#go ahead and watch the full execution scene again

[bluginkgo]

Just what in the fack did I watch... I'm gonna go watch it again just for funsies and to cry again (Rambles/Thoughts)

This post will mostly contain random rambles and thoughts I had while watching and rewatching the episode. And a lot of this is just going to be me ranting about scenes (the rants will most likely make you wanna go "Ginkgo, that's common sense we can see it smh." XD Just roll with it. Oh and NUzi scenes

Spoilers, duh and lots of words. Oh and gore warning? Kinda?

I mean... that scary *ss mother facking thing towards the end- you know what I'm talking about if you watched the ep 😅

First thing I found interesting, is how the Solver behaves in this scene. It's mere shadows, not even fully manifested. Further proves that the Solver transcends simple time and space, and is on a different plane of existence- a 4th dimension if you will.

The humans did, in fact, learn how to control the Solver. The pentagram like projections act as gravity enforcers and lights that subdue the solver for a period of time. Buuuut it seems that it's not full proof. It seems that this occurance is fairly common, seeing as the workers nearby were not very concerned that an eldrich being was about to break loose.

Alright another slow moment here. But I had to google wtf "MacGuffin" meant (English isn't my first language, so take it easy on me ;w;). And taking this straight from the google search "an object or device in a movie or a book that serves merely as a trigger for the plot." So most likely, the Absolute Solver is referring to the fact that Mitchell the intern set things in motion simply because he was mistaken for the real Dr. Chambers... Classic- CLASSIC human mistake XD

So... Heart/Nori. Something interesting is going on with her. I believe Nori WAS injured by the DDs and had to be finished off by Khan. I'll touch on Khan a bit later. But, just as seen with Eldrich J... I'm not sure why I've never thought of this before! It makes sense for Nori's corrupted core: Heart, to still function properly. Meaning, she could have snuck away when she was killed and returned to the cathedral to search for the crucifix. Uzi gets most of her style from Nori 🥹. Seems like Uzi got her mom's style and Khan's engineering abilities.

I had it all wrong- and I am ALL FOR IT! N wasn't afraid of something he saw ahead. He was upset with what they left BEHIND! V! And THIS ENTIRE SCENE

You cannot believe how surprised I was. This scene was so much better than I could have imagined it. Yes, it was painful to watch, but sweet robo-god this was executed SO DAM WELL TwT It was delicious angst. And Tessa was not in fact drawing her sword on Uzi, but instead protecting her... kinda... with an ulterior motive of course.

The gut wrenching betrayal right there. The animation team did a wonderful job at animating the betrayal and how it manifested in Uzi. Disbelief and then anger.

Not to mention her stumble. I hyper fixated on that stumble a bit too much on my first 2 watches. (Yes, I've rewatched the episode 8 times now, hush I love it XD). Her stumble shows weakness. And in that moment, she wishes to be anything BUT weak. The suspicion of betrayal is settling in, and she needs to be able to fight back. But her body is giving out. The events are taking a toll on her. And makes me appreciate the animation detail that much more.

This scene N is definitely angry. He's trying his best to keep it together and Tessa's pressure to injure and kill Uzi is not helping. So for him to be talking to Uzi, while glaring at Tessa is just him driving the point home. He is NOT going to hurt Uzi, no matter what they might find down in the labs.

But a poor choice of words that was. It gives Uzi a glimpse of what was actually happening and what has been bothering N. The trust vaporizes, and with it, any attempts with communication.

And what I believe, gives a nod back to ep2. As N steps in to try to help Uzi up, she retreats. Same happens in this episode. And the kicker? "Falling... for you" song starts lightly playing in the background.

This is far too comical after he says he deserves to have his limbs cut off. The whiplash I got from that is ridiculous... in a sad and funny way.

What an amazing shot. But it does paint a picture of what the DDs have done. Perhaps the blood also acted as cooling agents, and this is why the trend continued with robots- except this time around as oil. And this is what the Administration CYN most likely blocked out. Not only the manor time, but also the bloodbath that followed as Earth collapsed.

THE DOG MADE IT IN AHAHAHAHAHAHAHA

It's interesting on how the solver manifests in the drones. It seems that Uzi's wings and tail, do not make the solver go insane, and she can continue to use it. However, later in the episode the same wings and tail go berserk. So it seems that once the transformation has set in- like with Uzi- it becomes part of the drone rather something that is manifested by the Absolute Solver's control.

SO MUCH TO UNPACK HERE XD Part 2A that Khan refers to is on the bottom left corner, the green core that Uzi got a hold of back in pilot episode- also titled as "I think this is a robot liver or something lol."

Plan B: Uzi could have had a normal gun if railgun didn't work. Bottom right corner

Top left corner under Uzi's railgun title: "30 min recharge time. That'll be fine." Famous last words ever XD

Top right corner: "Other things it can do: Not judge me, force prom dance, I can say I had friends but fricken murdered them with sci fi weaponry."

I love how sassy he is here XD His character development and arc is something that I will never forget. He has definitely come a great ways. Khan also seems adamant about his wife being completely dead. Which proves that he didn't know a single thing about the Absolute Solver and what it can do. He could only reference Nori's insane drawings and deduce that the planet was going to eat them all soon.

Idk if this is just my tired brain, but this comment felt like a joke to me. (Remember, I don't know anything about computers and the language ;w;) But the physical patch to save herself... as in, the same patches that are sent out for games/programs to fix bugs? That's the joke I got out of that one 😅

This entire sequence was something out of my nightmares XD The heel tapping that KEPT GETTING QUICKER definitely had me reeling back from the screen XD

The Nori and Yeva scene was so wholesome 🥹. I loved the way the animators showed their interaction. Despite the hellish events, they were still close.

My only issue with this image is, on what is Doll moving? Not like the floor. The core is gone from her body, what the heck is still driving her forward? Perhaps just on the sheer will to warn Uzi to "fight back." And I suppose I can see how she could still move without her main core. Almost acting like chickens do, when you cut their heads off. One was able to live for 18 months after the head was cut. So I suppose I can get behind the idea that Doll's final wish was to warn Uzi, at the very least, and thus forced the body to move until it did so.

But then, Tessa shows up. Which makes me wonder if she was the one that simply lead Doll's body to come to Uzi. How? Uhhh... Absolute Solver! Let's just go with that sweat face. The con in that theory is a simple: why? Why bother leading Doll to Uzi? To spook her? To give a false reason to attack Uzi? Given that N was still very much behind them all, I don't see why the Absolute Solver would try to make up some odd reason to attack Uzi. It could just simply... go ahead. There was no one there to fool, and could incapacitate Uzi easily. Buuuut I could also be looking too deep into this, as per usual.

Hey guess what.

I found the answer. XD Just as I'm typing this up, a frame popped up.

Yup, the core was still inside and thus running Doll and thus Doll could move, ok carry on. XD

Emotions spike the Absolute Solver, something that I love seeing and appears to be less headcanon and more canon at this point for me. Through the entire episode, the Solver keeps glitching out and forcing Uzi to lose control because in this situation, she's very stressed. A betrayal, a misunderstanding, learning about the past, everything becomes too much. This makes keeping the solver at bay that much harder.

He did NOT give her any chance. Yes or no, Tessa. That suddenness surprised me- in a good way. This shows how much N has grown. He's willing to stand up for his beliefs that much better. If he suspects something, he now acts on it, and does not wait for the other side to perhaps change his mind.

This scene. This scene shall live in my head rent free for a long while... Actually, the entire episode is gonna live rent free for a while. XD Not to mention the "Falling... for you" song plays in the background yet again. Ugh, pulling on heart strings there ;w;

They had us all fooled XD The hand lights were on just to trick us, and in fact were meant to be off this entire time! Oh you sneaky sneaky people. >w<

ALL OF THESE SCENES, they're all so cruel but SO GOOD TwT So cruel in context of how tortured N must be to fight Uzi, but so good in context that this fight sequence and animation is executed SO WELL. All of Nori's slaps were so personal XD Mama Nori educating NUzi

When I saw this scene, I couldn't help but think of ep3 and their dance. This entire episode is so bittersweet ;w;

She's still there TwT And she sees this entire fight. Of what she has become and done to N and omg I'm crying again. Moving on.

OMG YOU SILLY GOOBER BAHAHAHAHAHAHAH XD I love Nori/Heart's reaction, but the Absolute Solver also gets me laughing a bit too hard. "WHAT." That's so simple yet so effective. "What. Why. You are a DD I sent to kill the hosts, why are you hanging out."

The entire scene with NUzi screaming. Just. YES. What better way of gettin rid of stress than screaming! ^_^

Oh you sneaky, sneaky people. Well, all I can say, you got me. You got me good. This is something I didn't think of, but should have. It's simple to get these shots with certain rigs missing. And it was done seamlessly. Well done, well done. I begrudgingly applaud you. XD

HE'S PATTING HER HEAD AAAAHHHHH *proceeds to ascend to another realm*

They did not... omg they did XD Ah, yes, welcome a new horror oh and by the way here- :3 a cute face

Omg they look so cool- KHAN WTF XD

LOL J THE PRIOR HAZARD WARNING AHAHAHAHAHA

The way she shook his hand trying to snap him back to himself and wake up 😭. And the entire sequence following this... I'm just now slowly starting to process it, oh and great I'm sobbing again. Alright, moving on.

Well, I have some thoughts in this. This is personal thoughts, thus this is where you are more than free to yeet this section into the void that Uzi was dragged into... sorry that was a bad joke- anyways. "Die mad." I feel like this is her way of telling N to not give up. To go out there and FIGHT. But if he can't win, then to die like she is. To die in a way that he will be proud of and to go batsh*t crazy. Because by now, Uzi must know that all of their chances of survival are slim. So you might as well go out with a bang and "die mad."

Something I noticed and was further solidified when @bloodywolfwings also mentioned it. Uzi looks at peace here and very accepting of death. And I say, yes, she very much is. I think this was a way of her asking N for forgiveness. For getting mad at him in the beginning of the episode, for failing to be useful/protecting N, and for fighting against him- despite being possessed. And perhaps even, as an incredibly insane and radical thought, for loving him. This entire episode has put the characters and us through the wringer, and that "sacrifice" was just the cherry on top.

Something I have seen already mentioned once at very least (by @/rebecca-babe) and something that also put me on edge was the ending credits... or the lack of. Of course, all the credits roll, but it's not the usual type. Instead of an upbeat music that is either "Uzi the drone killer" or a theme that was seen in the episode... its SILENCE. Being a musician myself, I love how much love has been put into Murder Drones. The sound effects and the main music are always top-notch. But that ending unsettled me the most. The lack of all noise is something that is terrifying and unsettling in that ending. Almost like all the music and sound left with the "sacrifice" of the main character, Uzi. The entire episode was filled with sounds, silence only being present when something incredibly WRONG was happening - like at the beginning when intern Mitchell re-entered the cathedral. And as much as I love how well executed this entire scene was, I hated it. Because that scene does the job that it was set out to do. Put you on edge, and make you feel like all hope is lost. That this is it. This is the end.

This is the end of my rambles and thoughts that I had while watching ep7. I may have more later on as I keep rewatching this episode for the rest of the week ;w;

Want to hear more of my stupid rambles? This has 3 other parts!

[smytherines]

I love One Step Ahead for all the obvious reasons (gay angst), but also because it is so packed with little storytelling moments. Also it just seems exhausting. So much happens in that song:

1. Motorcycle chase (with office chairs)

2. Boat chase

3. Staff fight

4. Sword fight

5. Vigorous musket loading

6. Run up the staircase

7. Hang glider chase

8. Fistfight

9. Run halfway down the stairs again

And the entire time they are doing all of this, they're belting out a vocally demanding song. I mean, no wonder Curt Mega had to take a breath during that final note. That's a feat of endurance. I simply would've passed out and died.

One Step Ahead is one of my favorite setpieces of all time. In anything. Ever. It is so impressive, and it is even more impressive when you realize this was done by a tiny little independent company with the theatre budget equivalent of $1.50. Unreal. It should not be possible.

And the thing is, One Step Ahead is the perfect narrative counterweight to A1P1 (Spies Are Forever). The amount of thought they put into this is just stunning. Because here's the thing: A1P1 is also incredibly physical. For most of the song Curt and Owen are on the move, they're going up the ladder, they're fighting goons, they're going down the staircase, they're running.

But more importantly, Curt and Owen are touching a lot in A1P1. And yeah, that's fun in a swoony curtwen vibes way, but its also incredibly important to the narrative. They are touching a lot, and when they aren't touching they are standing just a little bit too close together. Its subtle enough that you initially dismiss it as a stylistic choice, but once you have the full context it is remarkably intimate.

Those are important details- like the way Owen has his arm around Curt and is literally holding his hand when they're talking to Cynthia. Its meant to tell us that they are together. In the romantic way, yes, but also they're just aligned, working together, on the same page. They are partners here. They literally have each other's backs.

And that's down to Curt Mega and Joey Richter selling the absolute shit out of these roles, and genius choreography by Lauren Lopez, and Corey Lubowich being the director of all time.

