#fully in greyscale this time and i'm sure you know what that means

[nouverx]

Day 7 of Radiostatic Week

First fight! But surely not the last :)

[foxy-alien]

Page (4/14)

I wanted to share my process for my 14 page Nona comic, This got pretty long so the rest is under the cut!

First, I start by making a script, as I'm weeding through Nona I’m drawing immediate reactions. This way I don't have to keep track of action as well as dialogue. This is the most dialogue heavy page of the comic so this one has the most detailed panel break ups. 

In this scene Alecto’s inner thoughts are my favorite part so I dedicated a lot of time figuring how to add them naturally. I especially love “The old man, Crux—the child Crux, barely one hundred years old��

Once I have a rough, and I mean ROUGH thumbnail for the page I move on to creating a digital sketch. 

Side note, you’ll notice I go back and forth from traditional to digital back to traditional. Having to fully redraw poses multiple times makes me really think about the action and what I want to include.

Thumbnailing is for figuring out panels. Sketching is for action and dialogue. I tend to show action and emotion over following all the rules of comic making. If you notice i break the 180 rule, but at the end of the day character interactions are more important to me.

I redraw the sketch on comic paper in mechanical pencil. Again I don’t trace the digital work because I want the linework to stay loose. I just focus on lineweight and contrast at this step. The dialogue is written out first then I line everything else with my felt tip pen.

I clean up the comic and replace the handwritten dialogue with a font I made out of my handwriting. This part is tedious but I really don't know how to skip it. My handwriting is too hard to read but I also need to make sure all the dialogue fits naturally, so that means doing it twice. 

My coloring process is really chaotic and can't be summed up in screenshots. 

Crazy right? I am constantly adjusting, changing, and generally making a mess and then cleaning it up when I color. Often when my colors look off to me it's because I have a contrast problem, so I check it in greyscale. 

If you want to know more I can share my brushes and techniques.

And with that I’m done! And then I move on to the next page.

[bigblueoctoling]

Side Order Observations about Eight

Just a sort of nonspecific collection of thoughts about Eight (and some of Acht) in Side Order.

So, for starters, I feel that a lot of people are not fully taking advantage of the angst-fuel given to us here. A lot of people write it as though Eight is Suffering throughout the majority of this adventure, but that's not entirely accurate, I feel, to how Eight is characterized.

Going off of Eight's memcakes from Octo Expansion, Eight is someone who finds a lot of comfort in feeling powerful. She cites the usual casual play of turf war as something desirable, she finds comfort in using a charger. If anything, I feel that one of the reasons Eight was chosen by Marina to test this software was because of her affinity for combat- Marina assumes that the tower would even be too easy for her.

That being said, Eight surely felt a lot more anxious in particular about the present dangers early in the run- in particular, terrified of something bad happening to Marina. I sort of see Marina as a sort of maternal figure to Eight- I'd always pictured Marina and Pearl just sort of taking Eight home with them, I'm sure their mansion is big enough, and the fact that they take Eight along with them on the world tour kind of supports this idea. Probably the worst thing to threaten Eight with is threatening to hurt Marina. Or Pearl, of course, but especially Marina, given her nature.

I can imagine, of course, that Order is also an upsettingly familiar threat, but it likely wasn't as upsetting (until the Greyscaling) as seeing Marina in actual danger was.

But the piece of the story that I feel most people aren't acknowledging is the fact that Eight's palette- her soul- is so blatantly different, in function and in appearance, than everyone else's. That it calls back memories of the deepsea metro. Can you imagine what she must feel that says about her? How much more difficult her soul is to work with than anyone else's, even Octavio's.

There's a lot to work with, I feel, with Eight's palette. Feelings of inadequacy. Eight struggling a lot more with her palette than anyone else's; the fear that she might never be able to complete it? The trauma of being brought back mentally to deepsea metro. The whole locker situation there.

Worse yet, what about when she does complete it? Sure, one can assume Eight did get her memories back and she just doesn't say anything because she's Eight, and there's plenty to work with there- But what if it just doesn't do anything? Feeling guilt that it's her fault, because of her fucked up soul- and either way, not wanting to tell Marina this, because you've all worked so hard for this, and after everything, Eight just wants Marina to relax and be happy, but she can't deny the frustration of not knowing. Or the fear. Why doesn't this work for her? Why is she broken?

