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jade-len · 9 months

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i think it'd be funny if someone transmigrated as xin mo. the goddamn evil sword. instead of taking it seriously, they just really fucked around with bingge. and, somehow, ended up having the opposite effect of what it's supposedly rumored to do.

picture this: bingge, on the quest for revenge and power, comes across the almighty xin mo. this demonic sword killed everyone that dared to even try wielding it. and, the few who were lucky enough to have it by their side, eventually succumbed to the swords' will.

it is said that the sword is unlike any other, that it etches into your head and eats away your brain, until eventually it consumes you whole. it whispers, speaking in lust, greed, and hatred. it slowly beckons the wielder into giving in to the worst part of themselves and feeds off of pure sin. but to him, it is no matter; luo bingge will surely tame it.

and then he gets to the sword.

demonic qi practically oozes from xin mo. the aura surrounding it makes every part of luo bingge scream, "run; get away, away from that monster." his gut prods at him, begging bingge that this is probably a really bad idea. it's a little terrifying, how even luo bingge, the determined, vengeful demon, is now getting second thoughts about wielding xin mo from just being in its presence alone.

but luo bingge is too, a monster. so he ignores the screams of plea; pushing every thought of doubt in the back of his head, and tightly grips onto the handle. the world around him seems to spin and shake, tumble and crack, from the amount of force bingge needs to use in order to pull the sword of sin out of its place.

when bingge finally has it perfectly fit into the palms of his calloused hands, he hears whispering. he knows that the sword has accepted him as its new host.

the sword's language crawls up to him, as if it were feeling around his body and mind. checking every nook and cranny for it to settle into bingge's form, truly becoming one with the embodiment of sin. the words flow through his brain like a tragically broken guqin, a melody that holds him in a frighteningly familiar trance - all while simultaneously eating away at his brain in the worst ways possible, akin to a child and their favorite snack. it seems to beckon something, but even with luo bingge's impressive hearing, he cannot make out any words from the tone-deaf musical notes xin mo sings.

and then, it is clear. the land around him settles, and everything is still. xin mo itself seems to be.. content. at least, that is what luo bingge believes.

the language of this wretched sword reflects the state around these two monsters.

luo bingge expects it to demand for bloodshed, for the erotic ecstasy of multiple women, for bingge to steal the last of the finest gems of these horrible, vast lands.

instead, he hears this:

"yoooo damn that shit was crazy. did you see what i did there? man, you know, it feels so fucking good to get out of the dirt. hey, do you know if people can like, feed their swords or something? i'm kinda craving something spicy. we never know, in this wack world! wait, don't hold me like that, buddy. it'll make things real awkward."

but luo bingge is determined to get his revenge, so he puts up with the swords' constant rambling about.. whatever the hell it's thinking.

"wait, dude, did you seriously fuck a dying girl? that's wild. yeah, like i know she was dying but it doesn't sound like you wanted it. yo, listen to me, consent is very sexy."

"HAHA hey, dude, sir, man. you wanna play some 'i spy'? we don't have anything else to do. no? too bad, we're playing it. i spy a loser who doesn't wanna play i spy. hint: he's holding me right now."

"okay i know i'm supposed to be this super evil sword and beg to be used - woah that sounded real wrong - but can you at least clean me when you're done killing shit? if you don't, i'm gonna refuse to respond to you and you'll look like a dumbass trying to wield me."

"i can't hear you lalalalalalala you're not being very it girl right now lallalalaalalalla-"

somehow, this is worse than if xin mo was actually eating away at his brain.

weirdly enough though, as luo bingge starts spending more time with this weird ass, seemingly possessed sword, it starts to become more of a.. comfort to have it by his side than pure annoyance. he finds himself responding to it more, like, actually having full on conversations with it. it puts him at ease, wielding xin mo. the hatred doesn't consume him, instead, it seems to soothe the burning rage (and, admittedly, just replace it with small irritation) that holds onto his darkened heart.

xin mo is actually quite kind and caring, for a sword that's supposed represent and be the literal embodiment of sin. sure, it is a hassle to have it cooperate with him sometimes, and it does just ramble on and on about the most random things ever, not giving a single shit if bingge was in the middle of sleeping with maidens and slaying those who get in his way. for the first time, bingge feels so comfortable around something.

it's.. odd. what was supposed to be the turning point in his life, a big step in his plan for revenge, is now something akin to an... acquaintance. not like mobei-jun, or any of the women he's come across, but an actual, dare he say, friend.

sometimes, he finds himself thinking all of this delusional. is this what people were driven mad by? perhaps they simply could not handle dealing with a talking sword. he understands that xin mo was undoubtedly unbearable to be around at the beginning of their alliance, but it has never actually beckoned for blood, power, and sex. if anything, it does the opposite.

maybe he's the delusional one. maybe this is xin mo's way of getting to him.

maybe, xin mo should be considered a thing. the thought feels terribly laughable, as if he were witnessing a person horribly explain themselves. it also makes his teeth grind together in pure agitation.

"hey, you know, you didn't deserve any of the things they did. it wasn't your fault, binghe. the fact that you're half heavenly demon doesn't make you a monster, or any of that wild stuff.. uh, i'm here for you, okay? i know you don't really like talking about all of this or opening up, but i just want you to know that you can.. talk about it. it's not like i can tell anyone else, anyways.

hey- shit i didn't mean to make you cry! wait, wait it's okay to cry! you need to let it out anyways, i promise it doesn't make you weak. there, there. i don't have any hands, so me patting you on the head with my handle will have to do. there, there.. everything will be alright, you'll be okay. i'll be here every step of the way, even if you want to get rid of me."

xin mo, the demonic sword, is more of a person - a good person - than anyone he'd ever come across.

...and then bingge and the xin mo transmigrator become besties or he falls for the damn sword. knowing him, he probably doesn't even know the difference between platonic and romantic attraction anyways. maybe bingge gets a plant body for xin mo using airplane's wack writing. idk i typed all of this down in one sitting.

(plot twist: it's not that the transmigrator xin mo had the opposite effect, it was literally just a placebo effect. luo bingge thought that, and thus it actually did help him lmao)

#PIDW but make xin mo a soul eater fan #why did i actually write all of this #idk it just sounded funny but then i kinda got sad at the end because bingge is such a lonely person its genuinely depressing #at least in here he has his this weird talking demonic sword #someone transmigrates into xin mo and ends up becoming an emotional support and comfort sword #i would say that this could be shen yuan but the xin mo transmigrator couldnt give any less of a fuck about bingges plans #and would also annoy sqq if he had to deal with it #might write this #but i need to finish that time travel bingge x reader enemies to friends to lovers thing #yes you heard me right a bingge x reader let me make him happy ok #bingmei already has sqq bingge needs someone :( and therapy but that doesnt exist here #while i thought of this i imagined like this floating talking sword by bingge #i actually have like a lot of WIPs this is only one of them #for some reason i had this idea after seeing this one instagram reel where gojo was cinderellas fairy godmother and sang IT girl #and that inspired an annoying talking xin mo transmigrator #luo binghe #luo bingge #mxtx svsss #svsss #fanfic stuff #the scum villain's self saving system #svsss ideas

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caeslxys · 6 months

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the salt and the skin

Hi! I have been deeply beset by a disease that can only be cured by writing about Imogen Temult’s intensely ingrained mental illnesses. Yeah it’s contagious. Honestly this fic should probably be labeled as some type of biohazard.

Also on Ao3!

The first time Imogen told Laudna about the storm it was, appropriately, storming.

Laudna’s eyes had been swallowed by a blackness darker than that of the night surrounding them, catching and reflecting even the most minuscule scatterings of light in a way that made her gaze look full with shooting stars. She had taken her leather-shielded hand to hold in both of hers as she listened. It was the first time she could remember someone taking her hand simply to hold.

She said, here is what she knows of the storm: it is unrelenting, it is violent, it is hers.

After—as they lay for the first time in a shared space, hands locked together in a promise at their sides—Laudna fell asleep before her, eyes wide open. Imogen had spent minutes watching light shows reflect in them, enchanted utterly. She thought, without really considering the weight of it then: beautiful.

When she finally fell back asleep, she did so with the comfort of knowing she was never out of Laudna’s lightspun gaze.

———

In the time that has passed since that night the same things that have changed about the storm have changed for her and Laudna—which is to say, nothing at all.

(Which is to say, absolutely everything.

In the time that has passed since that night Imogen has become familiar with the difference between the chill that follows Laudna’s skin and the chill that follows a corpse with her face. In the time that has passed since that night Imogen has learned the difference between running from and running to. In the time that has passed since that night Imogen has learned the difference between losing and being left.

Here is what she knows of grief: it is unrelenting, it is violent, it is hers.

It does not escape her that the first time she heard her mother’s voice was in a storm.)

———

On the twenty-seventh day of Quen’Pillar, as the falling leaves and spines begin to create a shoreline on the bordering forest in a glaze of varying orange and brown shades, Gelvaan celebrates the Hazel Festival.

This, like all other celebrations in Gelvaan, is celebrated with hastily put-up stands and stages and games, the best and biggest cattle and produce hauled in on freshly cleaned wagons—some sporting their previously won ribbons as intimidating trophies—and various flowery dedications to various different gods.