The digital download BTS has a part with Joey and Curt rehearsing the bit where they do the hug, and right after that they're trying to figure out what cool action poses to move into and Corey says that he wants to see something with them "connected," which is just... yeah, that's the perfect word to describe what is going on in A1P1. These two are connected.

So then we get to One Step Ahead. At the very beginning, Curt does the arm clasp with Tatiana. The first time they did this, Curt had a flashback of Owen. Owen was still his partner in his heart. But this time that bond is severed. Curt thinks of Tatiana as his partner now.

We get into the action of the song, and Curt and Owen do not touch. Even when they are very physically close together, there are weapons between them. In A1P1 they had lots of moments with their backs turned to each other, trusting each other, working perfectly in sync. In One Step Ahead they are facing each other head on. They are literally and figuratively fighting. They are breaking up.

The only moment during this sequence where they are actually touching each other is when Owen slaps Curt, Curt punches Owen twice, and they do that lock up move. They're only touching to hurt each other now.

And its so subtle and well executed that you don't really think about the parallels between these two scenes the first time you watch them. But you feel it on an emotional level. They had about ten minutes to establish the relationship between these two, and they used that ten minutes so effectively that the staircase scene ends up hitting like a ton of bricks.

Just. I love this show. I love how much TCB and Curt Mega and the rest of the cast care about this show. I'm so grateful they keep coming back to it. I cannot wait to see what they do with these scenes for Spy Another Day.

[orpheuslookingback]

hi! idk if we've interacted on here before but i saw your tags on the kith have-you-seen-this-series poll and in case we haven't crossed paths i wanted to let you know my blog is mostly kids in the hall related stuff (especially analysis of the show's queer elements) and i'm currently directing a documentary about Buddy Cole with full participation from Scott Thompson and Bruce McCulloch as executive producer and I post behind-the-scenes updates on that as well

(again if we've already crossed paths apologies if you've already heard about all of this but i always love seeing other tumblr people give this show and particularly scott thompson's work as a queer comedian the credit they deserve for being so ahead of their time)

Hi! I don’t think we have interacted before! But yeah I remember being SO shocked by how ahead of its time their material felt the first time I watched the show. Literally one of the few comedy shows I can think of from that time where you could take 90% of the material and do it now and it wouldn’t feel outdated or irrelevant, and is in a lot of ways the opposite, even- like I know I was watching some of the Steps sketches and going “man, I feel like I just saw people having almost this exact same discussion online two days ago” lol. I’m still a relatively new fan myself but their work has quickly become super meaningful to me. I wish I saw more people talking about them for sure!

[angeltannis]

Skipped WAYYY ahead on my Watchathon list, because my mom wanted to watch some “fun-scary kiddie horror”, to Scary Stories to Tell in the Dark (2019) - and all I can say is…

THIS MOVIE IS GRUESOME AS HELL WHAT THE FUCK

How they managed to squeeze this thing under a PG-13 rating I have NO idea. Aside from the constant swearing, dick jokes and racial slurs (yeah… ???), it features full, on-screen depictions of:

-a teenage boy getting gored through the stomach with a pitchfork, including the pitchfork tines emerging through the other side of him

-a kid eating cooked body parts

-a detailed scene of spiders hatching and emerging from under a girl’s flesh

-a kid getting swallowed whole by a monster, never to be seen again

-a guy getting his neck snapped and then his corpse tossed limply across the room

I remember the books being pretty gruesome, but seeing it on screen is an entirely different beast. I can’t imagine showing a child this movie. My mom is saying she’s going to have nightmares 🤣

Plot-wise, it was good though! Interesting idea and execution. I actually didn't know it was a Del Toro production until we got to the end credits, though that explains the interwoven plotline about the Vietnam War being shit, lmao (and I guess also the anti-Latino racism from the cops and asshole jock characters, though I still think throwing slurs around is weird for a modern horror movie with a kid-and-tween audience). Also, the ending is Very Very Obvious sequel-bait, which annoyed me. But I liked the rest enough to say I'd give this one a recommendation.

7/10

[kamenotaku]

In 2012, Cm Punk attracted me to pro wrestling for the first time since I was a child. I came in right around the Punk/Daniel Bryan feud over AJ Lee. I stuck with it for a few years, largely culminating with Wrestlemania 30 and Daniel Bryan’s incredible double win. After that, my interest petered out, but I kept an eye on the scene via Botchamania.

In 2021 I was brought back into wrestling via my now fiancé expressing interest in the whole scene. I had heard of AEW as it spun up, but I paid little attention until August of that year. Rumors abound of CM Punk returning to wrestling as AEW visited Chicago just ahead of All Out. Then it happened, everybody kinda knew it would, but it was still intense, one of the loudest pops in the history of pro wrestling. Seeing Phil Brooks walk out to an arena full of folks cheering his name, it felt like a person returning home. It really grabbed me, and when my partner asked what’s this pro wrestling thing about, I knew AEW was gonna be the shows we followed.

Since then I watch AEW programming three times a week, keeping an eye on certain WWE talent and storyline here and there. I’ve gained a dozen new favorite wrestlers, with folks like Orange Cassidy, Hangman Adam Page, and Jon Moxley topping that list. The 2022 All Out incident, “Brawl Out,” soured my opinion of Punk for a while. I still liked the guy, but just the way things went down in that press conference and beyond knocked him down my roster a few rungs. Mox put the company on his back for a few months, proving how indispensable he is. (Like for real, if Jon Moxley isn’t getting a seven figure salary from good old Tony Khan, what the fuck are we doing?)

Eventually, Punk is back, with his own show even. A soft roster split occurs as AEW Collision gets off the ground as a way to both separate Punk from the people he got into a physical altercation with months prior and to feature more of the top talent in AEW. Things seem to be going well, Punk introduces his so-called “Real” World Championship by pulling it out of bag and spray painting a large straight-edge X across the center. Ok, now there’s two World Champs in AEW, makes some sense if there’s a brand/roster split, gotta have two top titles like the other guys right?

Punk rides the line between babyface and heel every episode of Collision, largely dependent on the crowd reaction it seems. The show feels different, not necessarily in a bad way, slightly different pacing, but still good, if just a little off? He keeps a few people known to affiliate with The Elite, the group he had an actual fist fight with, out of his shows, including the company’s head of talent relations. Not a good sign. He makes an after-show shot at Hangman Page, again someone he’d had real beef with just 6 months prior. It felt weird and half-hearted, like why even comment? He apologizes reportedly. An argument with Jungle Boy Jack Perry about use of real glass in spot happens and then leaked out weeks later. Weirder and weirder.

2023, at the biggest pro wrestling show ever, All In Wembley, CM Punk gets into a physical fight with Jack Perry just before Punk is to have the biggest match of his career against longtime rival Samoa Joe. Things are BAD. Joe and Punk do their match, it’s pretty damn good. An investigation into the fight happens. Just under a week later, on September 2, CM Punk is released from AEW, right before All Out 2023. Almost a year to the day from when Punk got into a fight with the executive vice presidents of AEW, he gets into another physical fight over a comment from Jack Perry about real glass. Tony Khan does the right thing and lets Phil Brooks go on his way. And you know what? I think I’ve typed all of this up, at like 2am, to do the same. As much as I like CM Punk from a decade ago now, I’ve moved on. He’s still an incredible talent, and certainly one of the better folks in the wrestling business from politics side of things, but his temper, his inability to just let little things go has got me looking elsewhere.

So goodbye Phil Brooks. Goodbye CM Punk. I hope you just take some time off. Spend it with your wife and dog. Chill in Chicago and maybe just work on comics or movies and shows once the strikes are over. I really do wish you the best, and I guess I want to thank you for reigniting my interest in wrestling. It’s something that my soon-to-be wife and I have bonded over, so thank you and goodbye.

[daisylikesmedia]

Series 8 Episode 7: Kill the Moon

Ok, this one’s going to be a toughie. Hi everyone and welcome back to my Doctor Who reviews, and today we’re tackling one of the most controversial episodes of the show, Kill the Moon. Let’s go.

Also a quick content warning - I’m going to be talking a lot about the pro-life movement and abortion in this review. If that’s uncomfortable for you, don’t feel pressured to read the full review. I’ve left the TL:DR/Overview free of any talk about the specifics, so if you just want to read that and wear I’ve placed it on the tier list, go ahead 🙂.

So, unlike a lot of episodes in Doctor Who, this is an episode that I feel is flawed in concept more than execution. Often an ambitious concept can be squandered by the low budget or a badly written character, but we don’t usually see an episode that by and large is well executed, but conceptually just seems a bit yikes. This is where I’m at with Kill the Moon. A big inspiration for this review is Sarah Z’s video essay on the subject, which is linked at the end of the review, so shoutouts to her for being a girlboss who makes great video essays, but her video focuses on the fact that this episode can easily be seen as a metaphor supporting the pro-life/anti-abortion movement.

Now woah woah woah that is a bold claim about a Doctor Who episode. AND, it’s a claim both the writer and other internet goers disagree with, so what gives? Here’s how it goes. The Moon has started to break apart, and we learn during the episode that there is a living being inside of the moon ready to be born. The decision the episode asks of us, is whether we should keep it alive or kill it. Keeping it alive means we get to protect an innocent life, but it also endangers so much life on Earth. Not only does the Moon control our tides, but also the “eggshell” from the Moon would fall to Earth, creating a possible extinction event depending on how thick the pieces are. The choice is, do we save one life but endanger many others, or do we kill this one life so that others can live their lives in peace.

The story revolves around the clash between Clara, who wants to save the baby, and Lundvik, who wants to kill it, and it’s clear who the writers want us to support. Lundvik is portrayed as ruthless and cold, with her calls for wanting to murder the creature and her lack of a child played against her. Clara, on the other hand, is very much displayed as the western idea of a “pure woman” in this story, with her caring for the creature below and wanting to take the risk, alongside her wanting of a family and child being played as her filling the correct role as a woman in our society. Lundvik’s genuine worries for the future of the ENTIRE HUMAN RACE are dismissed in this scene, as the episode pushes on and wants us to be willing to take the risk and save the baby, despite what consequences may occur.

Even after the human race votes democratically (well, half of the planet gets to), Clara decides to step in and change the course of history, possibly dooming us all. The Doctor ships them back to Earth, and they watch as the baby flies off, no bad things happen, and a new moon is put in its place. Lundvik is then chastised again and forced to apologise to Clara, despite her, at least in my opinion, being very much the one in the right in this story.

Problematic doesn’t even begin to cover it. Abortion rights are at the forefront of western politics right now, with women’s bodily autonomy consistently being under attack from the ruling class (rich white men). Doctor Who is a show that prides itself on being progressive, not only through its structure but also through the contents of its episodes, and to see it make THIS much of a misstep is jarring to say the least. As a woman, we are owed the right to make the choices we need to about our bodies and our futures, and I don’t believe that shunning the risks of having a child is a very responsible thing to be teaching the children and teenagers that watch the show.

Now, I could just leave it at that and dunk it into D tier, but remember what I said at the start of the review. Conceptually, awful. You just saw me tear it to shreds for a page. But execution wise? It’s still Series 8 character writing of course there’s good stuff in here. Clara’s final scene with the Doctor where she confronts him about ditching her at such a crucial moment is absolutely phenomenal. Jenna acts her heart out, and it really feels like the breaking point between her two lives. She knew she was going to have to choose eventually, and this episode breaks her. I also really appreciate the next time trailer not even showing Clara in the story, implying this could’ve been her LAST story with the Doctor. God imagine that timeline…

TL:DR/Overview: Kill the Moon is a Doctor Who story that is bold, but not in a good way. Using the characters at its disposal, it gives us a glaring metaphor for a current political issue, and places itself firmly on the side of cruelty. That should be the justification I need to just throw this episode in the trash, but thanks to some amazing character writing during Clara and the Doctor’s confrontation at the end of the episode, it’s able to squeeze it’s way out of D tier and into the bottom of C tier. This is very much an example of an individual story being saved by the quality of its series, and I think if they tried to pull this off in any other series it would be an easy D tier. Well played Jenna Coleman, you’re an amazing actress and you saved this story.

Sarah’s lovely video on the topic that goes into a lot more detail than I did:

[maroonghoul]

Terror Time 2022. Days 4 thru 9

Hi again. Here’s an update of the films I’ve watched since my last post.

Haunt (2019): I have a bit more to say about this that I hope to write about later. But for now, I went in expecting a premise where if Pennywise was running a haunted house attraction (because it’s full of your worst fears), but it was ended up closer to Texas Chainsaw Massacre. I’m actually not angry of disappointed about the premise we actually got, but I did thought it could’ve gotten more creative with the kills. Taken more advantage of the setting and costumes, I mean. As for my initial expectations, maybe I confused it with another movie. Otherwise, this was Okay.

Host (2020): Yeah, it took me two years to catch up with the pandemic found footage horror film as it were. I will say, I’m impressed, effects wise, with what they were able to film under heavy lockdown. This might be the shortest thing I ever watched that technically counts as a movie, but; limitations. So I can’t complain on that front. Though that bit with the elbows at the end made me sad, in a "even if they survive this, they’re still in a nightmare” kind of way.

