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#george appreciation
youreanidiom · 1 year
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I love these quiet moments with George. It’s parasocial as hell, but I really enjoy is just peacefully existing together while he types away on his clacky keyboard <3
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cellarful-of-noise · 22 days
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WOKE Beatles be like:
John LESBIAN
Paul McCUNTny
RinGAY Starr
George Harrison
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yrsonpurpose · 7 days
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#comedy king
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cuntygeorgeharrison · 3 months
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sideralatheneum · 1 year
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I just think they’re neat :)
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theartfulv · 4 days
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Lockwood & Co. Appreciation Week
March 24th, Day 1
Favourite Character from the Main Trio:
No surprise here, it’s George Karim! I could go on a whole rant about how much I adore George and his characterisation but for now all I’ll say is George Karim makes me feel seen.
Not sure if I’ll be able to do anymore prompts for the week due to me being away and ill but I’ll try my best!
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elvispresley · 9 months
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The Beatles singing Ticket To Ride in the movie Help! (1965)
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eddietoz · 27 days
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they called me crazy
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m1ssunderstanding · 2 months
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Get Back Rewatch 55 Years On: Day 20
I literally got second-hand anxiety hearing, “How many numbers do you think you’ll have by tomorrow?”. I was like. TOMORROW? They are Not ready. The only reason the rooftop works out is because they’re the fucking Beatles. No one else would pull that out of their butts so well. 
If only John could’ve listened to Glyn about Klein. smh
Classic Paul. Starts out saying “us” ends up just talking about John. “The best bit of us always has been, and always will be, is when we’re backs against the wall and we’ve been rehearsing, rehearsing, rehearsing. And he knows it’s a take on the dub. And he does it great.” It’s okay, Paul. We all know you like to get him up against a wall. No but seriously, Paul is not okay about John. 
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Takes every opportunity to flirt, doesn’t he?
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“I can’t wait to work here, you know . . . I mean, here in our life, it’s like home.” It’s the gentleness, yeah. But it’s the focus, too. Most people (I know I would) would be so done with him and his anxiety spirals and his neuroses and over-thinking on and on and on by this point. John probably is, but he shows no sign of that fatigue at all. He is zeroed in on working him through this. He’s done it a million times before, and he’s ready to do it as many more times as Paul needs. Ugh, they make me into such a sap!
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“Yeah, well that’s why I’m talking to John, not you.” If Paul can talk like that to George Martin, one of the most respected men in his life, when he’s in the middle of a thing with John, imagine how he must’ve bullied other people that tried to worm their way in. 
That smile he gives George though! That’s how he got away with all his shit, isn’t it? So fucking cute.
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“I agree with you, I think it’s disappointing, but all right, we only got to seven. Let’s do seven.” The tone of voice, man. So. Fucking. Gentle. No wonder Paul can't stand the projected "acerbic, tough Lennon" shit. If that was how someone treated you and took care of you? And then everyone acts like that part of them just didn't exist, and emphasizes the parts of them that they themselves hated and actively worked against? Yeah I'd be pretty pissed too.
Glyn reassuring Paul that there’s no reason they can’t come back and do a TV show later. Yeah, fifty years later. 
John’s eyes constantly flicking back to Paul as George is talking . . . 
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George really does take so much better care of himself than the other three at this time. Pictured here, silently begging viewers like you to chip in just ninety-eight cents toward his freedom.
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I actually think, though, that if Ringo had said he didn’t want to go on the roof either at that moment, that they wouldn’t have done it. I think they look to him for common sense in their decision-making, and Ringo saying he didn’t want to do it really might’ve broken the whole thing.
George’s reaction to Ringo voting for the roof VS John. It’s giving tragic heroine VS villain origin story
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Honestly heartbroken at the “I love you, blue”. How many times did John just straight up say those words to Paul only for Paul to be completely unresponsive? That genuinely hurt to watch.
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The tiny little looks they give each other. “Okay. We got this.”
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“Fuck all that. I’m just gonna do me for a bit.” Good for you, baby. 
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“I had a good dream last night, you’re black or you’re white, you want equal rights.” I know some people say it’s hypocritical or preachy or whatever, but I ADORE this John. Look how fucking happy he’s making Billy right now and then talk to me about how John’s political side is meaningless. I think it’s beautiful.
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I think it’s actually too embarrassing for them at this point to sing Two of Us without being insane.
“We’re all sleeping at Georgie’s tonight. Get in the mood.” Oh how I wish they actually had. I mean, maybe they did. Someone write the fic!