Or to tie the previous theory of Eight being a clone of Acht into this, why does Eight's palette unlock notes from Acht? Eight already struggles to know who she is- is she Acht? Somehow? Why doesn't she have her own memories? What does Acht know? What if she were to ask Acht, but they didn't know either?

Or to turn things around to Acht's perspective, imagine the fact that your palette is unaccounted for, you find Eight's, and Eight's starts unlocking your memories? All of the fuzzy spots in your memory start to be concerning. They can't help but compare themselves to Eight, what a disappointment to end up being chained onto you of all people when she's such an incredible person. Maybe you're the reason their soul is broken, somehow.

Also, I didn't mention this in my other post- I've headcanoned for some time that Eight deeply prefers being called Eight, and not 'Agent 8'; discomfort in being referred to as one in a series of numbers, discomfort with the association with the squidbeak splatoon, and so forth- it means the world to me that that's somehow canonical. It was an unreal moment to discover that. It makes me very happy that Eight properly uses Eight as her name.

[honeii-puff]

WARNING: I do not support the creator of Hazbin Hotel, and I haven't even seen the show. My information comes from the wiki and clips I've found on Youtube.

So in Hazbin, we know there's Heaven and the seven rings of Hell, but what about Limbo?

For those who don't know, Limbo is a place in Catholicism between heaven and hell for those who aren't baptized but haven't done bad enough to get sent to Hell. I'm not catholic, but I grew up in a catholic area, so I know a bit about it.

So I came up with a concept whilst in the shower.

Not sure if Canon actually has a thing for where the sinners go after they're exterminated, but I feel that a place they could go is Limbo. They're pierced by angel steel, which could have some holy properties and explain why it kills them "permanently", cleansing their soul enough to remove them from Hell, but not send them to Heaven. (The exterminators have no idea of this, or else they wouldn't be doing it)

In the show, both Heaven and Hell have very different color schemes. Heaven is more of whites and blues and greys, whilst Hell has blacks and yellows and reds. I imagine Limbo is a combination of the two, with greys and purples.

Now, with sinners, they'd get sent to Limbo and go under this weird brainwashing trance, kind of like Asphodel in Greek Mythology, where they wander around aimlessly for the rest of forever. They're all in greyscale and look identical to each other. They can interact and speak, but their voices are monotone, and they don't even remember their names.

Now, what would happen if a Hellborn got hit with angel steel?

They would still go to Limbo (Unless a Hellborn has gotten hit with angel steel in Canon and I just missed that part), but wouldn't get brainwashed.

They would undergo physical changes once they entered limbo, mainly adapting the color pallet to fit the scheme (greyscale and purple). One eye would be the eye color that they had in Hell, and the other would be purple and grey. Black cracks would appear across their skin, as they weren't built to be in Limbo. It won't kill them immediately, but the cracks will grow over time and eventually, they're shatter, cursing them to stay in Limbo forever as a phantom of who they once were.

There haven't been any reported escapes from Limbo, and nobody actually knows it exists, since nobody has explored the possibility.

I did make a character named Melanie, who is the only Hellborn who got sent to Limbo by mistake during an extermination.

Another feature of Hellborns getting sent to Limbo is that they are stuck halfway into their full demon form, with their horns shorter and two rings circling those horns to signify they aren't fully demon anymore, but they aren't well enough to be sent to Heaven.

There are ways to escape Limbo, but they require resources that aren't readily available in Limbo, meaning you'd need to have someone get into Limbo who won't get trapped there to get you out.

There are two ways: Getting hit by angel steel again, which will send you to Heaven, or selling your soul to send you back to Hell. It knocks the scales, so you aren't in the middle ground enough to stay in Limbo but rather get knocked into either Heaven or Hell. If they go to Heaven, then they'll take on a slightly different appearance than most angels, still having hints of red and purple from their past in Hell and Limbo.

Angels can get sent to Limbo, too, if they're killed by a demon. It kinda works the same way as it does with sinners unless they are of a higher rank (Cherubs and Seraphims.). If they are of higher rank, then it affects them similarly to how it affects a Hellborn. Whilst in Limbo, if they escape via the Hell route, then they'll keep hints of blue in their color scheme without being considered a fallen angel, as they weren't banished from Heaven, but instead unfairly removed. They would be referred to as "In Purgatory", and could be redeemed to go back to Heaven after a bit if they don't fall into hellish ways. If they take the Heaven route, then they'll keep a purple hue, but mainly look the same as they did pre-Limbo.