The Head Hunter (2019): Another short one. The first half is more dark fantasy, then the second half goes in a direction that reminded me of Evil Dead, though less goofy. This is a story where the moral is; when on a revenge quest, don’t get sloppy.

The Others (2001): Unfortunately, I was spoiled on the ending years ago. But it’s a solid execution on this version of a haunted house story. Whether you know the twist or not, it’s worth watching just for the atmosphere. Just try to ignore who’s listed under “Executive Producer”...

The Mortuary Collection (2019): The other anthology movie I’m watching this year. First thing, if they ever want to continue the Phantasm franchise, I can see Clancy Brown taking over as the Tall Man. Also, solid reveal for why our other main character is so unlikable, even if I had mixed feelings on where she ended up. As for the stories, first one’s cute, although I don’t know how Montgomery would know about this. Second one is pretty funny in a gross out way, although I’m unclear on the how. Third one gave me anxiety, in a good way. And the last one’s a messed up twist on an old setup.

Thirst (2009): Another South Korean horror film here to destroy a bit of my soul, like all the ones I watched before this (The Host, The Wailing, I Saw the Devil, Train to Busan, Tale of Two Sisters). Though for a vampire movie, it had scenes that were funny to me that probably shouldn’t have been. (Him sipping blood through a tube while lying down, the sudden acts of violence, casually lifting objects with super strength, the whole final scene). Maybe I’m just jaded. It’s a movie that certainly sees the sexual appeal of vampires, but also seems to find them ridiculous to some degree. And that the potential or gain of power can reveal how awful the most unexpected people can be deep down.

Sinister (2012): This almost feels like a movie that could’ve been shot during the pandemic, given that 90% of it took place in one house. And yet, this movie is ten years old! That’s just wild to me. It reminded me of The Shining in a few ways (bad father putting his job ahead of his family, son being wide-eyed and scared, family murder with an axe, etc.) It’s the kind of movie that makes you want to go outside and away from a screen for a while...like I did. 

The Brotherhood of the Wolf (2001): Despite what the title might have you think, this isn’t a werewolf movie. I’m not sure that counts as a full horror movie, so much as a film with horror elements. This is, however, one of those films that’s decided to be ALL of the genres. A bit of Kung Fu, Period Romance, Conspiracy Thriller, and yes, Monster Movie, with a bonus inclusion of Evil Cult movie. You like any of these, or any movie with the gusto to try to combine that many genres in one, it’s worth a look.

And that’s it so far. If you want to know about a horror movie I might’ve watched before in previous years, I’ll try to respond with either how I felt about the experience or confirm I haven’t watched it. I’m just happy I had more to say this week.

[themovieblogonline]

House of the Dragon: Blood, Cheese, and Some Showrunner Squeeze

"House of the Dragon" Season 2 has set the TV world on fire again, and not just because of those dragons. If you haven’t caught up, here's a fair warning: spoilers are coming. We’re diving into the most gut-wrenching plot twist of the season, (the Blood and Cheese incident). and how the showrunner, Ryan Condal, gave it a twist from George R.R. Martin’s "Fire & Blood." "House of the Dragon" season 2, episode 1, hits you like a ton of bricks. It’s the kind of horrifying that sticks with you. Blood, a guard, and Cheese, a rat catcher, are on a mission from Daemon. Their target? Aemond, the guy responsible for Lucerys’s death in the season 1 finale. But Aemond’s not around, and Daemon’s orders are vague enough to lead to chaos. Instead of Aemond, Blood and Cheese go after young Jaehaerys, the heir to the throne. The scene unfolds with brutal intensity. As Blood and Cheese execute their plan, Helaena escapes with her other child to her mother Alicent’s room, delivering the devastating news. This scene is already earning its spot as one of the most harrowing moments in TV history. The Book vs. The Screen: What’s Different? In the original "Fire & Blood" book, the scene is even more twisted. Alicent is directly involved, watching in horror as Blood and Cheese torment Helaena. They force Helaena to choose which child will die. It’s a Sophie's choice situation, and Helaena picks Maelor, her youngest. But, in a final cruel twist, Blood and Cheese kill Jaehaerys anyway. Showrunner Ryan Condal had his reasons for tweaking this gruesome tale. Speaking to Decider, he explained, “The first season in the book would take place over more than 30 years. If we tried to do that, we’d have to recast every character. It would’ve been even more difficult to produce and dramatize than what we had.” So, Condal made some age adjustments. Helaena and Aegon’s kids, along with Rhaenyra and Daemon’s, are younger on screen. And Maelor? He simply doesn’t exist in this timeline. Why These Changes Matter Condal’s alterations are more than just logistical. They reshape the emotional core of the scene. By removing the forced choice, the show focuses on the raw horror of the act itself, without adding another layer of psychological torture. It’s a different kind of agony, more straightforward but just as gut-wrenching. These changes also impact the character arcs. Alicent, for instance, is spared the additional trauma of witnessing her grandson's death firsthand, which might influence her motivations and actions going forward. Helaena, fleeing with one child while losing another, portrays a different kind of desperation and loss. What’s Next in House of the Dragon Season 2? With such a strong start, "House of the Dragon" Season 2 promises more twists, turns, and fiery confrontations. The Blood and Cheese incident sets a dark tone for the season, hinting at the brutal battles and intense drama ahead. Ryan Condal’s vision is clear: while staying true to the spirit of George R.R. Martin’s world, he’s not afraid to make bold changes to suit the medium of television. This approach keeps long-time fans on their toes and ensures the story remains fresh and engaging for newcomers. "House of the Dragon" continues to prove why it’s a must-watch. With its blend of faithful adaptation and creative divergence, the show delivers the epic storytelling and complex characters that fans love. The Blood and Cheese scene, in particular, stands out as a testament to the show’s ability to shock and enthrall. As we look forward to more from "House of the Dragon" Season 2, one thing’s for sure: this series isn’t just riding the coattails of "Game of Thrones." It’s forging its own path, with fire and blood paving the way. https://youtu.be/KxU2brWbBX0 Read the full article

[very-much-asleep]

(Spoilers for Attack on Titan season 4 part 3 ahead.)

So, I just watched the finale special and I need to get some of my thoughts out about it.

First up, it was incredible. Attack on Titan is probably the best show I’ve ever watched. The way it makes you care for random people who have two seconds of screentime is incredible.

Second of all: the parallels. The parallels in this special are insane. It first sets up these parallels by showing us that scene in episode one at the start of the special, as well as calling the episode ‘Chapter 1’, and then the details throughout are just… completely astonishing. Watching the terror of the citizens of Marley as the Rumbling approaches is so similar to that first episode when the Titans enter and start eating people; it’s almost like watching the show all over again from the beginning and feeling that unfamiliar fear of the Titans you get in episode one. It emphasises the cyclical nature and themes of cycles of hatred in the show by basically saying, It’s the same thing all over again, just happening to different people and started by different people. It’s just like the Fall of Shiganshina, and a brilliant way of showing how horrible the events happening are.

Ramzi and Halil are sort of the young Eren, Mikasa and Armin equivalents, but I also think that Ramzi is a reference to Eren’s mother and her death: namely, because when they’re escaping from the Rumbling Titans, flying rubble crushes Halil’s head (similar to how Armin’s bully was crushed when Bertholdt kicked Wall Maria open), and another rock crushes Ramzi’s leg, rendering him stuck and unable to escape, just like what incapacitated Carla in episode one. Then, because he’s stuck like she was, he’s left to the mercy of the Titans. The only difference is that this time, Eren’s the one inducing it. This is also made even more impactful considering that Eren wonders before saving Ramzi in that alleyway what his mother would think of what he’s about to do.

I’m repeating myself now, but I can’t emphasis how it’s such a clever, well-executed way of showing how Eren’s character has changed (from begging the Titans to stop eating his mother to causing them to kill millions of innocent people), as well as, again, putting the audience in these random characters’ shoes and making us so scared for them despite not even knowing them. The show comes full cycle in the most painful way possible.

Also, the scene of Hange’s death was so well done. The animation, the dialogue beforehand… I’m pissed that yet another one of my favourite characters is dead, but Mappa more than did her send-off justice. It was amazing. The way we see her go back to her Titan-obsessed mindset after being so serious from, like, season 3 onwards is so bittersweet by showing us how much she’s gone through but is still, at the end of the day, our good old eccentric Titan-loving Hange, because I think we can all say that we missed that Hange a lot, and it’s both comforting and ever the more painful to see her back.

I loved the Annie content, too. She’s one of my favourite characters (not dead, yay!), and the romance between her and Armin provided some much-needed sweetness in this (very literally) crushing episode. The Annie-Reiner hug was so needed.

And now we wait for season 4 part 3 part 2… (wow). Regardless of whether they have an anime-only ending or stick with the manga one, I am so, so excited to see the finale when it releases.

[macachee]

/rp

On your recent dsmp post, thank you for bringing up the fact that techno would’ve died in the explosion and that everyone else in pogtopia was just… alright with that?

Like I feel like so many people don’t acknowledge the fact that Techno had absolutely no idea that Wilbur wanted to blow up Manburg at this point and he thought he was doing a simple reconnaissance mission for them.

Now, you can probably forgive tommy on this front a bit cause he may have assumed Wilbur would’ve told him- but he also never talked to techno about his concerns about this? Or did he just assume that techno would be fine because he’s technoblade?

But I mean if techno had known the place was gonna blow up anyway (assuming wil could find the button lol) he might’ve been more inclined to do something drastic to get him and tubbo out of there. But at the end of the day he didn’t know that so he tried to do the thing that would continue the mission he thought he was on!

Yeah, Techno had absolutely no clue about the TNT; he was just as surprised as Niki when Wilbur told her about it. There is actually a screenshot of Techno in Technocord after someone brought this up, saying something along the lines of "wait, yeah, that would have killed me" so even Techno out of character didn't realize this, lol (I can't find the screenshot right now or else I would include it). Wilbur was going to wait for a time when Tubbo was not on the stage to set off the TNT. He did not have the same courtesy for Techno.

This is actually strategically a strange decision as well; Techno would lose his armor, his weapons, and perhaps some of his credibility if he did not survive, and considering he is by far their best fighter, it would not have ended well for the revolution. Perhaps another sign of how reckless Wilbur was being at the time, that he risked his strongest ally.

With how awful their communication normally is, I would not at all be surprised if Tommy assumed that Wilbur told Techno. It isn't the Dream SMP if they actually speak to each other for once. No matter how social Tommy is, he tends to bottle up his emotions, especially those relating to fear, and Techno does not seem the best person to talk about feelings with if you want to be reassured and not simply handed a meme.

We could also, as you said, consider this as another instance of Tommy seeing Techno as a perfect god who, true to his motto, " never dies," although it makes too many assumptions for me to use it in an argument.

If Techno actually knew about the button, he'd probably be much more insistent on taking Tubbo out to dinner and getting both of them off that stage. Of course, it may also have simply led him to trust Wilbur not to press the button while he was there (regardless if he would or not) or to kill Tubbo faster, as strategically and disregarding loss of life (the canon lives system was not yet canon) it was actually one of their best possible options. He would had to chose between Tubbo, a spy with little to nothing in his pockets, and Techno, the guy in full netherite and an inventory full of weapons. You can see why he might have eventually pulled the trigger instead of trying to get Tubbo out (after waiting for allies that never showed of course), no matter how horrifying it seems.

[handsomelyhiddleston]

Sticky Notes - Tom Hiddleston x Reader

It all started on the set of Ragnarok. They hadn’t even started filming yet. Table reads, choreography, costume fittings, set development…The cast, crew, and even Taika started finding little notes.

Some were specifically to certain people…

“Your laugh is contagious. Thank you for making this set so down to earth and inviting.” You slipped that into Taika’s (the director’s) fanny pack when he left it on his director’s chair.

“I know how hard you’ve been working on your fight choreography, and I just wanted to let you know you absolutely killed it today!” You left that stuck to Tessa’s (Valkyrie’s) water bottle.  

Some you posted for everyone, like “I know that you all put such amazing effort and time into bringing this movie to life and I just want you all to know that it doesn’t go unnoticed.” That note was posted above a table full of ‘easy to grab’ snacks you laid out such as protein bars, fruit snacks, pretzels, and dried fruit.

This continued well into filming. Everyone had tried to figure out who was leaving these little daily encouragements. It got to the point that Taika started calling you Casper, as in “Casper the Friendly Ghost.” Every day at the start of filming he would say. “Come on guys. Let’s make Casper proud.”

Everyone had a theory. Most thought that it was actually Taika just trying to keep morale up. Taika accused Tom but took it back after some comment about the notes not sounding very British.

Your job on set was to cast extras. While you were present daily, you honestly only had to meet with Taika once or twice a day to make sure the next day’s cast extras were ready. You two fell into an easy rhythm working together and he started asking for your opinion on some other aspects of the set. One late afternoon, after an incredibly chaotic day of filming, Taika decided that he was going to scrap the entire scene and start it over.

He pulled out his phone and sent a text to you, Tom, and Chris. “Today can suck it. I’ve just watched the dailies, and something just isn’t right about that scene. Meet at mine in 30 so we can get ahead of it.” A few seconds later he added, “And for the love of God, someone bring some tequila.”

