The Art Nouveau style caused a dramatic shift in jewellery design, reaching a peak around 1900 when it triumphed at the Paris International Exhibition.
Its followers created sinuous, organic pieces whose undercurrents of eroticism and death were a world away from the floral motifs of earlier generations. Art Nouveau jewellers like René Lalique also distanced themselves from conventional precious stones and put greater emphasis on the subtle effects of materials such as glass, horn and enamel.
René Lalique, 'the admitted king of Paris fashions', chose his materials for aesthetic effect and artistic refinement, not for mere preciousness or brilliance. Credited with introducing horn into the jewellery repertoire, he dazzled the public with a collection of ornamental combs made of horn. They were moulded and sculpted in the shape of flowers, waves and butterflies.
Victoria & Albert Museum (M.116A-1966 & M.116A-1966)
British artist Jenny Ayrton creates tiny wonderlands of everyday life in molten glass blocks. Most of the scenes feature cozy home life and are influenced by Ayrton’s surroundings. To create the pieces, she builds tiny wire and metal mesh models of the scenery that are then encased between two layers of hot glass.
Archaeologists have unveiled fresh secrets hidden within George Washington's 18th century Mount Vernon mansion, including a surprisingly pleasant scent trapped in two 250-year-old glass bottles.
Cars, Explosions, & Hammers Stimboard for @photomatt (unrequested)
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