Lmk if you have any questions about this, I'm willing to expand.

[pomrania]

Looking over last year's Smaugust stuff in preparation for this year's Smaugust -- I don't want to have to rediscover all those tricks from scratch -- and damn there's some REALLY good stuff in there. Good job, past me.

Currently working on writing the text for at least the first request post, decent chance it'll get changed up for future posts as I think of things to add or remove. At least this time around, I have a "for more information click here" post I can link, instead of having a wall of text to scroll through before people can see critters and art.

So yeah Smaugust is starting tomorrow, and I'll want to draw some (read: a lot of) cats as dragons. If you have cat pictures, get them handy.

I remember that last year I was really drained by it, so I think this year I'll work on limiting the amount of time I spend on any one picture; ideally this will help me develop some artistic efficiency, but "not feeling tired all of the time" is its own benefit.

DO NOT REFRAIN FROM MAKING REQUESTS BECAUSE YOU DON'T WANT TO OVERWORK ME; TIME AND ENERGY MANAGEMENT IS A PROBLEM TO BE SOLVED ON *MY* END. If I end up needing to close stuff for a bit, I'm perfectly capable of deciding that myself; have some respect for me as an autonomous person. I've already set things up to prevent certain ballooning; "separate posts for each day" means that it can't go too far if it breaches containment, and also that if I end up needing a day off, I can just... not make a post for that day.

(In completely unrelated news, I just found a comb I'd been looking for, for a few days; it was behind the container it's supposed to be in, but I know for a FACT that I'd taken that container out, looked in that area, and hadn't seen it. *shrug* Gremlins.)

Gah, every time I prepare for an art event, I keep coming back to that rant, of people not making requests, WHEN I EXPLICITLY SAY "PLEASE GIVE ME REQUESTS", because they "don't want to be a bother". First of all, that's some nasty scarring on your soul, that you think that way; I know "don't think that way" can't make you heal, but at least it doesn't let the lie continue that you're SUPPOSED to be mentally limping around. Second of all, my own damage resulted in the exact opposite problems; so if I ever hit a lull with this, there's a decent chance I'll be bothering people "hey give me a photo of your cat to draw".

Back to looking at the stuff I'd drawn last year. I'm pretty sure THAT prompt list is better than the one I'll be using, which I'd made in like half an hour, MAYBE an hour; so there's a bunch of cool concepts I won't get from my list, so I'll have to be aware and try to work cool stuff into it anyways.

Huh, I hadn't remembered I'd drawn so many pictures in greyscale. Well not MANY of them, but still more than I'd thought. That's what I did when I didn't have the energy for working with colours, or I simply couldn't think of what colour scheme would be best; and they all looked good regardless. (Okay there's one I don't care too much for, but it was from early on in the event, where I hadn't fully figured out the best way of dragonification, and it doesn't look any worse than pictures done in colour from that same timeframe.) Need to keep in mind an that's an option.

Also, I really like a lot of the pictures I'd done where there isn't really any shading, just lines and colours. Something else to keep in mind, that it's not a NECESSARY step. Might or might not want to try working on that specifically, because when I see a picture (that someone else has done) in that style, done with skill, I personally enjoy it more than one done in a different style with equal skill.

Also seeing a number of pictures where it's EXTREMELY obvious I just had a dumb thought that made me grin and then I ran with it; and you know what, those pictures STILL make me grin.

[danwhobrowses]

House of the Dragon - Eps 1&2 Thoughts and Review

Fire cannot kill a dragon, and yet we can afford to be burned twice.

In Spite of the bitter taste of Game of Thrones' finale, I like many others have plunged myself into House of the Dragon with tempered expectation of the prequel. Now that the first two episodes are out - and totally not because I forgot to do a standalone one for episode 1 - I'm gonna start giving my blind thoughts on the matter.

To be clear, I'm not super familiar with this story, I know it's covered in a book and other reactors inform me that the book has two unreliable accounts (a Maester and a Court Jester) and this is a 'how it really happened' version for the tv version rather than the book version - so there are some changes and age ups - but otherwise I am blind to the direction it's going, so here's my thoughts on it.