You laughed at his text, jogging to the trailer you shared with the other casting director. You changed into a pair of shorts and a baggy t-shirt and grabbed your keys and wallet. You jumped in your car so you could make a quick trip to the Starbucks down the street since it appeared it was going to be a long night.

“One Venti iced coffee with milk and 1 sugar, one Grande Americano hot with cream and 2 sugars, one Venti hot latte with vanilla, and one Venti hot water with two earl gray tea bags and four sugars on the side. Can I also get one of the small kid’s milk boxes?” You heard the barista repeat your order back and pulled forward and paid.

When you got to Taika’s trailer, Tom and Chris were already there.

“Oh, bless you” Taika thanked you, taking the Latte from you.

“You’re the best” Chris said, taking the lid off of the Americano so it would cool off a bit.  

“Tom, I grabbed you tea.” You handed him the hot water and two tea bags, setting the sugars and milk next to him so he could make it to his liking.

“You’re too kind” Tom graciously took the hot water from you, noting that you grabbed his favorite kind of tea.

In Taika’s trailer there was a table with a bench on each side. Chris and Tom were sat on one side, leaving a space for you to sit next to Taika.

“Anyone grab the tequila?” you laughed, dropping your keys and wallet on Taika’s counter and sitting at the table with your iced coffee.

Taika grabbed the bottle and sat it down in front of you. “You’re already two swigs behind, love.”

“Bullshit” you laughed. “Prove it. Where are the shot glasses?”

“I said swigs, not shots” Taika smirked. “We don’t have shot glasses.”

“Look at how much is missing from that bottle. I just bought it.” Hemsworth backed Taika up.

You looked at Tom, knowing he would be honest with you.

“Hey, you trust Tom more than me?” Taika pretended to be offended.

“Tom always looks out for everybody. I don’t think he’d let me get two shots drunker than you fools.” You teased Taika, poking his side and sticking your tongue out at him.

“Watch” Taika said, putting his arm around your shoulders and looking towards Tom. “How many swigs did we all take?”

Tom laughed, “I’m sorry darling, but he’s telling you the truth.”  

“Fine, fine.” You opened the bottle and took three swigs, handing it to Taika. “Catch up, then.”

Tom started thinking about the compliment you had given him as he took his third swig of Tequila. He felt flattered that you felt that way, but it also reminded him of one of the notes he had found stuck to his trailer door.

“Okay, we need to re-block this whole scene. It just did not translate from script to screen…” The four of you worked on a few line changes and mapped out a better way to execute the scene for over two hours.

There was a bit of dialogue that Taika felt was getting lost that he really just didn’t want to let go of. “We may just have to mess with this tomorrow while we’re filming.”

“Or you could have Loki say it instead of Thor.” You suggested.

“Could do.” You could tell that Taika was thinking it over.

“Here you have Thor immediately going into another hard-hitting line” you explained. “If that line comes from Loki, it makes it less likely to get lost.”

“I think that will fix this problem too” Chris started underlining other parts of the dialogue.

“What do you think?” Taika looked at Tom.

“I mean, I personally think Loki has already evolved enough at that point in the script that it suits him quite nicely.” Tom explained in a way only Tom can explain.

“I agree” you said. “You guys make Loki grow quite a bit in this film and as usual, Tom is hitting it out of the park. I’m 100% confident he will have conveyed that message to the audience by this point.”

“Thank you for your vote of confidence.” Again, Tom was flattered. However, he was growing more and more suspicious that you were Casper.

“Always” you replied, smiling at Tom as you finished your coffee.

“Let me type this up and we can table read it.” Taika grabbed the papers and went to the other side of the trailer where his computer was set up.

“While you do that, I’m going to steal your restroom for a moment.” Chris stood, throwing his empty coffee cup away and closing the bathroom door. Chris joined Taika a moment later.

“Y/n?” Tom said, kind of quietly.

“What’s up?” Your elbows were resting on the table with your chin sat on your hands.

“Can I ask you something?” Tom didn’t want to bring it up in front of anyone. He didn’t want the notes to stop, but he had to know.

Tom looked a bit serious, but you didn’t know why. “Of course.”

“Are you…” He stopped, reaching his hand into his back pocket to retrieve his wallet. “Is this you?”

Your eyes went wide as Tom pulled a small stack of pink sticky notes out of his wallet, laying them down next to each other. There must have been 10 of them in total. You were touched that he actually kept them. Sometimes you felt silly leaving them for people not knowing if they appreciated them. You tried to play it off, laughing. “I thought those were from Taika?”

He pointed at one of them, reading it quietly. “I tried the tea you always drink. I don’t think it could ever replace my love of coffee, but I wanted you to know it pairs well with a good book.” He pointed to another note. “I know you paid for everyone to Uber home after our last night out. I just wanted to tell you I appreciate you. Thank you for always looking out for us.” You could feel his eyes on you as he moved his hand to a third note. “I envy your ability to capture a room. You’ve got an amazing knack for making those watching you feel whatever emotion you’re trying to convey.” When Tom’s hand moved to the fourth note, you heard Taika’s printer turn on.

“Put them away” you said, trying to stack them quickly. Chris started walking towards you and you grabbed the small stack you had gathered and put them in your pocket.

Tom put the rest back in his wallet. “What do you think?” he asked Taika about the changes he had made.

“I think tomorrow is going to be a lot fuckin’ better.” He passed the printed copies around after joining the two of you back at the table.

Tom’s line went over great, and the dialogue flowed much more smoothly. All of the other changes made the scene feel more natural. When Taika called it a night, Chris laid down on the couch refusing to go back to his own trailer.

“Can I walk you to yours?” Tom asked as you stepped out of Taika’s trailer.

The two of you walked back to your trailer in comfortable silence, tired and a little drunk. When you got to the door, you turned around and pulled the pink notes out of your pocket.

“Please don’t tell anyone?” You placed the notes in Tom’s hand.

“I didn’t plan on it” he replied, tucking them neatly back into his wallet.

“I feel silly now that someone knows it was me. Why did you keep them?” You had to ask. You assumed, at most, that people read them, smiled, and threw them away.

“Hmm…” Tom laughed humorlessly, his eyes focused on his wallet. “I think you’re doing a lot more than you realize when you leave your ‘silly’ little notes.”

His response caught you off guard. He almost sounded…sad? Serious?

“Y/n, I’ve had to work with actors and crew that have made filming a project miserable. Whether they were rude or critical or just an absolute diva, there is always someone to bring the room down.” He put his wallet away and looked you in the eyes. “I wish you knew how many of us have kept these notes. Taika has them in the glovebox of his car. The catwalk above the set is covered in notes you’ve left the crew. They’re stuck all over the mirrors in the make-up trailer so that the cast sees them first thing in the morning.”

Your eyes went wide. “What?”

Tom put his hands on each of your arms as if to ensure you were paying attention. “An encouraging word or a genuine compliment can change someone’s entire day, y/n. You have no way of knowing what life has dealt any of these people. They could be depressed or stressed out or wishing they hadn’t woken up that morning…and all of a sudden they receive a tiny bit of kindness from someone and it makes it that much easier to get through another day. Maybe even with a smile on their face.”

Tom wore a soft smile and even though you felt a bit overwhelmed, you couldn’t help but smile back. “Thank you for telling me that.” You moved towards him, pulling him into a tight hug.

“Please don’t forget it.” Tom pulled back a bit and pressed a quick kiss to your cheek. “I hope you get a good night’s sleep.”

“You, too.” You watched Tom walk away before slipping into your shared trailer.

Over the next few weeks, Tom had left you multiple green sticky notes with compliments written on them.

“You looked stunning yesterday”

“Thank you for still being a good listener when I go on rants about things you couldn’t care less about”

“Taika was bragging about you to someone on the phone. I just wanted you to know. I know sometimes you hesitate to suggest your ideas, but you shouldn’t.”

“I appreciate how much time you spend making this a better set to work on.”

“You are an incredible friend.”

You’d find at least one note a day and for every note he left you, you’d leave one for him. The two of you got quite a bit closer after he found out about your secret. You’d spend breaks on set together and often times wound up back in Taika’s trailer with him and Chris. You cuddled and flirted and shared more than a few loving glances, but you never went any further. It felt like it was turning into something more, but Tom was such a gentleman you couldn’t tell.

The note you found this morning, however, completely caught you off guard. The filming was almost done and everyone’s time on set was almost over. You had just sat down next to the director’s chair and opened your laptop. There, stuck to the screen, was a green sticky note. “Darling, would you please be mine?”

You looked up at Tom on stage only to find him already looking at you. He lifted his brow and tilted his head, waiting for your response. You couldn’t help but smile as you nodded ‘yes’.

Taika looked between you, noticing the interaction and intentionally teasing you. “Oi, what’s this then?”

Tom turned, trying to hide his grin by talking to Chris. You closed your laptop to hide the sticky note.

“Nah, I saw you two. Don’t pretend like I’m crazy.” Taika was still looking back and forth between you and Tom.

“Maybe you’re still drunk from last night” you teased, putting your laptop in its bag so you could retrieve the note later.

“Oh, sure.” He dropped it, knowing he’d bring it up tonight when you all gathered in his trailer.

The rest of the filming flew by crazy fast. You and Tom had decided that you would go stay with him in New York until the press junkets and interviews started. When the premier rolled around, you two were already publicly dating so you got to escort him down the red carpet. It had been just over a year since the two of you had started dating.

As the credits for the film started rolling, you felt like you were walking down memory lane. So many people go into making movies of this scale and watching all of the names roll by, one by one, really puts that into perspective. You’d met almost all of these people and worked closely with quite a few of them. As the credits came to an end, you saw that Taika had added an extra credit.

The last few “SPECIAL THANKS” credits were in order as listed…

“The filmmakers acknowledge the assistance of the New Zealand Government’s Screen Production Grant”

“The filmmakers would like to acknowledge the Yugambeh and Bundjalung Peoples of Australia”

“The director would like to thank ‘Casper’, Ragnarok’s own personal friendly ghost”

It had been a year since you’d written one of those notes and it caught you off guard. Tom put his arm around your shoulders, pressing a kiss to your temple. “I told you.”

You and Tom mingled amongst your friends at the after party. Taika was flying. He was so happy with how it turned out and grateful for such a positive response. Everyone in the cast was telling stories from filming and catching up with their friends. By the time you two got back to your hotel room, you were blissfully tipsy and exhausted. You slipped out of your dress and threw on a baggy t-shirt before washing your face and getting ready for bed. When you left the bathroom, you saw Tom sitting on the edge of the bed in his pajamas with a soft, warm smile gracing his beautiful face. He was wearing his glasses and his hair was a mess and he could not have been more attractive if he tried.

“How are you feeling?” he asked, pulling you to stand between his legs.

“Pretty good. How about yourself?” you put your arms around his neck and pressed your lips to his.

“I think there’s only one thing that could make me happier in this moment.” He answered.

You thought he was being a bit cheeky, so you replied with, “oh, yeah? I wonder what that could be.”

Tom reached behind him on the bed and pulled out a small box with a worn, green sticky note on top of it. He didn’t say anything, letting you read it. It was the same note he had left stuck to your laptop screen. “Darling, would you please be mine?” Only now the word “forever” was written at the bottom.