Oh, the “who knows, Yoko,” moment. It’s so embarrassing. The fact that there was just no response whatsoever. Yeesh. 
So many nerves when I saw the camera zooming into that circled date with “Rooftop Concert” written on it. What is wrong with me?
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pagansphinx · 4 months
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Georges Antoine Rochegrosse (French, 1859-1938) • The Queen of Assyria • 1932
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Does anyone else just find Ringo absolutely adorable in these photos?? Like, the way he is sitting next to Brian. Or the way he's laying on the couch with his camera resting on his tummy. Or the way he's looking up at Paul with that sweet face and eyes and adorable nose.
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Also, the way Paul is looking at George in these pictures like a proud older brother. He looks so sweet with him!
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Ok, here me out. John and Paul, teenagers of Liverpool. Walking down the streets, leather jackets on, Elvis styled hair, guitars in hands, discussing Elvis. And then tiny little George running, trying to keep up!
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And now, the odds and ends:
Paul's innocent peaceful face.
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The way Paul's looking at the little girl.
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John looks so sweet!
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George and shy little Dhani!
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Need I say anymore?
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This is a cute Beatles appreciation post. Please appreciate!
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aaal-iz-well · 1 month
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This has probably been said but, KUDOS TO JONATHAN STROUD FOR GETTING INTO THE MIND OF A TEENAGE GIRL LIKE THAT!!
Like when I picked up the book, I never imagined I'd root for her.
There was nothing idealistic about her, just relatable. Her sense of displacement when Holly joined the group, her guilt about Lockwood. It wasn't that just because there is a somewhat traumatised girl as mc, those things were bound to be. No. It was all so well explained.
His writing style is impeccable. The humour blends seamlessly with the seriousness of their situation, the chill of ghost hunting. The way things were described made them tangible. The metaphors were on point. I have never been to London, yet I feel as if I know it, just a little bit 🤏
I loved all of Lockwood's dialogue, his personality (the airiness, his role as a leader and friend), his fierce loyalty to his cause (the scene at the grave? I was close to tears there)
And I kinda liked the fact that Lockwood and Lucy didn't kiss. It adds something to their relationship for me.
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malfoyx · 19 days
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Nicholas Galitzine as George Villiers (Mary & George 2024)
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yrsonpurpose · 29 days
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NICHOLAS GALITZINE Mary & George Premiere "History is sexy!"
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georgeplantagenet · 2 months
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DAVID OAKES as George Plantagenet in THE WHITE QUEEN (2013) ✧ By Philippa Gregory
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enbycrip · 4 months
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YES.
ALL OF THIS.
THIS is why this film still hits so hard after all these years.
It’s not some sugary BS about “you can think yourself out of suicidal depression by just learning to appreciate what you’ve got”.
It’s about the fact that people who work really fucking hard for their communities experience active, targeted, criminal pushback from exploiters.
About the fact that caring, in all its manifestations, is incredibly physically and mentally taxing and is often done by disabled people - YES, George Bailey is a disabled protagonist. His impairment prevents him from military service and actively causes him chronic pain that, as a person who lives with it, *will* affect his energy levels and fatigue constantly.
Notably, IAWL actually has a bunch of disabled characters. Not only is George disabled, but I’d put money on his uncle who loses the money being ADHD and very possibly having other learning disabilities and the film *actively* flagging that fact to the audience, even if it doesn’t necessarily know what ADHD is.
Which casts a whole new light on its principal villain being disabled. Instead of Old Man Potter being a flat caricature of “disability = evil”, what he *actually* is is a fantastic example of the fact that marginalisation in one axis does not prevent someone being an active oppressor - and wealth and class privilege, in particular, tend to mean a person actively acting to oppress other people who share their marginalisation in order to privilege the interests of their own class as a whole. Sometimes even damaging their own individual interests to do so.
It’s also super interesting that the *material* miracle in the film is not the appearance of an angel to show George what life would have been like if he had never existed, but the *community solidarity* that saves him from jail and his family from penury. The supernatural intervention can change his *mindset*, and that is *incredibly* important, given it *literally* stops him killing himself, but the *material* intervention is mutual aid from his own community that he has given so much to.
Which is incredibly radical as a message. It’s not saying “faith is worthless”; it’s saying “faith can be an incredibly important factor in creating resilience in moments of despair, but we can’t, and *need not*, wait for a supernatural miracle to save us; we have the capacity to save ourselves and each other in our hands right now”.
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