The Hazel Festival, as her father explained it, is a celebration of love and divine intention—the concept and promise of soul mates. As the superstition goes, if there exists another half of you, then you would find them here. People would arrive with bouquets of freshly picked flowers, hand-written letters or hand-crafted food, wandering the small stream of Gelvaan townsfolk with the belief that they were about to stumble upon the great love of their life.

It always seemed so silly to her, which means it was something many of the people in that town held very close to their hearts.

Her father told her that they met there. He and her mother. Maybe that’s why it seemed so silly.

But here, in the dark and with the taste of honesty staining her lips, she has the passing thought that she’d like to take Laudna one day. Maybe not to the one in Gelvaan; somewhere new, somewhere that feels syrupy sweet and slow and that sticks to your skin like a joyful glaze when it's over. Somewhere that stains. She wants Laudna to have to lick her fingers clean. She wants to bring her a bouquet of flowers.

But, for now, she is in a chasm that might as well be endless telling Laudna things that she deserved to hear in any other way. She should have told her about how she feels about Delilah’s presence in their room, holding her hand, holding her lips to the skin of her throat in a threat and a promise.

She should have told Laudna she loves her at the Hazel Festival.

Instead she says “I love Laudna,” with the same tense hesitance you would feel pulling a trigger and follows it with a “but” that bursts from her chest like a bullet that precedes “I’m disgusted at the idea of Delilah looking at us all the time.” that leaves her smoking mouth like an accusation. She watches her careless aim land true in Laudna’s chest, sees the conflicted hitch and stutter of her breath from even the short distance separating them.

It ricochets; it strikes her, too.

———

During the trial of trust, when Laudna says she loves her, Imogen’s response is: “I think you’re a doppelganger right now?”

Which is silly. They’ll laugh about it later. It also makes her want to die as soon as it leaves her lips.

Because, the thing is, she knows Laudna. She knows Laudna and she would be able to tell if it wasn’t Laudna if she had been blinded or deafened or made senseless altogether. Her tether, her anchor. She would know. She should have known.

In the same way she should have known the moment they landed in Wildemount that Laudna was in Issylra. In the same way she should have known the moment she fled that Laudna was in the Parchwood. In the same way she should have known twenty years ago that Laudna was coming to her.

Not that any of it matters. She didn’t know. She didn’t know that she was in Issylra—the Parchwood—The Hellcatch—in front of her. It feels as close to sacreligious as Imogen has ever truly felt. Heretical. Like she should be punished or brought down altogether. And, really, maybe she should be. The exercise was to trust one another.

What kind of trust was it, to instinctually keep trying to reach into her friend’s minds? To summon a hound to stand between them all as they stood at the very precipice in case? If she’s honest, she doesn’t truthfully feel like any of them deserved to be called victorious.

She wonders, briefly, if the other side is lacking here, too. Ludinus, Otohan. Her mother. Is it trust that binds them? Is it faith?

The brief thought of it, that her mother has found her own version of the Hells—maybe her own version of Laudna—drives into her chest like a fist.

But none of that compares to—Laudna’s face, fumbling into disbelief at the accusation; Laudna’s grasping, empty hands; Laudna’s nervous, darting eyes. Laudna’s screams, cutting through the night off the bow of the Silver Sun. Laudna’s bleeding fingers, dripping black onto shattered, pink stone.

If it was sacrilegious of her to doubt Laudna’s intention, it is damnation she feels take root in her ribs as a hound aparrates at her side. It bursts forth with a growling howl, its decaying hackles raised, its bright green eyes trained on her, sharp and dutiful. For her to doubt Laudna—for her to make Laudna doubt her—

Well. She supposes it’s fair.

She glances at it, her Cerberus. She says, “Hi, baby boy.”

It calms. Across the fountain, face blocked by the angle of her own extended hand, Laudna calms, too. “Yes.” Laudna utters, “Good boy.”

She closes her eyes as she, Orym, and Chetney breach the barrier surrounding the fountain and drop their ivory sticks into its grasp. She reaches for Laudna’s mind one final, unsuccessful time, the plea for her not to lunge dying unheard in the folds of her mind.

(In the moment, as Morri applauds their upward failure of a success, she doesn’t register the way her now red-scarred fingers come up to brush against the now-bare skin of her temple. She should have known.

Next time, she will.)

———

When Fearne finally makes up her mind and readies herself for taking the shard, Imogen’s eyes are on Laudna and how a line of tension shoots up her spine and draws her shoulders together like folding, skeletal wings. How, as Chetney reaches into the bag of holding, she silently steps away.

Imogen hasn’t been wearing her circlet, has lowered herself once again into the rapid waters of her too-open mind for hours now, but she doesn’t need to be in Laudna’s mind to know what is passing through it.

It makes her sick, the thought of that vile woman in Laudna’s mind or soul or presence. It makes her more sick to think of Laudna spending even a moment around her influence alone.

(When Laudna had come back—when they found her, out at the tree line of the Parchwood—she had run. She had taken a moment to meet Imogen’s exhausted-elated-terrified eyes and sprinted in the opposite direction. She ran for fear of what she was capable of doing, of who she was capable of hurting, of both her lack of control and abundance of power.

She thinks of Laudna running from her and from her and from herself and, briefly, envisions a storm in the place where once she stood.)

She doesn’t really register that she has moved until Laudna is already in her arms.

“You can put your head in my shoulder. Til’ it’s over.” She whispers, one hand burying itself in Laudna’s hair and the other wrapping possessively around her waist, “I can tell you what’s happening, if you want?”

Laudna doesn’t say anything for a long moment, and then, into her neck: “You’re warm.”

She feels the barely-there press of lips to her carotid and tries valiantly not to let the shiver it sparks pass through her. Instead, she takes the hand in her hair and presses lightly, moves so that every point of their bodies that could be connected are. She says, voice silk-soft, lips brushing a metal-armored cropped ear, “So are you.”

For a moment it feels—well, intimate in a way she’s slightly embarrassed about displaying in front of the others. Slightly.

But then Laudna is murmuring “shut up, shut up, shut up,” into the skin of her shoulder and—she can’t help it—she smiles. She giggles. It is pure pride. Her brain in three parts: loving Laudna, hating Delilah, wanting to tell Laudna it’s okay to bite her shoulder to drown out the voice if it’s too loud.

She does not do that, and instead whispers the incantation she has all but ingrained on her tongue from countless back-and-forth trips on too shaky gondolas and grief insurmountable—she says, in some dead language or a command—calm.

She thinks, as the spell leaves her and Laudna’s tense body melts completely—as Fearne’s body rises into the air, encompassed in flame—as Chetney’s grip on the tools he has taken out to hold for comfort, and then on FCG’s raging body, turns white-knuckled—as Ashton flinches and almost doubles over from another shock of pain that passes through them and then as healing energy into Fearne—as Orym bounces anxiously on his heels like a flea or a warrior looking to strike—as FCG’s eyes flicker red and his tiny healing-hands become something violent—as her mother says her name through the roaring of a storm—I’m not running anymore. I won’t run.

She imagines, as Laudna pulls back when things have settled and her taloned grip releases Imogen, that her skin has formed new scars in the shape of Laudna’s hands. She holds the idea in her mind in place of an oath.

———

That night, she gives in.

It’s inevitable, really, no matter which way you look at it she and the storm and the moon have always been meant to collide. To swallow each other whole. It’s better that she does it on her terms.

Laudna agrees. It’s good that Laudna agrees. The best, actually, because she was hoping that she’d say no. She was hoping that she’d say no because she doesn’t actually want to be swallowed whole by the storm or the moon or the concept of a mother. What she wants is for Laudna to say no, and to take her hand and walk her out of the room—the house—the feywild—this entire situation—and into whatever is next. Because the truth of it is, no matter how many people go into her dreams with her, she still feels alone.

In the end, she tells herself as red bleeds into the nothing behind her eyelids, the future she has been fighting for has never been her own. The hope she holds like water in her hands was never meant for herself. Her last fight. Her last hope. She stows them away like weapons. She thinks, They’ll owe me. She thinks, They’ll free her.

Except, when she gives in—when her friends fall away, as they always do, and she is left alone and cradled and warm with the echo of her desperate mother’s voice ringing in her mind—it’s everything. It’s twenty years of nightmares and ten of minds on minds on minds and months of grief and love and wrath all wrapped up in a bow and labeled “purpose”.

She feels like a child. Or what she imagines most children felt like. Weightless. Like if she’s simply good enough there will be someone who loves her there to wrap her in a hug or a blanket and tell her she did well. Who will carry her tiny half-asleep form to her room and tuck her in and kiss her forehead and say “good night.” Like she could close her eyes and let the darkness swallow her and know someone left a light on.

It’s everything. So when she wakes to her friends hovering, groggy faces she is only guilty for a moment at the spike of disappointment that shoots through her at the sight of them. And only guilty for a second longer when her eyes land on Laudna who is still, also, endlessly, everything.

It’s not—she’s not really there for the next few seconds—minutes—hours. All of their voices come through as if she is submerged in something thick that pulls every time she tries to break for air. Or maybe a lack of air altogether. There are still stars behind her eyelids every time she blinks.

At some point in their conversation two things finally register in about the same amount of time. One: her mother had called for her. Her mother had been there. Her mother had sounded like she was crying. And two: Laudna is holding her hand.

Laudna has been holding her hand, maybe. For a few moments and a few years. It's this, her tether, that finally brings her back to—well—Exandria.