[stagemanagerssaygo]

Heaven and Hell: or my experience being a person of color in Disney’s Hyperion Theater

by Cooper Howell

Heaven and Hell: or my experience being a person of color in Disney's Hyperion Theater. #holdingtheateraccountable Im just gonna go ahead and be straight up. This is pretty scary to share. HEAVEN: Once upon a time Liesl Tommy cast me as Prince Hans in Frozen: Live at the Hyperion. And I was gooped. GOOPED. There was nothing in my prior history that gave any indication this was possible. Up until then every role I played had to do with my race. Every. Single. One. And even ones where it didn’t (Shakespeare or classical pieces mostly) I was always made aware that the novelty of me being a poc in that role that gave me the part. So much did I not expect to get this part that when I got the callback I rolled my eyes and didn’t take the actual callback seriously. I mean, there was a zero percent chance that Disney would ever let me play a Prince, especially when the dude in the movie is a ginger. But then I got it. And immediately everything I thought was possible about my career changed. My whole life I’ve never inwardly felt black. I’ve never inwardly felt white. I’ve always felt like I was Cooper, you know, on the inside. But whether it was every single white human in Utah reminding me that I was “the whitest person they ever knew/saw” (which DIDNT mean how white my skin was. It was how white I ACTED) or Mr. Johnson, my 7th grade drama teacher, telling me that he “wanted to put Velcro on the ceiling to see if I’d stick” or Mr. Smith, my high school drama teacher, saying “finally we can do black shows” as soon as I entered high school and then not casting me in roles because of the "optics" of it, or even my best friend in high school Tanner Harmon who called me "blackie", I was always reminded that I was an other. So imagine getting paid good money to put on that $10,000 costume and waltzing out to 4000 people a day to play a really amazing part. A fantastic, evil, complicated, person who sings a killer duet and then grabs the show by the throat with a vicious about-face monologue... and not once was my race ever mentioned cuz it didnt matter. What was being prized was Cooper, my talent, not my skin color that I never asked for. Heaven. Liesl MADE SURE, almost overly sure, that the poc’s in the cast felt equal. The kingdom of Arendelle, after all, is a make believe place. It can be whatever. From having Disney executives come and tell us that they were happy to have us there, to side conversations with John Lasseter, we were made to feel overly welcome playing the parts we were playing. She encouraged us to dive deeper into the script of a cartoon that I didnt really think much of until I was in it. We were encouraged to ask why. We felt seen as talent and not commodities. There were, of course, detractors. Gosh, I remember people at a party of cast members from "Mickey and the Magical Map" another show at Disneyland which features a princess and the frog number and many of those casts mates angrily claiming that “if that black girl Tiana Okoye can play Elsa than I should be able to play Princess Tiana” and then looking at me to confirm that was okay to say, not realizing that a) she’s one of my best friends, b) that I’m in the show with her also playing a role that wasn't created to be a poc, c) how racist that sounded, and d) why there's a difference there and why that wouldn't make sense. On Liesls final night I came up to her and said “I don’t know why you did it but thank you so much for casting ME in this part” to which she replied “you mean why would I cast a handsome, talented person in this role?” And I stuttered something like “well, I mean, I’m black. You know...” to which she tilted her head to her side and said “no. I don’t know why. Tell me why that matters.” And I had no answer. Seeing that I had no answer she smiled. That was the answer. There was no reason. On the spot my outlook about myself changed. Windows into what I thought was possible for me opened. -------------------------------------- HELL: And then Liesl went back to NYC and she was replaced by a man named Roger Castellano as show director. Rogers task, he told us on the first day, was to "change the show". We were not told what needed to be changed or even why, but that changes were on the horizon. You've got to understand: to a full cast of actors who had just spent more than three months dissecting a 60 page Disney script with a Tony nominated director like it was Shakespeare, we were initially emotionally/mentally/spiritually resistant to changes. But then it became clear that the spirit of collaboration was over, and the show changes were to be given without the same care, consideration, and thematic explanation of why they were being made. Everyones initial reaction was to push back, but when people who questioned their notes or their changes started getting days removed their schedule or being replaced entirely by a new actor, the Hyperion theater became a place where no one was allowed to speak out. Injustices were happening left and right and no one felt they could do anything for fear of losing their livelihood. And that's when the Frozen: Live at the Hyperion became a living hell. In my first note session with Roger he pulled me into a room with Domonique Paton, my best friend and incredible costar who played princess Anna in the show I was in. She just so happens to also be black. Almost all of Prince Hans’s scenes in the show are with her character and so most of my notes would be primarily based on those interactions with her. Earlier in the day I performed with a different (white) actress but it was the show with Domonique that I had a note session about. Imagine my surprise and dismay when, with how Liesl set up the show experience, we were told this: “WHEN THE TWO OF YOU PERFORM THE SHOW TOGETHER ITS TOO… URBAN.” Urban. What else could that have meant, do you think? He could have said maybe “too contemporary” emphasizing that we were maybe too modern in our speech patterns or movements. We weren’t. He could have said “too lax” or “too loose” meaning that maybe we were being unprofessional and goofy up there because we’re really good friends. We were not. The best me and Ms. Paton could think of was a 8 count moment of improv dance that me and Domonique decided to use as a synchronized moment of unity. It happened to fall on the line “our mental synchronization can have but one explanation” and thought, with the freedom that Christopher (the original choreographer) had given us, was appropriate, especially considering everyone behind us was doing the robot. As in the 80s robot. But he didnt clarify. He just said “WHEN THE TWO OF YOU PERFORM THE SHOW TOGETHER IT’S TOO… URBAN” And when asked what he meant he smiled with a little shrug and said "you can figure that out. You're smart." And thats how I became Black Hans and Domonique became Black Anna. My every moment onstage afterwards became about the optics of being a poc in that show. It was if I was suddenly made aware that I was LUCKY enough to be there and under any normal circumstances, or this new directors circumstances, me getting this part would have never happened. But the message was clear. It was especially clear when me and Domonique Paton shows together durastically decreased and made even more clear when the vast majority of the new hires were not people of color. But no one said anything. And made even MORE clear when, over the next few weeks, both Domonique and I got COPIOUS notes, ten times that of our coworkers that played the same parts. It was almost a game. In fact we did turn it into a game, seeing who would get the least amount of notes from him in a day. Our costars would even joke about it onstage with us, during the ballroom scene, and jokingly whisper "The shows been up 15 minutes. How many do you think you got today?" But no one said anything. And the notes were about all kinds of things. How we held our hand. If our inflections went up or down on a word. Which side of a couch we leaned on… which was fine! When you're an actor, thats the gig... until we started comparing our notes with the actors that played our same parts and none of them, NONE, would get the same notes. Our notes would be outrageously longer, the note sessions sometimes lasting 10/15 minutes. Others would get the “Oh hey, try doing this or that next time, okay bye” walk-by notes. Sometimes I would sneak into the audience and watch as some of the other Han's, some of whom changed lines, changed entire intentions of scenes, some of whom adding in all types of vocalizations and cackles and dance moves and what have you, and would receive ZERO notes. But I was watching them to see what was wrong with me. What was my performance missing? What am I actually doing to feel this singled out. And then I realized that the thing that was wrong with me was that I was a different color than the 5 other white Hans's they cast. And then I started getting notes about my penis. Most of the time these “penis sessions”, as I called them, were given in private rooms without another stage manager present. It was incredibly unpleasant and unprofessional. In fairness, those Prince Hans pants are TIGHT! And yes, Mr. Howell is indeed a party in the front and a party in the back, but so were a lot of those fellas. And thats where I put my foot down. If Disney was going to provide me with a costume it is not my responsibility to fix their problem, especially when other of my (white) costars had been given a dance belt for the same thing. But they never got penis notes. Private session notes about what their penis looked like in that show. Over and over again I was told to fix it, to not make it (my dick) so apparent, and that “if my daughter were younger I wouldn’t want her to come to a show you were performing at" all the more insulting considering his daughter, a cast member in the show, was a friend of mine and the loveliest person. He started demanding that I buy a dance belt. It was “my fault”, “my responsibility” …and thats where I took my stand. And then it really became hell. Penis sessions were now done out in the open. Once, he screamed at me, in the green room in front of all of my costars during lunch, about how incredible unprofessional I was, about how he was tired of seeing my dick, and that if I didnt go buy myself one I didnt deserve to be there anymore. Followed by a huge litany of notes. That doesnt compare to some of what Domonique went through and I invite her to share them if she’s willing. During this time I went to every stage manager in the building and told them about being singling out and about my penis. They all told me to write a complaint report and it would go to some place called "HR". Which I did. Numerously. More months passed. Nothing from "HR". Multiple cast members who witnessed my note sessions encouraged me to go to the HR themselves. I didnt honestly know what an HR was. As soon as it was explained to me by my allies even what an HR was I went to the head of HR at Disneyland herself and waited outside of her door. I asked her if she got any of my HR reports and she told me that she had received no HR reports from the Hyperion. Ever. And then asked me to fill out a HR form. As we went over it, she asked me some questions, and then set up a second meeting. On the second meeting she said that in order for my report to be given credence I would need witnesses to give their testimony. The witnesses, in fact the very people that told me to go to HR in the first place, said no. They didnt want to lose their jobs. In retrospect that might be the thing that hurt the most but, whatever... anyway, I was told "“well… without testimonies we’ll do an investigation and we’ll call you when we’ve completed it.” I never received a phone call. With absolutely zero protection from the stage managers from both the sexual harassment or my obvious racial targeting I (and others) were experiencing, not to mention that HR reports were doing nothing, aka not being forwarded, I thought about quitting. And when a white stage manager made a show mistake and laughed it off to the cast by saying an entirely offensive lynching joke, I quit. I didnt matter to Disney. How I felt and what I was being put through didnt matter. I was a commodity. My departure was unceremonious. Bizarre. 100% un-magical. I hung up my costume one last time and it was given to a new Hans, one who looked very much like me oddly, and stepped out of the theater. The park was playing “every wish your heart desires will come to you” and I remember laughing at how dead that song felt. The director has since moved on but still works as a musical theater director in Southern California. This one time 4 years ago I got to feel something other than my color for the first and only time in my professional career. It lasted from about March 2016 to July 2016 and never again since. I will never forget in those early days looking at all the beautiful princesses I got to woo and thinking “wow. I’m a prince right now.” Im sure that sounds stupid. But it didn't feel stupid. And a Disney prince! Yeah, a shitty prince kinda... I mean, he's a sociopath... BUT still a Prince! Especially special was being able to look in Dominique’s eyes and I could see the same glimmer of “can you believe we get to do this right now” reflected back. We never knew it was in the cards for us. My race always has and will always be part of my career equation and a determining factor of its projection. It will always be a determining factor in how im treated, by creatives, by people, by the those in authority over me, including the government and the police. #wasitmyskin

Copied in its entirety here from Cooper Howell’s public Facebook post: https://www.facebook.com/photo.php?fbid=10163696376095054&set=a.10151302685610054&type=3&theater

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Hi!! Can you do they boys getting kidnapped but its Diluc, Childe, and Kazuha? Thank you!!💗💗

Note: I just want to point out that there's no actual reason on how I choose for the reader to beat up the kidnappers since part 1,, it's totally random as long as I'm trying out different ideas whatever fits ehe. Enjoy! 💖

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Kidnapped Genshin Boys x Fem Rich!reader pt.2

Part 1 (Kaeya, Zhongli, Xiao)

Characters: Childe, Diluc, Kazuha

Genre: fluff, established relationship, some woman kicking ass action, (TW: mentions of blood and violence)

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CHILDE

Your boyfriend would definitely try to go head-to-head against the shady group of people who abducted him. The gang accountable must be living under the rock for even considering one of the most dangerous Harbingers as their prey to carry out their schemes.

However, Childe learned that there would be ramifications if he tries to be rash without gathering solid intel first. Having no knowledge of your current circumstances and whereabouts troubled him to the core. They could have already sent out a corresponding group towards you and endanger you if he failed to listen.

Being wealthy is not a foreign concept to Childe as he is also a wealthy man himself. That said, the premonition of being a target for a ransom would not be unrealistic to him. For now, he is glad that he is the victim here instead of having to witness you kidnapped.

"You know, you could've asked me nicely for some money. I might just give it to you, instead of doing all this for my girlfriend's money." Despite being in a position far from desirable, Childe leisurely sat on the chair that he was bound to, crossing his legs. He was making small talks to push away the worst scenarios happening to you. Are you safe? Are you crying? Did they hurt you?

"I don't know who you are to be running your mouth, but you should value your life a little more." Their leader emerged from the group.

Childe's ocean eyes squinted as menace casts upon his pupils, his voice lowered, "Is that so? Ironic, because you guys seem to value money more than your lives."

The head stepped back slightly, "Enough with your empty threats! You should be aware of the current situation you're in. We're not fooling around here."

"I'm not fooling around either."

As sparks were thrown back and forth, you made your way in through the main entrance. Tapping the shoulder that belongs to one of the men, "Excuse me, I need to get to my boyfriend." Your fist sunk into the side of his face when he turned towards you. He collapsed on the ground with a few broken teeth and blood spewing out of his mouth. Moving on to the next adversary in your path, you fought with full faith in your abilities no matter how intimidating they were.

Soon, the leader and people further ahead finally took notice of it. You pave your way towards your boyfriend and eventually, both your eyes meet each other. Childe puffed out a breath of relief when he finally saw you, but also registering the fact that you just took down most of the men with your bare hands.

Kicking away the men who tried to grab you, you then waved enthusiastically at Childe, "Hey girlie, hold still." Rushing right ahead to the leader, you brought your arm near your face, elbow pointing outwards. The sharp edge from your elbow jabbed his throat, causing him to choke and lose balance.

As his reaction dulled, it was your chance to strike again. Thus, you gallantly overthrew their leader and the entire gang by yourself.

After helping Childe, he stood up abruptly and placed his hands on your shoulder with eagerness written all over the face, "I never knew you could fight so well! How about a spar with me right now?" Expect your boyfriend to continuously bug you to indulge in his rampant itch to fight anyone that comes across as a worthy opponent. Though, the real takeaway from this experience was the way your hair clings to your face with sweat as the adhesive and the triumph look in your eyes. It was a rather attractive sight to relish in his taste.

DILUC

Your boyfriend would be infuriated that crooked people like these exist, much less target him to extort money from you. Just another validation to add up on how incompetent the Knights of Favonious is, he thought. Someone will have to clean up their mess, that someone being him. What better way to do that than to follow them to their hideout to seek out the whole organization?

Diluc is renowned for being one of the richest men in Teyvat. Naturally, the group thought they hit the jackpot on not only holding him for ransom, but potentially garnering some money from him as well.

The only concern he carries is your wellbeing. Diluc fears that this incident will affect you mentally. His head started filling up with formulations on ways to resolve this matter without causing any uproar to guarantee your safety.

When the head was introduced to him, he gritted his teeth to suppress every ounce of his might to not reach for his claymore. Diluc still has to prioritize gathering information first regarding the gang. His patrons at Angel's Share are usually the ones providing him with promising intel of any evildoers, but some things are just meant to be obtained by himself.

