#god life pain

[noknowshame]

why is religious Christmas imagery all so joyful and pleasant? where is the inherent horror of the birth of Christ? A mother is handed her newborn child, wailing and innocent. Her hands come away sticky. Red. Simply by giving her son life she has already killed him. He is doomed from the beginning. Her love will not save him from suffering. Because the thing cradled in her arms is not a baby, it is a sacrifice: born amongst the other bleating animals whose blood will one day be spilled in the name of what demands it. the night is silent with anticipation. Mary, did you know? That your womb was also a grave?

[the-omndell-chronicles]

A spooky start to October (pt. 3)

*as the group sits there they hear the a distinct sound of music playing down the hall*

[hi mod here I just want to say that I am using this song as I loved this movie as a kid and I still do I really need to find sometime to watch it this month actually but lets get back to the story]

Joey: Ah that should be The Wanderer

Noland: oh just end my suffering now

*at that moment The Wanderer walks in placing a box at the center of the meeting table as the music continues playing in the background*

The Wanderer: Hello everyone as you all know it is Halloween and well I just really wanted to announce I do have some notes but none of you really need to be here

*Noland, and Capt. Hope just stare at him with indignation*

Capt. Hope: your kidding me

The Wanderer: no

Noland: I...I had a meeting and you were late to this meeting making me late to that meeting.

The Wanderer: Noland... I doesn't matter remember time is non linear in Omndell. you are still on time

*Noland roles his eyes*

Noland: well I need to go remind my sister that our work is going to get extremely busy in the coming weeks

*Noland leaves after saying this. Not but a few seconds later Capt. Hope just silently and angerly gets up to leaves followed by a slightly annoyed but amused Guinevere and Dr. Good who is trying to calm Capt. Hope*

Scitta: Come on Lurex we have to plan what to do for halloween

Lurex: sorry Scitta I think I have work to d-

The Wanderer: don't worry you have all of October off

Lurex: thanks Wanderer!

*Lurex and Scitta both run off*

The Wanderer: Lacey-

Lacey: already activating the witches brew production line

The Wanderer: and Lily Todd... she is already gone just gone never even left anyways with that I think I can say let the chaos commence

[Hi everyone Mod Wanderer here and oh good god this has been brewing for a while. I meant to have this done shortly after Part 2 but then life hit me like a train and well... yeah haven't had much time for tumblr anyways I'm probably going to be fully back by week's end or beginning of next week]

[bixels]

Scary Sunset.

I'm concepting things way outta order in this story, but I'm sure you can piece things together. Context is for a storybeat where, after defeating and capturing Adagio (thus having all three sirens in her possession), Sunset enacts her revenge plot to release the sirens on Canterlot as Thea discovers she's been manipulated. In a confrontation, the two scuffle and fight over the siren orbs while Sunset struggles with her conflicting wants and emotions.

[poorly-drawn-mdzs]

Ghouls night out

[First] Prev <–-> Next

[lonesome-dreamsss]

his handprint may be burned into your skin but it's still the gentlest touch you've ever received.

[petricorah]

scenes i loved from Real Enough to Get Me Through by @marriedzukka <333 [ids in alt]

[justaz]

lol arthur realizes with the other knights after watching merlin flirt and being hit with a wave of deja vu: holy shit you asked me out

merlin and the rest of the knights around a campfire after leaving a village bc lancelot and leon somehow started a brawl in the tavern: ???

arthur points at merlin: after valiant! you asked me to buy you a drink! you were asking me out!

merlin is busy cooking dinner and confused out of his fucking mind: what???…..valiant….oh the knight with the snakes.

gwaine who was slightly tipsy now stone cold sober and sitting up straight against a tree: wait. explain. what do you mean merlin asked you out??

arthur snaps his fingers as he recalls the memory: i apologized for sacking you and you said that if i bought you a drink we’d be even.

merlin now remembering how he had stumbled into camelot, picked a fight with a pigheaded bully which quickly turned homoerotic and flirtatious, and continued their teasing-flirting for days before merlin shot his shot and asked the prince out only to be rejected: oh yeah, i forgot i did that…..wait, you mean you didnt realize what i was asking?

arthur: no?? we argued everyday, how was i supposed to realize you were asking me out??

merlin now abandoning the dinner and staring across the camp at arthur while the rest of the knights watch their back and forth like a game of tennis: to you we were arguing, to me that was very much flirting. i thought you were flirting back so i decided to ask you. then you rejected me

arthur, mentally beating his past self up for fucking up their chance: i didn’t reject you!!! i just didn’t realize what you were asking me. how was i meant to? we fought every chance we got

leon, nudging elyan, glee and excitement riling through him: its happening!!! its finally happening!!! seven long, grueling years is finally paying off!!!