The others are—asleep? No, they’ve—that is, she and Laudna—have moved. To their room. They had a room? Have they spent a night here already? If time is a soup then she has made quite the mess.

Regardless, Laudna is holding her hand. It’s everything.

Then there is shifting, slow and slight.

“Imogen.” She hears her whisper, voice dropping to that low husk that her choked, only lightly decayed vocal cords must reach to achieve a tone so soft. She doesn’t ever mention it, but Imogen knows how sometimes kindness exists like a war in Laudna’s body. In the way her throat rebels against the scratchy dip of her voice, in the way her bones ache when embraced. It hurts her to be so soft. For Imogen, she does it anyway. “Imogen. Would you like to lie down?”

She doesn’t respond—she doesn’t think she responds—just squeezes Laudna’s cool hand in her warm one and laces their fingers together in lukewarm knots.

She feels Laudna’s hands take and cradle her close—holds there, chests rising and falling against each other like lapping waves for an amount of time Imogen doesn't bother to count—and then she twists and shifts and lays her down like a sleepy child on their shared pillows. She tucks her in. She stands.

“I’ll be back.” Laudna husks somewhere above her. “Rest, darling. I won’t be but a few minutes. I’m sure Nana has a pitcher of water somewhere around here that I won’t have to—I don’t know—make a deal for, or something.”

She thinks she feels the tiniest beginnings of a grin pinning her lips up as Laudna's steps slow near the door, hesitate—begin to close—and then open the door long enough to peek in and say: “Pâté is with you, okay, I’ll be right back. I’ll try not to bargain what remains of my soul for water, but—you know—as they say—what must be done and all—okay, bye” punctuated by the croaking sound of their door pinching shut.

Definitely a grin, then. “Pâté,” she says, dream-drunk, “Your mom is the best.”

She feels Pâté land on her chest with a soft, somewhat wet flop. His tiny feet pitter like he’s excited or dancing. He says, “I know. She’s the whole package.” And then, after letting loose a rattling sound that could be considered a yawn, he asks, “Can I get cozy, then? While we wait for mum?”

Imogen, eyes still blissfully closed, let's loose a breathless laugh. Her hand blindly makes its way to the ball of fur and viscera and bone and love on her chest and scritches, “‘Course, Pâté. We’ll wait together.”

He hums. She feels him turn in one, two, three circles on her chest before finally curling up and settling in on her skin. He makes another rattling noise that could be a yawn or maybe a purr and says, “You’re warm.”

She is undeniably smiling when she responds, “So are you, buddy.”

———

When Laudna comes back minutes or hours later, Pâté is fast asleep on her chest.

His little body rattles with what she assumes are snores, softly vibrating against her collar. She holds a finger to her lips as Laudna goes to shut the door behind her. Laudna makes a face like she’s about to burst into tears.

She doesn’t. She instead turns to—softly—shut and lock the door, and then turns soundlessly again in her direction. She takes a breath. She smiles, “I’m not going to lie, I was kind of hoping you’d be asleep when I got back.”

She hums, low in her chest. “Why?”

Laudna looks at her in that somewhat blank way she does when she thinks the answer to something is quite obvious. She says, “Because you need the rest.”

She hums again. Laudna treks the distance between them and sits softly beside her, her sharp hip just barely pressing against the bend of her waist. Her bony hand catches Imogen’s cheek—or, maybe, Imogen’s cheek willingly falls into her hand—regardless, suddenly she finds herself held. A thumb brushes under her eye with the barely there gentleness one uses when full with fear for something breaking in their grasp.

She leans forward and over her, dark hair falling around them like a curtain of ink, blanketing them in shadow, encompassing her entire vision. She asks, breath falling upon her lips like a torrent or a phantom kiss, “Are you alright, darling?”

Imogen lifts up the barely there distance to press their lips together, sighing into her mouth. “Careful with Pâté,” she whispers when she falls back, a hand splaying on Laudna’s chest to keep her from fully settling in atop her, “he needs the rest, too.”

Laudna opens her eyes as if from a good dream—and then rolls them. She lifts a hand to wave in the air as if swatting at something. “He’s dead.” She says, like it’s an obvious thing—which, it is. But. “Besides, if he dies from exhaustion or something else ridiculous then I’ll just bring him back.”

Imogen frowns. “I don’t think he’s dead. Not, like, dead-dead, anyway. ‘Sides, he’s comfy. I’d feel bad if we woke him.”

Laudna hums, then. “Yes, he is. Comfy. And also dead.”

Her turn to roll her eyes. “Where’s his house?”

Laudna sighs like the world is ending—which, well—and leans down for one more soft kiss and then back and up and off of her entirely. Imogen tries—valiantly, she might add—not to openly wince at the loss.

She watches Laudna brace her nonexistent weight against the bed in a way that would cause the mattress to dip if it were anyone else, and instead just presses with the barely there imprint of her palms into the silk. She reaches for Imogen’s chest, cups Pâté’s tiny form in her hands; Imogen brings her hands together overtop them both. When Laudna looks at her, her eyes are full of shooting stars.

“Can I?” she asks, “Please?”

Laudna stares at her for a few slow heartbeats more, a little like she is stunned. Eventually, she leans down over their joined hands and kisses her fingers. Again. Moves her thumb to run over her knuckles like she is wiping away a stain. “Of course.”

Her body still feels a little gone, a little floaty, as she brings her hands to catch Pâté’s tiny body in their joint grasp, lifts herself up against the headboard, and then swings her legs over the side of the mattress. She sways to her feet slowly, slightly wobbly, eyes never leaving from the curled-up ball of fur in her hands and on her chest. Laudna’s hands have moved and are pressing into her biceps from somewhere behind her, steadying.

She lifts her head long enough to find where Laudna had placed Pâté's little home across the room, its golden-brown wood resting silently atop the possibly skin-covered drawer by the archway that opens into a vine-wrapped, flower-lined balcony.

She half-shambles, half-stumbles her way over with Laudna on her bleary-eyed heels. It feels infinitely important—it’s always felt important, but—that she is gentle. That Laudna sees her be gentle. It is more important than she has words to describe that Laudna could leave or fall asleep or be elsewhere and feel and know that Pâté would be put softly, lovingly to bed. That he would be tucked in. That Imogen would leave a little light on for him if he asked. She looks down at Laudna’s most special little gift and drops a tiny, feather-light kiss against his skeletal head. “G’night, buddy.”

He mumbles out a gargled sounding, “G’night, ‘mogen.”

She smiles, pulls apart the tiny curtains that act as a privacy sheet to his home, tucks him in as well as she can, runs one last soft finger down the length of his beak and just like that—she can’t help it—she starts to think of her mother.

She wonders how gently Liliana held her, when she was so small and helpless and vulnerable. She wonders if Liliana ever sang to her, ever held her little hands and kissed her stubby fingers. That memory—the one that Otohan conjured or summoned or triggered—her mother had caught her as her toddler legs had stumbled; she had smiled and wiped her tear-stained cheeks and lifted her into her arms and held.

The phantom memory of a mother and the phantom memory of Ruidus begin to overlap—how long had it been, before Laudna, that she was shown gentleness? Before Laudna, two decades into her life, was it her mother? Before her mother, before she was ever given a name, was it the moon?

How was she meant to—how was it fair to expect her to—is it so evil of her, to wish? She won’t—she won’t—because she knows that it’s wrong no matter how desperately it feels right. But the—the venom she catches pooling in the depths of Orym’s gaze, sometimes, when he talks about the moon and the vanguard and she—she gets it—of course she gets it, of course she understands—but it’s not like she’s ever genuinely entertained the thought of joining the vanguard—of joining Otohan—but the moon, Ruidus, Predathos—she won’t—the silence, the comfort—her body, radiant even among the stars—running, tripping into her mother’s arms—she won’t—

“Imogen?”

A chilled hand on her shoulder, gentle, gentle, gentle.

Breath enters her empty lungs in a shock-sharp inhale. Light enters the world again—natural, silver-white moonlight like a stripe of paint from the open balcony; warm, flickering orange from the candle by the bed—and the temperature goes from freezing to scalding to cool as she collapses back into her body like debris flung from orbit. Laudna’s hand on her skin; she crash-lands back home.

On impact, she whispers, “Laudna.”

A moment of hesitance and then a soft, cool pair of lips against the curve of her neck and shoulder. Her hands circle to wrap around Imogen’s waist. She asks, again, voice feather-fall soft, “Are you alright?”

A moment of hesitance and then her traitorous mouth, her traitorous heart: “I don’t know anymore.”

Laudna presses another, more lingering kiss to the space below her ear, then moves to run her nose along the curve of her jaw. She whispers there, in a way that she feels the words press against her skin, “That’s okay.”

Imogen finds her hands against her belly and twines them together as tightly as she can—tether, anchor, home. Her breath trembles.

They don’t say anything, holding each other in the space and the silence. Laudna presses gentle, gentle kisses to anywhere on Imogen that she can reach—neck, shoulder, ear, jaw—until Imogen turns to meet her there, barely capturing Laudna’s bottom lip between hers and then moving in again, more insistent. She feels Laudna’s lips pull into a smile against hers. Imogen notes that she’s becoming familiar with the feeling. The thought pulls her own smile forth.

But they haven’t kissed like this before, at this angle, in this room. There are so many other perfect kisses they have yet to discover.