"Is this the only hideout you have? Quite in a shambles, don't you think?" Diluc's eyes shifted around the dilapidated building, observing the surroundings to know his enemies better.

The leader rolled his eyes, "It wouldn't be so bad once we get some funding from you and your girlfriend." Diluc hummed. Judging from his answer, it is safe to assume that the organization is rather a small scaling one. Defeating them right now will result in uprooting the source once and for all.

As Diluc was about to do so, a lackey of the gang ran frantically towards them, panting labored when he reached and trying to catch his breath. "What is it?" The leader question.

"T-there's... there's someone." He pointed towards a direction with fear layering his voice.

"What? Why are you so scared?" They all glanced towards the spot.

"I swear there was a woman! I don't know who it is, but she took out some of our guys on guard outside."

In disbelief that a woman could have done anything so reckless, the leader trudged to said location. As it is a spot lacking light, the darkness and shadow made it challenging for him to pinpoint if anyone is there. When he moved closer, you crept out behind from his blind spot and kicked the back of his head, causing his head to spin. Your arm lunged forward, gaining a tight hold onto his nape. You put everything into pushing him, his forehead hammered down to the floor. Creating a loud thud, it gave him a concussion.

"Looking for me?" Your foot stamped onto his back, just making sure he stays down.

Everyone, including your boyfriend, had their pupils dilated at the scene. You sighed at the silence, "All of you just messed with the wrong couple." Lifting your foot away, you stomped forward without giving them a second thought. Your arms and legs are all warmed up for many rounds against your foes.

Diluc watched you from afar as you drove your way towards victory. Although he could step in to help, he admits silently to himself that he would like to observe you a little longer. Putting his trust in your calibers to carry you far, his eyes never left your brave figure.

Once you cleared the group, the next thing to do is checking on Diluc. Already unfastening the restrains himself, he walked to you, "That was well executed. Your abilities shouldn't be underestimated. Don't join the Knights though." He stressed the last remark, scoffing. You chuckled and held his hand to guide him out of here, "Thanks. Glad to impress you, Master Diluc. Let's go home."

KAZUHA

Your boyfriend is a rather hard target to impose on for their plans of kidnapping him. His senses are just too refined for an ordinary person to challenge. Basic tactics, such as overthrowing him with the element of surprise have proven to be futile. Thus, Kazuha will always be able to evade falling prey into their hands.

The only way Kazuha could have been kidnapped is through falsifying evidence of you being in a life-threatening situation. Although he has successfully saved his own skin, not the same could be applied to you. Feeling his resolve shaken, what other choices could he have? Prioritizing your safety is the most important thing right now.

Kazuha may have faced similar situations in the past when out in the sea, encountering pirates of other crew aiming for the Crux Fleet's fortune. Being in the position as a captive for ransom is new. He actually found it amusing, rather than having thoughts of blaming you. It is not your fault that you are blessed with wealth. It is the fault of the criminals.

"Ain't you that the kid who's with Beidou? You're part of her crew." The leader questioned his target, to which he was greeted by Kazuha's silence. "Tell you what. You're just like the rest of us. We want to be rich. How about you ask your girlfriend to bring some more money and we'll give you a share as well?"

Kazuha's face darkened, "I don't know what you've heard, but it must be really valiant of you to assume to worst out of the Crux Fleet and myself. I'd appreciate it if you cease lumping me together with criminals like you."

The Crux Fleet does put up with an infamous reputation amongst the Qixing. Perhaps the abductors concluded that Kazuha has a negative conscience just like them, as in upholding a relationship with you to have a taste of your assets. Still, if he tried to talk his way out of it, barbarians like them will never reach a mutual understanding with him. Kazuha shut his eyes, ignoring any further confrontations to preserve his energy as he contemplates a plan.

He was interrupted when he thought he heard your voice nearby, carried by the wind. The others around him did not hear it since it was just something only Kazuha could pick up. Applying full concentration, he managed to form what he heard, "Get out of my way, please, while I'm asking nicely."

Opening his eyes, he turned to stare at the entrance. As if on cue, the door swung open when you kicked it down, announcing your presence. Some men fainted below your feet.

The others instantly reacted by storming towards your direction to stop your advancement. You stood still in your position, taking a mindful deep breath. One thing you learned from Kazuha is to always remain cold-headed before engaging in a fight.

Kazuha wanted to get out of the restraints to rescue you, but instead, you started dishing out few moves against the men.

When you thought you finished with the remaining numbers, their leader was about to declare his victory, "I got you!" Encircling his arm around your neck in an attempt to strangle you, you huffed and grinned towards Kazuha to signal him you have it under control.

You elbowed his stomach and felt him loosen his grip when he winced. Making enough gap between his arm and your neck, you slipped away and swiftly kicked in between his groins. The color drained from his face and tumbled to the ground, passing out in pain, "Hmph, this is what happens when you touch a lady without her permission." You brushed away the hair from your face after an arduous fight.

Jogging towards your boyfriend, "Kazuha!" He brisked towards you as well and held you in his embrace, softly rubbed your nape, "You're giving me plenty of inspirations for a haiku after such a wonderful performance." Kazuha would appreciate you refraining from such a heedless approach next time. He was comforted to see you safe and knowing the threats were nothing more than to use you, his weakness, against him. After witnessing that, Kazuha will be slightly ashamed he even doubted you in the first place, so he trusts that you can watch out for yourself next time.

[jazy3]

Free Guy Review

!!!SPOILERS AHEAD!!!

If you haven’t seen the movie Free Guy (2021) stop reading right now! Drop what you’re doing and go get yourself a ticket! You’ll thank me later!

I loved this movie! I saw it this weekend for the second time because it’s that good! I first saw the trailer on YouTube a while back and then when theatres reopened a few weeks ago I saw the trailer again and my interest was piqued. I had high hopes for this movie based on the fun looking trailer, the premise, the cast, and the sense of fun and escapism that the movie seemed to embody and it did not disappoint. It’s always nice when you have high hopes for something and it meets or exceeds your expectations.

Free Guy is just such a fun and joyous movie. Never taking itself too seriously, packed with lots of heart, cool cameos, full of gaming and pop culture references, and it’s fueled by a unique concept that is well executed. There are just so many things I loved about this movie! It was a ton of fun to watch and the actors clearly had a blast making it. During the movie I kept trying to figure out where I knew most of the actors from but couldn’t place them. When I got home, I googled it and I instantly realized why. The roles are just so different and the actors embody their characters so completely you lose yourself in the film and get completely sucked in. I was honestly so surprised when I figured out what I knew most of the actors from because the roles that they’re known for are so different from their characters in the movie. Their appearances, established ages, and even the accents are so different that I literally did a double take, but that’s what makes the movie so good! Because the main actors obviously didn’t need the paycheque they were just there to have fun and it shows. I think if the situation had been different and the actors involved had been desperate for money or took the role for some other reason it wouldn’t have worked. The film would have come off as cheesy, forced, cringeworthy, or just plain bad. Free Guy is none of those things. The film stars Ryan Reynolds as ‘Guy’ a bank teller in a video game called Free City, Jodie Comer whose best known for playing Villanelle in Killing Eve as programmer Millie Rusk and her avatar Molotov Girl, Joe Keery whose best known for playing Steve Harrington in Stranger Things as programmer Walter ‘Keys’ McKey, and Taika Waititi whose best known for playing Viago in What We Do in the Shadows as the Head of Soonami Studios and the film’s main antagonist and villain Antwan. Rounding out the cast are Utkarsh Ambudka as programmer Mouser and Lil Rel Howery as Guy’s best friend and bank security guard Buddy. In a nutshell, Free Guy is about a bank teller named Guy who finds out he’s a non-playable background character (NPC) in an open-world Grand Theft Auto style video game called Free City. Guy becomes the hero of his own story after meeting Millie, the girl of his dreams, and winning fans all over the world by racking up points by being the good guy and helping others. After leveling up and helping Millie escape a dangerous situation in the game, Guy wins her over and she falls for him thinking that he’s another player. But when the world that Guy knows and all of the people in it are threatened, he teams up with Millie to save his friends before it’s too late. In the real world, Millie enlists the help of her former programming partner and best friend Keys in a race against time to stop their code and all of the sentient characters from Free City from being deleted by Antwan the developer who stole their code when the game’s sequel launches. I love that the movie had a unique premise and didn’t overcomplicate things. There are so many movies that I’ve gone to see over the last few years with such excitement only to be disappointed. For example, I loved Wreck It Ralph, but was so disappointed by its sequel Ralph Breaks the Internet. The trailers made it seem like it would take the premise of the first movie and move things into the online gaming world, and I was excited for that. Instead, the sequel left the premise of the first movie behind entirely and way over complicated the plot and the end result was extremely cheesy and disappointing. Free Guy’s strength is that it’s a self-aware movie made by self-aware people who are excellent at what they do. The movie doesn't take itself too seriously, nor should it, and that allows the story to flow and the characters to feel real and genuine. The movie achieves that perfect balance between being entertaining and telling a cohesive and important story because while the movie never takes itself too seriously the people behind it are serious about what they do. This was very clearly a passion project for all involved, especially Ryan Reynolds, and it shows! As he’s spoken about in interviews and on Twitter, Reynolds called on a lot of his friends to be in Free Guy and help him out and the end result was fantastic! I loved all of the cameos! The Chris Evans cameo was by far the funniest and the Alex Trebek cameo got me right in the feels. When I saw the movie in theatres me and everyone else in the theatre gave a collective “awww” when he appeared on screen. Enlisting real YouTubers to show up as fictional versions of themselves to talk about Blue Shirt Guy’s popularity was a nice touch and you’ve also got blink and you miss it voice cameos by John Krasinski, Dwyane The Rock Johnson, Hugh Jackman, and Tina Fey. Channing Tatum appears as the avatar of player Revenjamin Buttons which for the most part was hilarious. One of my few criticisms of the film is that they went a bit overboard the avatar’s antics as Guy and Buddy are attempting to leave and it got bit a cringeworthy. But I know other people found it hilarious so to each their own. I love all of the little details and references in the movie. Just listing them all would be a post in itself. If you’re someone that loves pop culture references and Easter Eggs this is the movie for you. The characters are fun and believable, and you get attached to them quickly. The actors commit completely to their roles which is makes the humour, romance, and heartfelt emotion of the film work. You buy it. 100%. Something that I absolutely loved was that the characters felt realistic and that the dialogue, attire, and settings for each character really felt authentic. I can’t tell you how many times I’ve watched a movie or TV show and walked away thinking, “The person who wrote that clearly never meet a kid, teenager, or twenty something in their life! That was so unrealistic.” The slang’s all wrong. The dialogue is so eloquent everyone sounds like they did Shakespeare in the Park last summer. You walk away thinking, “What the hell was that? No one talks that way!” What I loved about the characters in Free Guy is that they felt like real people you could actually run into or walk past on the street. I’ve read in interviews that in addition to the written dialogue the cast did a lot of ad-libbing and improvisation and the end result is both hilarious and relatable. The dialogue feels real because it is. The big exception to this of course is Antwan who is altogether off the wall and ridiculous. Antwan is such an outrageous, absurd, vulgar, and cartoonish character. He’s so fun to watch and the actors clearly had a lot of fun with his scenes! I’ve read that a lot of his lines with Keys and Mouser were improvised and I believe it. When he goes all Jack Nicholson on the servers? Lord. He’s such a great villain to watch. The characters that are established to be in their twenties like Millie, Keys, Mouser, and the other employees at Soonami Studios talk, act, and dress like they’re in their twenties. The actors that are in their forties are styled to look like they’re in their thirties and honestly, they’re in such great shape it works! I mean I was honestly shocked to find out Taika Waititi’s real age. I love how the costuming really fits each character and allows you to learn more about them. Keys’ clothing is your typical gamer chic which makes because as we learn from his interview with Millie coding is his life and what gets him up in the morning. From Mouser’s clothing we learn that he’s a sports fan, but also isn’t afraid to take risks like with that blazer ensemble he wears in his final scene at Millie’s apartment.