merlin, realizing the misunderstanding and acknowledging the fact that he wasn’t rejected, his flirtations just weren’t noticed - realizing he still has a chance: oh…oh i see. arthur, my dear, our fights were extremely flirtatious. need i remind you of what you said? “do you know how to walk on your knees? would you like me to teach you?” or “i could take you apart with one blow”

arthur, mental capabilities at an all time low: m…my dear….?????????

merlin grinning devilishly as he realizes that his flirtatious persona he had hidden away after falling head over heels for arthur can make a come back: that is what i called you. should i call you something else? say…mine?

percival gags in elyan’s ear: cheesy

elyan hides a laugh: at least they’re finally getting somewhere. better than the hopeless pining

arthur, flushed from head to toe: ah uh no um im uh

merlin thoroughly enjoying himself: oh come now, your majesty. use your words.

[iite-cool]

thinking about simon being like a cat. a mean ol' one all teeth and claws, scratching and hissing when you stretch a hand out to him. biting you because that's all he knows how to do - it's all he's ever done - and it's kept him alive.

that's what his whole life's been about - staying alive. surviving. maiming anything he sees before it can get to him first. so he doesn't know how to react when you don't bare your teeth at him but just smile and make him tea. he reacts like a stray cat does when it's offered warmth - he's confused. and his confusion gives way to anger and again he spits fire because what else is he to do? accept your kindness? bah! it's a hoax, he knows that. you'll tire of him and claw at his neck sooner or later so he'd rather not let you close enough to do so.

and when you don't give up, and you keep smiling that gorgeous, dazzling smile at him, he doesn't know what to do. no one's ever done this before - been all soft and sweet and only wanting to be allowed to scratch at his ears in reward. why were you doing this? why didn't you run away when you saw how he snarled at you? why do you look at him with those big, beautiful eyes like he's the only person in the world?

at a complete loss, he lets you pet him and oh that smile he'd let you tear his heart out if you would just keep smiling at him. "hey, simon!" god, he wants to drown in the sound of your lips wrapping around his name. you come close to him and his brain stops working, eyes wide and lost when you wrap your arms around him and pull him to you. warmth. is this what it feels like? he wants to live forever in the crux of your arms, creating a life for himself between them.

he couldn't stop purring if he tried, if he were a cat he'd spend the rest of his time on this earth, the earth that tried to bury and kill him and is now making amends by sending him you, running between your legs and swishing his tail around you. simon riley who's always had his head on a swivel, who's not gotten a full night's sleep in a decade lest he miss the chance to look his reaper in the eyes, now sleeps with his head on your lap, belly up and purring.

masterlist

please comment/reblog!! i have so many thoughts about this man that need to be talked about

[namisweatheria]

I feel like we don't discuss Nami's relationship with gender enough. Her entire character is so deeply informed by being a girl in a male-dominated pirate world and it's so interesting and so worth talking about.

The background creepiness of Bad pirate crews, which are most of them, how they tend to not have any female crew members at all, how they beckon any pretty young woman around to come play with them and join them. It's real bad. It's also like, a totally 2 dimensional portrayal of evil that is reserved for the most background of background characters.

However I think their ubiquity says a lot about how piracy is meant to be perceived by the public in One Piece, and is one of the strongest indicators of how prevalent misogyny is in-world.

It's very normal in One Piece for regular island inhabitants to have never met a Different class of pirate in their life. There's no reason for them to withhold judgement that maybe these pirates won't be like every crew that attacked before, and to wait and judge them by their actions. I mean frankly that would be irrationally weak self-preservation.

There are people who live peacefully under the flags of Yonkos who protect them, and feel loyalty and gratitude to them for it, but that seems to only be thing with very big name pirates. The East Blue, being the weakest and least populated, has no such plethora of powerful people and resulting turf wars.

So. Nami. Is very clearly implied to have never met any Different pirates before. I'm thinking about what that means. About how every group of pirates she stole from were creepy, dangerous men. How she started going out stealing when she was still a young child. How she didn't have a mother anymore to guide her or comfort her. How Arlong would grab her chin inappropriately, talk about her as a "human female", as property, and god knows what else.

How all the men in Arlong's crew treated her patronizingly, pretending they're all friends, teasing her and playing at respect when really not a single one of them ever stuck up for her or hesitated to accuse her of betrayal. Who were always ready to kill her if she refused to cooperate. Who grabbed her and intimidated her when they felt like it.

That's what she had to come back to after a close call with stealing from other predatory men, instead of the relief of home there was a dark, cramped room filled with endless hours of misery and isolation and blood. Where any one of her captors could barge in and demand new maps, work faster, where did you go, you took too long again this time. Endless threats and incursions.