It doesn’t make sense that she only kissed her a little over a week ago. She should have kissed her a month ago, the moment she came back on the floor in Whitestone, the moment they arrived in Jrusar, two years ago in Gelvaan. She should have kissed her a hundred more times than she did the day that she first gathered the courage to kiss her in the first place and then kissed her some more. She should’ve bought lipstick so she could leave a stain.

Laudna pulls back first, half-laughing and half-sighing at Imogen’s attempt to give chase. She leans back in to press a quick kiss to her nose—new, perfect—and then dips down, seals their foreheads together, looks up at her. She asks, “Would you like to talk about it?”

No, not really. “I think I’d need another week to even begin to process what’s happened to us in the last three days, to be honest.”

Laudna nods. “Yes, understandable. It’s been a lot.” She pauses, as if to see if Imogen will respond, and then says, “Still, I’d like to listen.”

She’s perfect. That’s it, really.

Imogen finds her hand and brings it up to her lips, kissing each finger once and then each knuckle. She whispers, “I’m not sure I know how to.”

Laudna kisses her cheek. “That’s okay, too.”

When she pulls back she also pulls forward, taking Imogen’s hand in her own and guiding her. She twines their fingers together, and then they are on the balcony.

Catha shines more brightly here than she is used to in the Material Plane. There is no bloody red or pink shine of Ruidus to speak of after their work at the key. It is navy-dark, struck through with silver cuts from Sehanine’s light. There are moving, shifting vines wrapped around the stone-skinwork railing of their little alcove, purple and yellow and orange and bright, vibrant green dancing and swirling and alive around them.

Laudna gasps, her lips forming a perfect, excited “O” when she notices the little movements. “Hello, there,” she says to the vine, “Sorry to disturb you. Would it be impolite to talk to my girlfriend out here, for a minute?” and then, her hands coming up like claws and her voice deepening to the tone she uses for her most important and dramatic of questions, “Is this, like, your domain?”

The vines shake back and forth as if to say knock yourself out or maybe well I can’t stop you.

Laudna grins, “Oh, perfect. Excellent. You're much less ferocious than your feywild-forest-flower friends.” Her brows furrow, a single finger coming up to tap nervously against her lips. “Hm. I hope that wasn’t insulting.”

Before Imogen can stop her she reaches forward and lightly taps the vine with two fingers, sharp teeth exposed in a smile, “You’re perfectly ferocious as well.”

The vines shutter as if to say fuck off and then pull back and vanish, leaving clean stonework behind.

Laudna pouts. Imogen takes and tangles their hands together. “Maybe next time.”

She sighs, all dramatics, “I’m beginning to believe plants hate me as much as people do.”

Imogen knocks their shoulders together. “People don’t hate you.”

“Objectively untrue. Regardless,” she says, waving Imogen’s immediate attempt at a counter aside, “Are you ready? For tomorrow.”

For the key? For Ruidus? For her mother?

She shrugs, “As I’ll ever be. You?”

”Oh, I think so.” She leans her bony hip against the balcony wall. “It’s been a long road. To get here. I never doubted you would.”

Imogen scoffs. She leans against the wall, too. “A long road is certainly one way to describe it. A shitty road, would be another.”

Laudna tilts her head at her, raven-like. A rope of black hair falls into her face. Imogen clenches her fingers around her arms in an effort not to reach across the space and brush it behind her ear. She says, with the upward tilting, insecure cadence of a question, “It hasn’t all been shitty, though?”

Imogen heaves a heavy breath. “No,” she says, fingers still digging into her own skin, “No. Not all of it.”

Laudna hums. There is still hair in front of her eyes. “But quite a bit of it.”

”Quite a bit, yeah.”

Quiet. Some likely incredibly fucked-up feywild bird flutters its incredibly fucked-up feywild wings and takes off into the moonlit night. Imogen turns and balances her weight on her elbows, leaning over the wall. The vines from earlier are just over the edge, as if eavesdropping. She says, “But not all of it, Laudna.”

”I know,” Laudna whispers, “I agree.”

”About not all of it sucking absolute ass or about it sucking absolute ass in general?”

”Yes.”

“Awesome.” Imogen chuckles, “I’m glad we agree that everything sucks.”

”But not everything-everything.”

”This is getting pretty circular,” Laudna steps closer, “How do we make it suck less?”

Kiss me, Imogen thinks. “I have no idea.” Imogen says.

“Because, you know,” Laudna continues as if Imogen hadn’t spoken at all, “I think you’re…so capable. Truly. And I really haven’t ever doubted that you’d make it here—“

”—to the moon?—”

”—from the moment it became apparent it was possible, yes—but, really, even then—anyway. I just…I want to protect you. On the moon, but also here,” She lifts one dainty hand and presses her finger against Imogen’s forehead, “I know the dream was a lot.”

Imogen grasps Laudna’s wrist where it is in front of her face, leans forward to press a kiss against the veins there and then again at the tip of that same finger. “It was.”

Laudna shifts closer, still, leaning over her just slightly. “Do you feel any different?”

Imogen finally, finally allows herself the gift of brushing those stray hairs back, lets her fingers linger against Laudna’s gaunt cheek. “Yes and no.” she admits, eyes on the silk-soft hair tangled in her fingers to the side of Laudna’s face, “I’m not sure how to explain it.”

“That’s alright. Maybe I can help you find the words. You just—well, I…don’t want to, you know, but. You’ve just seemed a little—“

”Out of sorts.”

She sees Laudna’s breath stutter and then release. “Yes, I…I didn’t want to pressure you, or anything. It’s been a lot, so much. And you don’t have to—I trust you. I do. But if you…if you need or want help, then I would like to offer it. Is all.”

Imogen swallows. “I meant it, earlier,” bursts from her chest, her heart, “When I—That I love you. That I’m—in love with you. In case that wasn’t, um, clear.”

Laudna, for her part, looks genuinely surprised. Which is itself surprising. Not in the least because she had said she loved her, too; but, also that Imogen realizes that she very simply is not super good at hiding it.

Quietly, softly, Laudna’s lips part. Her eyes go a bit glassy. She shifts forward slightly, leaning into her palm still on her cheek. She says—whispers, really— “I know.”

Imogen inhales. Exhales. “You—well, that's good. That’s great.”

Laudna smiles against her skin. “You’re warm.” she whispers. She presses a kiss there, to the crease of her palm. “I love you, too.”

Imogen inhales. Exhales. “Well. That’s good. That’s great.”

”Mhm.”

”I don’t—“ she licks her dry lips, “I don’t know what to do now.”

Laudna hums. “Yes you do.”

”Right.” she says, “Okay.” and then she’s kissing her again.

”I’m going to ask you—“ a pause, another kiss, “I’m going to ask you about the dream again, when—“

Imogen pulls back. Laudna’s lips are kiss-swollen and shiny. It makes her want to break something. She asks, “When?”

Laudna sighs. Her eyes open to find her slowly, and then stop half-way, hanging over her iris’ heavily. Her eyes are dark. Hungry. She says, “When I’m done.”

Imogen’s eyes fall back to her lips. “Right.” She whispers, “Okay—“ and then the rest of her sentence and the rest of her breath and the rest of her thoughts are stolen from her.

———

“Now, then.” Laudna starts. She wipes the back of her hand across her uptilt lips. “What’s different? Do you have gills? Webbed fingers? Though, I supposed I’d have noticed that much by now—”

”Laudna—“ she heaves a laugh, lungs still desperate, voice a little hoarse, “God, let me catch my breath first.”

Laudna’s tongue runs lightly between her lips. She is above her, still, grey-ish arms bracketing either side of her. There is hair in her face again, sweat-stuck to her skin. Imogen is too mesmerized by the way that it splits her into like running ink and catches the nearby moonglow in a contrasting showcase of light to bother to want to brush it away. Chiaroscuro personified.

She tilts her head, bird-like and uncanny. Her eyes, shooting stars. It makes Imogen want to pull her back in. “Shit, Laudna,” she whisper-giggles, “You’re so fuckin’ beautiful.”

Laudna stutters and then grins, all too-sharp teeth. She says, teasingly, ”It’s nice to not be the breathless one for a change.”

Imogen’s laugh leaves her like a strike to the chest, “Oh, that’s a good one.”

”I thought so.”

Laudna leans down, kisses her again. Imogen sighs into her.

This—the intimacy of it—is still so new and beautiful and exciting and—well—frankly, they've both discovered that they’re ravenous. For each other and for love and for touch. That first night—at Zhudanna’s, her body still thrumming hours later with the electric echo of their first kiss—Imogen had taken Laudna’s hand after they passed the threshold of their little makeshift and borrowed home and led her to their windowless room, their small bed. She had asked: Can I kiss you again?

It was indescribably wonderful, and took approximately two lung-heaving, feather-light minutes in the aftermath to discover that Laudna was starving. Voraciously hungry. Thirty years of nothing and then—suddenly—this. Suddenly them. Imogen could hardly stand the handful of weeks apart.

Which is to say, Laudna has a tendency to lose herself in her, a little bit. It has quickly become one of her greatest prides.

Except—well.

Imogen falls back, separating them. “Sorry,” she whispers, “What were—what were you sayin’?”

Laudna pouts. ”Asking.” She corrects, “Well—maybe theorizing, but mostly asking. You said—earlier—it feels different?”

Imogen nods. She reaches up to brush her fingers over Laudna’s cheek. “Yeah.”