Millie’s clothing shows the contrast between her and her avatar Molotov Girl, and Antwan’s ridiculous coat enhances the overall wackiness of his character. Guy’s clothing tells us something too. He wears the same thing every day until he meets Millie in the game at which point, he starts deviated from his Free City programming and chooses a different blue shirt. I also really love that they put thought into why Keys needs to wear glasses. Something I noticed on rewatch is that Keys is far sighted which is why he has his glasses on when he’s looking at his laptop or computer and sometimes when’s talking to other people, but not when he goes to see Millie at her apartment or when he goes to get them coffee at the end of the movie. Another interesting aspect of Keys’ character that I noticed on rewatch is self-confidence is really something he struggles with in contrast to Millie and Mouser who are very confident. Millie is a genius programmer and Mouser is excellent at what he does, and they are both very confident in their coding abilities, but Keys isn’t despite being every bit the genius that Millie is. At the beginning of the movie when they first notice the issue with Guy Mouser jokes that Keys needs to be better at his job. In response Keys meekly says he thinks he’s pretty good at his job and trails off at the end. Mouser is just joking around, but because Keys lacks self-confidence comments like that hit him hard. Mouser is moving towards his own desk as he talks so he doesn’t notice how self-deprecating and uneasy Keys’ response is. In the interview from the indie games conference that Millie plays for Keys at his apartment, he brushes off the interviewers comment that he’s a genius and says Millie is the real genius because she created the AI engine and he just wrote the code to make it work. Later on, when Keys helps Millie get into the stash house, she calls him a genius and he tells her that as he’s currently sitting on a toilet stealing user code he doesn’t exactly feel like one. Millie responds offhandedly that he never does, but luckily, she knows better. When Keys realizes that Millie was right, and that Antwan did steal their code and their game worked he tells Millie they need to celebrate because once everyone sees their build she’ll be celebrated and she could win a noble prize. Both Millie and Keys are geniuses in their own right. The game wouldn’t have worked without both of their skills and Guy wouldn’t have come to life without both of them working together. Millie’s AI engine made his sentience possible, but Keys is the one who gave him hopes and dreams so that when he met Millie in the game, he came alive. When done right the settings we see tell the story just as much as the characters do and I love how realistic the settings in Free Guy look. The floor at Soonami Studios where Keys and Mouser work looks like a real office and I love that the desks have clutter and personal effects on them like real cubicles do and that they show Keys taking a box of his stuff with him as he leaves. The lobby with the moving water videos and Antwan’s massive but largely empty office fits perfectly with the obnoxious, zany, and over the top character that he is. I also love the contrast between Keys and Millie’s apartments and how those settings tell us a lot about each character and where they are in their lives when the film starts. When Keys comes home from work to find that Millie has broken in, we see that he lives in a stylish one bedroom apartment with an open concept kitchen full of stainless steel appliances, a large living room centred around an expensive wall mounted TV and entertainment system, with his computer and gaming station set up in the corner. On the walls we see artful clusters of black picture frames, through a partially open door we see a bedroom off to the side, the apartment is full of black and white furniture including a plush couch and nice lamps, and features a textured silver accent wall. All of which makes the fact that Millie managed to break in even more impressive because it is clearly an expensive apartment in a nice building. Keys’ style is minimalist and upper scale and based on what we learn about the events that took place before the start of the movie this indicates that Keys got the apartment and all of the nice stuff in it using the money he received when Antwan bought his and Millie’s game. In contrast, Millie lives in a bachelor apartment and spends her time in coffee shops ordering one single black coffee over four hours. This tells us that she kept her original apartment that she had from before the game was sold and is living off the money she got from the sale while she spends all of her time trying to find the proof she needs to win her lawsuit. When we see Millie’s place, we find that it’s cozy, full of plants, throw rugs, quilts, and comfy furniture. She’s got a bike in the corner, you can see her bed from the centre of the room where she’s got her computer and gaming station set up adjacent to the coffee table and the rest of the living room furniture. Her kitchen is smaller and full of wooden cabinets and her bathroom door has DIY multicoloured square panels on it. Keys and Millie’s apartments are very different and through these settings we see the contrast between where these characters are in their lives, their wealth, and their personal style. The song ‘Fantasy’ by Mariah Carey is featured heavily in the film and is guaranteed to get stuck in your head in the best way! Jodie Comer’s cover of it is amazing! It fits the moment where Guy makes it to the island that is Millie and Keys’ original build and shows it to the world perfectly. This movie made me appreciate Mariah Carey’s music in a whole new way and I can’t be the only way. After watching the movie, I went looking for the song on Apple Music, wound up listening to the Mariah Carey Essentials Playlist, and I’ve become obsessed. I knew some of her hits, but after listening to her music more I get why people love her so much. Her five octave vocal range is amazing, and her music is just so fun to listen to. The film has a really great soundtrack overall and I’ve had many of its song on repeat since I saw it. Something I really loved about this movie and the reveal at the end that Keys is in love with Millie and is desperate for her to notice, but she’s been oblivious the whole time is that they don’t do the supposedly nice nerdy guy whose really a jerk trope. So many movies do this where you have a nerdy male character whose unluckily love, looked over, or his love is unrequited, and we’re supposed to root for him because he’s a quote “nice guy”. But really, he’s not. He’s a jerk who feels slighted because a woman in his life doesn’t love him back or notice him and he feels as if she owes him something. The scene at Millie’s place where Millie tells Keys he looks cute when he brags, and Mouser encourages him to tell Millie how he feels is super frustrating to watch but it’s so important to Keys’ character. He asks Millie out for coffee and when she turns him down to jump back into the game, he doesn’t make a big deal about it even though Mouser wants him to. Instead he gets up and goes and gets her a coffee anyway. She goes to tell him her order, oblivious to the fact that he’s memorized it, he tells her he remembers, and goes to get the coffee anyway much to Mouser’s and the audience’s dismay. This is big because Keys clearly doesn’t want to be walking down the street by himself to get coffee. He wants to be getting coffee with Millie so that he can tell her how he feels to see if she might feel the same way, but when she turns him down he goes and gets the coffee anyway because he truly loves and cares about her and he values their friendship enough to put his own feelings aside and suffer in silence rather than lose her and what they’ve built. So, he takes the opportunity to get some air rather than continue to sit there in disappointment. Which is why he’s so confused when Millie runs after him and calls out to him from across the street. He doesn’t understand what she’s doing there. She turned down his offer to get a coffee and he already knows her order so why is she there? I love that they chose to make that scene non-verbal. I think if Millie had come out and made some big declaration of love it would have felt cheesy and overdone. But her running after him and silently communicating through her smile and body language that she understood and that she felt the same way was perfect. It was subtle and beautiful and perfectly acted. It also felt realistic to the characters because in real life when you’ve known someone a really long time and you’ve spent a lot of time with them you don’t always need words to convey what you mean. What Millie wanted to express in that scene was so big and so all-encompassing she couldn’t find the words to say everything that she wanted to say so she didn’t. She just stood there and smiled knowing that being the genius that he is he would understand. It’s like Keys says in their interview, words will fail you, but code never does. His coding worked and now she understands so rather than try and say it all and fail she just looks at him and smiles to show him that she finally gets it. She finally understands what he’s been trying to say to her all this time. And you can see the exact moment Keys realizes why she’s there. The moment where he goes from being confused as to what she wants to realizing that she saw the video and she knows how he feels and that she wouldn’t be standing there smiling at him like that if she didn’t feel the same way. When I watched the scene the first time around, I was anxiously clutching my nachos the entire time because when Keys ran towards her my immediate thought was, “Oh my god he’s gonna get hit by a car and they’re never gonna get to be together! Oh my god!” But then he didn’t get hit by a car and Millie ran out to meet him and for the first time in their relationship she met him halfway and they kissed and it was beautiful! I think because Free City had so much violence in it that’s where my mind went and I’m very glad they didn’t go that route. One of my only criticisms about the movie is that I wish they had stayed on Millie and Keys just a little bit longer. They kiss and embrace and then very quickly they cut to black. I wish they’d linger on that moment just a little bit longer because I love those characters so much and in the scene that follows where Guy and Buddy are reunited we see them hug and then walk away together to start their new lives and I wish we’d gotten just a bit more time with Millie and Keys. I also really loved the parallel between the different kinds of relationships within the movie and how platonic relationships are just as important as romantic ones. The reveal at the end about Guy being Keys’ creation and a love letter to Millie and her realizing she’s been loving Keys vicariously through Guy and them finally coming together and being on the same page is beautiful because from the very beginning the movie is full of clues, hints, and foreshadowing that all comes together at the end. Meanwhile, we see the friendship between Guy and Buddy and how important that friendship is to him because it’s something that he created on his own. His love for Millie is born out of the programming that Keys gave him, but his friendship with Buddy is something that Guy created all on his own of his own volition. Which is part of what makes Buddy’s death on the bridge so tragic. I cried when Buddy disappeared. Reynolds and Howery play their characters with such sincerity that his death pacts an emotional punch you don’t expect. I love that the security guards at Soonami are so moved by Buddy’s heroism and are so captivated by what’s happening with the live stream that Millie is able to sneak past them into the server room and stop Antwan from destroying what’s left of the game. Something else I noticed on rewatch is that during the final battle after Millie gets booted from the game and Guy has to fight Dude on his own the glasses he’s wearing are very similar to the ones Keys wears in the movie which I thought was a cool nod to Guy being Keys’ creation. This really is a movie in which you find something new every time you watch it. For instance, the second time around I noticed that the foreshadowing that Keys is in love with Millie, but she’s oblivious to it because she’s so focused on the game was really well done. In the video from the indie game conference that Millie plays for Keys at his apartment when asked by the interviewer about their chemistry Millie responds first and says that their friends, their relationship is completely platonic, and laughs off the idea that they have chemistry. In contrast Keys falters and is silent and then eventually says meekly that they’re just friends. Millie is looking ahead at the interviewer and to the side away from Keys as she’s laughing and so she doesn’t see Keys’ reaction. At the end of the apartment scene after Millie breaks in to ask Keys for his help, he tells Millie he cares about her and he almost says something else. It feels like he’s about to say, ‘I love you’ but then he catches himself and instead tells her that she needs to leave. When Keys visits Millie’s apartment to tell her that she was right and they’re sitting on the couch he reaches out and puts his hand on her knee and then snatches it back when he realizes he’s gotten too close. He wants so desperately to be closer to her and in his excitement, he gets closer than he normally would before realizing that putting his hand on her knee in that close proximity is not a platonic gesture. Millie is so caught up in the realization that Guy, the person she’s fallen in love with, is an AI and not a real person that she doesn’t notice. My heart broke for Keys in that scene as he realized that Millie had fallen for Guy and kissed him and was so upset about it and meanwhile, he was right in front of her desperate for her to see how much he cares. It must have just wrecked him to go home that night and realize that Guy was based on the lovelorn character he created and that Millie had fallen in love with his creation while at the same time being so oblivious to his real world affection for her. In the scene at Millie’s apartment after they’ve gotten the server from Antwan and Mouser encourages Keys to say something, I noticed on rewatch just how weak and meager Keys’ attempt to ask Millie out is. He stumbles his way through asking her to get a coffee and trails off at the end so it’s no wonder Millie doesn’t clue in that he’s trying to ask her out. And in Keys’ defence he sent her a whole video confessing his feelings for her and all of the little things he loves about her and then told her to watch it and he has no idea if she did or not. We the audience know that Millie only saw half of it, but Keys has no idea if she saw none of it, part of it, or all of it. He knows she got Guy to remember, but she’s also sending him mixed messages. One minute she’s saying he’s cute when he brags and the next, she’s turning him down for coffee to talk to Guy. From the outside it’s so obvious that Keys is in love with Millie, but she doesn’t see it because she’s always looking the other way, not paying attention, so caught up in the game, and too focused on their work to see what’s right in front of her. On rewatch one of the big things I noticed is that Keys is always on the edge of telling Millie how he really feels but he always stops himself because she brushes him or the idea off and because he’s scared of what will become of their work and their friendship if she doesn’t feel the same way. It’s a huge leap. If Millie doesn’t feel the same way it’s going to make their relationship incredibly awkward and could potentially destroy their partnership so Keys decides it’s better not to say anything or only hint at how he feels rather than run the risk of ruining everything. Something else I noticed on rewatch is that in the interview they give Keys says he thinks of himself as an author and that code is what gets him up in the morning and that he loves the ones and zeros of binary because words can fail you and let you down but code never does. At the end of the movie when Millie goes to talk to Guy in Free Life he tells her that he loves her and while he knows that’s his programming he’s realized that he’s a love letter to her and that somewhere out there in the real world is the author. Such a great callback. All in all, I can definitely say that Free Guy has been my favourite movie so far this year! Definitely my favourite movie of the summer. I went to see it twice in theatres and I’ve never done that for any other movie before. I’ll rewatch them at home sure, but I’ve never actually paid money to see something twice on my own. I’m very excited to see the sequel and my hope is that it will be just as good as the first.  Until next time.