I'm thinking about that her fight scene in Alabasta, where she tumbles and rips off her cape and uses it to catch her enemy's spikes, before leaping to her feet and running out the back door, all in one moment. How it makes her enemy reconsider her and think, "so the girl's not a total novice at fighting after all." What that implies about her experiences as a young thief. The times she wasn't fast or clever enough and had to fight and claw her way out. Why she always carried a staff and a knife. Why she was the only one before Chopper who had any medical knowledge or experience.

You know she was stitching herself up. And the weapons, how do you think she learned to use those? If any of the Arlong Pirates helped her it wasn't out of kindness and it wasn't gentle.

Then I think about Nojiko, and Bellemere's memory, and the only softness in a hard life. How easily Nami connects to every young woman experiencing hardship that she meets. How completely she dismisses the struggles of men unless they mean something to her and are going through something terrible. The way that Nami only has sympathy for women and children is easily noticeable in-text, but it's also something confirmed in those words by the author. And it's clearly because of the life she lived, the men who had all the power and only abused it, who saw her as nothing but a girl to take advantage of, without anyone aside from her sister clearly knowing and caring about any of it.

Nami clearly isn't bitter, she doesn't think the world owes her recompense, on the contrary she knows she is far from the only person in the world to suffer the things she has suffered. She is endlessly reaching out and kind, but only to those that she isn't sure would get help without her. Certainly, before Luffy, Usopp, and Zoro, no man ever reached out a hand to her without an ulterior motive.

I think when she sees a girl in trouble, a girl biting her lip to hold in a scream of grief, a girl running in the woods away from a monster, a girl captured by pirates, she sees someone who no one is coming for. Who no one will stick up for. A person without allies in a world against her. Whether it's actually true in this case or not, she runs straight for that girl anyways every single time.

[yumedoca]

Some Lum studies based on her expressions from the love potion movie...

[canisalbus]

Would Machete still be Catholic in modern!AU?

He was raised in a very traditional household, went through a fraught crisis of faith in his teens, became a disillusioned atheist and then eventually more or less made his peace with the whole thing and slid back a little bit to the secular/lapsed catholic territory.

[dykealloy]

ripple effect legacy // my tears are becoming a sea, M83

[tumblerislovetumblerislife]

rewatching charles' death scene and overthinking things again!

i've seen it discussed that edwin didn't mention hell to charles until he was convincing him to go with death (*cough cough* @dont-offend-the-bees' stunning soulmate au)

but i thought about something else, and i don't know if it was deliberate or not: edwin doesn't gesture with his hands during the death scene. like, at all. he holds the lantern out to charles, but the next time he really uses his hands is the "you stay and i go" -- and even that is a very simple gesture, hands out and then folded over his chest. compare this to all edwin's fun gestures in the main series, which are twirly and elegant and unselfconscious

my theory is that this was supposed to convince charles to stay, just like the mention of hell should have. edwin had spent his life being judged for the way he moves. he was called names and bullied and ritually sacrificed for it, everyone reading something in it of him that he hadn't even had the chance to realise

but here is a boy in an attic, dying to the same sort of boys that existed here seven decades ago, and there is no one else but edwin. the thought of someone else dying with the loneliness he felt is unbearable, so he can keep him company. never mind that this boy would not want him close if he could see what everyone else did. edwin can keep himself under control, can fold himself away into the image of a normal boy, can clasp his hands properly in front of him or clench them around his knees, for the few hours it will take this boy to move on to the heaven he is meant for. because if charles saw the echoes of his sixteen years of life and his seventy-three years of hell in him, he would never wish to stay

except that charles rowland does

[scintillatingshortgirl19]

so i finally watched house's head/wilson's heart

[crabussy]

I’m the happiest I’ve ever been in my life and. I just feel like crying over that fact. a few years ago I was sure I’d be an anxious miserable wreck for my entire life but now I wake up and I love the world and I promise one day you will too. please keep going please hold the world tight. you will giggle at something silly with a stranger. a staff member at a place you frequent will smile when they see you. an elderly person will look at you gratefully for helping them. you’ll cry about stupid stuff and laugh about it later. you’ll drink cold water during a hot day and it will be the best sensation ever. being alive is the best thing I’ve ever experienced.

[orcelito]

showing off the commission i got from @ruporas for my fic, In the Next Life!

i'm still so incredibly excited about this. it's been some months since the story event that caused these scars, but i wanted SO BADLY to be able to see what they'd actually Look like... & Here They Are.

ruporas rendered the scars So Well, i just cant stop Looking at them... there's a Fresh & a Healed version, which ruporas was kind enough to give me without additional charge (Thank U Again😭😭) so i get to see what it looks like at different stages.

Lichtenberg Figures. in terms of actual scarring, lightning strikes that people survive don't tend to leave permanent scars, but the lichtenberg figures that they (usually temporarily) leave behind are just So Cool... Now, what happens when you get someone who can survive an amount of electricity/lightning that would be Frankly Lethal to any normal human person?

This :]