”Is it…good different? Or bad different?”

Imogen nods. “Yeah.”

Laudna nods, too. Imogen watches something like self-consciousness settle on her shoulders. She isn’t sure what to do about it.

Laudna braces to press a kiss to her cheek and then rolls over. When her skin hits the light it makes her look made of marble. Like a statue. A work of art.

She bends across the space and tugs the blanket up and around them both, reaching around Imogen to make sure she is covered completely. Imogen uses the opportunity to press her lips to the skin of her bicep in passing thanks.

She settles back against the sheets. “I love you.” She says. Somehow, it sounds like a plea. “And I’ll support whatever it is you decide you want to do.”

Imogen turns on her side to mirror her. “Even if—if it’s giving in completely?”

Laudna's eyes are dark. Hungry. “Whatever you decide, Imogen.”

Imogen swallows. She feels like she’s choking. Something is rising in her, clawing at her chest and stomach and ripping its way into the world. Laudna’s eyes are so dark. There is a hound in her chest. Imogen swears she hears the echo of its howl, somehow, in her own chest. In the breaths between heartbeats, something is growling.

The howl, her eyes; it rends her completely. With blood in her teeth, she says, “My mom was there.”

It leaves her like a strike of lightning, seeking the quickest way to earth, splitting and bursting apart her ribcage as it rips from her lungs. Or like a hound, pent-up and caged, let loose to hunt and sprinting, snarling to the nearest indicator of meat. Or like sickness, like bile, burning.

That’s the bursting, bleeding, burning truth of it: her mother was there. On Ruidus, at the key, in her dreams for as long as she has had them. Guiding her or warning her. In the end, isn’t that a form of love? Isn’t that what a mother would do? She felt so held, there at the center of Ruidus, in the eye of the storm, in Predathos’ hand or maybe its jaws. Her mother had screamed for her. Her mother had cried for her.

And she can’t remember the feeling of her mother’s warmth, but she can remember the sound of her voice: Run. Imogen.

Does Predathos have a voice? Would it mourn her? Would it leave?

“What did she do?” Laudna—like a thunderclap, or a resonating howl, or a hand on her heaving back—takes and wraps their bodies together like twisting vines. She presses their foreheads together. Her eyes are still dark. “Imogen. What did she say?”

Laudna would. Laudna would mourn her. Laudna would tuck her corpse into bed before leaving her.

”I don’t—she just—called for me. My name. She said no. Laudna.” Laudna’s hands on either side of her clenched jaw, Laudna’s lips centimeters from her own, Laudna’s hand in hers in the middle of the storm. “She sounded like she was crying.”

She feels the well in her eyes overflow, cutting down her cheeks. Laudna makes some gasping sound and leans in, pressing her lips to the skin and the salt. “Imogen. Imogen, I’m sorry. Imogen.” She pulls back. The dark in her eyes is gone. “Darling, what can I do?”

Imogen shakes her head. They’re close enough that each passing arc causes their noses to bump. “I don’t know.” She says, voice tight. “I don’t know. What if I fucked up? What if she left to protect me and I wasted it? I don’t know anymore, Laudna.”

Laudna kisses her, lightly, a barely there press of their lips and then gone. Like she isn’t sure how else to respond. “What happened? When you gave in? What did it feel like?”

Imogen trembles. “I—you all—left. Were pulled away. It brought me in and then—my mama—but it—“ here, she sobs, “it was warm.”

Laudna’s body stiffens around her, arms locking like rigor mortis around her waist. She doesn’t exhale for a long, long time. When she does, it passes over her lips like a torrent.

“My mother taught me to sew.” she starts. “Did I ever tell you that? We didn’t often have enough money to go get new clothes so we made our own. Anyway, the first time it was because I ripped a hole in one of my shirts out in the woods—I was digging for worms—and when I came back I was all in a huff, expecting to be in so much trouble and felt so terrible for ruining clothes I knew she made for me.”

She pauses to press a kiss to Imogen’s hairline, “She took the ruined thing out of my hands and taught me how to fix it.”

She inhales. There’s the tiniest stutter in her chest that makes Imogen want to level another city block. “I used to think about her quite often. Everytime I found myself trying to sleep on the floor of some cold, abandoned cabin, all alone, I remember wishing she were there to teach me how to fix it.”

Their eyes find each other again, snapping together like magnets or puzzle pieces. Laudna’s eyes are full of shooting stars again. “I just—I’m just sorry, Imogen. I’m sorry I don’t know how to fix this. I’m sorry she doesn’t.”

No longer the snapping wolf, no longer the lightning strike or the thunderclap or the bile or the hand; Imogen breaks.

“God, Laudna. It feels like—like I'm mourning her.” She sobs. The words loose from her throat like an arrow held taut for too long, aimless. “But, Laudna, she isn't—she was never gone."

It is an ugly, sharp, irrational thing, her grief; she feels it drive like icicles into Laudna’s already chilled skin and dig rot-guilt up from under the warmth of her own when the weight of it tugs her over and into Laudna further. She wishes, fleetingly, that she could wear her grief as prettily as she thinks Laudna does. Laudna slips into hers like an old coat or an old blanket—scratchy, filled with holes, utterly familiar in a way that settles onto her shoulders in some poor facsimile of comfort.

Imogen’s is always, always this: an implosion. An excavation of the self. Her body nothing more than a dig-site of scars with histories older than she is.

“She’s my mama, Laudna.” It is a pathetic plea, it drops with the weight of a stone into water from her lips, “She was always with me. I never knew her. I love her and I loved her. She was dead. I have to kill her. I have mourned so why am I still mourning?”

The last word rips out of her in two tones, caught in the hiccup-choke of a sob into Laudna’s shoulder.

"Oh, darling." Laudna whispers, her lips against Imogen’s temple petal-soft in a way that makes the guilt dig deeper, sugar and salt. For a moment she only holds her. Presses kisses to the side of her head. And then Imogen feels air fill her chest, hears her lungs expand with the accompanying sound of bones like a creaking ship at sea or a growling hound. She says, with all the wisdom of someone who has lived and died and lived again, "Mourning is just…love in a transitive state.”

She shifts, catching the wet guilt dripping from Imogen’s face and forming lakes of grief at her collar, rivers of it down her chest. It makes Imogen’s breath catch, watches the moonlight catch in the momentary proof of her on Laudna. She continues, more softly, “It is…an adjustment to distance. Not gone—just far."

At this, Imogen glances away from the stain of her to meet Laudna’s eyes. She hesitates, breath a pathetic stutter in her lungs. She asks, “Are we still talking about my mother?”

Laudna watches her. And watches her. And then, voice like a bleeding wound or creaking branches or whining rope: “Death could not take me from you.”

“Don’t—“ she begs, “Do not—Laudna—“

”It can’t, Imogen. She can’t.”

Imogen sobs, reaches up desperately to cradle Laudna’s face in her hands. “I don’t want you to be another voice in my storm, Laudna. I can’t. I won’t.”

Laudna's gentle, cool hands gather her own callous, warm ones together at their collar. She asks, "Can I tell you something you don't want to hear?"

A laugh breaks out of Imogen’s lungs, desperate and sad. “You already are.”

Her grip on Laudna's hands is not gentle, it is clinging. Clawing. She imagines that when Laudna pulls away, her wrists will bear the bruise of her.

She says, in that same creaking branches voice, "You would have been fine without me."

She pulls away—tries to—hears her voice from outside her body saying, "No—No, I—" but then Laudna's fingers are entangled in hers like roots and Imogen is—she's—clinging, too.

"Don't say that." She cries. There is thunder in her voice. A precursor and warning. "I love you. Don’t say that.”

Laudna’s hands release hers to wrap around and claw at the skin of her hip, dragging them close again. Her eyes are swimming. “You’re so strong, so capable, and you are going to live. Your storm won’t take you. You will outgrow it.”

”You are, too.” Imogen demands. Because it is a demand, of herself and of the world. “You’re going to live, too.”

Laudna says nothing. Imogen continues, “I won’t let her have you, Laudna. If I can outgrow my storm, you can outgrow her.”

Laudna’s face is choked up in grief, now, in a way that Imogen has never really seen. “I just mean—“ she starts, chokes, starts again, “I just mean—my mother taught me to sew. And I did. And I think maybe your mother taught you to run. And you did. And I don’t think it’s…it’s understandable, that you wish she had taught you how to sew instead.”

Something in her, some roaring thing—the storm, maybe—cracks her skin at the words. She thinks if she were to look at her hands right now there would be new scars.

Laudna takes her ruined hands into her own; she tries to fix them. “But I can teach you how to sew, Imogen. I can—and then when I'm—gone. You can still sew. Or cook or—or paint or—whatever it is, Imogen. Imogen.”

Imogen rushes in; she kisses her. What else is there to say? What do you say when I love you isn’t big enough anymore? How do you say I don’t want you to teach me how to sew, I want you to teach me how to hunt?

Maybe there aren’t enough words to encompass them. Maybe they’ve created their own expanse of love and devotion here, between them. Maybe they’ve spent two years carving a space for the other in the ether of the world.

Everything they’ve found, all of the information they've picked up on the Gods and what makes or breaks or conjures them in these past months—faith. Both the call and the creator, the word around which divinity molds itself. And her faith, her divine call into the dark—her unanswered pleas on her knees in Gelvaan, on her knees at the altar of the Dawnfather Temple in Whitestone—if they can pick and choose whose faith they deem truthful, then what does it mean to be truly faithful?