[waynedunlaptheorgandonor]

watched s11ep1

i will provide you with a quick review before i disappear back into the ether of twd avoidance

lots of spoilers under the cut. also i wrote way too much and i worked all night and haven’t slept so i didn’t bother to reread literally any of it, so it might be completely nonsensical, tho if you don’t expect that from me by this point idk whose blog you’ve been reading

enjoy:

hokay, first off, i’ll start by saying that i enjoyed it more than i expected to. i’ve been avoiding any sort of discussion about stuff, but my google algorithm is so fucked at this point that i still get recommended articles and stuff every now and then, so i was already pretty aware of what i was walking into, and was expecting it to be eh, but actually i prob enjoyed it more than i enjoyed the finale

(don’t get too excited tho, the finale was rly boring lmfao)

anyway

episode starts off with a tense scouting mission

it takes .005 seconds into the episode for caryl to exchange a look of longing, establishing that they are still having weird conflict and are both too fucking stubborn to do anything about it even tho they hate it desperately

i imagine that will continue for a while

rosita, kelly, carol, maggie, what’s her face with the bad hair, and lydia (i think that’s everyone?) lower down to some army bunker or something, where a bunch of walkers are taking a snooze, and the girls are very respectful of walker naptime, and do their best not to wake them up

obviously they eventually wake up, but i’ll get to that in a sec

as they’re tiptoeing through the walker tulips, there’s this split second where carol spots a machine gun, and looks at maggie with a face like, “can i plzzzz, i am mad horny for that machine gun,” but maggie tells her no. (i 110% expected her to defy orders and accidentally wake up all the walkers, but she actually behaved herself for once. well. mostly)

never fear, tho, after the girl gang collects a bunch of MREs they go back to wait for the dudes waiting up top to pull them up, and bc men ruin everything, one of the ropes break, and daryl catches it before it falls, but then a slow motion drop of blood falls on a walker’s face, and just like that, walker naptime is over, and carol uses her bow and arrow for two seconds before she is like “fuck this” and whips out the machine gun

yes, she is super hot using it

yes, daryl watches her do it

anyway, all the other girls get rescued, and carol is about to be pulled up, but bc she is a #girlboss, she first makes a beeline for one more crate full of MREs. daryl covers her while she gets the loot, and when she gets back up top they have another charged moment as carol hands him back his knife

just fuck already, jfc

titles!

cut to alexandria where everything is still not smilestimes

BUT, we do get to see uncle daryl run and hug rj and judith (and dog), and FUCKING HERSHEL JR, LIGHT OF MY LIFE is also there

istg, they could not have casted a better child, i a d o r e him

oh, and some friends of maggie’s show up too, idk

cut to a staff meeting where everyone is like, whomp whomp, we’re all gonna starve to death unless we figure out something quick

cue maggie going, “oh, i know where food is, but it requires me to tell you my tragic backstory, in case anyone didn’t watch my bottle episode”

she tells her dramatic backstory about all her friends getting slaughtered by the reapers for no apparent reason, and then she’s like “anyway, let’s go back there!”

no one thinks it’s a great idea, but a group of people decide to go anyway, including daryl and gabriel. rosita is super pissed that gabriel is going, and carol doesn’t go, probably partly bc it’s a shitty fucking idea, and also bc they have to keep caryl apart bc otherwise they’ll fix their problems ahead of schedule and they won’t be able to drag out the needless angst

daryl looks kind of annoyed that carol doesn’t volunteer to go 

bitch, i thought you wanted her to stop putting herself in the line of fire! make up your damn mind!

moving on

cut to a thunderstorm, where, if you look closely, you’ll notice daryl is wearing the STUPIDEST hat i’ve ever seen. just get an umbrella, jfc

for some reason negan is with them, bc ig he knows his way around washington dc, and no one in six years has bothered to figure out how to get around the city and/or get a map, and he is like “hey guys, maybe we shouldn’t try to walk in this fucking hurricane,” and everyone is like “FUCK YOU NEGAN, YOU’RE NOT THE BOSS OF US!!!” 

this will be a common occurrence 

but eventually daryl is even like “actually, it’s rly unpleasant out here, and my hat is mad stupid, can we go inside plz?”

so they go inside an old metro station, which is actually a rly cool cinematic choice. i rly like the idea, and they executed it rly well

speaking of executions

there are some fucking RULL CREEPY walkers. idk why they bothered me so badly, but they were what they at first assumed were corpses wrapped up in tarps, but turns out none of them had been properly put down, so they go through killing these rotted bodies that had supposedly been there since The Fall, and it’s very gross and cool

this entire time, btw, negan is like “hey, i know i’m a shitty person, but i have some rational arguments about why we shouldn’t be doing this right now,” and everyone is like, “FUCK YOU NEGAN, YOU’RE NOT THE BOSS OF US!!!” and he’s just like “god fucking damnit”

(i forgot to mention that at one point, when they’re headed into the metro station, negan is trying to warn ppl of the potential danger, and everyone is ignoring him, and he tries to talk to daryl, and daryl is like “fuck you, you think we’re BUDDIES?” and negan is like “oh, ok, so you’re gonna be like that too? fanfreakingtastic” and it’s very funny)

anyway. a fat monster zombie escapes its tarp at one point, and tries to eat some npc, and negan saves him, again is like “hey, anyone else realize that this is a FUCKING BAD PLAN?”, and everyone is like “we don’t care, you’re still shitty and we’re not listening to you, and you don’t actually care about random npc i would literally not be able to pick out in a lineup bc his face is so generic, you’re not the boss of us!!!”

it’s at this point that negan finally is like, “why am i even here? bc i know how to get around washington dc? do none of you have a map?” and i was like, “right?! that’s what i said!” 

it’s then revealed that maggie only brought negan along to murder him under the guise of “oops, he got hurt in the line of duty, it wasn’t my fault,” and daryl has this look on his face that says, “i seriously need to stop hanging out with lethal women bent on revenge bc it’s gonna give me high blood pressure,” and maggie has a badass moment where she points a gun she has for some reason at negan and is like “i have like, one shred of human compassion left inside of me, and if you keep pushing me i will fucking kill you without a second thought, so shut the hell up”

(in her defense, negan had just dropped glenn’s name to purposely antagonize her, which was rude as hell)

(for the record, i’m completely on maggie’s side here, but negan still is right that trapping themselves in a metro station is a bad call)

anyway, moving away from that briefly

i think this jump cut happens sooner, i don’t actually remember, but whatever who cares, point is, we get to the part of the show that actually matters, and that’s anything involving my love, juanita “princess” sanchez

and also eugene, yumiko, and ezekiel

they are being asked increasingly invasive questions by commonwealth ppl, some of which i wish they actually would of answered (what do they use to wipe their asses with?? surely toilet paper has long since become extinct)

zeke, who is so much more tolerable as a character now that he’s not larping as a king, has this incredibly weird and sort of sexually charged moment with a dude in an orange stormtrooper costume, where he’s like, “i bet you were an asshole cop back before The Fall, you stupid fascist, #fuckthepolice, mb literally? idk, this moment has a lot of pent up aggression that could easily translate to hate sex, it might just be the intense eye contact, but w/e, let’s just move along,” and then he has a coughing fit to remind the audience that he’s currently dying of cancer, and orange stormtrooper is like “lolz, loser, drink some water you dumb piece of shit”

cut to the wholesome foursome sitting at a picnic table in a guarded courtyard eating gruel, and yumkio, who finally has a personality, and princess are like “hey, this place fucking sucks, can we leave?” and zeke is like, “yeah, i met this orange stormtrooper who i think might be dtf and/or murder, so we should probably bounce”

but eugene is like, “but i want some hot stephanie ass, and also some bullshit excuse about how mb commonewealth will save alexandria” which, they left before things went super downhill, right? idr. it was after hilltop fell, but they don’t know alexandria got fucked either, if i recall? w/e, not important

two seconds after he says this, they talk to some people who are like “we’ve been here for four months, or maybe it’s been nine, i don’t actually remember, i’ve stopped processing the passage of time,” and the wholesome foursome takes this as a bad sign, tho that’s just the life i’ve lived as a night worker during a pandemic, so i was like #mood

but then they watch some guy get dragged away screaming to get “reprocessed” and eugene is like “ok, nvm, let’s bounce”

(my theory on what “reprocessing” is, is that they’re stuck in a room and have to watch hours and hours of customer service training videos on vhs from the 90s)

i definitely got my jump cut scenes mixed up bc i think the negan accusing maggie of a murder plot thing happened in between this scene and then the next commonwealth scene, but w/e, i’ll just finish what happens in the commonwealth arch

the wholesome foursome are trying to hatch a plan to escape, except princess, my love, is distracted watching some stormtroopers flirt, and the other three are like “wtf, dude, how can you even tell any of them apart?” and princess then tells them every stormtroopers backstory bc she is brilliant and pays rly close attention to shit, and the other three are like, “this is useful information, thank you for being an insane person”

their plan involves yumiko and eugene dressing up as stormtroopers and leading princess and zeke out of the place, which works fine actually, except on their way out they come across the Depressing Wall of Probably Mostly Dead Missing Loved Ones

they’re about to leave, when princess is like, “wait, yumiko, you’re on here, that’s weird huh?”

sure enough, yumiko  is on the wall, with a note from ig her sister 

the scene ends with yumiko going, “guys...i can’t leave...i have tragic backstory to unveil”

tragic backstory to be continued ig

back in murder metro town, npc and some other npc have stolen all the supplies, there’s a train blocking the track, and a horde of walkers are coming towards them, so things are not going fantastic

they horde is too big to take down, so they start to climb on top of the train car to get away

but dog runs away!

and daryl, being every pet owner ever, is like “gotta go get my dog, guys, try not to get killed while i’m gone, c u soon!” and he ducks under the train and disappears

#priorities

the episode ends with maggie climbing up the train car but getting grabbed by a walker and dangling off the edge, and negan is there and they have a lion king moment where maggie is like, “scar! help me!” and negan is like “long live the king, bitch” and walks away into the shadows, leaving maggie to a potential death

which, while i know isn’t actually going to happen, would be a really fucking funny move on the writers’ part

like, “look, lauren’s back! and now she’s dead, bet you didn’t expect that!”

anyway

my assumption is negan will actually end up helping her up or something, continuing his ambiguous morality bullshit that actually isn’t ambiguous bc he BEAT GLENN TO DEATH WITH A FUCKING BAT WRAPPED IN BARBED WIRE IN FRONT OF HIS PREGNANT WIFE

the maggie/negan arch is kind of dumb, but whatevs, i’ll tolerate it, as long as my boy glenn gets justice in the end

anyway, cue credits!

final assessment: good episode. i’m much more interested in commonwealth than the reapers, tho i am hoping that daryl’s personality-less ex turns out to be a monster killing machine with no conscience, that’ll be fun. princess is a gift from god. hershel jr needs his own tv show. needs more carol (and caryl)

the end! going back into my walking dead free chamber! see you next episode!

-diz

[themovieblogonline]

House of the Dragon: Blood, Cheese, and Some Showrunner Squeeze

"House of the Dragon" Season 2 has set the TV world on fire again, and not just because of those dragons. If you haven’t caught up, here's a fair warning: spoilers are coming. We’re diving into the most gut-wrenching plot twist of the season, (the Blood and Cheese incident). and how the showrunner, Ryan Condal, gave it a twist from George R.R. Martin’s "Fire & Blood." "House of the Dragon" season 2, episode 1, hits you like a ton of bricks. It’s the kind of horrifying that sticks with you. Blood, a guard, and Cheese, a rat catcher, are on a mission from Daemon. Their target? Aemond, the guy responsible for Lucerys’s death in the season 1 finale. But Aemond’s not around, and Daemon’s orders are vague enough to lead to chaos. Instead of Aemond, Blood and Cheese go after young Jaehaerys, the heir to the throne. The scene unfolds with brutal intensity. As Blood and Cheese execute their plan, Helaena escapes with her other child to her mother Alicent’s room, delivering the devastating news. This scene is already earning its spot as one of the most harrowing moments in TV history. The Book vs. The Screen: What’s Different? In the original "Fire & Blood" book, the scene is even more twisted. Alicent is directly involved, watching in horror as Blood and Cheese torment Helaena. They force Helaena to choose which child will die. It’s a Sophie's choice situation, and Helaena picks Maelor, her youngest. But, in a final cruel twist, Blood and Cheese kill Jaehaerys anyway. Showrunner Ryan Condal had his reasons for tweaking this gruesome tale. Speaking to Decider, he explained, “The first season in the book would take place over more than 30 years. If we tried to do that, we’d have to recast every character. It would’ve been even more difficult to produce and dramatize than what we had.” So, Condal made some age adjustments. Helaena and Aegon’s kids, along with Rhaenyra and Daemon’s, are younger on screen. And Maelor? He simply doesn’t exist in this timeline. Why These Changes Matter Condal’s alterations are more than just logistical. They reshape the emotional core of the scene. By removing the forced choice, the show focuses on the raw horror of the act itself, without adding another layer of psychological torture. It’s a different kind of agony, more straightforward but just as gut-wrenching. These changes also impact the character arcs. Alicent, for instance, is spared the additional trauma of witnessing her grandson's death firsthand, which might influence her motivations and actions going forward. Helaena, fleeing with one child while losing another, portrays a different kind of desperation and loss. What’s Next in House of the Dragon Season 2? With such a strong start, "House of the Dragon" Season 2 promises more twists, turns, and fiery confrontations. The Blood and Cheese incident sets a dark tone for the season, hinting at the brutal battles and intense drama ahead. Ryan Condal’s vision is clear: while staying true to the spirit of George R.R. Martin’s world, he’s not afraid to make bold changes to suit the medium of television. This approach keeps long-time fans on their toes and ensures the story remains fresh and engaging for newcomers. "House of the Dragon" continues to prove why it’s a must-watch. With its blend of faithful adaptation and creative divergence, the show delivers the epic storytelling and complex characters that fans love. The Blood and Cheese scene, in particular, stands out as a testament to the show’s ability to shock and enthrall. As we look forward to more from "House of the Dragon" Season 2, one thing’s for sure: this series isn’t just riding the coattails of "Game of Thrones." It’s forging its own path, with fire and blood paving the way. https://youtu.be/KxU2brWbBX0 Read the full article