always only portrayed to do that against bad guys, so what does our critical thinking tells us about this one?) They wrote Wriothesley, who was an inmate of a prison so bad, so notorious that it is the literal boogeyman of Fontaine, that has a legal (???) fighting pit, with an administrator who abuses his position to be unreasonable, to willingly stay in the place and become an Administrator who would choke-slam an inmate while saying a cool line about how he has the power to do whatever he wants. They wrote him, the guy who had to be fed on the streets by melusines, to think one-meal-a-day was a good enough reform (while he spends god-knows how much on his boat). This wasn't a victim-turns-into-abuser narrative either, they want all this to be seen as positive character growth.

And then, the final kicker is, they gloss over his entire abuse. You can only read about these shit in his profile, which most people don't because they don't Have Him or doesn't care to unlock it/read it online, and they jammed his entire backstory into a flaccid info-dump at the end of his character story quest. This man isn't Allowed to feel abused and neglected and show any reaction to it within the narrative of Fontaine itself, because if they actually Gave Weight to what happened to him, they'd have to confront THE FUCKING JUSTICE SYSTEM they had NO PLANS on criticising. I don't think they ever explicitly said the fucking Crime-Theatre nonsense was Bad either.

I could go on, but this is already so long. But yeah, I hope this gave you an idea.

[wonderlandoffanfics]

There's just not enough Bartolomeo stuff floating around

[awkward-teabag]

Mmm. Been ruminating on and have mixed feelings about Snowpiercer (the TV show, not movie). On the one hand, some of the character developments and plots are great. I particularly like the one where an abuse victim thinks they're strong enough to handle their former abuser only to fall back into old patterns. It's realistic and compelling.

The gender-swapping of roles, intentional or not, is also refreshing. Yes I will take a man being the emotional one and his partner being the practical/realistic one who is willing to put aside her own desires to get shit done, thanks.

But on the other hand, the writing can be a mess at times and characters do a 180 either to fit the episode or to fit a plot and previous development gets conveniently ignored to do it. Given other good writing and steady development spanning seasons, it makes this stand out even more, especially in the final season.

It would be easier to deal with if it was an entire season or was restricted to episodes written/directed by a specific person. That it's not and that it's mixed with good puts it in a weird place and brings the whole show down

[lexalovesbooks]

Me, all season: i love it but what on earth is the deal with this weird little sassy child whose sole purpose in the show is to make fun of Rowan

Me, after episode eight: O_O.

[oatlystrawberryicecream]

jason todd’s robin wasn’t the angry one but even if he was why shouldn’t he be angry? wouldn’t you be? anger is not a character flaw it is a normal part of being a human and children especially traumatized ones can display anger in atypical ways and often need help regulating and safely expressing it (which a man dressed as a bat who runs around punching people is not the most adept at giving)

[passthroughtime]

i hope you don’t mind me not participating in sunday six for so long and not updating my fic... i’m having a bit rough time handling my life irl right now

[hermesmoly]

Went out of my fic comfort zone to read some dead dove and test my sanity. Let me tell you *mputation kink has got to be my most hated

[postmanlinksbootyshorts]

takut0wa shippers are so insecure and annoying, it's genuinely so fucking funny that i can't even be mad fr

[juniperhillpatient]

tumblr stop fucking recommending me azula discourse posts I do not give a fuck oh my god I’m so over ittt anyone can hate her anyone can love her I don’t caaaaaaaaaareee

[saunteringvaguelydownwards]

****

Motherfucker, y'all got me writing again, what the fuck?