The confidence in the callous hands of a blacksmith as he brings the hammer down, striking metal into shape. The gentle hands of a gardener digging into the soil, preparing it for life, removing that which would otherwise ruin and rot. The small hands of a child held in the soft, guiding hands of their mother. Are these not examples of divine faith?

Would the Dawnfather's hands hold her face so gently? Would the Wildmother's lips press so softly to her brow? Would the Changebringer's fingers dig just so into the skin of her shoulders, sweaty and heaving in the aftermath of her storm?

What could the gods offer her that Laudna hasn't? What would they ask in return for what Laudna freely gives? What faith of hers have they earned?

If faith is the ultimate test of love and passion and trust—than whose altar but Laudna's would she kneel to?

If godhood, then, is as simple as a state of faith and belief then maybe she alone can love her to the point of divinity. Immortality. Imogen could make a God of her. Maybe, she thinks with Laudna’s bottom lip caught between her teeth, maybe one more kiss will do the trick. Maybe one more. One more.

Eventually a sob—Imogen’s, of course—breaks them apart. Her head falls into Laudna’s neck. Laudna’s arms cross behind her back and press her close. She runs her taloned fingers over the bare skin at Imogen’s shoulder blades, the base of her neck, down every popping vertebrae. She is breathing at the normal human rate—for her it is heaving. She kisses Imogen’s temple.

“No one can take away the love for the mother you wanted. Not even the mother you have." She says into her hair, and then pulls away and down—kisses her. Keeps kissing her. When she separates to speak it is by centimeters, “And no one can take me away from you. Not Delilah. Not Otohan. Not Predathos or The Matron.”

And then, into her trembling mouth, “If we are apart, then I am within.”

Imogen lets out a wrecked—choking—dying sound, “Yeah—Yes. Laudna, I—“ desperate and clumsy and broken, she brings her shaking hand up to Laudna’s face and presses her finger to Laudna’s forehead, “Here. As long as you’re here.”

Laudna nods, brings her own talons up to Imogen’s face in a mirror-gesture, “Here. As long as you’re here.” And what is left for Imogen to do besides to rush up and in and in and in. Again and again and again.

Here, in Jrusar, in their room at Zhudanna’s, in Zephrah, in the Feywild, in Bassuras, on the moon, in the storm. In the evening, in the morning, in the middle of the day, in the depths of the night. Crying, laughing, bloody, triumphant. Again and again and again and again.

Better halves, Imogen thinks—into Laudna’s head and then, endlessly, into her own, Better wholes. I love you. I love you.

“I love you.” Laudna gasps aloud, ripping away and then rushing back in, “Imogen. Imogen. As long as you’re here. I love you.”

Imogen nods, gasps, and then neither of them say much at all.

———

In the end, Imogen doesn’t say: I lied. When I promised to move on. I lied to you. Nor does she say: I’m sorry. I’m not disgusted by you. I could never be. I love you so deeply that every time I look at you I am remade. She doesn’t say: I sundered her once. I’ll sunder her again. If you’ll let me, I’d plant a new sun tree in your mind. One that makes you think of picnics and not nooses. One that makes you think of the view and not the fall.

She does not say: I don’t think I can do it. I don’t think I can kill her. Will you do it? Can we trade?

She tucks these confessions away in the divots of her mind right alongside her circlet. She hopes the weight of them, the promise of them, will help to keep her runaway feet firmly rooted.

———

(After, Laudna falls asleep before her, eyes wide open.

Imogen lays next to her, one hand softly running up and down Laudna’s exposed navel, the other curled under her own head as she allows herself to trace the profile of her face.

It is late enough—or, early enough, maybe—that Catha’s light cannot breach the shared darkness of their space. Or maybe it does, and is swallowed entirely by the pitch of Laudna’s eyes.

Laudna’s eyes—the empty, dark swirl of them—Imogen remembers her gaze full with stars—captures her attention. The shadows in the room paint Laudna an even deeper dark, cutting her features into shapes that catch the barely there impression of light that Imogen’s weak, mortal eyes require to capture form.

With no light, with nothing to reflect in her sky-locked, sleep-awake stare; Laudna appears hungry. Like even in sleep, she is hunting. In the dark, she takes the form of a predator.

Watching her, Imogen thinks of Ruidus and of the storm there and of the one in her mind and of the one that takes the shape of her mother—reaching and watching and waiting for her, the entirety of her life—like an animal, like something waiting in the grass for her to make a mistake or lose her footing—waiting on the opportunity to close in on her—to consume her or to change her—

She reaches across the space.

Gently, mournfully, she closes Laudna’s eyes.)

#critical role #imogen temult #laudna #imodna #liliana tumult #writing #I don’t think I love this anymore BUT. at least it is Finished and I can Move On. To Other Equally Distressing WIPs #i have a full blown liliana character study locked in the chamber of my brain. she is in there.#and delilah is right next to her. in a away i am just like the gay girls #also sos. this is the first time i’ve posted fic anywhere but especially on here in YEARS and why the FUCK #did they take away being able to simply add a line break. or am i dumb. i couldn’t get the HTML to work either orz #Also post-posting update. I am now recognizing a collection of formatting errors specifically on this version that I am like. h about.#But Whatever. The Show Must Go On #crit role fic

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sunsetsandsunshine · 2 months

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AAAHHH REQUESTS ARE OPEN!!!!

So proud of you for powering through your requests and wips of your own!!! You did SUCH A FANTASTIC JOB AT BY THE WAY!!!! oh my gosh!! Your creativity inspires me A HECK OF A LOT EMERY! 🫶🫶💙💙💙💙

I thought I'd might as well send you a request! (No pressure, and absolutely no need for a rush!)

Maybe something that is Halloween themed for rottmnt? Maybe they're decorating for Halloween and Mikey or Leo seems to have a disagreement with certain decorations that the rest of the Hamato brothers seem to have no problems with? Resulting in normal brother banter, but it soon turns into one of them declaring a "tickle fight"?

One of them could be like "how about we settle this with a tickle fight!" and since Mikey or Leo is the only one who has a disagreement with the decor, one of them just get ganged up on, and eventually it rules out to them loosing since it's literally a 1v3? 😭😭

I don't know! I just thought of it, but of course no pressure in writing it if it's too confusing! 🙏🙏

~ 𝙲𝚘𝚛𝚊𝚕𝚒𝚗𝚎 𝚊𝚗𝚍 𝚊 𝚙𝚞𝚖𝚙𝚔𝚒𝚗 ~

❤️💜🐢💙🧡 𝙵𝚒𝚌 𝚛𝚎𝚚𝚞𝚎𝚜𝚝𝚎𝚍 𝚋𝚢: @saturnzskyzz ❤️💜🐢💙🧡

·̩̩̥͙＊*•̩̩͙✩•̩̩͙*˚𝙰𝚆𝙴 𝚂𝙰𝚃𝚄𝚁𝙽 🥹💗💕💗💕💗!!! 𝚄𝚁 𝙲𝙾𝙼𝙿𝙻𝙸𝙼𝙴𝙽𝚃𝚂 𝙰𝙻𝚆𝙰𝚈𝚂 𝙼𝙰𝙺𝙴 𝙼𝙴 𝚂𝙾 𝚂𝙾 𝙷𝙰𝙿𝙿𝚈 𝚃𝙷𝙰𝙽𝙺 𝚈𝙾𝚄??? 𝙸𝚝’𝚜 𝚜𝚘 𝚏𝚕𝚞𝚜𝚝𝚎𝚛𝚒𝚗𝚐 𝚊𝚗𝚍 𝚜𝚞𝚛𝚙𝚛𝚒𝚜𝚒𝚗𝚐 𝚝𝚘 𝚑𝚎𝚊𝚛 𝚖𝚢 𝚜𝚒𝚕𝚕𝚢 𝚠𝚛𝚒𝚝𝚒𝚗𝚐 𝚒𝚗𝚜𝚙𝚒𝚛𝚎𝚜 𝚙𝚎𝚘𝚙𝚕𝚎 𝚠𝚑𝚎𝚗 𝙸’𝚖 𝚘𝚗𝚕𝚢 𝚗𝚘𝚠 𝚋𝚎𝚌𝚘𝚖𝚒𝚗𝚐 𝚊 𝚜𝚘𝚙𝚑𝚖𝚘𝚛𝚎 𝚒𝚗 𝙷𝚒𝚐𝚑𝚜𝚌𝚑𝚘𝚘𝚕 😵‍💫🫶🏾…! 𝙰𝚗𝚍 𝚢𝚘𝚞 𝚛𝚎𝚚𝚞𝚎𝚜𝚝𝚒𝚗𝚐 𝚜𝚘𝚖𝚎𝚝𝚑𝚒𝚗𝚐 𝙷𝚊𝚕𝚕𝚘𝚠𝚎𝚎𝚗 𝚝𝚑𝚎𝚖𝚎𝚍 𝚍𝚞𝚛𝚒𝚗𝚐 𝚕𝚎𝚐𝚒𝚝 𝚖𝚒𝚍-𝙹𝚞𝚕𝚢 𝚒𝚜 𝚓𝚞𝚜𝚝 𝚜𝚘…𝚢𝚘𝚞 😭👍🏾— 𝚊𝚕𝚜𝚘 𝚝𝚑𝚎 𝙿𝙷𝙾𝚃𝙾 𝙱𝚁𝙾 𝙻𝙼𝙰𝙾?! 𝚂𝚊𝚟𝚒𝚗𝚐 𝚊𝚗𝚍 𝚂𝙰𝚅𝙴𝙳˚*• ̩̩͙•̩̩͙*✩＊·̩̩̥͙