Spoilers for the first two episodes of course, and a bit of Game of Thrones too, give them a watch first if you don't want some plot points ruined for you

So this is a good start, I think I am still a bit hesitant to go fully into it but I am liking what I'm seeing so far.

The first episode was good but I must admit I found myself more unsettled than entertained, purely because of the graphic C-Section scene and the presence of pus, I mean I never wanted to see it with the Jorah greyscale scene and I didn't want it here either, same with the sound of choking babies, it was perhaps too uncomfortable. I think the dragon CGI looked a bit wonky at times, it could be the gold on Syrax is just not great for CGI (I'm sure we all recall The Witcher's golden dragon) or perhaps the smoothness of its scales. I do feel 50/50 on the frequent need to reference Game of Thrones even though it's a prequel, on one hand I get it because it bridges the gap but on the other hand if this show is a prequel by over a century it's a little too on the nose.

Episode 2 was a lot better, but I think it suffered a narrative flaw of 'character a does not talk to character b' when it came to Viscerys announcing his marriage to Alicent, he made no effort to even discuss with Rhaenyra his intent to wed her best friend, which will inevitably start the rift between them showed in the trailers. It also doesn't make Viscerys look any better to go against his better counsel and alienating one of his strongest allies because Laena Velayron is 12, especially when Alicent is apparently around 15. The time jump is a little abrupt, though I feel that we may have more to come.

I will praise heavily the attention to detail when it comes to costuming, something the GoT universe hadn't ever had a problem with thriving on, but I will say that sometimes it does look like the helmets don't fit as well as they should. Then again, this could be an intentional design flaw since this is considered a more peaceful period of Westeros.

I like the characters so far, mostly at the least. So far the star of the show is Matt Smith's Daemon Targaryen, the sociopath prince who has become social media's latest beloved bastard, both cunning and childish he fits a balance of being a villain but also one who still cares about his family. Rhaenyra and Alicent's younger actors have done really well, as has Rhys Ifans' Otto Hightower. Paddy Considine has been really good as the grieving king Viscerys I, completing subverting the descendant of his namesake we're familiar with by appearing at the least as a fair King and a decent person put under a lot of pressure by traditions. Sian Brooke did very well as Queen Aemma, given how she would be the first major casualty of the show, it is a shame we won't get more of her. Episode 2 got to showcase Eve Best's Rhaenys (George making it really easy to second guess every Targaryen's name and spelling) and Steve Toussaint's Corlys a bit more but we still need more of them, same for Graham McTavish's Ser Harrold and Fabien Frankel's Criston Cole, who have simply looked formidable among the crowd. We are yet to have a slew of charismatic characters equal to Tyrion, Tywin, Cersei, Ned, Arya, Bronn, Littlefinger, The Hound and Varys, but we can give it time.

Story-wise, I wish we had more time with Rhaenyra and Alicent before their rift, they established their friendship well but it probably would've hit deeper if we had more time with them, I understand the time jump but we could've had a bit more in between. While I don't think Daemon's a good guy, or that he'd be the worst king (more that he'd be a ruthless one), I do agree with him that the Small Counsel are trying to manipulate Viscerys for their own gains, seen most blatantly by Otto and Corlys throwing their daughters at him. Daemon being rescinded as an heir is grief-driven, especially since we never see him say it, but Daemon's reaction to it as detailed in Episode 2 doesn't do him any favours towards making it seem unfair. Viscerys as I pointed out is a good guy, but he seriously needs to work on his communication, from not telling Aemma his choice to let her die to try and save his son, to not discussing his marriage decisions with anyone or even trying to prepare his daughter for the throne, there is a difference between 'You will learn' and 'Let me teach you'. Alicent seems sweet, for now at least Arya and Daenerys once seemed sweet too, she is in a tough spot that makes me sympathise with her, I don't sympathise with Corlys as much, Viscerys should have married his daughter (or at least sought another way to merge their houses) but his own reaction going straight to Daemon proves that his ambitions are greater than his loyalty.

Of the two episodes I think my favourite scenes so far have been the jousting tournament - both for its visual spectacle but also as a strong introduction to Cole to what I guess will set up a feud between the two - and Viscerys confronting Daemon from Episode 1, and the Dragonstone standoff from Episode 2, not in that order though. The show has promise but since we're still in 'setup' we'll see on the next episode if it can up the ante.