𝙶𝚎𝚗𝚛𝚎: 𝙵𝚕𝚞𝚏𝚏

𝚆𝚘𝚛𝚍𝚜: 𝟸,𝟸𝟸𝟾

𝙻𝚎𝚎: 𝙻𝚎𝚘 🐢💙

𝙻𝚎𝚛: 𝚁𝚊𝚙𝚑 🐢❤️, 𝙳𝚘𝚗𝚗𝚒𝚎 🐢💜 𝚊𝚗𝚍 𝙼𝚒𝚔𝚎𝚢 🐢🧡

𝚂𝚞𝚖𝚖𝚊𝚛𝚢: 𝚃𝚑𝚎 𝙷𝚊𝚖𝚊𝚝𝚘 𝚋𝚛𝚘𝚝𝚑𝚎𝚛’𝚜 𝚊𝚛𝚎 𝚜𝚎𝚝𝚝𝚒𝚗𝚐 𝚞𝚙 𝚏𝚘𝚛 𝚝𝚑𝚎𝚒𝚛 𝚗𝚎𝚠 𝙷𝚊𝚕𝚕𝚘𝚠𝚎𝚎𝚗 𝚑𝚘𝚖𝚎 𝚊𝚎𝚜𝚝𝚑𝚎𝚝𝚒𝚌 (𝚋𝚎𝚌𝚊𝚞𝚜𝚎 𝚒𝚝’𝚜 𝚝𝚘𝚝𝚊𝚕𝚕𝚢 𝙾𝚌𝚝𝚘𝚋𝚎𝚛 𝚛𝚒𝚐𝚑𝚝 𝚗𝚘𝚠), 𝚋𝚞𝚝 𝙻𝚎𝚘 𝚒𝚜𝚗’𝚝 𝚝𝚘𝚘 𝚏𝚘𝚗𝚍 𝚘𝚏 𝚝𝚑𝚎 𝚌𝚑𝚘𝚒𝚌𝚎 𝚘𝚏 𝚍𝚎𝚌𝚘𝚛.

(𝙰/𝙽: 𝙳𝚘𝚗’𝚝 𝚋𝚎 𝚝𝚑𝚊𝚝 𝚐𝚞𝚢! 𝚃*𝚌𝚎𝚜𝚝 𝚊𝚗𝚍 𝙺𝚒𝚗𝚔/𝙽𝚂𝙵𝚆 𝚋𝚕𝚘𝚐𝚜 𝙳𝙽𝙸!!!)

T𝚊𝚐𝚐𝚐𝚜𝚜𝚜𝚜: @shut-up-jo @someone1348 @itzsana-kiddingmenow

@giggly-cloud @savemeafruitjuice @rice-cake-teen10

@titters-and-tingles @veryblushyswitch @tmntalways @mistyandsnow

𝚆𝚊𝚛𝚗𝚒𝚗𝚐𝚜: 𝚃𝚒𝚌𝚔𝚕𝚒𝚗𝚐, 𝚌𝚞𝚜𝚜𝚒𝚗𝚐 𝚊𝚗𝚍 𝚖𝚎𝚗𝚝𝚒𝚘𝚗𝚜 𝚘𝚏 𝙷𝚊𝚕𝚕𝚘𝚠𝚎𝚎𝚗 𝚖𝚘𝚟𝚒𝚎𝚜 𝚕𝚘𝚕. 𝙸𝚏 𝚗𝚘𝚗𝚎 𝚊𝚛𝚎 𝚢𝚘𝚞𝚛 𝚏𝚘𝚛𝚝𝚎, 𝚐𝚘 𝚏𝚒𝚗𝚍 𝚜𝚘𝚖𝚎𝚝𝚑𝚒𝚗𝚐 𝚝𝚑𝚊𝚝 𝚒𝚜 🕺🏾✨

＊*•̩̩͙✩•̩̩͙*˚𝚂𝚙𝚘𝚘𝚔𝚢 𝚜𝚌𝚊𝚛𝚢 𝚜𝚔𝚎𝚕𝚎𝚝𝚘𝚗𝚜 𝚜𝚙𝚘𝚘𝚔𝚒𝚗𝚐 𝚞𝚙 𝚢𝚘𝚞𝚛 𝚜𝚙𝚒𝚗𝚎 𝚘𝚛 𝚑𝚘𝚠𝚎𝚟𝚎𝚛 𝚒𝚝 𝚐𝚘𝚎𝚜 𝚓𝚜𝚓𝚜𝚖𝚜𝚓𝚍𝚑𝚑 𝚎𝚗𝚓𝚘𝚢!!!˚*•✩•̩̩͙*˚＊·̩̩̥͙

“Move it to the left! No…your other left! …Donnie, I just said your other left!!!” Raph yelled.

“I don’t have 'an other left!' Are you trying to tell me that you want me to use my right hand?!” Donnie asked, irritation abundantly clear in his tone.

“NO! I KNOW WHAT I SAID!!! WHAT I WANT YOU TO DO IS USE YOUR OTHER LEFT!!” Raphael basically screamed.

“I. DON’T. KNOW. WHAT. THAT. MEANS!!!” Donatello screeched back.

“Oh for crying out—“ The eldest sighed, “Give it here.” The taller turtle snatched the Coraline themed paper cut out’s from his younger brother, getting tape and sticking them to the wall.

Raph stepped out a bit, looking at where he had placed the paper cut out’s before letting out a huff of satisfation, putting his hands on his hips, “See? Now was that so hard?”

The purple banded turtle’s eye twitched slightly, turning to his older brother and giving him a quickly glare as he put the excess decorations away, “You used your right hand to place that decoration, dumbass.”

The eldest blinked in confusion at his brother’s statement, doing an L-shape with both of his fingers as a small embarrassed blush appeared on his cheeks, “I see...”

The young scientist rolled his eyes fondly, shaking his head as he threw away the remainder of the paper, “You see—”

“I aham stopping you right there. Please dohon’t Dhar Man lihife lesson me right now…”

“You see…” The softshell continued, his grin widening as he heard a loud groan come from his older brother, “You should always listen to your immediate younger brother because he is just so intelligent and just so far beyond the usual intellect of the average fifteen year old.”

The red banded turtle nodded his head, trying his best not to laugh at his brother’s silly antic’s.

It was currently October and there was lots of spookiness in the air. Although it was literally just the 1st day of October, there was still freshly new spookiness in the atmosphere.

More or less, anyway...

The turtle teen’s were setting their lair to be a…sort of Halloween themed aesthetic.

Did their Dad know they were basically re-decorating the whole lair? No. But he’ll just have to deal with it.

Last year they did The Nightmare before Christmas.

The year before that they did the Corpse Bride…

…And, well…you get the idea. The rat man should be used to this routine by now.

The two eldest turtle’s looked at each other for a minute before bursting out into small laughs, chuckling at each other’s ridiculousness, “Okahay…remind me toho never doho ahanother Dhar Mann impression.” Donnie giggled out.

“Ahalright, Dhahar Mann fam.” The eldest snickered as the two youngest turtle’s entered the living room.

“Ew. Why did we choose Coraline as this year’s Halloween theme again?” Leo muttered, squinting at the choice of decorations in a disgusted manner, “I mean…the blue hair and pronouns girl? Love that. But can’t we just save that one for Pride month or something?”

Raphael put a hand over his mouth, turning around and trying not to laugh as Donnie and Mikey looked at the red eared slider in confusion.

“That’s Coraline, you idiot.” The box turtle muttered out.

“Wait…THAT’S Coraline?! What about the lady with the spider arms and looks like Jim Carrey from The Mask?”

Raphael loudly wheezed in the background at his brother’s genuine confusion, clutching his side and holding onto the kitchen counter for dear life as he laughed.

“That’s…That’s her Mom, man.” Mikey said.

The slider blinked in awe before letting out a long sigh, “Whatever…”

The blue banded turtle went to the wall, taking off some of the Coraline cut out’s that Mikey put up and replaced them with Charlie Brown ones.

“Charlie Brown? Really?” Donnie deadpanned as he crossed his arms.

“Yes!” Leo said, “It’s the Great Pumpkin! He rises out of the pumpkin patch—“

“We’re familiar with the tale, Nardo.” The second oldest interrupted, “But…just why? You seriously want to put up an imaginary pumpkin over Coraline…?”

“Yes. Yes I do.”

The scientist just rolled his eyes, going over to help Raph who was currently dying of laughter on the floor, “You do you brother of mine.”

“Oho I beg to differ.” Michelangelo seethed, going up to his immediate older brother, “I worked hard on those Coraline paper cut outs! You can’t just…replace them with some pumpkin from the 1960’s!”

Leonardo looked at his youngest brother up and down, “…You bought these from the dollar store and just dumped glitter on it.”

“EXACTLY! DO YOU KNOW HOW HARD IT WAS TO EVENLY DISTRIBUTE ALL THE GLITTER ON EACH CORALINE PIECE?!”

Leo hummed in acknowledgment, trying to take off more of the decorations but was basically jumped by Mikey to the floor. The two youngest playfully fought with each other’s arms, both of them trying to get the upper hand in the play-fight. “Hehey heHEY! Gehehet ohoff of me yohou overgrown frog!” Leo giggled out.

“Oh dohon’t even, Leheheon. When yohou wear glahasses yohou look lihike that oddly proportioned 'brohother' of ours thahat’s aha disgrace to ahall turtle-kind.” The box turtle said smugly.

“…ARE YOU COMPARING ME TO THAT UGLY ASS FRANKLIN GUY?!”

“I AM AND WHAT ABOUT IT?!”

“Oho you’re done. Done.” Leo growled, trying to get the upper hand but was pinned down by the youngest pretty quickly on the ground. The orange banded turtle grinned in triumph, brutally attacking the other by tickling his underarms.

Leo let out a loud squawk in surprise, pushing at his brother’s wrists as he clamped his mouth shut. He shook his head back and forth, trying his absolute best not to satisfy the youngest in his attack.

Don’t laugh. Don’t laugh. Don’t laugh. Don’t laugh. Don’t. fucking. laugh.

“Woah. We left for, like, 5 minutes tops. What happened?” The purple banded turtle asked as him and the eldest walked into the scene up-roaring in front of them.

“Leo said my Coraline paper cut outs were cheap and ugly!” The youngest dramatically whined, wiping away a tear before skittering his fingers along the slider’s ribs.

Okay, well first of all: Leo never said that. Did they look cheap? Yes. Did he think that the DIY decorations looked cheap? Oho absolutely.

But the fact of the matter was he never said it out loud! He thought it but he never said it.

“Damn…he hasn’t started laughing yet? He would usually be squirming like a drunk mermaid right about now.” Raphael mused, poking Leo in the side repeatedly as the second youngest closed his eyes shut. “We know you wanna laugh, Leo~!” The eldest sing-songed.

The second youngest let out a soft snort, continuing to shake his head as his legs kicked behind Mikey. Donatello raised an unamused brow, sitting down and lightly grabbing the slider’s right ankle as he tickled his heel.

“PFFTAHAH— *snort* dahAHAMMIT!” Leo screeched as he finally let out a laugh whilst stomping his free foot on the floor. The three teens tormenting their brother smiled at the long overdue flood of giggles and snorts that was escaping the slider’s mouth.

“There it is~!” Raph cooed softly, tickling under Leo’s chin as the second youngest blushed slightly at the tease. “GOHO *snort* AWAHAHAY YOHOU AHASS— *snort*!!”

“GASP! Oh no you did not. Cussing us out now? C'mon, Nardo…you know better than that~!” The second oldest mused, using his spider arms to hold the blue banded turtle’s ankles in place as he tickled all over his feet. Leonardo laugh raised an octave at the sudden action, squirming underneath the youngest more frantically.

The blue banded teen snorted loudly, his hands flapping on the floor which absolutley melted the other’s hearts, “GUHUHUYS S-STAHAP! IHIHIT— *snort* EHEHEHAH!!! IHIT TIHI— *snort*!!”

“Awe…it tickles? Is that what you’re trying to say~?” Mikey asked mischeivously, pinching Leo’s hips mercilessly. Raphael grinned, holding the slider’s arms up as he tickled his stomach and sides. “Does iiiiit…tickle here? Orrrr…what about here? Here? And heeeere~?” The eldest asked as he unpredictably switched from tickling the blue banded teen’s stomach to his sides, definitely making sure to leave the leader in blue in stitches.

“Y'know, Lee…you could get out of this situation more easily if you just apologized.” The young scientist commented.

“FAHAH— *snort* FOHOR WHAHA— *snort* WHAHAT?!” Leonardo asked through his laughs.

“What do you mean 'fohor whahat?' For insulting Mikey’s precious art and calling it cheap!” Donatello said as if the answer should’ve been obvious.

“BUHUT IHI DIHIHIDN’T!!! HEEHEE’S A *snort* LIHIHIAR!!!”

All the other turtle’s gasped dramatically, ceasing their attack momentarily as the box turtle glared at his brother playfully, “Oho I’m sorry…I didn’t quite hear you. What did you just call me?”

The lime-green eyed teen’s heart dropped at the fake sweet tone his younger brother was speaking in, he hugged his middles as more frantic giggles poured from out of his mouth, “N-Noho— *snort* NOHO! Ihi— *snort* I-Ihi dihidn’t meeheean IHIT! M-MIHIKEY WAHAHAIT!”

“And now you’re laughing at me. You must think this is funny, huh?” The orange banded turtle asked as he effortlessly pushed Leo’s hands aside as Raph casually held them up again. The eldest used one hand to hold Leo’s wrists together but wiggled his free hand near the second youngest’s neck.

The blue cladded teen’s eyed widened, silently praying to God that he wouldn’t go to the golden gates early because of what was about to happen to him.

Donnie hovered his hands over Leo’s knees as Mikey’s hands innocently and gently traced over his immediate older brother’s sides. The lime-green eyed mutant gulped, glaring at Mikey as the youngest happily glared back.

“Anything you wanna say to me, Leon? Anything in particular?” The box turtle asked.

“F-Fuhuhuck. yohou.” Leo giggled through gritted teeth.

After that extremely rude remark, the brother’s wasted no time tickling the second youngest into oblivion. Donnie tickled underneath his knees, Mikey scribbled his nails against the slider’s sides as he blew raspberries on his stomach, and finally, Raph tickled his neck as he held up his arms.

A pretty smart tactic if you ask me. A mean one? Oh 100%, but at least it was effective.

Leonardo let out a screechy vulture-like scream before falling into loud bubbly cackles. The slider shook his head back and forth once more, squirming as best he could in the position he was in.

“Awe…” Raphael chuckled out, letting go of his brother’s wrists to let him flap his hands happily on Michelangelo’s arms.

“STAHAHAP!! PLEHEHEASE *snort* IHIHIT’S *snort* TOOHOO— *snort* NAHAHAH!!!”

“Buhut Ihi want my apology!” Mikey giggled.

“MIHIKAHA— *snort*!!! SHUHUT IHIHIT!!!”

“Don’t you dare disobey me, Coraline~!” Raph snickered, using both of his hands to tickle the crooks of the second youngest’s neck. Leo’s adorable laughter became wheezy as happy tears slowly started appearing in his eyes, “DAHAHAH— *snort* RAHAH— *snort* PLAHAHA *snort* EEEEEE!!!”

“IHIHI’M SAHARRY! IHI’M SAHA— *snort*! GUHUHUYS!!!” The slider snorted as he scrunched up his shoulders.

Mikey hummed in thought, blowing a raspberry on his immediate older brother’s ribs, “Are you apologizing for insulting my crafts or are you apologizing for cussing us out?”

“BAHAH— *snort* BOHOTH! BOHOHOTH!!! PLAHA— *snort* GUHUYS!!”

“Okahay okay…” Michelangelo giggled, gesturing for his older brother’s to stop. The red eared slider mutant layed limp on the floor, curling in on himself as his brother’s sat next to him. The art loving turtle wrapped his brother in a tight hug which the second youngest couldn’t help but melt in through his tired giggles.

“Are you guys alright?! I heard screaming.” April quickly said as she walked into the lair, carrying a grocery bag full of candies and treats. The mutants almost immediately perked up at the sound of their sister’s arrival, going over and attacking her in huge bear hug.

The small human giggled at the gesture, hugging her brother’s back. “I’ll take that as a 'we’re fine and not dying a gruesome death.'” She concluded as she got out of the hug to put the candy bag down on the kitchen counter. “I mean…why was there screaming, though? I honestly thought you all were getting brutally murdered…”

Donnie raised a brow, looking over at his twin, “Wanna give April the inside scoop of what went down, Nardo?”

“I’m good.” The red eared slider said as he stuck a tongue out at his older twin, which the purple banded turtle had no problem copying back.

“Leo said my decorations were cheap and ugly.” The youngest said with dramatic flair, pointing at his Coraline cut-out’s. April’s eyed widened in shock, biting down her lip as he nodded, looking away from her youngest brother’s creation. “It looks great, Mike.” She giggled out, going to the kitchen counter to take out the candy as she was happily followed by Raphael.

“Woah woah!!! Get back here! I heard that laugh, Riri!” The orange banded turtle screeched, following along the elder siblings to the kitchen as he was followed by the middle siblings.

In all honesty…perhaps the Coraline themed Halloween decor wasn’t the worst idea’s Leo’s brother’s have had.

Leonardo could always make a Great Pumpkin Halloween theme next year.

But that did not stop the leader in blue from sticking the pumpkin sticker he had on his pouch on the youngest’s shell without anyone noticing.

Well, besides Donnie— who chuckled lighlty at the gesture as the two twins made their way to the kitchen.

·̩̩̥͙＊*•̩̩͙✩•̩̩͙*˚𝙵𝙸𝙽˚*•̩̩͙✩•̩̩͙*˚＊·̩̩̥͙

(𝙿.𝚂.: 𝙸𝚏 𝚢𝚘𝚞 𝚎𝚗𝚓𝚘𝚢𝚎𝚍 𝚝𝚑𝚒𝚜 𝚏𝚒𝚌, 𝚙𝚕𝚎𝚊𝚜𝚎 𝚛𝚎𝚋𝚕𝚘𝚐!!!)